T.R | Title | User | Personal Name | Date | Lines |
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2846.1 | first shot... | EZ2GET::STEWART | the leper with the most fingers | Mon Feb 17 1992 10:25 | 16 |
|
Since no one else has jumped in...
I haven't seen the device you're looking for, but I like your idea.
Sounds like what you want is a pedal that interrupts the MIDI stream
from the MG510 to your MT32 on the first push (this provides the hold
function), and then sends an all notes off message on the second push
(this provides the release function).
If you can't find a commercial product that does this, maybe you can
fabricate your own using an Anatek Pocket Pedal. If you're not
familiar with Anatek, they make a series of self-contained MIDI
functions contained in small packages. The one you would use for this
application is called something like the "pocket panic button".
Anybody got better pointers on this?
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2846.2 | | STAR::ROBERT | | Mon Feb 17 1992 11:08 | 12 |
| I've wanted this for years --- long before Midi.
I never got past the same solution you thought of, only
I was going to switch the inputs between a long sustaining
echo system and a "direct" route to the amp.
Les Paul had a little box mounted on his Guitar that could
do this, but I've never seen it productized (also, that was
a non-midi version).
Hope a better answer shows up here.
- greg
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2846.3 | | MANTHN::EDD | I refuse to talk to myself | Mon Feb 17 1992 11:24 | 4 |
| You don't have to disconnect the entire MIDI stream, just send a sysex
message to change MIDI channels...
Edd
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2846.4 | Sustain and Note-Offs | RGB::ROST | I'm not into music, I'm into chaos | Mon Feb 17 1992 11:53 | 8 |
| Also, your question about the sustain pedal:
The note-offs are still sent as usual. The sustain pedal being ON
tells the *receiving* unit to ignore those note-offs until the pedal is
released. This avoids the ghastly case of a controller omitting some
note-offs at some point and hanging the receiving unit.
Brian
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2846.5 | | SALSA::MOELLER | Psst.. 3 day weekends-Pass it on | Mon Feb 17 1992 11:59 | 8 |
| I usedta use a SONUS MIDI switcher. This little box had slider
switches that selected one of two MIDI inputs for each MIDI output..
therefore if I wanted a sustained tone/chord/whatever from one SGU, I'd
hit the notes and flip the switch.. thus it never received note-offs
until I flipped the switch back to listen to the KX88, and pressed the
sustain pedal down, then released - CC64 off.
karl
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2846.6 | it's been done | TOOK::LEVINE | | Mon Feb 17 1992 14:05 | 12 |
| > Now what I'd really like to do is hit the pedal, the MIDI sustain to continue
> and no more sounds registered so I can wander off playing guitar sound
> type notes with the chord continuing on its own.
Saw John McLaughlin a few months ago at Berklee, and he appeared to be
doing exactly this. He was playing an acoustic guitar with a pickup.
An unobtrusive "pad" patch played along. When he held the pedal down,
the synth sustained, otherwise it played in unison with the guitar.
I have no idea what equipment he used to do this, though...
-Lance-
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2846.7 | Potential problem with that suggestion | DREGS::BLICKSTEIN | Soaring on the wings of dawn | Wed Feb 19 1992 10:46 | 18 |
| > You don't have to disconnect the entire MIDI stream, just send a sysex
> message to change MIDI channels...
That might create problems when you want the sustained notes to stop.
This doesn't help you but it's interesting to note that the Ensoniq
VFX family of synths have a feature that allows a patch to "ignore"
sustain messages.
I have a several keyboard splits with bass on the left side and
piano/strings/etc on the right - the feature allows me to use the
sustain pedal for the piano/strings and yet still play a walking
bass line.
Another Ensoniq innovation that demonstrates that they listen
to customer feedback.
db
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2846.8 | | MANTHN::EDD | I refuse to talk to myself | Wed Feb 19 1992 10:58 | 4 |
| No problem, if you send a CC64=0 after you come back to th eoriginal
channel....
Edd
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2846.9 | what do you really want? | EZ2GET::STEWART | the leper with the most fingers | Wed Feb 19 1992 11:43 | 14 |
|
You guys sure managed to make this complicated! The original
suggestion to just disconnect the MIDI out from the MG510 will give the
sustain he's after (the notes will sustain according to the decay
envelope of the selected patch), and the pocket pedal will kill the
sustained notes when he's ready for a change.
Alternatively, he could use one of the other pocket pedals to produce
the appropriate controller data to send a sustain message, but that
wouldn't hide the note offs coming off of the MG510.
Of course, this is all based on my assumption that what he's after is a
stomp box kind of interface...
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2846.10 | simplicity rules! | GLOWS::COCCOLI | watch that spin cycle.. | Wed Feb 19 1992 18:54 | 8 |
|
RE .0
Just get a keyboard and some lead fishing weights.
Place weights on desired keys.......
RichC
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2846.11 | CC7 = Velocity NOT | DRUMS::FEHSKENS | len, EMA, LKG1-2/W10 | Fri Feb 21 1992 08:51 | 6 |
| re .8 - wouldn't it make more sense to send an ALL NOTES OFF? Just
setting the volume to zero might result in some strange behaviour
depending on the synth's voice allocation strategy.
len.
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2846.12 | not close enough | WXYZ::PRUCHA | | Fri Feb 21 1992 14:35 | 8 |
|
No. All_notes_off is an optional implimentation for
SGU's according to spec (V1).
Sending 127 note off's for 16 channels takes too long
too (probably), so Anatec approach wont be acceptable.
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