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Conference cookie::notes$archive:cd_v1

Title:Welcome to the CD Notes Conference
Notice:Welcome to COOKIE
Moderator:COOKIE::ROLLOW
Created:Mon Feb 17 1986
Last Modified:Fri Mar 03 1989
Last Successful Update:Fri Jun 06 1997
Number of topics:1517
Total number of notes:13349

645.0. "Jazz Labels?" by BETHE::LICEA_KANE () Tue Feb 17 1987 19:55

    
    What are the labels that seem to have consistently good recordings
    and performances?  What are the labels that seem to be awful awful
    awful.
    
    I've found Concord and Concord Picante to be exceptional.  (Though,
    in some places, this label seems to bring a $3.00 premium.)
    
    Verve seems to take a lot of care with their recordings.
    
    MCA's IMPULSE seems to be quite good.  As is Fantasy.
    
    My limitted experiences with Denon LRC (both of which were sold to
    BCD, couldn't bare imposing on anyone in digital) were TERRIBLE.
    
    And, I have an irrational fear of Roulette.  Will someone make me
    feel more comfortable with this label, since I'm not the gambling
    type.
    
    		    						-mr. bill
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645.1GRP = Good quality recordingsNATASH::WEIGLTurboferrets - racing for answersWed Feb 18 1987 12:474
    
    GRP, in my experience, is excellent from an engineering standpoint.
    I think that most of their stuff, if not all, is digitally mastered,
    and is technically very, very well recorded.
645.2PHENIX::QUIMBYWed Feb 18 1987 14:5113
    re:  .0
    
    I can understand your irrational fear of Roulette, it's probably
    from seeing thousands of "Golden Goodies, Vol. xx" in the vinyl
    cutout bins (and not much else from them).
    
    I have a record of Duke Ellington and Louis Armstrong, together
    (piano with trumpet and/or vocal, plus sidemen) on Roulette, and
    it's very good.  I have read in a review that it has been 
    digitally reprocessed and released on CD, and they spoke well
    of it.
    
    dq
645.3Tired of GRP? Try Bob James!CASEE::CLARKWard ClarkThu Feb 19 1987 18:3610
    I was initially impressed by GRP CDs, but I've found that they didn't
    hold their appeal.  The recordings are wonderful, but the performances
    (by Dave Grusin, Lee Ritenour, modern Glenn Miller Orchestra) seem to
    be heavy on flash and light on substance.

    Several of my Bob James recordings (on Columbia) have a similar sound,
    but I find that I can listen to them over and over and they still sound
    fresh and exciting.

    -- Ward
645.4ECMSTRATA::TBROWNELLThu Feb 26 1987 11:375
    
    
        My favorite label for records as well as disks is ECM. I
    feel they have the best possible talent that is being recorded
    today.
645.5Blue Note and Manhattan!BETHE::LICEA_KANESat Feb 28 1987 18:5919
    
    Capitol is *finally* getting more of the vast Blue Note archives
    on CD.
    
    Finally found Herbie Hancock's "Maiden Voyage".  And yes, it is
    "pseudo stereo" with piano and trumpet on the left and sax and
    drums on the right, just as it was originally released.
    
    
    
    This isn't to snub Blue Note's current crop of tallent at all,
    but even there, Capitol didn't get very many Blue Note CDs out until
    after Christmas.
    
    I've also just started seeing some Manhattan CDs, another Capitol
    jazz label, hit the streets.  (BTW, the Manhattan CDs I've got are
    made in Canada.)
    
			    					-mr. bill
645.6Roulette, Columbia, Denon, MPSHUMAN::BURROWSJim BurrowsSat Feb 28 1987 21:1829
        My relatively small collection contains several jazz CDs that
        I'm quite happy with. Two from Roulette are very good: "Basie"
        (the "mushroom cloud" album), and "Basie in Sweden". The
        first album has 2 etxra cuts not found on the vinyl and is
        in a totally different order.
        
        Two more from Columbia's Jazz Masterpieces collection: "First
        Time! The Count Meets the Duke" and "Jazz Sampler--Volume One".
        The sampler has convinced me to pick up a couple more real soon:
        Benny Goodman's "Sextet" and "Carnegie Hall Concert". The sound
        on "Carnegie Hall" isn't up to modern standards, but given that
        it was recorded in '38 or '39, it is excellent, and you can't
        beat the line-up. That concert was legendary for a reason. I
        expect to pick up a couple more from the Jazz Masterpieces
        collection like the Armstrong or Brubeck pieces. 
        
        "Long Live the Chief" by the Count Basie Orchestra (a new album,
        and thus without the Count) from Denon isn't as good as many of
        the Count's albums, but is DDD and over an hour, and on the
        whole is a pretty good deal.
        
        "Violin" Summit" from MPS brings together 4 of the top jazz
        violinists which is a large fraction of good jazz violinists
        there are. The four--Stuff Smith, Stephane Grappelli, Svend
        Asmussen, and Jean-Luc Ponty--cover a pretty wide range of
        styles. I enjoy the album, but jazz violin is not tremendously
        popular, so you may not like it as much. 
        
        JimB.
645.7Bluebird!BETHE::LICEA_KANETue Sep 29 1987 23:2411
                                                                
    Time to come back here.
    
    Bluebird is out!  In force.  Folks older than I don't need any
    introduction to this label.  For the younger crowd, pick up a piece
    of jazz history.
    
    (If you're looking for boring meticulously produced DDD discs, Bluebird
     isn't for you.  If your looking for some *music*, go for it.)
    
    								-mr. bill
645.8Bluebird - -WOWJAWS::LEVITTThu Oct 01 1987 13:528
    re .7
    
    More info please.  All my bigband stuf is on Bluebird.  I'd love
    to replace my Fats Waller record.
    
    Do you know what they'll release first?
    
    Jeff