T.R | Title | User | Personal Name | Date | Lines |
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1547.1 | My adddled mind is getting foggier by the moment... | JAWS::COTE | feelin' kinda hyper... | Tue Jul 19 1988 14:23 | 7 |
| Yamaha and (I bleeves) The University of Illinois (?) have had special
2 week FM seminars featuring John Chowning.
Dealt with lotsa of fun thingies using SOTA H/W. T'was fairly
pricey though. $1K area...
Edd
|
1547.2 | Stick around - we're as good as anyone else. | DYO780::SCHAFER | Brad ... DTN 433-2408 | Tue Jul 19 1988 15:38 | 6 |
| RE: .0
Or you could just frequent this conference. Lots of MIDIots around
here.
-b
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1547.3 | Clark University | NRADM::KARL | | Tue Jul 19 1988 17:43 | 5 |
| I've heard but haven't confirmed that Clark University in Worcester
has electronic (computer) music classes. I don't know any particulars
though.
Bill
|
1547.4 | Nothing like self-instruction | DECSIM::MERLETTE | | Wed Jul 20 1988 17:55 | 8 |
| Two good books to start off with:
_MIDI for Musicians_ by Craig Anderton
_Computer Music_ by Charles Dodge
Then poke around and check out other people's setup and start
building your own. (An inexpensive or used MIDI keyboard and
drum machine and sequencer [hardware or software]). Might
run into a little expenses, but the payoff is better then
blowing it all on a one time course.
|
1547.5 | more pointers | ANT::JANZEN | Tom 296-5421 LMO2/O23 | Wed Jul 20 1988 18:16 | 38 |
| The issue of M.I.T. Computer Music Journal, volume X number 3 is about MIDI,
so you could read the whole issue. CMJ is usually about fundamental technical
theoretcial issues in computer music, that sometimes become products 5 or more
years later (in the case of FM, 10 years, but that was really in the Journal of
the Society of Acoustical Engineers or something.)
There are also now lots of
books about signal processing because fast d/a convertors a/d convertors that
are small, and cheap are available, and becasue memory is cheap now.
Everything from radar to music, voice recognition and synthesis, can be done
efficiently with digital signal processing techniques, and books with those
words in the title have proliferated. It depends on what you care about.
Ten years ago there was a dearth of material to read in computer music.
Now there is a surfeit. Microprocessor Applications in Computer Music by Hal
Chamberlain, and the book of old CMJ articles by Roads and Strawn, Fundamentals
of Computer Music.
If you want to concentrate on MIDI, you can get trade magazines like Keyboard,
Electronic Music, and others. These magazines are designed to market MIDI
hardware, and are not about signal processing. Write to manufacturers
addresses in the ads to get data sheets on their instruments. Get a copy of
the MIDI spec.
You could borrow old library books like Lejaren Hiller's book Experimental
Music (about algorithmic composition) and Iannis Xenakis's book Formalized
Music, and type in his FORTRAN program to compose music (it makes a printout,
so you can run it on a VAX). Try not to buy any of these books until you're
certain. If your local library doesn't have them, ask them to ask
Boston Public Library, or to look for them for you.
You should bone up on musical acoustics with simpler books like Horns, Strings,
and Harmony, or the old Seashore's Psychology of Music, which has problems for
its age, or even read Helmholtz. These last two are Dover paperbacks for
ca. $7. ea. Read acoustics articles in big musical dictionaries and
encyclopedias such as Groves, and also in there about Scales, Timbre, or
whatever.
Have fun.
Tom
|
1547.6 | Another vote for Helmholtz | CTHULU::YERAZUNIS | Smurf _Terminator_ | Thu Jul 21 1988 11:24 | 7 |
| I'll add a vote to Helmholtz' "The Perception of Sound". Helmholtz
was a physicist, not a musician, so he leaned away from the artistic
explanantions and got right down to pressure waves, constructive
and destructive interference, etc.
