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Conference quark::human_relations-v1

Title:What's all this fuss about 'sax and violins'?
Notice:Archived V1 - Current conference is QUARK::HUMAN_RELATIONS
Moderator:ELESYS::JASNIEWSKI
Created:Fri May 09 1986
Last Modified:Wed Jun 26 1996
Last Successful Update:Fri Jun 06 1997
Number of topics:1327
Total number of notes:28298

163.0. "Glen and Randa...After a Holocaust" by COMET::STEWART () Mon Dec 01 1986 22:11

    I recently saw a film named GLEN AND RANDA.  I don't know if any
    of you out there in net land have seen this and I don't want to
    write a review of it here (a note has been posted in UCOUNT::MOVIES).
    However, I do want to discuss something I find quite disturbing
    as displayed by this genre of film.  Life after the holocaust.  
    
    Basically, Glen and Randa takes place some 20 or more years after 
    the bombs have dropped.  Both characters are extremely innocent.  
    While it is clear that Glen can barely read no indication of Randa's 
    reading skills are made known.  Glen has focused all of his attention 
    on finding a city such as he has read about in a Wonder Woman comic 
    book; thinking, of course, that everyone there is happy and can fly.  
    Randa's character is a little more complex behind a very simple
    facade.  Randa is also quite young.
    
    Both Glen and Randa are the essence of innocence.  But really, 
    they are primitives living in the remnants of a shattered world.
    When Randa becomes pregnant neither she nor Glen seem to know
    anything at all about what is happening.  How she got that way,
    what they're going to do when the baby comes or even when the baby
    is due.  Somewhere in the third or fourth month of the pregnancy
    Glen says to her, "why don't you have it now and I'll carry it
    in my pocket."  Later, when the baby is born, Randa dies.  Glen
    and an old man they had met take the baby and leave Randa behind
    in a burning house.  No remorse.  No sense of loss.  The two men
    and the baby leave to find the city.
    
    Most of the more serious films of this genre paint an understandably
    bleak picture of civilization.  But what seems to catch my attention
    is that the focus is on the fact that the human race will become
    as primitive, or nearly so, as the early stages of human kind millions
    of years ago.  Somehow, this strikes me strangely.  Granted, an
    upheaval like that would certainly have cataclismic effects on society
    and survival as we know it, but would the human race be so devastated
    that we would become as primitive as this?  
    
    =ken
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163.2Sounds like propaganda to meCEO03::REDDENLancin' a windmillTue Dec 02 1986 07:1721
    MOST REASONABLE SCENARIOS (WHATEVER THAT MEANS) FOR NUCLEAR WAR
    INVOLVE CASUALTY RATES (WORLDWIDE) OF WELL UNDER 50% AS A DIRECT
    RESULT OF NUCLEAR WEAPONS.  I BELIEVE THE PRIMARY CAUSE OF DEATH
    WILL BE LOSS OF THE WILL TO LIVE IN THE RESULTING DEGRADED ECONOMIC
    SYSTEM.  I FIND THE SCENARIO YOU DESCRIBE TO BE UNLIKELY, GIVEN
    THAT 25%, AT A MINIMUM, OF THE WORLDS POPULATION WILL SURVIVE. IN
    GENERAL, CULTURES SEEMS TO SURVIVE CASUALTY RATES UP TO 90% WITHOUT
    LOSS OF CULTURAL IDENTITY. (THIS IS BASED ON DATA FROM BOTH NATURAL
    AND MANMADE DISASTERS).  I AM TIRED OF MOVIES THAT USE EXTREME
    SCENARIOS TO CONFUSE PEOPLE ABOUT THE SURVIVABILITY OF NUCLEAR WAR.
    I WOULD LIKE TO SEE A MOVIE THAT USED A MORE REALISTIC SET OF
    ASSUMPTIONS AND ASKED THE QUESTION - "GIVEN THE SOCIAL AND ECONOMIC
    SYSTEM OF 1865 AS A RESTART, HOW CAN WE REBUILD OUR WORLD IN A WAY
    THAT WILL NOT *NEED* WAR".
    
