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Conference mr1pst::music

Title:MUSIC V4
Notice:New Noters please read Note 1.*, Mod = someone else
Moderator:KDX200::COOPER
Created:Wed Oct 09 1991
Last Modified:Tue Mar 12 1996
Last Successful Update:Fri Jun 06 1997
Number of topics:762
Total number of notes:18706

591.0. "1993 Grammy Awards" by QRYCHE::STARR (Remember your mission!) Fri Jan 07 1994 10:51

Here's a note to discuss the upcoming Grammy Awards. The first reply will be
a listing of all the nominees.

alan
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591.1QRYCHE::STARRRemember your mission!Fri Jan 07 1994 10:52507
	LOS ANGELES (UPI) -- The nominees announced Thursday for the 36th
annual Grammy Awards, to be presented March 1 in New York, were:
	Record of the year: ``A Whole New World (Aladdin's theme),'' Peabo
Bryson and Regina Belle; ``I Will Always Love You,'' Whitney Houston; 
``The River Of Dreams,'' Billy Joel; ``If I Ever Lose My Faith In You,''
Sting; ``Harvest Moon,'' Neil Young.
	Album of the year: ``Kamakiriad,'' Donald Fagen; ``The Bodyguard''
soundtrack, Whitney Houston; ``The River of Dreams,'' Billy Joel; 
``Automatic For The People,'' R.E.M.; ``Ten Summoner's Tales,'' Sting.
	Song of the year (songwriter's award, artist's name in parentheses):
``Harvest Moon,'' Neil Young (Neil Young); ``I'll Do Anything For Love
(But I Won't Do That), Jim Steinman (Meat Loaf); ''If I Ever Lose My
Faith In You,`` Sting (Sting); ''The River Of Dreams,`` Billy Joel
(Billy Joel), ''A Whole New World (Aladdin's theme),`` Alan Menken and
Tim Rice (Peabo Bryson and Regina Belle).
	Pop vocal, female: ``Dreamlover,'' Mariah Carey; ``I Don't Know Why,''
Shawn Colvin; ``I Will Always Love You,'' Whitney Houston; ``Miss
Chatelaine,'' k.d. lang; ``I Don't Wanna Fight,'' Tina Turner.
	Pop vocal, male: ``The Crying Game,'' Boy George; ``The River of
Dreams,'' Billy Joel; ``Don't Take Away My Heaven,'' Aaron Neville; 
``Have I Told You Lately,'' Rod Stewart; ``If I Ever Lose My Faith In
You,'' Sting.
	New artist: Belly, Blind Melon, Toni Braxton, Digable Planets, SWV
(Sisters with Voices).
	Rock vocal: ``Steam,'' Peter Gabriel; ``Are You Gonna Go My Way,''
Lenny Kravitz; ``I'll Do Anything For Love (But I Won't Do That),'' Meat
Loaf; ``Demolition Man,'' Sting; ``All Along The Watchtower,'' Neil
Young.
	Rock performance, duo or group with vocal: ``Livin' On The Edge,''
Aerosmith; ``No Rain,'' Blind Melon; ``My Back Pages,'' Bob Dylan, Roger
McGuinn, Tom Petty, Neil Young, Eric Clapton, George Harrison; ``Runaway
Train,'' Soul Asylum; ``Two Princes,'' Spin Doctors.
	Country vocal, male: ``Ain't Going Down (Til The Sun Comes Up),''
Garth Brooks; ``Chattahoochee,'' Alan Jackson; ``I Don't Need Your
Rockin' Chair,'' George Jones; ``The Grand Tour,'' Aaron Neville; 
``Ain't That Lonely Yet,'' Dwight Yoakam.
	Country vocal, female: ``Passionate Kisses,'' Mary-Chapin Carpenter;
``High Powered Love,'' Emmy Lou Harris; ``Soon,'' Tanya Tucker; ``Only
Love,'' Wynonna; ``Walkaway Joe,'' Trisha Yearwood.
	Country vocal, duo or group: ``Hard Workin' Man,'' Brooks & Dunn; 
``Trashy Women,'' Confederate Railroad; ``In A Week Or Two,'' Diamond
Rio; ``God Blessed Texas,'' Little Texas; ``All These Years,'' Sawyer
Brown.
	Pop duo or group with vocal: ``A Whole New World (Aladdin's theme),''
Peabo Bryson and Regina Belle; ``When I Fall In Love,'' Celine Dion &
Clive Griffin; ``Man On The Moon,'' R.E.M.; ``The Music Of The Night,''
Barbra Streisand and Michael Crawford; ``Love Is,'' Vanessa Williams and
Brian McKnight.
	Traditional pop vocal: ``Steppin' Out,'' Tony Bennett; ``Do You Miss
New York?'' Rosemary Clooney; ``A Touch Of Music In The Night,'' Michael
Crawford; ``Love Songs,'' Diane Schuur; ``Back To Broadway,'' Barbra
Streisand.
	Pop instrumental: ``Got To Be There,'' George Benson; ``Forever In
Love,'' Kenny G; ``Beauty And The Beast,'' James Galway; ``Barcelona
Mona'' Bruce Hornsby and Branford Marsalis; ``The Phantom Of The Opera,''
London Symphony Orchestra, Anthony Inglis, conductor.
	Hard rock with vocal: ``Highway To Hell,'' AC/DC; ``Leave It Alone,''
Living Colour; ``Calling To You,'' Robert Plant; ``Cherub Rock,''
Smashing Pumpkins; ``Plush,'' Stone Temple Pilots.
	Metal with vocal: ``Fear Of The Dark,'' Iron Maiden; ``Angry Again,''
Megadeth; ``I Don't Want To Change The World,'' Ozzy Osbourne; 
``Institutionalized,'' Suicidal Tendencies; ``Thunder Kiss '65,'' White
Zombie.
	Rock instrumental: ``Boogie Man,'' Aerosmith; ``Hi-Heel Sneakers,''
Jeff Beck and Jed Leiber; ``Speed Of Light,'' Joe Satriani; ``Purple
Haze,'' Tangerine Dream; ``Sofa,'' Joel Steve Vai.
	Rock song (songwriter's award, artist's name in parentheses): ``Are
You Gonna Go My Way,'' Lenny Kravitz and Craig Ross (Lenny Kravitz); 
``Cryin','' Steven Tyler, Joe Perry and Taylor Rhodes (Aerosmith); ``I'd
Do Anything For Love (But I Won't Do That)'' Jim Steinman (Meat Loaf); 
``Livin' On The Edge,'' Steven Tyler, Joe Perry & Mark Hudson
(Aerosmith); ``Runaway Train,'' David Pirner (Soul Asylum).
	Alternative album, vocal or instrumental: ``Star,'' Belly; ``In
Utero,'' Nirvana; ``Automatic For The People,'' R.E.M.; ``Siamese Dream,
'' Smashing Pumpkins; ``Zooropa,'' U2.
	R&B vocal, female: ``Another Sad Love Song,'' Toni Braxton; ``Someday
We'll All Be Free,'' Aretha Franklin; ``I'm Every Woman,'' Whitney
Houston; ``That's The Way Love Goes,'' Janet Jackson; ``All Right Now,''
Patti LaBelle.
	R&B vocal, male: ``For The Cool In You,'' Babyface; ``Can We Talk,''
Tevin Campbell; ``A Song For You,'' Ray Charles; ``Voodoo,'' Teddy
Pendergrass; ``How Deep Is Your Love,'' Luther Vandross.
	R&B performance, duo or group with vocal: ``Let It Snow,'' Boyz II
Men; ``Sunday Morning,'' Earth, Wind & Fire; ``Give It Up, Turn It
Loose,'' En Vogue; ``No Ordinary Love,'' Sade; ``Anniversary,''
Tony!Toni!Tone!
	Pop duo or group with vocal: ``A Whole New World (Aladdin's theme),''
Peabo Bryson and Regina Belle; ``When I Fall In Love,'' Celine Dion &
Clive Griffin; ``Man On The Moon,'' R.E.M.; ``The Music Of The Night,''
Barbra Streisand and Michael Crawford; ``Love Is,'' Vanessa Williams and
Brian McKnight.
	Traditional pop vocal: ``Steppin' Out,'' Tony Bennett; ``Do You Miss
New York?'' Rosemary Clooney; ``A Touch Of Music In The Night,'' Michael
Crawford; ``Love Songs,'' Diane Schuur; ``Back To Broadway,'' Barbra
Streisand.
	Pop instrumental: ``Got To Be There,'' George Benson; ``Forever In
