T.R | Title | User | Personal Name | Date | Lines |
---|
78.1 | where's the liquid bubble display? | VMPIRE::CLARK | the Gong Show | Wed Jan 06 1993 10:04 | 1 |
| Like, wow, man.
|
78.2 | | CXDOCS::BARNES | | Wed Jan 06 1993 11:10 | 6 |
| well, the light shows in Denver this year were some of the best I've
seen ata deadshow. I liked the giant screen tours of a couple of
summers ago, when the last show of the summer tour ended up being in
Denver too, at Mile High Stadium, but the indoor lights this year were
intense! Esp. during drums/space and corrina, eyes, and Terrapin.
rfb
|
78.3 | when did Jerry and Phil switch stage sides? | PONDA::WEDOIT::BELKIN | the slow one now will later be fast | Mon Nov 01 1993 12:20 | 58 |
|
In the early days the band members's positions onstage, from L to R (facing
the stage) were:
Bill
Pigpen, Jerry, Bob, Phil
Keith was on the right of Jerry, when he joined in 71, and was always on the
right side of the stage as far as I know.
Photos of the Wall of Sound in 73 and 74 show the boys in the basic
Jerry, Bob, Phil, Keith configuration
The big earth-shaking news was when Phil and Jerry switched sides. I think
they may have switched sides more than once.
When was this? _Somewhere_ I know I read an article about the chronology of
the stage positions.. anyone know of this, or have it? (post it please!).
My 10-19-74 tape (DAT) has reversed stereo for about 1/2 the tunes: Keith
piano left, Jerry's guitar right:
Songs with * are reversed stereo (KG left, JG right!):
Set 1: Set 2:
Mississippi 1/2 Step * Uncle John's Band *
Me & My Uncle * Big Railroad Blues
Friend of the Devil * The Race Is On
Beat It On Down The Line Tomorrow is Forever
It Must Have Been The Roses * Mexicali Blues
El Paso * Dire Wolf
Loose Lucy Sugar Magnolia *
Black Throated Wind * He's Gone *
Scarlet Begonias * Truckin' -> *
To Lay Me Down Caution -> *
Mama Tried * Drums -> *
Eyes of the World -> * Truckin' *
China Doll * Black Peter *
Big River * Sunshine Daydream
Anyone else's tape like this?
I started listening carefully to 2-9-73. It seems to start out reversed:
Jerry on the right. But about 2/3 of the way through Sugaree, Jerry's
guitar pans to dead-center, almost mid-riff! Tip: use headphones. By few
songs later, its on the left and seems to stay there the rest of the show.
So I guess the all-new PA stood up and grew some hair during Sugaree :-).
The tiny diagram I have of the Wall of sound shows the Lead Guitar speaker
stack (and I do mean STACK!) right behind Jerry's mike, on stage left.
I can't imagine things being so messed up that first night that Jerry was
blasting out of Wier's stack, I'd guess that it was more the board mixdown
for the tape recorder had the pan-pots set funny for a few tunes.
But then again, they quote-unquote blew out the tweeters on the first note,
so they opened up the cross-overs and faked it the rest of the night" :-)
Any speculation?
Josh
|
78.4 | seeking knowledge | SUBPAC::MAGGARD | Careful with that AXP Eugene! | Wed Nov 24 1993 14:01 | 10 |
|
Does anyone have the Healy et.al. interview(s) that had all the juicy
details about the time-aligned sound system...
I remember someone posting a pointer (maybe Fog?), and I even got
myself a copy, but I think I accidentally-like deleted it in a fit of
disk space reclamation. %-)
- jeff
|
78.5 | | CSCMA::M_PECKAR | that would be something | Wed Nov 24 1993 14:08 | 4 |
|
Yop, its still there:
cscma::d_sna:[m_peckar]pearson.txt
|
78.6 | much-O abliged-O | SUBPAC::MAGGARD | Careful with that AXP Eugene! | Wed Nov 24 1993 14:11 | 5 |
|
THANKS, Fog!!!!!! :-)
|
78.7 | attn.: Tapers with ham receivers! | PONDA::WEDOIT::BELKIN | the slow one now will later be fast | Wed Dec 01 1993 13:28 | 36 |
| From rec.music.gdead, an interesting bit of info on the frequencies the
Dead alledgedly use for their wireless communication gear. Now you no
longer have to ask "Whats the frequency, Dan" only to be told "Fuc* YOU!" ;-)
- Josh
--------------------------------------------------------------------------------
From: [email protected] (Jerry Pruett - BLS)
Newsgroups: rec.music.gdead
Subject: Re: Roadcrew talk bootlegs
Date: Tue, 30 Nov 93 11:18:37 CST
Organization: Vulcan - Live Long and Prosper!
[email protected] (ed markowitz) writes:
>
> sorry about the previous post. (vi sucks).
>
> If someone could post the frequencies, I'll try to tape at the upcoming
> Oakland shows.
>
Try:
469.5000
469.5500
That's what they where using last I heard...........
