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Conference napalm::commusic_v1

Title:* * Computer Music, MIDI, and Related Topics * *
Notice:Conference has been write-locked. Use new version.
Moderator:DYPSS1::SCHAFER
Created:Thu Feb 20 1986
Last Modified:Mon Aug 29 1994
Last Successful Update:Fri Jun 06 1997
Number of topics:2852
Total number of notes:33157

731.0. "Frampton's Talkbox, and other Equipment Questions" by BLITZN::AIKALA (MIAMI VICE! Freeze) Wed Mar 25 1987 09:18

    ...And one of the next lines in the song that Don Henley would 
    croon was - I don't want to hear it! Ahhhh Woooooo oooooo.
         Imagine my dismay working DEC for 4 years and having to hear
    about this totally new universe from a salesman at PRO SOUND while
    looking, listening, and manually molesting an Ensoniq ESQ-1.  Seems
    he heard about it from a friend, from a friend, of one who works
    here.  So after much frantic, tunnel-visioned effort, I'm in!
         
         Okay.  First off, if I may solicit a little assistance please.
    After looking at the ESQ-1, my next interest that day was bent
    towards obtaining a vocoder.  After a slight dizzy spell experienced
    upon learning the price of KORG's vocoder ( $995 ), I suddenly
    remembered a friend in the summer of '83, who had a nice apartment
    studio set up with guitars, keyboards, effects, the works.  when
    playing keyboards (shoot me for not paying closer attention), he
    sometimes had this clear plastic tube running from his mouth somewhere
    to the keyboard causing his voice (electronicized) to emit from
    the keyboard, or at least I think it was the keyboard.  According
    to Mr. Pro Sound, such was used by Peter Frampton (Do You Feel Like
    I Do) and others during the 70's, under names like Talk Box and
    Golden Rod to name two.
         Does anyone know WHERE one can still find these gadgets?  They
    sound so much simpler than what Korg is offering, and according
    to Mr. Pro Sound, they were the best in terms of simplicity.  Can
    one build this thing?  I know that Keyboard magazine has a back
    issue K-5/85, that features an article on building one.  Has anyone
    perused this article?  I have heard that they still are available
    on the East Coast, (this is Colorado), any addresses?
    
         At this time I have the Roland Juno-1, and the Yamaha DX100
    (the DX was won in a contest, I never would have bought it, but
    I like it), and a Roland TR-505 all connected to a Yamaha 300 watt
    stereo system with two ESS Targa towers, and two Cerwin Vega 3-ways.
    Unfortunately, the speakers cannot handle the low-end of all the
    bass voices without keeping keyboard and amp output knobs at the
    06:33 position.  There's some good input on keyboard amps in
    DREGS::MUSIC, but they don't talk about bass handling.  Can they
    do it without sounding like the Jolly Green Giant burping?
    
         Anyone with any unusual/Charts Group recognized JUNO sounds?
                                                                     
T.RTitleUserPersonal
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731.1Show me the waaay-ay...JAWS::COTEFight for your right to pate'..Wed Mar 25 1987 10:4610
    That device Frampton turned into a cliche worked on a pretty simple
    principle. The moving air mass in front of a speaker was funneled
    into a tube and routed to his mouth. The 'output' end of the tube
    would have the same pitch as the speaker, and he simply shaped the
    'words' with his mouth.
    
    It's a real easy device to make. No electronics. A piece of plastic
    tubing and a funnel will get you started.
    
    Edd
731.2You *Do* Have Dental Insurance, Don't You?DRUMS::FEHSKENSWed Mar 25 1987 11:257
    I understand that because of the sound levels involved, Mr. Frampton's
    teeth got quite a vibratory workout.
    
    No s**t, Waldo, this is for real.
    
    len.
    
731.3talkbox = brain damageDYO780::SCHAFERimsim fimlic but fUrlic icimsUrWed Mar 25 1987 15:3110
Re: talkbox

    Yeah - I used one of these about 8 years ago - friend of mine had one.
    I strapped on his Les Paul, cranked up his Boogie, and played all the
    Frampton stuff I knew how. 