Love,'' Kenny G; ``Beauty And The Beast,'' James Galway; ``Barcelona
Mona'' Bruce Hornsby and Branford Marsalis; ``The Phantom Of The Opera,''
London Symphony Orchestra, Anthony Inglis, conductor.
	Hard rock with vocal: ``Highway To Hell,'' AC/DC; ``Leave It Alone,''
Living Colour; ``Calling To You,'' Robert Plant; ``Cherub Rock,''
Smashing Pumpkins; ``Plush,'' Stone Temple Pilots.
	Metal with vocal: ``Fear Of The Dark,'' Iron Maiden; ``Angry Again,''
Megadeth; ``I Don't Want To Change The World,'' Ozzy Osbourne; 
``Institutionalized,'' Suicidal Tendencies; ``Thunder Kiss '65,'' White
Zombie.
	Rock instrumental: ``Boogie Man,'' Aerosmith; ``Hi-Heel Sneakers,''
Jeff Beck and Jed Leiber; ``Speed Of Light,'' Joe Satriani; ``Purple
Haze,'' Tangerine Dream; ``Sofa,'' Joel Steve Vai.
	Rock song (songwriter's award, artist's name in parentheses): ``Are
You Gonna Go My Way,'' Lenny Kravitz and Craig Ross (Lenny Kravitz); 
``Cryin','' Steven Tyler, Joe Perry and Taylor Rhodes (Aerosmith); ``I'd
Do Anything For Love (But I Won't Do That)'' Jim Steinman (Meat Loaf); 
``Livin' On The Edge,'' Steven Tyler, Joe Perry & Mark Hudson
(Aerosmith); ``Runaway Train,'' David Pirner (Soul Asylum).
	Alternative album, vocal or instrumental: ``Star,'' Belly; ``In
Utero,'' Nirvana; ``Automatic For The People,'' R.E.M.; ``Siamese Dream,
'' Smashing Pumpkins; ``Zooropa,'' U2.
	R&B vocal, female: ``Another Sad Love Song,'' Toni Braxton; ``Someday
We'll All Be Free,'' Aretha Franklin; ``I'm Every Woman,'' Whitney
Houston; ``That's The Way Love Goes,'' Janet Jackson; ``All Right Now,''
Patti LaBelle.
	R&B vocal, male: ``For The Cool In You,'' Babyface; ``Can We Talk,''
Tevin Campbell; ``A Song For You,'' Ray Charles; ``Voodoo,'' Teddy
Pendergrass; ``How Deep Is Your Love,'' Luther Vandross.
	R&B performance, duo or group with vocal: ``Let It Snow,'' Boyz II
Men; ``Sunday Morning,'' Earth, Wind & Fire; ``Give It Up, Turn It
Loose,'' En Vogue; ``No Ordinary Love,'' Sade; ``Anniversary,''
Tony!Toni!Tone!
	R&B song (songwriter's award, artist's name in parentheses): 
``Anniversary,'' Raphael Wiggins and Carl Wheeler (Tony!Toni!Tone!); 
``Can We Talk,'' Babyface and Daryl Simmons (Tevin Campbell); ``Heaven
Knows,'' Luther Vandross and Reed Vertelney (Luther Vandross); ``Little
Miracles (Happen Every Day),'' Luther Vandross and Marcus Miller (Luther
Vandross); ``That's The Way Love Goes,'' Janet Jackson, James Harris III
and Terry Lewis (Janet Jackson).
	Rap solo: ``Let Me Ride,'' Dr. Dre; ``Stand By Your Man,'' LL Cool J;
``Ruffneck,'' MC Lyte; ``Ditty,'' Paperboy; ``Just Da Pimpin' In Me,''
Sir Mix-A-Lot.
	Rap, duo or group: ``Revolution,'' Arrested Development; ``Insane In
The Brain,'' Cypress Hill; ``Rebirth Of Slick (Cool Like Dat),'' Digable
Planets; ``Nuthin' But A 'G' Thang,'' Dr. Dre and Snoop; ``Hip Hop
Hooray,'' Naughty By Nature.
	New age album, instrumental or vocal: ``Banba,'' Clannad; ``The Hours
Between Night + Day,'' Ottmar Liebert and Luna Negra; ``220 Volt Live,''
Tangerine Dream; ``Spanish Angel,'' Paul Winter Consort; ``In My Time,''
Yanni.
	Contemporary jazz performance, instrumental: ``Paint The World,''
Chick Corea Elektric Band II; ``Between The Sheets,'' Fourplay; ``The
Road To You,'' Pat Metheny Group; ``Another World,'' John Patitucci; 
``Like A River,'' Yellowjackets.
	Jazz vocal: ``Now And Then,'' Ernestine Anderson; ``Take A Look,''
Natalie Cole; ``Light Out Of Darkness,'' Shirley Horn; ``The Pink
Panther Theme,'' Bobby McFerrin; ``Swing That Music,'' Bobby Short and
Alden-Barrett Quintet.
	Jazz instrumental solo: ``The More I See You'' (track from `
``Legends''), Benny Carter; ``Brasil (Aquarela Do Brasil)'' (track from
``Kicking Cans), Herbie Hancock; ''Miles Ahead`` (track from ''So Near,
So Far,`` ''Musings for Miles``), Joe Henderson; ''4 On 6`` (track from
''Wes Bound``), Lee Ritenour; ''Nostalgico`` (track from ''American Jazz
Philharmonic``), Phil Woods.
	Jazz instrumental performance, individual or group: ``Sambao,'' Kenny
Barron; ``So Near, So Far (Musings For Miles)'' Joe Henderson; ``Dancing
In The Dark,'' The Fred Hersch Trio; ``Joshua Redman,'' Joshua Redman; 
``Wes Bound,'' Lee Ritenour.
	Large jazz ensemble performance: ``Miles And Quincy Live At Montreux,
'' Miles Davis and Quincy Jones; ``Dave Grusin Presents GRP All-star Big
Band Live,'' GRP All-Star Big Band and Tom Scott; ``Little Man, Big
Band,'' Jimmy Heath; ``Our 25th Year,'' Rob McConnell & The Boss Brass;
``Spirit Of The Black Territory Bands,'' Johnny Otis and his Orchestra.
	Country vocal collaboration (duos or groups of artists who do not
normally sing together): ``A Bad Goodbye,'' Clint Black and Wynonna; 
``Does He Love You,'' Reba McEntire and Linda Davis; ``The Heart Won't
Lie,'' Reba McEntire and Vince Gill; ``Romeo,'' Dolly Parton, Tanya
Tucker, Billy Ray Cyrus, Kathy Mattea, Pam Tillis and Mary-Chapin
Carpenter; ``Miner's Prayer,'' Ralph Stanley and Dwight Yoakam.
	Country instrumental: ``Red Wing,'' Asleep At The Wheel; ``Jingle
Bells,'' (track from ``Christmas In Branson, MO, USA''), Roy Clark; 
``The Ballad Of Jed Clampett,'' John McEuen; ``Gold Rush,''Mark O'Connor
with Byron Berline; ``Fiddlin' Around,'' Mark O'Connor with Johnny
Gimble.
	Bluegrass album, vocal or instrumental: ``Stuart Duncan,'' Stuart
Duncan; ``Blue Diamond,'' The Johnson Mountain Boys; ``Waitin' For The
Hard Times To Go,'' the Nashville Bluegrass Band; ``Tony Rice Plays And
Sings Bluegrass,'' Tony Rice; ``Saturday Night (& Sunday Morning),''
Ralph Stanley.
	Country song (songwriter's award, artist's name in parentheses): 
``Ain't That Lonely Yet,'' Kostas and James House (Dwight Yoakam); 
``Chattahoochee,'' Alan Jackson and Jim McBride (Alan Jackson); ``Does
He Love You,'' Sandy Knox and Billy Stritch (Reba McEntire and Linda
Davis); ``The Hard Way,'' Mary-Chapin Carpenter (Mary-Chapin Carpenter);
``Passionate Kisses,'' Lucinda Williams (Mary-Chapin Carpenter).
	Rock gospel album: ``Free At Last,'' DC Talk; ``Heat.It.Up.,''
Degarmo and Key; ``Pullin' No Punches,'' D.O.C.; ``Crimson And Blue,''
Phil Keaggy; ``Evolution,'' Geoff Moore and The Distance.
	Pop/contemporary gospel album: ``Soul,'' Margaret Becker; ``The Live
Adventure,'' Steven Curtis Chapman; ``Hope,'' Michael English; ``Le
Voyage,'' Sandi Patti; ``A Beautiful Place,'' Wayne Watson.
	Southern, country or bluegrass gospel album: ``Walk On,'' Bruce
Carroll; ``Worship His Glory,'' The Cathedrals; ``Southern Classics,''
