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Title: | * * Computer Music, MIDI, and Related Topics * * |
Notice: | Conference has been write-locked. Use new version. |
Moderator: | DYPSS1::SCHAFER |
|
Created: | Thu Feb 20 1986 |
Last Modified: | Mon Aug 29 1994 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 2852 |
Total number of notes: | 33157 |
1943.0. "Apple Records vs. Apple Computer?" by FGVAXX::LAING (Soft-Core-Cuddler*Jim Laing*261-2194) Fri Mar 17 1989 08:46
[From VNS ...]
Apple Records - Sues Apple Computer for making music
The music of the '80's is striking a sour note with the leading rock group
of the '60's.
Apple Records, the recording company created more than two decades ago by
and for the Beatles - yes, John, Paul, George and Ringo - is suing Apple
Computer, the darling of Silicon Valley.
The suit, filed Tuesday in London on behalf of the Beatles, claims that the
music-making capabilities of Apple Computer's machines violate a 1981
agreement between the two Apples outlining when each of the Apples could use
the Apple name and trademark.
The agreement gave Apple Computer the computer world and the right to the
symbol of a multicolored apple with a bite taken out of it; Apple Records got
the music world and what became its distinctive logos: a shot of an exterior
of a green apple and the inside of an apple sliced in half.
But, technology being what it is, the once easily understood distinction has
become blurred. Apple Computer's latest, top-of-the-line Apple II and
Macintosh personal computers come equipped with circuitry that allows them to
play and synthesize music.
And remarkably well, according to many users. Pop star Stevie Wonder is said
to prefer composing on his Macintosh; students at universities around the
country are learning music composition and theory by using a Macintosh.
"It's a clear violation of the agreement," said Wayne Cooper, an attorney
for the record company, which is still equally owned by Paul McCartney, George
Harrison, Ringo Starr and the estate of John Lennon. "If the computer company
wants to sell machines that make music, they will have to become banana or
peach or something."
Cooper estimated that past-due royalties could amount to $50 million to $200
million.
A spokesman for Apple Computer declined to comment on the suit or the
long-simmering dispute.
The suit seeks a court order requiring the computer company to withdraw all
products violating the 1981 agreement and pay past-due royalties - plus 15%
interest - on all sales of music-making computers. Dataquest, a computer
market research firm in San Jose, estimates that Apple Computer has sold about
1 million computers with music-making capabilities.
Dataquest analyst William Lempesis said the suit "seems kind of far-fetched.
Music is not the primary function of the Apple computer."
Other analysts noted that the music company may be moving to protect its
position before its claim to the trademark is lost because of the lack of
enforcement of its original contractual rights.
Apple Computer introduced a computer with music-making capability in 1984,
when it came out with the original Macintosh. The computer contained chips
that allowed it to convert electronic impulses into sound. Later improvements
to both the Macintosh and the Apple II product lines vastly improved the
computer's abilities to produce music.
Among the improvements are specialized sound chips, software programs and
what is known as the Musical Instrument Digital Interface, or MIDI, a device
allowing users of the Apple computer to synthesize music and simulate the
sound of up to 15 instruments. In addition, Apple computers can play music
stored both on compact disks and floppy disks, either through its own sound
system or any speakers connected to the computer.
The result, claims Cooper, is that the interests of the Beatles have been
harmed. "They haven't gotten the royalties they should have," he said. "This
is no frivolous matter."
{Contributed by: Chuck Cooper}
{Los Angeles Times, 22-Feb-89, Part IV, p. 1}
T.R | Title | User | Personal Name | Date | Lines |
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1943.1 | Hogwash | HPSRAD::NORCROSS | Stand and Deliver. | Fri Mar 17 1989 10:28 | 0 |
1943.2 | | SALSA::MOELLER | subLiminals dOn't moVe mE | Fri Mar 17 1989 11:25 | 9 |
| Hey ! A Deal Is A Deal, as daddy used to say. Apple crossed the
line when it created hi-res audio circuity. The large 3rd-party
MIDI/sequencer/sample editor/patch librarian market does not infringe
on the 1981 agreement, Apple manufacturing audio boards for the
MAC family DOES.
It is NOT 'hogwash'.
karl
|
1943.3 | dying on the vine ... | MIZZOU::SHERMAN | quality first 'cause quality lasts | Fri Mar 17 1989 12:25 | 14 |
| There's not enough info here to tell. In particular, they don't
give deatils about the specifics in the agreement. For example,
if Apple agreed they would never make machine that could be used
to make music, they deserve to get reamed. But, if they agreed
they would never publish music they may have a good case. The court
may look at it from the point of view of whether or not the two
Apple's were competing in any market and settle based on that.
But, I doubt it would last in court based on that. I tend to be
in the camp that the record company is just trying to protect its
trademark, so it doesn't matter whether they win or lose since just
going to court probably proves lack of negligence. Makes a good
story but it'll probably die in the courtroom.
Steve
|
1943.4 | | ANT::JANZEN | Mr. MSI ECL Test | Fri Mar 17 1989 13:07 | 5 |
| I'm afraid that the companies have no alternative but to merge
together.
Apple london must be afraid that apple computer owners will play
Beattles songs out the DAC, without their permission.
Tom
|
1943.5 | And we don't use alar, either. | DYO780::SCHAFER | Brad - back in Ohio. | Fri Mar 17 1989 16:39 | 4 |
| We have an Apple orchard that existed long before either of these bozo
companies. Maybe *I* should sue ...
-b
|