T.R | Title | User | Personal Name | Date | Lines |
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720.1 | | CRVAX1::KAPLOW | There is no 'N' in TURNKEY | Sun Apr 12 1987 00:49 | 26 |
| James Newton Howard seems to be somewhere between Jazz and Rock.
The only recording of his I have is one cut on the Nakamichi demo
tape that came with my car deck.
Sheffield makes direct to disk audiophile recordings. They made
realtime analog tape recordings in parallel with this direct to
disk session, and later added a digital recorder to their
sessions. Their older recordings have been re-mastered for CD
direct from the analog tapes; the newer recordings were made from
the digital master tape. No editing or other mucking is done by
Sheffield; these are purist recordings, and very well done.
Since most big name artists had recording contracts when the small
audiophile labels started to spring up (Sheffield, Wilson, Telarc,
etc.), they produced fine recordings of lesser known artists.
One drawback to their recordings; the direct to disk process
forces rather short total times. The album you inquired about,
"James Newton Howard and Friends" is only about 25 minutes long.
Some are longer, others are even shorter. As a result, you don't
get much music on a CD that usually goes for a premium price, but
they are all VERY well done. One exception is the Drum & Track CD;
two seperate albums on one (still somewhat short) CD.
Nakamichi has released some Sheffield and other audiophile labels
on metal cassette in your choice of Dolby B or C, including JNH&F.
|
720.2 | Direct to disk, bleaugh! (Ought to stir up a few flames) | BETHE::LICEA_KANE | | Sun Apr 12 1987 19:30 | 18 |
|
I'm sorry, but I'm going to dissent.
| ...they produced fine recordings of lesser known artists.
In general, the audiofile labels cater to those who care more about
the sound than the music. They record mediocre (sp?) music with
exceptional care.
Which gets a big *yawn* from me.
I'll also generalize that alot of the early DDD music was recorded for
people who cared more about technology than sound or music. There
seems to be many attrocious digital recordings of ping-pong "artists"
which seem to exist only for the purpose of blowing up woofers
and tweeters.
-mr. bill
|
720.3 | | BPOV09::DANEK | | Sun Apr 12 1987 21:38 | 18 |
| James Newton Howard & Friends
Rock Instrumentals for Synthesizers, Drums, and Percussion
Sheffield Lab CD-23
"The Sheffield Lab Compact Disc is manufactured from our live two-track digi-
tal reference tape recorded sumultaneously with the origianl direct disc per-
formance. The JVC 900 master tape was digitally transferred to the JVC 900
Compact Disc Master."
This is on the back of the disc box. I guess it's supposed to mean it sounds
good. For what it's worth I think it does. I was in O'Coin's in Worcester
well over a year ago when I heard some catchy music. I asked about it, found
out it was this disc, I sampled a bit of all the cuts...and immediately bought
it. It is short alright...but all the music is very good.
I recommend it.
Dick
|
720.4 | Where James came from | AQUA::ROST | Who could imagine? | Mon Apr 13 1987 09:33 | 6 |
| Re: who is James Newton Howard
Howard is a keyboard player working out of LA. First heard him
back in the 70's doing sessions for a number of people. Was briefly
recruited to play synthesizers for Elton John. This was I believe
befor he recorded for Sheffield.
|
720.5 | A Yamaha Demo | RSTS32::VMILLER | What you don't mean can't hurt you | Mon Apr 13 1987 13:29 | 14 |
| The liner notes for the James Newton Howard CD explain that this
record/CD was put together as a demo for Yamaha electronic keyboards.
Yamaha went around and found some artists and commissioned them
to write/perform the stuff, and Yamaha (generous souls as they are)
provided the equipment. SO, the album is loaded with synth and
other electronic gear.
None of the performers are new to the game (the drummer, Porcaro,
is from Toto, for instance). The music is good (it's one of my
favorite CDs). Be aware that the drums are LOUD during certain
pieces (the very beginning of Track 4, for instance).
Vernon
|
720.6 | thanks for the info | NCADC1::PEREZ | Batches, we don't need no stinkin' batches | Mon Apr 13 1987 23:03 | 13 |
| re .2
I don't know about the early digital recording being more concerned
about technology then music, but I think some very good music has
been available since I've been buying.
re .3, .4, .5
Thanks for the info. Now all I have to do is find a place that
has the CD.
regards,
Dave
|
720.7 | where | NATASH::WEIGL | Turboferrets - racing for answers | Tue Apr 14 1987 15:30 | 2 |
|
Natural sound carries it.
|
720.8 | | NSSG::KAEPPLEIN | | Tue Apr 14 1987 15:31 | 5 |
| James Newton Howard also produces. He's probably responsible for
the terrible Ricky Lee Jones album Magazine. Its all digital and
sounds very gritty. Worst of all, the music was ruined by
overproduction and overorchestration. James Newton Howard makes
real bubble-gum crap.
|
720.9 | | RSTS32::VMILLER | What you don't mean can't hurt you | Tue Apr 14 1987 23:25 | 8 |
| Re: .8
Even though the statement "James Newton Howard makes real bubble-gum
crap" was made as though it is the word of God, we'll all assume
that it's just your opinion.
Vernon
|
720.10 | | NSSG::KAEPPLEIN | | Thu Apr 16 1987 16:46 | 9 |
| Of course its opinion! This is Vax Notes! How else does one flame?
I was disappointed with JNH&friends on DD. The drums are the only
dynamic sounds on the disk and the music is pretty boring.
I was outraged by the Rickie Lee Jones album. She sane one of the
songs on the Letterman show while playing piano and it was fantastic.
The album was such a disappointment with no intimacy. Its now a
cut-out. The CD sounds just as bad as the LP. I've heard both.
|
720.11 | | RSTS32::VMILLER | What you don't mean can't hurt you | Sat Apr 18 1987 13:43 | 11 |
| Re: .9 & .10
Sorry, didn't mean to offend. I guess I should have put one of
those little smiley faces at the end of the message...
I haven't heard the Rickie Lee Jones album in question. But, has
this James Newton Howard person done any other albums that opinions
can be gathered on?? Two albums does not a sample make (I hope).
Vernon
|
720.12 | I've got an old album... | CAMLOT::COFFMAN | Howard D. Coffman | Tue Jul 07 1987 15:19 | 25 |
| > I haven't heard the Rickie Lee Jones album in question. But, has
> this James Newton Howard person done any other albums that opinions
> can be gathered on?? Two albums does not a sample make (I hope).
I first learned of James Newton Howard when I attended a Melissa
Manchester concert long ago. She pulled him out of the band and asked
him to play. He was shy about doing it, but, the audience was glad he
did. He turned the place on. This was around 1975 somewhere in New
Jersey.
After that I bought an album, called, James Newton Howard.
The cover is a close up of a keyboard (blue, black and white).
I enjoy the album. Not sure what label. I can check and update if
you wish.
< Heaven forbid> But if you want an audio tape, send a tape and
I'll try and comply. THIS OFFER EXPIRES ON JULY 13, 1987 5 PM.
Recording can be made with DOLBY B or C, from a NAK 125.
- Howard Coffman
MKO1-2/K13
|
720.13 | | AKOV75::BOYAJIAN | I want a hat with cherries | Wed Jul 08 1987 03:16 | 6 |
| Personally speaking, I *like* the Rickie Lee Jones album
(MAGAZINE). I won't say it couldn't be better, or that it's
as good as her first album (I like it better than PIRATES
though).
--- jerry
|