Conference napalm::guitar

So this Friday night, in the intro to Be My Baby, my rack goes, ack barf barf
barf...thunk! and emits this really great smelling cloud of smoke! My
quadraverb, is dark and smoking....so I quickly byass the damn thing and run
straight from the triaxis to the power amp, and finish the night that way (two 
songs).

Saturday before we played I pulled it out and opened it up, one of the bypass
caps on a digital chips is black so I clip it and up she comes. I'm thinking
cool, a couple of the programs were wierded out but I fixed those before
showtime...as I'm tuning up to play the fisrt set my rack goes ack, bark bark 
bark and the quad goes dark again...sigh...(no smoke this time)

just one of those great nights!

So I'm picking and grinning while Andy proceeds to break a string on both
guitars before the first set is done...

dbii (back from vacation)

    way to void that warranty, dbii!

I bought this new in 1989!

warantee no good no more...

dbii

    
     What happened to the Intellifex? Mine still works (not that I'm
    trying to rub it in. Just wondering.....
      
     BTW  ... I hate when that happens, but I always have a backup rig by
    the name of REXX with me (which i probably why it doesn't happen to me)
    
    
     
    

The intellifex is in the "other" midi rack!

ya know the quattro/intellifex/patch bayette/rivera rack....

the one I'm using now...the quad and my triaxis ship out to their respective
manufacturers today. The quad for repairs ($55 fixed fee) and the triaxis for
an adjustment of the LVR whatever that is...and a software upgrade...

dbii

	Well I bought the CD with BBM (Baker, Bruce & Moore), and I'm
	disappointed bigtime! I thought two out of three, can't go
	wrong and I had the old Cream sound in my ears when I bought
	it - I only listened to a couple of songs in the store and
	thought it sounded OK. First, Ginger Baker is shot. No fire
	anymore, he just keeps the pace and he only uses one bass
	drum now - I think he cannot manage to do the double bass
	drum trick anymore (he's more than 60?)..

	But even worse: Gary Moore. He just overplays everything in
	a wild minor pentatonic race in an endless getting nowhere.
	He just hasn't got anything to say! Geez in old days Clapton
	used to compose every solo in Cream - I can still recall every
	note of the solo in 'Sunshine Of Your Love'...

	Gary Moore obviously tries to duplicate EC on this CD. He uses
	the well known pull-off/hammer-on EC trademark all the time, he
	even tries to copy his sound from the Cream days- but he is no
	EC - he is nothing. I can find his sort of talent in the first
	20 bars in the streets of Copenhagen any time! He can't even
	sing!

	Flame off, I'm just disappointed. But never ever will I buy a
	CD with Gary Moore's name somewhere on the cover!

	Poul

    Re: Ginger Baker

    I happen to be aquainted with Bill Ludwig III, heir to Ludgwig
    Industries. He's a fairly close friend of Ginger's (as well as just
    about anyone else that ever used Ludwig drums) and told me a few years
    back that Ginger owns an olive farm in Italy where he now lives and
    -- are you ready -- doesn't own a set of drums.

    Every time Baker come to the US, he calls Bill who fixes him up a kit to
    use while here. Bill, who used to run the endorser program for Ludwig
    and now works as a consultant (his family sold the company to Selmer
    around 1982), has some wild stories to tell of Baker being out of
    control during those Ludwig endorser photo shoots back in the 70s.

    --rjb

    
    
    Gordon Poirier
    WMOIS::POIRIER
    dtn 264-3392
    
    
    I recently sent Fender 2 bucks, s/h, for their latest pr material. I
    know, I know, money wasted, wrong. I got an oversized, big, envelope
    stuffed with great things. It included a great poster of Tele's and
    Strats from the past 40 years. Also, a catalog of all the AMPS that
    Fender is offering from new to reissue to metal bangers, this in itself
    was worth the 2 bucks.
    
    Sooooooo send da mooooooney in to Fender and get ready to sit back and
    want, want, want.
    
    The address is in any guitar mag on the stand.
    
    Gordie

    
    
    >The address is in any guitar mag on the stand.
    
    Great...now I gotta spend $4 so that I can spend $2...I must be
    experiencing another outbreak of GTS Simplex...where's that damn
    ointment???
    

    WTF am I doing on the net at the WiTcHiNg hOuR .!.!.!?!?!?!?

	re. Steve:
    
    >Could part of your disappointment be based on your having a pre-
    >conceived notion of what their music should have sounded like?

	No, in fact I had this oponion about Gary Moore since I heard
	his solo performances, I just thought he would control himself
	a little together with Baker/Bruce - and regardless what type/
	sound of music, Ginger's performance is way too sloppy!

    >In spite of all the younger technical prowess out there, I still prefer
    >the likes of Peter Green, Mick Taylor, Jeff Beck, SRV, Mike Bloomfield.

	Amen!

    >Too bad to hear that Baker is over the hill though.

	Actually, the best work of his (of what I heard) was after Cream,
	together with Baker-Gurvitz Army. Those drums were burning! It's
	amazing he doesn't even have a kit in his house...

	Poul

     Proof:
    
           Given: Barney is a cute purple dinosaur.
    
           Extract the Roman numerals:
           (and remember that the Romans had no letter 'U',
            they used 'V' instead)
    
           CVTE PVRPLE DINOSAVR
           CV    V  L  DI    V
    
           Add them:
           100 + 5 + 5 + 50 + 500 + 1 + 5 = 666
    
           We suspected it all along.

Mike, that's intersting, just a week or so ago I expressed the opinion that
Barney was the antichrist....

dbii

    Take it to alt.dinosaurs.barney.die.die.die already.

ha ha ha ha!  I heard Rodney Dangerfield was under that suite (8^o

    
    
       I think your cheese slipped off your cracker.
    
                                              ;^J
    
                                              

    I was surprised to find out that a lot of people aside from Mikey and
    I enjoyed that stuff.  I got mail from people who said they enjoyed it
    (which was a surprise to me).
    
    But I think half the folks just got tired of it (don't blame them
    really) and others just didn't understand that it was largely in jest.
    
    Don't want to be pissing folks off, so aside from the occasional
    irresistable "straight line", I guess we've stopped it.
    
    >Let's see, what shall we talk about....   I think blues is much more
    >'honest' music than progressive rock.
    
    Since folks think that arguments make this file less usefull and fun
    I'll answer that with:
    
    	"Oh I totally agree.  Blues is much more 'honest' than prog rock".
    
    Wow... isn't this fun!

    
    	I was waiting for db to quote the latest GP.  Didn't read the
    	whole article yet but from the first few remarks about Morse...
    
    	Oh yeah, Bruce roolz.
    	
    	

>    But I think half the folks just got tired of it (don't blame them
>    really) and others just didn't understand that it was largely in jest.
    
    HEY!!!  I WAS DAMN SERIOUS!!!

    Did Bill Monroe die?  I hear a rumor of this over the week-end.
    
    Jim
    
    

    > HEY!!!  I WAS DAMN SERIOUS!!!
    
    Sure Mike.... sure....

re: .26

>    Did Bill Monroe die?  I hear a rumor of this over the week-end.
    
Hmm, I doubt it.  I subscribe to the bluegrass mailing list on the 
internet, and I'm sure I would have heard something there if he had.

-Hal

    NO!!!  WAIT A MINUTE!!  I WAS AS SERIOUS AS I COULD POSSIBLY BE!!!

    >I WAS AS SERIOUS AS I COULD POSSIBLY BE!!!
    
    Of that, I have no doubt, but that's not saying much is it?

Any folks in here that read the COMMUSIC conference might want to know
that it has moved to KDX200::.  A pointer was left in the old location,
but it's date is such that it won't show up in your unseen map.

    
    
    
    Hey, what happened to the Debbie Gibson note????7
    
    
    

    >Hey, what happened to the Debbie Gibson note????7
    
    OH NO -- Someone deleted note 2964 and all of it's replies!!!
    8^(
    
    Ok, fess up, who did it?!?

    I cannot tell a lie.
    
    db did it!

    I did it.  :-)
    
    FWIW, and FWGIF, KDX200 now hosts six conferences...  While disk
    space isn't a problem, band width might be.  SO, behave yourselves.
    
    :-)

>    	I was waiting for db to quote the latest GP.  Didn't read the
>    	whole article yet but from the first few remarks about Morse...
    
>	Lots of quotes just waiting for you to spring on Mikey...

Actually, I think the place to spring a lot of those quotes would've have
been in the old Blues vs. Progressive.

I think the main thing there was thing about how he appreciates the
"direct" stuff, but can't understand why anyone would lash out AGAINST
someone who also seeks to advance their technique.

I think what he's getting at is this:
    
    The debate often seems to between folks who criticize bands like Blind
    Melon for not exhibiting ENOUGH technique, and other folks (like BLind
    Melon) who criticize others for exhibiting too much technique.

    I think what Morse is saying is that BOTH these attitudes are screwed
    up.  You don't judge music based on how much NOR how little technique
    was involved.
    
    So I think what Morse would tell you is that if you reject Blind Melon
    (for example) because they don't have good technique, you've got the
    wrong attitude.
    
    Likewise, if you reject Morse because his stuff exhibits a lot of
    flashy technique, you've got the wrong attitude.
    
    On the other hand, if you reject Satriani... you've DEFINITELY got
    the right attitude.  

    
         I glanced over the Steve Morse article in the
    music store the other day.  I read something about
    Steve using a guitar with SIX outputs, one for each
    string.  Anyone with some relevant info??
    
    Kev --
    

    re: .-1
    
    Steve has an acoustic where each string has its own output.
    
    He is prone to doing some radical panning things such that a solo
    jumps all over the place from left to right.   Since "High Tension
    Wires" seems to be the most popular album in here, I think he does
    it on the solo for "Third Power" (not sure if that's the right title).
    
    	db
    
    

    Re: -1
    
    that's a common technique for people that can't play with emotion. 
    They try to confuse you and space you out by changing channels all the
    time.  Works great on those ancient tribute cover tours in 3rd World
    countries.

    > They try to confuse you and space you out by changing channels all
    > the time. 
    
    Only a Satriani fan could be "confused" by something like that.
    
    Play them anything more complicated than a 4/4 120 BPM guitar boogie
    in E or A and you lose 'em.

    Ummm, I know this was asked before but I can't find an answer. Does
    anyone know if AFTER_HOURS is gone for good or what the story is?

    --rjb

    >    Only a Satriani fan could be "confused" by something like that.
    
    there are no Satch fans in 3rd World Countries.  Neither are they fans
    of rehashed tribute bands that can't get a real gig.

    
    .41
    
    AFTER_HOURS is still available at AKOFIN::AFTER_HOURS  However,
    there hasn't been any recent activity.
    
    

>    there are no Satch fans in 3rd World Countries.  
    
    Thus proving that such countries are far more advanced culturally
    than they are often given credit for.

re: .43
    
>    AFTER_HOURS is still available at AKOFIN::AFTER_HOURS  However,
>    there hasn't been any recent activity.
    
AKOFIN changed node numbers recently.  Check your NCP database to make
sure you're looking in the right place.
    
-Hal

    re .-1
    
    uh, not to sound too naive, but how do you do that?
    
    - Dave

Can't recall if this requires privilege or notm, but I don't think so. (Been
running my own workstation so long I forget what it's like to be mortal.)


$ MCR NCP SHOW NODE AKOFIN

$ MCR NCP TELL ANCHOR SHOW NODE AKOFIN


Waylay-V6.1> $ MCR NCP SHOW NODE AKOFIN


Node Volatile Summary as of  2-SEP-1994 11:01:39

    Node           State      Active  Delay   Circuit     Next node
                              Links

24.456 (AKOFIN)                               SVA-0        31.1008 (MK1RT4)


Waylay-V6.1> $ MCR NCP TELL ANCHOR SHOW NODE AKOFIN


Node Volatile Summary as of  2-SEP-1994 11:01:43

    Node           State      Active  Delay   Circuit     Next node
                              Links

24.456 (AKOFIN)                               BNA-0        55.1014 (A55NIS)


					--Doug

    Usually doesn't take any privileges to check the node number with NCP,
    but it takes access to the database file to change it.
    
    If it's not right, and you have the privileges to correct it, you can
    fix it as such:
    
    $ MCR NCP
    NCP> CLEAR NODE AKOFIN ALL
    NCP> PURGE NODE AKOFIN ALL
    NCP> DEFINE NODE AKOFIN ADDR n.n  ! n.n being the address ANCHOR had...
    NCP> SET NODE AKOFIN ALL
    NCP> EXIT
    
    Greg

re: .48

>    $ MCR NCP
>    NCP> CLEAR NODE AKOFIN ALL
>    NCP> PURGE NODE AKOFIN ALL
>    NCP> DEFINE NODE AKOFIN ADDR n.n  ! n.n being the address ANCHOR had...
>    NCP> SET NODE AKOFIN ALL
>    NCP> EXIT
    
Somehow the latent propellor-head in me is struggling to get out, and I'm
forced to point out that the CLEAR NODE and PURGE NODE aren't really 
necessary (although they won't hurt either).

There *is* one other case that can happen, though, especially when your
node database gets maintained infrequently.  Sometimes the new node number
is still assigned to and obsolete node name.  Let's say for example that
your node database has node FOO assigned to node number 1.2, but it really
should be assigned to 3.4.  But you can't change it directly, 'cause there
used to be a node called BAR assigned to 3.4, and it's still that way in your
local database.  In that case you would have to do:

    $ MCR NCP
    NCP> CLEAR NODE 3.4 ALL
    NCP> PURGE NODE 3.4 ALL
    NCP> DEFINE NODE FOO ADDR 3.4
    NCP> SET NODE FOO ALL
    NCP> EXIT

-Hal

    Or...
    
    $ mcr ncp define node n.n name nodnam
    $ mcr ncp set node n.n all
    
    
    You weenies - this is GUITAR not the NCP/NCL Dialog class.  :-)
    

    In case I missed anyone....
    
It brings me GREAT pleasure to announce the birth of...

	Melody Ann House
	
Born: Friday, September 2nd, 1994  6:54pm
Weight: 7lb 8oz
Length: 21 1/4 inches
Proud Dad: Greg
Proud Mom: Dawn
Proud Sister: Heather            
    
                     

>Born: Friday, September 2nd, 1994  6:54pm
>Weight: 7lb 8oz
>Length: 21 1/4 inches
>Proud Dad: Greg
>Proud Mom: Dawn
>Proud Sister: Heather            
    
    Proud City: Colorado Springs
    Proud State: Colorado
    Proud Grandparents State: Nevada
    ...
    
    ;')
    

    Proud conference: Guitarnotes

    Nice going, Greg. Congratulations.

    --Ron

    Proud Country: USA
    Proud Planet: Earth
    Proud Nebulae: Crab
    
>    Proud Grandparents State: Nevada
    
    Ack-schully...  Proud Grandparent's State is now New Mexico, as of
    the day before Melody was born!  They closed on their new house on
    Thursday, movers showed up with their stuff on Friday morning, got a
    new granddaughter Friday evening, drove up here Saturday morning...
    
    Greg
                                                                       

    re  
    baby house.
    
    
    	Congrats Greg...just keep her away from Alan Starr....8^).
    
    
    P.K.

>    Proud Nebulae: Crab
    
    Yeah...I realize that *we're* not in it, but...well, it's very very
    proud.
    

    re: PK
    
    WAAAAAHAHAHAHAHA!!!

    Hey you guys are  actually using the same time as me, isn't the
    international date line a pain in the b*****.
    
    
    
    P.K.

      
    
     Congrats Greg H! One is never enough! Well - I have two and I think 
    that's enough, so I guess it's an individual thing. Nice name! Musical
    without being too different.
     I'd say that it limits your GTS attacks, but don't use me as an
    example!
    
    

    I wouldn't be too concerned about Gregs GTS - He's a confirmed
    Marshall man and has enough M-Word gear in his house to shame
    most...
    
    However, I'd be watchin' those yearnings for a new tape machine
    or something...

Sorry for crashing in on this conference, but I'm a massive music and guitar 
fan/player, and I was just wondering what this conference is based on.

Is it just for American employees, or does it cover us in the UK?
And, if it does cover the UK, does anyone want to by my Peavey Bandit?

    1. yes, it include employees all ove the world
    
    2. no, nobody wants to buy your Peavey Bandit :-) :-)

Thanx a bunch!

$8^(=

Go on.....Peavey Bandit 65 (!)

ONLY 130 POUNDS!!  ($195)

    George,
    
    Got any plexi Marshall tops kickin around??

   I don't know, I still think he should have named her Catherine.

   -- Sam
   

    Hi, I don't know if I'm in the right place but,...
    
    	There is one question that I want to ask since few years:
    
    What is the name exact of this chord?:
    
    076780
    
    I know that is an "E" but an E what? E9, or something else?
    That is the chord used by Hendrix in many songs.
    Thanks, 
    
		-Fred-

>    What is the name exact of this chord?:
>    
>    076780
>    
>    I know that is an "E" but an E what? E9, or something else?

I think I've seen it called E7#9.  An E9, in your notation, would be 076770.
And it is a wicked cool chord...

-Lance-

    Thanks Lance, I put those chord in my brain!
    
    		       -Fred-

    You guys know NOTHING!!
    
    
    That chord is the "Jimi Chord".
    
    :-)

    I believe that's chord heard round the world:
    The chord that opens the first Cream album.

    I've also heard it called an Eadd9.
    
    gh

    The "Jimi chord" is an 'E Dominant 7, #9' -- which is NOT the same as
    'Eadd9'.

    I always thought of it as the Jan Akkermann chord, as in Hocus Pocus.

        Email from  Dave  Hickernell - he has a job in Boston and sends
        regards - I've  asked  for  permission to post his Inet address
        here and well when he OKs to post it.
        
        Andy
        

    >    Proud Nebulae: Crab
    
    ...and let's keep them out there where nobody can catch'em!

    re the chord
    
    I use that one in "walking by myself" Garry Moore during the
    
    
    What more.....chord ...chord..can I do.
    I'm walking,by myself etcetc
    
    P.K.

Two points :

1.  Has anyone got an idea how much my 1978 Fender Strat USA is likely to be 
    worth? 

and 2.  Seeing as someone mentioned funk#49 earlier, does anyone in the UK have 
        a transcript of it?


See ya,
Matt.

    1.  '78 US Strats - $300-$400 depending on condition.
    
    2.  I don't...But it's got the jimi chord in it.
    :-)

>    1.  '78 US Strats - $300-$400 depending on condition.
    
    That depends on where you are.  The person with the question was noting
    from a node that I believe is in the UK, where prices are significantly
    higher then here in the US.  
    
    Besides...I think this price range is a little low anyway.  That was
    true a few years ago, but it seems like the older USA made (pre
    "American Standard") Strats seem to be commanding better prices these
    days and the prices are all over the map too.  I'd say $350-550, maybe
    more.  
    
    Greg

    
    
    BTW, to go against the public opioion here....I *like* the BBM tunes
    I've heard on the radio.  Does Gary Moore exercise restraint in his
    playing?  Well, no, not much.  Does that matter to me?  Well, no, not
    much. 8-)
    
    Kevin
    

    Does anyone know where I can find rack ears for a single-space unit.
    I picked up an audio timer at the fleas last week that I would like
    to rack-mount. The rack ears on my Tascam patch bay would fit 
    perfectly. Any suggestions would be appreciated.
    
    Mark 

re: .82

>    Does anyone know where I can find rack ears for a single-space unit.
>    I picked up an audio timer at the fleas last week that I would like
>    to rack-mount. The rack ears on my Tascam patch bay would fit 
>    perfectly. Any suggestions would be appreciated.
    
If the unit isn't too thick you might be able to mount it to a rack shelf,
which is easy to find.  Doesn't always work, though.  Sometimes the result is
a bit too thick for one rack space.

-Hal

I don't remember if anyone's mentioned it here or not, but the
real life "Officer Obie" of Alice's Restaurant fame died over the 
weekend.  His real name was William J. Obanhein.

    
    
       Alice's...
    
       I've heard that the restaurant is in New Salem. True?
    
       It's the one on the right in the center.  (Hmmm, the 
    only thing on the right for that matter.)
    
       
      -Rick.
            

    RE: Rack Ears
    
    First, go talk to your network guys.  They generally have TONS of
    rack goodies that they throw away on a daily basis.  They have shelves,
    racks, EARS (DS200 ears can be cut to do one space), screws, clips,
    blanks, etc...
    
    I picked up two scrap 'racks' for my studio of the 20space variety.
    Wrote 'em as scrap and took 'em home and filled 'em up.  Sturdy,
    rugged, and all that, plus they look pretty good.  I think mine
    used to house RM80 disks or something.  The boss had no problem
    with signing the property pass 'never to be returned'.  They were 
    gonna heave 'em anyway.
    
    jc
    
    
      

re: old racks

yeah I've been working on my boss for one, but what they want to do instead is
give me a PRP and then just never ask for them back, of course if we got sold,
TSFo'd or I just finally gave up on DEC and left I'd have to return it. So I'm
still pushing the scrap idea.

dbii hu-hu

    It *should* work.  If its' destined for the Contoocook scrap heap, 
    then DEC doesn't lose anything by giving it to you...  Just check the
    "Never To Be Returned" box  on the PRP.
    
    jc

    re -1
    
    Yep! As the saying goes: "Variety is the spice of life!"
    
    I think it's time for a rash of new topics.
    
    Dom

    I've been on a music break for years! ;-)

    OK, how about this new topic:
    
    	Drop D tuning SUCKS!!!!!!!!!!!!!!!
    
    Any takers?   Didn't think so...

personally I truely hate open G

dbii

Whatabout a topic like "Truly stylish ways of guitar smashing on stage!".

(Townsend, Hendrix, Blackmore, Malmtsteen,...)

/tOM

Just a reminder to anyone here that also reads the MUSIC conference...it
moved to MR1PST::MUSIC the other day.  I suspect from the lack of traffic 
there that many people haven't figured it out yet.

-Hal

    
    	I just figured people wanted to spend more time in GUITAR,
    	"the land of gits and wankers".
    
    	8^)
    
    							GTI
    

    Just get rid of that pony tail before you go in there, least you become
    too creative.

    Is there a topic or string for these guys already?  I stayed up late
    the other night and caught the band Bloodlines on TV (Conan, I think).
    It's Robby Krieger's son on guitar, Berry Oakley's son on bass (and
    playing his dad's old J-bass too), Miles Davis' son on drums and
    Smokin Joe ?????? on lead (who's father isn't anybody I guess).
    
    They were fun; lotsa energy (ah to be young again), and Smokin Joe
    played a mean Strat.  I think they hit the Paradise in Boston recently.
    Anyone seen em?
    
    /rick

Last weekend St Amand played out in what is one of the nicer clubs we've been to
so far. Nice stage, dance floor, house lights etc. well we were getting down
running about acting like typical rock fools and Andy (our other guitarist) took 
a leap off the stage and tore his achilles tendon...he finished the last set
and a half sitting down, and wasn;t too uncomfortable. Now he's off to surgery
today or tomorrow...and of course, we have a big gig this weekend...

The only real surprise to me was that it was Andy and not me that got injured.

So guys be careful out there!

dbii

    His achilles tendon will eventually recover... his pride will be
    scarred for life.
    
    	db - who's been known to jump higher at gigs than on the volleyball
    	     court.

    >His achilles tendon will eventually recover... his pride will be
    >scarred for life.
    >
    >	db - who's been known to jump higher at gigs than on the volleyball
    >	     court.
    
    Well, at least Buck will never suffer such indignity... :-) :-) :-) :-)
    
    (sorry Mr. Buck, couldn't resist)
    
    -b

    I learned my lesson long ago jumping off a drum riser and severly
    twisting my ankle!!  No more poserish antics for moi.

Actually his pride seems to be ok. He's laughing about it...but then he hasn't
been in the OR yet....

The latest, he's going in Monday for the surgery. He will play this weekend
in a wheel chair!

We're gonna have some fun with that it being halloween weekend and all...

No more jumps off those high stages for this band.

dbii

    ankle sprains are worse than breaks.

    >  ankle sprains are worse than breaks.
    
    I've heard that dislocations can be better than sprains and generally
    are better than breaks.
    
    I know a guy whose ankle came completely out of the socket (i hear it
    was at a very gross/disturbing angle) and yet who was almost fully
    recovered in 6-7 weeks.
    
    I've had one sprain that took that long.
    
    	db

    Oh puuuuuuhhhhleeeeeeeeeeeezzzzzzzzeeeeeeee!
    
    Hey, I know... Let's talk about that quarterback who had his
    leg broken in two on national television... compound fractures
    make _excellent_ conversation pieces...
    
    sheeesh.
    
    -b

    OH yeah???  Well take a look at _THIS_ scar!!

    
    
    Wow, I don't believe I've ever seen this conference go this long
    without some new note...and now I've gone and spoiled the streak...
    
    

This is basically from the humor column of Guitar for the Practicing
Musician:

Q: How do you get two drummers to play in time?
A: Shoot one of them

Q: What's the range of a fretless bass?
A: Twenty yards if you have a good arm

Q: What do drummers use for birth control?
A: Their personalities

Q: Why are set breaks limited to 20 minutes?
A: So you don't have to retrain the drummer

Q: How many bass players does it take to change a light bulb
A: None, the keyboard player can do that with his left hand

Q: How does a lead vocalist change a light bulb?
A: He just holds onto the bulb and the world revolves around him

Q: If you were lost in the woods, who should you ask directions from: an
   out-of-tune bass player, an in-tune bass player, or Santa Claus?
A: An out-of-tune bass player.  The other two indicate that you were
   hallucinating
   
Q: How many jazz pianists does it take to change a light bulb
A: Screw the changes, we'll fake it

Q: How many union roadies does it take to plug in an amp?
A: Eleven.  You gotta problem with that?

Q: How do you get a guitar player to stop playing?
A: Put sheet music in front of him.

And my personal favorite:

Q: What was the epitaph on the blues players gravestone?
A: "I didn't wake up this morning..."

---
Three guys sitting in a bar:

#1: I make $75,000 a year after taxes
#2: What do you do for a living?
#1: I'm a stock broker.  How much do you make?
#2: I should clear $60,000 this year
#1: What do you do?"
#2: I'm an architect

The third guy has been sitting there quietly staring into his beer,
when the other two turn to him

#2: Hey... how much do you make?
#3: Gee... ummm... I guess about $13,000
#2: Oh yeah?  What kind of strings do you use?
-----

Another personal favorite:

A guitarist dies and goes to heaven.  There he is greet at the pearly gates
by St. Peter, who says, "Oh, you're going to love it here.   We have 
Marshall stacks in all the practice rooms, every guitar you can imagine and
we have jam sessions every night until four a.m.  Everybody's here: Jimi,
Stevie Ray, Duanne,...  You'll love it here".  The guitar replies: "That
sounds great but tell me, is Steve Morse here?"

St. Peter hesitates and reluctantly answer: "No, I am afraid that Steve
Morse didn't make it up here.   But you must be tired so check into your
practice room and I'll see you later."

So the guitarist finds his way to the practice room and begins unpacking.
From the next room he hears the familiar strains of a progressive rock
guitarist.

As he listens more closely, he realizes that it sounds exactly
like Steve Morse.  He walks back to St. Peter and says "I thought you
said Steve Morse wasn't here."   St. Peter replies "That's correct,
he isn't."

The guitarist shrugs and returns to him room again.  Again he hears
the incredible cross-picked lines, wide vibrato, pinched harmonics, 
chicken pickin, and lightning fast riffs.   He even hears the signature
lick to "Tumeni Notes".   Bewildered, he goes back to St. Peter.  "Look,
I know I heard Morse in the next room," he insists.  "If that's not
Morse in the next room, then who is it?"

St. Peter glances around, making sure no one else is listening and
then pulls the guitarist close and says under his breath, "The guy
in the next room?  It's not Morse... it's God.  He just THINKS he's
Steve Morse.

Yo, db, that's the *best* Morse joke I've ever read! Um, well, yeah, it's the
*only* Morse joke I've ever seen, sure, but...

It's still too much! (Not Tumeni)

Bob (who's about to print out the previous reply...)

>Marshall stacks in all the practice rooms, every guitar you can imagine and
    
    I always thought Heaven will be awesome and have nothing but the best!
    
>in the next room?  It's not Morse... it's God.  He just THINKS he's
>Steve Morse.

    That's not true.  God thinks he's Phil Keaggy!

    >> It's not Morse... it's God.  He just THINKS he's Steve Morse.
    
    >That's not true.  God thinks he's Phil Keaggy!
    
    I was recently informed that god just came out with a blues album.
    
    So, I think we can conclude it's neither Morse nor Keaggy.

    Blues and God/Heaven are mutually exclusive.

    
    
        guess I'll just be headin' down to the crossroads, then...
    
    

    
    
       Anyone know how the Dawg-man is doing?
    
      -Rick.
    

    
    	fyi, Guitar Player is on the net at [email protected].
    
    	Tom
    

    On Jay Leno's show last week, he intimated that comedian Dennis
    Wolfsburg had died. Anybody here know anything about this? I know this
    has nothing to do with guitars, but that's not unusual in this topic.
    
    Danny W.

    
    
    Yes, I'm pretty sure he's gone.  Jay & a bunch of other big-name
    comedians were doing a benefit in LA - last week I think...
    
    

            <<< NECSC::SYS_CLUSTER:[NOTES$LIBRARY]GRATEFUL.NOTE;1 >>>
                 -< Take my advice, you'd be better off DEAD >-
================================================================================
Note 86.46                     Radio/TV Happenings                      46 of 46
SLOHAN::FIELDS "Ain't gonna worry my life anymore"  104 lines  14-NOV-1994 11:22
              -< Clapton Week on VH-1 get those VCRs warmed up. >-
--------------------------------------------------------------------------------
From:	US4RMC::"[email protected]" "Jim Gallman" 12-NOV-1994 00:56:01.30
To:	[email protected]
CC:	
Subj:	FW: VH-1--BLUES & BEYOND 


---------------Original Message---------------
Ok, folks--

Here's the scoop, directly from MTV Networks--all times given are EASTERN, 
    but check your local listings, as they say:

MONDAY:
Clapton and Friends--'86 Birmingham concert--10pm

TUESDAY
24 Nights-Part 1--10pm

WEDNESDAY
24 Nights-Part 2--10pm

THURSDAY:
Clapton Through the Ages (a newly produced career retrospective)--10:-10:30pm
Clapton Rarities (Derek &TD concert footage!!) 10:30-11:30pm

FRIDAY:
Clapton Through the Ages--8:30-9:00pm
Clapton Rareties--9-9:30pm
Clapton and Friends--10pm

SATURDAY:
Clapton From the Cradle--(rehearsal footage galore) 8-9pm
Clapton Through The Ages--9-9:30pm
24 Nights 9:30-11pm

SUNDAY:
Clapton Through the Ages 7:30-8pm
Clapton & Friends 8-9pm
Clapton From the Cradle--9-10pm

    This just in from former DECCIE, noter, and unrepentant blueser
    Ron Burati:
    
    Remember that note in guitar notes from the guy whose fingers turned
    black ever time he played his knew guitar?  People were telling him
    things like "it's the kind of strings you're using", etc.  Well, I've
    been playing my Tele a lot lately.  Sunday morning I used some hand
    lotion for the first time this year.  A couple hours later I pick up
    the Tele and played for about an hour.  When I was done...I had ***black
    finger tips***, well, very dark gray anyway.  I've never gotten black
    fingers from my strings like that before.  A teensy bit gray --- maybe.
    I wouldn't venture to guess what the chemistry behind it is, but it
    would appear that something in the hand lotion caused oxidation.
     