Gaither Vocal Band; ``Good News,'' Kathy Mattea; ``Sunday Morning,''
Ralph Stanley.
	R&B song (songwriter's award, artist's name in parentheses): 
``Anniversary,'' Raphael Wiggins and Carl Wheeler (Tony!Toni!Tone!); 
``Can We Talk,'' Babyface and Daryl Simmons (Tevin Campbell); ``Heaven
Knows,'' Luther Vandross and Reed Vertelney (Luther Vandross); ``Little
Miracles (Happen Every Day),'' Luther Vandross and Marcus Miller (Luther
Vandross); ``That's The Way Love Goes,'' Janet Jackson, James Harris III
and Terry Lewis (Janet Jackson).
	Rap solo: ``Let Me Ride,'' Dr. Dre; ``Stand By Your Man,'' LL Cool J;
``Ruffneck,'' MC Lyte; ``Ditty,'' Paperboy; ``Just Da Pimpin' In Me,''
Sir Mix-A-Lot.
	Rap, duo or group: ``Revolution,'' Arrested Development; ``Insane In
The Brain,'' Cypress Hill; ``Rebirth Of Slick (Cool Like Dat),'' Digable
Planets; ``Nuthin' But A 'G' Thang,'' Dr. Dre and Snoop; ``Hip Hop
Hooray,'' Naughty By Nature.
	New age album, instrumental or vocal: ``Banba,'' Clannad; ``The Hours
Between Night + Day,'' Ottmar Liebert and Luna Negra; ``220 Volt Live,''
Tangerine Dream; ``Spanish Angel,'' Paul Winter Consort; ``In My Time,''
Yanni.
	Contemporary jazz performance, instrumental: ``Paint The World,''
Chick Corea Elektric Band II; ``Between The Sheets,'' Fourplay; ``The
Road To You,'' Pat Metheny Group; ``Another World,'' John Patitucci; 
``Like A River,'' Yellowjackets.
	Jazz vocal: ``Now And Then,'' Ernestine Anderson; ``Take A Look,''
Natalie Cole; ``Light Out Of Darkness,'' Shirley Horn; ``The Pink
Panther Theme,'' Bobby McFerrin; ``Swing That Music,'' Bobby Short and
Alden-Barrett Quintet.
	Jazz instrumental solo: ``The More I See You'' (track from `
``Legends''), Benny Carter; ``Brasil (Aquarela Do Brasil)'' (track from
``Kicking Cans), Herbie Hancock; ''Miles Ahead`` (track from ''So Near,
So Far,`` ''Musings for Miles``), Joe Henderson; ''4 On 6`` (track from
''Wes Bound``), Lee Ritenour; ''Nostalgico`` (track from ''American Jazz
Philharmonic``), Phil Woods.
	Jazz instrumental performance, individual or group: ``Sambao,'' Kenny
Barron; ``So Near, So Far (Musings For Miles)'' Joe Henderson; ``Dancing
In The Dark,'' The Fred Hersch Trio; ``Joshua Redman,'' Joshua Redman; 
``Wes Bound,'' Lee Ritenour.
	Large jazz ensemble performance: ``Miles And Quincy Live At Montreux,
'' Miles Davis and Quincy Jones; ``Dave Grusin Presents GRP All-star Big
Band Live,'' GRP All-Star Big Band and Tom Scott; ``Little Man, Big
Band,'' Jimmy Heath; ``Our 25th Year,'' Rob McConnell & The Boss Brass;
``Spirit Of The Black Territory Bands,'' Johnny Otis and his Orchestra.
	Country vocal collaboration (duos or groups of artists who do not
normally sing together): ``A Bad Goodbye,'' Clint Black and Wynonna; 
``Does He Love You,'' Reba McEntire and Linda Davis; ``The Heart Won't
Lie,'' Reba McEntire and Vince Gill; ``Romeo,'' Dolly Parton, Tanya
Tucker, Billy Ray Cyrus, Kathy Mattea, Pam Tillis and Mary-Chapin
Carpenter; ``Miner's Prayer,'' Ralph Stanley and Dwight Yoakam.
	Country instrumental: ``Red Wing,'' Asleep At The Wheel; ``Jingle
Bells,'' (track from ``Christmas In Branson, MO, USA''), Roy Clark; 
``The Ballad Of Jed Clampett,'' John McEuen; ``Gold Rush,''Mark O'Connor
with Byron Berline; ``Fiddlin' Around,'' Mark O'Connor with Johnny
Gimble.
	Bluegrass album, vocal or instrumental: ``Stuart Duncan,'' Stuart
Duncan; ``Blue Diamond,'' The Johnson Mountain Boys; ``Waitin' For The
Hard Times To Go,'' the Nashville Bluegrass Band; ``Tony Rice Plays And
Sings Bluegrass,'' Tony Rice; ``Saturday Night (& Sunday Morning),''
Ralph Stanley.
	Country song (songwriter's award, artist's name in parentheses): 
``Ain't That Lonely Yet,'' Kostas and James House (Dwight Yoakam); 
``Chattahoochee,'' Alan Jackson and Jim McBride (Alan Jackson); ``Does
He Love You,'' Sandy Knox and Billy Stritch (Reba McEntire and Linda
Davis); ``The Hard Way,'' Mary-Chapin Carpenter (Mary-Chapin Carpenter);
``Passionate Kisses,'' Lucinda Williams (Mary-Chapin Carpenter).
	Rock gospel album: ``Free At Last,'' DC Talk; ``Heat.It.Up.,''
Degarmo and Key; ``Pullin' No Punches,'' D.O.C.; ``Crimson And Blue,''
Phil Keaggy; ``Evolution,'' Geoff Moore and The Distance.
	Pop/contemporary gospel album: ``Soul,'' Margaret Becker; ``The Live
Adventure,'' Steven Curtis Chapman; ``Hope,'' Michael English; ``Le
Voyage,'' Sandi Patti; ``A Beautiful Place,'' Wayne Watson.
	Southern, country or bluegrass gospel album: ``Walk On,'' Bruce
Carroll; ``Worship His Glory,'' The Cathedrals; ``Southern Classics,''
Gaither Vocal Band; ``Good News,'' Kathy Mattea; ``Sunday Morning,''
Ralph Stanley.
	Traditional soul gospel album: ``Stand Still,'' Shirley Caesar: 
``Live In Memphis,'' the Canton Spirituals; ``In Good Health,'' the
Dixie Hummingbirds; ``Deep River,'' the Five Blind Boys of Alabama
featuring Clarence Fountain; ``Better Days Ahead,'' Dorothy Norwood; 
``He Keeps On Blessing Me,'' Albertina Walker.
	Contemporary soul gospel album: ``Angie & Debbie,'' Angie & Debbie; 
``Something On The Inside,'' Vanessa Bell Armstrong; ``Start All Over,''
Helen Baylor; ``Live,'' the Richard Smallwood Singers; ``All Out,'' the
Winans.
	Gospel album, choir or chorus: ``Live...We Come Rejoicing,'' Brooklyn
Tabernacle Choir; ``Rev. Milton Brunson Presents Tyrone Block And The
Christ Tabernacle Combined Chorus,'' Rev. Milton Brunson, Tyrone Block
and the Christ Tabernacle Combined Choirs; ``All The Bases,'' O'Landa
Draper and the Associates Choir; ``If You Love Me,'' Edwin Hawkins Music
and Arts Seminar Choir; ``Amen! A Gospel Celebration,'' Erich Kunzel and
the Cincinnati Pops with Jennifer Holliday, Maureen McGovern and Lou
Rawls.
	Latin pop album: ``Imaginame,'' Maria Conchita Alonso; ``Brindo A La
Vida, Al Bolero, A Ti,'' Vikki Carr; ``Latin Street '92,'' Jose
Feliciano; ``Aries,'' Luis Miguel; ``Algo Mas Que Amor,'' Las Triplets.
	Tropical Latin album: ``Hecho En Puerto Rico,'' Willie Colon; ``Azuca
Negra,'' Celia Cruz; ``First Class International,'' El Gran Combo de
Puerto Rico; ``Dilema,'' Luis Enrique; ``Mi Terra,'' Gloria Estefan; 
``Areito,'' Juan Luis Guerra y 4.40.
	Mexican-American album: ``Lastima Que Seas Ajena,'' Vicente
Fernandez; ``Corazon De Piedra,'' Santiago Jiminez Jr.; ``Que Paso?''
Little Joe; ``La Garra De...,'' Los Tigres Del Norte; ``Live,'' Selena.
	Tradional blues album: ``Collins Mix (The Best Of),'' Albert Collins;
``Boom Boom,'' John Lee Hooker; ``Blues Summit,'' B.B. King; ``Dancing