    FOR ANYONE INTERESTED, THE GOVERNMENT BOOK STORE IN BOSTON SELLS
    SEVERAL BOOKS THAT CONTAIN THE TECHNICAL DATA NECESSARY TO MAKE
    YOUR OWN ASSESSMENT OF THE EFFECTS OF NUCLEAR WAR ON YOU, AT LEAST
    FROM A WEAPONS PERSPECTIVE.  I HAVEN'T FOUND ANY GOV'T PUBLICATIONS
    ON THE SOCIO-CULTURAL IMPACT OF NUCLEAR WAR, BUT I AM NOT SURE THAT
    THE TYPE OF WEAPONS EFFECTS THE SOCIO-CULTURAL IMPACT OF WAR, ANYWAY.
163.3DELNI::FOLEYRebel without a clueTue Dec 02 1986 09:208
    
    
    
    	Please, please, please.. Unlock the CAPS key! To us noters,
    all caps is equivalent to shouting. It's very difficult to read.
    
    	Thank you.
    							mike
163.5Mad Max Lives!HPSCAD::DITOMMASOhe fiddles and diddles Mon Dec 08 1986 13:4219
    
    I think the best representation of life after a holocaust is the
    Mad Max series of movies, in this series, the world takes years
    to change into a somewhat primitive state, yet some technology
    remains. (That technology wich is necessary for life).
    
    Just think what the world would be like without any law and order.
    Only the strong will survive (or those with the best weapons),
    that is also represented in this movie. Those that retained 
    knowledge from the past become important people, however if they
    are not strong and skilled with a weapon they become important
    slaves.  If they are strong and skilled with a weapon and very
    intellegent (with technological info.) they become leaders.
    
    I can see this happening,  look at the styles from Mad Max.  You
    see them on the street now.  Look at how violent our society is
    now, can you see how it would be without any law and order.
    
    Paul
163.6my $00.02ARGUS::COOKDreadful MourningTue Dec 09 1986 03:016
    
    re: .5
    
           I agree.
    
    PC
163.7DEBET::FOLEYRebel without a clueThu Dec 11 1986 09:5414
    
    
    	Maaaaaxxxx!!!! I'm a fuel-injected suicide machine!
    
    	You can saw thru the chain in 10 minutes.. You can saw thru
    	your leg in 5.. It's your choice... 
    
    	You alright >name<?  Nothing a year in the tropics couldn't
    	fix.
    
    	Sorry everyone.. I think I lost it.. I'm a fan of the Mad Max
    	movies... :-)
    
    							mike
163.8A fragile and complex structureFOGGYR::MURPHYdown the foggy ruins of time...Fri Dec 12 1986 18:1025
.0 poses an interesting question, although I'm not sure how much it
has to do with human relations.  Anyhow...

I believe that a worldwide holocaust (from whatever source) would very
likely destroy civilization as we know it in industrialized societies
for a long time.  The technology we have today has been built on
generations of progress, and could not be duplicated from scratch (i.e.
from a point where all industry had been wiped out) very quickly even
if the knowledge of how to do it survived.

The social climate is, perhaps, a more relevant question.  I expect
the survivors would be in a permanent state of trauma for perhaps hundreds
of years.  Consider that the world went through the "dark ages" -- a
period where civilization regressed significantly -- without any catalyst
as obvious as a nuclear holocaust.  The reasons behind it are complex
and not fully understood, but in any case, it lasted hundreds of years.

One thing I consider unrealistic about the film (as described, I haven't
seen it) is the lack of emotion when the woman dies.  I believe people
have related emotionally to one another for thousands if not millions
of years, and would continue to do so, perhaps more strongly, in a
situation such as that of the movie.  Some things don't have to be learned
from books.

Dan