    That's interesting.  If it's doing that to your fingers, it's probably
    also decreasing your string life pretty severely!
    
    Greg

    >                       -< What brand lotion did that?? >-

    RE: .123
    
    That, I've heard, doesn't turn your fingers black... it grows hair on
    your palms...
    
    -b

	Well the guy with the black fingers was me! I was playing my
	new Am. Std. strat with rosewood fretboard, and appearently it
	was treated with SOMETHING that slowly disappeared after some
	weeks of playing time. My fingers were BLACK as COAL! And it
	wasn't the strings, I used the same set as always, tried to put
	on a new set anyway, still black fingers. And I always wash my
	hands with normal soap before playing, I should add...

	Before I put on the new strings, I used a soft cloth to rub off
	most of the stuff from the fretboard, but the warmth of the
	fingertips I guess still picked some up. Strange!

	Poul (now with clean fingertips)

    everyone has different ph levels in their skin too.

Late-breaking news:

    E. U. Wurlitzer's ("Wurly's") now has a store open on Spit Brook Road
(near the D.W. Highway intersection) in Nashua, NH.;  almost next door to
Staples.  Finally some competition for that Other Music Store in Nashua!

    Saw a few Paul Reed Smith's hanging on the wall (along with Fender's
Epiphones, etc.), a variety of amps, keyboards and other neat things.

   Prices?   Well, a package of Earnie Ball Super Slinky's (strings) costs me
$5.25 at the Other Music Store in Nashua; $2.99 at Wurly's.

        Andr�

For any of you that might be interested:

The MUSIC_MAKING conference has moved to TAMVM3::MUSIC_MAKING

    Gee Greg, why don't you make this a little more obvious!

    Why Mike, I don't know WHAT you mean...

   I do!  I do!  :-)

   -- Sam
   

    Ditto.
    
    :-)

    HUH?
    
    
    
    
    P.K.

    
    
      lost.
    
    

    Well, as surmised, I am in fact leaving the company.  I was trying to
    keep it quiet in case they escorted me out when I resigned, but that
    doesn't appear to be happening, so I'll letcha all know now that it's
    official.  My last official day will be Jan. 4th.
    
    Greg

    So Greg, are you going to MCI (their motto: "Where Employees Are A
    Renewable Resource")?
    
    Charlie

    Well 
    	after all this time it seems finally someone who is leaving us
    is doing so under his own steam.
    	As I may not be back when you leave Greg, I wish you all the
    best and every happiness in whatever it is that you chose to do.
    I have enjoyed and learned an enormous amount from you over the last
    Five years and I and everyone is will miss your noting in this and
    many other conferences.
    
    	I hope you will be able to keep contact in some way or other,so 
    you can let us known what you are up to.
    	You and your family will always have a place to stay if you
    ever decide to make the trip downunder.
    
    	Good luck mate!
    P.K.

    Thanks guys!
    
    ...and no, Charlie, not MCI!  (I took your advice!)

    I got this off the Internet.  There's a new guitar mag out in the UK,
    sounds interesting.  I wish someone here would try something like this.
    
    
Date: Wed, 14 Dec 1994 08:34:17 CST
From: "Eric Bell, Howling Dog Systems" <[email protected]>
Subject: Total Guitar - new UK mag is Awesome!

I picked up a new guitar magazine from the UK this weekend called

TOTAL GUITAR

It's a feature and review packed mag and comes with a CD featuring equipment
comparisons, reader demos, instrument demos, play-along samples, and teaching
examples from the text of the magazine.

Thought you guys and gals that read TBL might want to know about it.

It's so good, I sent this to the Editor:

December 13, 1994

Karl Foster
Total Guitar Magazine

Hi, I'm Eric Bell of Howling Dog Systems, here in Canada.

I picked up the first issue of 'Total Guitar' the other day. Cost me 2 1/2
times what a typical music mag does. I didn't care. I was blown away. What an
incredible magazine you've produced!

We've been hounding electronic music and keyboard oriented mags as well as
Guitar mags on this side of the pond to include CDs with their publications
but here in North America they can't seem to figure out how to do it and still
make money. But I think they are really missing the point.

I mean, you can write and write and write about gear, take pictures, etc. but
nothing can replace even a few seconds of *hearing* what its all about.

The value of your magazine easily surpasses the cover price, for just the
Overdrive pedal comparison alone. At last I got to hear all of those different
pedals in one fell swoop!  In fact, we sat around and did a taste test,
quickly rating each one and comparing with your ratings. It was fun!

I've already spent more time with your magazine than with other typical music
magazines, and this bodes well for advertisers. I've listened to the CD
straight thru, and now I'm listening to each section as I go thru the
articles. This is a winning combination.

And your article / examples of Hendrix style playing pointed out a few things
that hadn't really 'jelled' in spite of the amount of time I've spent
listening to him. Like that bend up a fourth. It's so Hendrix, but I never
quite twigged. And the sound of those two string bends... have to add those to
my repertoire!

Anyway, you'll never keep it up. How can you possibly go on providing this
level of detail, and value, every month? Impossible! But I hope you'll try.

Best of luck,

Eric Bell, Howling Dog Systems

Here's the dope on them if you want to contact them directly.

Total Guitar, published by Future Publishing (same # as below)
30 Monmouth St.
Bath, UK
BA1 2BW

Phone: (44) 1225 442244
Fax:   (44) 1225 462986

Internet: [email protected]

Warning, though, I tried to use this internet ID for e-mail and it bounced
back. I don't know if its correct.

Subscription rates are 80 pounds UK for a year (special deal right now).
That's the overseas international rate and works out to about 120 bucks US. I
bought my issue for 10 bucks Canadian.

In the current (first) issue there's a nice write up on the Status Eclipse
Active bass, with demo track on the CD. 

    
    
      I've got a funny feeling that Santa is bringing me a Rocktron
    Midi-Mate foot controller. I happened to see a UPS package arrive
    from East Coast Music Mall and that's the only thing I asked for
    and it's the right size box.....
    
      My wish list has been getting smaller. Most of my gear these days
    is either Rocktron, Hughes & Kettner, or Rexx.
    
    								-B{}{}M-

    Well it's that time of the year again.
    
    	Today's my last day at work for a week or so,so, Merry Xmas 
    to everyone and their families.  Goodbye and goodluck again to
    Greg House, thanks to Dave Blickstein and Mike D'iorio for taking
    the trouble to send me stuff during the year.
    
    	1994 has been a big year of change for me and I hope 1995 settles
    down so I can get back to the really important stuff, guitar playing
    8^).
    
    	I hope everyone has a happy and safe Xmas and New year and see you
    guys in January.
    
    	PS dont forget to brush up on Auld Lang Syne for The New years
    gigs.
    
    P.K.
    
    

    Everyone enjoy massive festivities this weekend!  I'm sure we can
    all use some time off.
    
    Fleas Navi Dawg!!
    
    jc

    I've boned up on Auld Lang Syne, but being that our New Years gig is
    "The Italian Social Club of Keene" I'm also boning up on Tarantela.
    Geez, you'd think that was a prog-rock tune!

    This is it, I'm here for another 5-10 minutes..maybe.  Thought I'd drop
    my final note in here.  It's been great talking with you all.  This
    notesfile has been a bright spot in my Digital experience and I wish
    the best for all of you.  I'll have Internet mail access and will be
    sending my new address as soon as I know it, so there's no need to lose
    touch completely.
    
    Don't bother replying or sending mail now 'cause I won't get it. 
    Thanks for the great conversations!!!
    
    God Bless!
    Greg

    
    
       Okay, who can tell me what hot to check out in 
       Phoenix? I'll be there next week Wednesday thru 
       Saturday.
    
      -Rick.
      

    the desert?
    
    :-)

    
    the hot place in Phoenix is the airport  -- so you can get out of
    there!
    
    

    re: .139
>I picked up a new guitar magazine from the UK this weekend called
>
>TOTAL GUITAR
>
>It's a feature and review packed mag and comes with a CD featuring equipment
>comparisons, reader demos, instrument demos, play-along samples, and teaching
>examples from the text of the magazine.

    I read this with great interest, but was just too busy to find the time
    to reply before Christmas. I might well try and pick up a copy next
    time I'm back in the UK, although I do think that the price is a bit
    too hefty to make me want to take out a subscription.
    
    Funny how no one has come up with the idea of CD demos before; I guess
    the soundcards in Guitar Player are about the nearest thing we've seen
    up to now. I don't know about you guys, but the sensation I usually get
    when reading equipment reviews in guitar magazines is pretty much the
    same as I get when reading the labels on wine bottles: on the one hand,
    you've got adjectives like "warm", "crunchy" and "ballsy", while on the
    other you've got "earthy", "impertinent" and "vivacious" ;-) Fact is, I
    tend to find that you might as well skip the reviewer's personal
    judgements on the sound of a particular amp, so the specifications are
    the only part of the review that's any real use. Well, maybe all that
    has changed...
    
    Not that it'll suddenly make me curious about the sound or the latest
    rack-mounted effects units...;-)
    
    Dom

    
    
    
       You don't mean Airport _Road_ by chance, eh?
    
       I'm stuck there Wednesday thru Saturday. The 
    nights are open.  What the hell do I do in this 
    town?  Any Guit-DECCIES left out there? Any way
    cool clubs that shouldn't be missed? 
    
       As a last resort, there's always the Sun's!
    Eeeeeeck.                               -----
    
    
       Rick.
    

    
    
    Mike Heiser's in either Phoenix or Tuscon.  Karl Moeller is in Phoenix
    -- you might remember him as one of the charter COMMUSIC contributors.
    
    Other than that, about the only useful thing to do there is check out
    the pawn shops...
    

    I don't know if you're into C&W at all, but there's a great house band
    at Mr Lucky's (I think it's near Grand & Indian School Rd).  They are 
    very talented and play a good variety considering they're the house
    band at a HUGE C&W bar.  They did a pretty good rendition of Little
    Miss Can't Be Wrong the last time I was there.
    
    	Rick

    
    
    A keyboard friend of mine is looking for a new amp.  He already has a
    pair of Peavey speakers that don't sound bad, so he's looking for an
    amp-only solution, either self-contained or separate modules.
    
    I'm thinking of the Roland JC-120H, the head only version.  Any other
    suggestions?
    
    Kevin
    

    Has anyone else heard Lenny Kravitz's unplugged and bloozed up version
    of "Are You Gonna Go My Way"?  Does the dobro players intonation sound
    a bit dodgey to you too?  Man, it's almost painful.  (Now go ahead,
    someone tell me it was Ry Cooder or Jerry Douglas sitting in)
    

    Who wants to make a run to The Bananna tomorrow night??
    Send mail!
    
    jc

    
    	From USA Today - What's billed as the largest-ever auction of
    	rock'n'roll memorabilia - more than 60,000 items over 4 days -
    	starts today at New York City's Puck Building.  Goodies include
    	the first Fender electric guitar, built in 1948 (estimated to
    	fetch $500,000); ... and a bloodstained Stratocaster smashed
    	by Kurt Cobain ($10,000-$15,000).
    
    	$500 k !!!!
    

    Also rumored to be among the items, Boom's first Kitty Hawk!
    
    :-)

    
      Hmmm - could be! I still have my second Kitty Hawk, the M1 100
    watter. It still peels paint!!
    
      I still fire it up from time to time. I'm mostly a H & K/Rocktron
    kinda fan these days.
    
    							-B{}{}M-
    
    					every now and then you know it's
    						kinda hard to tell but...
    
    						(I'm still alive and well)
    
    

Has anybody heard from Greg House since he left?  Does he have a new
email address yet?

-Hal

    Hal, re: Greg
    
    Well, I helped him move some stuff out of his house a week after he
    left DEC, but haven't heard from him since he left with that load. 
    As far as I know he does not have a net address yet, but he's only been
    with the new company a week.  He should be sending me email as soon as
    he can.  I'll post it here (with his permission) as soon as I get it.
    
    -- Sam (note the new node name.  Yes, it's Greg's old machine.)
    

    
    
    Maybe it's here and I missed it, but....
    
    The Gibson WWW entry is at 
    
    	http://www.gibson.com
    
    That'll show you two computer jobs at Gibson. 8-)  The guitars are
    on the next page.
    
    Some nice pics availble....
    
    Kevin
    
    

    Could someone give me some brief instructions on how to access the
    WWW. I've used mosaic, but I'm not sure what path I need to use
    or how to get outside of Digital's web. 
    
    Mark 
                                   

   Just bring up Mosaic, pull down the File menu, select then "Open URL..."
   item, and you'll get a dialog box asking for the URL you want to access.
   Enter it, press "Open" and it'll go get it for you.  There's no specific
   trick to get "out on the Web".

   I've tried twice now (over two days) to get to the Gibson server, and it
   won't open it...  

   -- Sam

RE: .163

    Sam, I just tried it and got to Gibson's home page.

- Mark

You guys might want to check your mosaic setup to make sure you have a 
proxy server defined

I use www-proxy.crl.dec.com the socket is 8080



here are the lines:

Mosaic.homeDocument:                    http://www.crl.dec.com/
Mosaic*ProxyGateway:                    http://www-proxy.crl.dec.com:8080/
Mosaic*NoProxy:                         dec.com, localhost


If no proxy is defined or it's incorrect you won't get out of the company

dbii

   Hmmm...  I've never had the proxy set up, and never had a problem.  I just
   tried setting it up and keep getting errors.  I did find, however, that I
   have an evironment variable set up which defaults my home page for me:

   	setenv WWW_HOME http://www.csc.cxo.dec.com/home.html

   Finally did get over to Gibson, too.

   -- Sam
   	

    Thanks for the help all. Found the Gibson home page. There's some
    pretty neat gif files. 
    
    Mark  -  Surfin' the Internet!!
    
    
    

    
    	fyi, this month's GP (EVH on the cover) has a letter from
    	Brian Rost.  He rebutts an article about solid-state /
    	tube amps.
    
    	Tom
    

    
    
    
    ...anyone who takes Brian on in an argument better sharpen his pencil.
    Brian is a walking CDROM full of guitar related info. 8-)
    
    Kevin
    

	I wonder if some of you guys from the US could help me here -
	and this has nothing what so ever to do with guitars - but a
	while back, I read about some city in USA, where the rich,
	employed people live under earth, they have built streets
	and shopping centres under earth and can go direct from 
	their work to home without going 'upstairs' into the streets.
	The poor ones live in the streets, and are not permitted to
	enter the life below the surface, guards are protecting the
	entrancies. As soon as one of the rich goes out into streets,
	the risc for attack and robbery is enormous.

	My colleagues didn't believe what I was telling! And I'm sure
	I read a *serious* article somewhere about this, but I forgot
	the name of the city...

	Poul

Poulo,

Don't believe everything you read about US cities.

Jim

    
    The city you describe is located in Canada,  forget exactly where. 
    Actually, British Columbia and Quebec ring a bell. I saw a show about
    the same place.  It does exist.
    
    Lv

    
    Well, this fabled city sounds like Montreal except for a few slight
    differences. I don't think there is much if any underground housing. I
    never saw any guards controlling who went underground. And even though
    my car stereo got ripped off, I would hardly say the place was
    high-risk for attack and robbery.
    
    The real danger when leaving the underground malls for the streets is
    freezing your face off -- but that's only true 11 months out of the
    year.
    
    JP

	Well thanks for your response! But I'm quite sure it was one
	of the larger cities in the US, perhaps one of those with many
	illegal immigrates from Mexico?? Hmm.

	Poul

    Seattle?

    
    I think there's some Yank baiting going here. . . 
    
    

    Anyone know what Brian Rosts net-address is??
    
    
    

    Yes...
    
    	"[email protected]"
    
    
    kpb

    Thanks!
    jc

    I'm pleased to announce the arrival of
    
    			James Dean Allbery III
    
    			Born: 	1/22/95
    			Weight: 7 pounds, 5.5 ounces
    			Length: 20 inches
    
    Mom and baby are doing fine.  James wasn't due until 2/17, so he
    caught us a bit by surprise.  
    
    Much to my pleasure, he seems to love to listen to me play guitar.
    My Martin D-16H has taken up residence in the bedroom.
    
    Regards,
    Jim (Proud papa, working on his finger-style lullabies)
    

    Congrats Jim!!
    
    FWIW - Babies love music - I used to put my daughter to sleep
    by playing her MegaDeth.  Now she says "Louder Daddy!".  Gotta
    love it!
    jc

    Great news, congratulations Jim.  Is this your first?
    

    
        Congrats, Jim. I like the choice of names, too. 
    
    	Mark

    RE: James Dean Allbery III
    
    Thanks for the congrats.
    
    Yes, this is our first child.  As far as the name, he is named
    after his father and grandfather, not the actor (and certainly not
    the purveyor of pure pork sausage), but it certainly has a nice
    ring to it...
    
    Haven't played him any MegaDeath yet, but my wife has been playing
    him lots of Bach and Mozart for months (even before birth): she's
    hoping for a violinist.  That's fine with me: I've always wanted
    an excuse to buy a fiddle.  But if he wants to play guitar, drums,
    or piano, we're already covered (but then again, he probably would
    really need his *own* guitar).
    
    Then again, maybe he'll turn out to be a drummer.  Melanie (my
    wife) and I met in high school band: we were both in the percussion
    section.  When she bought a drum set, she asked me to come over to
    her house to help her set it up and tune it.  We still have that
    drum set (actually it's quite nice: a seven-piece Rogers memory-lock
    set).  
    
    Jim (James Dean Allbery, Jr.)
      

    I need internet help!!
    
    I've got mosaic up and running but lost my pointed to the WEB page
    that has the price lists on it - Ya know, where you find what you 
    want to purchase, and it shows you the average retail, and the
    low, complete with address??  Can someone post a reply in the "WEB
    Pointer" topic I'm about to create??
    
    Thanks muchly!!
    
    jc

    Now that I'm in the market for some new gear, and seeing
    how this year's NAMM show has passed, can anyone list some
    of the new products for 95?
    
    Kev --
    

    Well, I sold a Marshall top (jcm900) anna pair of 4x12s.  I too am in 
    the market for new toize  (recall my queries regarding my building the
    "ultimate" rig).
    
    Anyway, my first stop will be to purchase a Marsall JMP-1 - simply
    the most straight-ahead MIDI preamp I've ever heard/played with.
    It does the clean/compressed thing, the Fender clean and the Marshall
    clean, plus it does JCM900 style crunchies, AND the famous ADA
    "Screamin' metal" tone that we've all grown to 'love'.  :-)
    All this, and its super simple:  Gain, Volume, bass-mid-treb-pres,
    anna gift "Bass Boost".  100 storage slots.
    
    FWIW, I like the Mp2, but it's got just too damn many functions - 
    MIDI, real-time MIDI, Ten voices, two EQ's, enveloping, chorusing,
    gating, N/R...  I like to edit TOO much to enjoy PLAYING with this.
    
    Anyway, to round it out, I'm still on the prowl for:
    
    - All-tube power amp (Marshall 9100, Mesa 2:90, ??)
    - Multi-FX from hell (but simple) LXP-15, IntelliFex, TSR-24??)
    - One pair of Boogie Dual-Rectum Frier(tm) cabs with armour.
    
    FWIW - I played the JMP-1 thru a Marshall 9100 amp (all tube, 50wpc,
    two spacer).  That thing LOUD (like marshall, I_NEED_DENTAL_WORK_NOW 
    loud).  What a screamin' tone too.  I easily dialed in several JCM900
    type tones, plus all my other favorites.  
    
    I'm pretty excited.
    
   jc
    
    PS - I've also had the pleasure of recording a JMp-1 Direct.  Marshall
    REALLY has their ducks in a row regarding speaker-cab-emulation!!!

(Cross-posted to COMMUSIC, HOME_STUDIO, and GUITAR)

Can anyone out there give me an idea of the current market value of
a Roland SDE-1000 digital delay?  A friend of mine wants to get rid of
his but doesn't know what it's worth.  I don't either, and I don't want
to rip him off.

-Hal

| Can anyone out there give me an idea of the current market value of
| a Roland SDE-1000 digital delay?  

From the USA USED GEAR PRICE LIST (availble in many newsgroups on the internet):

  Roland SDE 1000 delay efx $200 (1/4/95) !$200,$150,$50,$200,$175,$150(5/3/94)

Last one sold used for $200.  Prices after the exclamation point are what other
people sold their units for over the past year or so.

re: .189

>From the USA USED GEAR PRICE LIST (availble in many newsgroups on the internet):
>
>  Roland SDE 1000 delay efx $200 (1/4/95) !$200,$150,$50,$200,$175,$150(5/3/94)
>
>Last one sold used for $200.  Prices after the exclamation point are what other
>people sold their units for over the past year or so.

Thanks!  I've been watching for the Used Gear Price List, but I haven't seen
it in awhile.  When and in what newsgroup do you last find it?

-Hal

    Hal,
    
    You should snag it for your studio...Great delays!
    jc

    
    
      What happened to Mike Heiser?  His "Fretz" seems to be gone.
    
     -Rick. 
    

re: .191

>    You should snag it for your studio...Great delays!

I *am* snagging it, I just don't know how much to pay him! :-)

The guy I'm getting it from is blind, and he's found that the SDE-1000
relies to much on the LCD display, and thus is hard for him to use.
I'm swapping him an Alesis Microverb for it.  The Microverb is pretty
much just four knobs, so it's easy for him to handle.  I think the
SDE-1000 is probably worth more, though, and I don't want to rip the
guy off.

BTW, I was wondering how he could determine levels on his mixer...it turns
out he's got a gadget with a light-sensitive probe that he can use to
tell which LEDs are lit.  It makes a wierd noise when it detects light.
Pretty amazing!

-Hal

Re: .190

   Last spotted in the rec.music.makers.marketplace news group on Wed, 1 Feb
1995 16:02:31 GMT.  Also posted in rec.music.makers.marketplace and rec.music.
makers.synth.

   The list contains used prices for synths, recording gear and effects boxes. 
Nice guide for setting prices on things you're selling or figuring out what to
offer for things you're buying.

            Andre'

    Hal,
    
    Good job.
    
    FWIW - I see them quite often for 125-150.  I recently paid 250 for a
    *MINT* SDE3000.
    
    Look at it this way - 
    
    Where can you go and buy a brand new, rackmount, good quality ddl?
    You can't.  Period.  SDE series goodies are worth their weight in 
    gold to use sonic weenies.
    
    jc

    
    
      Hey Coop - Multi effects for guitar? Checkout the new Rocktron
    RepliFex - It has everything a guitarist could want plus great sonic
    quality and smooth transitions between patches. The new Rocktron
    catalog will run you three bucks but it's got a lot of guitar gear to
    check out. and nothing in the catalog is cheesy crap!
    
    							-John R-
    
      - waiting for your final posting of the latest rig.

    
    
    Any recent data on good prices for a mint condition Takamine Jasmine 12
    string with gig bag?  I've already got an electric 12 string, but I
    can't get that Melissa Ethridge vibe with it...
    
    

   Funny you should ask that...

   Just yesterday I received Jerry White's Jasmine *6* string via UPS (yes,
   I bought it  :-)).  As for "bang for the buck" you couldn't ask for more,
   IMO.  I've been looking at electric/acoustics for 6 months, and this was
   the best deal around.  I still haven't been able to locate the laminate
   lines on the (allegedly) plywood top.

   I paid $240, including shipping, for the 6 string, elec./acoustic with
   cutaway.  Definitely worth every penny.  Given that, I would hazard a 
   guess that the 12 string would also be a decent value.  Also, keep in
   mind that even if it is a plywood top, this could be an advantage with
   a 12 (less top warping, etc).  Especially if you plan to use it "plugged
   in", where you can EQ it to death.

   (My 12 is an Alvarez, BTW.)

   -- Sam

    
    
    HEY ...
    
    
    Any of you noters know how to get ahold of Rockin Ron Ross via
    Internet?  If so, please send mail to POWDML::BUCKLEY.  
    
    Ron played keys in 1987 with The Unpredictables, and I'd like to
    send him some mail.
    
    thanks in advance

    Anyone ever heard of a Neve 8058 recording console??
    
    I've been asked to make an offer on one, but have NO CLUE to 
    it's worth...and don't want to insult the guy...
    
    
    

    
    The Neve 8058:
    
    It's considered a vintage console and somewhat desirable. Going
    price is in the $25-45K range, depending on configuration. Can
    even be retrofitted with moving faders. Good EQ. Not an IC to
    be found...
    
    -b

    Whoops.
    
    Guess an offer of $2500 would've been outta line, eh??
    I should apologize to the guy for wasting his time.
    
    I wanna Mackie!
    

    
    I have a Peavey Console... now, pick yourself up off the floor
    and stop laughing.
    
    It's called a Peavey Mark VIII and I have it in the 36 x 8 x 2
    configuration.
    
    It was originally intended as a live sound board, but of the
    highest professional quality. It has 8 subs, 8 sends on each
    channel, 4 band semi-parametric EQ, balanced line and mic
    inputs on every channel, full foldback (probably better than
    most studio consoles considering its intended application),
    excellent (professional quality) noise specs all around,
    extensive patching capabilities, and with the addition of
    an outboard unit, VCA automation to SMPTE TC on the masters
    and the subs. About the only thing it lacks is the "inline"
    configuration of most present day studio consoles.
    
    However, that's not a problem. I put my tape returns (from
    my Tascam DA88s) through the first 24 channels, and I use
    the remaining 12 channels as my tape sends. I rarely need
    more than 12 channels of input at a time, especially since
    I also have professional outboard mic pres and EQs.
    
    This console is quite large and impressive looking, not
    to mention great sounding. It lists for well over $10,000
    new, and at that price, it is a bargain. I bought it for
    $6000 because they couldn't find a home for it...
    
    I'm very happy with this console, and everyone that has
    come into the studio has thought it performed great.
    
    -b

    Sounds nice - and I wouldn't laugh at PV, not their pro-audio 
    line...
    
    Thing that amazes me about Mackies stuff is the nearly un-limited
    signal routing options on it.  Triple bussed subs, aux-sends out
    the whaazoo, stereo fx rtns, multiple can-mixes, talkback,
    EVERYTHING....And affordable.  Plus the (still vaporware) VCA
    automation...
    
    Oh - And the new Tascam M2600 is sharp too  - Same kinda options.
    $2500.  Hmmmmmmm....

    I can attest that Brian's PV board, as well as the Yamaha in the same
    config, are both excellent boards!

    A_While back Some_Body mentioned that The Black Crowes are on the
    Cover of song Guitar Magazine this month.Does Any_One know which
    Magazine it is????
    
    
                             Crazy_-_-Al

    
    	Why ... did you forget what they look like?
    

    They were on the cover of "Teen Beat."

    
    	It was Guitar Player and I think it was January's issue.
    
    	Tom
    

       <<< KDX200::DISK$KDX200_USER2:[NOTES$LIBRARY]HEAVY_METAL.NOTE;1 >>>
                          -< Welcome to Heavy_Metal >-
================================================================================
Note 99.160         Mutterings/DYHIW/DYLIW/party discussions          160 of 160
KDX200::COOPER "Revolution calling!"                 11 lines   3-APR-1995 13:34
                         -< Gregs mailing address... >-
--------------------------------------------------------------------------------
    Folks - Greg House sends his apologies for it taking so long to 
    get his mail router info to you, but should you need to get in touch
    with him, send mail to the following address!
    
    
				[email protected] 
    
    	PS - Perhaps Buck could stick this is the addresses topic, which
        he so carefully maintains for us??
    
    

    Mail address for dbii (aka Dave Bottom):
    
[email protected]
    

I think we can all agree that Garth Brooks:

- is a fine musician

- is an outstanding stage performer

- comes from a different spiral arm of the Milky Way galaxy (those
  _eyes_, man...and he never takes his hat off or undoes the top button of
  his shirt -- I suspect he's hiding more eyes in both places)

- is in serious need of whatever his race uses for psychiatric analysis
  (based on that all-white-except-for-gallons-of-blood video...I just
  hope this characteristic is not normal for his species)

JP

    I didn't know Wayne's friend was that good.

    Guess my most recent post has everyone working in edit buffers?
    
    

    Aw gee Coop, you flatter yourself
    
    :-)

    Besides all this, I can SET MOD.

   Yeah, but so can I...  :-)

   -- Sam

    
    
    yeah, but can you SET ROCKER???
    
    

    
    Oh yeah, I can set rocker alright.
    
    hey sam - Phfffttt...
    :-)

    re Garth Brooks and playing country...
    
    Playing country country music can be fun.  The band I'm in opened up
    for John Anderson ("swinging") in Macon GA, at the "Cherry Blossem
    Festivle Street Party".  What an awesome stage.  We used Travis Tritt's
    sound system and crew.  The sound was great.  On the R&R stage, next
    street over, was 38 Special and that Trucks kid.  We didn't get to hang
    around cause we had to get to the club to play, boy did the sound sux
    after that experience.
    
    Later, 
    rj

    DYLIW - You just sold your console, and settled a deal for a new
    (bigger, better, more-lights) console?!  ILIWTH!!!
    
    Yeeehaawww!!

    
      I'll be out in Maynard next week (Apr 23-27th) for training if
    anything is going on guitar-wise. I know Buck has a mid-week trip
    to Busch Gardens, but I was just checking to see who's out there.
      BTW - How far is Danbury, CT from the Maynard area? I have yet to
    hit East Coast Music Mall after buying most of my Rocktron gear
    from there (I'd have to go to Rochester to buy it). 

East Coast Music Mall is about 2 - 2.5 hours from Maynard.  Danbury is pretty
close to NYC.  

Jim

    
    
       Stupid me.
    
       Boom, I thought you lived around here?
    
       Rick.
    

    
    cross-posted in COMMUSIC
    
    
    	Does anyone have a Rocktron Compressor/limiter (single channel)
    manual they wuould be willing to copy for me?
    
    Thanks!
    chUck

    Boom,
    
    Danbury is exactly a 2.5 hour drive from where you'll be staying.
    
    Directions:
    
    Rt 495 South
    I-90 (mass pike) West
    I-84 West
    
    a few hours later, you're in Danbury!
    

    ... directions:
    
    I suggest the following as an alternative:
    
    Rt 485 South
    Rt 290 West
    Rt I-90 West
    Rt I-84 South
    
    -b

    
    >Rt 485 South
    
    	I think I prefer Rte 495 to Rte 485 any day.
    
    	8^)
    

    
    Ooops... right, that should have read 495!
    
    -b

    HEY!!!
    
    Any "GMA" (Greater Maynard Area) Geetar noters up for a social
    gather on Tuesday eve, 25 APRIL?!?
    
    We could meet somewhere neutral, like "Coffee, Tea, Melody" in
    Stow, or at the "Sit n Bull" in Maynard.
    
    If anyone is available and/or intersted in hanging with da BOOM,
    please REPLY TO THIS NOTE.  If there is serious interest, we can
    get something together.

    I've got Tuesday night off, so I'm up for anything.  I'd definitely
    like to meet some of the folks in here!!!
    