The Blues,'' Taj Mahal; ``The Alligator Records 20th Anniversary Tour,''
various artists.
	Contemporary blues album: ``Mystic Mile,'' Robben Ford and the Blue
Line; ``Feels Like Rain,'' Buddy Guy; ``Wake Up Call,'' John Mayall; 
``Muddy Waters Blues -- A Tribute To Muddy Waters,'' Paul Rodgers; ``Hey,
Where's Your Brother?'' Johnny Winter.
	Traditional folk album: ``The Celtic Harp,'' The Chieftains; 
``Melody, Rhythm & Harmony,'' Le Mystere Des Voix Bulgares; ``Friend Of
Mine,'' Bill Morrissey and Greg Brown; ``Ancestral Voices,'' R. Carlos
Nikai and William Eaton with the Black Lodge Singers; ``Trace Of Time,''
Steve Riley and the Mamou Playboys; ``Our Town,'' Jody Stecher and Kate
Brislin.
	Contemporary folk album: ``La Danse De La Vie,'' Beausoleil; ``Fat
City,'' Shawn Colvin; ``Good As I Been To You,'' Bob Dylan; ``Spinning
Around The Sun,'' Jimmie Dale Gilmore; ``Other Voices/Other Rooms,''
Nanci Griffith; ``Breaking Silence,'' Janis Ian.
	Reggae album: ``Mystical Truth,'' Black Uhuru; ``The World Should
Know,'' Burning Spear; ``Inner Circle,'' Bad Boys; ``Joys And Blues,''
Ziggy Marley and the Melody Makers; ``Fe Real,'' Maxi Priest.
	World music album: ``Heat, Dust & Dreams,'' Johnny Clegg and Savuka;
``A Meeting By The River,'' Ry Cooder and V.M. Bhatt; ``Deep Forest,''
Deep Forest; ``A World Out Of Time Vol 2.,'' Henry Kaiser and David
Lindley; ``From Bulgaria With Love,'' Le Mystere Des Voix Bulgares.
	Polka album: ``A New Batch Of Polkas,'' Eddie Blazonczyk's
Versatones; ``Most Requested Hits,'' Lenny Gomulka and the Chicago Push;
``Accordionally Yours,'' Walter Ostanek and His Band; ``Polka Music Fan,
'' Polka Family Band; ``Saturday Night Polka,'' Jimmy Starr and His
Orchestra.
	Musical album for children: ``Aladdin'' soundtrack; ``Barney's
Favorites, Vol. 1,'' Barney & Friends; ``The Muppet Christmas Carol''
soundtrack, the Muppets; ``Peter Paul & Mommy, Too,'' Peter Paul and
Mary; ``Tim Burton's The Nightmare Before Christmas'' soundtrack,
various artists.
	Spoken word album for children: ``Aladdin Sound and Story Theater,''
various artists; ``Audrey Hepburn's Enchanted Tales,'' Audrey Hepburn; 
``Brer Rabbit and Boss Lion,'' Danny Glover and Dr. John; ``Did I Ever
Tell You How Lucky You Are?'' John Cleese; ``The Muppet Christmas Carol
Story Album,'' the Muppets with Michael Caine and others.
	Spoken word or non-musical album: ``Bound For Glory,'' Arlo Guthrie;
``Howards End,'' Emma Thompson; ``Miles: The Autobiography,'' LeVar
Burton; ``Mr. & Mrs. Bridge,'' Paul Newman and Joanne Woodward; ``On The
Pulse Of Morning,'' Maya Angelou.
	Spoken comedy album: ``Jammin' In New York,: George Carlin; ''Lake
Wobegon USA,`` Garrison Keillor; ''Leslie Nielsen The Naked Truth,``
Leslie Nielsen; ''A Marriage Made In Heaven Or Too Tired For An Affair,``
Erma Bombeck; ''You're Good Enough, You're Smart Enough, And Doggone It,
People Like You!`` Al Franken.
	Musical show album: ``Bernstein: On The Town,'' various artists,
composer Leonard Bernstein, lyricists Betty Comden and Adolph Green; 
``Joseph and the Amazing Technicolor Dreamcoat,'' Michael Damian and
cast, composer Andrew Lloyd Webber, lyricist Tim Rice; ``Kiss Of The
Spider Woman,'' original cast, composer John Kander, lyricist Fred Ebb;
``Sondheim: A Celebration At Carnegie Hall,'' various artists, composer
and lyricist Stephen Sondheim; ``The Who's Tommy Original Cast
Recording,'' original cast, composer and lyricist Pete Townshend.
	Instrumental composition (artist's name in parentheses): ``Autumn,''
Dave Brubeck (Dave Brubeck, Chris Brubeck and Dan Brubeck); ``Bill
Evans,'' Lyle Mays (Lyle Mays); ``Blue Miles,'' Chick Corea (Chick Corea
Elektric Band II); ``Forever In Love,'' Kenny G (Kenny G); ``Half Life
Of Absolution,'' Pat Metheny and Lyle Mays (Pat Metheny Group).
	Instrumental composition written for motion picture or television: 
``The Age Of Innocence'' album, Elmer Bernstein; ``Aladdin'' album, Alan
Menken; ``The Firm'' album, Dave Grusin; ``Jurassic Park'' album, John
Williams; ``A River Runs Through It'' album, Mark Isham.
	Song written for motion picture or television (artist's name in
parentheses): ``Friend Like Me'' from ``Aladdin,'' Alan Menken and
Howard Ashman (Robin Williams); ``I Don't Wanna Fight'' from ``What's
Love Got to Do With It,'' Steve DuBerry, Lulu and Billy Lawrie (Tina
Turner); ``I Have Nothing'' from ``The Bodyguard,'' David Foster and
Linda Thompson (Whitney Houston); ``Run To You'' from ``The Bodyguard,''
Allan Rich and Jud Friedman (Whitney Houston); ``A Whole New World
(Aladdin's theme)'' from ``Aladdin,'' Alan Menken and Tim Rice (Peabo
Bryson and Regina Belle).
	Music video, short form: ``Human Behavior,'' Bjork; ``Steam,'' Peter
Gabriel; ``Beautiful Girl,'' INXS; ``Everybody Hurts,'' R.E.M.; 
``Runaway Train,'' Soul Asylum.
	Music video, long form: ``Canadian Brass: Home Movies,'' Canadian
Brass; ``Miles & Quincy Live At Montreux,'' Miles Davis and Quincy
Jones; ``Rocky World,'' Daniel Lanois; ``Ten Summoner's Tales,'' Sting;
``Three Phase,'' Tangerine Dream; ``A Celebration -- A Musical Tribute To
The Spirit Of The Disabled American Veteran,'' Travis Tritt.
	Arrangement, instrumental (artist's name in parentheses): ``Mood
Indigo,'' Dave Grusin (Dave Grusin); ``Oleo,'' Michael Abene (GRP All-
Star Big Band); ``Buleria,'' Vince Mendoza (Vince Mendoza and Arif
Mardin); ``Suite Fraternidad'' 1st and 2nd movements, Arif Mardin,
(Vince Mendoza and Arif Mardin); Dizzy Gillespie Fireworks,`` Lalo
Schifrin (Lalo Schifrin).
	Instrumental arrangement accompanying vocals (artist's name in
parentheses): ``When I Fall In Love,'' Jeremy Lubbock (Celine Dion and
Clive Griffin); ``I Have Nothing,'' David Foster and Jeremy Lubbock
(Whitney Houston); ``Santa's Comin' To Town,'' Gary Hines (The Sounds of
Blackness); ``Luck Be A Lady,'' Jeremy Lubbock (Barbra Streisand); 
``Some Enchanted Evening,'' Johnny Mandel and David Foster (Barbra
Streisand).
	Recording package (art director's award, artist's name in
parentheses): ``The Complete Billie Holliday On Verve 1945-1959,'' David
Lau (Billie Holiday); ``Live & Loud,'' David Coleman (Ozzy Ozbourne); 
``Shine On,'' Storm Thorgerson and Stylorouge (Pink Floyd); ``Automatic
For The People'' 2nd set, Tom Recchion, Michael Stipe, Jeff Gold and Jim
Ladwig (R.E.M.); ``14 Songs,'' Kim Champagne and Jeff Gold (Paul
Westerberg).
	Album notes (writer's award, artist's name in parentheses): ``The
