[Search for users]
[Overall Top Noters]
[List of all Conferences]
[Download this site]
Title: | Topics Pertaining to Men |
Notice: | Archived V1 - Current file is QUARK::MENNOTES |
Moderator: | QUARK::LIONEL |
|
Created: | Fri Nov 07 1986 |
Last Modified: | Tue Jan 26 1993 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 867 |
Total number of notes: | 32923 |
505.0. "Robert Bly's work with men" by JOKUR::CIOTO () Fri Sep 14 1990 14:20
The following is the verbatim transcript of an interview with
American poet Robert Bly, which appeared recently as the cover
story in New Age Journal. This is the same Robert Bly who has
been appearing in very popular reruns of Bill Moyer's PBS
program, "A Gathering Of Men." It addresses the history of
Robert Bly's work with men and roughly what it is all about. As
an admirer of Bly, I thought it would be appropriate to post the
interview here and ask:
What do you think?
On the cover, next to a great photo of Bly, the cover story title
reads:
CAN MEN CHANGE?
Anger. Frustration. Long-buried desires.
Poet Robert Bly helps heal the troubled
male psyche.
When I read "CAN MEN CHANGE?" I sort of cringed and began to
envision a hostile, female-dominated audience on the Oprah
Winfrey Show getting all exasperated because men don't feel,
think, act, or communicate the way women do. ;) I can't speak
for other men, but I think getting men to "change" -- actually,
it's more like finding ourselves -- via some of the shame
tactics (male bashing?) that the Oprah and Donahue shows lay on
men, is *not* the way to "heal the troubled male psyche" in
America. In fact, it has just the opposite effect; and it
fosters more misunderstanding and division between the sexes.
Bly does not know it all, but IMHO, he sure is on the right
track. For example, I always thought that "feelings" were something
of/by/from females or of/by/from the "feminine side" of men. But
then I heard Bly say that feelings can be on a man's "masculine side"
-- that feelings are, by nature, masculine too -- just like thinking/
logic/action-taking can be on a woman's feminine side); in other words,
women don't own feelings, just like men don't own thinking/logic.
This made a great deal of sense to me and answered many dilemmas with
which I have been struggling. Oh well. Just my two cents. 8)
By the way, I know many men who participate in MENNOTES react
adversely (and sometimes with hostility) to the idea of
workshops/gatherings for men that are designed to explore
ourselves, our fathers, and the whole concept of manhood. And
that's OK. If you have a good handle on all that, and these
gatherings are not for you, that's great. But having
participated in similar workshops/groups for men, I can assure
you that there is a clear, strong need all over the country for
the type of work that Bly is doing. There are a whole lot of men
out there who have the need to participate in, and who are
getting a lot out of, this type of work.
I know this may overlap a bit with the contents of topic 496 -- and
I have a lot to say about some of the comments that were made there
-- however I thought it would be more appropriate to address the
issues in the context of this new topic.
**********
THE SECRET LIFE OF MEN
(another poorly written headline, unfortunately -PC)
"Drawing from age-old myth and modern verse, poet Robert Bly
helps men discover their deepest desires."
A New Age Journal Interview
by Jeff Wagenheim
Copyright (C) 1990 by New Age Journal
Reprinted without permission
"WHAT ARE THE LITTLE DESIRES IN YOUR LIFE THAT YOU
are ignoring?" the sing-songy voice of the silver-maned,
ruddyfaced bard asks the seven hundred mostly younger men seated
before him. These men have gathered not to cheer a ball game or
play cards, not to whistle at a gyrating G-string or guzzle a
beer. They have come together in this overcrowded conference
room to explore their true desires, their long-buried desires,
their male desires. They've also come in order to experience the
wisdom and wondrous wit of poet Robert Bly, who for a decade has
been conducting men's workshops like this one in a personal style
that suggests one part mad professor, one part guidance
counselor, one part wide-eyed schoolboy.
Dressed in his characteristically irreverent multicolored
vest and bright red tie, his physique burly but graceful and his
thick hair heading in the five directions, Bly looks the part of
a court jester. And he can act the part as well. When the
participants opened this weekend gathering by ceremoniously
dancing, one by one, into the meeting room to the beat of an
impassioned symphony of drums and a resonating chorus of male
voices -- THEIR voices, singing and chanting -- Bly was waiting
just inside the door, waiting so he could join in on each man's
personal dance. The sixty-three-year-old Bly, one of America's
most renowned poets, would then carry on with a child's gleam in
his eyes, treating each participant's dance as his own.
And now as men's desires come spilling forth from every
corner of the room -- "I desire to shed my responsibilities"; "I
desire to dance" -- Bly is unstirringly listening to each answer
to his question. He seems to taste and fondle each stated desire
-- treating each of THEM as his own, too. He becomes noticeably
charged -- almost giddy -- as the men begin speaking of desires
more ragged around the edges. "I desire to have what my father
didn't have" Bly sometimes will listen to what a man has to say,
sit for a moment to digest what he's heard, then gently but
directly shoot back, "What's beneath that?"
Digging beneath the surface is an essential part of any
personal growth process, of course, but it's particularly central
to Bly's work with men. For generations men have been toughened
up and shut down. "Be a man; don't get emotional; that's for
women." Uncovering an opening into a man's psyche can take
considerable probing, thanks to our culture. And even though the
macho man persona has begun to fade in recent years, its sometime
replacement -- the sensitive male's response to the women's
movement -- is no less troublesome. The "soft male," as Bly
defines him, is gentle and kind -- "but you quickly notice that
there's not much energy in him. He's life-preserving but not
life-giving."
Why do today's men have to choose between Rambo and
Richard Simmons? Bly blames the Industrial Revolution. Before
man took up machine, he says, the father would work on the
family farm, cultivating two things: a chosen crop and a family.
Since the turn of the century, however, men have increasingly
sought their livelihood away from home, separating them from
their families. And the worst to suffer, says Bly, have been the
young boys, who he contends have been deprived of a nourishment
both emotional and physical. "When a father and a son spend long
hours together," says Bly, "a substance passes from the older
body to the younger. A physical exchange takes place. The
younger body learns at what frequency the masculine body
vibrates."
Bly's work with men is rooted in the poet's halfhearted
relationship with his own father, who was an alcoholic. Bly
grew up on a Minnesota farm before moving to the East Coast,
first to study at Harvard and then to live and write poetry in
New York. (He long since has moved back to Minnesota.) In 1968
he won the National Book Award for poetry for his collection,
"The Light Around the Body." But something was missing. It was
not until the '70s that Bly even acknowledged in his poetry the
existence of his father. Finally, in "Snowbanks North of the
House," he alluded to him as "the man in the black coat," a man
with self-imposed, immovable and hard-to-understand limitations.
At age forty-six Bly was beginning to open up his long-sheltered
masculinity.
A few years later, in 1981, the Lama commune in New
Mexico invited Bly to lead a workshop for about forty men.
Before long he was involved in another men's gathering, then
another. "Someone would come to one and organize another one in
another part of the country," says Bly. "That's the way it
happens." Today Bly and his frequent collaborators --
storyteller and drummer Michael Meade, psychologist James
Hillman, and Jungian scholar Robert Moore -- conduct five
week-long men's gatherings a year, plus almost twice as many
weekend workshops. This men's movement is not an adjunct to the
women's movement; it's not a backlash against it, either. In
fact, says Bly, women stand to gain much from this men's work.
"I don't think that men working with men implies a rejection of
women or means that the men are moving into a more remote place
than they are now," he points out. "I think that men can help
each other be much closer to women."
Men are working together in a variety of ways these days.
Support groups are forming across the country, and workshops and
retreats are taking many roads -- ranging from psychological to
experiential -- into the long-off-limits male psyche. But it's
been the approach of Bly, Meade, Hillman, and Moore -- using
ancient mythological tales of male initiation that has most
successfully captured men's hearts, minds, and spirits. Thanks
in part to the interest stirred by the 1989 PBS television show,
"A Gathering Of Men," in which journalist Bill Moyers interviewed
Bly, the days of the forty-man workshop are over. The gathering
mentioned earlier -- at Interface, a holistic studies center
outside Boston -- drew seven hundred; an event in San Francisco
amassed a WAITING LIST of that size, prompting the return of Bly
and the program's other facilitators for a second
seven-hundred-man weekend.
Who comes to these events? "Usually they're men between
thirty-five and seventy," says Bly. "The ones in their twenties
still think they're doing OK. 'I'm doing fine, Jack!' Usually
men have to be thirty-five before they notice that something's
wrong with their marriage or something's wrong with their job or
something's wrong with their relationship with their father.
Until they're ready to heal that, probably they won't come.
When a man comes to one of Bly's gatherings, his healing
begins with the sharing of ancient stories of male initiation.
This is the process, ritualized in many cultures but long ago
discarded in ours, by which a boy becomes a man. Bly uses these
myths along with modern poetry to form a framework for his men's
work. Long an admirer of mythologist Joseph Campbell, Bly years
ago saw a connection between the insight found in ancient tales
and the questions that were arising in his own life. He came to
see the myths as road maps. At men's gatherings these road maps
often lead directly toward long-suppressed emotions ranging from
grief to joy.
One particular myth has become central to this emerging
movement -- and to Bly's new book, "Iron John: A book About Men"
(Addison Wesley). In the Brothers Grimm tale "Iron John," a
kingdom has been losing hunter after hunter in the forest until
one day a warrior dares to drain the forest's pond and capture
the fierce, hairy man at the bottom. This Wild Man is held in a
cage in the king's courtyard until one day the golden ball
belonging to the young prince rolls into the cage and the Wild
Man uses it to negotiate with the boy for his release. In
freeing the Wild Man, who for bly symbolizes not only the
initiator but also the uncivilized in all men, the prince has
disobeyed the king and queen, so he decides to go off with his
new friend into the woods. That leads to numerous experiences
that, over time, transform the boy into a man.