    After 15 minutes, I had such an intense headache that I couldn't
    see straight.  These suckers'll blow your head off.

brad_who_now_has_dental_insurance_and_two_cracked_front_teeth  8^(
731.4"what he said was Shocking!"COROT::CERTOWed Mar 25 1987 17:1115
    I played around with that a bit when I was in highschool.  You 
    can make one out of a horn driver, like on those outdoor megaphone
    shaped public address speakers, or midrange horn drivers.  Just
    unscrew the driver from the horn, stick a hose on it, connect to your 
    amp and voila.
    
    If your doing this stuff at home and don't need earth and teeth
    shattering volumes; I used to have this miniature speaker (or was
    it a mike?) and put it in a plastic bag and then in my mouth.
    It works pretty good for recording but its a little different
    sounding than Frampton.
                           
    By the way, I disclaim any responsibility for electrocution! 
                   
    Fredric
731.5Judas H. Priest!BLITZN::AIKALAMIAMI VICE! FreezeThu Mar 26 1987 04:3618
    
    re: .1,.2,.3,.4
    
    Vibrating teeth, cracked teeth, headaches, ELECTROCUTION!?  Somebody
    trying to talk me out of this?  If physical punishment brings
    pleasure...
    
         Okay, I've gotten a mild myriad of ways to put one of these
    things together, but I am still lost on a few specifics.  For example,
    I should have stated that my amp is a stereo amp, nix a keyboard
    amp or guitar amp.  The speaker connections are made via exposed
    wire (no plugs), everything else - plugs, i.e., preamp, reel to
    reel, phono, effects etc.  I'm unclear as to where I'm making the
    final connection.  Also this tube that is connected to speaker cone/
    driver is accomplished by taping directly to? How?  Sorry if
    I seem so shallow but I'm an external person (operator vs. software
    specialist), great with finished products, a student at finishing
    products.  Thanks for response.
731.6Looking over re: .1BLITZN::AIKALAMIAMI VICE! FreezeThu Mar 26 1987 04:516
    
    
    re: .1
    
      If connected to a speaker, which cone? Bass, midrange, tweeter?
    All 3?  This probably means I lose whichever speaker I use for this.
731.7DARTS::COTEFight for your right to pate'..Thu Mar 26 1987 08:084
    Start with the mid. You need to move alot of air, which necessitates
    a large cone area. Chances are the tweeter won't cut the cake. 
    
    Edd
731.8A rough diagramDYO780::SCHAFERimsim fimlic but fUrlic icimsUrThu Mar 26 1987 09:0427
    The talkbox my friend had came complete with its own built-in amp and
    speaker. 

    Here's how my friend's talkbox was built (as best as I can recall): 


		!!
		!!
		!! -> clear plastic tube, appx 1" dia
		!!    tube normally strapped/taped to a mic stand
		!!
		!!
		/\
	       /  \ -> inverted clear plastic funnel-like unit
              /    \
	  +----\~~/-----  (this is suppsosed to represent a sloped face)
	  |     --      -
	  |     ^         ? --> stomp on/off footswitch
	  +---  ! ----------!
                !
	    6" driver,
	 sounded midrange


    BTW - the talkbox did not crack my teeth.  8^)=)  See??

8^)
731.9????FRSBEE::ROLLAThu Mar 26 1987 09:376
    Can one assume the tube is taped on a mic stand which also has a
    mic on it ?  I've never seen one of these things so I'm assuming
    the mic is what picks up the output of the tube.
    
    Mike
    
731.10Whew!BLITZN::AIKALAMIAMI VICE! FreezeThu Mar 26 1987 10:0017
    
    
    RE: .9
    
    Oh no! Another question in point.  I was all set to start building
    this thing too.  I am assuming from everything discussed here that
    the tube taped to the mic stand is not attached to the mic but
    continues right on into ones mouth, talking/singing into/around
    it.
    
    re: .8
    
    Thanks, that was much better.  Let you all know if it works or not.
    
    re: .7
    
    Gotcha.
731.11 == === === ===MINDER::KENTThu Mar 26 1987 11:586
    
    And when I saw Framtpon use hi, he ahad a really neat tube which
    had a roloing neon light effect on it which lit up whenever jhe played
    a solo through it. Now that's real effects !
    