Complete Billie Holiday On Verve 1949-1959,'' Buck Clayton, Phil Schaap
and Joel E. Siegel (Billie Holiday); ``King Of The Blues,'' Colin Escott
(B.B. King); ``The Complete Riverside Recordings,'' Orrin Keepnews and
Jim Ferguson (Wes Montgomery); ``Elvis From Nashville To Memphis, The
Essential '60s Masters I,'' Peter Guralnick (Elvis Presley); ``Sounds
From The South -- A Musical Journey From The Georgia Sea Islands To The
Mississippi Delta Recorded In The Field By Alan Lomax,'' Alan Lomax and
Robert Palmer (various artists).
	Historical album: ``Noel Coward: The Master's Voice -- His HMV
Recordings 1928-1953,'' Sheridan Morley, compilation producer; ``Bing --
His Legendary Years 1931-1957,'' Andy McKaie and Steven Lasker,
compilation producers; ``The Complete Billie Holiday On Verve 1945-1959,
'' Michael Lang and Phil Schaap, compilation producers; ``Frank Sinatra
-- The Columbia Years 1943-1952,'' Didier C. Deutsch, compilation editor;
``The Monterey International Pop Festival,'' Stephen K. Peeples and
Geoff Gans, compilation producers.
	Engineer award (artist's name in parentheses): ``janet.,'' Steve
Hodge and Dave Rideau (Janet Jackson); ``Lam Toro,'' Cesar Sogbe and Joe
Galdo (Baaba Maal); ``Race Against The Machine,'' Andy Wallace, Stan
Katayama and G.G. Garth (Race Against the Machine); ``Wes Bound,'' Don
Murray (Lee Ritenour); ``Ten Summoner's Tales,'' Hugh Padgham (Sting).
	Producer of the year: Walter Afanasieff; Tony Brown; Bruce Fairbairn;
David Foster; Jimmy Jam and Terry Lewis; Hugh Padgham.
	Classical album: ``Bartok: The Wooden Prince and Cantata Profana,''
conductor Pierre Boulez, Chicago Symphony Orchestra and Chorus, tenor
John Aler, baritone John Tomlinson, producer Karl-August Naegler; 
``Berg: Violin Concerto'' and ``Time Chant,'' conductor James Levine,
Chicago Symphony Orchestra, violinist Anne-Sophie Mutter, producer
Christopher Alder; ``Debussy: Le Martyre De Saint Sebastien,'' conductor
Michael Tilson Thomas, London Symphony, producer Andreas Neubronner; 
``If You Love Me,'' soprano Cecilia Bartoli, pianist Gyorgy Fischer,
producer Christopher Raeburn; ``Venetian Vespers,'' conductor Paul
McCreesh, Gabrieli Consort and Players, producer Ben Turner.
	Orchestral award: ``Barber: Adagio, Symphony No.1, The School For
Scandal, Essays,'' conductor David Zinman, Baltimore Symphony; ``Bartok:
The Wooden Prince,'' conductor Pierre Boulez, Chicago Symphony
Orchestra; ``Debussy: Images, Printemps, Prelude A L'Apres-midi D'un
Faune,'' conductor Pierre Boulez, Cleveland Orchestra; ``Ives: Symphony
No.3, Three Places In New England, The Unanswered Question, Central Park
In The Dark...,'' conductor Leonard Slatkin, St. Louis Symphony.  Opera
recording: ``Adams: The Death of Klinghoffer,'' conductor Kent Negano,
soloists Maddalena, Hammons, Sylvan, Friedman and Nadler, producer John
McClure; ``Britten: Gloriana,'' conductor Sir Charles Mackerras,
soloists Barstow, Langridge, Opie, Kenny, Jones, Summers, Van Allen,
Terfel, White, Shirley-Quirk and Ainsley, producers Andrew Cornall and
Morten Winding; ``Gluck: Iphigenie En Tauride,'' conductor Ricardo Muti,
soloists Vaness, Allen, Winbergh, Surian, Brunet, producer David
Mottely; ``Handel: Semele,'' conductor John Nelson, soloists Battle,
Horne, Ramey, Aler, McNair, Chance, Mackie and Doss, producer Steve
Paul; ``Prokofiev: War and Peace,'' conductor Valery Gergiev, soloists
Gergalov, Prokina, Gregoriam, Borodina, Marusin, Okhotnikov and Gerelo,
producer Erik Smith.
	Choral work performance: ``Bartok: Cantata Profana,'' conductor
Pierre Boulez, Chicago Symphony and Chorus, director Margaret Hillis; 
``Brahms: German Requiem,'' conductor Roger Norrington, London Classical
Players and The Schultz Choir of London; ``Debussy: Le Martyre De Saint
Sebastien,'' conductor Michael Tilson Thomas, London Symphony Orchestra
and Chorus; ``Vaughan Williams: A Sea Symphony,'' conductor Leonard
Slatkin, The Philharmonia Orchestra and Chorus; ``Venetian Vespers,''
conductor Paul McCreesh, Gabrieli Consort and Players.
	Classical instrumental solo with orchestra: ``Berg: Violin Concerto,
Time Chant,'' violinist Annie-Sophie Mutter, Chicago Symphony Orchestra;
``Brahms: Piano Concerto No. 1,'' pianist Stephen Kovacevich, London
Philharmonic; ``Copland: Clarinet Concerto...,'' clarinetist Richard
Stoltzman, London Symphony; ``Ravel: Piano Concerto For Left Hand...,''
pianist Leon Fleisher, Boston Symphony; ``Tchaikovsky: Violin Concerto,''
violinist Gil Shaham, The Philharmonia Orchestra.  Classical instrumental
solo without orchestra: ``Alkan: Concerto For Piano,'' pianist Marc-
Andre Hamelin; ``Bach: Six French Suites,'' pianist Andras Schiff; 
``Barber: The Complete Solo Piano Music,'' pianist John Browning; 
``Beethoven: Piano Sonatas...,'' pianist Richard Goode; ``Leon Fleisher
Recital,'' pianist Leon Fleisher.
	Chamber music performance: ``Beethoven: Complete String Trios,''
violinist Itzhak Perlman, violist Pinchas Zukerman, cellist Lynn
Harrell; ``Faure: Piano Quartets,'' pianist Emanuel Ax, violinist Isaac
Stern, violist Jaime Laredo, cellist Yo-Yo Ma; ``Ives: String Quartets,''
Emerson String Quartet; ``Martinu: Cello Sonatas,'' cellist Janos
Starker, pianist Rudolf Firkusny; ``Prokofiev: Violin Sonatas,''
violinist Gidon Kremer, pianist Martha Argerich.
	Classical vocal performance: ``The Art Of Arleen Auger'' (works of
Larsen, Purcell, Schumann, Mozart), soprano Arleen Auger; 
``Dvorak/Janacek/Martinu: Lieder,'' soprano Gabriela Benackova; 
``Exsultate Jubilate'' (works of Handel, Mozart), soprano Sylvia McNair;
``Farewell To Salzburg'' (works of Brahms, Mahler, Schumann, Strauss)
contralto Christa Ludwig; ``Grieg: Lieder,'' soprano Anne Sofie von
Otter.
	Contemporary composition: ``Orphee-Serenade,'' William Bolcom; 
``Violin Concerto,'' Elliott Carter; ``Cello Concerto,'' Donald Erb; ``A
Way A Lone,'' Toru Takemitsu; ``Byzantium,'' Michael Tippett.
	Classical engineering: ``Adams: The Death Of Klinghoffer,'' Henk
Jansen (The Orchestra of the Opera de Lyon); ``Bartok: The Wooden Prince
and Cantata Profana,'' Rainer Maillard (Chicago Symphony, Chorus and
soloists); ``Debussy: Le Martyre De Saint Sebastien,'' Marcus Herzog
(London Symphony, Chorus and soloists; ``Haydn: The Creation,'' Jack
Renner (Atlanta Symphony and Chamber Chorus); ``Tangazo -- Music Of Latin
America,'' Colin Moorfoot (The New World Symphony).
	Classical producer: Andrew Cornall, Michael Haas, Judith Sherman,
Adam Stern, Robina G. Young.