Bly has been delving into myths and their images for
years. In fact, in 1982 NEW AGE JOURNAL gave the mythopoetic
men's movement its first national exposure when the magazine
interviewed Bly. Recently we paid a visit to Bly at his cozy,
bookshelf-filled home in Moose Lake, Minnesota. Since the
magazine's last conversation with him, the men's movement has
spread like wildfire. And we wanted Bly's help in understanding
why.
NEW AGE JOURNAL: Why is it that part of this men's movement is
centered around a poet and not a sports star, an actor, a
politician, or a rock 'n' roller? What is it about a poet that
is essential?
ROBERT BLY: It's not the poet so much, it's the poetry. One
reason poetry is at the center is because the language that men
use to communicate with each other has gotten very damaged.
There's "New York Times" language, which gives nothing but facts.
There's television language, which is completely fake -- you
know, as if everybody speaks in one-liners all of the time. And
then there's psychological language, which are both forms of
jargon. So how can men talk with each other?
All poetry originally was love poems, and poetry is still
a way of appreciating the universe. The part of American men
that's been the most damaged is the lover. So it's interesting
that the healing might begin there, with the lover.
Another way to talk about it is to say that poetry
touches the emotional body, touches the thinking body, and
touches the physical body through sound. That's what art is --
it unifies all of those.
It's not that we would say that poetry alone is at the
center of men's work. It's poetry AND stories. When Michael
Meade sits at his drum and begins to tell a story, we leave
behind all of those modern languages; we enter into an ancient
language that our ancestors would understand just as well as we
do. Someone once said, "The story is to learning as the atom is
to science." So one language that all men can learn through is
the story and the myth.
NA JOURNAL: Is it the story or myth itself that does the
teaching, or is it our response to it that's most important? At
a weekend workshop of yours, I noticed that after you or Michael
Meade would tell a story, the men would begin to offer
interpretations of every little detail. Isn't this stereotypical
male intellectualizing?
BLY: I don't think so. A story is not only a narrative but also
a series of images. For exmaple, there's a story called "The
Water of Life," and in it three sons in turn ask their father,
who is sick, if they can go and find the water of life to help
heal him. The idea of the water of life, and the idea that sick
things can be helped by something that young men do -- those are
wild images. The Catholic Church needs the water of life right
now. So does the Protestant Church. The Democratic party needs
it desperately.
Anyway, in the story, the oldest son goes out and meets a
dwarf, who says, "Where are you going?" Being a typical,
arrogant older son, he doesn't even answer the dwarf, so the
dwarf gives him a little curse. And the boy rides his horse
straight ahead into a very narrow valley, where he and the horse
get stuck between two rocks, and that's the end of that.
So you've got an image of someone who goes straight
forward and is so stiff or tight-assed that he gets stuck between
two rocks. Now, that's an image that you can take inside
yourself and see how it relaters to your own life. So at the
point in the workshop Meade or I might ask, "Well, what is this
crack in the rock?" Then men will speak up and say how they got
stuck in the rock. It could have been by taking a job that got
narrower and narrower until they couldn't back out and couldn't
go forward. Lots of men in corporations feel that. It could have
been by getting into a marriage in which the road seems quite
wide in the beginning but it gets more and more narrow, and
finally you're stuck; the horse won't go back.
The images from these stories have been tested by human
beings for ten thousand years, and so one learns to trust them.
I don't think it's intellectual work -- in the negative sense --
to talk about them. Offering interpretations helps the flower to
unfold.
NA JOURNAL: Why do we tell these stories in the language of so
long ago? In "Iron John," for example, why do we talk about a
castle and king rather than, say, a corporation and a CEO?
BLY: It wouldn't work. One cannot take a king and change him to
a CEO because the king is a very, very old thing in the psyche.
So when the word "king" is spoken, it doesn't matter whether
you've ever seen a king yourself, the king reverberates way down
in your body. You could say CEO but only the shallow,
sophisticated part of your psyche would hear it.
NA JOURNAL: There is something reassuring in the language and
images of myths. I've heard these old stories referred to as
road maps.
BLY: If you enter Italy at Brindisi, let's say, and you want to
go to Milan, you'd be crazy not to ask for a map. Are you going
to drive around, get to little towns, and ask, "Is this Milan?"
That's the way people lead their lives now. So the old myths are
road maps in the sense that they say, "If you want to get to the
water of life, you're going to pass a dwarf, and the dwarf's
going to ask you a question; just because he's small, it doesn't
mean you shouldn't answer."
Myths do not tell you where to go, but they save a lot of
time. I think the most beautiful thing about them is that they
give us the ability to go places that our parents never thought
of. Actually, we have two sets of parents. We have our own
parents, who are limited by what they've experienced and maybe
don't want you to go to Milan. And, even if they do, they don't
know how to get there, because they never went there either.
The other set of parents are the storytellers from ancient times.
They know how to get to Milan.
NA JOURNAL: Is there any danger in working with myth? In some
myths, the Earth is feminine, and if a man hears that he may feel
he doesn't have a place in the world. If the sky god is masculine,
that can leave a woman feeling as if she has no place to ascend.
BLY: That's exactly what's happened in our culture. The trouble
isn't that we have mythology, but rather that we have a defective
mythology, which in this case is the Greek one. We don't usually
think of the Greeks as being defective, but they're the ones who
passed on this polarized world in which men got God and the sky
and women received feeling and Earth. The Egyptians, on the
other hand, were more complete. Instead of having two gods, they
had four: a male sky god and a female sky god; a male Earth god
and a female Earth god. In that way they prevented the kind of
polarization that has harmed the West so much.
NA JOURNAL: Those Greek images have become so prevalent in our
culture, though, that it's understandable how mytholgical terms
can be misinterpreted.
BLY: Oh yes, but simply not reading mythology doesn't mean you
won't have it in your psyche. We soak it up. For example, in
our culture, "black" and "evil" are connected mythologically.
"White" and "good" are connected. Everybody's got that inside
them whether they've read any mythology or not. So if you say
that black is evil, that's hard on the black people. That's not
an example of the evil of mythology, but of the evil of a
distorted, one-sided mythology. In many mytholgies, more
complete than ours, black is connected with richness -- the
blackness of the earth.
NA JOURNAL: That brings up another image connected to myth. In
our culture people seek enlightenment and try to go to heaven or
ascend to some higher consciousness. But working with myth seems
to be a process of descent.
BLY: I made a joke a few years ago, saying that we shouldn't be
interested in enlightenment as much as in "endarkenment." And,
of course, that again implies that the dark is good.
NA JOURNAL: And descent is integral to initiation, the process
by which a boy becomes a man.
BLY: In the Iron John story the mentor kicks the boy out and he
has to get a job, and the job he gets is in the kitchen of a
castle, which would be in the basement. So you have a descent.
Now, that's exactly what George Orwell did. When he decided to
learn something besides what his middle-class friends knew, he
took jobs in the kitchens of famous hotels in Paris and London.
He wrote a book about it called "Down and Out in Paris and
London."
In many old stories the process of descent is referred to
by the image of ashes, of kitchen work, of raking the ashes. The
idea of dealing with ashes is a wonderful thing when you begin to
examine it. Think about how many dreams you had in high school.
By the time you're thirty-five, how many of those dreams are
ashes? Some of your relationships have become ashes, your job
may be ashes.
We consider raking the ashes to be a punishment, but in
the ancient world that was considered good luck, because you got
a chance to do the descent. In "Iron John" the third step of
initiation hass to do with ashes. The image is in fairy tales,
too. To becomes Cinderella means that you become a cinder girl
and work with ashes. The major young man in Norweigian fairy
tales is Askaladden, the ash boy. The word "ashes" is a code
word for that descent.
Russia is dealing with ashes now: the ashes of Leninism;
the ashes of collective agriculture; the ashes of their huge
military budget; the ashes of Stalinist lies; the ashes of
socialist realism. Incredible. It's as if everybody in Russia
is dealing with ashes now. We in the United States refuse to do
it. We're still trying to stay up in the castle and not go down
in the basement. George Bush is not handling ashes at all. Our
whole educational system is ashes. The low salaries for women,
the poverty of single mothers, our policy with the black
community is ashes. Most of our agricultural policies are ashes.
The savings and loan thing is an enormous pile of ashes.
NA JOURNAL: We're in denial.
BLY: Yeah, I think we are. It's interesting that you say
"denial" because with that word you pull in the whole question of
the dysfunctional family. The United States is behaving like a
dysfunctional family now. The President, the administration, and
congress are actually alcoholics, high on money and denial
bourbon. And in this dysfunctional nation no one challenges the
"father."
My family never looked at the ashes lying around on the
floor. I was so far into denial that I never even heard of
"denial" until I was forty-five or so.
NA JOURNAL: I heard you once say that you were about that age
before you wrote a poem mentioning your father.
BLY: Well, I don't think that delay is unusual for American men.
You assume that your father and you are OK and just let it go. I
think that most men, when they start to deal with their fathers,
find they are dealing with ashes. Trying to understand what
either of your parents were really like will bring you into
ashes.
NA JOURNAL: So you first dealt with the ashes when you were
forty-six, when you made reference to your father at the end of
the poem "Snowbanks North of the House":
And the toe of the shoe pivots
in the dust ...
The man in the black coat turns, and
goes down the hill.
No one knows why he came, or why he
turned away, and did not climb the
hill.
BLY: Yes, "Snowbanks" was the first poem I ever wrote that had
any ashes in it, any grief in it at all.
NA JOURNAL: Why did it happen at that time in your life?
BLY: I think that when a man gets to be forty-six or so there's
something biological that happens that turns him toward his
father. Some men turn earlier, but I believe that it's on some
sort of biological schedule. You're able to ignore your father
for many years, but at a certain point a hunger comes.
Before you die you want to find out what your father was
really like and not simply accept your mother's view of what he
was like. There's so much remoteness between fathers and sons --
even in homes where the father's there all the time -- that it's
a piece of knowledge that you don't come on easily. You have to
dig for it.
