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Title: | * * Computer Music, MIDI, and Related Topics * * |
Notice: | Conference has been write-locked. Use new version. |
Moderator: | DYPSS1::SCHAFER |
|
Created: | Thu Feb 20 1986 |
Last Modified: | Mon Aug 29 1994 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 2852 |
Total number of notes: | 33157 |
1393.0. "Roland S330 Rackmount Sampler" by BOLT::BAILEY (Steph Bailey) Tue May 17 1988 18:45
I played with an S-330 for an hour or so this past weekend.
If you like the S-50, you'll love the S-330. (Unless your favorite
feature of the S-50 is the hard-disk interface).
It is basically an S-550 with half the memory (and the S-550 is
basically a module version of the S-50 with a real-time filter and
twice the memory--these Roland products are getting out of hand,
since everything is ``almost'' compatible)
Briefly, it provides you the sonic capabilities of an S-50--16 voices,
8 part multitimbrality, 8 individual outs, nifty, mouse-driven visual
editing with an external monitor, samples stored on 3.5" floppy--all in
a single height rack mount unit, for $1600 (List price is $2000, but
Pianos 'N Stuff had it for $1604)!
The memory is unexpandable, and there is no SCSI port for a hard disk.
It can read and write S50 and S550 disks, as well as its own
(different) format.
A 24000 note sequencer will be availible at some point. An interesting
point is that the sequencer canibalizes operation system code memory
for its note storage, so those 24000 notes come at no loss of
sample/tone memory. On the flip side, this means that all the sounds
(tones, patches, whatever the hell they are called this week) are
read-only when the sequencer is in use.
All in all, the sucker is no great departure from the other Roland
samplers, but the ergonomics and price have taken what seems like
a quantum leap.
Steph
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