591.2 official ballot? EZ2GET::STEWARTalways took candy from strangersFri Jan 07 1994 10:586
    
    Haven't received it yet, but if anyone wants a copy of the official
    ballot (so you can play along at home) I can scan it in and put it
    on-line...  Let me know.
    
    
591.3out of touch I guessRICKS::CALCAGNIkant sheck dees bluzeFri Jan 07 1994 11:303
    Maybe I never payed much attention in the past, or have they expanded
    categories this year?  "Best Rock Instrumental"?  "Best Jazz Solo"?
    I don't ever remember hearing about these before.
591.4I'm amazed...MANTHN::EDDYou're soaking in it...Fri Jan 07 1994 12:053
    Fagen gets a Grammy nomination?
    
    Edd
591.5CSC32::B_KNOXRock'n'Roll RefugeeMon Jan 10 1994 11:567
    Sounds like this year is going to be another major yawn-fest
    
    One high point, however... NO MICHAEL BOLTON!!!!!
    
    
    /Billy_K
    
591.6CGOOA::PITULEYAin't technology wonderful?Mon Jan 10 1994 16:037
    
    Re: -1
    
    YAAAAAAAAAAAAAAAAHOOOOOOOOOOOOOOO!!!!!!!!
    
    Brian "the Westener" Pituley
    
591.7I watched the whole thing just to see what would happen next !SLOHAN::FIELDSStrange BrewWed Mar 02 1994 09:0527
    from a TV production point of view that was the worst I've ever seen ! 
    they couldn't even get the right graphic with the right person half the 
    time...
    
    Bono, hahahaha ! Billy Joel's face after what Bono said had me rolling
    on the floor ! (Bono said the "F" word btw)
    
    the Bad Boys of Boston were very good (crowd was going through music
    shock after Whitney sang that song {no not that song again} then they
    get blown away by Steve and company)
    
    then they bring Bono out again.....the censors must have been freaking
    out while he read the intro for Frank Sinatra....then they cut off
    Frank's speech....Frank look very emotional and was have a hard time
    getting his thoughts clean...but lets cut to the ads !
    
    Billy Joel....stopped in the middle of the song and mocked CBS for
    cutting off Frank by saying ...Wasting ad time, money going down the
    drain (or something like that) what a showman :')
    
    and poor Gary Shandling....after 4 years of it I think he will not be
    back for a 5th year....
    
    and who voted for that SONG and album, man it was a sound track to a
    movie geeesh !
    
    Chris
591.8Well, it was better than the Nanny.AIMHI::KERRCurse Of The Box PeopleWed Mar 02 1994 09:5623
    
    I'm not a real Aerosmith fan, but I really enjoyed their number.  I
    thought it was the best of the show (maybe because there was so much
    pablum the rest of the time; I'm sorry, Whitney just doesn't do
    anything for me and the song was pure formula).  I did like the Curtis
    Mayfield and Aretha tributes.
    
    But,
    
    You just don't cutoff the Chairman to go sell MCI cards (or whatever it
    was).  I give both Shandling and Joel credit for letting CBS know that
    that wasn't the right thing to do (even if they did do it in a humorous
    way).
    
    I would have liked to have seen at least one performance by Stone Temple 
    Pilots, Spin Doctors, or Smashing Pumkins, those groups barely got 
    mentioned (although for a rap group, I did like Digable Planets; Gloria
    Estofan(sp) was top notch as well).
    
    But, I did watch until the end, so I guess it wasn't all that bad.
    
    Al
    
591.9AD::FLATTERYWed Mar 02 1994 10:559
    ....i had to turn it off.....franks rambling was an embarrasment....for
    those of you that didnt' see this...at one point frank s. says where's
    my girl....introduces whoever she was and then goes on with 'i love
    you ...do you love me'.....i was embarrassed for the guy and had to
    turn it off........bono was also embarrassing.......best line of the
    night goes to steven tyler-aerosmith ..after performing 'living on the
    edge', in their usual rock attire...and before accepting their award
    says something like 'you can't believe how much  it costs to look this 
    cheap' ..........maybe he should host the awards next year...;')...../k
591.10 I guess they'll let anyone in EZ2GET::STEWARTDeath before discoWed Mar 02 1994 11:0512
    
    Yeah, the production was "interesting" this year...  Not much happened
    (intentionally, anyway) that wasn't very predictable.  If you
    downloaded the ballot form I put online you knew that Whitney and
    Alladin were up in many categories -- at least we skipped the "pity
    party" voting logic of previous years.  I was in transit during the
    broadcast, so I missed the Sinatra gaffe -- I'll have to go back to
    look at the tape.  I did recognize a lot of Shandling's "ad libs" -- he
    tested them on Letterman the night before.
    
    What the hell was Donald Trump doing there?
    