    Kev --
     

    
      Count me in. Tuesday is a good choice. Anywhere is fine by me, I'll
    be able to dial in and check up on what's going on. 
    
      If I was from around GMA, I'd probably be more visible. I'm in
    Syracuse NY but I've managed to make it to a jam at Buck's, been down in
    the back bay area a few times (Paradise, etc), and I've hit every
    amusement park in New England.
    
      East Coast Music Mall might be a long shot, by the time I got there,
    they'd be getting ready to close. If I didn't have to rush back for a
    gig on Friday night, I could stop on my way back west.
    
    								-B{}{}M-
     

			GENERAL FYI PARTY NOTICE
			========================

WHERE	Sit n Bull Pub -- Main Street, Maynard, MA

 WHEN	Tuesday, 25 April, anytime after work (5:30 and on...)

  WHY   To meet/hang out with fellow noter John "Boom" Reaume


So, like, BE THERE OR DON'T is the general gist of this message.
Here are the specifics, if you wanna come, come.


Hasta...
Buck E Lee

    Jeez...
    
    I saw Dokken last night with the original line-up.  George Lynch was
    SMOKIN' (Boy does Don Dokken *hate* him...).
    
    He was playing thru (1) 100wt Dumble, (1) Boogie Dual Rectum Frier,
    and (2) Fender SUper-somethings... all into a pair of 4x12's.  He had a
    Lexicon PCM70 and a bunch of stomps too.  Man, it was LOUDER than
    loud!
    
    jc

    
    I haven't seen any notes in here lately from the notable Dr. Danny
    Weber. I hope he's just off on vacation and hasn't flown the coop.
    I don't remember seeing any "farewell" note so I remain optimistic
    that he shall return shortly. 
    
    This notes file just wouldn't be the same without him. I figured he'd
    be one of the first ones to reply to the Gibson Flat-top note. 
    
    Mark
    
    

    RE:  .234
    
    -100w Dumble
    
       Nice to see his cash flow is in no jeopardy.
    
    Kev --
    

    I'm sure George probably just borrowed it....  :-)
    
    RE: .235
    
    Flew the WHAT?
    
    Coop

Attention SRV fans (U.S. only):

Article 49944 of rec.music.makers.guitar:
From: [email protected] (John4Surf)
Newsgroups: rec.music.makers.guitar
Subject: Re: SRV on PBS...INFO NEEDED.
Date: 26 Apr 1995 15:37:22 -0400

On May 11, PBS-TV will pay a tribute to SRV.  Confirmed to appear are BBKing,
RCray, Buddy Guy (saw him 2 weeks ago at the Belly Up in Solana Beach - his
tributes to SRV, Jimmi and Clapton were AWESOME), EClapton, and Jimmie Vaughn.

On May 12 - most of the participants will play a public concert in the
Austin Music Hall.

Fire up them VCRs..........going to be a party!

    I'm going to ask ahead of time for a copy of this tape.These players
    are all fav's of mine, and unfortunetly, i'm a canadian citizen without
    a satellite.So, if anybody's interested, i have some other SRV footage
    that may be of interested in a trading situation,should one arise.
    
    -kev [feel free to E-mail me at above address]

    re: .235
    
    I spent most of April studying Polynesian harmony patterns and their
    application to contemporary Hawaiian music at the Oahu Jazz and Surf
    school, while engaging in my other hobby; exposing thousands of feet of
    Velvia and Lumiere to sunlight though ED glass and polarizing filters.
    
    Still trying to catch up with reality--I'll crawl into the flattop note
    one of these days.
    
    Thanks for worrying :-)
    
    Danny W.

    you too?
    

    Danny, it sounds like you're gonna be needin a National Tri-plate
    style 3 (square-neck) so you can play authentic Hawiian Jazz ala
    Bob Brozman.
    
    Mark

    
       Velvia?  Is that a Hawaiian chesse?
    
       Lumiere: Louis Jean & Auguste Marie Louis Nicolas Lumiere, 
                1862-1948, 1862-1954 respectivly.  French inventors,
                brothers.  Invented (1895) the cinematograph, first
                mechanism to project moving pictures on a screen 
                where they could be seen by an audience.
    
       Rick.
            

re: .240

>    I spent most of April studying Polynesian harmony patterns and their
>    application to contemporary Hawaiian music at the Oahu Jazz and Surf
>    school, while engaging in my other hobby; exposing thousands of feet of
>    Velvia and Lumiere to sunlight though ED glass and polarizing filters.
    
Hey, since you're into vintage archtops, you really ought to go whole
hog with the other hobby and get a view camera.  PTS can be just as 
rewarding as GTS. :-)

-Hal

    re: last several:
    
    I actually sat in on a free ukelele class just so I could play a
    fretted instrument for an hour. I had planned to visit a couple of
    guitar makers on Maui (Steve Grimes and Rainsong) but just never got
    around to it. Something about Hawaii Time...
    
    Ektachrome Lumiere is named for the inventor. Fujichrome Velvia is
    named for a cheese-like substance. What's your point? :-)
    
    Anyone who hangs out in the Photo conference can tell you that I
    already have enough equipment. Unlike vintage guitars, vintage cameras
    have little to offer today's photographer except the fun of handling
    nicely-machined metal--improvements in technology make modern cameras
    perform better in every respect, from optics, to shutters, to metering
    to film handling. About the only real improvement in archtops in the
    last 35 years is better tuning pegs.
    
    Rick: Sorry I missed you ;-)
    
    Danny W.

    	RE: Mr. Weber
    
>>    Anyone who hangs out in the Photo conference can tell you that I
>>    already have enough equipment.
    
    Yes, I've told my wife about Dr. Weber, but she doesn't believe he
    exists.  She finds it hard to believe that someone could actually 
    have more guitars AND more camera equipment than I do.  But to the
    best of my knowledge, I have more astronomy stuff (at least I've never
    noticed Danny hanging out in astronomy). 
    
    Between GTS, PTS, and ATS, (not to mention a new baby) I never lack 
    for opportunities to spend money...
    
    Jim (who doesn't really have time for three hobbies but can't
         imagine giving any of the three up).
    
    

    The problem with astronomy as a hobby where I live is that when it is
    not too cold the cloud of mosquitos ruins the view. Judy won't let me
    add an ED glass dome to the house, so you got me on that one, Jim.
    
    Considering that we mostly shopped and hung out at the beach, it's hard
    for me to figure out how I shot 40 rolls of film--it's not like we went
    anywhere new. I'm starting to run out of shoe boxes, not to mention
    closets.
    
    On the other hand, I didn't buy a single guitar the whole month, so we
    came out ahead :-)
    
    Danny W.

    
    This string has got me thinking about photography as it relates to 
    vintage guitars. Perhaps someone can tell me why 90% of the photos 
    I see of vintage guitars have wrinkled drop-cloths as backdrops. 
    Surely there are better backgrounds that can be used without distracting 
    from the instrument. My favorite pictures of guitars are in Mac Yasuda's 
    book (The Vintage guitar). In Mac's book, the guitars are photographed 
    in beautiful settings such as lush gardens, fountains, with vintage cars, 
    etc. 
    
    My wife and I enjoy photography too, but we like simlicity. We use
    a Pentax Auto focus camera with a 135mm power zoom built-in. We don't
    have to focus, set exposures, or remember to set the right film speed.
    It also has a built-in winder.  We also have a Sony 8mm camcorder that 
    we use a lot, mainly for taking pictures of the kids.
    
    Last fall, we wanted to take pictures of my son's soccer team. A friend 
    of mine insisted I use his SLR. I wasn't familiar with the camera and 
    ended up having to reshoot all the pictures with my own camera. I was 
    focusing on the wrong field and ended up with blurry children with nice 
    crisp trees in the background. #^)
    
    Mark

    For me, the nicest photos of vintage axes are those done by John Peden.
    He did the original run of centerfolds in Guitar World back when it was
    still a decent rag, and many of these are classics and have been reproduced
    elsewhere many times (in a couple of calendars, for instance).  To my
    recollection, John never used wrinkled drop cloths (well, maybe once
    :-).  His backgrounds were always interesting and well thought out; one
    of my favorites was the trio of 50's Les Paul TVs surrounding an ancient
    50's era television set showing a classic scene from the "The Fly".
    
    John also seems particularly adept at lighting; his photos show lots
    of texture and detail, like you could reach out and touch them, and at
    the same time they always achieve a flattering glow.  This is the one
    area where imo a lot of vintage guitar photography comes up short.  I'm
    reminded in particular of the photos of his collection that John Entwistle
    had done, some of which were featured in GP way back when.  I'm sure he
    paid a lot of money for those (they "looked" expensive) but imo the
    instruments were darkly lit and often had shadows obscuring detail.
    Not my cup of tea.
    
    /rick
    

    Danny, Arizona is the place for astronomers! ;-)
    
    Mike (another one of my hobbies)

    Mike,
    
    I may be moving to NM or AZ soon.  Lets start a band!!

    sure, look me up in late 1996.

    Some impressions of recent releases, courtesy of former guitar noter
    Ron Burati (and the Internet):
    
    
    Last night I finally found a copy of Relentless by Danny Gatton and Joey
    DeFranscesco. DeFranscesco just blows me away, more so than Gatton. I've
    heard Gatton do all that flashy, showy stuff before and frankly I get
    weary of kinda fast. I really feel that he ignores content in favor of
    quantity. It's that sense that someone's spinning their tires instead of
    going somewhere. Also Danny descends into some rather bizarre sounding
    stuff a few times and I could help but wonder what was going through the
    minds of his session mates...I mean in one spot he almost sounds like
    he's playing a 1966 Pete Townsend chord thing during a solo in a blues?!
    Thankfully, he comes back to earth pretty quickly. Much more of that and
    I'd bet that the track wouldn't have made it to vinyl (or aluminum). But
    in fairness, he does treat us to some nice moments of jazz guitar too.

    DeFranscesco's Hammond just smolders and burns on those tracks, though.
    Real glad I bought it. I have two other albums by JD, and he doesn't
    cook as much on those. Also, on those other albums he plays near-B3s,
    not real ones. An XB2 on one and an XB5 on the other I think. They just
    don't spit and scream like a real one and this record proves it! Here
    Joey shows that he really is a monster on the B3. He not only has an
    arsenal of chops, but he somehow at the tender age of 23 has acquired
    the finesse of the great Hammond jazz players like Jimmy Smith, Brother
    Jack McDuff, and Jimmy McGriff. It's his phrasing that puts him over the
    top, though at one point he spends 4 bars showing us just how far he can
    go before he red-lines. Scary stuff.

    I also picked up Robert Cray's new CD and a 1993 Sonny Landreth CD on
    Epic. A quick listening to the former indicates that Cray is still up to
    finding new ways to express his own brand of blues. Sounds fine but I
    need to sit down and listen more. I buy Robert Cray albums on principle
    anyway, because I want Robert and his Mercury to keep it up.

    The Landreth CD is odd. A disclaimer states that it contains some
    previously released material so it sounds like a record deal dun-gone
    bad and Epic owned the rights to these recordings and pulled the trigger
    based on the mild critical success of the new South of I-10 (which is on
    a different label).

    I reluctantly passed over Smokin Joe Kubeck's new release. I heard a
    tune off this on a blues radio show a few weeks back and it came right
    out my car radio's speakers and smacked me upside the head. Good stuff.
    I was sold on him after hearing him on one track of "B-3 Blues and Other
    Grooves" by Ron Levy's Wild Kingdom. his playing is a jewel in this
    otherwise mediocre album.

    -rjb

    (pulled over from SOAPBOX)
    
(c) Copyright the News & Observer Publishing Co.
       
Man marries guitar; wife thinks he's crazy 

LONDON -- A British man, besotted for 35 years, has finally "married" the
object of his desire -- his guitar.

Chris Black, 53, says he fell for his Fender Stratocaster the moment he
saw it. "We've had such a long engagement that I decided it was time we
did the decent thing," Black said.

Black asked a friend to perform the wedding ceremony last weekend after a
local vicar refused to do it.

"It was all over in a matter of minutes. We didn't even have time for a
honeymoon," Black told the UK News news agency.

Not surprisingly his wife of 29 years, Janet, is less than impressed. "My
wife thinks I'm crazy," said Black who is unrepentant. "When I die, I
want to be buried with it."

    
    I'm just waiting for them to describe how he consumated the
    marriage, and if he found the "jack" to be adequately large
    for his equipment...
    
    I also wonder if the interpretation of "besot" that applies
    here relates to meaning #1 or #2 (as taken from the Merriam
    Webster Dictionary):
    
    1. Infatuate
    
    2. To make dull, esp. by drinking
    
    -b

    I also had some questions about jack size, etc., but I had the
    good taste not to post them here :-)

Hate to add another one of these but...
                      
This is my last week with DEC. I didn't want to leave without 
saying thank you to everyone in here for all the info, entertainment, 
and of course, music.

I've been reading guitarnotes since it's inception, and it's been a real 
pleasure hearing everyone's music on the guitarnotes tapes. I'm glad I
got the chance to meet some of you too. 

Keep up the good work. There's some very talented people in here.

	Muchas Gracias,
    	Cheers,
        Rock on...    Bob C.

    Geeze, sorry to see you go Bob.  So, um, where ya goin?
    

    I'm going to an insurance company in Waltham. I've been looking
    for awhile so it's a voluntary move.
    
    I'll be on the network, so I won't be entirely out of touch.
    
    Bob

    Congrats and best wishes, Bob!

    from the alt.guitar newsgroup:
    
     We have a small music store in the North East and are overstocked with
    both Ovation and Takamine guitars. We're selling them at 50% off list
    price. If interested, E-mail with subject: Guitars.
    
    [email protected]

    
    RE:  [email protected]
    
    What's wrong with them?
    
    

    >    What's wrong with them?
    
    ... they're Ovations and Takamines ...

    I popped into Acton Music on Monday. They are blowing out Ovations at ~50% 
    off list (STD Balladeer $449.00, list is $900+), didn't see any Tak's 
    though. 
    
    Daddy's is also dealing on Ovations STD Balladeer around $550.00 but 
    that price includes the hardshell case. I'm told Kamen changed the
    preamp and electronics between the 1994 and 1995 models, so these
    'blowout' prices are probably on mostly '94 models.
    
    BTW: Acton Music had (on Monday) both the 1994 and 1995 Collectors 
    models. The 1994 (list $1,695 on sale for $849) has the built in tuner.
    Don't know what special goodies the '95 has ($1,899 list on sale for $999).
    Unfortunately neither of these guitars visually appealed to me...
    
    Larry

    
    
       Seen in passing. 
    
       A Tak with EQ, single cut away, turquoise inlay. 
    
       Puurrrrrrtee lil'thang.   Wa wuz it?
    
    
      -Rick. 
    

    The model with turquiose inlay is called the Rio Grande.
    I believe these sell for more than $1k. 
    
    Mark 

	Well talk about excitement! I just got a phonecall from my
	friend, who runs a music store; he told that Mr. Robben Ford
	is coming to Denmark to make three concerts here - and he's
	gonna borrow MY amp! He claimed he HAD to play through a 
	Fender 'The Twin', and since my friend had none in the store
	for the moment, he promised to ask me if the big man himself
	could borrow it - and he would pay to rent it, of course.
	On top of this, I'm offered free entrance at all three events
	(July 7/8/9)...

	Now, humble me, I'm not used rubbin' elbows with the big names,
	but I'm certainly gonna ask him about how he sets the controls
	on the amp and so on, he'll have to learn me a few tricks - and
	be sure I'll make a report here! He'll offer me a rent about
	$130 for the three days, I can't really decide if I should play
	'Mr. Nice Guy' and refuse to take the money...hmmm...

	An excited Poul =8-)

    
    
    take the money@
    
    
    
    						ian 8)

      
      What happened to his $4K Dumble ????
    

    
    I guess it stays in the US. But I'll ask him!
    

    Poul, thats too cool!  I dream about John Petrucci needing to borrow
    my marshall goodies and throwing in some lessons ...  Course, Petrucci 
    is a Boogie guy...

    When Robben does these clinic visits, it's typically as a paid
    representative for Fender.  As such, it is in everyone's interest that
    he demo Fender products.  We saw him do a clinic a couple of years
    ago at the new EU in Boston, and he was using a "The Twin".
    
    Poul, be sure to ask him to tell some Miles Davis stories; he's got
    some great ones.
    
    /rick
    

>    Poul, be sure to ask him to tell some Miles Davis stories; he's got
>    some great ones.
    
    speakin' o' the devil, Wednesday night's class was devoted to Miles!
    
    Mike

    the reason he probably didn't bring his US amp is because of the
    different power rating in Europe(220-240)and I believe the frequency is
    different too but don't quote me on that fact!
    
    
    
    						ian

    
    RE:  .267
    
    Awesome.
    
    

    Just got back from holidays  8^(
    
    
    	Where's home studio and commusic ???????????????
    
    
    P.K.

    COOMMUSIC is here...  Err, on KDX200 (28.838)...
    

re: .276

>    	Where's home studio and commusic ???????????????
    
HOME_STUDIO is on TAMVM3, although it's disk wasn't mounted earlier 
today (Monday).  It should be okay now.

-Hal

re Home studio and commusic, I think I was trying to access the old address
for commusic, thanks 

P.K.

	Whose looking at notes for the first time under windows and boy
does it look weird.

    Any GUITAR noters still at the Mill? there's a good chance I'll
    be moving over there in the near future.
    
    - Dave

    Are you making a career change into the elder-care industry?

    I thought there was a note in here regarding the Melobar. There may be,
    but I can't find it anywhere.
    
    I have an opportunity to trade an instrument for a Melobar. For those
    unfamilar, the Melobar is a stand-up steel, basically a lap steel that
    can be played standing up. To facilitate this, the Melobar has a solid
    body with the neck attached at a very radical angle. You play it
    standing up with your hand over the neck (the opposite from normal
    playing technique). The Melobar was invented by a guy named Walt Smith.
    Walt died in 1990, but his son has continued the company and is still
    making these. I believe that Rusty Young (of Poco semi-fame) had
    something to do with designing this unusual instrument. David Lindley
    (Jackson Browne) has also been known to use one. 
    
    There are currently 2 offerings. One has a Flying V body, and the other
    has a less radical body shape. The one I'm looking at is white and has
    one EMG Select single-coil pickup. 
    
    Anyone have any comments on Melobars? I'd like to get an idea of what
    these things are worth. The one I'm looking at is from a dealer who
    claims it's brand-new, but I believe this instrument has been hanging
    around his back-room for some time. It has a couple of minor scrathes.
    I have the option of trading or making a cash offer. I would prefer
    to make a low-ball cash offer on it. 
    
    Mark

    RE:  .281
    
    Hey! Watch it sonny, or I'll hit you with my bedpan!
    
    
    	Fred (who'll be closin' the place)

    
    
    For those interested in Blues, TBS at midnight tonight has 
    John Lee Hooker, with guest stars Ry Cooder and Taj Mahal coming
    at you from the House of Blues.
    
    Shaw

    I take it TBS is a cable channel. If so, I'm out of luck unless I 
    have someone else record it for me.
    
    Mark 
    

    I thought the House of Blues was shown on Friday and Saturday?
    Guess I'll have to check my local listings....
    
    rj/

    
    Sorry rj, I thought today was Friday, silly me ;-)
    Yup it is Friday night at midnight. 
    
    Shaw

    Love the new conference title.
    
    Jim
    

    re 4 Jul
    
    	Happy Independance day to you US noters.
    
    
    P.K.
    
    (maybe one day Oz will be independant)

    
    Thank Dana - it was his idea.
    :-)

    
    	Coop, isn't it about time for a p_n change as well?
    
    	8^)
    

    Better??
    

    Hey Mister Mod, how about an updated conference directory listing?
    The latest one I can find is from '91.  Is there a more recent one
    online?
    

    
    	DIR L-1/OUT=GUITAR.LIST
    
    	8^)
    
    
    	RE: Coop
    
    	I wouldn't say better ... more like "different".  8^)
    

	Well, things went different that I thought when Robben Ford
	played on my amp - two of the concerts were out of my reach,
	then I went to the final one; and it was so crowded that I
	had no chances to speak to the man himself :-(. But at least
	I got some nice photos! He also had another 'The Twin' on
	stage, with a brighter front cloth - but I could see he used
	mine, because the red LED shifted when he switched channels...
	so he indeed used the lead channel as distortion effect..

	After I got the amp back (and the money :-), I noticed the
	positions of the knobs - surprisingly, all of them, on both
	channels, were close to the mid position (also the volume
	knobs =8-| !). If I play it that way, the amp appears somewhat
	dead to me, except for the volume! (well I'm no Robben Ford ;-)..

	The playing was superb, but honestly, a bit boring, I don't
	think he sweats enough - also something has to be unique when
	you only have a three piece band - the variations are limited
	then, and the normal blues playing gets boring to me after a
	while (no no, don't start that discussion again ;-).

	Poul

    I have to agree Poul, in that I've always found Robben Ford a bit on
    the boring side. I mean, he's obviously got the chops, but I always
    feel his music sounds pretty lifeless; perhaps it's because the
    compositions themselves aren't up to much either, IMO. A far cry from,
    say, Robert Cray.
    
    No, give me Peter Green or Freddie King every time over Robben Ford or
    SRV.
    
    Dom 

    Yeah, now see, I can't play squat, but I always came off stage
    drippin' with sweat...  ;-)

    
     For those of you seeking to send email to Brian Rost, I saw a post
    from him in alt.guitar, his email is [email protected]
    
      Larry

    You wanna hear a jazzer playing great blues go to a Larry Carlton
    concert.  He does one blues song every show.   A classic lesson
    in under-statement:  if he did a whole show of just-blues I'd probably
    be bored, but because it's just one song, it's "special" and often
    the highlight of the evening.
    
    He did a great duet with B.B. King on the "Friends" album called
    "Blues for TJ".

    got my tickets for next month already.

    > got my tickets already
    
    Is he touring with Lee Ritenour?

    yup

    
    	Larry and Lee are playing the Jazz festival at Newport
    	Rhode Island.  I think it's in August.
    
    	Still lovin' the CD...
    

    I'm OUTTA here!!
    
    I'm about to hop on a plane and head to Boston.  I'll be staying with 
    and/or around my mother-in-laws place in Hudson.  Should you happen to 
    want to get together for a jam, go see Dream Theater in Providence,
    have a few beers and shoot the shy-mit, give a call over there...  I'll
    be mostly carless, but very creative.  :-)
    
    The number there is 508-562-2890, and if I'm someplace else (like
    Maine) they'll be happy to give you a numbah...
    
    Hope to see a BUNCH of ya!!!
    jc
    have the number and 

    This was forwarded to me, off the Internet:
    
"Just read an interesting article in the entertaiment section of the local
 newspaper. It seems "Hulk" Hogan (the pro wrestler) has been playing bass
 for twenty years. He's going to tour with a band in the near future. His
 weapons of choice are Fender Precision and a Music Man..."

    
    Has anyone ever tried out a Conklin (sp?) guitar?  I saw a 
    picture of a custom (and very nice looking) 8-string.  Yes, 
    an 8-string guitar.  I think these things come in at the mid
    $2K start point.
    
    Does any store in the Mass. area have one of these?  I'd love to
    try one out.
    
    Kev --
    

    
    RE: -1
    
    This guitar also comes with 3 custom (long!) Bartolini pickups.
    Now I thought Bartolini's were primarily bass pickups, but here
    they are on this Conklin.  
    
    Has anyone ever heard Bartolini's on a regular 6-string guitar?
    If so, what would they compare to?
    
    Kev --
    

    Time for a brain drain --
    
    Anyone remember the "Moonstone" guitar and bass line??  I forget who
    marketed them ... Morley possibly?!?  They featured the same
    electronics as found in Alembic guitars, and were all fancied up with
    brass hardware and custom birdseye maple bodies and the whole works!!
    
    They were pretty heafty for the time, too -- think the guitar was
    running around $1,800+ dollars (which is cake these days for an axe).
    
    Anyone remember these things, and more imp, anyone ever SEEN one?!?

    I remember looking at one in Mr. C's around 1984. He had a 
    Moonstone catalog. They even had semi-hollowbody guitars.

    Only seen them in pictures; they show up on used/vintage lists
    occasionally and typically list for between $1k and $2k.  I've
    seen more basses than guitars listed.
    
    The wood on these is described as "burled"; it's a very heavy intense
    birdseye pattern.  I always thought this was a natural occurence (like
    flame and birdseye) but perhaps burling involves some man-made
    processing as well?  It's so intense it kind of looks artificial.
    Any wood-gurus know?
    
    /rick
    

    I had a Moonstone M-80, which was a small (15") semi. It was intensly
    quilted, but it looked better than it played or sounded and I did not
    keep it.
    
    They also made Alembic and LP Jr. knock-offs and even some flattops!
    
    
    Burled wood comes from the tree crotch. It's eye-catching, but not
    necessarily a good tone wood--however, Moonstones were made during the
    "denser & heavier is better" period of guitar-making insanity.
    
    The company was not in business long. I have their catalogs and even a
    poster.
    
    Danny W.

    >>necessarily a good tone wood--however, Moonstones were made during
    >>the "denser & heavier is better" period of guitar-making insanity.
    
    what period of guitar-making insanity are we currently in? :-)

    the "if they did it in the 70's it must be great" period?
    

    A burl is a big bump on the tree, like a branch was going to grow and
    changed its mind.  The grain is intense.  My brother-in-law and I took
    one in to a shop that sold log splitters and would give $50.00 if
    their splitter wouldn't split any log.  When we walked out the guy 
    was banging on the burl with a sledge trying to get it off of his
    splitter blade and we had $50.
    

    Hope y'all liked the flashback!!
    
    
    Now, anyone remember:
    
    - the Avatar geetar synth?
    - the MXR Blue Box?
    - the Electro Harmonix LPB-1?
    - the Roland space echo
    - the Heil talk box

    The LPB-1??? -- I still own one, though I probably haven't plugged
    it in  for over 15 years.  I used to get some pretty mean distortion 
    running my Kay strat clone through my Linear Power Booster into my
    Alamo Jet amp.
    
    Jim

                > - the Avatar geetar synth?
    > - the MXR Blue Box?
    > - the Electro Harmonix LPB-1?
    > - the Roland space echo
    > - the Heil talk box

    I remember all of them, with varying degrees of fondness. On
    the low end of the fondness scale I would place the Heil talk
    box; thanks, in large part, to Peter Frampton and Joe Walsh.

    The Avatar (made by the now defunct Arp, BTW) sure was a
    finicky piece of gear; perhaps surpassed only by the
    Mellotron for sheer -- almost breathtaking -- unreliability.

    -b

    Anyone else notice a drastic change in the way your guitar feels
    now that the drier air is here? I guess the rosewood was sucking
    up water from the air all summer, causing it to expand slightly 
    and straighten out the neck. There's a LOT more relief than 
    there was 2 weeks ago! Makes me want to get one of those 
    graphite polymer high tech necks.
    
    - Dave

    That's why they have adjustable truss rods
    
    Danny W.

    re .-1
    
    I know; I'm just surprised how much shifting has occurred in a 
    short time period. I like the winter; instruments are in a more
    controlled climate.

    This may be true, but in homes that have electric heat, forced hot
    air, or a wood/coal stove, the air tends to dry out so much in winter
    that instruments can crack. This is a lot more serious than too
    much moisture which won't crack an instrument, but it will cause
    the neck and soundboard to move around a bit.
    
    I have had more problems associated with dryness this year than
    ever. So much so that I have started using humidifiers with all
    of my acoustics. One of the reasons I had a problem is that my
    instruments are kept out in the open on hooks or stands. If they
    were kept in the cases, this would be less of a concern.
    
    Mark

    RE: high-tech necks:
    
    As far as I'm concerned, the benefits of wood far outweigh its
    disadvantages.  But I'm mostly an acoustic kind of guy.
    
    I did once own an Applause with a graphite top, aluminum fretboard,
    and phenolic resin neck...  The rosewood bridge was the only wood
    on the guitar.  I sold it four years ago, and haven't missed it.
    
    I use humidfiers on my acoustics, too-- at least from October through
    April.  The summer is usually humid enough that I don't bother.
    
    Jim

    
    Could this (neck straitening because of humidity) be true
    with electrics as well?  I thought my Tele was
    buzzing a little more during the real humid weather. 
    Or is this just an issue with acoustics? 
    
    Dave
    
    

    re .-1
    
    I've been talking about an electric, although it would likely
    be more pronounced on an acoustic. I noticed when the humid
    weather came in I had to raise up the action a little; now
    I have to lower the action/straighten the neck. 

    All wooden guitar necks do this. It's frequently more obvious with
    electric, since the action is often set lower.
    
    As Mark pointed out, Winter is far tougher on guitars than is summer, except
    in tropical climates. 
    
    Danny W.

    re high-tech necks
    
    I've always been a 'wood guy' myself, but lately I've been weakening. 
    Checked out a Modulus 5-string bass the other day; I've always had
    mixed feelings about these, mostly due to lack of 'wood' in the tone,
    but the more I play them the more they grow on me.  The response on
    these is almost perfect and very even over the entire board.  And
    climate problems and warpage?  Forget about em.
    
    I still can't see it for acoustics, but on electric instruments the
    composite designs have a lot to offer.
    
    /rick
    

    Yeah, The Parker "Fly" keeps luring me...
    
    FWIW - The Colorado Springs climate, tho very dry, STAYS dry.
    I'll tell ya, I learned a lot about neck-tweeking whne I came from
    South Carolina to here with my Ibanezzzzz'z  super-skinny necks...
    

    Just use a little Pledge...
    8^)

    I thought I'd mention this...
    
    I went to see some friends play in Newburyport a few weeks ago.
    We parked near the post office (sorry, don't know the name of
    the street but its the one the Post Office is on) and walked
    down to the Grog and passed a coffee house on the left and heard some
    very familiar spanish guitar music coming from it.
    
    Apparently there is a coffee-house there that has a guy there doing
    spanish/classical (mostly spanish) guitar music every Saturday evening.
    
    The guy is quite good, has a rather amazing repetoire (amazing at least
    in that he plays ALL my favorites) and it was just a "lovely" way to
    spend an evening (especially since we couldn't get into the place
    where our friends were playing).
    
    So if you're a fan of spanish guitar (and I am a BIG LOVER of that
    kind of guitar playing) I'd highly recommend this.   And it's a cheap
    date... only the cost of a couple of cafe mochas.
    
    	db
    
    p.s. Only down point was the idiot sitting at the next table 
    	 loudly whistling along to the music!

   Appropos of nothing, but I thought this was amusing:

----------

Article 42328 of rec.music.makers.guitar:
From: [email protected] (Thomas F Brown)
Subject: Re: Getting nervous in music stores
Date: 31 Aug 1995 00:53:25 -0400

In article <[email protected]> First Last <[email protected]> writes:
> rost@nutshell (Brian Rost) wrote:
>
> When I had just started learning to play, I walked into a famous music
> store in Austin,Texas.  I sat on a Fender Twin and began plucking away
> horribly on a strat.  After playing my "best stuff" for about five minutes,
> I looked behind me and saw Jimmie Vaughan (SRV's brother) looking over my
> shoulder.  My fingers froze and I quickly put the axe down.  I've never
> been able to confidently play in a music store since.

I've run into Earl Klugh, Larry Carlton, and Stanley Clarke in music stores.
So what?  They play better than me, but I'm smarter and better looking. It's
a trade-off.

