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Conference napalm::commusic_v1

Title:* * Computer Music, MIDI, and Related Topics * *
Notice:Conference has been write-locked. Use new version.
Moderator:DYPSS1::SCHAFER
Created:Thu Feb 20 1986
Last Modified:Mon Aug 29 1994
Last Successful Update:Fri Jun 06 1997
Number of topics:2852
Total number of notes:33157

2439.0. "Product Maturity - Getting the Message to Mfgrs" by DYPSS1::SCHAFER (I used to wear a big man's hat...) Mon Sep 10 1990 13:52

    I've got a general flame I'd like to get off my chest - it concerns
    equipment mfgrs, and is somewhat related to the current contretemps in
    Keyboard.
    
    I'll start with an example: I have a Roland MKS-70 (SuperJX-in-a-rack),
    and am getting frustrated.  There are some pretty stupid nits in the
    machine that folks shouldn't have to put up with, such as crashes when
    using the programmer, note processing problems (the old every 3rd & 4th
    note never shut off problem), and a several U/I things that could be
    corrected that are just plain oversights on the part of the developers. 
    
    There are several operating system bugs as well, yet the last O/S
    update was sometime in late 85 or 86, and (I quote a Roland rep) "there
    are no plans to make any further changes".
    
    To take this a step further ... won't current hardware technology allow
    the circuitry to be shrunk - or, heaven forbid, enhanced?  How tough
    could it be to make this thing with *double* the number of voices, or
    *multi-timbral*, or to add a new FX circuit (such as exists in the D or
    U series) ... or even add some *NEW* programming features, such as a
    variable HPF, instead of 4 hard-coded settings?
    
    I could mention several mfgrs, and several pieces of equipment, but I
    don't know that there's any sense in going on.
    
    The question is this: why don't mfgrs mature a product anymore?  Is it
    hardware/software related, or just plain lack of design foresight (viz,
    the tendency to hit the "short-term" in lieu of the long term)?  For
    the life of me, I don't know.  Even the FM series from Yamaha (which is
    the closest thing I've seen to "maturing" a product) isn't upwardly (or
    even cross-) compatible.
    
    There.  I feel better now.  I think.
    
+b
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2439.1no excuse for buggy softwareKEYS::MOELLERDon't like my noting ? Call 1-(800)EATWITHELVISMon Sep 10 1990 15:1818
    Brad, I hear your frustration.  The JX analog sounds are really rich
    and one doesn't hear them enough anymore.
    
    However !  Your comments remind me of someone who bought a Jeep five
    years ago and now wants it to look and ride like a Mercedes, and is 
    angry with the manufacturer because there's no in-chassis upgrade.
    
    The market for our toys is SMALL !  And most of these instruments are
    one-time things, unless the manufacturer seizes on it as an
    'architecture' ala' DX FM synthesis or Roland's LA stuff.
    
    (ahem) I have none of your gripes about my gear.. there's been more
    hardware upgrades and software updates to the EMAX family than I can
    count.  And Kurzweil did pretty well with the soundblock concept for
    the 1000 modules, despite the high initial cost.  Maybe that's what I
    got for buying American.
    
    karl
2439.2Ensoniq has it togetherDREGS::BLICKSTEINThis is your brain on UnixMon Sep 10 1990 15:1920
    Brad,
    
    I don't think you can buy any more Ensoniq products that aren't easily
    software upgradeable (load OS from floppy). 
    
    And unlike most companies, Ensoniq has been updating their loadable
    OS's pretty regularly.
    
    No one at Roland can seem to tell me how to reliably get informed of
    and obtain updates for the S-550 software even though there have been
    a few such updates.
    
    But one good thing I will say about Roland is that they seem to be
    heading towards a standard media format for sample data such that
    one sample card works for a lot of different Roland units.  Cards
    for my U-220 also work on a bunch of other sample-players and even
    some synths such as the D-70.  That's definitely the way to go.
    
    Sigh, I just wish Ensoniq made more stuff - I really think those guys
    know what they're doing, they just aren't doing enough of it.
2439.3sorryKEYS::MOELLERDon't like my noting ? Call 1-(800)EATWITHELVISMon Sep 10 1990 15:224
    >Sigh, I just wish Ensoniq made more stuff - I really think those guys
    >know what they're doing, they just aren't doing enough of it.
    
    Isn't Ensoniq made in the USA ?
2439.4The golden ruleCSC32::MOLLERGive me Portability, not excusesMon Sep 10 1990 15:2318
	My feelings exactly. I guess there is more money to be made in
	selling new product versus upgrading ROM's. I have a lot of older
	gear & while it works  fine, I don't expect to ever see an upgrade.

	Along the same lines, sometimes an upgrade messes up features
	that you were using. The upgrade to the MX-8 would change the
	way it does velocity compression, and I prefer the old way & that's
	the way it's going to stay. A freind of mine got very upset when
	Ensoniq changed an internal function of the sequencer (and let them
	know about it as soon as he found out that his months of sequencing
	was now crippled).