591.11list of winnersQRYCHE::STARRWe all want something beautifulWed Mar 02 1994 11:35144
	Winners Tuesday night from the 36th Annual Grammy Awards:
	RECORD OF THE YEAR: ``I Will Always Love You,'' Whitney Houston,
producer David Foster.
	ALBUM OF THE YEAR: ``The Bodyguard,'' Whitney Houston, producers
David Foster, Narada Michael Walden, L.A. Reid, Babyface, Whitney
Houston and BeBe Winans.
	SONG OF THE YEAR: ``A Whole New World (Aladdin's Theme),'' Alan
Menken and Tim Rice.
	BEST NEW ARTIST: Toni Braxton.
	BEST POP VOCAL PERFORMANCE, FEMALE: ``I Will Always Love You,''
Whitney Houston.
	BEST POP VOCAL PERFORMANCE, MALE: ``If I Ever Lose My Faith In
You,'' Sting.
	BEST POP PERFORMANCE BY A DUO OR GROUP WITH VOCAL: ``A Whole New
World (Aladdin's Theme),'' Peabo Bryson and Regina Belle.
	BEST TRADITIONAL POP VOCAL PERFORMANCE: ``Steppin' Out,'' Tony
Bennett.
	BEST POP INSTRUMENTAL PERFORMANCE: ``Barcelona Mona,'' Bruce
Hornsby and Branford Marsalis.
	BEST ROCK VOCAL PERFORMANCE, SOLO: ``I'd Do Anything for Love
(But I Won't Do That),'' Meat Loaf.
	BEST ROCK PERFORMANCE BY A DUO OR GROUP WITH VOCAL: ``Livin' on
the Edge,'' Aerosmith.
	BEST HARD ROCK PERFORMANCE WITH VOCAL: ``Plush,'' Stone Temple
Pilots.
	BEST METAL PERFORMANCE WITH VOCAL: ``I Don't Want to Change the
World,'' Ozzy Osbourne.
	BEST ROCK INSTRUMENTAL PERFORMANCE: ``Sofa,'' Zappa's Universe
featuring Steve Vai.
	BEST ROCK SONG (SONGWRITER): ``Runaway Train,'' David Pirner.
	BEST ALTERNATIVE MUSIC ALBUM: Zooropa, U2.
	BEST R&B VOCAL PERFORMANCE, FEMALE: ``Another Sad Love Song,''
Toni Braxton.
	BEST R&B VOCAL PERFORMANCE, MALE: ``A Song for You,'' Ray
Charles.
	BEST R&B PERFORMANCE BY A DUO OR GROUP WITH VOCAL: ``No Ordinary
Love,'' Sade.
	BEST R&B SONG (SONGWRITER): ``That's the Way Love Goes,'' Janet
Jackson, James Harris III and Terry Lewis.
	BEST RAP SOLO PERFORMANCE: ``Let Me Ride,'' Dr. Dre.
	BEST RAP PERFORMANCE BY A DUO OR GROUP: Rebirth of Slick,''
Digable Planets.
	BEST NEW AGE ALBUM: ``Spanish Angel,'' Paul Winter Consort.
	BEST CONTEMPORARY JAZZ PERFORMANCE (INSTRUMENTAL): ``The Road to
You,'' Pat Metheny Group.
	BEST JAZZ INSTRUMENTAL SOLO: ``Miles Ahead,'' Joe Henderson.
	BEST JAZZ INSTRUMENTAL PERFORMANCE, INDIVIDUAL OR GROUP: ``So
Near, So Far,'' Joe Henderson.
	BEST LARGE JAZZ ENSEMBLE PERFORMANCE: ``Miles and Quincy Live at
Montreux,'' Miles Davis and Quincy Jones.
	BEST COUNTRY VOCAL PERFORMANCE, FEMALE: ``Passionate Kisses,''
Mary-Chapin Carpenter.
	BEST COUNTRY VOCAL PERFORMANCE, MALE: ``Ain't that Lonely Yet,''
Dwight Yoakam.
	BEST COUNTRY PERFORMANCE BY A DUO OR GROUP WITH VOCAL: ``Hard
Workin' Man,'' Brooks & Dunn.
	BEST COUNTRY VOCAL COLLABORATION: ``Does He Love You,'' Reba
McEntire & Linda Davis.
	BEST COUNTRY INSTRUMENTAL PERFORMANCE: ``Red Wing,'' Asleep At
The Wheel.
	BEST BLUEGRASS ALBUM: ``Waitin' for the Hard Times to Go,'' The
Nashville Bluegrass Band.
	BEST COUNTRY SONG (AND SONGWRITER): ``Passionate Kisses,''
Lucinda Williams.
	BEST ROCK GOSPEL ALBUM: ``Free at Last,'' DC Talk.
	BEST POP-CONTEMPORARY GOSPEL ALBUM: ``The Live Adventure,''
Steven Curtis Chapman.
	BEST SOUTHERN GOSPEL, COUNTRY GOSPEL OR BLUEGRASS GOSPEL ALBUM:
``Good News,'' Kathy Mattea.
	BEST TRADITIONAL SOUL GOSPEL ALBUM: ``Stand Still,'' Shirley
Caesar.
	BEST CONTEMPORARY SOUL GOSPEL ALBUM: ``All Out,'' The Winans.
	BEST GOSPEL ALBUM BY A CHOIR OR CHORUS: ``Live ... We Come
Rejoicing,'' Brooklyn Tabernacle Choir.
	BEST LATIN POP ALBUM: ``Aires,'' Luis Miguel.
	BEST TROPICAL LATIN ALBUM: ``Mi Tierra,'' Gloria Estefan.
	BEST MEXICAN-AMERICAN ALBUM: ``Live,'' Selena.
	BEST TRADITIONAL BLUES ALBUM: ``Blues Summit,'' B.B. King.
	BEST CONTEMPORARY BLUES ALBUM: ``Feels Like Rain,'' Buddy Guy.
	BEST TRADITIONAL FOLK ALBUM: ``The Celtic Harp,'' The
Chieftains.
	BEST CONTEMPORARY FOLK ALBUM: ``Other Voices-Other Rooms,''
Nanci Griffith.
	BEST REGGAE ALBUM: ``Bad Boys,'' Inner Circle.
	BEST WORLD MUSIC ALBUM: ``A Meeting by the River,'' Ry Cooder
and V.M. Bhatt.
	BEST POLKA ALBUM: ``Accordionally Yours,'' Walter Ostanek and
His Band.
	BEST MUSICAL ALBUM FOR CHILDREN (award to the album producer):
``Aladdin (original motion picture soundtrack),'' various,
producers Alan Menken and Tim Rice.
	BEST SPOKEN ALBUM FOR CHILDREN (award to the album producer):
``Audrey Hepburn's Enchanted Tales,'' Audrey Hepburn, producer
Deborah Raffin.
	BEST SPOKEN WORD OR NON-MUSICAL ALBUM: ``On the Pulse of Morning
(Maya Angelou),'' Maya Angelou.
	BEST SPOKEN COMEDY ALBUM: ``Jammin' in New York,'' George
Carlin.
	BEST MUSICAL SHOW ALBUM: ``The Who's Tommy,'' Original Broadway
cast.
	BEST INSTRUMENTAL COMPOSITION: ``Forever in Love,'' Kenny G.
	BEST INSTRUMENTAL COMPOSITION WRITTEN FOR A MOTION PICTURE OR
FOR TELEVISION: ``Aladdin,'' Alan Menken.
	BEST SONG WRITTEN SPECIFICALLY FOR A MOTION PICTURE OR FOR
TELEVISION: ``A Whole New World (Aladdin's Theme),'' Alan Menken
and Tim Rice.
	BEST MUSIC VIDEO, SHORT FORM: ``Steam,'' Peter Gabriel.
	BEST MUSIC VIDEO, LONG FORM: ``Ten Summoner's Tales,'' Sting.
	BEST ARRANGEMENT ON AN INSTRUMENTAL: ``Mood Indigo,'' Dave
Grusin.
	BEST INSTRUMENTAL ARRANGEMENT ACCOMPANYING VOCALS: ``When I Fall
In Love,'' Jeremy Lubbock and David Foster.
	BEST RECORDING PACKAGE: ``The Complete Billie Holiday on Verve
1945-1959,'' David Lau.
	BEST ALBUM NOTES: ``The Complete Billie Holiday on Verve
1945-1959,'' Buck Clayton, Phil Schaap and Joel E. Siegel.
	BEST HISTORICAL ALBUM: ``The Complete Billie Holiday on Verve
1945-1959,'' Michael Lang and Phil Schaap.
	BEST ENGINEERED ALBUM, NON-CLASSICAL: ``Ten Summoner's Tales,''
Hugh Padgham.
	PRODUCER OF THE YEAR, NON-CLASSICAL: David Foster.
	BEST CLASSICAL ALBUM: ``Bartok: The Wooden Prince and Cantata
Profana,'' Pierre Boulez, Chicago Symphony Orchestra and Chorus.
	BEST ORCHESTRAL PERFORMANCE: ``Bartok: The Wooden Prince,''
Pierre Boulez, the Chicago Symphony.
	BEST OPERA RECORDING: ``Handel: Semele,'' John Nelson, English
Chamber Orchestra and Ambrosian Opera Chorus.
	BEST PERFORMANCE OF A CHORAL WORK: ``Bartok: Cantata Profana,''
Pierre Boulez, Chicago Symphony Orchestra and Chorus.
	BEST CLASSICAL PERFORMANCE-INSTRUMENTAL SOLOIST(S): ``Berg:
Violin Concerto-RIHM: Time Chant.'' Anne-Sophie Mutter, violin.
	BEST CLASSICAL PERFORMANCE, INSTRUMENTAL SOLOIST: ``Barber: The
Complete Solo Piano Music,'' John Browning, piano.
	BEST CHAMBER MUSIC PERFORMANCE: ``Ives: String Quartets,''
Emerson String Quartet.
	BEST CLASSICAL VOCAL PERFORMANCE: ``The Art of Arleen Auger,''
Arleen Auger, soprano.
	BEST CONTEMPORARY COMPOSITION: ``Carter: Violin Concerto,''
Elliott Carter.
	BEST ENGINEERED RECORDING, CLASSICAL: ``Bartok: The Wooden
Prince & Cantata Profana,'' Rainer Maillard.
	CLASSICAL PRODUCER OF THE YEAR: Judith Sherman.

591.12nothing new under the sunTOOK::LEVINEdust abhors a vacuumFri Mar 04 1994 10:407
>    'you can't believe how much  it costs to look this 
>    cheap' ..........maybe he should host the awards next year...;')...../k

This is an old Dolly Parton line...maybe he should host the country music
awards :-)

-Lance-
591.13As if on cue...LEZAH::CLARKSun Mar 06 1994 00:2841
  My 3rd (or 4th) annual "antidote" to the Grammies (or maybe not).
  
  Excerpts from the annual "Pazz & Jop Critics Poll" in the 1-March Village
  Voice. This year, 309 practicing pop music critics practiced.
  
  To see the good parts (commentary by the "voters"), get the issue [now
  unfortunately off the newstands].
  
  Top 10 Albums  [of 40 listed]
  -------------
  1.  LIZ PHAIR, Exile in Guyville (Matador)
  2.  NIRVANA, In Utero (DGC)
  3.  PJ HARVEY, Rid of Me (Island)
  4.  THE BREEDERS, Last Splash (4AD/Elektra)
  5.  PET SHOP BOYS, Very (EMI)
  6.  DR. DRE, The Chronic (Interscope)
  7.  JIMMIE DALE GILMORE, Spinning Around the Sun (Elektra)
  8.  DE LA SOUL, Buhloone Mindstate (Tommy Boy)
  9.  U2, Zooropa (Island)
 10.  DIGABLE PLANETS, Reachin'... (Pendulum)
 
  [Gilmore wasn't the only country songwriter to place -- Willie Nelson #22,
  Dwight Yoakam #26, Rosanne Cash #36.  Other roots music -- Arthur
  Alexander's swan song, #32.  I suppose you could count Bob Dylan #23, John
  Hiatt #38.]
  
  Also ranked are Singles (25+), EPs (10), Videos (10).  Reissues listed
  are:
  
  1. THE BEACH BOYS, Good Vibrations (Capitol)
  2. ELVIS COSTELLO, 2 1/2 Years (Rykodisc)
     OTIS REDDING, Otis! (Rhino)
  4. ORNETTE COLEMAN, Beauty Is a Rare Thing (Atlantic)
  5. RICHARD THOMPSON, History of: Watching the Dark (Hannibal)
  6. ANTHOLOGY, Tougher Than Tough: Story of Jamaican Music (Mango)
  7. JANIS JOPLIN, Janis (Columbia/Legacy)
  8. PRINCE, Hits/B-Sides (Paisley Park/WB)
  9. MOBY GRAPE, Vintage (Columbia/Legacy)
 10. JOHN PRINE, Great Days: Anthology (Rhino)
 
  Hard to argue with any of those.   - Jay
591.14LEDS::BURATII crossed my old man back in OregonMon Mar 07 1994 15:1321
    The production blew chunks -- big chunks.

    I missed Bono's appearance.

    I loved the Curtis Mayfield tribute. The medley was the only good part
    of the show that I saw (TWO HAMMONDS!) except Winwood sounded like he
    has the bubonic flu that's been going around nearly killing people. But
    Bonnie Raitt's and B.B. King's parts were superb.

    Tell me WHO were the two black guys that did that Freddy's Dead tune?
    One sang and the other played guitar. They were really good (and I loved
    their look -- that plaid skirt killed me). I know I've seen them before
    but can't place them. They're not on the album.
    
    Aretha's performance was terribly disappointing. I live to heard Aretha
    sing. And I hope they placed poor Danny Glover on a suicide watch after
    his presentation. At least I hope nobody lets him see a tape of it. I
    was hiding under a pillow on my sofa by the time he was done.