    Any guitar noters in the PKO complex? I just moved over
    here a few days ago. Where's the guitar stores? :-)

    re Brian and Jimmy
    
    just forwarded that to Brian, he was amused.  Evidently the brush with
    Jimmy Vaughn did not actually happen to him; he had entered a different
    story but his name got tagged to this one by some sloppy cut-and-paste
    on the part of the replier.
    
    At least, that's what he's saying NOW :-)
    

    What if your dumb and ugly and don't have chops? ;-)

    re .-1
    
    you become a drummer :-) :-)

    So Mike - Do you know what a paradiddle is??
    
    :-)

    What a pair of what?!

    I always liked triple ratamacues...

    FLAMADIDDLE ARE THE BEST!!!

    
    	Seen in Marlboro last week ... MA vanity
    
    	EGB DF
    

           <<< BACK40::BACK40$DKA500:[NOTES$LIBRARY]SOAPBOX.NOTE;1 >>>
                          -< Soapbox.  Just Soapbox. >-
================================================================================
Note 14.4222                       News Briefs                      4222 of 4223
CALLME::MR_TOPAZ                                     25 lines   5-OCT-1995 09:18
                             -< Fear & Tupperware >-
--------------------------------------------------------------------------------
       Man recants enraged hooker story, says he cut off own penis 
       
       NEW YORK -- A man whose penis was severed has recanted his claim
       that he was attacked by an enraged prostitute and now says he
       injured himself by accident, police said today.
       
       The missing member was recovered Tuesday in a plastic food
       container in the man's kitchen, too late to be reattached, said
       police Detective Frank Grecco.
       
       Domingo Morales, 67, told police on Monday he had sex with a
       prostitute in his apartment and that she attacked him after he
       told her he had no money.
       
       The retired truck driver later told investigators he made up the
       story out of fear that he'd be committed to a mental institution,
       Grecco said.
       
       "He stated that he makes guitars in his apartment and that he had
       the neck of a guitar between his legs while he was working on it
       with a knife. The knife slipped off the guitar and severed part of
       his penis," Grecco said.
       
       "After it happened he got so excited that he doesn't even remember
       putting it in the Tupperware."

    He should've burped the tupperware...
    :-)

    Wonder if he did any damage to the nut?
    
    
    Safety Joe says:  always have your underpants on when working on your
    guitar.......
    
    	P.K.

    I still don't think we should have to wear any clothes while working
    on a guitar or playing it.   This is America.  I'm proud to be an
    American.  Guitar playing in the nude is (or at least should be) one
    of our unalienable rights under the constitution!
    Isn't that what makes our country great?   Musicians with no clothes?
    
    (It makes MTV a bunch of money...)    ;-)
    -Mike     (right now, I completely naked)
    

    re -1
    
    	This isn't America, it's Australia, we are always naked, except
    when working on our guitars with sharp knives, in those situations
    we always wear underpants, and safety glasses.
    
    P.K.
    
    

    re: -1
    My apologies to those down under. (under where?) :-)
    I forgot how international this thread was.
    -Mike
    

    I wonder if the guitar the guy was working on was 
    "The Lorena Bobbit Signature Model". 
    
    That does it, from now on when I work on my guitars, I'm wearing a
    cup.
    
    Mark

    re: .-1
    
    C'mon dude, Lorena uses a knife, not an axe.

    
    After one unpleasant experience, I know *I'll* never use
    a soldering iron while not wearing pants again.
    
    Jim (older and wiser)

    I hope the guitar is okay.

    RE: .348 (db)
    
    <Insert Homer J Simpson voice here>
    
    Dough!
    
    <End insertion>

    I got the ultimate referal from (of all places) ProSound here in Colo.
    Spgs.
    
    Seems that there is a local band who wants to press a CD here in town
    and shop for a label.  They've got this financial backer who has loads
    of dollars to spend on this project, and he went off and contracted
    Kelly Keagy from Night Ranger to produce the thing (at like $400/day
    plus expenses).
    
    Seems like Kelly requested a studio with a Mackie 8-bus...And I got the
    referal from ex-band-mate Mark, and the staff at ProSound.
    
    This is working out well:
    
    - I get to engineer for a guy who obviously has seen some cool tricks
    - I've made enough dough to carpet my studio and texture/paint the rest
      of my basement (just in time to sell the house)
    - I've learned how to recover from ADATs that eat tape and lose sync
    - I've confirmed that ADATs will NOT live in my studio, TASCAM? 
    - I got to audition a Neumman U47 Tube mike...  a REAL one.  Wow! 
      ('nuff said).  :-)
    
    So, I've decided I *do* wanna be an engineer when I grow up, and that
    just cuz I don't have a Neve or an SSL doesn't mean I can't make stuff
    sound 'right'.

    Coop!   Who sez you gotta grow up?
    If someone is throwing money around - and you're playing with cool
    toyz - and someone is making music....   It doesn't sound like 
    *anybody* needs to grow up.
    ;-)
    
    ..and PS sounds like they may be changing too.  I've heard that they
    are doing _lots_ of referrals.   It might just be that they have
    learned they really do live in "our neighborhood".   A little local
    focus will do them good.  (and us)
    
    Mike  in a light happy beat-"I don't wanna grow up..."
    

    Well, good point Mike - But I don't think PS is changing.  Lets not
    jump to conclusions.  :-)  
    
    PS = PS
    
    I was in there the other day looking for Elco snakes and I mentioned
    that my patchbay was RCA.  "Oh, well RCA is the PRO standard..." 
    
    I'm like Ex-Squeeze me?  Baking Power??
    
    RCA is the pro standard and I taught John Petrucci everything he knows.
    Uh-huh; yep; no doubt.

    right
    
    Why are their Elco snakes over $300 when mail order is $155?  Must
    gain in value 'cuz it ships thru Denver!
    
    Mike
    

    Umm, I slipped into my moderator hat when no one was looking and 
    blaster the "Clapton Is God" topic into the great bit bucket.  This 
    has nothing to do with Clapton or God  ...I just felt like blasting
    someones notes and these were the first ones I stumbled upon.
    
    Signed PRC,
     
    Err, umm, I mean, 
    jc

    keep up the great work!

    > ...and blasted the "Clapton is God" topic..
    
    > I just felt like blasting someones notes and these were the first
    > ones I stubmled upon.
    
    OK, so the new topic should be "Cooper is God".  ;-)

    I'm certainly not worthy....
    
    :-)
    
    You've never heard PRC say "Goderator" ??
    
    :-)

    Not worthy?      [B
    I've seen you spend money in a music store.....
    You're not God..... but I was entertained.

    
    You're easy, Mike.  ;-)

    Yeah, but just respect me in the morning.
    /=\
    

    
    Saw Jay Tashjian in the alt.guitar newsgroup.  Anyone wanting his
    email address, it's:
    
     [email protected]
    
      Rgds, Larry

    Does anyone remember a listing of all the transcriptions that have
    appeared in Guitar World Magazine ? I know there was a list here
    somewhere. 
    
    Mark

    I was looking at a new Yamaha acoustic and the specs said "ovankol
    back" and "nato neck".  Does anyone have any more information on these
    mystery woods?  Do they go by any other, more common names
    (balsa, perhaps :-)?
    
    Btw, the guitar was a Yamaha FG441S, a D35 copy with solid spruce top.
    Anyone have experience/opinions on these?
    
    /rick
    

    Nato is very similar to mahogany (it might actually be a south Pacific
    variant, in fact).   Same general properties and appearance.  A lot of 
    imports use nato for things traditionally done in mahogany (i.e. necks 
    and sides and backs).
    
    If it is a D35 copy, I'd guess ovankol must be some other tropical
    hardwood that looks like rosewood...
    
    Jim

    
    Pretty good reviews pouring in on that ADA Flanger pedal-thing
    which I'm sure you've all seen on the back cover of the most
    recent guitar magazines out there.
    
    Anyone test run this unit?
    
    Kev --
    

    >Pretty good reviews pouring in on that ADA Flanger pedal-thing
    >which I'm sure you've all seen on the back cover of the most
    >recent guitar magazines out there.
    
    I used to be an FX nut back in the 70s -- for Flangers, I tried em all. 
    To be honest?  My favorite was the rack mounted MXR Flanger/Doubler
    unit...very nice.  I'd put the ADA second in line, with the MXR
    a/c-powered floor model in a closed third.  I never really liked the
    Boss box, but that's a personal preference.  Even the TC floor unit
    didn't wow me, but it certainly was a clean sounding unit.
    
    Now for Chorus units, my fav was always the MXR yellow floor box.
    Big, noisy, ugly -- but boy, what a sound!!  I prefer this over
    all other chorus units ... the TC, the ADA, etc.

    >Pretty good reviews pouring in on that ADA Flanger pedal-thing
    >which I'm sure you've all seen on the back cover of the most
    >recent guitar magazines out there.

	I noticed this advertisement,it seemed kind of like contributing to
a vintage pedal market. I've never found much use for flanging,but chorus has
always had an appeal to me. Most units that are mentioned previously
I've owned or tried extensively seem to muddy your guitar tone too much. 
I came to the conclusion that it was due to the limited frequency range 
and bandwidth. Early multi effects box's did the same for my ears. I still
have and use a TC Electronics Chorus/Flanger/PM. The nice feature of this pedal
is that you can put it in a rackmount tray and control it with a footswitch 
on the floor. For the kind of music I like to play it sounds great. If tone is
not a concern for a Vanhalen/crunch/munch type sound I'm sure the ADA/MXR etc 
pedals provide the coloration typically needed.
	Someone told me the other day that my original TS9 is worth $175,
which is more than I paid for my first guitar. :^(  Vintage effects can
still be had at bargins,but just like everything else these items are getting
snagged up pretty quickly by the profiteers.  Check out AnalogMike on the 
Web....

    I hear to get a good dose of the ADA Flanger sound, check out any old
    Pat Travers band record.  I picked up one of the MXR AC powered floor
    units myself awhile back, I think it's pretty nice.  But I'm told the
    ADA unit can get more *radical*.
    

    Ya know, I always found Roland SDE-1000 makes a cool flanger when
    set up per the book!!
    

    
    FWIW the ADA Flange pedal is a '79 reissue.
    
    Kev --
    

    It's funny that Buck mentioned the MXR flanger/doubler. I bought
    one of these rack-mount blue units at a Flea market a couple of
    years ago. It had pretty good sound, but I never used it and
    decided to sell it. I brought it to the R.I. show but no one
    gave it a second look. Then I put it into the Want Ads. It sold
    the first day it was posted. I had people calling me for weeks
    after wanting that unit. Apparently, these have some kind of
    acult appeal to a small group of analog fenatics. 
    
    I still like the flange in my Alesis MVII but it hardly ever
    get's used. I wouldn't mind one of the TC jobs. 
    
    Mark

    
    
    ...Under the category of useful info.  Hit the www site 
    
      http://www.ups.com/ 
    
    Under the new cost item, you can calculate how much to ship something
    based on the starting/destination zip codes and the weight.
    
    Easy way to figure out the "plus shipping" costs.....
    
    Kevin
    

Well, I'm just here testing my ability to note from my laptop via SLIP.

Plus I gotta see how I can set my access to moderate via SLIP...

jc

    Someone send Coop some batteries... I think the propeller on top of
    his head is starting to slow down...
    
    ;-)
    
    	db

    
    
    
    Not guitar related, but noteworthy....
    
    
    Last week's WantAds.  Pair of Bose 802 series II speakers.  Excellent
    condition.  $200 each.  High quality stands for another $50.
    
    
    Already sold, but the ad and price were very real.  Say what you want 
    about the 802's, that's dirt cheap.   

    RE: Comment about the children thinking you play too loud...
    
    On a recent call to my folks, my 3 anna half year old daughter
    told Gramma that she was listening to music with 'daddy' (thats me :-). 
    
    Gramma said "what kind of music" and Jaime said "Dream Theater - They
    rule!"
    
    God, I'm proud of that kid...
    :-)

    
    Saw <insert_symbol_name>, the artist previously known as Prince the 
    other night on VH1.  Man, that symbol shaped guitar he plays is one 
    ugly guitar imho.  
    
      Lv

    re-1
    
    agreed....I like some of his music but I can't stand to look at the
    bloody freak.
    
    
    					Ian

    <symbol> roolz!  The cat can PLAY!

    
    No argument here, but that git is ugly !

    
    hahahahaha...I haven't heard anyone being called a "git" since I left
    the UK!
    
    
    thanks for the laugh!
    
    yes,Price/Victor/symbol/Mr Potatohead is a git@! 8)
    
    
    						ian

    
    -1
    
    I could be wrong, but I think Larry was referring to his guitar being
    ugly rather than prince himself...
    
    ...or perhaps it was a broad-brush pertaining to the entire visual image.
    
    I thought he had gotten out of the performing rock & roll biz anyhow?
    
    /Steve
    

    
    him or his guitar are both uglier than a bag of sh!t
    
    
    					ian

    
    Well, I was referring to the guitar, but TAPKAP (The artist previ..)
    could very well be in competition with Wacko Jacko for the winner 
    of the freak contest.
     
     Lv

    that's TAFKAP!

    Oops, your right, it's formerly not previously.
    
     Lv

    
    -2
    
    ... and here I was thinking you were both referring to a movie about
    	a jewel heist starring Melina Mercouri...
    

    Was that Topkapi, or something that that?  (What the heck, we were off
    on a tangent anyway...)
    

    
    What was the name of the guitarist who played in Jim Croce's band (and
    who got killed in the same plane crash that got Croce)?
    
    JP

    Maury Mulheison (sp? on the last name)
    
    As far as I know, Maury had 1 album "Gingerbreadd" (I'm pretty sure
    about the spelling of that.)
    
    					--Doug

    Anyone see an article about Digital in the Phoenix
    last week?  I didn't, but I heard there was one, 
    and I'm curious what it was about. 
    
    Dave
    

    Picked up a great little cassette cutout last week, "Guitar Player
    Presents Legends of Guitar, Country Vol II".  There's a whole series
    of these "GP Presents" put out by Rhino, and I hope they're cutting
    more of em out.  These make great car tapes.
    
    Anyway, the first track has a very tasty bit of speed playing on it.
    It's called "Little Rock Getaway" and the guitarist is Jimmy Bryant.
    This track is from an album Jimmy cut in the 60's called "The Fastest
    Guitar in the Country".  The liner notes say that country disc jockeys
    originally refused to play cuts from this record because they were
    convinced the solos were sped up in the studio.  The producer actually
    had to bring Jimmy to a deejay convention and have him play the parts
    live before they would believe otherwise.
    
    The cut starts with a slow tease intro, then it's off to the races.
    Over before you can catch your breath.  And there's something about
    Jimmy's style that makes it seem even faster than it actually is.
    
    Btw, has anyone seen or heard Country Volume 1 in this series?  This
    one is so good, I want more.
    
    /jethro
    

    jethro,
    
    Where did you pick this up at?  I would like to get one so
    me and granny can cut-a-rug,
    
    thanks
    Uncle Jed

    Strawberry's, Sudbury MA.  In the bargain bins.
    

    Some of the other artists/cuts of interest:
    
    Chet Atkins (of course)
    Albert Lee doing "Country Boy" (interstellar overdrive country!)
    James Burton
    Clarence White (acoustic; there's supposedly an electric cut on Vol I)
    Tony Rice
    Dave Dudley - "6 Days on the Road", perhaps the definitive trucker
                   anthem
    
    TWANG WARNING: many of these cuts contain healthy doses of pedal steel,
    by masters such as Buddy Emmons and Herb Remington
    
    /country_boy_at_heart
    

    
    "country boy" is absolutely brilliant.I don't know if I could handle
    the rest though!
    
    						ian

    Corrections to .394. (Finally remembering to look it up at home.)
    
    Maury Muehleison (wasn't even close before.)
    
    The album was "Gingerbread" with only one 'd'
    
    						--Doug
    

    Re. previous thread
    
    "Country Boy" by Albert Lee is just devestating! I'm usually no great
    fan of country picking, but when I saw AL do this live (he was playing
    in Clapton's band at the time, c.1980), I couldn't believe my ears. The
    speed of it all would have been enough to have me shaking my head, but
    it went a lot further than that; the sheer clarity of his licks was
    unbelievable.
    
    And all done with a smile on his face and his eyes glued on the
    audience!
    
    Dom

    
    
    BTW, did I miss something in the Music conference?  Why is it
    write-locked?
    
    Kevin
    

    
    	It was fine as of 10 minutes ago.
    

    MUSIC has moved, the old conference is write-locked.
    
    MUSIC is now on KDX200 (like almost every other music-related
    notesfile).  Somewhere in the write-locked MUSIC you are reading
    there's a pointer to it.  Perhaps you were a bit too quick next
    unseening thru those conference announcements.  ;-)

    
    
    OK, thanks.  I should have known!
    
    Kevin
    

    
    	Sorry, Kevin, I forgot it moved recently, or I would have posted
    	the new location.
    

    I started a musical-notes-empire here on KDX200...
    
    :-)

    ...and the dictator shows his face!!!
    
    Say, we're not going to get into that whole knight - in - armor /
    dragon thing are we?  Those steel shorts chafe my...
    
    
    Mike
    

    
    
    
    Found in a recent Want Advertiser
    
    Fender Twin Reverb amp.  Altec speakers.  In exc condition. 
    $200/bo.
    
    
    I didn't call, but that's a right price.
    
    Kevin
    
    

    ...and you didn't buy it?  That's an easy $500 made on reselling it.
    
    

    
    
    Yeah, I figured that $400 would be fair for the amp, if the amp is 
    as stated in the ad.  I'm guessing $400 based on other Twins for sale.
    
    I just dropped some $$ on a 4-12 Marshall cab, so I've spent my musical
    money for the moment.
    
    Kevin
    
    

    That amp at that price wouldn't last 5 minutes around here. A Twin in
    "fair to good" shape is in the $700 range. Now if you could find a Mesa
    for that kind of price, I think it would be illegal NOT to buy it!
    I was checking around for a small combo recently and those things start
    at a grand......I don't think so...
    
    -kev

    Anybody score a copy of the new Pam and Tommy Lee movie yet?
    
    -k

    re -1
      Nope didn't here 'bout this one. I'll keep my eyes open.

    Some construction worker was renovating there home last summer and
    snagged a tape with "Pam and Me" written on it. Turns out it's Tommy
    and Pam doing the wild thing, a home video they made themselves. I
    guess the guy sold the tape to PentHouse mag and now the Lee's are
    sueing for $10 000 000 in damages....
    How long do you think it will take for this to hit the tapers
    circut....
    
    

    
    I would sue the contractor too....!
    
    
    
    						Ian

    I could think of better ways to waste $12.95

>    I could think of better ways to waste $12.95
    
    There's a tape of Richie and Heather?
    
    Can you make me a copy?

    I wouldn't waste a penny on them two either.

    Cher & Ritchie???

    Or maybe... Roseanne and Tom Arnold?

    
    	Thanks, Dave ... there goes lunch, all over my desk.
    

    How about you find your own woman instead of watching someone else's?
    ;-)

    >  How about you find your own woman instead of watching someone
    > else's?
    
    Dude, I'm just trying to find out which couple makes it above
    YOUR $12.95 limit.
    
    How about Tammy Faye and Jim?
    
    	db

    Actually I just tossed out the $12.95 figure.  I have no idea what
    Ronco sells tapes for.

    OK, $6.95 for Jimmy Swaggert and his prostitute and that is
    my FINAL offer!!!!!!!
    
    	db

    db, why would you even own that tape, nevermind sell it?!

    If you can't figure out why I would sell it, then clearly you have
    MUCH more use for the tape then I do.

    No, I can't figure out why you bought it to begin with.

    He was selling it to help pay for his legal fees...
    
    I took pity on the poor bastard... what can I say?

    Well, it's done - I finally got moved into my house over the weekend -
    mucho thanks to Mike Manthei who came over and helped...  Now I've got
    to get used to jamming in an empty concrete basement whilst I rebuild
    my studio...
    :-(
    

    Coop
    did ya ever get all the "miscellaneous" stuff out of the garage?
    
    After 2 loads there was still plenty of non-packable stuff....
    
    ...and I didn't really help - I just came, drank a couple of brews, ate
    pizza, and clowned around.   ...still fun... let's do it again
    sometime.
    
    Mike -who doubts whether there *really* was an entire motorcycle hidden
    among the wreckage....
    

    Thanks Mike, but I'll pass on the move (again).  Ack!
    
    RE: Motorcycles, oh yes there is!!
    
    jc
    
    

    I've been looking for a good deal on an american strat new or used and
    decided to check out the midnight madness sale at Cheshire Music in 
    Keene N.H. this weekend.  The prices were to drop starting at 8:00P.M. 
    to 12:00P.M. the discount going down to 35% on Fender equipment at
    midnight.  We got finished jamming at 11:30 so I went down to check it
    out.  They had two new american strats left in the store.  I asked
    about the price and was quoted $625.  The tag on the guitar said $975
    retail.  I asked what the 35% sale was calculated on.  I had been by
    the store a week before and was quoted $625 on the same guitar.  Let 
    me get this correct now:
    
    	$975 x .35 = $341 this subtracted off of the ret = $633
    
    So the sale price is actually $8 lower than the normal asking price?
    
    N0! then the .35 is off of the asking price?  I offered $400 and 
    was ready to grab my new strat.  Guess again!  The sale turned out to
    be a big ripoff to get customers into the store.
    
    Mark
                                          

    Man, I *hate* when they do that...  
    
    I was flippin', cuz I've been craving a strat lately...
    :-(

    I'm shocked!
    
    Next time go armed with a list of mail-order prices. If you can get 
    them within $50 of a MO price, go for it. If not. why bother.
    
    Mark

    Bastards!!!!!

    Well, I guess once again I'm the iconoclast.  I'm not shocked, outraged
    and I don't think they are bastards.
    
>    N0! then the .35 is off of the asking price?  I offered $400 and 
>    was ready to grab my new strat.  Guess again!  The sale turned out to
>    be a big ripoff to get customers into the store.
    
    Why am I not the least bit surprised or outraged by this?
    
    In some other note in here we've discussed dealing with music stores
    and I have said many times that "sales" are (mostly) just ways to
    get people in the store.
    
    Think about it. What possible reason would they be willing would
    they accept one price the day of the sale and refuse it one day
    (or week) before or after?  
    
    The way to think of a sale is that the "nominal" asking price has
    been lowered.   In most cases that means that the sale sticker price
    is now closer to the real "what they'll take for it" price. 
    
    Folks, there is only one "real price" for something:  the minimum that
    the seller will accept.
    
    My reaction to your story was not "he was ripped off" but "gee, on the
    non-sale day they didn't even make much of an effort to get list price
    from him but offered what was, for them, probably a fairly reasonable
    discount."
    
    I.E.  I'm impressed by how they treated you, not outraged.  If you feel
    "ripped off", then I think its because you just have a naive notion
    of what a sale is.
    
    To me, that's like saying an auto salesman who lowers his price for you
    tried to "rip you off" by having a higher original asking price.  It's
    not necessarily a meritless argument, but it reflects a naive view.
    
    Frankly, I'd rather go to a store where they offer me the equivalent
    of "sale prices" everytime I walk in without any haggling than a store
    that tells me that the price is whatever's on the sticker.
    
    	db

    Dave, 
    
    I agree with your comments.  It wasn't the price that I was ticked
    about.  There regular price is probably the lowest in the area,
    including Vermont.  When I went in a couple of days before the sale
    the salesman put me off on buying the strat and inferred that the price
    would be much better Sat night he stated, "you never can tell what
    he'll do", referring to the owner and his pricing.
    
    By the way I found a amer maple necked strat in mint cond for $475 that
    I'm picking up tomorrow on the way to staff.  
    
    Mark

    I used to be willing to pay my local stores a bit more than mail order
    prices, because I believe in supporting local businesses.  Although I'm
    still willing, I find it unnecessary as of late.
    
    My recent experience is that any of the bigger local stores will match
    each others prices, and also match mail order pricing.  It helps to be 
    a regular customer, naturally.  At the store I frequent most often, I 
    don't bother working the price with them on minor stuff.  I'm really
    not interested in saving $5 on a $100 PC Midi interface and I don't
    want them to automatically think I'm going to squeeze them as hard as I
    can every time they see me coming.  But on significant items it's worth
    the effort to ask them to match or beat mail order pricing, and they 
    comply.  I've saved good money recently on a mixer and rack reverb and 
    compressor.  Because they like me (me money) so much, I've also been able 
    to go in unarmed with competetive pricing and say "give me a good price 
    on this" and they have complied (later research has confirmed).
    
    The key thing is to be totally unable to stop yourself from spending
    thousands of dollars every year on musical instrument equipment.
    
    							M
    
    P.S.   ... and that's _still_ an outstanding price we paid for those
    	   PC88-MXs last year, Dave!

    When I said "I'm Shocked", I was being sarcastic. Virtually every 
    retail store plays this game to get customers into the store. An
    informed shopper can smell a gimmick a mile away and will not fall
    for this trick. I love calling retailers on their so-called sales, 
    if for no other reason than to get them to admit that their sale 
    isn't a sale.  
    
    There are a few reasons why a retailer should get a little more than
    a mail-order house. Retailers have fancy showrooms that are expensive
    to operate. They have money tied up in inventory. From the buyers
    perspective you get instant gratification, you get to demo the gear
    and if there is a problem you can bring it right back to the store.
    Who wants to buy a guitar site-unseen? I certainly don't. Mail order
    houses charge shipping. Many people don't factor that into the price
    when comparing. As an example if an American Std. Strat is selling
    for $499 + $20 shipping (via mail order) and your local dealer will
    sell it for $569 + tax I would definately pay the extra $50 and buy
    local. If the dealer wants $200 more than mail order, than tell them
    to forget it.
    
    Mark
    

    If I could find an Am st strat for anywhere near the $400 mark, i'd buy
    the lot! You could double that price when you cross north of the
    border. Buy it!

    Do you mean $800 Amer or $800 Can?  The last time I visited my wife's 
    family up in Cape Pale Sp? NB the exchange rate was .75 or 75 cents to
    the dollar.
    
    Mark

    Yeah, $800 Can. And that's considered a good price up this way. 
    
    So, how do you like it down east? I'm from those parts myself.
    
    -k

    I paid less than $800 U.S. for my Strat+
    
    Mike

    CAnadian? Where? May be I can find a good deal on an amp there.
    
    -kev

>    My recent experience is that any of the bigger local stores will match
>    each others prices, and also match mail order pricing.  It helps to be 
>    a regular customer, naturally.  At the store I frequent most often, I 
>    don't bother working the price with them on minor stuff.  I'm really
>    not interested in saving $5 on a $100 PC Midi interface and I don't
>    want them to automatically think I'm going to squeeze them as hard as I
>    can every time they see me coming.  But on significant items it's worth
>    the effort to ask them to match or beat mail order pricing, and they 
>    comply.  I've saved good money recently on a mixer and rack reverb and 
>    compressor.  Because they like me (me money) so much, I've also been able 
>    to go in unarmed with competetive pricing and say "give me a good price 
>    on this" and they have complied (later research has confirmed).
    
    The best way for me to express how much I agree is to say that I
    could easily have written what you've written above.  In fact, I
    probably have.
    
    Main points:
    
    	o Local stores WILL match MO pricing when you factor in
    	  shipping
    	o The best strategy is to establish yourself as a good customer
    	o Don't hassle them for $5 - that doesn't make for being
    	  a good customer.  But do make it clear to them that you expect
    	  excellent price for the big ticket stuff and... you ALWAYS
    	  expect good service
    
>    The key thing is to be totally unable to stop yourself from spending
>    thousands of dollars every year on musical instrument equipment.
    
    Got that part down, just trying to figure out how to pay for it.  ;-)
    
>    P.S.   ... and that's _still_ an outstanding price we paid for those
>    	   PC88-MXs last year, Dave!
    
    It's still the lowest price I've seen.   It's lower than the lowest
    price quoted on the Web's "New Equipment Price List".  I suppose I
    oughta send that price in.
    
    And what's amazing is that even though we got a fabulous price, the
    store still thanks me for the business everytime I walk in.  I.E.,
    EVERYBODY (buyer and seller) WINS!  
    
    	db

    I have not had the same experience shopping locally in the Worcester
    area. Case in point: I bought my Fender Reissue 65 Deluxe Reverb 
    from a MO place in Altanta. Price including shipping was $550. 
    I tried to get local stores in Worcester (Kurlan's Music, EUW) to 
    come within a reasonable margin of this price and they were not even
    close. The best price they would offer was $699 plus $35 tax. 
    What hurts is the MO place I bought the amp from is actually a
    full-service music store complete with showroom, and big-haired
    salesdudes.
     
        I agree that you shouldn't play hardball every time you go into
    your local store just to get $5.00 off a small-ticket item, but there
    is no justification for marking up a $500 item by an extra $200. I
    don't care how new or hot the item is.
    
    
        Mark
    

    Just got this via a chart/tab mailinglist I'm on.  EMI had brought
    or was threatening suit against UNLV for copyright infringement
    over the OLGA archives.  UNLV has either given in to the pressure,
    or was ordered by the court to close down OLGA.
    
    I don't know the status of the various mirror sites, but I'm
    trying to get into the one I most often use at MIT.  I'll
    post here if I can still get in there.
    
    	Rick
    
    
    
    >> Date: Thu, 25 Apr 1996 17:30:03 -0500 (CDT)
    >> From: cal woods <[email protected]>
    >> Subject: Nevada Closed for good
    >> Resent-to: [email protected]
    >> To: [email protected]
    >> MIME-version: 1.0
    >>
    >>
    >>
    >> people -
    >>
    >> i just received mail from dave hisaw that UNLV have decided to
    >> make the closure permanent. my (and i presume mick's) accounts
    >> have gone.
    >>
    >> i would forward the message, but there's a warning at the bottom
    >> that i can't!
    >>
    >> cheers
    >>
    >> :-)
    >> cal
    

re:    <<< Note 1954.450 by SMURF::SCHOFIELD "Rick Schofield, DTN 381-0116" >>>

>                 -< UNLV closes OLGA under pressure from EMI >-

   "M. O. U. S. E."

   What's the "OLGA"?

   -- Sam

    re: .449
    
    Marc, you mentioned EUW in your list.
    
    FWIW, That is one of the places I have ALWAYS (no exceptions) been able
    to get to match a non-"blowout" MO price within the "S&H" difference
    factor.
    
    The PC-88MX price that was mentioned was even well below MO even
    NOT including S&H.
    
    	db
    

    Anyone know where to obtain a copy of "MiniTrax", a
    shareware-basic-midi program? 
    
    Dave
    

How come I get a CXORAS nodename when I enter a note
in this conference via TEAMLINKS CONFERENCING??

This will make life miserable if I get a different 
address and I want to moderate from the home NT box...

re: .454

>How come I get a CXORAS nodename when I enter a note
>in this conference via TEAMLINKS CONFERENCING??

Because CXORAS is the RAS server that you're connected to the network
through.

>This will make life miserable if I get a different 
>address and I want to moderate from the home NT box...

Yeah, it's a drag.  A members-only conference is *loads* of fun!  
You can get around the problem by telneting to a VAX and working from
there, but then you have to use the character-cell interface.  It also
requires a terminal emulator that can do a decent imitation of a
VT 220 (or whatever).

