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Conference cookie::notes$archive:cd_v1

Title:Welcome to the CD Notes Conference
Notice:Welcome to COOKIE
Moderator:COOKIE::ROLLOW
Created:Mon Feb 17 1986
Last Modified:Fri Mar 03 1989
Last Successful Update:Fri Jun 06 1997
Number of topics:1517
Total number of notes:13349

76.0. "Magazine comparison" by MANANA::DICKSON () Fri Jan 18 1985 12:15

I analyzed the contents of two magazines, "Digital Audio" published
by Wayne Green, and "Grammophone" published by General Grammophone Ltd
in the UK.  I used the January issue of each magazine.

			DA	GRAM
			----	----
Total reviews:		18	125
    CD reviews:		18	41
Average length of
 a review (words):	450	350
Pages in issue:		96	102
Equipment reviews:	5	3
Annual subscription:	$20	$33

Ads in DA are mostly for equipment.  Ads in Grammophone are mostly
for suppliers of disks.

Categories for the record reviews in DA are Rock, Movie soundtracks,
Jazz, and Classical.  Categories in Grammophone are Classical,
Chamber music, Instrumental, Choral, Opera, Spoken word, and Jazz.

Articles in DA:
	Pianist Andre Watts talks about the state of music.
	Review of Eurodisc's 18-disk Ring cycle.
	Build your own sub-woofer.
	- 3 articles on CD manufacturing

Articles in Grammophone:
	Interview with Jose van Dam on release of his new
		"Flying Dutchman" recording on EMI.

Both have a "News and Views" column of various short items.
Both announce new releases.
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76.1THORBY::MARRAFri Jan 18 1985 14:416
	Thats nice

								:-)


	You were'nt expecting any responses were you ??
76.2WHO::ADEYMon Jan 21 1985 12:087
	I have bought the last two issues of Digital Audio (December and
	January) to evaluate for future subscribing. For me, the magazine
	does a little too much 'cheerleading'.

	I have never seen Grammophone, can it be purchased on a US newsstand?

Ken....
76.3KIRK::TABERMon Jan 21 1985 13:0118
As a side note, Wayne Greene (also known as "Weird Wayne") was the original
publisher of BYTE, then KILOBYTE which became KILOBAUD after a few threats.
He's always into shiny new hardware and tends to lean toward people who
advertise with him when evaluating equipment.  He usually has a column in
any magazine he publishes.  All I can figure is that he does it for tax
purposes (so he can deduct his travel etc.)  My favorite memory of his
magazines is one where he went into a long screed on how he was rich because
he shaved in the shower, saving valuable time to run his business.

I haven't read Digital Audio yet, but if you do read it, be aware that Greenw
(oops...Greene) publications tend to try and influence you to roll over your
equipment a lot by touting something for a few months and then dropping it
and touting something else.  If you read unawares you might be tempted to
change from machine A which you bought on their recommendation to machine B,
based on this editorial style.  

All of the above is just personal oppinion, of course.
							>>>==>PStJTT
76.4MANANA::DICKSONMon Jan 21 1985 15:086
I have never seen Grammophone in the US.  It is available on magazine
racks in the UK.  I usually have a copy in my office, and anyone can come
look at it here.  (MKO1 pole 2A9)

Maybe one of those fancy news-stands in Harvard Square carry it.
Per-copy price in the UK is 85p.
76.5PSGVAX::PICHULOThu Jan 24 1985 09:283
I'll second the previous response about good old Wayne Green.  I cancelled
a trial subscription to DA...it sure aw ss hell isn't worth $20 a year.  The
only worthwhile thing I saw in it were the CD ads.
76.6Where to Buy "Grammophone" MagazineDELNI::TRUSLOWFri Jun 26 1987 13:5517
    The Grammophone has been available at least since 1970 at Nini's
    Corner in Harvard Square. (I know because I worked that summer at
    the Loeb Theater and used to stop by Nini's and Discount Records
    almost daily to unload my pay checks.) The Grammophone has always
    been the music lovers' Bible in the Boston area; it makes mags like
    Stereo Review and High Fidelity look like comic books by comparison.
    Even the ads are magnificent. It was through one of them that I
    made contact with a shop in London (Henry Stavis?), from which I
    used to order pristine (and gorgeously packaged) Decca and EMI releases
    of records available here only on filthy, sleazy, London and Angel
    labels. The last few issues I saw struck me as having declined slightly
    from the issues that came out in the '70s, but it's been over a
    year since I bought a copy--and only a few months since I switched
    to CDs. So I can't evaluate their handling of those.
    
    Jack
    
76.7PDVAX::P_DAVISPeter Davis (aka SARAH::P_DAVIS)Fri Jun 26 1987 17:0716
    You can get Gramophone (NB: Only 1 "m") in a few places around Boston
    and Cambridge.  I picked up a copy at the newstand in Copley Place,
    and have been getting it on subscription ever since.
    
    I get "Digital Audio" only because it is the best source of CD
    information I've found.  I also find Wayne Greene's editorials amusing,
    as long as you don't take them too seriously.
    
    For general audio, I like "High Fidelity" magazine.  I don't know
    how reliable their equipment ratings are, but I find their tutorial
    articles are good.  They don't talk down to you like so many magazines
    do.  I once found a copy of a CD magazine published by High Fidelity,
    but it did not have volume/issue numbers.  I assume it was a trial
    copy to test the market for such a magazine.  I would really welcome
    an alternative to "Digital Audio," but I haven't seen the other
    one since that time.
76.8FanfareBAVIKI::GOODMichael GoodMon Jun 29 1987 16:0012
    Another excellent review magazine is Fanfare - published in 6 thick
    issues each year.  This is the most comprehensive source I know for
    classical recordings, including out-of-the-way small labels and
    imports.  There are columns on equipment, pop music, jazz, and various
    feature articles, but the heart of the magazine is the recording
    reviews, featuring a very broad range of music from very old to very
    new.  CD reviews are more prominent with each issue, reflecting the
    distribution of CD and LP recordings as issued.  I've subscribed for
    several years.  It's available at Reading International in Harvard
    Square and other large newstands. 
    
    Michael