--
Jerry Pruett - BellSouth Telecommunications
Internet: [email protected] (preferred)
[email protected]
Southeast Ham Radio IP: [email protected] [44.100.113.19]
AX.25 Packet Radio: kd4cim@kd4cim.#bhm.al.usa.na
|
78.8 | | PONDA::WEDOIT::BELKIN | the slow one now will later be fast | Wed Dec 01 1993 13:32 | 7 |
|
Jerry Pruett adds to his posting:
Slight addition, that is narrowband FM modulation. Narrow FM is OK
for talking, but don't expect no great shakes if you want to hear
the tunes.
|
78.9 | | TOOK::PECKAR | sleep tight | Tue Jun 14 1994 13:16 | 6 |
|
The latest round of shows have been a mono mix, except for during
drums/space. Apparently the new folks at the board haven't been
"orchastrating" the sound as healy used to, and just sort of hang out
during the show. The tapers are circulating petitions at shows to bring
back the stereo mix.
|
78.10 | heyt Cutler, I got 2 words for you... | PONDA::64423::BELKIN | when they come to take you down | Wed Jun 15 1994 13:00 | 8 |
| >The latest round of shows have been a mono mix, except for during
WHATTTTTT?????????????????? whatta freakin' ripoff!!!
>during the show. The tapers are circulating petitions at shows to bring
>back the stereo mix.
I'll bet they are!
|
78.11 | | AKOCOA::SMITH_D | Anybody really know what time it is? | Wed Jun 15 1994 15:15 | 5 |
|
Yeah, Healy used to really tool with the the streophonics....usually
only on 2nd sets though.
Deane_who_recalls_a_Stella_Blue_at_RFK_in_1991
|
78.12 | quickie update on lighting of west coast shows | TECRUS::DEMARSE | Enjoy being | Thu Jun 23 1994 17:46 | 16 |
| Just a couple of observations of the lighting at the west coast shows:
Cal Expo - they had the same set-up as last year, with the circular
screen above the drummers. They also had 5 guys in a row on each side
of the overhead lights, which seemed like a lot to me. The lighting
show was amazing....
Seattle - there was no circular screen and the only lights they had
were stationary white lights. It was the first time I've seen
drums/space without a light show, but it was still cool....
Eugene - The show started early (Cracker went on at 2, the Dead around
3:30), so there was no need for the lighting crew, and the set-up was
the same as Seattle, stationary white lights...
:), d
|
78.13 | | CXDOCS::BARNES | | Thu Jun 23 1994 18:14 | 3 |
| CRACKER???? i guess they DO do a dead tune....
rfb
|
78.14 | | TECRUS::DEMARSE | Enjoy being | Thu Jun 23 1994 18:25 | 9 |
| >> CRACKER???? i guess they DO do a dead tune....
Yeah, that was a little weird...I guess the weird thing to me was
people waiting in line at 10:00/10:30 to get into a 2:00 show, when it
wasn't that hard to get up close for the Dead anyway....
I never ended up seeing Cracker. We could hear it pretty well,
though...I think I heard them play Loser? Is that the Dead tune they
cover?
|
78.15 | Lights are in the mind of the beholder(s)... | NAC::TRAMP::GRADY | Into the night, an angel to be... | Fri Jun 24 1994 12:45 | 18 |
| Re: light shows...
I remember years ago, probably in the Philly Spectrum, hearing a Dark Star
with little in the way of 'special effects' lighting, but there was one
of those disco-ball thingies hanging from the ceiling and a pencil-spotlight
on it as it spun. Gradually, almost imperceptively, the ball began to
slow down until it finally came to a complete halt - spotlight still on it.
Then it backed up about one turn, very, very slowly. I thought I could
hear half the audience's heartbeats stop dead right there, and it returned
to it's original direction and gradually accellerated back to the original
speed. Cracked me up. Obviously, someone was paying close attention to
the 'mood' of the crowd. They cheered for a couple minutes at this clever
little twist....
Goes to show, you don't ever know....;-)
tim
|
78.16 | The dark side of the silver ball.... | QUARRY::petert | rigidly defined areas of doubt and uncertainty | Fri Jun 24 1994 13:20 | 19 |
| Speaking of mirror balls, Pink Floyd has one it is using on its current
tour that has to be the Mother of All Mirror Balls. It shows up in the
last part of the show, quite possibly during the encore, so you know
how unplanned that is ;-) It's probably about 20ft across if not more,
and rises from the center behind the sound booth. It's spinning slowly
on this riser with many lights shining on it. But, instead of being
a solid surface, you can see that it is cut into many different
sections shaped like petals. At the top of its climb, these petals
open up, half up and half down, revealing the inside, also mirrored, and
a blinding arc light in the center. It's pretty impressive, but I must
admit, sitting about a little past centerfield away from the stage,
I was just about on the same yard line as this ball, and as this massive
silver object spun around with half it's petals hanging down and half
pointing up I kept thinking how much the damn thing probably weighed and
what would happen if one of those petals broke loose....
But I had fun anyway ;-)
PeterT
|
78.17 | | CXDOCS::BARNES | | Mon Jun 27 1994 13:15 | 3 |
| cracker does Loser....
rfb
|
78.18 | | TRLIAN::DUGGAN | BornInTheDesert,RaisedInTheLionsDen | Thu Jun 15 1995 10:06 | 5 |
| Seems to me that their sound man has gotten a lot better... the Vega$
shows seemed to be quite clean... anybody else notice this?
...mike
|
78.19 | | CXDOCS::BARNES | | Thu Jun 15 1995 11:34 | 3 |
| ya, sound is better, except that it wasn't LOUD enough...
rfb
|