On my list of midnight-hacks-to-do is a PC-to-VAX Notes interface that
works such that you're known by the username on the VAX.  Unfortunately,
my available time for midnight hacks is so limited that the project will
probably never get done.

-Hal

I was gonna complain in TEAMLINKS notes, but wouldn't want
to infer that I use teamlinks for anything but conferencing.
...Or if TL is even responsible...

Perhaps the RAS server oughta pick up my machines name instead
of pasting the RAS servers name in there... Whatcha think?

    
    I've found VTSTAR to be a very workable terminal emulator, and it
    runs on my PPP connection from home, too.
      
    Kevin
    

I use Keaterm for emulating terminals - works pretty good.  
I've also used VTSTAR - in fact I helped beta test the thing
in an earlier life...  It's good, cuz it's FREE!  ;-)

jc (Who likes the PW Notes interface too, tho...) 

    You guys are real smart. Just thought I'd say that.
    -ss

    Wise ass...

    I just saw a picture of Deep Purple guitarist Ritchie Blackmore from the
    70's, holding a bullet neck Strat with a very obviously, fully
    scalloped fretboard.  Duh!  Am I the only one this is news to?  I never
    realized he was part of (started?) this trend (and this despite being
    a huge Blackmore fan).
    
    Back when Yngwie was rising to glory, he would constantly whine in
    the press about how he wasn't a Blackmore clone, wasn't influenced by
    him, never listened to him, etc etc; this despite some rather obvious
    similarities.  But I always assumed the scalloped thing was Yngwie's.
    
    /rick
    

musta been the hair!

(Actually I also heard alot of similarities...  I've been
a blackmore nut since Machine head,, which is still
BRILLIANT work...)

That was 71, I was 12...  he was GOD...

    
    News Flash!!
    
    I am officially off the hook for selling the strat that my wife gave me
    a few years back...  Seems that she doesn't like the finish on here
    hutch and wants to sell it!!!
    
    Repeat, she wants to SELL THE HUTCH - THE HUTCH, as in "I wanna buy a
    hutch!" from the inflamed and seldom played "MRP-Rap"
    
    
    

    Oh, BTW Sam 
    
    Pffft.  :-)
    

    See, I changed my p_name...
    :-)
    

    re -1
    
    Did you copy that off of the funny bumper sticker jokes that was sent
    on the distrubution list?  AHA! I caught ya!
    -ss

    
    Rick Derringer will be playing the Main St. Brewpub in Worcester, Mass
    tonight.
    
    Kev --
    

    
    re-1
    
    
    how the mighty have fallen!
    
    
    						Ian

    A friend of mine turned me on to some early McCoys recently.  My
    impression of the McCoys was pretty much "Hang on Sloopy" (the first
    tune I ever performed in public btw) and I always wondered how Rick
    Derringer got hooked up with Johnny Winter.  To my surprise, the McCoys
    were a pretty smokin blooze rock band for the time.  Kinda like early
    Ten Years After in some ways.
    
    /rick
    

    
    	A couple years ago I saw Rick Derringer at The Zone in Mendon
    	MA.  Not a big place, to say the least.  But it was a relat-
    	ively large crowd.
    

    >    <<< Note 1954.470 by BUSY::SLABOUNTY "Duster :== idiot driver magnet" >>>
    
    Let me take a guess, Shawn: you drive a Duster!

    
    
    ....News Flash from REUTERS...
    
    Van Halen, Roth Together Again - The impossible has happened. Van Halen
    is working with original vocalist David Lee Roth after parting ways 
    with Sammy Hagar.  Roth had split from the
    Los Angeles-based quartet just over 10 years ago in one of the most
    bitter incidents in rock'n'roll  since the Beatles broke up in 
    1970. The band's manager says Roth is working with the band on
    a track that will be included in a greatest hits package scheduled for
    release in October. But it's not yet clear whether this is a prelude 
    to his re-joining the band in a full-time capacity. 
    
    

   And it's not even April 1st.  Hmmm...  :-)

   Gee, what was "the most bitter breakup" (or whatever) all about?  I had
   heard it wasn't all that "nice", but never heard the details.

   In a way the timing is too bad;  I always thought Sammy was a poor
   substitute, and that the band never really sounded like "Van Halen" sans
   Roth, but I heard some cuts off the latest VH album and must admit they
   sounded a lot better than previous Van-Hagar offerings.  Eddie even lost
   the keyboards and got his tone back.

   -- Sam

    I caught Dave on the Tonight show one night, just before the Vegas
    thing was about to take off.  He was really sad; lame humor, no timing,
    he seemed burned out and wasted.  I later read an article about his
    Vegas debut; sounded like it flopped (no surprise) and that whole
    thing was stalled.
    
    To make it back with Van Halen he'd need to be in fighting trim; I'd
    love to see it, but the Dave I saw was a long way from that.
    
    /rick
    

Well this is good for Roth, I read an article on
him somewhere a while back,,,  he sounded pretty 
destitude to get some REAL work again.

Although I was never a huge fan of his both with
and after Van Halen, he always AMUSED me...

I think it's huge of them to put the past down and
try again..

But what the hell, Eddie got clean and sounds terrific
now, may D.L.R can do so too..

    I believe when Eddie and David parted company, Eddie was hitting
    the bottle pretty hard at the time. It almost cost him his marriage.
    He went on the wagon and stayed there for quite some time, but as
    soon as he went back on tour, he started drinking again. I heard
    that when he returned home from his tour, Val had placed all of
    his personal affects on the front lawn.  I don't ususally keep
    up on these things, but I heard it somewhere.
    
    Over the years there have been countless band breakups. When the
    money starts to run low, people become more willing to patch things
    up. It happens at the highest levels in the entertainment industry.
    Who would have predicted that the 3 remaining Beatles would ever
    work together again?
    
    Mark

    Cash flows cover all sorts of problems.  We should know that more than
    anyone.

    Well, folks, today's is my last day at Digital. Thankfully, this is my
    own decision... I'll be making a go if it at a small start up company
    in the networking business.  I get to subtract 198919 from my badge
    number.  ;^)
    
    It's been fun noting in here and other conferences.  I've learned quite
    a bit, got much good advice, met a few people.  I think life without
    notes may be the toughest part of the road ahead.
    
    And if you absolutely _must_ read about upcoming HELP! gigs, drop a
    note to "[email protected]" and we'll add you to our e-mail mailing
    list.  Or keep an eye on our ever-changing WWW home page at
    http://www.kersur.net/~dodo/lpus.htm.
    
    Take care, and break a leg.
    
                                                   Marc
                                              

    Anyone know where I can get a Fender strat case cheap?  I'd LOVE a
    tweed one - does Fender sell 'em??  How about the Plastic/ABS ones?
    
    Anyone know where I might be able to mail order one? or??
    
    Thanks,
    jc

    Last time I was in Guitar Center, they had a pile o used tweed Strat
    cases for sale.
    

Of course, the popular SKB has some nice cases for all styles, I 
think they're around $70/$80 mail order for a good one..

Musicans Friend has a bunch of cases in they're latest mailer.

Tweed cases are really nice, but ya really got take it easy
on them...  once they start getting beat up they tend to 
look crappy..

    I bought my Strat with the SKB case.  I think they're pretty cool!

    SKB has a "form fitted" Strat/Tele case for $58.00. These type fit
    better in the trunk of smaller cars than the standard types. 
    
    JMO,
         Fred

the form fitted are easier to lug around, but as mentioned
in other replies, there's not a lot of room for stuff
like straps, tuners, cables.....

    Yabbut...
    
    Tweed LOOKS so cool...
    
    :-)

    I dug out my strat for the first time in probably 4 months last night.
    Plugged into the Deluxe Reverb and had a great time.  Had so much fun,
    I got out the Strat XII, too (for the first in *ages*). 
    
    I'm really looking forward to getting my studio built in my basement
    and having all my stuff more readily accessible.

Living proof that if you play guitar,, eventually,
you just gotta have a strat...  

As much as I like the humbuckers,,,,  the single coils are
the nads...

   > Living proof that if you play guitar,, eventually,
   > you just gotta have a strat...  
    
	Probably true, but unlike GTS, one can be cured of this....
    	I was always primarily a Gibson player, but eventually did
    	buy a strat due to the truth of the above axiom.  However,
    	I never really became comfortable with the strat, and after
    	a while I found myself reverting to the Gibsons more and
    	more frequently.  Eventually the strat just became a dust
    	collector.  Finally I sold it (at a significant loss, mind
    	you), and it's unlikely that I'll ever take the plunge for
    	a Fender guitar again.
    
    	Still love the old amps tho...
    
    	/Steve

    RE: Steve
    
    Hmmm - I've said THAT before.  :-)
    
    I just bought another strat...After selling the one I had before...
    It's like my 6th strat...  I keep coming back for that twang, I
    guess.
    
    Anyway, I can relate to having all your goodies in boxes...I'm building
    a studio in my basement, and my 16track and mackie are sitting in boxes
    for like, 6 months or more now.  :-(

hey Steve, most people LOVE seafood,, personally I hate
the stuff...  so there's the constant element of personal
taste...   

As for me, I'll always have at least one strat...
(of course, here more is always better!)

/ray

    Steve, didn't you have one of the Lace Sensor equipped jobs?  To me
    these just don't ooze the primal funk the way Leo's original single
    coil design does.  
    

    
    	I'm with Steve.  The Strat has its' place but just doesn't
    	compare to a Gibson.  The scale makes it harder to play, 
    	especially bending.  And the thin tone just doesn't hold a
    	candle to the fat sound of a Gibson.  Of course, there are
    	times when the Strat is better suited but if I could only
    	have one guitar - no contest.
    

well, I dunno Tom, that may work for some, but for
me, I really can't compare the two...

The are so completely different in design and sound
that there's just is no way to put them side by
side...

I think most of it comes down to what the player plays.
both have their own unique advantages...

   Just goes to show it's all up to personal taste.  I could re-write .-1
   swapping Strat and Gibson.  My Strat is definitely my first-and-fave
   guitar, and I even almost sold my Gibbo recently, but thought better of
   it when I compared the tones on tape - it's good to have both if you're
   doing multi tracking.  And my Gibbo is now set up as my "synth axe" so...

   -- Sam

    These are roughly close quotes from two players
    
    Alvin Lee: "I love Strats, but to me they feel like toys.  Gibsons
    feel more like a real guitar"
    
    Jimmy Vaughan: "Gibson always seemed so fragile, I'd worry about
    breaking them.  Fenders are more solid, you can play em hard"
    
    I see some truth in both of these statements.  Why fight it, get one
    of each!
    

    re: The scale makes it harder to play,
            especially bending. 
    
    I guess it's all relative.  Considering I normally play acoustic
    steel strings, a set of .010s on a strat seems ridiculously light.
    I used to have a Carvin with a 24.9" scale and I have an ES-175
    clone.  I never noticed the scale length making much of a difference
    in playability when comparing these guitars to the strat.
    
    If I could only have one guitar, it'd be my OM-28 ;^)
    
    Jim

    <Jimmy Vaughan: "Gibson always seemed so fragile, I'd worry about
    <breaking them.  Fenders are more solid, you can play em hard"


somewhat of a true statment..

Fenders just seem to bounce better....
When a Paul takes a dive, it's usually bad news..

With a fender, yea, you get a good nick here and there
and that sucks,  but that neck can be easily replaced 
if it snaps..  over all Fenders are easier to fix..

with a paul,,, it's much more tramatic and it's usually the
end of a georgous guitar. One reason I take the paul out for 
rehersals much less than the strat goes,, I got a clumsy bass 
player..

(and get this, I just spoke to Jim Clement at Mr. C's and he told 
me that Gibson has ONCE AGAIN, put on a price hike.  Les Pauls 
have gone up anywhere anywhere  from 200 to 500 bucks list..  
Jimmy Page models are now in the nieghborhood of $4,200,... a 
400 dollar list price increase !  Standards are now $2,400 list!)

    re: Rick-
    
    Yes, my strat had the lace sensors and I know what you mean about
    them not being like the traditional single coil units.  Still, it
    never felt quite right to me--the scale length does make it handle
    quite differently than the Gibson and also the lack of neck tilt
    seemed much less comfortable. There was a micro adjustment for this,
    but it was just that--micro.  There is a significant neck tilt on
    the Gibsons.
    
    Lastly, I was always somewhat disappointed by the thinness of tone.
    I always felt that the strat required a 100W amp to get the desired
    punch, whereas a Gibson could do just fine with 50 watts.
    
    Don't get me wrong, I love strats, and they sound great in the right
    hands (SRV comes to mind), but they're not for everyone, and definitely
    not for me.
    
    /Steve
    
    p.s.  I also agree with what both Alvin Lee and Jimmy Vaughan have to 
    say...  Gibsons seem to have a "handmade" feel to them whereas Fenders
    have that assembly line feel, but I also have to be very careful with
    the '62 reissue SG... the neck/headstock is so thin that I worry about
    snapping it off if I bumped into a mic stand.

    btw, I've got some video footage of early TYA with Alvin Lee playing a
    red Strat; and he sounds almost exactly the same as he does through the
    335s
    

    hmm.
    
    There is something about the sound of a strat that no other
    guitar can emulate...  thats why I bought one.  My Ibanez's 
    both do a pretty good job, but it's just not the real mccoy.
    Neck like a club, but you gotta love 'em.
    
    On the other hand, I betcha in a blind sound test, you'd never hear
    the difference betwist my grim reaper anna LesPaul.  

	I find my solo playing is different when I play my LP or my
	Strat - the tone and feel changes my playing. And when I need
	a 'delicious' tone, I pick up my Strat, whereas the 'gnarling'
	comes from the LP. A real jazz tone would also come from the LP.
	Power chords with emphasis on the lower E and A (a la Townshend
	in I'm A Boy) are best on the Strat! Blues is good on both.

	As you see, I can't do without any of these babes!

	Poul Townshend

    	-1
    
    	I agree with everything except the bit about power chords on a
    	strat?!?!  I thought the epitome of the power chord was achieved
    	with a Les Paul and a Marshall set to 11.
    
    	/Steve

Any guitar with a marshall on 11 will hurt things...

But the subtlties of the different pickup configurations
are quickly washed away when the amps are saturated..

Dirty up a strat just a touch, and they sound a lot 
nicer to my ears, then when you're going for the 
ultimate gain settings.

crunch up a telecaster, and you've defeated the purchase
of that guitar.

crunch up a paul, and it'll just sing...

Use these appropriately !!  :)

    
    re. Steve: it's difficult to describe, if you listen to I'm A Boy with
    The Who, you'll know what I mean. A heavy bottom with sort of a sharp
    edge...
    
    Poul
    

    
    Any Guitar shows coming up in New England? 
    
    Dave
    

    New York City, September 21-22.  It has a reputation as a very funky
    show; more players/low-end/off-the-wall than usual.  And it's in a bad
    neighborhood, which just adds to the adventure :-)
    

	Anybody catch the SRV tribute on WGBH over the weekend?  
	Featured performances by Jimmy Vaughan, EC, Buddy Guy,
	Bonnie Raitt, B.B. King, and a few others. IMO, nothing
	particularly exciting happened..(have I finally overdosed
	on blues?!?!) Most everbody except BB King played strats.
	There seemed to be a line of Fender 4x10 tweed and black-
	face amps that folks were using, probably bassmans & supers.
	One thing that struck me was how wimpy the tone was.  Gets
	back to my point about needing more than 50 watts to power
	a strat.  Each player covered a tune that SRV had recorded.
	Results ranged from uninspired all the way to downright
	boring -- really lacking the fire SRV was able to impart
	to each tune.

	Oh well, I guess it was the thought that counts.

	/Steve

I missed it, wished I'd caught it though, it's been on
a few times I think...

as far as copying SRV, IMHO, that just aint gonna happen.
The man was one of a kind, just not easy to copy, what 
for him, just came natural.

    There's a newly released SRV tribute disc, with all the players you
    mentioned.  I thought that was a studio recording, but perhaps it's
    actually live cuts from the show?  I'll have to check.  Anyway, sorry
    to hear it didn't pan out.  Fwiw, the one review of the record I saw
    (Boston Globe) was very favorable.
    
    /rick
    

    WGBH was offering it for a $100 contribution....  I believe it is a
    recording of the live tribute.  I don't want to actually go so far as
    to say that it was bad... but just imagine hearing a bunch of SRV
    tunes, and then imagine hearing them with no SRV... well, you kind
    of get the idea, ya?
    
    /Steve

    	I have the disc, and it is the live recordings.  It cost me $13.99
    at Strawberries.  I expected much more.  It kind of makes you want to
    pull out your SRV collection and start listening to the real thing. 
    The song list is as follows:
    
    Bonnie Raitt - Pride and Joy 
    Jimmie Vaughan - Texas Flood
    B.B. King - Telephone Song
    Buddy Guy - Long Way From Home (?)
    Eric Clapton - Aint Gonna Give Up On Love
    Robert Cray - Love Struck Baby
    Dr. John - Cold Shot
    Six Strings Down - Jam with everybody 
    Tick Tock - Jam with everybody
    SRV Shuffle - Jam with everybody
    
    	The whole thing is very uninspired, and I would of preferred to
    hear guys like Chris Duarte, Robben Ford, and Eric Johnson.

    Wow - Chris Duarte mentioned in here?  I didn't know he was that
    popular!  He plays (or played) in Woodland Park, CO all the time...
    In a real hole of a bar too... 
    
    Anyway, he rocks...

    "Texas Sugar Strat Magic" is the name of Chris Duarte's current disc,
    right?  I've heard that one mentioned a lot in the press, been meaning
    to check it out.
    

    
    	I saw a few tunes towards the end.  I'm with Steve, it was
    	pretty bad.  The jam reminded me of our jams with everyone
    	playing at the same time - except we sound better... ;^)
    
    	One song ended and they all did a big-ending-riff.  Bonnie
    	Raitt blew 'em all away.
    
    	Tom
    

    I love Bonnie Raitt's slide work.  She's forged a very powerful and
    unique style, one of those people you can recognize in a single note.
    
    She gets a pretty gnarly tone on that Strat too.
    
    /rick
    

	Fyi, guitar CD's from www.cyboard.com/ent/ai/guitar.html

	Man, some of these sound killer!

                                   GUITAR

                          (Updated August 5,1996)

A* B* C* D* E* F* G* H* J* K* L* M* N* P* R* S* T* V* W-Z
GUITAR PROJECTS, COLLABORATIONS, ETC.

ROBBY ACETO * CODE
(D)CD $15.99
     1996 release solo debut from this guitarist, singer, keyboardist.
     Aceto has recorded and toured with David Sylvian, Steve Jansen, Rich
     Barbieri and Mick Karn. David Torn produced and plays on this
     beautiful yet ugly intense project and features outstanding
     performances from Robby Aceto, vocals, guitar, bass; David Torn,
     drums, cello, keys; Richard De Paolo, Harry Aceto, bass; Steve Jansen,
     drums (one track); and others.
JAN AKKERMAN * BLUES HEARTS
[E]CD $24.99
     1995 release is a heavy blues project with Jan in a group setting
     featuring a horn section. Jan Akkerman guitar, Tom Salisbury keys,
     Manuel Hugas bass, Ton Dukmana drums, percussion, and others.
ROB ALLEN * MYSTERIOUS MEASURES
(D) CD $14.99
     Solo debut from Melissa Etheridge's lead guitarist. Great
     instrumentals with Rob playing almost all of the instruments, with
     Mark Browne, bass; and Doug Scott, keys.
SHERYL BAILEY * LITTLE MISUNDERSTOOD
[D]CD $14.99
     1995 release. Newcomer Sheryl Bailey combines both straight ahead and
     fusion on her debut release. Demonstrating fine guitar technique
     throughout. Sheryl Bailey, guitars; George Colligan, keys; Vince
     Loving, electric bass; Dave Ephross, acoustic bass; Chris Battistone,
     trumpet; Glenn Cashman, sax; Adrian Green, Jon Seligman, Lenny
     Robinson, drums; Rob White, percussion.
JENNIFER BATTON/THE IMMIGRANTS * ONE PLANET UNDER ONE GROOVE [new]
[E]CD $29.99
     1995 release. Hard hitting Rock/Vocal project features "big-haired"
     guitarist Jennifer Batton with Michael Sembello and Jeff Paris on
     guitars, keys, bass and vocals, Lars Danielson on bass, Kali on
     vocals, and the almighty Vinnie Colaiuta on drums!
JEFF BECK * BECK, BOGERT, AND APPICE LIVE (dbl)
(J)CD $59.99
     Live recording in Japan 1973. Performing material from BBA and
     signature Beck classics.
ADRIAN BELEW * THE GUITAR AS ORCHESTRA [new]
[D]CD $16.99
     1995 release. Ten modern classical pieces presented as an orchestra in
     concert composed and performed entirely on electric guitar by Adrian
     Belew.
ADRIAN BELEW * THE ACOUSTIC ADRIAN BELEW
[J]CD $39.99
     1995 release is an extended version of the CD that was available at
     Adrian's solo performances. The two new tracks are "unplugged"
     versions of "Young Lions" and "Men in Helicopters." The CD is a career
     retrospective covering King Crimson, The Bears, his solo albums and
     even Roy Orbison and the Beatles.

The following three CDs are from original tapes belonging to the Tommy
Bolin estate:

TOMMY BOLIN * THE ARCHIVES BOTTOM SHELF VOLUME I [new]
(D)CD $18.99
     1996 release. Second voyage into the archives. Features acoustic jam
     sessions, Energy live, Tommy Bolin Band live, Tommy Bolin with the
     Good Rats performing "Stratus," out takes, acoustic demos and a Bob
     Marley cover.
TOMMY BOLIN BAND * LIVE AT EBBETS FIELD 1976 [new]
(D)CD $18.99
     1996 release. Recorded live in Denver on May 13, 1976. This was the
     first appearance of the new Tommy Bolin Band. The lineup: Tommy Bolin,
     guitar, vocals; Norma Jean Bell, sax, vocals; Mark Stein, keys,
     vocals; Reggie McBride, and legendary Narada Michael Walden on drums
     and vocals.
TOMMY BOLIN AND FRIENDS * LIVE AT EBBETS FIELD 1974 [new]
(D)CD $18.99
     1996 release. Recorded June 3 and 4, 1974 in Denver. Tommy reunites
     Energy with an expanded rhythm section for a special show while he was
     a member of the James Gang. The lineup: Tommy Bolin, guitar, Stanley
     Sheldon, bass; Bobby Berge, Russell Bizet, drums; Archie Shelby,
     percussion; and Jeff Cook, vocals.
TOMMY BOLIN * FROM THE ARCHIVES VOL. I
[D]CD $16.99
     In the 1995 catalog, we listed a title of Tommy Bolin Lost on a Raging
     Ocean. This CD was cancelled at the last minute by the Bolin estate.
     The estate has now arranged to release Volume I From the Archives, and
     two more are in the planning stage. Taken from live and studio
     sessions from 1971 to 1976, this release features such top players as
     Jan Hammer, Al Kooper, keys; David Sanborn, sax; Billy Cobham, Narada
     Michael Walden, drums; and others.
TOMMY BOLIN/DEEP PURPLE * LIVE ON THE KING BISCUIT FLOWER HOUR [2/27/76]
DBL
[D]CD $24.99
     Killer performance includes material from "Come Taste the Band" and
     Bolin's own "The Grind" as well as the hits. Includes four tracks from
     a different show. Tommy Bolin, guitar; Glenn Hughes, bass, vocals; Jon
     Lord keys, Ian Paice, drums, David Coverversion, vocals.
TOMMY BOLIN * TEASER
(E)CD $21.99
     Legendary '75 recording now only available as an import. Great
     groove-oriented guitar playing highlight this disc featuring Tommy
     Bolin, guitars vocals; Stanley Sheldon, Paul Stallworth, bass; Phil
     Collins, Sammy Figueroa, Rafael Cruz, percussion; David Foster, Jan
     Hammer, Ron Fransen, keys; David Sanborn, sax; Jeff Porcaro, Prairie
     Prince, Narada Michael Walden, Bob Berge, drums.

Also see Alphonse Mouzon Mind Transplant (DRUM SECTION)

GARY BOYLE * ELECTRIC GLIDE
(E)CD $19.99
     Finally reissued (this was in 1993 catalog) recorded in 1978. This has
     a definite Brand X feel to it. Boyle was the guitarist for Isotope.
     Gary Boyle, Gary Moore, Robert Awhai, Kenny Shaw, guitar; John Giblin,
     Phil Chen, bass; Simon Phillips, Richard Bailey, drums; Pete Jacobsen,
     keys; Simon Morton, percussion.
GARY BOYLE * TRIPLE ECHO
[E]CD $26.99
     1994 release marks the return of one of England's pioneer fusion
     guitarists. This features an electric trio with an ECM jazz feel to
     it. Gary Boyle guitar, Mike Isaac bass, Eryl Roberts drums.
SCOTT BRADOKA * WITHOUT WORDS
[D]CD $12.99
     1994 release showcases some fine electric fusion in the Robben
     Ford/Larry Carlton vein and a solid line-up as well. Scott Bradoka,
     Carl Verheyen guitars; Dave Marotta, bass; Ruben Valtierra, Mark
     LeVang, keys; Chad Wackerman, Steve Di Stanislao, drums.
BUCKETHEAD * DAY OF THE ROBOT [***]
(D)CD $15.99
     1996 release. Hold on tight, it's time for another scary ride with the
     "Bucket" and Bill Laswell at the helm. Buckethead, guitars; Ninj,
     bass, keys, and drums; Bill Laswell, low bass, drums.
BUCKETHEAD * BUCKETHEADLAND (dbl)
(J)CD $44.99
     With Bootsy Collins producing and John Zorn executive producer, you
     know you're on a wild ride with this. Praxis guitarist (man with
     K.F.C. bucket over head). Wild intense heavy guitar playing on top of
     Japanese science fiction monster movie soundbed. Not for the weak
     hearted.
BUCKETHEAD/PRAXIS * METATRON
(D)CD $16.99
     1994 release features some of the "Bucketman's" finest guitar playing
     to date. This is Praxis as a trio - Buckethead, guitars; Bill Laswell,
     bass; Brain, drums.
BUCKETHEAD * GIANT ROBOT
(J)CD $39.99
     The journey continues, still one of the wildest guitarists on the
     planet. This 1994 release features Buckethead, guitar, bass; Bootsy
     Collins, bass, voice; Jerome "Bigfoot" Brailey, Ted Parsons,
     Pinchface, drums; Bill Laswell, sound effects, Iggy Pop, Throatrake,
     voice.
HIRAM BULLOCK BAND * MANNY'S CAR WASH [***]
     (D)CD $15.99 1996 release. Hiram Bullock, guitar, lead vocals, Will
     Lee, bass, vocals; Clint DeGanon, drums, vocals, recorded live at
     Manny's Car Wash in New York City on September 13, 1995 with guests
     Terry Weiss and Hugo Fattoruso, keys; performing mostly covers and
     some Bullock originals.
LARRY CARLTON * MR. 335 LIVE IN JAPAN
(please inquire)
     1978 recording features Greg Mathieson, keys; Neil Stubenhaus, bass;
     John Ferraro, drums; Paulinho Da Costa, percussion.
LARRY CARLTON * EIGHT TIMES UP
(please inquire)
     1982 recorded live in Japan features Abe Laboriel, bass; Brian Mann,
     keys; Terry Trotter, keys; John Ferraro, drums.
PHILIP CATHERINE/LARRY CORYELL * TWIN HOUSE
(E)CD $26.99
     Historic 1977 debut recording from this virtuoso guitar duo. Also
     includes five tracks from their second release Spendid.
BILL CHAMPLIN * HE STARTED TO SING [new]
[E] CD $24.99
     1995 studio release features Champlin on vocals, guitars, and keys.
     Bruce Gaitsch, Jerry Lopez, guitars; Abe Laboriel, Mario Cippolina,
     George Hawkins, bass; Greg Mathieson, keys; Billy Ward, drums; and
     others.
BILL CHAMPLIN * THROUGH IT ALL
[D]CD $15.99
     1994 release has Champlin handling many of the instruments himself.
     Bill Champlin vocals, guitar, keys, drums. Guests include Abraham
     Laboriel, bass; Bruce Gaitsch, guitar, keys, and others.
BILL CHAMPLIN * SINGLE
(J)CD $29.99
     1978 solo debut from one of the founding members of Sons of Champlin.
     Now playing with Chicago, this CD features the L.A. studio kingpins,
     including Bill on vocals, guitar, keys; Steve Lukather, Jay Graydon,
     Ray Parker, Jr. guitars; David Hungate, David Shields bass; David
     Paich, David Foster keys; Jeff Porcaro, Larry Tolbert, Duris Maxwell
     drums; Paulinho Da Costa percussion; Bill Champlin, Carmen Twillie,
     Venette Cloud, Bobby Kimball, Michael McDonald, Daryl Hall background
     vocals; Jerry Hay, Gary Grant, Oscar Brashear, Larry Williams, Bruce
     Paulsen, George Bohannon (horns).
BILL CHAMPLIN * RUNAWAY
(J)CD $24.99
     1981 second release showcases another L.A. all-star roster. Featuring
     Bill on vocals, guitar, keys, with Steve Lukather, Jay Graydon,
     guitar; Jon Pierce, Abraham Laboriel, Lee Sklar, bass; David Foster
     keys, moog bass, drums; Tom Scott, Kim Hutchcraft, Gary Herbig, Larry
     Williams, sax; Jerry Hey, Gary Grant, Chuck Finley trumpets; Bill
     Riechenbach, Charlie Loper trombone; Larry Tolbert, John Robinson, Ed
     Greene, Jeff Porcaro, drums; Humberto Gatica, Paul Lani percussion;
     Bill Champlin, Richard Page, Kenny Loggins, Venette Cloud, Tamara
     Matoesian, Carmen Grillo, background vocals.
BILL CHAMPLIN * BURN DOWN THE NIGHT
(D)CD$15.99
     1992 release features Bill on vocals, guitar, keys, Steve Lukather,
     Terry Haggerty, Bruce Gaitsch guitars; George Hawkins, Abraham
     Laboriel bass; Greg Mathieson keys; Tris Imboden drums; Danny Pelfry,
     Tom Scott sax; Bill Churchville trumpet; Luis Conte percussion; Bill
     and Tamara Champlin, Joseph Williams, Carmen Twillie, Mona Lisa Young,
     George Hawkins background vocals.
BILL CONNORS * STEP IT
(D)CD $12.99
     Featuring Tom Kennedy, Dave Weckl.
BILL CONNOR * DOUBLE UP and ASSEMBLER (D)CD $12.99
     Both featuring Tom Kennedy, Kim Plainfield.
LARRY CORYELL * PLANET END [***]
(D)CD $15.99
     1996 reissue. Recorded in 1975. This was Larry Coryell's Eleventh
     House with heavy weights John McLaughlin and Billy Cobham playing some
     intense electric fusion. Larry Coryell, John McLaughlin, guitars;
     Miroslav Vitous, Danny Trifan, bass; Mike Mandel, keys; Mike Lawrence,
     trumpet, Alphonse Mouzon, Billy Cobham, drums. Fusion the way it was
     meant to be.
WARREN CUCCURULLO * THANKS TO FRANK [new]
(D)CD $15.99
     1996 release. Known for his work with Frank Zappa, Missing Persons,
     and Duran Duran, Warren's first solo album is simply one heavy mutha!
     Entirely instrumental Cuccurullo cuts loose. All tracks recorded live
     in the studio except the last track is the title track is live and
     dedicated to Frank Zappa. Warren Cuccurullo, guitar; Pino Palladino,
     bass; Nick Beggs, bass, and Chapman stick; Vinnie Colaiuta, drums;
     Jerry Cuccurullo, drums (one track).
MICHEL CUSSON * OMERTA LA LOI DU SILENCE [***]
(E)CD $19.99
     1996 release. Soundtrack for a movie about the mafia. Performing all
     diferent types of material, with some truly wonderful guitar artistry.
     Michel Cusson, guitars, bass; Michel Donato, contrebass; Benoit
     Glazer, trumpet; and ex-Uzeb drummer Paul Brochu, drums. guest
     Christian Cusson, drums.
MICHEL CUSSON AND THE WILD UNIT * MICHEL CUSSON AND THE WILD UNIT
(E)CD $14.99
     UZEB's phenomenal guitarist, Michel Cusson, steps out with incredible
     guitar playing backed by the tightest horn section in this knockout
     solo effort. Also see UZEB (RECOMMENDED GROUP PROJECTS)
MICHEL CUSSON THE WILD UNIT * 2
(E)CD $14.99
     1994 follow up to his tremendous solo debut. The Wild Unit consists of
     four musician brass section, two percussionists (one Latin, one
     African), with bassist and drummer. Special guests Jean St. Jacques,
     keys (ex-Uzeb); Michael Brecker, sax; Luc Boivin, percussion. One
     track features 30 percussionists.
JAN CYRKA * BEYOND THE COMMON GROUND
(E)CD $26.99
     British guitarst Cyrka rocks out with a nod to Beck and Vai on this
     impressive debut. Jan plays guitar, keys, and bass on one track.
     Joining him are Giles McCormick Smith on bass, Jack Ryan on drums, and
     Pete Giles, keys on one track.
JAN CYRKA * SPIRIT
(E)CD 26.99
     Similar to his first release, strong guitar-driven instrumentals witha
     a cameo by Mo Foster. Jan Cyrka, guitar, keys; Simon Gregory, Paul
     Harvey, rhythm guitar; Giles McCormick Smith, Pascal Mulat, bass; Pete
     Giles, keys; Pete Riley, drums; Simon Gregory, keys and vocals on two
     tracks.