    But the major dissapointment is that Linda Perry wasn't awarded best new
    female volcalist. (I'm kidding, of course)
591.15Not a Billy Joel fan, but enjoyed the performanceCAPNET::LEFEBVREPCBU Product ManagementMon Mar 07 1994 16:573
    I beleive the guitarist was Vernon Reid from Living Color.
    
    Mark.
591.16two centsNEMAIL::CARROLLJGilligan! Drop those coconuts!!Mon Mar 07 1994 17:067
    
    I missed the Grammys, but "Freddy's Dead" is a Fishbone tune, so it
    might've been a couple members of the band ( but whoever did it
    might've just an easily been covering the song )
    
    				- Jim
    
591.18LEDS::BURATII crossed my old man back in OregonMon Mar 07 1994 17:136
    I know Vernon Reid. He was playing too, but that's not who I mean.
    Fishbone's a good guess if they cover that tune. Are they known for
    having an extremely bizarre appearance?

    --Ron

591.19Fishbone, more than likelyNEMAIL::CARROLLJGilligan! Drop those coconuts!!Tue Mar 08 1994 09:5012
>    I know Vernon Reid. He was playing too, but that's not who I mean.
>    Fishbone's a good guess if they cover that tune. Are they known for
>    having an extremely bizarre appearance?

>    --Ron

    	Uh... Big yes.  very, *very* odd looking group, but very, *very*
    good funk.  I whole-heartenly recommend their album _Truth and Soul_,
    and if you like that, then buy everything else :-)
    
    				- Jim
    
591.20sorry i missed BonoVAXWRK::STHILAIREi'd fix it but I don't know howTue Mar 08 1994 14:116
    I missed the show, but my daughter (who worships Bono) thought he was
    great.  She had no complaints.  She liked what he said, and she said he
    looked good, too.
    
    Lorna
    
591.21We can talk about it nowLEDS::BURATIboom shakalakalakaTue Mar 08 1994 15:376
<<< Note 591.20 by VAXWRK::STHILAIRE "i'd fix it but I don't know how" >>>

    Well, Lorna, we might disagree about Bono and a few other things but you
    have a great PN.

    --Ron
591.22ICS::CROUCHSubterranean Dharma BumWed Mar 09 1994 11:187
    Ron, I love your p-name. About a month ago I picked up Sly's
    anthology CD. It has gotten a lot of play lately.
    
    Sorry about the distraction, now back to the program.
    
    Jim C.
     
591.23LEDS::BURATIboom shakalakalakaWed Mar 09 1994 13:259
    Jim,

    Sly's 3AM set at Woodstock was the high point of my life. (psst, don't
    tell my wife.) Alright maybe that's an exageration, but only slightly!
    Sly's tunes still sound good today. "Hot Fun" is one of the alltime
    classic summer songs. "I Want to Take You Higher" is in a class by
    itself. Great stuff. Nice to hear from someone else that like 'em.

    --Ron
591.24ICS::CROUCHSubterranean Dharma BumWed Mar 09 1994 13:3613
    Ron, from what I hear Sly's performance at Woodstock was a show
    stopper. Wished I could've been there to see it but as it happened
    on my 11th birthday I couldn't make it. ;-)
    
    My 5 and 2 year olds dance up a storm to Sly. When my 5 year old wants
    to hear the cd she'll ask me to play the "boom shakalakalaka" music.
    Kinda made me smile when I saw your p-name.
    
    Later,
    
    Jim C.
    
    
591.25one moreUSPMLO::DESROCHERSMine&#039;s made outta unobtainium!Wed Mar 09 1994 14:327
    
    	I do a Sly medley in my solo act - Hot fun in the summertime,
    	Dance to the Music, Sing a Simple song, and Thank you for
    	lettin' me be myself.
    
    	Let me hear ya say Yaaaah.... 
    
591.26JUPITR::PORTERDMon Mar 21 1994 12:206
    A little late but I don't read this conference often.
    
    The guy who sung Freddie's Dead is from the group Tony,Toni,Tone not
    that any of them is name Tony.
    
    
591.27LEDS::BURATIBE AFRAID! BE AFRAID!Mon Mar 21 1994 15:021
thang-queue
591.28What did Bono say?DREGS::BLICKSTEINdbTue Mar 22 1994 16:132
    I'm entering this note well after the fact, but what is it that Bono
    actually said that caused all the ruckus?
591.29TECRUS::ROSTClueless and slightly slackTue Mar 22 1994 16:477
    Re: .28
    
    Something derogatory about Steve Morse, I recall
    
    8^)  8^)
    
    							Brian
591.30dream on, BonoBROKE::CLARKChairman of the BoredTue Mar 22 1994 18:442
Something like "we're going to continue to f*ck up the mainstream."  Kinda
funny considering that U2 has been mainstream for quite a while now.
591.31i love BonoVAXWRK::STHILAIREdon&#039;t let the rapture pass u byWed Mar 23 1994 11:436
    re .30, I think that's the point.  I think Bono was saying that the
    mere fact that U2 *has* been considered mainstream for quite awhile, is
    evidence that they have been f***ing it up.  
    
    Lorna
    
591.32bono single out soon..SUBURB::NEWTHGWed Mar 23 1994 12:4216
    
    
    i agree...having seemingly shaken off their "seriousness" and 
    adopted a sense of humour (then again, i always thought bono
    had a sense of irony) what i thought he meant was
    'while everyone continues to treat us like "royalty" as mega
    pop stars we'll keep on doing and saying what we like, but while
    having a laugh'...i don't know if that's what i was originally
    thinking before i wrote it...but they're a bit like smirking
    naughty children in front of outraged parents...who cares? i just
    like the music.
    
    
    giles
    
    
591.33Morse-ropaDREGS::BLICKSTEINdbThu Mar 24 1994 17:3411
>>    I'm entering this note well after the fact, but what is it that Bono
>>    actually said that caused all the ruckus?
    
>    Something derogatory about Steve Morse, I recall
    
    Y'know, I always thought that guy was a bozo.
    
    Gotta admit though, he's managed to hook himself up with a really
    original guitar player.   Edge is cool.
    
    	db
591.34who's Steve Morse?VAXWRK::STHILAIREused to be a sweet girlFri Mar 25 1994 11:535
    re .33, Edge is cool, but without Bono he'd be working a day job
    somewhere in Dublin.  :-)
    
    Lorna
    
591.35LEDS::BURATIBE AFRAID! BE AFRAID!Fri Mar 25 1994 13:026
    I'm inclined to think that it's the Edge's style that gives the band its
    signature sound and without the Edge, nobody would give Bono a
    microphone.

    --Ron    

591.36MAGEE::OSTIGUYFri Mar 25 1994 13:467
    RE.34   I didn't see any smileys, so I will assume your question is
    serious...
    
    Steve Morse is a guitarist who could play circles around the Edge, and
    all of Dublin for that matter...he was in a band called The Dixie Dregs
    or The Dregs, also played in Kansas, has some great solo stuff, and
    also has collaborated with many other greats, Steve Howe for example...
591.37He's a widely respected guitarist among musiciansDREGS::BLICKSTEINdbSun Mar 27 1994 17:0217
    > was in a band called the Dixie Dregs
    
    Lorna, take note of my node name.
    
    Steve Morse is almost certainly THE most respected guitar player in the
    world by OTHER guitar players.   He won the "Best Overall Guitarist"
    poll in "Guitar Player" magazine every year until they placed an limit
    of 5 wins on it.
    
    He is very well known among musicians and almost totally unknown to
    non-musicians.
    
    While there are exceptions, I think his music generally does NOT appeal to
    non-musicians.  We could, of course, ponder why that is, but it does
    seem to be (again "generally") so.
    
    	db
591.38best guitar pilot at least!USPMLO::DESROCHERSMine&#039;s made outta unobtainium!Tue Mar 29 1994 11:359
    
    	Geez db, what does the GP poll have to do with anything?
    
    	Charo has won "Best Flamenco" for cryin' out loud!
    
    	At least you wrote "almost certainly"...
    
    	;^)
    
591.39It supports the point I made, that's whatDREGS::BLICKSTEINdbTue Mar 29 1994 14:0213
    > Geez db, what does the GP poll have to do with anything?
    
    Winning a GP poll proves nothing other than "popularity among guitar
    players".  However, if you go back and read my note, that's pretty much
    the point I was trying to support in mentioning the GP poll.
    
    That is "what it has to do with" my note.
    
    Note how carefully I AVOIDED saying he WAS "the best" or anything
    like that.
    
    If you want to disagree that he's widely respected among guitar
    players, well... get real.  ;-)