NA JOURNAL: In one story you tell, a man pays a visit to his
father, whom he hasn't seen in ten years. The father opens his
door, and the son says, "I want you to know that I no longer
accept my mother's view of you." And the father breaks into
tears and says, "Now I can die." Well, I read an essay by a
feminist writer who found an element of woman-blaming in that
story.
BLY: Well, she didn't hear the whole story then, because I also
said that if a man, for exmaple, is living alone with his
father, he cannot depend on the father to give a clear view of
his mother, either. The story says that both the father and
mother are in competition for the affection of the child. It's
the way it works. It's a simple human thing.
But this writer is sensitive to mothers being blamed, and
I sympathize with that. since Freud said that the mother is
all-important for the boy, the mother gets blamed if something
goes wrong. I agree with her that women have gotten blamed too
much. In the initiatory tradition from which the Iron John story
comes, it is the responsibility of the men, particularly the
older men, to bring the boy on from boyhood to manhood. It is
more their resopnsibility than the mother's.
---- THE INITIATED MAN ----
NA JOURNAL: If it's the resopnsibility of older men to initiate
the boys, it seems necessary that there be some initiated older
men around to do the job. Are there any in our culture? Among
today's idealized male images, it seems, are the macho guy, such
as Sylvester Stallone, or the money-hungry businessman, such as
Donald Trump. Do you see initiation there?
BLY: Initiation has to do with the building of an emotional body
that will allow the man to endure or feel several kinds of
ecstasy. The emotional body cannot be activated without descent,
or raking the ashes. I don't hink Trump's doing any of that. I
don't think Stallone is doing it, either. Anwar Sadat received
his ashes in prison, Franklin Roosevelt in his polio. When you
are talking about an initiated man, you're talking about someone
like the Soviet scientist Andrei Sakharov, who has been able to
sustain the ecstasy of opposition. You understand what I mean?
He has opposed the entire Soviet government, and he hasn't fallen
apart.
George Washington agreed to the ecstasy of power, and
then refused to be king. That was marvelous. Abraham Lincoln's
emotional body was enormously strong. If you put the photographs
of him during his last four years in chronological order, you can
see the descent he made.
NA JOURNAL: What contemporary men come to mind?
BLY: There are many musicians -- Bob Dylan would be one -- who
are able to sustain a lifetime of ecstasy. That's hard. And
some of the old blues singers, like B.B. King, are initiated men
in the ecstasy of music.
Both Ralph Nader and the late journalist I.F. Stone are
examples of people who were able to endure the ecstasy of
oppostion. Both are infinitely valuable.
What we miss most are initiated men in the political
sphere -- that is, initiated men among those who ACCEPT power
rather than OPPOSE it. It is difficult for American men to
accept the ashes stage, which comes midway through initiation.
Ronald Reagan certainly didn't do that, and so his moreal power
was meaningless. He was imitating an initiated man.
NA JOURNAL: How would you define an initiated male?
BLY: In one Irish story he is the man who sees a golden road and
walks right down the center. The unititiated man might say, "I'd
better ride in the ditch." In the story, the woman who owns the
castle to which the golden road leads says to her men, "If you
see anyone riding along here in the ditch, just beat him up and
throw him in the field." Women hate men who fake authority when
they don't have it or refuse to use it when they do.
I don't know why the women's perception failed with
Reagan. Millions of men and women voted for him, and he was
definitely riding in the ditch, where the rich people sent him.
---- BEING STUCK IN THE FIRST ACT ----
NA JOURNAL: Here's another poem of yours, written years ago,
entitled "A Man Writes to a Part of Himself":
What cave are you in, hiding, rained
on?
Like a wife, starving, without care,
Water dripping from your head, bent
Over ground corn ...
You raise your face into the rain
That drives over the valley --
Forgive me, your husband,
On the streets of a distant city,
laughing,
With many appointments,
Though at night going also
To a bare room, a room of poverty,
To sleep beside a bare pitcher and basin
In a room with no heat --
Which of us two then is the worse off?
And how did this separation come
about?
This poem was not about your father or your masculinity but about
your feminine side. You placed your feminine side in a very
distant world, but at least you were facing that part of
yourself. What would this poem have sounded like if you had been
addressing your masculine self?
BLY: Well, that's a good question. When I wrote that poem, I
was about twenty-eight or twenty-nine. I was living in New York
and had no money at all. The image of coming back to the bare
pitcher and basin in a room with no heat is accurate. And when
you live like that, eventually you say, "Why is this room cold?"
In other words, where is the heat and the warmth in my personal
life? So what I was talking about was some kind of separation
from my feeling self.
Several things about that poem are interesting, but I
didn't realize it until years after I wrote it. First of all, I
give the feeling side a gender. I call it female. I'm not so
sure I'd do that now. And, second, I put my feeling side in some
hunger-gather culture. The poem says that my thinking side is in
the twentieth century, but my feeling side is maybe 500 B.C. or
belongs to another race like the American Indian race.
NA JOURNAL: Had you addressed your masculine side in the poem,
you might have found that part of yourself to be even more
primitive.
BLY: That would have been interesting. The best thing I did in
that poem was to ask the quuestion, "How did this separation come
about?" It's a very interesting thing, you know, that if you ask
your psyche a question, it will really try to answer. There's
something immensely helpful about the psyche. It may take ten
years, but eventually the psyche gives an answer.
How did this separation come about? It came about
because St. Paul didn't like the body and I'm a Christian, so my
body is out in New Mexico somewhere grinding corn while I'm in
New York thinking. St. Paul and St. Augustine want the female
to be in a lowly position because she is too much connected with
the body. How did this separation come about? Another answer,
of course, can be the one we started with -- a defective
mythology. "The reason you're separated is that you imagine your
feeling side is female."
NA JOURNAL: That's what I was getting at, I wonder whether this
poem, even though it addressed your feminine side, was a
precursor to your more recent work with men.
BLY: I don't know. I do know that it is absurd to say that the
masculine is connected only with thinking or with dominating.
The masculine has tremendous depth of feeling in it. I mean, who
do you think wrote Bach's music if it wasn't his masculine side?
NA JOURNAL: If we reject the idea that men cannot access their
feelings like women, and also dismiss the notion that women cannot
think things through like men, this opens up a lot of
possibilities for both men and women.
BLY: Yes, and as soon as you do that you have to begin to have
distrust of temporary psychology even though you know how great
it has been. It's as though contemporary psychology so far is a
play, with the first act written by Jung and Freud. In that act
it is laid out that all men feel through their feminine side.
There needs to be a second act that acknowledges that men have a
tremendous amount of feeling on their masculine side. They don't
have to depend on women for feeling.
Our view of women is determined by this first act of the
play. In this act, women are made up of brown bread, good
feelings, and relationships. Women are encouraged to identify
anything they don't like in themselves as male. That's a
disaster.
I think women as well as men need a second act. In this
second act it would be clear that women have on their feminine
side a good grasp of the world and the ability to think as well as
feel: It would be clear that the urge to control the world and
have power over other people does not lie on the woman's male
side, but on her female side.
For a man, this idea that a man feels on his feminine
side ties him in an unfruitful way to his mother. That means he
is liable to be angry at all women when he can't get quite free
from his mother. I think that when psychologists, male and
female, write the second act, women and men will stop blaming
each other as much as they do now.
---- A BOY TURNING INTO A MAN ----
NA JOURNAL: Why do men gather with men and women with women?
Why a men's movement and women's movement rather than a people's
movement? Is it because we're still in Act One?
BLY: Well, I believe women discovered something very important
fifteen years ago: When they got together by themselves, they
found they could say things that they couldn't say in the
presence of men. The same goes for men. When men are together
they will say things that they will not say when a woman is
present. And I think one reason is because the sexes shame each
other so easily.
Men's work is not going to make men and women more remote
from each other. There are certain men who either feel
tremendously guilty toward their mothers or feel ashamed of being
men, who couldn't be farther from women than they are now. There
is tremendous shame in men now. I think that men can help each
other get rid of some of the shame, and when that happens they're
going to be much better lovers and much closer to women than they
are now. If a man is ashamed of being a man, he is not going to
meet a woman cleanly and joyfully.
NA JOURNAL: If the initiators of young boys have to be men, what
can a single mother do with her sons? I've heard the suggestion
that she send the boy to his father at a particular age, but is
that the only answer? Is anything that she does herself going to
be futile?
BLY: Well, I think that it's a question of limits. The mother
needs to look at the limits of what she can do. It isn't that
she can't do anything. And it isn't that any man would be better
than her. That's not true. A lot of men are bad characters.
She's got to be careful.
A friend of mine had two sons she was raising alone. She
eventually realized that no matter how she responded when one of
the sons shouted at her, it didn't satisfy him, because he was
really shouting at an invisible man who wasn't there. He wanted
to shout and be answered by an adult man. Finally she said, "I'm
very fond of this boy, but I've arranged for him to go to another
state to a wilderness school all next year, with male teachers."
I said, "Well, that's pretty gutsy."
That doesn't give a complete answer to your question,
because I think the answer would be different with every family,
but it was clear that she saw the limits.
NA JOURNAL: So these limits you're talking about have to do with
a woman's limited ability to offer a boy a male experience in
childhood?
BLY: Yes, I think there's something grandiose about the idea
that women can bring up sons all by themselves. There's
something unlimited in the idea that a boy doesn't need a man
around at all. It doesn't make any sense. And I think a similar
thing would be true of men who believe that they can raise girls
all by themselves. I think that girls need the company of other
women in hundreds of different ways.
NA JOURNAL: When a boy goes amonst older men to become a man,
then, does that experience look different from what happens when
a girl goes amonst older women to become a woman?