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PHILIP DeGRUY * INNUENDO OUT THE OTHER
[D]CD $15.99
     New Orleans native performs originals and covers on the "Guitarp," a
     seven string guitar with ten additional harp strings. Definitely
     original solo guitar. A 1995 release.
JOE DIORIO * ITALY
(E)CD $26.99
     Solo guitar release from one of the living legends of modern jazz
     guitar.
JOE DIORIO AND ROBBEN FORD * MINOR ELEGANCE
(E)CD $26.99
     Two giants in their field together for the first time, backed by Gary
     Willis and Peter Erskine. Incredible! Recorded livve in the studio in
     1989.
DARYLL DOBSON * THE MIND ELECTRIC
(D)CD $14.99
     Recorded 1978-1983, finally issued on CD. Dobson plays some fine
     guitar on this hard-hitting fusion project. Fernando Saunders, Rael
     Wesley Grant, bass; Kenny Kirkland, Delmar Brown, keys; L. Shankar,
     violin; Kenwood Dennard, Tony Smith, Ricky Sebastian, drums, and Bobby
     Thomas, percussion.
LES DUDEK * DEEPER SHADES OF BLUES
[D]CD $16.99
     1994 release. Dudek returns with a strong guitar-dominated vocal
     album. With a fine band behind him. Les Dudek, guitar and vocals;
     David Paich, keys; Max McGuire, bass; Jeff Porcaro, drums and
     percussion, and others.
LES DUDEK *
(J)CD $29.99
     Solo debut from 1976 features some of the Toto crew, with Jeff Porcaro
     on drums; Les Dudek, guitar, vocals; David Hungate, Gerald Johnson,
     Chuck Rainey, Jim Hughart, bass; David Paich, David Foster (one
     track), keys; Tom Scott, lyricon; and others. Produced by Boz Scaggs.
DENNIS ELLIOTT * HALUCA-NATION
(D)CD $14.99
     Though listed in the A. I. 95 catalog, this CD was only just released.
     A heavy guitar driven project that will take your face off. In the
     Steve Morse/Joe Satriani neck of the woods. This one never lets up.
     Dennis Elliot guitars, bass; Danny Hernandez, bass; Marc Altieri,
     drums. Guests Troy Thompson, bass; Stephen J. Klong, drums.
BUZZY FEITEN * (see Neil Larsen in KEYBOARD SECTION)
CARL FILIPIAK GROUP * BLUE ENTRANCE
(D)$15.99
     Second effort from Maryland jazz fusion great Carl Filipiak. Features
     Dennis Chambers, Greg Grainger, Paul Soroka, Jimmy Charlesen.
CARL FILIPIAK GROUP * RIGHT ON TIME
(D)CD $15.99
     Carl's impressive third release showcases fine guitar playing from
     this Baltimore native, and his pal - also from B'more- the slam master
     Dennis Chambers. Players include Bob Berg, Dave Fairall sax; Paul
     Soroka keys; Jimmy Charlsen bass; George Gray drums on two tracks;
     Victor Williams, and TV anchorman Rod Daniels on percussion.
BARRY FINNERTY/THE BARGAIN HUNTERS * SPECIAL OCCASION [***]
(E)CD $21.99
     1996 release. Barry Finnerty has played with Miles Davis, Brecker
     Brothers, Crusaders, and Billy Cobham. His latest release has him
     playing live in the studio with the bassist and drummer from Germany's
     incredible power trio Triton. Performing funk/fusion/blues. Barry
     Finnerty, guitar, keys; Arnd Geise, bass; Jost Nickel, drums; guests
     Jon Hammond, keys; and Joe Berger, guitar.
ROBBEN FORD/JIMMY WITHERSPOON *LIVE AT THE MINT [new]
[D] CD $16.99
     1996 release. Jimmy Witherspoon with the Robben Ford Band, Robben
     Ford, guitar; Roscoe Beck, bass; Russell Ferrante, keys; Tom
     Brechtlein, drums. Recorded live at The Mint in L.A. in 1994.
ROBBEN FORD/CHARLES FORD BAND *AS REAL AS IT GETS [new]
[D] CD $15.99
     1995 release. Features Robben Ford, guitar; Mark Ford, harmonica; Stan
     Poplin, bass; Patrick Ford, drums; with special guest Russ Ferrante on
     keys. Michael Osborne plays guitar on 1 track. Material is live, raw,
     and innovative. Recorded live in California 1983.
ROBBEN FORD/BOB MALACH * THE SEARCHER
[E]CD $26.99
     1995 release, produced by Robben Ford, features the Blue Line along
     with a solid cast. Bob Malach sax, Robben Ford, guitar; Roscoe Beck,
     bass; Bill Boublitz, organ; Tom Brechtlein, drums; with Russ Ferrante,
     Roger Kellaway, piano; Alex Acuna, Don Alias percussion, and Andy Bey
     vocals, [2 tracks]
ROBBEN FORD AND THE BLUE LINE * HANDFUL OF BLUES
(D)CD $16.99
     1995 release, is a blues tour de force. Featuring Robben Ford, guitar,
     vocals, Roscoe Beck, bass; Tom Brechtlein, drums.
ROBBEN FORD/ THE CHARLES FORD BAND *
(D)CD $15.99
     1972 recording captures the original Robben Ford band at their
     bluesiest. Robben Ford vocals, guitar, piano; Mark Ford harmonica;
     Patrick Ford, drums; Stanley Poplin, bass.
ROBBEN FORD/ TOM SCOTT AND THE L.A. EXPRESS * TOM CAT
(J)CD $29.99
     Robben Ford lays down guitar on this classic. Tom Scott, horns,
     woodwinds, lyricon, keys, percussion. Max Bennett, bass; Larry Nash,
     keys; John Guerin, drums, percussion. Recorded in 1974, 1975.
ROBBEN FORD/JIMMY WITHERSPOON * AIN'T NOTHIN NEW ABOUT THE BLUES
[E]CD $19.99
     Live group recording from 1977, no musicians listed in liner notes
ROBBEN FORD * THE INSIDE STORY
(E)CD $29.99
     1979 classic fusion release backed by the Yellow Jackets. Robben Ford,
     guitar; Russell Ferrante, keys; Jimmy Haslip, bass; Ricky Lawson,
     drums, percussion.
ROBBEN FORD/CHARLES FORD BAND * A REUNION LIVE
(D)CD $15.99
     Recorded live in 1982, this blues fest features Robben Ford, guitar,
     vocals; Mark Ford, harmonica, vocals; Stan Poplin, bass; Patrick Ford,
     drums; guets Steve Czarnecki keys, Ken Barber, sax.
ROBBEN FORD * LOVE'S A HEARTACHE
(J)CD $29.99
     1983 solo release. All vocal with one instrumental. Featuring Vinnie
     Colaiuta, Abe Laboriel. Originally released by Kazu Matsui as Standing
     on the Outside in the U.S. (now deleted).
ROBBEN FORD/CHARLIE MUSSELWHITE * WHERE HAVE ALL THE GOOD TIMES GONE?
(D)CD $15.99
     Taken from sessions in 1983 and 1984, this blues fest features Charlie
     Musselwhite, vocals, harmonica, guitar; Robben Ford, guitar; Steve
     Ehrman, bass; Clay Cotton, piano; Patrick Ford, drums.
ROBBEN FORD/BROWNIE McGHEE * FACTS OF LIFE
(D)CD $14.99
     Robben joins legendary bluesman Brownie McGhee on this '85 studio
     recording. Featured players Brownie McGhee, vocals, guitar; Robben
     Ford, lead guitar; Steve Ehrman, bass; Clay Cotton, piano; Mark Ford,
     Mark Hummel, harmonica.
ROBBEN FORD/JERRY GRANELLI * KOPUTAI
(E)CD $19.99
     Recorded in 1988, this outside project features Robben Ford, Ralph
     Towner, Julian Priester, Denny Goodhew, Jay Clayton, Charlie Hayden,
     and Jerry Granelli.
ROBBEN FORD/LA CONNECTION * GINGERBREAD BOY
(J)CD $29.99
     Featuring Robben Ford, guitar; Brian Bromberg, bass; Roger Kellaway,
     piano; Tom Scott, sax; John Guerin, drums. Recorded in 1988.
JOE DIORIO AND ROBBEN FORD * MINOR ELEGANCE
(E)CD $26.99
     Two giants in their field together for the first time, backed by Gary
     Willis and Peter Erskine. Incredible! Recorded in 1989.
ROBBEN FORD/JERRY GRANELLI * ONE DAY AT A TIME
(E)CD $19.99
     Drummer Jerry Granelli's wild jazz venture with Robben Ford, guitar;
     Charlie Haden, bass; Ralph Towner, keys; Julian Priester, trombone;
     Denny Goodhew, alto sax, bass clarinet. Recorded in 1990.
MARK FORD WITH THE ROBBEN FORD BAND *
(D)CD $15.99
     This 1990 recording is the Blue Line (Robben Ford, guitar; Roscoe
     Beck, bass; Tom Brechtlein, drums) with Mark handling harmonica and
     vocals.
JIMMY WITHERSPOON/ROBBEN FORD * LIVE AT THE NOTODDEN BLUES FESTIVAL
(D)CD $15.99
     Killer live set from Norway in '91 features Witherspoon on vocals,
     Robben on guitar, Patrick Ford, drums; Stan Poplin, bass; Espen
     Fjelle, organ.
ROBBEN FORD/JERRY GRANELLI * A SONG I THOUGHT I HEARD BUDDY SING
(D)CD $15.99
     Recorded in 1992, Granelli's latest project features great guitar
     interplay between Robben Ford and Bill Frisell, Kenny Garrett, alto
     sax; Julian Priester, trombone; Anthony Cox, bass; Jerry Granelli,
     drums.
ROBBEN FORD AND THE BLUE LINE * MYSTIC MILE
(D)CD $15.99
     1993 release featuring Robben, Roscoe Beck bass, Tommy Brechtlein
     drums; Guests: David Grissom rhythm guitar; Bob Malach sax; and Dan
     Furnero trumpet, flugelhorn one track; Chick Corea splings, zings,
     thunks one track. Import version contains extra track (E)CD $26.99.
ROBERT FRIPP STRING QUINTET * THE BRIDGE BETWEEN
(D)CD $15.99
     Electric Fripp and Trey Gunn meet the California Guitar Trio. Recorded
     live in 1993. Robert Fripp, guitar, Frippertronics; Trey Gunn, grand
     stick; Bert Lams, acoustic guitar; Paul Richards, acoustic guitar,
     Fuzz E bow guitar; Hideyo Moriya, acoustic guitar.
ROBERT FRIPP/KING CRIMSON * VROOOM
(D)CD $15.99
     The return of the legend. This six track CD was recorded at their
     first full rehersals in May 1994. The lineup: Robert Fripp, guitar;
     Adrian Belew, guitar, vocals; Tony Levin, basses and stick; Trey Gunn,
     stick; Pat Mastelotto, Bill Bruford, acoustic and electronic
     percussion. Look for the full-length CD in 1995.
ROBERT FRIPP/KING CRIMSON * B'BOOM (OFFICIAL BOOTLEG LIVE IN ARGENTINA)
(DBL)
[D]CD $29.99
     1995 release. The return of the super group, now in its expanded form.
     Recorded live in October 1994, performing material from Thrak as well
     as material spanning their entire career. Robert Fripp, guitar; Adrian
     Belew, guitar and vocals; Trey Gunn, stick; backing vocals; Tony
     Levin, stick, upright and electric basses, and backing vocals; Pat
     Mastelotto, Bill Bruford, acoustic and electronic percussions.

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FRANK GAMBALE * LIVE
(D)CD $15.99
     Hot from start to finish. Featuring Kei Akagi, keys; Steve Tavaglione,
     EWI, sax; Steve Kershisnik, bass; Joey Heredia, drums.
FRANK GAMBALE * THINKING OUT LOUD
[D]CD $15.99
     1995 release is in the same vein as his last release Passages. With an
     impressive lineup. Frank Gambale, guitar; Alphonso Johnson, and Tim
     Landers, bass; David Goldblatt, Otmaro Ruiz, keys; Brian Auger,
     Hammond B3; Dave Weckl, drums; Walfredo Reyes, percussion.
FRANK GAMBALE * A PRESENT FOR THE FUTURE
(D)CD $15.99
     Featuring Steve Kershisnik, bass; Steve Tavaglione, sax; Kei Akagi,
     keys; Jack Kelly, drums.
FRANK GAMBALE * BRAVE NEW GUITAR
(D)CD $15.99
     Frank Gambale, guitar, Steve Kershisnik, bass; Jack Kelly, drums;
     Steve Reid, percussion; Mark Gasbarro, keys; Jon Crosse, sax
     woodwinds.
FRANK GAMBALE * MVP TRUTH IN SHREDDING
(D)CD $15.99
     The Mark Varney Project featuring Frank Gambale, Allan Holdsworth,
     guitar; Jimmy Earl, bass; Steve Tavaglione, sax, EWI; Freddy Ravel,
     keys; Tommy Brechtlein, drums. Killer!
FRANK GAMBALE * MVP CENTRIFUGAL FUNK
(D)CD $15.99
     The Mark Varney Project featuring Frank Gambale, Shawn Lane, Brett
     Garsed, Mike O'Neill, guitar; Jimmy Earl, bass; Steve Tavaglione, sax,
     EWI; Freddy Ravel, keys; Joey Heredia, drums; Kevin Ricard,
     percussion.
FRANK GAMBALE * THE GREAT EXPLORERS
(D)CD $14.99
     Heavy instrumentals highlight this Gambale guitar fest. Joining him
     are Stuart Hamm, bass; Tom Coster, Freddy Ravel, keys; Johnathan
     Mover, drums.
FRANK GAMBALE * PASSAGES
(D)CD $15.99
     1994 release is one cookin' combo. Frank Gambale, guitars; Otmaro
     Ruiz, keys; Alphonso Johnson, basses; Walfredo Reyes, drums,
     percussion. Guest Brandon Fields, sax (two tracks).
BRETT GARSED/ T.J.HELMERICH * QUID PRO QUO
(D)CD $15.99
     Nelson's Brett Garsed (guitar, vocals, one track); Paul Markovich,
     keys; and Bobby Rock, drums; are joined by Tribal Tech's Gary Willis
     and T.J. Helmerich, guitar, vocals, one track Brilliant musicanship
     spanning the jazz spectrum.
BRETT GARSED/T.J. HELMERICH * EXEMPT
(D)CD $15.99
     1994 release from the dynamic duo features Brett Garsed, guitars,
     vocals, one track; T.J. Helmerich, guitars, vocals, two tracks; Gary
     Willis, bass; Bobby Rock, drums; Paul Mirkovich, keys; Richie Gajate
     Garcia, percussion.
DANNY GATTON * DANNY GATTON'S RED NECK JAZZ EXPLOSION [new]
[D] CD $16.99
     Danny Gatton, guitar; Buddy Emmons, pedal steel guitar; Steve Wolf,
     bass; Scott Taylor, drums. Recorded live at the Cellar Door in
     Washington, D.C. New Year�s Eve 1978. This cooks from start to finish.
     Entirely instrumental. The band performs a variety of material from
     Horace Silver to Chuck Mangione!
DANNY GATTON* RED NECK JAZZ
(D)CD $16.99
DANNY GATTON * UNFINISHED BUSINESS
(D)CD$16.99
     Washington, D.C. guitar great Gatton's first two releases each contain
     two bonus tracks not on original LPs. This man had a style all his
     own.
DANNY GATTON/BLAZING TELECASTERS *
(D)CD $15.99
     Tom Principato and friends recorded live in Washington, D.C. in 1984.
     Tom Principato, guitar, vocals; Danny Gatton, guitar; John Previti,
     bass; Mike Sucher, keys; Robby Magruder, drums.
DANNY GATTON/JOEY DEFRANCESCO * RELENTLESS
(D)CD $15.99
     1994 release, probably Danny's last. Impressive as always. With Danny
     Gatton, guitar; Joey DeFrancesco, Hammond B-3; John Previti, bass;
     Timm Biery, drums.
PAUL GILBERT * TRIBUTE TO JIMI HENDRIX
(E)CD $26.99
     1991 live recording featuring this power trio paying homage to the
     master. Paul Gilbert, guitar, vocal; Horst Polland, bass; Rick Lee,
     drums.
RAY GOMEZ * VOLUME [new]
(D)CD $14.99
     Recorded in 1980. This has long been sought after on CD. Known for his
     fiery fretwork with Stanley Clarke and others in the seventies. This
     solo album features instrumentals and vocal tracks, and contains the
     original version of "West Side Boogie." Ray Gomez, guitar, vocals;
     Jimmy Haslip, bass; Chris Palmaro, keys; Narada Michael Walden, Vinny
     Appice, drums; guests (one track each): Will Lee, bass; David
     Sancious, keys; Randy Brecker, trumpet; Michael Brecker, George Young,
     sax; Sammy Figueroa, Rafael Cruz, percussion Note: This CD does not
     come with much packaging, but it sounds tremendous.
BRAND X *
     The original line up: John Goodsall, guitar; Percy Jones, John Giblin,
     bass; Robin Lumley, Peter Robinson, keyboards; Morris Pert,
     percussion; Phil Collins, Kenwood Dennard, Mike Clark, Chuck Burgi,
     drums.
BRAND X * UNORTHODOX BEHAVIOR (D)CD $15.99
BRAND X * MORROCAN ROLL (D)CD $15.99
BRAND X * LIVESTOCK (live) (D)CD $15.99
BRAND X * MASQUES (D)CD $15.99
BRAND X * PRODUCT (D)CD $15.99
BRAND X * DO THEY HURT? (D)CD $15.99
JOHN GOODSALL/BRAND X * LIVE AT THE ROXY [***]
(E)CD $29.99
     1996 release. Brand X recorded live at the Roxy in L.A. in 1979. John
     Goodsall, guitar; Percy Jones, bass; Robin Lumley, Peter Robinson,
     keys; Phil Collins, drums, vocals (one track).
JOHN GOODSALL/BRAND X * IS THERE ANYTHING ABOUT? [***]
(E)CD $19.99
     1996 release. Originally released in 1982, this was the last studio
     album featuring the original lineup. Comprised of tracks not included
     on earlier Brand X recordings. John Goodsall, guitar; Percy Jones,
     John Giblin, bass; Robin Lumley, Peter Robinson, keys; Phil Collins,
     drums; guest Raf Ravenscroft, sax; Steven Short, Syndrums.
JOHN GOODSALL/BRAND X * X COMMUNICATION
(D)CD $15.99
     Studio recording (March '92) features John Goodsall, guitar; Percy
     Jones, bass, keys; Frank Katz, drums. THIS IS ABSOLUTELY INCREDIBLE.
JOHN GOODSALL/FIRE MERCHANTS * FIRE MERCHANTS
(D)CD $15.99
     Featuring Brand X guitarist John Goodsall, bassist Doug Lunn (Andy
     Summers) and drummer Chester Thompson (Weather Report, Genesis). Fire
     Merchants is an explosive, high powered trio similar to Brand X, but
     with a harder rock edge. Phenomenal musicianship.
FIRE MERCHANTS * LANDLORDS OF ATLANTIS
(D)CD $15.99
     Latest release features Goodsall guitars; Doug Lunn bass; Toss Panos
     drums. Monstrous guitar and bass work including a new version of
     "Hamsterdam" from their debut CD. The guitar album of the year.
     BRAND X RELATED PROJECTS
PETER AND THE WOLF *
(D)CD $13.99
     Jack Lancaster and Robin Lumley combined original material with
     Prokofiev's classical masterpiece for this innovative project. Jack
     Lanacaster, lyricon, violin, sax, clarinet; Robin Lumley, keys; Gary
     Moore, John Goodsall, Alvin Lee, Chris Spedding, Pete Haywood, guitar;
     Percy Jones, Dave Marquee, Andy Pyle, bass; Eno, Gary Brooker, Manfred
     Mann, keys; Phil Collins, drums, percussion, vibes; Cozy Powell, Bill
     Bruford, Jon Heisman, drums; Stephane Grappelli, violin; Erika
     Michailenko, chimes; Henry Lowther, trumpet, Viv Stanshall, narrator;
     Julie Tippett, vocal one track.
WILDING/BONUS* PLEASURE SIGNALS
(D)CD $15.99
     Danny Wilding and Pete Bonus teamed up on this interesting project.
     Imagine Brand X with flute. Danny Wilding, flute; Pete Bonus, guitar,
     bass; John Goodsall, bass, guitar, arklong; John Giblin, Phil Chen,
     bass; Bayette, Chris Parren, Kiki Gyane, Robin Lumley, Andy Clark,
     keys; Phil Collins, Mike Shrieve, Greg Sheehan, Preston Heyman, drums;
     Morris Pert, Rebop Kwaku Baah, Preston Heyman, percussion; Ashton
     Tootle, and Ohil Todd, Horns, Kate St John, oboe.
JACK LANCASTER * MARSCAPE
(D)CD $15.99
     Life on mars as pictured by Jack, Robin, and the rest of Brand X, on
     this concept piece recorded in 1976. Jack Lancaster, lyricon, sax,
     flute, violin, water gong, pan pipes; Robin Lumley, keys; John
     Goodsall, guitar, Percy Jones, bass; Phil Collins, drums; Morris Pert,
     percussion; Simon Jeffes, koto; Bernie Frost, voices.
MICHAEL GRANGE *
(D)CD $14.99
     Great guitar playing with a nod to Larry Carlton/Robben Ford. Michael
     plays all guitars. Alphonso Johnson bass; Neil Larsen keys; Steve
     Tavaglione sax; Ndugu Chancler drums; John Pickell percussion. How's
     that for a band?
JAY GRAYDON/RAKE AND THE SURF TONES * SURFERS DRIVE WOODIES [***]
(E)CD $24.99
     1996 release. Jay Graydon got some of L.A.'s finest together to play
     surf music. With titles like "Gotta Woodie Today" you know its going
     to be wild. One track features no less than 20 guitar players. Jay
     Graydon, Dean Parks, Sherwood Ball guitar; David Hungate, bass,
     trombone; Jim Cox, Tom Hensley, keys; John Ferraro, drums; Jason
     Scheff, vocals, guitar; Joseph Williams, lead vocals; Steve Lukather,
     backing vocals; and literally too many others to mention.
JAY GRAYDON * AIRPLAY
(J)CD $29.99
     Recorded in 1980, this project featured Jay Graydon on guitar, lead
     and background vocals. David Foster, keys, background voclals; Tommy
     Funderbunk, lead and background vocals; guests Steve Lukather, Ray
     Parker, Jr., additional guitars; David Hungate, bass; Jeff Pocaro,
     Mikke Baird, drums; Steve Porcaro, Pete Robinson, synth, programming,
     Jerry Hey, trumpet, French horn; Gary Grant, Steve Madaio, trumpet;
     Bill Reichenbach, Charlie Loper, Len McCreary, trombone; Bill
     Champlin, Tom Kelly, Max Groenthal, background vocals.
JAY GRAYDON/PLANET 3 * MUSIC FROM THE PLANET
(E)CD $24.99
     Previously known as Planet 3 Heart form the Big Machine. Featuring Jay
     Graydon, guitar, keys; Clif Magness, vocals, guitar, keys; Glen
     Ballard, keys. Recorded in 1991.
JAY GRAYDON * AIRPLAY FOR THE PLANET
(E)CD $24.99
     Great guitar playing from one of the legends of L.A. Guests Bruce
     Gaitsch, rhythm guitar; Abe Laboriel, bass; John Vantongren, Brett
     Raymond, Janey Clewer, Jon Gilutin, keys; Joseph Williams, ex-Toto,
     and Bill Champlin sing and co-wrote most of the tracks.
RICHIE HALLEBEEK AND ANTTI KOTIKOSKI * GENERATOR [new]
[D] CD $15.99
     1995 release. Two incredible guitar players playing along with special
     guests Frank Gambale, Scott Henderson, Carl Verheyen, Dan Gilbert,
     guitars; Scott Kinsey, keys (one track each). All original material in
     the Holdsworth/Tribal Tech vein. Also featuring J.K. on bass, Jan
     Fabricky, drums; Sergio Cocchi, Artun Surmeli, keys. Already on many
     customers top ten list of 1995.
THE RETURN OF THE HELLECASTERS *
(D)CD $16.99
     Some of the finest pickers in the business make up the Hellecasters.
     Imagine the country side of the Dregs meet instrumental Dire
     Straights. Jerry Donahue, Will Ray, John Jorgenson, guitars; Dennis
     Belfield, bass; Steve Duncan, drums.
THE HELLECASTERS * ESCAPE FROM HOLLYWOOD
(D)CD $16.99
     1994 release shows the band hotter than ever. Jerry Donahue, Will Ray,
     John Jorgenson, guitars; Dennis Belfield, bass; Steve Duncan, drums.
SCOTT HENDERSON/TRIBAL TECH * REALITY CHECK
[D]CD $16.99
     1995 release is their strongest yet, this band has never sounded
     better. Scott Henderson, guitar; Gary Willis, bass; Scott Kinsey,
     keys; Kirk Covington, drums.
RICCARDO BALLERINI FEATURING SCOTT HENDERSON/RANDY BRECKER * BLUE MESA
[E]CD $24.99
     1995 release. Ballerini is a talented Italian pianist. Scott Henderson
     and Randy Brecker play on about half this interesting jazz/fusion
     hybrid. Augmented by a fine selection of Italian players.
SCOTT HENDERSON AND TRIBAL TECH * SPEARS
(E) CD $19.99
     Tribal Tech debut from 1985, now only available as an import. One of
     the most influential of the "new" fusion era. Featuring Scott on
     guitar, Gary Willis bass; Pat Coil, keys; Bob Sheppard sax, flute;
     Steve Houghton, drums; Brad Dutz, mallets, percussion.
SCOTT HENDERSON AND TRIBAL TECH * DR HEE
(E) CD $19.99
     Second release from 1987 only available as an import. Featuring Scott
     on guitar, Gary Willis bass; Pat Coil, Will Boulware keys; Bob
     Sheppard sax, flute; Steve Houghton drums; Brad Dutz mallets,
     percussion, steel drum, bells.
SCOTT HENDERSON AND TRIBAL TECH * NOMAD
(E) CD $19.99
     Third release from 1988 only available as an import. Featuring Scott
     on guitar, Gary Willis bass; David Goldblatt keys; Steve Houghton,
     drums; Brad Dutz, malletts and percussion.
SCOTT HENDERSON/GARY WILLIS * TRIBAL TECH
(D)CD $12.99
     1990 release is already a fusion classic. Featuring David Goldblatt,
     keys; Joey Heredia, drums; and Brad Dutz,
SCOTT HENDERSON/GARY WILLIS * ILLICIT
(D)CD $15.99
     Illicit, Henderson's 5th release featuring new band members Scott
     Kinsey, keys; Kirk Covington, drums. A monster from start to finish.
SCOTT HENDERSON/GARY WILLIS * FACE FIRST
(D)CD $16.99
     Sixth release features the same line up as Illicit. A guitar and bass
     fret fest. Features one hysterical vocal track with Kirk Covington
     singing about playing in a tux on a cruise ship.
SCOTT HENDERSON * DOG PARTY
(D)CD $16.99
     Recorded in 1994, Scott's first blues adventure features fine guitar
     playing and a wacky sense of humour concerning canines. Scott
     Henderson, guitar; Kirk Covington, drums, vocals; Scott Kinsey, keys;
     Stan Martin, trumpet; Mike Whitman, sax; Pat O'Brien, Linda Zegarelli,
     harmonica; guest guitarists Willie Scoggins, Steve Trovato, Keith
     Wyatt, T.J. Helmerich (one track).
JON HERINGTON * THE COMPLETE RHYMING DICTIONARY
(J)CD $41.99
     Known for his great guitar work with Bill Evans, Herington's debut is
     one of our hotest sellers. Featured players include Victor Bailey,
     bass; Jim Beard, keys; Ralph Bowen, sax; Peter Erskine, drums.

