T.R | Title | User | Personal Name | Date | Lines |
---|
2700.1 | | SALSA::MOELLER | Entropy Thrash | Wed Aug 21 1991 16:02 | 11 |
| There is a commercial studio product call the Eventide Harmonizer that
does time distortion without changing the pitch. I recall a famous
conductor going public, disclaiming responsibility for his latest
record release, because the record company had compressed the symphony
in time to make it fit in the LP format.
So perhaps contacting Eventide might be an option. Of course they may
also consider their interpolation/compression algorhythms to be
proprietary.
karl
|
2700.2 | pitch shift | PIANST::JANZEN | Arthur a grammar | Wed Aug 21 1991 17:10 | 19 |
| There are many pitch shifters. If you can change the speed of
playback, the pitch shifter will correct the pitch. However, the
output is a little fluttery, more so with larger changings of pitch.
The Yamaha SPX90 does this, so maybe might the Roland DEP 5.
At much lower prices than the Eventide. Eventide may or may not
be considered top of the heap; someone else whose name escapes me
is. These expensive units might be higher quality. I'm not sure.
The conductor probably got a pitch shift by playing the tape faster,
so the performance was very distorted. I doubt they used pitch
shifting, but it's possible I suppose with incredibly high end
units.
Radio Shack used to sell a tape recorder with pitch shift
that I rigged up to accept external line signals; it could only shift
down (it was for listening to lectures played back fast), and
was Charge-coupled device-based, and was real hummy and noisey.
Probaly the best way to synch up music, for which people have a lower
tolerance of low fidelity (what with the proliferation of
CDs) is to edit it, either on tape or digitally.
Tom
|
2700.3 | Don't forget lexicon | QUIVER::PICKETT | David - Live free or live in Mass. | Wed Aug 21 1991 18:22 | 9 |
| And, of course, there's the digital workstation thingy that Lexicon
systems won an Academy Award (not Grammy) for, which compresses and
expands time. The device is used to make music segments fit scenes in
movies more exactly.
All that domain transform mumbo jumbo you learned in college really
works.
dp
|
2700.4 | | PAULUS::BAUER | Richard - ISE L10N Center Frankfurt | Thu Aug 22 1991 04:50 | 7 |
| Hi there !
There's also the AKAI U5 (or is it U4) Phrase Trainer that does both time
compression and pitch correction. And it's a lot cheaper than the other units,
even though the capacity is only for phrases of a few seconds.
Richard
|
2700.5 | | MAJTOM::ROBERT | | Thu Aug 22 1991 13:23 | 12 |
|
The DECtalk products from Digital do exactly that, change the speed of
speech without distorting it. Now I'm not sure if that was as simple as
changing the pause duration between spoken words or what. And of course
this is voice synthesis, as opposed to real-time modification of incoming
analog/digital audio.
But in any case, I would guess the engineers in the DECvoice group would
be a good place to check. They must have slews of these sorts of algorithms,
some of which are probably proprietary, but available for other in-DEC use.
-TR
|
2700.6 | Alchemy, for sample waveforms | SUBSYS::LYNCH | | Tue Sep 10 1991 16:45 | 13 |
| If you're interested in doing this with sample waveforms, Alchemy (from
Passport, formerly from Blank Software) does the job quite well. As a
software product, it's quite expensive, but it does things like this
that other sample editors don't do.
It does not do this in real time -- it actually recomputes the new
waveform over a fairly appreciable time interval and then you upload
the sample back to the synth. You can, of course, also listen to it
over the Mac internal audio output. The computation it does, though,
is right on the money and has very little in the way of annoying
distortions or artifacts.
-- Mike
|
2700.7 | 1% Inspration.... | OTIGER::R_WHEELER | ex-Home and Garden | Sun Sep 22 1991 23:01 | 11 |
| Sorry I'm late in getting my entry in...
I have thought about how to do this for some time, to have correct
pitch, but slowed down time. I've wanted to do this for a band
project, and I try to use equipment on hand. My solution (untested) is
to record the vocals on tape, play through a harmonizer set to, say,
a fifth above, and sample the output. Select the root key and play the
note a fifth below. The sample should be at the correct pitch, and
should be about 1/3 again as long in time as the original.Fine tuning
on the pitch control would give more precise control on playback time.
|
2700.8 | somebody has already done it | FASDER::AHERB | Al is the *first* name | Sun Oct 27 1991 00:28 | 3 |
| That is what them 'digital slo-mo" things that are advertised in guitar
world do isnt it?
|