| T.R | Title | User | Personal
Name | Date | Lines |
|---|
| 2743.1 | | SALSA::MOELLER | think of it as sense,not surrender | Tue Oct 08 1991 13:53 | 4 |
| Vangelis has historically been rather close-mouthed about his specific
setup. No news here. I bet Oberheim thru a distortion circuit.
karl
|
| 2743.2 | | FORTSC::CHABAN | | Tue Oct 08 1991 19:50 | 6 |
|
Hammer likes Oberheims and Minimoogs. Karl's right, I'll bet they're
guitar FX.
-Ed
|
| 2743.3 | Custom moogs predates Moroder/Munich Machine.. | SUBWAY::GRAHAM | The revolution will be televised | Sat Oct 12 1991 21:15 | 7 |
|
Jan Hammer usually uses a strap-on keyboard with a custom 'moog'.
I remember that he used a custom Roland moog sound for the
sound track in "Beverly Hills Cop (I)"...("Axel F").
Kris...
|
| 2743.4 | | SALSA::MOELLER | think of it as sense,not surrender | Mon Oct 14 1991 14:29 | 7 |
| Jan Hammer has a promotion deal with the makers of the LYNC strap on
keyboard.
re distortion units : I read in a interview once that he highly
recommends the use of guitar-style distortion boxes for keyboardists.
karl
|
| 2743.5 | | FORTSC::CHABAN | | Mon Oct 21 1991 14:27 | 12 |
|
>Jan Hammer has a promotion deal with the makers of the LYNC strap on
>keyboard.
Hammer used a Probe controller built for him by my buddy Roger Powell.
This unit hooked into Moogs and Oberheims (pre MIDI!!!) The LYNC looks
a *HELL* of a lot like the Probe.
He also uses Texture and Prism for sequencing.
-Ed
|