BLY: Well, that's an important question. I ran into an answer
to that in New Guinea initiation work, where they still initiate
both girls and boys. Some of the initiation work with girls is
very elaborate. Beginning at the first menstruation the women
teach the girls songs that they have never heard before, teach
them stories, and tell them all kinds of secrets. They make a
lot out of it, but the women will also say, "This girl is going
to become a woman whether we do anything about it or not,
because the changes in her body are going to make it clear to her
when she is a woman." I think the emotional body and the
physical body are more closely connected in a woman and so when
these physical changes occur, emotional changes will occur also.
But with boys they say that not only is the work with
older men helpful, it's essential. Their phrase is, "No boy can
turn into a man without the active intervention of the older
man."
NA JOURNAL: Why is it different for boys and girls?
BLY: Speculating, one might say that a boy doesn't know when
he's a man. There are no particular changes in the body. He
grows pubic hair, but that happens early, before it's possible
that he's a man. In all cultures, the mother is the one that
dominates the feeling life of the baby for the first three years
or so. The girl does not need to be pulled away from her mother.
She can become a woman in the presence of her mother. The boy,
however needs to be pulled over toward the father, and that's a
job that only men can do.
In the womb, you know, all fetuses are originally female.
In order to turn the female fetus into a male fetus, it takes
something like 340 orders, beginning at about six weeks. So you
can say that the boy starts in the womb on a path that eventually
leads him toward the male. The male is an experimental species.
If he pauses, he will slide back.
This is a movement inside the male's molecules; it is not
a mental process. When a boy is about six or seven, and the
mother tries to hold him, you notice how he struggles. "Waaah!
Let me go!" And then boys start saying all these things about
girls. This is not done out of anger against women. It is done
to help them continue to move along this strange molecular path
toward becoming an adult male. It's a lot of work, and so the
adult males are needed to help the boys.
Turning a boy into a man is a very complicated thing, and
we are one of the few cultures in the world that never even
thinks about it. We imagine that because you give a boy some
Wheaties and a couple of comic books that he's going to turn into
a man.
NA JOURNAL: That would seem to put our culture in some jeopardy.
As generations pass and we continue to ingnore the initiation
process, we have fewer and fewer initiated older men to tend to
our boys.
BLY: Yes, suppose you're a single woman and you get a man to
help with your son. What has he got to teach him? Men don't
know stories any more, in the way that the old men used to know
them.
NA JOURNAL: I think I've heard a statistic that the average
adult male spends ten minutes a day with his son.
BLY: I've got a new thought about the importance of men spending
time with their boys. It goes something like this: When we are
in the womb, we tune to our mother's vibratory rate. We hear her
music. If we don't tune to it, we die. After we're born, we
still keep that tuning. That's wonderful. But problem is that
many boys in our culture never get retuned to the vibrations of
the adult man.
That retuning takes place, in my opinion, when the older
male stands or sits next to the yonger male for hours on end. If
the father's with him only ten minutes a day, how is he going to
get retuned?
A lot of time has to pass. In places like Greece you'll
see old men sitting with young boys in coffee shops for hours on
end listening to stories. And I've come to believe that what's
important is not what's being said as much as the fact that the
older male body and the younger male body are close to each
other. When that happens, the young man has learned a second
tuning.
---- THE STATE OF THE AMERICAN MALE ----
NA JOURNAL: Does it matter what the older man's life experience
has been? Let's say the father got to spend only ten minutes a
day with his own father -- giving him very little retuning --
and now he's trying to spend a lot of time with his own son.
Will this work?
BLY: I think so. Very recently men have told me, "Those remarks
of yours about tuning meant a lot to me. I now hold my son up to
two hours a day. I didn't know what I was good for. Now I
understand." I would say, of course, that the best tuning comes
from a grounded man, but it's still better to have an ungrounded
father than nothing at all.
Men have to honor themselves more with their own
parenting. It's not enough to just have quality time with your
son and show him how to use the newest rod and reel on the lake
for half an hour. That's not it. Men just have to stop spending
so much time at work, and spend much more time with their sons as
well as with their daughters.
NA JOURNAL: It sounds as though you see the state of the
American male as ...
BLY: A disaster.
NA JOURNAL: And getting worse?
BLY: Yes.
NA JOURNAL: Even though you're getting overflow crowds at your
weekend workshops, whereas only a few years ago -- ?
BLY: Well, I think that there is some awareness, all right, and
there's a lot of hunger. And men are not being pushed into this.
They're ready to hear. They're ready to move. But the problem
is that both men and women are having to work longer hours. Why
is that? What is this force that's pushing people into the
workforce for longer and longer days? What is this thing that
makes them have two jobs? When we see this happening in Japan,
we just say, "Well, the Japanese are insane." Why don't we say
that about ourselves?
NA JOURNAL: I guess we don't pay too much attention to the
dwarf.
BLY: Right (Laughs.) I see a constant speeding up of the
culture. One of the smartest things I ever heard James Hillman
say is that if there's a lot of speed, there's not going to be
any feeling. Slowness is connected with feeling. So if the
young male is going to get feeling, it means he has to spend slow
times with an adult man. Slow, slow, slow. It doesn't matter if
nothing much is going on.
NA JOURNAL: Civilization doesn't allow for slowness.
BLY: That's right.
NA JOURNAL: It all comes back to the concept of the Wild Man you
talk about when telling the Iron John story. One definition of
him is "uncivilized," which we've come to look at as a
derogatory term. But, really, being uncivilized is nice in some
ways.
BLY: Yes. I think it was Levi Strauss who said, "When you hear
the word 'primitive,' always substitute the word 'complicated.'"
I like that idea. Instead of the word "primitive" use the word
"sophisticated." Our view of how to turn a boy into a man is
extremely primitive. Our view of how to develop our own feeling
side is extremely primitive. Our whole contemporary
understanding of a human being's relationship to the cosmos is
extremely primitive. So that's one of our limits, and I think we
have to pay attention to that and say, "We are wonderful people,
but we're really stupid."
NA JOURNAL: We believe the only growing up we do is biological.
BLY: That's right! (Laughs.) I don't know how many men have
said to me, "I'm forty years old, and I don't know if I'm a man.
I don't even know what a man is, let alone whether I am one."
NA JOURNAL: After you wrote about your father, finally, at age
forty-six, did you feel differently about yourself?
BLY: Yes. I began to wonder about sorrow. I mean, when you see
the face of an old American Indian, you're looking at a lot of
sorrow. We could say that sorrow is pain felt consciously. As a
nation, that is what we're refusing to do. There is much sorrow
in Act Two, so the whole nation wants to stay in Act One. I
wrote a small poem about that:
What is sorrow for? It is a storehouse
for wheat, barley, corn, and tears.
One steps to the door on a round stone.
And the storehouse feeds all the birds of
sorrow.
And I say to myself: "Will you have
sorrow
at last? Go on, be cheerful in autumn,
be stoic, yes, be tranquil, calm,
Or in the valley of sorrows, spread your
wings.
I think what men and women need to do is to spread their wings in
the valley of their own sorrow.
*******************
T.R | Title | User | Personal Name | Date | Lines |
---|
505.1 | more from the magazine story | JOKUR::CIOTO | | Fri Sep 14 1990 14:28 | 172 |
| The following book excerpts accompanied the magazine interview with
Robert Bly.
- Paul
STALKING THE WILD MAN
by Robert Bly
Adapted from "Iron John: A Book About Men"
Copyright (C) 1990 by Robert Bly
To be published in October by Adddison Wesley.
Used in New Age Journal by arrangement with Robert Bly.
Copyright (C) 1990 by New Age Journal
Reprinted without permission
The Iron John story says that deep in the psyche of a
man, under the water of his soul, lying there in an area no one
has visited in a long time, is an ancient hairy man. Making
contact with this Wild Man is a step taken by few men in our
contemporary culture.
Welcoming the Wild Man is scary and risky. It requires a
willingness to descend into the male psyche and accept what's
dark down there, including the NOURISHING dark. When a man
begins to develop the sensitive, receptive side of himself, he
often feels warmer, more companionable, more alive. He gets to
write poetry and go out and sit by the ocean, he doesn't have to
be on top all the time in sex anymore, he becomes empathetic --
it's a new, humming, surprising world. But going down through
water to touch the Wild Man at the bottom of the pond is quite a
different matter. The being who stands up is frightening.
The myths associate hair with the instinctive, the
sexual, the primitive. However, the kind of wildness, or
un-niceness, implied by the Wild Man image is not the same as
macho energy. Wild Man energy leads to forceful action
undertaken not with cruelty but with resolve. The Wild Man is
not opposed to civilization, but he's not contained in it or
determined by it.
The Western man's connection with the Wild Man has been
disturbed or interrupted for centuries now, and a lot of fear has
built up. Corporations do much work to produce the sanitized,
hairless, shallow man. "Every angel is dangerous," Rilke says,
so some fear is appropriate. But knowing nothing is not
appropriate.
Rather than looking outside for a Wild Man, we could look
at the traces that remain inside us. One trace of the Wild Man
is the spontaneity we have preserved from childhood. No matter
how many family reunions we have participated in, or how many
committee meetings we have attended, funny little motions of the
shoulders and weird cries are waiting inside us. When we are in
a boring conversation, we could, instead of saying something
boring, give a cry. We can never predict what will come out; and
once it is out we leave it to the others to interpret, no
apologies or explanations. Little dances are helpful in the
middle of an argument, and completely ununderstandable haikus
spoken loudly while in church or while buying furniture.
Rudeness and sarcasm may be savage; but the unexpected is not
savage.
When the Wild Man has been preserved inside, a man also
feels a genuine friendliness toward the wildness in nature. In a
Concord woman's description of Emerson, Hawthorne, and Thoreau
ice skating, Emerson leaned forward as if breasting the wind,
Hawthorne skated like an immensely calm statue, and Thoreau
gave little leaps and pirouettes constantly. Thoreau said, "In
literature it is only the wild that attracts us."
Gerard Manley Hopkins, always making unexpected sounds,
said,
What would the world be, once bereft
Of wet and of wilderness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.
It is the Wild Man who is protecting the Spotted Owl.
