T.R | Title | User | Personal Name | Date | Lines |
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1896.1 | | XERO::ARNOLD | Am I re-elected yet? | Wed Feb 08 1989 17:11 | 26 |
| >>> What's the difference between a line mixer and any other kind of
>>> mixer? I guess what I'm looking for is what exactly is a line
>>> mixer?
My understanding is that a "line mixer" only has the equivalent
of line inputs (line level signals). "Normal" studio mixers have
a low impedance, unbalanced line, XLR jack input for use with
microphones in addition to the line level inputs.
Busses, submixes, and all the other stuff that determine one's mixer
needs vary from model to model. I don't know of any rash
generalizations that would separate the line mixers from the "normal"
mixers.
>>> Is the Roland M-160 a line-mixer?
I think so but will defer to others who actually own them.
>>> Would a line mixer be appropriate for an 8-track recorder?
It could be. If you don't use microphones, a line mixer may be
all you need. You'll need some way of deciding how you're going
to connect whatever outputs of the mixer to the 8 inputs of the
deck, however.
- John -
|
1896.2 | M-160 owner speaks (woof!) | TALK::HARRIMAN | Raised on Chemical Beef | Thu Feb 09 1989 13:13 | 37 |
|
.1 is pretty much correct.
A "line mixer" differs from a "mixing console" in the following
manners:
1) Line mixer doesn't have balanced inputs (xlr or otherwise)
2) Line mixer is usually high impedance (>1Kohm)
3) Line mixers in general range from 4 to 16 channels.
4) Line mixers generally lack EQ or channel patching.
>> Is the M-160 a line mixer?
Yes. It does have two channels which can do "mic level" but it doesn't
do balanced mics.
>> is this adequate for 8-track recording?
Depends. It doesn't cut it for me, but it's an excellent keyboard
mixer, and it has balanced outputs so that I can run it as a submixer
to the console.
The major limitation is the lack of multiple outputs to record more
than two tracks at a time. If you need that capability, get a true
recording console (allows each track to be separately assigned to
an output, and you have the ability to group channels to a particular
track).
Good luck.
/pjh
|
1896.3 | | STROKR::DEHAHN | | Fri Feb 10 1989 08:58 | 9 |
|
Just one nit. A line mixer can definitely have balanced inputs and
outputs. Balanced doesn't always mean mic level. Balanced means
balanced. A line mixer has no extra preamplification for signals less
than 'line level', which is somewhere around 1 volt depending on whose
definition you go by.
CdH
|
1896.4 | I stand corrected. | TALK::HARRIMAN | Raised on Chemical Beef | Fri Feb 10 1989 11:33 | 9 |
|
Re: .-1
I stand corrected. Got any examples of balanced line mixers that
are studio quality? I left them out because all the balanced line
mixers I ever saw were Altecs and such, dating from the '60s and
made for Muzak and PA applications.
/pjh
|
1896.5 | | STROKR::DEHAHN | | Fri Feb 10 1989 13:12 | 11 |
|
Sure. I believe Rane's little 6 channel line mixer (SM26?..I'll check)
is balanced. The Urei 1620 is a 6 channel *stereo* board that can
handle balanced lines with plug-ins. And almost all broadcast boards
are balanced in and out. Granted, you'll probably only find the Rane at
places like Daddy's, the others are for 'special' applications. But
they do exist.
CdH
|
1896.6 | Pads and Gains and Bears Oh My | DRUMS::FEHSKENS | | Fri Feb 10 1989 17:03 | 12 |
| Note also that many mixers with balanced low impedance "mic level"
inputs have a switched "pad" that can reduce the gain on the "mic"
input by 30 db or so. This is often enough to make the "mic" input
usable as a balanced low-Z line input. In addition, you can use
the "trim" or "gain" control on the mic input to reduce gain to
the point where line level inputs can be handled.
Of course, you usually only see balanced low-Z line level signals
in professional (as opposed to "semi-pro") gear.
len.
|
1896.7 | | GIBSON::DICKENS | What are you pretending not to know ? | Thu Mar 23 1989 10:30 | 1 |
| Pardon my digression, but what do y'all think about Rane equipment ?
|
1896.8 | headphone mixer/amp great | SUBSYS::ORIN | lo pro, MIDI mo, gotta go | Thu Mar 23 1989 10:37 | 8 |
| < Note 1896.7 by GIBSON::DICKENS "What are you pretending not to know ?" >
>Pardon my digression, but what do y'all think about Rane equipment ?
I have a Rane 6 channel rackmount headphone mixer/amp. It's great.
dave
|
1896.9 | I want more RANE | LEDS::ORSI | See the man with the Stage fright | Thu Mar 23 1989 11:27 | 7 |
| Re-.7
I use the Rane AC22 crossover and the RA27 1/3 octave EQ
with built in real time analyzer. IMO, the Rane stuff is
great.
Neal
|
1896.10 | I've got over $3K worth | STROKR::DEHAHN | | Thu Mar 23 1989 14:41 | 7 |
|
I swear by it, but never at it. Customer service is the best of any
I've ever dealt with. If you don't need or can't afford the pricey
high end stuff, Rane is the next best thing.
CdH
|
1896.11 | | TALK::HARRIMAN | Roget's Brontosaurus | Thu Mar 23 1989 14:42 | 8 |
|
I have two (!) Rane 12 in 6 out monitor mixers. Stackable, relatively
compact, relatively indestructable, sounds great, haven't ever busted.
Wonderful stuff.
/pjh
|