	I have found that you have to buy your musical products with the
	thought that it will eventually be obsoleted & you will be left
	sitting a the most recent update for a loooooooooooonnnnnnnnnnng
	time.

	Jens_who_still_plays_guitar_using_a_tube_amplifier_and_won't_change.
2439.5yeah, but ... (I really hear you)DYPSS1::SCHAFERI used to wear a big man's hat...Mon Sep 10 1990 15:3924
    A few specific responses to illustrate my point ...
    
    Kurzweil: see the banter in 1066.
    
    Ensoniq: if they were *really* playing ball, they would have come out
    with an additional ROM set for the ESQ1.  They would have made their
    sequencers SYSEX compatible (using SYSEX as a common format or
    something).  Etc.
    
    Emu: if they're *really* going to do things right, they'll come out
    with an upgrade for the Proteus that allows it to accept cards or some
    type of external sample loads.  I'll wait to see what happens.
    
    I'm not complaining that my "Jeep doesn't ride like a Mercedes" (I
    kinda like that!) ... what I am complaining about is that I can't get
    an FM radio for my Jeep.  I understand that our market is fairly small,
    but one would think that, once a machine is built, further enhancements
    would be only incremental expense (e.g., the JX postulate in .0).
    
    Heck, I even wish that my Oberheim would respond to MIDI sustain, and
    it's 10 years old.  Maybe I'm dreaming ... but I'd *still* like to see
    a multi-timbral 32 voice JX series synth in a single rack space.....
    
+b (whining indiscriminately)
2439.6Ensoniq IS playing ballDREGS::BLICKSTEINThis is your brain on UnixTue Sep 11 1990 11:0621
    > Ensoniq: if they were *really* playing ball, they would have come out
    > with an additional ROM set for the ESQ1.  
    
    Ensoniq's story with the ESQ-1 is that there is no more room in
    the OS memory for enhancements.  
    
    Ensoniq IS playing ball with their newer products, ALL of which have
    soft-loaded operating systems.  At least to the best of my knowledge.
    
    > They would have made their sequencers SYSEX compatible (using SYSEX 
    > as a common format or something).
    
    I don't see any need for SYSEX compatability.  What I want is a
    conversion utility, and at one time an Ensoniq person told me that
    they may provide such a utility for converting SQ-series sequences
    to the VFX-SD.  However, they were not going to let that hold up
    the release of the VFX-SD and I don't blame them for that.
    
    I will grant you however that if they were going to provide such a
    thing, I'd likke to think that we'd have it by now.
    
2439.7Be Thankful For The Crumbs You GetAQUA::ROSTMahavishnu versus MotormouthTue Sep 11 1990 12:5038
    
    Re: Ensoniq
    
    Having a disk based OS leaves the door open to third party OSes, which
    happened for the Mirage.  I think Ensoniq stumbled a bit by not making
    the EPS and VFX sequencers identical (note the new EPS-16 is VFX-like
    in that respect) and also in making the VFX, VFX-SD and SQ1 not truly
    patch compatible.  
    
    However, they *did* provide patch and sequence upgradability going from
    the ESQ-1 to the SQ-80, and have a sample upgrade path from the Mirage
    to the EPS to the EPS-16,  which is more of an effort than some other
    manufacturers have made.
    
    Re: Roland
    
    Korg and Roland are about tied for worst upgrade paths:
    
    
    Poly 800 --> DW6/8000 --> DS-8/707 --> M1  
    
    
    Juno 60 --> Juno 106 --> Alpha Juno --\ 
    					   --> L/A 
    			JX3P --> JX8/10 --/ 
     
    			
    It's tough to keep an architecture happening for a long time.  Yamaha
    4-op lasted, what 6 years?  That's probably the record.  Now that the
    D-70 is here (and not patch compatible with the D-50) Roland is at it
    again.  If you think the JX got slighted, go find some Roland S-10
    sample disks or ROM cards for the Korg P3 or patches for a Casio VZ.
    
    Depending on third party support is just your typical vaporware
    situation.  It they deliver the goods, great, but until you can see,
    hear and touch it, it's not real.
    
    							Brian  
2439.8It's possibleDREGS::BLICKSTEINThis is your brain on UnixTue Sep 11 1990 16:2214
    Brian,  I think it's possible that you may see an ESQ/SQ-to-VFXSD
    sequence converter at some point.  I got the impression that someone
    was working on that.
    
    There was also speculation about a ESQ/SQ to VFX patch "converter"
    which would attempt to approximate an ESQ patch on the VFX.  Many
    of the ESQ/SQ samples have reasonable analogs in the VFX.  However
    the synth architecture is fairly radically different so it's not really
    a "conversion" so much as an AI-like approximation.
    
    With the Ensoniq rep listening, I told a Daddy's salesman that when
    that conversion software arrives he can write me up a slip for a
    VFX-SD.   That's really the only thing stopping me from getting
    a VFX-SD.