ALLAN HOLDSWORTH SECTION
Return to Top

RONNIE JOHNSON AND FIRST LIGHT * HOW THE LAND LIES
(E)CD $24.99
     This is the CD guitarists have been waiting for. This 1985 recording
     from England's Ronnie Johnson is in the Holdsworth vein, but
     definitely not a clone. Ronnie Johnson, guitars, Greg Harewood, bass;
     Roy Shipston, keys; Geoff Dunn, drums.
RONNIE JOHNSON * GIVE THEM ENOUGH ROPE
(E)CD $24.99
     This 1991 solo effort has only just become available. For fans of
     Holdsworth and Eric Johnson. All originals, with one cover of Zappa
     "Sofa." Ronnie Johnson, guitars; John Edwards, bass; Charlie Morgan,
     drums; guests Roy Shipston, piano one track; Ian Raines vocals one
     track.
WAYNE JOHNSON TRIO * GRASSHOPPER
(D)CD $12.99
     Finally reissued, this 1983 recording from this fine guitarist with
     Jimmy "Flim" Johnson, bass; Bill Berg, drums.
WAYNE JOHNSON TRIO * KEEPING THE DREAM ALIVE
(D)CD $12.99
     It's been a while since we've heard from the "Waynester." Joining in
     on this fuse fest are Tribal Tech's Gary Willis and John Leftwich, on
     bass. Bill Berg, drums; Rob Whitlock, keys; Don Roberts, bagpipes.
PHIL KEAGGY/GLASS HARP *
(E)CD $19.99
PHIL KEAGGY/GLASS HARP * SYNERGY
(E)CD $19.99
PHIL KEAGGY/GLASS HARP * IT MAKES ME GLAD
(E)CD $19.99
     Phil Keaggy's group from the early '70s available now for the first
     time, with incredible mastering. Phil Keaggy, guitars, vocals; Dan
     Pecchio, bass, vocals; John Sferra, drums, vocals.
MIKE KENEALLY * HAT
(D)CD $14.99
     Renowned for his incredible fret work on the '88 Zappa world tour, and
     guitarist for the "Zappa's Universe" concert. Monster chops and a sick
     sense of humour highlight this disc. Mike Kenneally guitars, bass,
     keys; Doug Booth, Doug Lunn, Scott Thunes bass; Toss Pands, Tom
     Freeman, Alan Silverstein drums.
MIKE KENEALLY * BOIL THAT DUST SPECK
(D)CD $14.99
     New for 1994, Mike's second release is heavier and wilder than his
     debut. Besides playing down right amazing guitar, he also sings, plays
     keys, bass, drums, and is joined by 2/3 of the Fire Merchants. Doug
     Lunn, bass and Toss Panos, drums; and Bryan Beller, bass; Joe Travers,
     drums -- the rhythm section of the Z band.
MIKE KENEALLY, HENRY KAISER, ANDY WEST, PRAIRIE PRINCE * THE MISTAKES
[D] CD 14.99
     1995 release is a wild adventurous ride, and even more eclectic than
     Keneally's previous two releases. Mike Keneally, guitar and vocals;
     Henry Kaiser, guitar; Andy West, bass; Prairie Prince, drums.
STEVE KHAN * THE COLLECTION
(D)CD $12.99
     Compilation of Tightrope (1977), Blue Man (1978), Arrows (1979).
     Featuring Steve Khan, Jeff Mironov, guitars; Will Lee, bass; Don
     Grolnick, keys; Randy Brecker, trumpet; Michael Brecker, David
     Sanborn, sax, just to name a few.
KIMARA * ONE REALITY
(D)CD $14.99
     Alan Kimara Dixon is a west coast guitarist with a way out style that
     is definately out there! He plays all guitars, bass, background keys,
     with Billy Childs handling all the keyboard solos. Marvin "Smitty"
     Smith slams in on drums and percussion.
JEFF KOLLMAN * INTO THE UNKNOWN [new]
[D] CD $15.99
     1995 release. This hard hitting, entirely instrumental debut is a fine
     showcase for Kollman's virtuosity. Also shows powerhouse playing from
     bassist Kevin Chown and drummer Tommy Kollman.
RICHIE KOTZEN * THE INNER GALACTIC FUSION EXPERIENCE [new]
[D] CD $16.99
     1995 release. The title says it all! Richie Kotzen, guitars, keys,
     bass; Jeff Berlin, bass (3 tracks); Gregg Bissonette,drums.
WAYNE KRANTZ/LENI STERN * SEPARATE CAGES [***]
(D)CD $15.99
     1996 release. Theses two fine guitarists used to perform regularly as
     a duo in New York in the late 80's and early 90's. This is a studio
     project featuring mostly instrumental guitar duets and one vocal track
     by each of them. Extremely tasty.
WAYNE KRANTZ * 2 DRINK MINIMUM [new]
[D] CD $15.99
     1995 release features Wayne performing live in an intimate setting in
     New York City with his trio. Wayne Krantz, guitar; Lincoln Goines,
     bass; and Zach Danzinger, drums. The band is captured raw and in your
     face. We believe its Wayne's finest release to date.
WAYNE KRANTZ * SIGNALS
(D)CD $15.99
     Featuring Anthony Jackson, bass; Jim Beard, keys; Dennis Chambers,
     drums; and others.
WAYNE KRANTZLONG TO BE LOOSE
(D)CD $15.99
     One of the great tone "meisters," Wayne's latest features greatguitar
     playing with his band. Lincoln Goines, bass; Zach Danziger, drums.
BIRELI LAGRENE * LIVE IN MARCIAC [new]
[E] CD $26.99
     1994 release. Bireli Lagrene, guitars; Chris Minh Doky, acoustic bass;
     Andre Ceccarelli, drums. This incredible trio perform intense straight
     ahead electric jazz. Covering a wide variety of jazz standards.
BIRELI LAGRENE * MY FAVORITE DJANGO [new]
[CD]$15.99
     1995 release. Bireli Lagrene, guitars; Anthony Jackson, contrabass
     guitar; Koono, keys; Dennis Chambers, drums. Performing the music of
     Django Reinhardt. Bireli and company flavor the compositions in a more
     modern context.
MICHAEL LANDAU/BURNING WATER * ABBANDONATO [***]
(D)CD $15.99
     1996 release. Burning Water's third studio project has Mr. Landau
     handling all the guitar playing this time out. This band just keeps
     getting better, Mike Landau, guitar, vocals; David Frazee, vocals; Ted
     Landau, bass; and Carlos Vega, drums.
MICHAEL LANDAU/BURNING WATER * LIVE AND LIT [new]
(D)CD $12.99
     1996 release. Landau and crew at their best live, performing material
     from both studio albums, an unreleased track and a mean cover of "The
     Wind Cries Mary." Michael Landau, guitar, vocals; David Frazee,
     guitar, vocals; Ted Landau, bass; Carlos Vega, drums.
MIKE LANDAU * TALES FROM THE BULGE
(J)CD $34.99
     Incredible solo debut from this much in demand session guitarist.
     Landau's playing ranges from a powerful hard rock style to a more
     melodic progressive sound. Definitely the best of both worlds. Players
     include Steve Lukather, guitar, Jimmy Johnson, bass; Wayne Shorter,
     sax; Vinnie Colaiuta, drums; and more. One of the great guitar
     recordings of all time.
KARIZMA * (FOREVER IN THE) ARMS OF LOVE
(J)CD $34.99
     The finest studio musicians in the business make up Karizma. Michael
     Landau, guitar; Jimmy Johnson, John Pena, bass; David Garfield, keys;
     Michael Brecker, Brandon Fields, Steve Tavaglione, Larry Klimas, sax;
     Carlos Vega, Vinnie Colaiuta, drums; Lenny Castro, percussion; Phil
     Perry, vocals. The two previous Karizma Japanese-only CDs Cuba, and
     All the Way Live have been deleted. Also see Recollections Play the
     Favorite Tunes (KEYS SECTION) see Steve Tavaglione Blue Tav, Toshiyuki
     Honda Reed My Lips(HORNS SECTION)
MIKE LANDAU * BURNING WATER
(D)CD $15.99
     1993 release is much more rock oriented than Tales From the Bulge.
     This group project features Mike on guitar and vocals; Ted Landau,
     bass; Carlos Vega, drums; David Frazee, vocals and guitar. Kick ass
     rock n roll with a Hendrix twist.
MICHAEL LANDAU/BURNING WATER * MOOD ELEVATOR
(D)CD $15.99
     Second release from the heavy side of Mr. Landau. Includes a cover of
     Hendrix's Burning of the Midnight Lamp. Michael Landau, guitars and
     vocals; David Frazee, guitar and vocals; Ted Landau, bass; Carlos
     Vega, drums, percussion.
MICHAEL LANDAU/RAGING HONKIES * WE ARE THE BEST BAND
[D]CD $15.99
     1995 release has Mr. Landau in a rock trio handling guitar and vocals;
     Ted Landau, bass; and Abraham Laboriel Jr. on drums. In the Burning
     Water vein, but with Abe on drums. Hold on to your hat!
MICHAEL LANDAU * RIDING BEAN
(please inquire)
     Recorded in 1988, this project is basically Karizma under a different
     name. Featured musicians are Mike Landau, guitar; Teddy Castellucci,
     additional guitar; Steve Tavaglione, EWI.; David Garfield, keys;
     Carlos Vega, drums; Jimmy Johnson, bass; Lenny Castro, percussion;
     Brandon Fields, alto sax; Larry Klimas, tenor sax; Ralf Rickert,
     trumpet and flugelhorn; Phil Perry, Andrea Robinson, lead vocals; Phil
     Perry, Paulette Brown, Leslie Smith, Kate Markowitz, background
     vocals.
MICHAEL LANDAU/KARIZMA * CUBA
[D]CD $19.99
     Recorded in 1986, unavailable for years, reissued in 1995. Entirely
     instrumental, David Garfield leads this L.A. all star lineup featuring
     David Garfield, keys; Michael Landau, Steve Lukather, Mike O'Neill,
     guitar; Jimmy Johnson, Nathan East, bass; Brandon Fields, Albert Wing,
     sax; Larry Klimas, Steve Tavaglione, sax and flute; Walt Fowler,
     trumpet; Carlos Vega, drums; Luis Conte, Lenny Castro, percussion.
NGUYEN LE * TALES FROM VIET-NAM [new]
(E)CD $26.99
     An exciting journey in which Le comes to terms with his Vietnamese
     heritage. Nguyen Le, guitar; Michel Benita, bass; Paolo Fresu,
     trumpet; Simon S. Hansen, sax; Steve Arguelles, drums (tracks
     2,3,4,10); Trilok Gurtu, drums and percussion (tracks 5,8); Joel
     Allouche, drums (tracks 1,2,6,9); Francois Verly, percussion, marimba,
     keyboards and piano; Hao Nhien, traditional Vietnamese instruments;
     Huong Thanh, vocals.
NGUYEN LE TRIO * MILLION WAVES
[E]CD $26.99
     1995 release has the Vietnamese guitarist joining forces with Dieter
     Ilg on acoustic bass and Danny Gottlieb on drums and percussion.
     Outside electric jazz covering Hendrix and James Brown,as well as
     originals.
NGUYEN LE * MIRACLES
(E)CD $26.99
     Exceptional debut from this Vietnamese-born guitarist. Nguyen Le can
     be compared to a cross between Bill Frisell, John Abercrombie, and Pat
     Metheny. Features Art Lande, piano; Mark Johnson, bass; and Peter
     Erskine, drums and percussion. For fans of the ECM label.
NGUYEN LE * INIT
(E)CD $29.99
     Interesting Jazz/Fusion with incredible sound quality and performance,
     with some top-notch players. Nguyen Le, guitar; Francoise Moutin,
     bass; Andre Ceccarelli, drums; guests Bob Berg, sax (four tracks);
     Bernard Arcadio, (vocals, keys one track).
SCOTT LINDENMUTH GROUP * PENALTY PHASE
(D)CD $14.99
     Scott's guitar work has received high praise in all the major guitar
     publications. In the Scott Henderson/Tribal Tech vein. Also available
     Changing Rhythm and Another Side, Another Time each (D)CD CD $14.99
CHUCK LOEB * MY SHINING HOUR
(E)CD $24.99
     Debut CD by N.Y. ace studio guitarist and former member of Steps
     Ahead. Features Makoto Ozone, John Patitucci, Dave Weckl, Pat
     Rebillot, Carmen Cuesta. A great combination of bebop, fusion, and
     Brazilian.

Chuck Loeb's DMP releases also available

BON LOZAGA * BON COMING HOME - FULL CIRCLE (D)CD$15.99
     1993 solo project from the guitarist known for his work with Gong.
     Joining him is fellow Gong bassist Hansford Rowe. Vic Stevens plays
     drums. Guests Jim Loretangeli, Geza Mika, Greg Pordon, keys; Bob
     Quaile, sax.
BON LOZAGA/PROJECT LO DABBLINGS IN DARKNESS
[D]CD $15.99
     1995 release hot on the heels of the incredible Gongzilla project,
     this features Bon on acoustic guitar, Jim Loretangeli on keys along
     with Percy Jones, Gerald Veasley, bass; Chris Farr, sax; Caryn Lin,
     violin; Pierre Moerlen, Vic Stevens, drums; Bobby Thomas, Jr., hand
     drums.
STEVE LUKATHER/TOTO * TAMBU [new]
(D)CD $16.99
     1995 release is the first studio project featuring new drummer Simon
     Phillips. Steve Lukather, vocals and guitar; David Paich, keys; Mike
     Porcaro, bass. Lenny Castro and Paulinho Da Costa, percussion; Jenny
     Douglas-McRae, John James, background vocals, and others. Release
     features one incredible instrumental. Japanese track features
     additional track and is $39.99.
STEVE LUKATHER /TOTO * DUNE SOUNDTRACK (E)CD $19.99
     Toto performs with the Vienna Symphony Orchestra on this cult
     favorite. A 1984 recording.
STEVE LUKATHER FAR CORPORATION * DIVISION ONE (E)CD $24.99
     Recorded in 1985, this project features Steve Lukather, guitar; David
     Paich, keys; Mel Collins, sax; Simon Phillips, Kurt Kress, drums;
     Bobby Kimball, Robin McAuley, Henry Gorman, David Barreto, vocals;
     augmented by German session players. Includes originals and covers of
     "Stairway to Heaven" and Free's "Fire and Water."
FAR CORPORATION * SOLITUDE (E)CD $26.99
     1994 release features Bobby Kimball, Robin McAuley, Steve Cassini,
     vocals; Scott Gorham, Peter Weihe, guitars; Leif Johansen, bass; Glen
     Morrow, keys; Simon Phillips, Curt Cress, drums; and others.
STEVE LUKATHER * LUKATHER
(E)CD $24.99
     Solo debut from this incredible guitarist features Steve Stevens,
     Eddie Van Halen; guitar; Will Lee, bass; Jan Hammer, Jeff Porcaro,
     drums. An all vocal effort.
LOS LOBOTOMYS * LOS LOBOTOMYS
(E)CD $34.99
     Los Lobotomys is the name for this all-star pickup band assembled by
     Steve Lukather on guitar; Will Lee, bass; drummers Carlos Vega, Jeff
     Porcaro, and Vinnie Colaiuta, with Lenny Castro, percussion; Joe
     Sample, piano; Brandon Fields, sax; and David Garfield, keys. Recorded
     live in 1989 at The Complex in L.A. An all instrumental musical event.
STEVE LUKATHER/TOTO * KINGDOM OF DESIRE
(E)CD $24.99
     1992 release features Steve Lukather, David Paich, Mike and Jeff
     Porcaro. The recording is dedicated to Jeff Poracaro and features an
     11 minute instrumental. Bonus version contains Steve Lukather
     performing "Little Wing" live.
STEVE LUKATHER /TOTO * ABSOLUTELY LIVE (dbl)
(E)CD $39.99
     Their first live album in 15 years. Taken from the 1992 European tour,
     its a killer! The tour was dedicated to the late Jeff Porcaro and
     featured new drummer Simon Phillips. Steve Lukather, guitar, vocals;
     David Paich, keys, vocals; Mike Porcaro, bass; Chris Trujillo,
     percussion; John James, Donna McDaniel, Jenny Douglas McRae,
     background vocals.
STEVE LUKATHER/LOS LOBOTOMYS * CANDYMAN
(D)CD $15.99
     Previously known as Steve Lukather Candyman. The new domestic version
     includes a bonus track of "Red House" by Jimi Hendrix. A killer from
     start to finish. Features three instrumentals, covers of Hendrix's
     "Freedom," with Paul Rodgers on vocals and "The Bomber" by the James
     Gang. Steve Lukather, guitars, lead vocals; John Pena, bass; David
     Garfield, David Paich, keys one track; Larry Klimas, sax; Simon
     Phillips, drums; Lenny Castro, Chris Trujillo, percussion; Fee
     Waybill, Richard Page, Kevin Curry, background vocals.

TOTO RELATED PROJECTS

JOSEPH WILLIAMS * I AM ALIVE [new]
(J)CD $34.99
     1996 release. Solo project from the former lead singer of Toto. Joseph
     Williams, vocals; Michael Landau, Jay Graydon, Michael Thompson, James
     Harrah, Mark Goldenberg, guitar; Mike Porcaro, Jason Scheff, bass;
     Joey Carbone, keys; Jeff Porcaro, drums; Bill Champlin, Jason Scheff,
     Amy Williams, and Joseph Williams, backing vocals.

Steve Lukather and Michael Landau play guitar on Fee Waybill Read My Lips.
(See Recommended Group Projects)
Steve Lukather appears on the Jeffology CD (See Guitar Projects)

TOMMY DENANDER * LESS IS MORE (PART I) [new]
[E] CD $19.99
     1995 release. Swedish guitarist Tommy Denander performs guitar
     instrumentals in the Toto vein. One track on this CD, 5492, features
     Jeff Porcaro, drums; Mike Porcaro, bass; Steve Porcaro, programming;
     and David Paich, keys. All other tracks are performed by Tommy
     Denander playing all instruments with Pat Thern, drums.
TOMMY DENANDER * SKELETON (PART II) [new]
[E] CD $19.99
     1995 release. Slightly heavier in sound than Less is More, this again
     has Tommy Denander playing all instruments. Also with the heavy Toto
     sound.
FREDERIKSEN/PHILLIPS [new]
[E] CD $26.99
     1995 release. Ex-Toto lead singer Fergy Frederiksen teams up with Bad
     English bassist Ricky Phillips in this rock vocal venture. Fergy
     Frederiksen, lead vocals; Ricky Phillips, bass, guitar and vocals, Tim
     Pierce, Neil Schon, Bruce Gowdy, Mike Tovar, guitar; Dean Castronovo,
     Alan White, Pat Torpey, Bobby Blotzer, drums, and others.

Steve Lukather can also be heard on the following: Cozy Powell The Drums
are Back (DRUMS SECTION) Michael Landau Tales From the Bulge; L.A. Blues
Authority, Guitar for the Practicing Musician Vo. 2 (GUITAR
COLLABORATIONS); David Hungate Souvenir (BASS SECTION).

Return to Top

PHIL MANZANERA * THE MANZANERA COLLECTION (DBL)
[D] CD $19.99
     1995 release is a 31 track career retrospective covering his work with
     Roxy Music, 801, John Wetton, and others. Features many unreleased
     tracks including four live guitar instrumentals.
PHIL MANZANERA 801 * LIVE
(D)CD $15.99
     One of the great live albums of all time. Recorded in 1976. Features a
     very young Mr. Simon Phillips playin' like a monsta' with those feet
     from hell. Phil Manzanera, guitar; Eno, vocals/synthesizer, guitar
     tapes; Lloyd Watson, slide guitar, vocals; Bill McCormick, bass,
     vocals; Francis Monkman, clavinet.
PHIL MANZANERA 801 * LISTEN NOW
(D)CD $15.99
     Phil Manzanera, guitar, keys; Bill MacCormick, bass, vocals; Eno,
     Eddie Rayner, Rhett Davies, Eddie Jobson, Billy Livsey, keys; Kevin
     Godley, vocals, percussion; Lol Creme, vocals, gizmo; Mel Collins,
     saxes and big band; John White, tuba; Ian McCormick, vocals,
     harmonica; Simon Phillips, Dave Mattacks, drums; Simon Ainley, vocals;
     Tim Finn, Alan Lee, backing vocals. Recorded 1975-1977.
PHIL MANZANERA 801 * K SCOPE
(D)CD $14.99
     Phil Manzanera, guitars, keys; Bill MacCormack, bass, vocals, drums;
     Simon Ainley, rhythm guitar; Eddie Rayner, Dave Skinner, Francis
     Monkman, keys; Mel Collins, sax; Simon Phillips, Paul Thompson, drums;
     Lol Creme, gizmo, backing vocals; Kevin Godley, backing vocals,
     hi-hat; Tim Finn, lead vocals, Neil Finn, backing vocals.
JOHN McLAUGHLIN * MOLOM A LEGEND OF MONGOLIA [new]
[E] CD $26.99
     1994 release. Soundtrack for the movie which bears the same name.
     Features material performed by John McLaughlin and Trilok Gurtu, along
     with several tracks of traditional Mongolian songs.
JOHN McLAUGHLIN * THE PROMISE [new]
[D] CD $16.99
     1996 release is destined to be a top-ten favorite by its players
     alone, performing different types of material. John McLaughlin, Jeff
     Beck, Al Di Meola, Paco De Lucia, guitars; Sting, Pino Palladino,
     James Genus, bass; Joey Defrancesco, Jim Beard, Tony Hymas, keys;
     Michael Brecker and David Sanborn, sax; Dennis Chambers, Vinnie
     Colaiuta, Marc Mondesir, Trilok Gurtu, drums; Don Alias, percussion;
     and more.
JOHN McLAUGHLIN * WHERE FORTUNE SMILES
(D)CD $12.99
     Ground breaking project recorded in 1971 features John McLaughlin,
     guitar; Dave Holland, bass; Karl Berger, vibraphone; John Surman,
     horns; Stu Martin, drums.
JOHN McLAUGHLIN/MAHAVISHNU ORCHESTRA * INNER WORLDS
(D)CD $12.99
     On many want lists for years. John McLaughlin, guitars, backing
     vocals; Ralphe Armstrong, bass; Narada Michael Walden, drums,
     percussion, piano, vocals; Stu Goldberg, keys, vocals. Recorded in
     1975.
JOHN McLAUGHLIN WITH SHAKTI * NATURAL ELEMENTS
(J)CD $34.99
     Featuring L. Shankar, violin; Zakir Hussein, percussion.
JOHN McLAUGHLIN WITH SHAKTI * A HANDFUL OF BEAUTY
(J)CD $34.99
     Featuring L. Shankar, violin; Zakir Hussein, percussion.
JOHN McLAUGHLIN AND THE FREE SPIRITS * TOKYO LIVE
(D) CD $16.99
     THE power trio of the year. Live in Tokyo December 1993. John
     McLaughlin, guitar; Joey DeFrancesco, Hammond XB-3and trumpet, and
     Dennis Chambers on drums. 'Nuf said.
PAT METHENY * PASSAGGIO PER IL PARADISO [***]
(E)CD $34.99
     1996 release. The music performed on this soundtrack is a cross
     between Falcon and the Snowman and Secret Story.
PAT METHENY GROUP * IN CONCERT
(E)CD $21.99
     Although the credits say 1992, we believe this recording is from the
     1991 tour. This is hotter than the current live album More Travels.
     Pat Metheny, guitar; Lyle Mays, keys; Steve Rodby, bass; Paul Wertigo,
     drums; Armand Marcail percussion; Pedro Azner, vocals, miscellaneous
     instruments.
PAT METHENY GROUP * BLUE ASPHALT (live in '77)
(E)CD $21.99
     Pat Metheny, guitars; Lyle Mays, keys; Danny Gottlieb, drums; Mark
     Egan, bass.

Also see Herbie Hancock and Akiko Yano (KEYS SECTION)

PAT METHENY GROUP * UNITY VILLAGE
(E)CD $21.99
     The original Pat Metheny group live in 1979 Pat Metheny, guitars; Lyle
     Mays, keys; Mark Egan, bass; Danny Gottlieb, drums.
DEJOHNETTE, HANCOCK, HOLLAND AND METHENY * PARALLEL REALITIES LIVE
(DBL) (E)CD $39.99
     This incredible foursome recorded live in 1990 includes material not
     available on the domestic "Parallel Realities." Jack DeJohnette,
     drums; Herbie Hancock, keys; Dave Holland, bass; Pat Metheny, guitars.
PHIL MILLER * IN CAHOOTS LIVE IN JAPAN
(E)CD $24.99
     Recorded in 1991 In Cahoots features some of the ex-National Health
     crew making some great fusion. Phil Miller, guitar; Fred Barker, bass;
     Pete Lemer, keys; Pip Pyle, drums; Elton Dean, sax; Jim Dvorak,
     trumpet.
PAUL MILLER * IN CAHOOTS RECENT DISCOVERIES
(E)CD $24.99
     Latest release features Miller on guitar, Fred Baker, bass; Elton
     Dean, sax; Jim Dvorak, trumpet; Pip Pyle, drums.
PHIL MILLER * SHORT WAVE LIVE
(E)CD $24.99
     Recorded in October 1992. Phil Miller, guitar, guitar synth, Hugh
     Hopper, bass; Didier Malherbe, sax and flute; Pip Pyle, drums.
     Covering Soft Machine, Hatfield and The North, and originals.
SCOTT MISHOE * OMNIDIRECTIONAL [new]
[D] CD $15.99
     1995 release. Scott Mishoe, guitar; Ray Riendau, bass; Brett
     Frederickson, drums; performing hard-hitting instrumentals. Scott has
     been featured on The Guitar on the Edge series.
RONNIE MONTROSE * OPEN FIRE [new]
(E)CD $19.99
     Recorded in 1978. Entirely instrumental features Ronnie Montrose,
     guitar; Alan Fitzgerald, bass; Edgar Winter, Jim Alcivar, keys; Rick
     Schlosser, drums.
RONNIE MONTROSE * MUSIC FROM HERE
(D)CD $14.99
     1994 release is a instrumental guitar fest with Ronnie Montrose,
     guitars; Craig McFarland, bass; Michele Graybeal, drums, and
     percussion.
RONNIE MONTROSE/MONTROSE * WARNER BROTHERS PRESENTS [new]
(E)CD $19.99
     Recorded in 1975 features Ronnie Montrose, guitar, vocals; Alan
     Fitzgerald, bass; Jim Alcivar, keys, Bob James, vocals, and Denny
     Carmassi, drums.

Other Montrose reissues coming soon: Jump On It.

GARY MOORE * BLUES FOR GREENY
[E]CD $26.99
     1995 release is a tribute to the great British blues guitarist Peter
     Green featuring Gary Moore, guitar and vocals; Tommy Eyre, keys; Andy
     Pyle, bass; Graham Walker, drums; Nick Pentelow, Nick Payn, sax.
GARY MOORE/GREG LAKE * LIVE ON THE KING BISCUIT FLOWER HOUR
[D]CD $15.99
     1995 release is a concert from 11/5/81 in London, England featuring
     Greg Lake guitar, vocals; Gary Moore, lead guitar, vocals; Tristram
     Margetts, bass; Tommy Eyre, keys, vocals; Ted McKenna drums.
STEVE MORSE BAND * STRESSFEST [new]
(D)CD $16.99
     1996 release. Chalk up another great one from the newest member of
     Deep Purple and crew. Steve Morse, guitars; Dave LaRue, bass; Van
     Romaine, drums, percussion. Note: The import version contains a bonus
     track of the Steve Morse Band performing Deep Purple's "Speed King."
     (J) CD$ 34.99
STEVE MORSE/DEEP PURPLE *PURPENDICULAR [new]
(D)CD $16.99
     1996 release. You heard about it, now listen to it. Steve Morse with
     the original lineup for Deep Purple performing all new material. Steve
     Morse, guitar; Roger Glover, bass; Jon Lord, keys; Ian Paice, drums;
     Ian Gillan, vocals.
STEVE MORSE BAND * STRUCTURAL DAMAGE
[D]CD $16.99
     1995 release is a solid guitar fest featuring Steve Morse on guitars,
     Dave LaRue, bass; and Van Romaine, drums.
STEVE MORSE/DIXIE DREGS * FREEFALL
[J]CD $29.99
     Recorded in 1977, unavailable for years, reissued in 1995. Steve
     Morse, guitars; Andy West, bass; Allen Sloan, violin; Steve
     Davidowski, keys; and Rod Morgenstein, drums and percussion.
STEVE MORSE/THE DREGS * UNSUNG HEROES
[J]CD $29.99
     Recorded in 1981, unavailable for years, reissued in 1995. Steve
     Morse, guitars; Andy West, bass; Allen Sloan, violin; T Lavitz,
     keys,sax; and Rod Morgenstein, drums and percussion.
STEVE MORSE/DIXIE DREGS * DREGS OF THE EARTH
(E)CD $19.99
     Now only available as an import, the fourth Dregs recorded in 1980
     features Steve Morse, guitars, banjo, pedal steel; Andy West, bass;
     Allen Sloan, violin, viola; T. Lavitz, keys; Rod Morgenstein, drums,
     percussion.
STEVE MORSE/THE DREGS * INDUSTRY STANDARD
(J)CD $29.99
     Recorded in 1982, now available only as an import. The line up: Steve
     Morse, guitar; Andy West, bass; Mark O'Connor, violin; T. Lavitz,
     keys; Rod Morgenstein, drums. Guests Steve Howe, guitar one track;
     Patrick Simmons, Alex Ligertwood, vocals, one track each.
STEVE MORSE/DIXIE DREGS * FULL CIRCLE
(D)CD $16.99
     The Dregs return with their first studio album since 1982. With newest
     member, ex-Mahavishnu/Flock violinist Jerry Goodman. Includes a cover
     of the Yardbirds "Shapes of Things." Steve Morse, guitar; Dave LaRue,
     bass; T. Lavitz, keys; Rod Morgenstein, drums, percussion.
ALAN MURPHY/SFX *
(E)CD $19.99
     Known for his work with Level 42, Kate Bush, and Go West, this
     phenomenal guitarist passed away in 1989. This project was recorded in
     1984, but not released until last year. If you're a fan of the
     electric guitar, check this out. Alan Murphy, guitar, Felix Krish,
     bass; Richard Cottle, keys, sax, Tony Beard, drums.
BILL NELSON/CHANNEL LIGHT VESSEL * EXCELLENT SPIRITS [***]
(D)CD $16.99
     1996 release. Second group outing from this innovative crossover
     group. More rock/pop than its predecessor with some superb guitar
     playing and vocals from Bill Nelson and Roger Eno, keys, trumpets, and
     other instruments; Kate St John, vocals, sax, oboe, vibes; Laraaji,
     vocals, zithers; Ian Leese, bass. Japanese version has two extra
     tracks. (J)CD $34.99
BILL NELSON * AFTER THE SATELLITE SINGS [new]
(D)CD $16.99
     1996 release. One of the wildest releases yet from Sir Bill.
     Incorporating multiple rhythm beds, layered guitars (his classic
     E-bow!) Bill Nelson, guitars, bass, vocals, keys, and just about
     everything you can think of.
BILL NELSON * NORTHERN DREAM [new]
[E] CD $24.99
     Recorded in 1971 this was Bill Nelson's solo project before forming Be
     Bop Deluxe. Bill Nelson, guitars vocals, bass, flutes and recorder;
     Gareth Eilledge and Leom Arthurs, bass; Richard Brown, drums.
BILL NELSON * MY SECRET STUDIO (4 CD BOX SET) [new]
[E] CD $54.99
     1995 release features Bill Nelson playing all instruments on material
     recorded between 1988 and 1992. This is a limited edition. There were
     only 2,000 pressed. Extremely limited. If you think you'd like this
     jump on it!
BILL NELSON * CULTUREMIX [new]
[E] CD $24.99
     1995 release has Bill Nelson playing guitar with Japanese keyboardist
     Yumiko Morioka and an all-Japanese crew. Material spans the globe in
     terms of sound.
BILL NELSON/BE BOP DELUXE * RADIOLAND BBC RADIO ONE LIVE
(E)CD$24.99
     Bill Nelson has never gotten the recognition he so justly deserves. As
     one of England's premier guitarists. Be Bob Deluxe was Bill's first
     major vehicle in the mid-70s. This CD captures them live ahead of
     their time. Bill Nelson, guitars, lead vocals; Charlie Tumahai, bass,
     backing vocals; Andrew Clark, keys; Simon Fox, drums. People ask me
     all the time, they say Mark who is your favorite guitarist, and
     without hesitation, I reply Bill Nelson.
BILL NELSON * PRACTICALLY WIRED OR HOW I BECAME GUITAR BOY
[D]CD $16.99
     1995 release is Bill's first all-guitar project showcasing the
     instrument in a variety of settings from heavy rock to melodic jazz.