I have a copy of the Dover edition and I really enjoyed it. Although
it's over 100 years old, it's not 'dated'.
|
1547.7 | A Classic! | DRUMS::FEHSKENS | | Thu Jul 21 1988 11:27 | 5 |
| Another vote for Helmholtz. It's also got an impressive array of
data on alternative tunings.
len.
|
1547.8 | I took a course once | MECAD::NICKERSON | | Thu Jul 21 1988 21:59 | 8 |
| I took a course many years ago at the University of Lowell. At the time it was
taught by Stewart... opps I can't remember his last name. Anyway, since U of L
has a very extensive music program they should still offer the course.
BTW- Many years ago means when I took the course U of L had a brand new ARP
2000!
Dana
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1547.9 | MIDI at Cornell | ZEKE::GOSSELIN | Book 'em Danno | Fri Jul 22 1988 09:01 | 24 |
|
Now for my .02:
I just graduated from Cornell 7 weeks ago and during my last
semester, I had the opportunity to take a new course that was being
offered entitled "Learning Music Through Digital Technology." It
was taught by David Borden (Mother Mallard fame) and proved to be
quite a good intro to the latest gear. My coursework consisted of
three music projects (using all of the school's equipment) and my
grade was basically based on how much stuff I could use and still
make everything sound good.
The lectures were fairly interesting, having guest speakers
from Opcode, the Physics dept., etc. (all personal friends of Dave)
and the amount of stuff the Music dept had was respectable, considering
that it was the first semester the course was taught.
The only problems the University are facing right now are that
over 120 hundred students have pre-registered for the next class which
can accomodate only 20. Once again, it will most likely be limited
to just Seniors. Dave told me before I left that he was hoping they
would get more stuff soon to enable larger enrollment but the Music
dept. wasn't too pleased with his proposed budget.
-Dan
|
1547.10 | Indian Hill Arts. | DARTS::OPER | | Tue Aug 16 1988 14:30 | 17 |
|
For an entry level, I'd recommend Indian Hill Arts in
Littleton MA.
They have a synth course. Their equipment is no longer state
of the art, but it's a good intro course. Last time I peeked
into the lab, they had a Juno 106, a Polaris, a Drumulator,
a Roland 8 track sequencer and a Porta-one 4 track cass deck.
I think the course is one hour class time plus one hour lab
time per week.
Call 486-9524. Harry Chalmiers is the director of Music.
BTW, they are a non-profit organization in case anyone wants
to donate old equipment (Or $$$) as a tax deduction.
Guy Novello
|
1547.11 | How about beginning keyboard lessons? | DSSDEV::CHAN | | Wed Aug 17 1988 17:18 | 12 |
| Where's a good place to ask about beginning adult piano lessons?
Is there a conference similar to this for acoustic instruments where
I can ask for recommendations for adult beginning piano lessons
in the New England area, preferrable within a reasonable distance
from Nashua NH? Does anyone know anything about the school at Music
Mall Inc in Chelmsford. Since I'll be actually practicing on a
digital sampled piano that feels like an acoustic piano, this might
be the place to ask after all.
Thanks for any info.
Kenney
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1547.12 | Cambride Center course | RGB::SREEKANTH | Jon Sreekanth, Hudson, MA | Tue Sep 13 1988 12:40 | 18 |
| Thanks for all the replies. I haven't followed up on all the leads,
but I've registered for this course at the Cambridge Center for
Adult Education (617-547-6789)
Becoming an Electronic Musician: Edward A. and Tobia Imbier, Media
Consultants. Code : ELMS
... Learn about the world of keyboards, MIDI, sequencing, and audio
processing. A MIDI music system will be available for your
experimentation. Let's make popular and classical music together
using these state-of-the-art tools.
Limited to 14. 5 2�-hr meetings. $63.
Thursdays, 7pm, begins Nov 3, Cambridge Friends School.
I'll post a summary after finishing the course.
/ Jon
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