The Wild Man is the male protector of the Earth, and men and
women need now, more than ever in history, to protect the Earth,
its creatures, the waters, the air, the mountains, the trees, the
wilderness. Moreover, when we develop the inner Wild Man, he
keeps track of the wild animals inside us and warns us when they
are liable to become extinct. The wild one in you is that one
which is willing to leave the busy life, and able to be called
away.
The strong leaves of the box-elder tree,
Plunging in the wind, cause us to disappear
Into the wilds of the universe,
Where we shall sit at the foot of a plant,
And live forever, like the dust.
-- "Poem in Three Parts," by Robert Bly
The Wild Man is the door to the wildness in nature, but
we could also say that Wild Man is nature itself. The same has
to be said of the Wild Woman. Hermes, Apollo, the Virgin may be
above nature, but the Wild Man IS nature.
The Wild Man also represents the positive side of male
sexuality. The hair that covers his whole body is natural, like
a deer's or a mammoth's; he has not been clean shaven out of
shame, and his instincts have not been suppressed as to produce
the rage that humiliates women. The Wild Man's sexuality does
not feed on the feminine or pictures of the feminine; it
resonates also to hills, clouds, and ocean. The Native American
has much Wild Man in him, and it comes out in love of ordinary
things. Lame Deer mentions over and over in his autobiography
that the Indian experiences the divine in a bit of animal hide,
in mist or steam, and in ordinary events of the day. A Chippewa
wild woman wrote this little poem:
Sometimes I go about pitying myself,
And all the time
I am being carried on great winds across the sky.
The Wild Man encourages a trust in what is below: the
lower half of our body, our genitals, our legs and ankles, our
inadequacies, the "soles" of our feet, the animal ancestors, the
Earth itself, the treasures in the Earth, the dead long buried
there, the stubborn richness to which we descend. "Water prefers
low places," says the Tao Te Ching, which is a true Wild Man
book.
The attention to what is below encourages us to follow
our own desires, which we know are not restricted to sexual
desire but include desires for the infinite, for the woman at the
edge of the world, for the firebird, for the treasure at the
bottom of the sea -- desires entirely superfluous.
We need to build a body, not on the parallel bars, but we
need to build an activated, emotional body strong enough to
contain our own superfluous desires. The Wild Man can come to
full life inside only when the man has gone through the serious
disciplines suggested by the initiation process. The Wild Man
doesn't come to full life through being "natural," going with the
flow, smoking weed, reading nothing, and being generally groovy.
Ecstasy amounts to living within reach of the high voltage of the
golden gifts. The ecstasy comes after thought, after discipline
imposed on ourselves, after grief.
The Wild Man, then, through his disciplines, prepares an
emotional body that can receive grief, ecstasy, and spirit. He
prepares matter. Sophia descended from the upper Aeons down into
this planet, the story says, and got caught here in matter; as a
result we can find Sophia in every piece of bark and every stone
or feather. The Wild Man is a friend of Sophia's. "Everyone who
is calm and sensible is insane," says Rumi.
Finally, the Wild Man's energy is that energy which is
conscious of a wound. His face, which we see in medieval
carvings, and his body, which we see in the small basalt statue
from 4000 B.C. contains grief, knows grief, shares grief with
nature. The hard survivor in us survived to adulthood. But the
Wild Man leads the return we eventually have to make as adults
back to the place of childhood abuse and abandonment. In some
ways the Wild Man is a better guide to that pain than our inner
child is, precisely because he is not a child. Because the Wild
Man is not a child, he knows stories and can lead us into the
personal suffering and through it.
The Wild Man's qualities -- among them spontaneity,
association with wilderness, honoring of grief, and respect for
riskiness -- frighten many people. Some men, as soon as they
receive the first impulses to riskiness and recognize its link
with what we've called the Wild Man, become frightened, stop all
wildness, and recommend timidity and collective behavior to
others. Some of these men become high school principals, some
sociologists, some businessmen, Protestant ministers,
bureaucrats, therapists; some become poets and artists.
The aim is not to BE the Wild Man but to be IN TOUCH with
the Wild Man. No sane man in Greece would say, "I want to be
Zeus," but in American culture, past and present, we find people
who want to be the Wild Man -- writers as intelligent as Jack
Kerouac fail to make the distinction between being and being in
touch with. Trying to be the Wild Man ends in early death, and
confusion for everyone.
*********
|
505.2 | My two cents ... | JOKUR::CIOTO | | Mon Sep 17 1990 17:37 | 179 |
| Re: 496.33
Thanks for your input. I can relate to much of what
you said about the benefits of participating in gatherings
similar to the type Bly organizes.
See also 505.0 and .1.
I went to another men's gathering, though. The speakers were poet
Robert Bly, Jungian psychologist and author James Hillman, and
psychologist Michael Meade, also a Jungian who does a lot of work with
myths and what is often called rhythmic expression -- in this case
drumming. I was one of about 700 men in a single room. It changed my
life in the sense that I walked away from the workshop knowing some new
facts, and having learned some new ways of looking at some things I
have experienced.
Yes, this is usually my experience as well -- learning new,
refreshing ways of looking at things as well as being exposed to
ideas that help explain much of the confusion I have about the
American male condition -- about myself, other men, as well as
father-son relationships -- that I previously did not understand
or could not even figure out (or even muster up enough courage to
talk about). Once you hear other men talking about some of
the same dilemmas, quagmires, and difficult subjects/situations
that are similar to your own, then there is usually a feeling of
relief and comfort knowing "I am not alone, after all." Some of
the deep isolation begins to shatter, because, for a lot of men
it is the first time they find out that other men share similar
feelings and/or dififculties -- things that had previously been
considered unspeakable. If I had a dollar for every time I heard
a man say, "Thank you for sharing that ... now I know I am not
the only one!" I would be wealthy.
One important thing I learned was the role that an adult male
friend played in my growing up, which I had never been able to
verbalize. I always wanted to thank him, and now I know what
for.
Right, without any points of reference or without any
understanding in our culture as to why male mentors/nurturers and
male relationships in general are valuable, it is often difficult
to see or understand the dynamics of what is actually going on.
So many American boys grow up without meaningful male role
models, and since so many of these boys become fathers, who
influence (or don't influence) their own sons and young men, the
inadequacies of father/son relationships continue for
generations. According to Bly, father/son relationships have
been deteriorating since the end of the industrial revolution.
And from everything I have seen, I believe he is right. Many
fathers in our culture, I have discovered, often do not even know
what to do with their boys in terms of how to relate to them. So
when decent male role models come along, we often do not
recognize the value of such men, since we as a culture do not
value or even understand the grammar of what Bly calls male
initiation -- the process of helping a boy become a man.
I'm not much for touchy-feely stuff myself with people I don't
know, and I didn't find this gathering objectionable on that
score.
The whole idea of being reluctant to do personal-growth work with
"strangers" really confuses me -- at least in the area of men
working with men. I mean, you're all there for a purpose. For
me, gatherings like these provide a safe space to open up about
personal male-oriented subjects that many of us men do not normally
breach with our friends, fathers, sons, or brothers, due to
cultural taboos. Seriously, do men generally find it real easy
to tackle such subjects with non-strangers? With our friends? If
so, it is news to me. You know, the guys we go fishing,
boating, hunting, golfing, and skiing with? Although I have
more male friends in my life with whom I can discuss these
things, the American mode of male/male contact is still confined
to sports, business, and politics -- and sports, business,
politics are wonderful! -- but it is nevertheless very, very
difficult and awkward for men in daily life to find a space
(beyond SB & P) for sharing things in common of a more personal
nature and support each other on a more personal level. (Women
have been pretty successful finding such space.) So .... this is
why such gatherings/workshops/groups are forming all over the
country; they fill a void and facilitate a need that cannot
easily be facilitated "out there" in daily American life, due to
our cultural traditions, customs, expectations, taboos, and so
forth. Regarding "strangers," in these gatherings, one can
usually get to really know someone rather quickly in such an
environment when the veneers come down quickly; there isn't much
time for pretenses and posturing. Where it would normally take
male friends months, even years, to really begin to get to know
each other, often you can get to know someone in a meaningful way
in the course of a weekend.
On more than one occasion,
I found myself saying, "Yeah, I never thought about it that way, but I
know what he means." It's sort of like brainstorming -- a lot of what
you hear is dreck, but new ideas or ways of looking at things keep
popping up.
Right, some patterns and themes start to develop; one begins to
see things more clearly when the dust settles.
I'll probably go to another one some time, but it probably
won't be soon -- this one gave me enough to think about for months.
There are plenty of mens support groups around -- some of them
don't cost anything -- that meet weekly and handle roughly some
of the same issues that were bounced around at the workshop.
I have no issue with people who aren't interested in this kind of
gathering. I also have no issue with people who have a solid handle on
"what it means (to them) to be a man" -- I haven't quite figured out
the question yet, much less the answer. I'm still working on it.
Yes, I agree and can relate very much to the way you see things.
One thing I hear often from those who write off such gatherings
is, "Well, why do you have to accept someone else's notion of
what it means to be a man?" That really isn't it at all.
Telling men "how to be" is *not* the function/goal of the types
of gatherings/support groups. You find enough of that crap on
the Oprah Winfrey and Donahue shows -- whole rooms full of
people -- mostly female -- hammering away at men via guilt trips
designed to shame men into "changing" -- to be more sensitive,
more in touch with their feelings, to be this, to be that. The
work at these gatherings is *not* done to "please" anyone, such
as a wife or girlfriend; it is done to please self. What Bly
and others are doing is providing a safe, *positive* environment
in which men assist each other in finding themselves as men and to
live their true natures. This is a healthy way of improving the
male condition in our culture.
