| I got a hint from Tweeter about testing filters: play something with
a flute solo in it. If the "breathiness" seems to be coming from
the same place as the "toot", the filters are doing a good job. If
the breathiness is disembodied, the filters are introducing phase
distortion.
They did warn against a certain Jean Pierre Rampal disk however, as
being overly compressed.
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| The CD players can be divided into three categories
in their phase characteristics:
- the "oversampling" players (Philips/Marantz and some others).
these do not have any measurable phase distortion.
- most other players which have slight phase distortion (but
identical on both channels!)
- some players of the second category which have just one
multiplexed D/A-converter, causing an additional
time delay of about 10 microseconds between the channels.
I doubt whether one can hear the difference between these
different categories. The phase distortion only becomes significant
at higher frquencies. Think of , say, a tone of 10 kHz, which has
a wave length of about 3.3 cm. I would say that in any speaker,
the effective distance of the woofer and the tweeter from
your golden ear differs by more than this amount (not even to
mention the difference between the distance to the other tweeter).
In other words, the phase behaviour of any speaker is by far
worse than that of the CD-players. I don't believe that this
kind of symmetric phase distortion at very high frequencies
is audible.
If the "breathiness" of a flute comes from a different
direction than the "toot" you must have some amount of ASYMMETRIC
phase distortion, or more likely asymmetric frequency response.
I think much more important in choosing the player
is its error correction capability (I think there is another
note/reply on this subject in this file). There are great
differences in this area, and with some of the players
you really have to keep your disks very clean (which is advisable
anyway).
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