Bill Nelson Related Projects

SU LYN * LINES OF DESIRE [new]
(E)CD $21.99
     Recorded July 1991 - November 1994. Su Lyn, vocals, keys; Bill Nelson,
     guitar,(two tracks), bass (three tracks); Simon H. Fell, keys, bass,
     double bass, percussion.

For Bill Nelson Fan Club, T-Shirts and general information, please contact
"The Nelsonian Navigator" P.O. Box 51, Selby, DO, Micklegate, Selby, North
Yorkshire, YO8 OQQ England.
(Please let the "Navigator" know that you heard about it through Audiophile
Imports.)

TIM PIERCE * GUITARLAND
[D]CD $15.99
     1994 release. Pierce has played on more records than you can count.
     His style is similar to Michael Landau . Tim Pierce, guitars, Kevin
     Wyatt, John Pierce, bass; Bob Marlette, Kevin Gilbert, Patrick
     Leonard, keys; Brian Macleod, Denny Fongheiser, drums and percussion;
     and others. Dweezil Zappa trades leads on one track .
TONY PURRONE TRIO * ELECTRIC POETRY
(E)CD $19.99
     Tony Purrone has been receiving rave reviews in all the major guitar
     publications for his unique electric sound and fluid playing. Joining
     him are Dave Anderson, bass; Ray Marchica, drums; and guest Bob
     Mintzer, EWI, sax, clarinet.

Return to Top

ILLKA RANTAMAKI * CAT HOUSE
(E)CD $14.99
     Finland's own guitar mad man together with an all-Finnish group of
     wild musicians. Heavy and out there. Recorded in 1989.
ILLKA RANTAMAKI * CRASHING, SPACEY, FREE MYSTERY
(E)CD $19.99
     1994 release is wilder than ever. Including two tracks with Pekka
     Pohjola, Finland's own bass master.
JEFF RICHMAN * THE WAY IN
(E)CD $26.99
     Featuring Steve Lukather, Frank Gambale, Al DiMeola, John Abercrombie,
     guitar; Jeff Berlin, Gary Willis, bass; Vinnie Colaiuta, drums.
JEFF RICHMAN * FINGERPAINTS
(E)CD $26.99
     Guitar duets with Scott Henderson, Wayne Johnson, Mike Miller, Ricardo
     Silveira, Mike Stern, and Alex Acuna, Louis Conte on percussion.
ULI JON ROTH/SKY OF AVALON * PROLOGUE TO THE SYMPHONIC LEGENDS [new]
(J)CD $39.99
     1996 release. Uli Jon Roth now goes by the name of Avalon. This
     legendary guitarist returns with this rock symphonic project. Uli
     playing guitar with a symphony behind him, some tracks feature vocals.
     Avalon, guitars, keys, bass; Tommy Heart, Michael Flexig, vocals.
RAY RUSSELL * A TABLE NEAR THE BAND
(E)CD $19.99
     A mixture of fusion and ECM-type-jazz, features Ray Russell, guitars;
     Mo Foster, bass; Simon Phillips, drums; Tony Hymas, Tommy Eyre, keys;
     Iain Ballamy, sax; Stuart Brookes, trumpet; Tony Roberts, bass;
     clarinet; sax.
RAY RUSSELL * CHILDSCAPE
(E)CD $19.99
     Originals released as Why Not Now, recently reissued. Project has a
     laid-back feel to it. Ray Russell, guitars, keys, pan pipes,
     percussion; Mo Foster, bass; Mark Isham, trumpet, fluegelhorn, Tony
     Hymas, Gil Evans, keys.
MICHAEL SAGMEISTER * A CERTAIN GIFT
(E)CD $26.99
     Live release from Europe's premier guitarist - rock inspired with jazz
     overtones, impeccable phrasing and dynamic playing backed by a
     fantastic rhythm section. Comparisons to Carlos Santana and Bill
     Connors would be in order. An acoustic recording Still With Me is also
     available.
STEVIE SALAS COLORCODE * BOOTLEG LIKE A MUG LIVE IN JAPAN
(J)CD 34.99
     Recorded live in '92, this set is half originals, half covers
     (Hendrix, James Brown) . Featuring Steve Salas, guitars, lead and
     background vocals, C.J. Devillar, bass, backing vocals; Winston A.
     Watson, Jr., drums, backing voclas.
STEVIE SALAS * PRESENTS THE ELECTRIC POW WOW
(J)CD $34.99
     Stevie rounded up a wild bunch for his latest rock project, doing
     mostly covers: Bowie, Derringer, Heatwave, Stevie Wonder, Funkadelic,
     Robin Trower, and a few originals. Stevie Salas, Sass Jordan, Bernard
     Fowler, Glenn Hughes, Richie Kotzen, Gary "Mudbone" Cooper, Vince
     Ruby, vocals; Stevie Salas, Rick Nielsen, Zakk Wylde, Richie Kotzen,
     guitar; Carmine Rojas, Phil Soussan, T.M. Stevens, Ralph Battle, Allen
     Kamai, Tom Peterson, C.J. DeVillar, bass; Rei Atsumi, Jeff Paris,
     keys; Slim Jim Phantom, Randy Castillo, Brian Tichy, Tal Bergman,
     Winston A. Watson, Jr., Matt Sorum, drums, and others.
MICHAEL SCHENKER/UFO * WALK ON WATER
[J]CD $39.99
     1995 release, the original lineup reforms, receiving rave reviews.
     Michael Schenker, guitars; Phil Mogg, vocals; Pete Way, bass; Paul
     Raymond, keys, rhythm guitar; Andy Parker, drums. Bonus track is a
     message to fans.
NEAL SCHON/JOURNEY * DREAM AFTER DREAM SOUNDTRACK
(J)CD $29.99
     Recorded in 1980, this project is three quarters instrumental. Steve
     Perry, lead and backing vocals; Neal Schon, guitars, vocals; Ross
     Valory, bass, piano, recorder, Greg Rolie, keys, harmonica; Steve
     Smith, drums, percussion. With a string and brass section.
NEAL SCHON AND JAN HAMMER * UNTOLD PASSION
(J)CD $29.99
     Guitar and keyboard wizardry from two greats. Also features Colin
     Hodgkinson on bass.
NEAL SCHON AND JAN HAMMER * HERE TO STAY
(J)CD $29.99
     1983 recording features Schon on guitar and vocals, Jan Hammer, keys
     and drums; Colin Hodgkinson, bass. Special guests Phil Perry, Ross
     Valcory, and Steve Smith of Journey on one track.
JOHN SCOFIELD BAND *PICK HITS LIVE (DBL) [new]
(J)CD $49.99
     Recorded in 1987, this super group performs live in Japan. Reissued in
     1996 as a double CD with over 42 additional minutes of music. John
     Scofield, guitar; Robert Aries, keys; Gary Grainger, bass; Dennis
     Chambers, drums.
THE JOHN SCOFIELD QUARTET * PLAYS LIVE
(E)CD $21.99
     1991 live recording featuring John Scofield, guitar; Joe Lovano, sax;
     Marc Johnson, bass; Bill Stewart, drums.
LENI STERN * CLOSER TO THE LIGHT
(D)CD $15.99
     Featuring Wayne Krantz, guitar; Lincoln Goines, bass; David Sanborn,
     sax; Dennis Chambers, Zach Danziger, drums; and others.
LENI STERN * TEN SONGS
(D)CD $15.99
     Latest studio effort features Stern and Wayne Krantz on guitar; Alain
     Caron, Lincoln Goines, Mike Formanek, bass; Gil Goldstein, keys; Bob
     Malach, sax; Dennis Chambers, drums; and others.
LENI STERN * LIKE ONE
(D)CD $15.99
     Latest release features Leni on all guitars; Bob Malach, sax; Russell
     Ferrante, keys; Alain Caron, bass; Dennis Chambers, drums; Didier
     Lockwood, violin, three tracks.
MIKE STERN * BETWEEN THE LINES [new]
(D)CD $16.99
     1996 release. Mike Stern, guitar; Jeff Andrews, bass; Jim Beard, keys;
     Bob Malach, sax; Dave Weckl, drums; guests Lincoln Goines, bass;
     Dennis Chambers, drums (two tracks each).
BIG JIM SULLIVAN * TEST OF TIME
(D)CD $15.99
     This guitarist, best known for his work with Tom Jones, has been cited
     as a major influence by leading British guitarists. This project,
     recorded in 1975, was never released because the record company
     considered it too intense! Percy Jones, bass; Simon Phillips, drums;
     Nicky Moore, Les Walker, vocals; guests Mo Foster, bass one track;
     Dave Lawson, Alan Park, keys; Morris Pert, percussion and piano.
ANDY SUMMERS * SYNAESTHESIA [new]
[D] CD $15.99
     1996 release. Andy Summers, guitar, piano, and bass; Jerry Watts,
     bass; Mitchell Forman, keys; Ginger Baker, Gregg Bissonette, drums;
     and The Trouserfly String Quartet performing wild electric
     instrumentals with an edge.
ANDY TIMMONS * PAWN KINGS [new]
(D)CD $15.99
     1995 release. Second solo album is a blues/rock venture showcasing
     once again his guitar prowess. Andy Timmons, guitar, vocals; Michael
     Medina, bass, backing vocals; Tommy Young, Hammond B3, vocals; Keith
     Carlock, Dan Wojciechowski, Mitch Marine, drums.
ANDY TIMMONS * EAR-X-TACY
(D)CD $14.99
     Guitarist for Danger Danger's 1994 instrumental solo debut features
     Mike Daane, bass, Mitch Marine, Dan Wojciechowski, drums.
DAVID TORN * WHAT MEANS SOLID, TRAVELLER? [***]
(D)CD $15.99
     1996 release. Back into the dark, noise guitar filled world of David
     Torn. David Torn, guitar, viola, bass; Fima Ephron, bass; Will
     Calhoun, Steve Jansen, David Ruffey, Mitch Mitchell provide drum
     samples.
DAVID TORN * TRIPPING OVER GOD
[D]CD $15.99
     1995 release is a wild solo guitar adventure with loops, effects and
     you name it.
JOHN TROPEA * LIVE AT MIKELL'S NEW YORK
(J)CD $39.99
     Recorded live in 1980, but not released until 1994. This all-star
     ensemble, introduced by John Belushi, performs Tropea/Spinozza
     Grolnick originals. John Tropea, guitar; Will Lee, bass, vocals one
     track; Don Grolnick, Chris Palmaro, Tommy Mitchell, keys; Steve Gadd,
     Rick Marotta, drums; Jimmy Maelen, percussion; Jon Faddis, Alan Rubin,
     Randy Brecker, Lew Soloff, trumpet; Sam Burtis, Dave Taylor, trombone;
     George Young, Lou Marini, Lou Delgatto, Ronnie Cuber, sax, flutes.
     Guests David Spinozza, guitar; Richard Tee, keys; Neil Jason, bass.
MASAMI TSUCHIYA * RICE MUSIC [***]
(J)CD $24.99
     Recorded in 1982, solo effort from guitarist Masami Tsuchiya, known
     for his work with the group Japan. An all-star event featuring Masami
     Tsuchiya, guitar, bass, vocals, keys, drums, percussion; Bill Nelson
     "Flying E-Bow" guitar; Mick Karn, Percy Jones, bass; Riuichi Sakamoto,
     keys, drums, bass, vocals; Steve Jansen, drums.
JIMI TUNNELL * TRILATERAL COMMISSION
(J)CD $41.99
     New York session great Jimi Tunnell's brilliant second release,
     features Jeff Andrews, bass; Rachel Z, keys; Bendik, sax; Omar Hakim,
     drums; Arto Tuncboyacia, percussion. Tunnell has most recently toured
     and recorded with Steps Ahead.
STEVE VAI/ALCATRAZZ * DISTURBING THE PEACE
(J)CD $29.99
     Classic recording features Graham Bonnet, vocals; Steve Vai, guitar
     Gary Shea, bass, Jimmy Waldo, keys; and Jan Uvena, drums.
CARL VERHEYEN * SLANG JUSTICE [***]
(D)CD $15.99
     1996 release. Superb playing by all throughout the third solo album
     from Carl Verheyen. This project has a strong Robben Ford feel to it.
     Carl Verheyen, guitar, vocals; Dave Marotta, bass; Jim Cox, keys; John
     Ferraro, Steve Di Stanislao, drums.
CARL VERHEYEN * NO BORDERS PLUS
(D)CD $15.99
     1988 release just reissued with two additional tracks. Carl Verheyen,
     guitars; Dave Marotta, basses; John Ferraro, drums and percussion.
     guests Allan Holdsworth, synthaxe one track; Brad Cole, Jim Cox, keys.
CARL VERHEYEN * GARAGE SALE
(D)CD $15.99
     1994 release features fine originals and a cover of Dylan's "My Back
     Pages." Carl Verheyen, guitars, mandolin, vocals, three tracks; Dave
     Marotta, basses; John Ferraro, drums. Guests Jim Cox, John Hobbs, Mike
     Watts, BradCole, keys; Ron Asheton, Brad Dutz, percussion.
ULF WAKENIUS * VENTURE
(E)CD $24.99
     Straight ahead jazz fusion all through the Grafitti Band's debut. Ulf
     is joined by a stellar cast. Bill Evans, Bob Berg, sax; Randy Brecker,
     trumpet, Jack DeJohnette, drums; Lars Danielsson, Chris Minh Doky,
     bass; Niels Lan Doky, piano.
ULF WAKENIUS * NEW YORK MEETING
(E)CD $24.99
     1994 release from Grafitti's guitarist is a straight ahead romp
     through some unusual standards and originals. Ulf Wakenius, guitars;
     Niels Lan Doky, piano; Ira Coleman, bass; Billy Hart, drums.
KAZUMI WATANABE * OYATSU 2 ENSOKU [new]
[J] CD $39.99
     1995 release is the followup to 1994's acoustic Oyatsu. This features
     a series of duets performing standards, originals, and Japanese
     traditional songs, with a variety of Japanese artists.
KAZUMI WATANABE * TALK YOU ALL TIGHT
[J]CD $24.99
     1995 reissue of 1981 studio recording of Kazumi and an all-Japanese
     crew playing heavy fusion produced by Mike Mainieri.
KAZUMI WATANABE * TO CHI KA
(D)CD $12.99
     Featuring Tony Levin, Marcus Miller, bass; Kenny Kirkland, Warren
     Bernhardt, keys; Michael Brecker, sax; Steve Jordan, Peter Erskine,
     drums; and more.
KAZUMI WATANABE * SPICE OF LIFE
CD $15.99
     Featuring Jeff Berlin, bass; Bill Bruford, drums.
KAZUMI WATANABE * SPICE OF LIFE TOO
CD $15.99
     Featuring Jeff Berlin, bass; Bill Bruford, drums; Peter Vettese, keys.
KAZUMI WATANABE/RESONANCE VOX * PANDORA
(D)$15.99
     Features Kazumi's new band Resonance Vox, an all-Japanese crew
     comprisedof absolute killer players.
KAZUMI WATANABE/RESONANCE VOX * OXO
(J)CD $39.99
     Kazumi's latest with Resonance Vox. Fusion at its wildest.
KAZUMI WATANABE/RESONANCE VOX * (J)CD $39.99
     Third release from the Vox features great guitar playing from Kazumi.
KAZUMI WATANABE * OYATSU (CAKE)
(J)CD $39.99
     1994 release acoustic guitar project combining originals with covers
     of the Beatles, Shadows, Wayne Shorter, Django Reinhardt, and
     featuring Larry Coryell, Yosuke Yamashita, Keizo Inue, and others.
KAZUMI WATANABE/RESONANCE VOX * JIGO-JITOKU
(J)CD $39.99
     Translation: the natural consequences of one's own deed. Live
     recording from Japan in May 1994 featuring one of the hottest fusion
     bands in the world today.
JEFF WATSON * LONE RANGER
(D)CD $15.99
     Studio project has Jeff soloing with Allan Holdsworth, Steve Morse,
     Brad Gillis, guitar; also featuring Brad Russell, David Sikes, Randy
     Coven, bass; Steve Smith, Spike, and Carmine Appice, drums.
SUSAN WEINERT * THE BOTTOM LINE [***]
(E)CD $24.99
     1996 release. Third recording from Germany's wonder woman and her
     band. This time out both electric and acoustic with extra special
     guest Rachel Z. on keys. Susan Weinert, guitars; Martin Weinert,
     basses; Hardy Fischotter, drums.
SUSAN WEINERT * MYSTERIOUS STORIES
(E)CD $24.99
     Susan Weinert is an incredible guitarist from Germany in the
     Scofield/Stern fusion vein with Martin Weinert on bass and double
     bass, and Hardy Fischotter on drums. We've never heard a woman play
     guitar like this!
SUSAN WIENERT * CRUNCH TIME
(E)CD $24.99
     Susan and company continue to impress on her second project, equally
     if not more powerful than her first. Susan Weinert, guitars, guitar
     synth, Martin Weinert, bass; Hardy Fischotter, drums; guest Oliver
     Heuss, keys. Susan you're beautiful.
WEST, BRUCE, LAING * WHATEVER TURNS YOU ON
(E)CD $24.99
     One of the monster power trios of the early 70s. Hard rock at its best
     with Leslie West, guitar, vocals; Jack Bruce, bass; vocals, Corky
     Liang, drums.
WEST, BRUCE, LAING * LIVE 'N' KICKIN
(E)CD $24.99
     The third and final album , recorded in 1974 features knockout covers
     of the Stones "Play with Fire" and Cream's "Politician."
LOUIS WINSBERG * CAMINO
(E)CD $24.99
     Sixun's guitarist solo project from 1990 features melodic fusion with
     a great sense of tone. Players include Dominique DiPiazza (McLaughlin
     alumnus), Sylvan Marc, Jean Jacque Avenel, marc Bertaux, Jean-Rene
     Dalerci, bass; Marc Berthoumieux, accordian; Kirt Rust, Francis
     Lassus, Stephanie Huchard, Tony Rabeson, drums.

REMEMBER FOLKS BEFORE THERE WAS STEVIE RAY...THERE WAS JOHNNY WINTER

JOHNNY WINTER * JOHNNY WINTER AND
(E)CD $19.99
     Recorded in 1970, this legendary guitarist burns through this set with
     Rick Derringer, guitar and vocals; Randy Jo Hobbs, bass, vocals; Randy
     Z, drums.
JOHNNY WINTER * JOHN DAWSON WINTER III
(E)CD $19.99
     Recorded in 1974, this project had a serious cast of special guests.
     Johnny Winter, guitar, vocals; Randy Jo Hobbs, bass, percussion;
     Richard Hughes, drums, percussion. The guests: Edgar Winter, Kenny
     Ascher, keys; Rick Derringer, Paul Prestopino, pedal steel,
     percussion; Dave Taylor, trombone. Backing vocals: Johhny Winter,
     Tasha Thomas, Carl Hall, Monica Burruss, Dennis Ferrante, Rick
     Derringer.
JOHNNY WINTER AND EDGAR WINTER* TOGETHER (RECORDED LIVE)
(E)CD $19.99
     Recorded live in 1976, the Johnny Winter Band and the Edgar Winter
     Group together doing a great set of R&B covers. Johnny Winter, guitar
     and vocals; Edgar Winter, sax and vocals; Rick Derringer, guitar,
     backing vocals; Floyd Radford, guitar; Randy Jo Hobbs, bass; Dan
     Hartman, piano, backing vocals; Richard Hughes, Chuck Ruff, drums.
JOHNNY WINTER * WHITE HOT AND BLUE
(E)CD $19.99
     Recorded in 1978, heavy in the blues. Johnny Winter, guitar, vocals;
     I.P. Sweat, bass; Bobby "T" Torello, drums; Pat Ramsey, harp; Edgar
     Winter, piano; Pat Rush, guitar.
JOHNNY WINTER *RAISIN' CAIN
(E)CD $19.99
     Recorded in 1980. Bluesey but still rockin'. Johnny Winter, guitar,
     vocals; Jon Paris, bass, guitar, harmonica, backing vocals; Bobby "T"
     Torello, drums, backing vocals; Tom Strohman, sax; Dan Hartman, piano;
     Dave Still, tamborine, Susan Warford, Kristy Griggs, Alan Martin, Val,
     Bernadette Mazur, Cindy Murray, backing vocals.
PETER WOLPL * MR. WOLPL MEETS DR. FUDGE
(E)CD $26.99
     This was recorded in 1991, but wasn't released until recently. A fine
     blend of jazz and fusion. Featuring the monster "The Jazz Noses" with
     Wolfgang Schmid on bass. Peter Wolpl, guitars, Stefan Rademacher,
     bass; Kay Richter, drums; Gert Wilden, keys; Rick Keller, sax; Ernst
     Stroer, percussion.
LYLE WORKMAN * PURPLE PASSAGES
[D]CD $14.99
     1995 release. Lyle has played with Todd Rundgren, Jellyfish, Frank
     Black, Bourgeois Tagg, Lyle plays all instruments on this
     all-instrumental, orchestral guitar masterpiece. With cameos by Marc
     Russo, sax; Roger Powell, organ; Prairie Prince, cymbals.

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                   GUITAR PROJECTS, COLLABORATIONS, ETC.

VARIOUS ARTISTS * JEFFOLOGY [new]
[D] CD $16.99
     1995 release. Rock's guitar heavyweights pay tribute to the living
     legend Jeff Beck. Performing material from the Jeff Beck Group through
     Guitar Shop. Featured performers include: Bruce Bouillet, Vivian
     Campbell, Phil Collen, Warren Demartini, Paul Gilbert, Jake E. Lee,
     Steve Lukather, George Lynch, Mick Mars, Stevie Salas, and Walter
     Trout.
GUITAR'S PRACTICING MUSICIAN VOL.I
(D)CD $12.99
     This compilation features 13 tracks (11 recorded specifically for this
     release) from today's most innovative guitarists including Paul
     Gilbert, Vivian Campbell, Vinnie Moore, as well as classic stylists
     Leslie West, Elliot Randall, and Steve Morse, Randy Coven, Elliott
     Randall, Billy Sheehan, Jennifer Batten, Blues Saraceno, Buck Dharma,
     Reckless Fable. Also featured in supporting roles are Allan
     Holdsworth, and Jeff Watson.
GUITAR'S PRACTICING MUSICIAN VOL.2
(D)CD $12.99
     16 incredibly hot guitarists doing instrumentals including Steve
     Lukather, Steve Morse, and Eric Johnson live performing "Cliffs of
     Dover"! Also featuring Nuno Bettencourt, Jason Becker, Brad Gillis, Ed
     King, Blues Saraceno, Steve Stevens, Bruce Kulick, Reeves Gabrels,
     Fate's Warning, Randy Coven, Marc Bonilla, Billy Sheehan.
GUITAR'S PRACTICING MUSICIAN VOL.3
(D)CD $16.99
     1994 compilation features Mark Hitt, John Christ, Nathan Cavaleri,
     Shawn Lane, Wolf Marshall, Jack Bruce Band with Blues Saraceno, Alex
     Skolnick, Buck Dharma, Jake E. Lee, Johnny Gale, George Lynch, Dream
     Theater, Mark Wood, Pride & Glory.
B&W PRESENTS LIVE AT THE MONTREUX JAZZ FESTIVAL 1988
(E)CD $19.99
     Three different acts one one CD. The Ray Russell Band featuring Tony
     Hymas, Mo Foster, Simon Phillips, and others. The Scarlet Rivera Band
     and the Joan Bibiloni Band.
CARMINE APPICE'S GUITAR ZEUS
[J] CD $39.99
     1995 release is a heavy rock effort featuring Carmine Appice on drums;
     Tony Franklin, fretless bass; Kelly Keeling, lead vocals, guitars,
     keys; backing an all-star lineup of guitar soloists. Steve Morse, Paul
     Gilbert, Yngwie Malmsteen, Neal Schon, Brian May, Doug Aldrich,
     Jennifer Batten, Ty Tabor, Slash, Ted Nugent, Elliot Easton, Mick
     Mars, and Leslie West.
VARIOUS ARTISTS * RATTLESNAKE GUITAR (THE MUSIC OF PETER GREEN) (DBL)
[D]CD $19.99
     1995 release is a tribute to Peter Green featuring many of the guitar
     greats from the 60s, 70s and 80s. Performing newly recorded tracks
     from this legendary artist. Dave Peverett/Rod Price (Foghat), Savoy
     Brown, Snowy White, Luther Grosvenor, Rory Gallagher, Harvey Mandel,
     Mick Abrahams, Ray Gomez, Bobby Tench, and Billy Sheehan, Stu Hamm,
     Wilbur Bascomb, bass; Greg Bissonette, Jonathan Mover, drums, and many
     more.
COME TOGETHER * GUITAR TRIBUTE TO THE BEATLES
(D)CD $15.99
     Eleven different guitarists playing Beatle songs as instrumentals. The
     creme de la creme is Allan Holdsworth's version of "Michele." The
     other featured artists are Ralph Towner, Adrian Belew, John
     Abercrombie, Steve Khan, Larry Coryell, Leni Stern, Mark Whitfield,
     Toninho Horta, Zachary Breaux, and Toots Thielemans. A 1993 release.
VARIOUS ARTISTS COME TOGETHER GUITAR TRIBUTE TO THE BEATLES VOL. II
[D]CD $15.99
     1995 release is equally, if not more impressive than Volume I.
     Featuring an incredible array of guitarists paying homage to the Fab
     Four with guitar instrumentals. The lineup: Wayne Krantz, Philip
     DeGruy, Charlie Hunter, Adam Rogers and David Gilmore, Terje Rypdal,
     Robert Quine and Jody Harris, David Tronzo, Robben Ford, Michael
     Hedges, David Fiuczynski.

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---------------------------------------------------------------------------
Audiophile Imports

    I don't know if this deserves it's own topic in here or not;  you
    decide.
    
    In recent posts, someone (Sam maybe??) mentioned that he wished (insert
    paraphrase here!) that the music behind some of the "guitar gods" had a
    little more content...
    
    Now, I like most of these 'heros' cuz they are obviously good
    guitarists/musicians.  So, don't get me wrong...
    
    
    However, I find that most ALL of them are sorta boring to listen to for
    a long time.  Why?  Cuz I like to hear ensembles...Ya know, BANDS!
    
    I mean Satriani is cool for a listen, but the drum machine gets pretty
    old, pretty quick (I ASSume it's a drum machine, or an automaton
    drummer).  Same with most of the 'heros' (Morse, Vai, etc...).
    The rest of the band hides in the background hammering out a pretty
    boring bed for these guys to wail over.  If I wanted to hear that all
    the damn time, I'd invite my pal Mark over.
    
    Now, before I get stir up comments like "Oh, but listen to the drum
    work on 'Yadda-Yadda'", I should say that this is a general
    observation.
    
    Now, to hop up on MY soap box, I'll say that this is precisely why I
    like Dream Theater so much.  The whole ensemble plays together SO well
    that it makes get all chubby and stuff; (Isn't that the goal in
    music?).  Anyway, there isn't this "singling out" of any particular
    band member.  They ALL play extremely well, play well together, to the
    point of another generalistic statement that EACH member of the band is
    a master of their instrument (or vocal cords)...But more to the point,
    the BAND is hot, but any one guy on his own??  Maybe...Maybe not.
    
    So, now folks are saying "Oh shit, there goes coop on his DT thing
    again"...
    
    Well, think about some of the other bands out there - maybe one of your
    favorites.  Some examples that pop into my Saturday-hat are ELP,
    Kansas, Queen, Yes, etc...  
    
    Food for thought.
                                

Miles Davis made a statement to the effect that it's
the rhythm section that is doing all the work when
someone is soloing and the soloist has to keep that
in mind.

I have to confess I'm not into guitar solo 
albums (last one I bought was Jeff Beck), but it seems
to me that if the guitar player is smart, he'll hire
the most inventive rhythm section he can find, because
that will make him look better in the long run.

Peter

    
    	I buy guitar instrumental albums because I love listening to
    	wailing guitar ... rhythm-type playing that takes the place
    	of a vocalist combined with guitar solos where they should
    	be [Satriani], and all-out shredding [Stump, Malmsteen, etc.].
    
    	If I want to hear a great BAND, I'll listen to Dream Theater.
    	If I want to concentrate on guitar, I'll listen to Satriani.
    
    	That's 1 reason that both types of albums co-exist.
    

|    So, now folks are saying "Oh shit, there goes coop on his DT thing
|    again"...
|    
|    Well, think about some of the other bands out there - maybe one of your
|    favorites.  Some examples that pop into my Saturday-hat are ELP,
|    Kansas, Queen, Yes, etc...  
    
    Jeff, they all sing too much. ;-)
    
    hope this helps,
    Mike

    One of the best bands I've listened too in a long time is Alison Krauss
    and Union Station.   Banjoist/Guitarist Ron Block's style is
    understated, but he sure can pick the right notes.   The mandolin
    player (I'm drawing a blank on his name) is fantastic.  And then
    there's Alison, who probably has more musical talent in her left pinky
    than most of us could ever dream of having...  
    
    When I saw them live, I was astounded at how well they listened to each
    other-- the careful attention to dynamics, etc.  "Synergy" is an often
    over-used word, but it applies here.  The total *is* greater than the
    sum of the parts.
    
    Jim

    
    For solos of any kind I'd say it
    rocks hardest when the drummer (and
    the rest of the band) are right with the solo. 
    When that happens in real time, that's the
    true poop in my book.
    
    Like: 
    
    (1) Billy Cobham with John McGloughlin
    on the live Mahavishnu album, 
    
    (2) Zakir Hussein with John in Shakti
    
    I'm curious about trying a drum machine, but I
    probably will wish it were a real drummer!  
    
    Dave 
    
    

    RE: .521  and synergy being over-used...
    
    Well, I may be dating myself, but Synergy wasn't over used until an
    application for the Pro300 series of computers came along.  :-)
    
 _    /|   
 \'o.O'    AcK!!
 =(___)=   
    U      
    

    Hmm - Got a MAJOR blast from the past the other night, and another 
    just a few minutes ago...
    
    First,
    
    Dave (dbii) Bottom is in town from Augusta.  He works for SCI and they
    recently bought the Apple plant here in the springs...
    
    We went off and had a beer and talked gear and music until the
    wee-hours.  We're also going to try to get together for some noize
    tomorrow night.
    
    Anyone in the springs wanna pop over to my place??
    Also, Greevie-king sends his regards via proxy!!
    
    THEN, I got a call from Hunter Brown a bit ago.  He's gonna be in town
    in late October.  Hunter was the drummer for RnR - a band that Steve
    Dandrea and I formed when I was in South Carolina.  so WE're gonna get
    together for some noize too.