Like you, I am surprised and a little confused over how/why so
many men in MENNOTES have such a strong handle on the whole
issue of "what it means to be a man" as well as so much hostility
toward the whole concept of mens gatherings. If such gatherings are
not for them, then that's fine; I also I have no issue with them
... but would like to learn from them. I would like to ask them
stuff like: What is satisfying about: Your identity as a man,
your relationships with other men, and with your father? Do you
think boys grow up with decent male role models in our culture?
Do you think boys grow up in our culture with a sufficient sense
of who they are, who their fathers are, and of "manhood"? Do
you think, in general, the condition of father/son relationships
is thriving? Seriously, if those who believe the condition of
the American male is doing just fine, then please tell me why so
that I can learn something from your experiences.
But,
to the ones who replied to this note by saying "Hey, pay me the $500
and call me up and we'll talk about anything you want!" I can only
reply by saying you'd be the last people I'd want to talk to about
anything important. Nothing of interest ever comes from a closed mind.
Ouch. Negative comments such as these only perpetuate more and
more divisions and conflict between/among men. Some of the ways
our minds are closed are pretty much etched in our souls; I was
taught at an early age to numb out and shut out feelings,
totally, and I had to re-learn how to cry at the age of 27 --
after going some 10 years without tears because I wanted to
conform to what I understood society's definition of a man to be.
I never thought of my father as a real human being with real
human desires, feelings, and needs until I went to some of these
gatherings; until then, he was just a machine -- always strong
and always functional -- because he did not show his family his
human side. I think men can stand to listen and learn from each
other, no matter how our outloooks differ, and begin to end the
barricaded isolation that is pervasive in the lives of a lot of
men in our culture.
As for the $500 thing ... even though there are a lot of men's
gatherings/workshops/support groups out there that are dirt cheap
and even free ... I agree it is a damn shame that the only way
men can find a safe space with each other to discuss some of the
topics that Bly addresses and assist each other in these ways is
the workshop forum. Until there is an atmosphere in our culture
such that men in general feel safe and comfortable enough to
create such a space "out there," in most walks of life, then
there will continue to be a demand for these types of gatherings.
Cheers,
Paul
|
505.3 | Good for a laugh, with an underlying serious point | TLE::FISHER | Work that dream and love your life | Tue Sep 18 1990 12:47 | 15 |
|
>Seriously, do men generally find it real easy
>to tackle such subjects with non-strangers? With our friends? If
>so, it is news to me. You know, the guys we go fishing,
>boating, hunting, golfing, and skiing with?
The "Outland" comic strip (by Burke Breathed of "Bloom County" fame)
this past Sunday was an exagerated, funny depiction of exactly what you
are talking about here. If you get a chance to look at the strip, do
it. It's really funny.
"...Here's Julia Roberts!" ;-)
--Ger
|
505.4 | Doesn't have to be an either-or predicament | JOKUR::CIOTO | | Thu Sep 20 1990 19:56 | 86 |
| .3
Yes, I saw that and had a good laugh. It is the truth, though a
bit exaggerated.
I actually like participating in the type of crazy, zany,
outrageous, and nonsensical male/male behavior that is depicted
in that comic strip. You know, like most other men, I really
like the three stooges -- most women find them "disgusting" --
as well as other forms of sick-o comedy, and I enjoy getting together
with the guys once in a while to act crazy, silly, and childish.
However, I also sometimes like to indulge in other closer, more
personal types of contact with male friends, stuff that
facilitates discussion of more personal issues/subjects that men
have in common. It is also important for me to have male friends
who I can support and get support from around some of these
things. Women are wonderful -- don't get me wrong -- since they
are usually very open and sensitive and expressive and so on. I
have many wonderful females in my life. However in recent years
I discovered that I also need the support of and contact with
men, on a personal level, as part of the overall equation, that
women cannot provide ALL of a man's emotional support or
facilitate ALL of a man's contacts with feelings. Especially
when these things center around issues and experiences that men
intrinsically have in common. The same would certainly be true
for women, and female friendships accommodate this sort of thing
so much better. Fortunately, these days, I am finding it easier
and easier in forming friendships with males who not only like to
act crazy but who also are open to mutual support on a more
caring, personal level. I don't understand why these have to be
mutually exclusive, why it has to be an either-or thing.
A friend of mine once told me a story about how and he his best
friend went out one night to have some beers and play cards and
even watch a burlesque show ... At the end of the evening, when
they parted company, my friend turned to his pal and said, "You
know, I just now realize how great it is to get away from our
wives for an evening once in a while and have a good time with a
really great guy such as you." The guy replied, in all
seriousness, "Now I don't think it's right to inject homosexuality
into our friendship." These were two guys who had known each
other for YEARS -- you know, guys who are not those infamous
"strangers" that we're all supposed to be so afraid of.
Just a few weeks ago, I had a *very* interesting experience with
"the guys" during a weekend of boating at our lakefront cabin in
New Hampshire. The comic strip sort of reminded me of it.
There were four of us -- my younger brother, his close friend and
football buddy from high school, myself, and another mutual
friend of mine and my brother's. We get together for a weekend
once a year and do a lot of boating, swimming, fishing,
waterskiing, not to mention some drinking and a lot of
horsing-around. It has become a big tradition that has
been going on for more than five years.
During the course of this weekend, I couldn't help notice the
stark closeness between my brother and his pal -- they're in
their late 20s now and both have live-in girlfriends. They
hadn't seen each other in a long time. However, given that
closeness, the interaction between them was, well, peculiar.
During the weekend, their way of showing they cared about each
other was to tell each other to "Fuck you!" or "Fuck off!" and to
criticize/chide each other constantly about every little
thing -- the way they cooked, built fires, navigated the boat,
prepared a drink, or whatever. One could tell they were only
kidding after they had swallowed a few drinks ... That is, they
still told each other FUCK OFF, except this time they had their
arms around each other! It was one of the funniest scenes I had
ever witnessed! Every other word was "FUCK!" (By the way is
that "F" word allowed in this conference? ;)) My feelings were
mixed about it. On the one hand, I felt deeply touched at
witnessing their obvious closeness, but on the other hand, I felt
sorry that they had to resort to this mode of communicating said
closeness. BTW, I know my brother very well, and he, like me,
is a sensitive type, and our values are almost identical; so for
all I know he may have wanted a better way of communicating with
his buddy. But it was a real great time nevertheless.
Anyway, to sum things up, I think Dr. Buscaglia once said it best
... That 20 years ago, we as a culture used to believe, "Love
means never having to say you're sorry." Pretty soon, he said,
we're going to adopt the unhealthy attitude in this culture that
"Love means never having to say it at all."
Paul
|
505.5 | father-hunger | VAXUUM::KOHLBRENNER | | Fri Sep 21 1990 14:09 | 54 |
| This is a story from a five-day retreat in the summer of 1988
with Robert Bly, Michael Meade, and James Hillman. There were
80 men in a camp on a hilltop in upstate New York. We were
sleeping in a few big cabins and some tents, eating at picnic
tables under a roof with no sides, and meeting in a large tent
on a wooden platform - a tent like a circus tent.
Bly had been talking about "elders," and had asked four or five
men who were over 55 (I think) to sit in the front row during
meetings. (The man that Bly mentions in his Gathering of Men
interview with Bill Moyers was there; Hines Mathews is his name.
Hines is 78, lost his wife in the spring of 1988, works in a
hospice program with AIDs patients now.)
At one of the breaks, Bly got a half dozen of the younger, stronger
men aside and told them to go outside the tent and gave them some
instructions. After the break, he asked us to divide into
two groups, men who were 50 and over, and men who were under 50.
He told the older men to form some semicircles around the tent's
main entrance, so as to block anyone that would come through the
door. Then he told the younger men to go to the other side of
the tent, that they were going to be "protected" by the older men.
(I was in the older group.)
He told us that some attackers were going to come through the door
and were going to try to break through the semicircles of older
men who were doing the protecting. The protectors would have to
be very strong, would have to link arms and would have to be very
resolute in their defense. The younger men were not to participate
in the defense, they were to be passive, allow themselves to be
protected by the older men.
Then, on his signal, the attackers came in, yelling, whooping, smashing
into the semi-circular lines of protecting older men. The pushing and
ramming and shoving and yelling went on for about five minutes, when Bly
called it off. (No one got through.) You could smell the energy of
the struggle, when it was over.
Most of the men in the room were in tears, especially the younger men.
We spent a long time talking about it, men telling story after story of
alcoholic fathers, work-aholic fathers, being abandoned by fathers,
feeling alone, cut off from older men who could guide them, who would
praise them, who would bless them, who WOULD NOT SHAME THEM, who they
could call on when needed.
Father-hunger, older-man-hunger, elder-hunger was everywhere.
The older men, the protectors, were just as moved by having done the
protecting, by being able to do what most of them had always wanted
done for them. I get back into those feelings and those tears every
time I think of it, and writing it here is no exception.
Bill
|
505.6 | yes, my father... | FRAMBO::LIESENBERG | Just order a drink, Tantalus! | Wed Sep 26 1990 09:02 | 22 |
| I've been thinking often what the position of my father has really been
during my education, because...fathers are seldom around, but when they
are, oh, a word of praise from my father made me feel so lucky as a
kid, and when he was isppointed with me, it really hurt.
Don't get me wrong, if you look at me and my father now, most people
would say we have quite a good relationship. We go and drink a beer
together, we can talk about everything that goes on in our lifes, and
that includes our problems...
But, somehow I feel something is still missing. You know, he's
becomming older (65 right now), and he still works too hard. That
worries me. And it worries me a hell of a lot more that maybe one day I
lose him, without having taken him in my arms, and telling him..."Dad,
despite all the bad times, hey, I really love you a lot!".
Everytime he visits me, I promise myself this time I'll tell him how
strongly I feel for him, just to erase the impression he has that I'm tough
and independent. But when the time comes, yes, we talk, but I get the
feeling my words come over differently than I planned, I see myself
talking with different, less emotional words than I intended to use
initially...
The feeling of not having opened up is still there. I wonder when I'll
be able to straighten this out...