    				Paul
731.12ouchTALLIS::KLOSTERMANStevie KThu Mar 26 1987 12:482
	Caution...do *not* use this thing with a bass...
731.13cyborg city, earthlingGNERIC::ROSSwe have good gnus and bad gnusThu Mar 26 1987 13:1619
    1. Use a pa horn driver. They have a small orafice that one
       can attach the tube to. More efficient than the mechanical
       contraption; easier to make.
    
    2. yes, the mike is what picks up the modified sound.
    
    3. The electronic analog measures the amplitude in each of
       [so many] bands of frequencies from the 'control' signal
       (your voice). Each of these amplitudes then controls the
       'sound_you_want_changed' signal thru a bunch more band
       pass filters (amplitude changes, not the F_sub_c). The
       high ticket ones even sense "th" and "s" from your voice
       and impose some voiced noise in the output...(more realism)
    
    The circuitry isnt too complex, but is large as a function of
    the number of bands....
    
    rr
    
731.14Rocky mountain way...BARNUM::RHODESThu Mar 26 1987 13:2211
    Tube is taped to the mic stand, and extends about 2-3" above mic.
    Put tube in mouth and hold mouth near mic - the sound comes out
    of the tube, into the mouth where it is shaped, out of the mouth,
    and into the mic...
    
    The footswitch should not only kick in the driver/tube combo, but
    should also kill the straight guitar coming out of the guitar amp
    so that all the guitar/voice sound is heard thru the mic/PA...
    
    Todd.
731.15It's in the Bag, GuysAQUA::ROSTThe acid is beginning to kick inThu Mar 26 1987 17:1515
    Hey guys, is PAIA still in business?  They used to make a Pignose
    copy called the Pygmy.  Later when the talk box became popular,
    they offered an accessory kit which consisted of a new spealer bezel
    for the front which fitted a plastic tube to it.  The whole rig
    (amp and tube kit) was maybe $60.  By the way, check out music stores.
     Electro_Harmonix made a talk box called the Golden Throat (2 models,
    I think) and Heil also made a talk box (that's the one that Walsh,
    Frampton and Beck used).
    
    History lesson:  The first recorded talk box use was on Iron Butterfly's
    "Metamorphosis" album. Guitarist Mike Pinera used one in "Butterfly
    Bleu".  I even saw him do it on TV.  He used "the BAG" which was made
    by the Kustom amp people.  The speaker was mounted in a hippie-styled
    handbag thing which you slung over your shoulder and to which the mouth
    tube was attached.           
731.16bag it.JON::ROSSwockin' juanThu Mar 26 1987 17:308
    ....and....there was a horn driver in the bag.
    
    so to speak...
    
    forget the speaker! 
    
    rr
    
731.17chat'n with a cheat'aCOROT::CERTOFri Mar 27 1987 11:4516
    
    Use a *full range* horn driver if you can find one, that's why
    I suggested one from a Public Address horn.  Midrange drivers,
    may be easier to find though.  
    
    I would guess that if you use a normal speaker, the sound from it 
    might be kinda loud to try to hear the mouth tube over.
    __                                                      
    
    Or you can get a little speaker (or a little mike element will work)
    from Radio Shack to put in a baggie and into your mouth.  I would
    reccomend using a battery powered amp (radio shack has em too) so
    as to avoid getting zapped, though I don't know how likely that
    is anyway (I didn't).
    
    Fredric_my_head's_still_buzzin!
731.18Okee-Dokee!BLITZN::AIKALAMIAMI VICE! FreezeSun Mar 29 1987 08:106
    
    
    re: .13, .17
    
         You sold me on the PA horn driver *full range*.  I'll utilize
    that.  Thanx.