...Paul
|
505.7 | Sadness and Grief over my Relationship with Dad | ELESYS::JASNIEWSKI | This time forever! | Wed Sep 26 1990 11:01 | 50 |
|
I can identify with a lot of Bly's work. Although my father was
never an active alcoholic (as was Bly's), alcoholism was in his
family and therefore he was subject to whatever that fact entails.
One of the cheif characteristic manefestations of this family disease
is denial, or the "hush-hush now" syndrome. There was discrepancy
between what I was told and what was. That did not lead to much
"openness" in the communication with my father, simply by virtue
of an inate tendancy to deny or squelch "talking about everything
that goes on in our lives". My mother would probably turn over
in her grave if she knew I wrote this in a public domain notesfile...
Over the past 20 years, our relationship has deteriorated to where
I'd only make that obligatory phone call, hated going home for the
holidays and I lived my life in near total isolation from him. I've
vowed to pick things up with him a couple of years ago, also thinking
"You know, he's becoming older...maybe one day I'll lose him" and I
find myself being enthusiastically lukewarm about it, both when
it comes down to setting something up and when we're together. I
too would love to tell him something to begin to bring us closer
emotionally. I too find my feelings shutting down when I'm with him,
even though my plans were to open up - this time!
I too "wonder when I'll be able to straighten this out". It's like
an inate response with me; *after* he's headed home I begin to remember
all I wanted to talk about and say. It's like I go very _flat_ when
I'm with him, conversations become difficult and I even tend to
"squelch" the chances to converse that *he* starts. I'm beginning
to wonder if it's this unfinished business stuff of some kind from
God know's when - or - if this is just a learned character trait
that I chime into when he's around? A character trait that perhaps
he's grown out of in the last 10 years while I havent?
Some of the things that Bly says ring true with me; that I was
basically raised by my mother, with my father being much more distant
(he worked; my mother was the "housewife") both physically and
emotionally. Despite this, I can remember my Dad and I had a wonderful
relationship when I was a very young boy (4-7 years) but by the
time I was a teenager it definately had deteriorated to a minimalist
one. Could this have happened purely because of Bly's "non presence"
effect over that amount of time? I'm so curious about this that
I ran 12 years of my Dad's *home movies* the last time I was home,
to see if I could pinpoint "when" this apparent change in our relationship
happened.
My Dad remarked that seeing the movies reminded him "of the beautiful
family he had". Gee, I begin to feel some sadness and grief as I
type that...
Joe Jasniewski
|
505.8 | | VAXUUM::KOHLBRENNER | | Wed Sep 26 1990 12:55 | 33 |
| I have a good friend who I see now and then, and he described the
same kind of feelings as in .6 and .7. He has been meaning to
try to lower the wall between himself (age 48) and his aging
father for a couple of years, but nver wuite able to "bring it up."
An hour before last season's Super Bowl game, he went off to the
bedroom, closed the door and poured it all out in a letter to his
father (both parents live in FLorida). My friend dsecribes this
as a real bath of emotions. it was a letter of a dozen hand-written
pages. The good times and the bad times and the times when he felt
un loved, unappreciated, ignored, etc.
He hung onto this letter for about a month, and then finally in
a "what the hell" mood one day he mailed it off, and then started
holding his breath.
A few days later he got a phone call from his father, and was
on a plane to Florida a few hours later. He learned later that
his father sat there in disbelief, reading his letter, then read
it to his wife, and asked "Did I really do that?" And, bless her,
she said, "Yes, you did."
They now visit, correspond, and talk on the phone, the way they
both really wanted it to be, but didn't think it could be.
(My father died 12 years ago, before I ever got to do that.
I've been doing a lot of "inner work" with the father-image
inside me. And lately, he has begun to appear in my dreams,
and more often than not it is as a friend/protector, working
or sitting by my side, rather than as a stern, shaming parent.
So, it's never too late for you. When is it too late for him?)
Bill
|
505.9 | I did it, and I'm glad. | WORDY::G_KNIGHTING | Thinkingspeakingthinkingspeaking. | Fri Sep 28 1990 14:04 | 23 |
|
The wall is up between my father and me, and it won't be coming
down. He has Pick's Disease, a mentally and physically degenerative
disorder with symptoms similar to Alzheimer's. The last time I talked
to him was two years ago, and he had no idea who I was. I recognized a
lot of the separation between us that Bly talks about some years back
and started making an effort to heal it. At first, he was hesitant
about the change in our respective roles, but I console myself that we
got to be pretty good friends before he started to lose it. I reproach
myself sometimes that I don't talk to him any more, but for a long
time talking on the phone has caused him a lot of anxiety, and he lives
800 miles away.
One thing I learned from this: He recognizes my mother when she
goes to see him, but he isn't sure who she is. He was never very
demonstrative as far back as I can remember, and I know it's been a long
time since my mother heard him say he loves her. So I tell my wife
that I love her every single day, just in case.
/////
|||||
\___/
|
505.10 | | TORREY::BROWN_RO | an aesthetic anesthetic | Tue Nov 06 1990 18:00 | 12 |
| re:"Iron John"
I was in a bookstore last night, saw the new Bly book, glanced through
it, liked what I saw, and bought it.
The book is much clearer to me than any of the audio tapes, and is
much more in depth than the interview with Moyers. I'm only about
40 pages into it, and I think it's terrific. I would recommend it
based on only what I've read so far.
-roger
|
505.11 | Since I promised... but it's quick. | CYCLST::DEBRIAE | the social change one... | Thu Nov 29 1990 16:31 | 49 |
|
I had been waiting for a while until I had time to explain my uneasy
feelings for what people attribute to Bly. But I have so many irons in the
fire that it looks like I'll never have enough time to go indepth on it. I
thought about Bly again today as someone just called to tell me that the
Boston Globe today has another article on Bly, something called "Making
Boys Into Men." And I felt uncomfortable again. I'll have to buy the Globe
on the way home and read it. Perhaps someone may even enter it here.
Since the discovery of my increasing discomfort as I read more and more of
Bly's philosophy some people (not Bly however) have taken to call the New
Men's movement, I have spoken to other activists in the men's issues
activism scene that had the same reactions I did. I felt better knowing
that I was not alone with these reactions.
I was at first very taken by Robert Bly. "Wonderful," I thought, "finally
an elder statesmen for men's issues. Someone men can respect instead of
the stereotypical 'male feminist' which they don't seem to." I loved his
Moyer's television program. I thought his poems were wonderful (I still
do). So what's the problem?
Bly's poems are still excellent and incredibly insightful. He truly
captures the male experience in such a beautifully written way as I think
no one else has. He sees and expresses the male problems in our current
society very accurately. I hold his work in high regard for that.
But where it all falls apart for me is in his proposed solutions to the
problems. The more I read, the more I realized he was talking about going
back to the old days and ways. Going back to the days of warriors and
such. Beliefs such as women cannot teach boys what it is to be a man, but
that a male is needed to make him "a man."
In a nutshell, that is exactly what the traditional men's issues movement
(at least my experience inside it) is trying to change. It wants to
destroy the strict male and female roles in society and all that useless
baggage thrown upon men about "what it takes to be a man." Being a man is
being a person. Pure and simple.
Resorting back to old days is not the answer. Though I find men opposed to
the traditional men's movement are now using Bly works as a way to suggest
that route.
That's a quick and dirty answer... wish I had more time to go indepth and
pull examples from his work to help show the point.
-Erik
PS- This is just one man's opinion. I still love reading Bly's poems and
insights. I hope people still enter them.
|
505.12 | Lots of thoughts on this one... | WORDY::GFISHER | Work that dream and love your life | Thu Nov 29 1990 18:39 | 174 |
|
Thanks for replying to this topic, Eric. I think that it could be a very
rich discussion.
For background information, I also feel this huge wave of sentiment
toward Robert Bly being "the" answer. I have problems with the man's
way of thinking. I am of the opinion that he is sexist and
heterosexist. However, I am also of the opinion that he has some
fantastic ideas about manhood, masculinity, and being a man in today's
society.
When I attempted to view it as either/or, as black/white, I had a
problem. Is Robert Bly the Answer to men's issues? Or, is he a
sexist/heterosexist pig? I think that I found a real peace when I
finally understood that he was neither (and both). I think that, like
anything in life, Robert Bly operates best in my life when I take the
things that make sense to me and to leave what makes no sense.
I think that the most useful thing that Bly says is that perhaps
feminists are wrong in attempting to create a New Male, without
regard to the historical perspective of where males are coming from
in our cultures. In other words, he has gone on record as saying that
men's brutality against women indeed must stop, but that we need to
maintain our "ferocity" (defined as a "driving passion" toward a
goal). He's saying that, if we ignore history, myth, poetry, and
tribal customs in our attempts at creating some kind of a New Male,
then we are throwing out the baby with the bathwater, that we are
tossing out the good things about traditional masculinity with the
bad. Also inherent in this is that there were some darn good reasons
as to why men used to behave a certain way in certain cultures, it
wasn't all "mindless brutality against women."
I'm not prepared to go into a lot of detail on this topic, but I also
feel that Bly is extraordinarily strong in the Father/Son and
Older/Younger man area. At least in my personal experience, he has
been right on the money with his notions of "shaming each other,"
"connecting on a cellular level," and "knowing the father only through
the viewpoint of our mother."
Before I pass the baton, I'd like to speak to a few sentences in .12:
> Resorting back to old days is not the answer.
From what I have seen, Bly would agree with you. I think that he
would agree that there are things from the old days that need to be
changed. For example, he always tips his hat to the fact that the
women's movement was positive, because women's role in society was no
longer working.
What he is saying in regard to men is that we can learn from the old
days, and that there are some old ways of doing things that are better
kept (poetry, bonding with father, ferocity [as opposed to brutality],
drumming, ritual transition to manhood, and so forth). He is saying
that we are making a mistake by stripping men of all ritual, all
men-only bonding, and all ferocity, all in an attempt to keep men from
brutalizing women (and each other!).
I spoke to a member of a feminist-based group with which I'd worked
for years, and I asked her how she felt about this "men should be
ferocious" thing, and she agreed with Bly. (She's a pretty strong
feminist.) We both agreed that the times that other feminists felt
uncomfortable around me (I was one of the few men in this group) is
when I drove passionately toward working hard on a project. They
would strive for process, and, after a certain point, I would put
passion, energy, and work toward completing a project. She said that
this quality--which seemed to disrupt the feminist group's process so
much--is what she admired most in me: a passionate drive to deliver a
product.
That passion (or ferocity) can be very scary, because there is created
a fast and powerful movement, and with that comes risk. I think that
the discussion then becomes, is male passion and ferocity being used
toward a purpose that serves men and women (community), or is it being
used to dominate women and other men. After all, all the processing
and planning in the world is useless unless you have someone with
drive and passion to put it into the realm of the real, to create
something from the design.
If it is completely reasonable, from a feminist perspective, to ask
women to express their ferocity along with their nurturing
capabilities, Bly asks why we are asking our men to take up nurturing
and abandon our productive ferocity.
> Though I find men opposed to
> the traditional men's movement are now using Bly works as a way to suggest
> that route.
Frankly, I have no idea as to what you mean by "traditional men's
movement." I'm assuming that you mean, "Men working on feminist
issues."
I think that the most refreshing things that Bly has to offer is that
there is a type of work that men cannot do--work on "what it is to be
a man"--when they are busy doing feminist work. Feminist work is
focused on the female gender role, and male feminists (of which, I am
one, I think), are focused on men's treatment of women. Bly is
suggesting that work still needs to be done by men--without women and
without feminism--to dig into how men treat themselves and each other.
I think he's right. There is an area and type of men's work that cannot be
done with women present, and cannot be done with a feminist focus. I
see my working on men's issues and my working as a male feminist as
being two different yet related areas of personal work. They aren't
the same thing, and I think that it is defeatest to ask men to choose
between men's issues (in a Bly format) or male feminism, when both
types of work are valuable and need to be done by men.
> Being a man is being a person. Pure and simple.
I disagree completely. And, as a man, I find this statement to be
completely devaluing. Here is where I am coming from:
- A "person" can be a man or woman.
- Being a man is being a person. Pure and simple.
- There are no differences between men and women.
We're different, Eric. I know that you know this, but you seem to be
coming at it from a place in which the differences don't matter.
Sometimes, they don't, but sometimes they do. I think that the
Valuing Differences philosophy states that, by thoroughly researching
and understanding our differences, our similarities come into better
focus.
As to which is better to focus on? That depends on the context.
Elsewhere in this file, someone came up with an instance when people
should focus on similarities and shared experience, and put
differences on a lower priority (in the case of marital problems). In
cases in which the differences are so misunderstood and unrecognized
(such as racial prejudice, for example), it can be a better idea to
focus on differences, to better understand them. It depends.
As to what created the differences--environment or genetics--I'm not
sure. And I'm not overly interested in what created them. All I know
is that even if we correct our environment tomorrow, all us adults
will still be living with the cultural differences that we learned
when we were little kids. And I'm not quite convinced that a useful
goal is to get all human beings to be bland and without diversity.
I hope that we never see the day when being a man is being a person,
pure and simple. To me, that's like saying that diversity is bad; at
best, we should ignore it, and, at worst, we should eliminate it.
My way of thinking is that we get past the differences by examinng and
understanding them, to create more nurturing communities of diverse
people.
Also, I think that feminists should pay close attention to what led to
some great success for the women's movement. In the late sixties and
early seventies, women's consciousness groups were formed. These
groups were the first "women-only space." The argument was that women
needed to be in a space unencumbered by partriarchial influence to
create and to discover all that women could be, as individuals and as
a community. (The argument was that women would be bullied into
behaving and thinking in the same old ways if men were present in
these groups, that creativity and freedom from cultural norms could
not be gained.) These women-only spaces were integral to the success of
the women's movement, a place to examine and develop all that women
could be without men being a dominant factor.
If the women's movement was virtuous and creative in it's insistence
that valuable work needed to be done by women, in women-only space,
without regard to the needs and realities of men ("a woman without a
man is like a fish without a bicycle"), then why are men's groups
backward-thinking by trying to examine men's issues without the
inclusion of women, and without a feminist focus?
The way I see it, feminists who are being true to their history and to
their principles would be encouraging men to meet in all-male space,
for the purpose of examining all that men are and all that they can
re-create themselves to be in the future.
--Gerry
|
505.13 | One Woman's Opinion | USCTR1::LRYDBERG | | Tue May 07 1991 17:22 | 10 |
| I just bought "Iron John" last night and am halfway thru it. My first
exposure to Bly was his poetry and I saw him read at Worcester State
College as well as Assumption in Worcester. He is good. This book is
very good. I am shaken by it, excited and hopeful. He may not have
all the answers, but then no one does. I think he's on the right
track. He's also extremely funny. Humor is a saving grace in any
paradigm shift.
Linda (who suffered from "father hunger" and thinks the world could use
more "ferocious" men)
|
505.14 | | VAXUUM::KOHLBRENNER | | Tue May 07 1991 17:55 | 29 |
| If you like what Robert Bly has to say, or you have
found helpful stuff in his book, would you do him a
favor?
********************************
* Thank him and wish him well. *
********************************
I have been watching the guy for a few years, and I
wonder and worry about what is happening to him. He
spent most of his life as a poet, writing and translating
poetry, a fairly quiet, private activity. Now he stands
in front of halls filled with many hundreds of men, says
provoking things on a wide range of subjects and takes
the psychological projections of all those men. I have
seen men argue vehemently with him because he doesn't
have his historical facts correct, or he doesn't have
his scientific facts correct, etc. They don't want to
be told that he is talking in mythological terms when he
speaks of Hitler or Desert Storm... And I have seen men
project all their father stuff onto him and make him into
a monster of one kind or another. And then send arrows
in his direction. (I've done some of this myself, and
regret it now.)
Send him a card, or if you're into prayer-like activities,
send him a prayer, or your equivalent.
Wil
|
505.15 | "Kudzu" spoofing Robert Bly | QUARK::LIONEL | Free advice is worth every cent | Tue Aug 06 1991 17:14 | 33 |
| I didn't think this was worthy of a separate topic, but thought that
MENNOTES readers would appreciate the humor...
Over the past couple of weeks, the syndicated comic strip "Kudzu", drawn by
Doug Marlette, has been featuring a character who is obviously a parody
of Robert Bly. "Dr. Nathan Goodvibes" has written a book called "Iron Nathan",
and he is being consulted by the Rev. Will B. Dunn in order to help
substantiate the strange goings-on in Dunn's church (an appearance by
"one of Madonna's former looks"). Yesterday's strip was particularly
amusing.
The first panel starts out with "Time out from our saga for a quick update
on the Guy Thing:". There is an outline of a head (Dunn's) with a diagram
of a brain inside, divided into segments. The caption reads "Typical male
psyche", and the segments are labelled: beer, baseball stats, cars, sex,
golf, insensitivity, competitiveness, and mama.
The second panel says "As everyone knows by now, men are left-brain
dominant usually which accounts for their general insensitivity and boorish
behavior." There is a diagram of a brain split into two parts, the one
for "Right brain" contains the labels: feelings, intuition, doilies; the
one for "Left brain" says: logic, linear thinking, insensitivity, belching.
Third panel: "Only recently has the best-seller "Iron Nathan" put them in
touch with their sensitive sides." Goodvibes is pictured standing at a
podium labelled "Men's Support Group and Bowling". A questioner asks
"Is it manly to collect butterflies?" Goodvibes responds "Certainly..."
Fourth panel: "... while restoring their testosterone levels to acceptable
post-Persian Gulf war levels...". Goodvibes finishes with, "on your
car windshield!"
Steve
|
505.16 | | DATABS::HETRICK | PedalShiftPedalPedalShiftPedalBrakePedalPedal... | Tue Aug 06 1991 17:38 | 5 |
| Actually, Nathan Goodvibes has been around for awhile. He used to be a sensitive
new-age guy (S.N.A.G.). In this series, they've pulled in drumming, inner-child
work, "Iron Nathan", and testosterone poisoning. Personally, I love it, and
have been collecting the whole series. The more men's work you've done, the
more hilarious it gets.
|
505.17 | Great humor! | AKOV06::DCARR | TheySayI'mCrazy,ButIHaveAAWESOMETime... | Wed Aug 07 1991 16:46 | 16 |
| That IS hilarious stuff... Almost makes me wish I got the Glob! ;-)
>of a brain inside, divided into segments. The caption reads "Typical male
>psyche", and the segments are labelled: beer, baseball stats, cars, sex,
>golf, insensitivity, competitiveness, and mama.
Gee, I guess for me, the baseball stats and sex portions must've wiped
out the car segment... (Fantasy sports-a-holic who doesn't care about
cars as long as they take me to my next date! ;-)
>for "Right brain" contains the labels: feelings, intuition, doilies; the
>one for "Left brain" says: logic, linear thinking, insensitivity, belching.
I guess I'm left-brained, fer sher...
Dave
|
505.18 | | JURAN::SILVA | Ahn eyu ahn | Thu Aug 08 1991 09:28 | 6 |
|
| (Fantasy sports-a-holic
Stat-O-Matic or Rotissery?
|
505.19 | Personal rathole... | AKOV06::DCARR | TheySayI'mCrazy,ButIHaveAAWESOMETime... | Mon Aug 12 1991 12:10 | 10 |
| > Stat-O-Matic or Rotissery?
Strat-O-Matic junkie for years (played games by myself every summer
morning before anybody else woke up - Red Sox always won ;-), played in
a few Strat-O leagues, and then in the last two years, caught the
Rotissery/Fantasy bug big time - I even started my own company :-)
If you're interested, we could talk more offline...
Dave
|