| T.R | Title | User | Personal
Name | Date | Lines |
|---|
| 656.1 | Patch: Tibet | VINO::BRAITHWAITE | | Wed Jan 14 1987 16:18 | 92 |
| 11-Jan-87 14:16:11,3909;000000000001
Return-Path: <[email protected]>
Received: from ucbarpa.Berkeley.EDU by TOPS20.DEC.COM with TCP; Sun 11 Jan 87 14:16:04-EST
Received: by ucbarpa.Berkeley.EDU (5.57/1.20)
id AA29295; Sun, 11 Jan 87 01:47:41 PST
Date: Sun, 11 Jan 87 01:47:41 PST
From: [email protected] (Rob Rosen)
Message-Id: <[email protected]>
To: [email protected]
Subject: ANOTHER PATCH
Yah, this time Jon Hassell has gotten to me. In case you've never
heard of him, try listening to his new LP "Power Spot", produced by Brian
Eno and Dan Lanois. He's a trumpeter who has been very influenced by Eastern
scales and intonations. He also puts his trumpet through a number of electronic
gadgets so it sounds very strange but quite interesting once you get used to it.
Anyway, since he plays a trumpet I had thought that to get a patch that
approximated his sound, I'd start with the 3TRUMS patch.
WRONG!!!
If you look around a little you will find that one of the most
interesting standard patches built-in to the ESQ is a patch called "HASSEL".
"Gee, what a coincidence" I thought. Then I listened to the patch and thought
"well, it DOES sound a little like what I want, but only a little."
So I modified the envelopes and turned on the mono mode, added a little
glide to approximate his technique, and came up with the following patch.
Let me know what you think, Hassell fans. I think it actually sounds
pretty decent, as long as you keep the range from about the octaves above and
below middle C (about a 2.5 octave range here, skewed more to the right than
to the left).
%%Rob
(I called the patch "Tibett" because until recently I was under
the impression that Hassell actually played a Tibetian trumpet, which is
why I thought the trumpet sounded so strange. Actually he apparently
plays a normal trumpet piped through electronics, and limits himself to
pentatonic scales so it SOUNDS Tibetian.)
PROGRAM:Tibett
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 0 02 00 voice2 env1 08 lfo1 06
OSC 2 0 00 02 saw env1 -02 lfo2 06
OSC 3 0 07 -04 voice2 env1 08 lfo3 10
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 63 on lfo1 -41
DCA 2 53 on env2 29
DCA 3 63 on
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 009 00 26 env3 42
-------------------------------------------------------------
FINAL VOL. (ENV 4) PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 60 06 kbd 61
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 18 off off tri 00 05 20 wheel
LFO 2 21 off off tri 06 01 20 wheel
LFO 3 24 off off noi 00 01 20 wheel
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 04 02 00 17 63 41 16 39 24 30
ENV 2 59 63 30 23 41 63 63 63 24 32
ENV 3 63 63 63 03 11 12 28 35 14 33
ENV 4 02 60 15 00 00 00 00 63 59 32
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off on 08 off off off off
-------------------------------------------------------------
|
| 656.2 | Technique: Panning | VINO::BRAITHWAITE | | Wed Jan 14 1987 16:44 | 31 |
| 13-Jan-87 17:31:04,1539;000000000001
Return-Path: <[email protected]>
Received: from ucbarpa.Berkeley.EDU by TOPS20.DEC.COM with TCP; Tue 13 Jan 87 17:30:50-EST
Received: by ucbarpa.Berkeley.EDU (5.57/1.20)
id AA04866; Tue, 13 Jan 87 14:20:25 PST
Received: from Aurora.ms by ArpaGateway.ms ; 13 JAN 87 14:13:00 PST
Date: 13 Jan 87 17:13:14 EST (Tuesday)
Subject: Re: Can you get *THICK* sounds from an ESQ?
In-Reply-To: <[email protected]>
To: [email protected] (Christopher Chow)
Cc: [email protected]
From: Marc Webster <[email protected]>
Reply-To: [email protected]
Message-Id: <870113-141300-6291@Xerox>
In using my ESQ, I've noticed in general that the sounds are not
particularly thick, too. I believe that's just Ensonic's preference
(like back in the 70's Japanesse synths tended to have "not so thick"
sounds). One advantage is that it leaves you free to add many sounds to
a mix without all the sounds stepping on each other (if a sound is very
fat, it can take over the entire mix, and adding a couple synth lines
from a "fat" synth could turn the mix to mush).
One trick I've used (if your'e working in Stereo) is the old "original
signal panned hard left, processed version panned hard right" trick.
Take your patch and pan it hard left, and a copy of the patch slightly
altered (in pitch, LFO freq, envelopes, or whatever) and pan it hard
right, and layer the two. Of course, this reduces you to 4 voices, but
it some situations, it can create a good fat sound.
Marc
|
| 656.3 | Patch: Mallot | VINO::BRAITHWAITE | | Wed Jan 14 1987 17:20 | 74 |
| 11-Jan-87 16:35:30,3442;000000000001
Return-Path: <[email protected]>
Received: from ucbarpa.Berkeley.EDU by TOPS20.DEC.COM with TCP; Sun 11 Jan 87 16:35:23-EST
Received: by ucbarpa.Berkeley.EDU (5.57/1.20)
id AA02939; Sun, 11 Jan 87 13:27:17 PST
Received: by cu-arpa.cs.cornell.edu (5.45/4.30)
id AA17898; Sun, 11 Jan 87 16:28:02 EST
Date: Sun, 11 Jan 87 16:27:46 EST
From: [email protected] (Christopher Chow)
Message-Id: <[email protected]>
Received: by tcgould.tn.cornell.edu (5.31/4.30)
id AA26389; Sun, 11 Jan 87 16:27:46 EST
To: [email protected]
Subject: Another patch
Here's a patch I made a few week ago:
PROGRAM:MALLOT
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 +0 00 00 el pno off 00 off 00
OSC 2 +0 09 00 formt4 off 00 off 00
OSC 3 -1 00 00 synth1 off 00 off 00
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 63 on off +00 env2 +63
DCA 2 40 on off +00 env3 +63
DCA 3 40 on kbd2 +63 env3 +63
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 037 00 04 env1 +23 env3 +22
-------------------------------------------------------------
FINAL VOL. (ENV 4) PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 63 08 off 00
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 00 off off tri 00 00 00 off
LFO 2 00 off off tri 00 00 00 off
LFO 3 00 off off tri 00 00 00 off
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 +63 +00 +00 29 00 00 15 00 15 00
ENV 2 +63 +43 +00 51 00 00 44 63 24 48
ENV 3 +63 +00 +00 36 00 00 46 00 46 00
ENV 4 +63 +50 +25 32 32 10 20 27 23 00
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off off 00 on off off off
-------------------------------------------------------------
Christopher Chow
/-------------------------------------------------------------------------\
| ARPA: [email protected] (128.84.253.35) |
| UUCP: ...{uw-beaver|ihnp4|decvax|vax135}!bullwinkle!batcomputer!chow |
| Phone: 1-201-836-3673, USPS: 671 Forest Av, Teaneck, NJ 07666 |
| PAN: chow Delphi: chow |
\-------------------------------------------------------------------------/
|
| 656.4 | | RDGE28::NORTON | | Thu Jan 15 1987 07:06 | 114 |
|
Good idea !!
Are all you ESQ1 owners on the ESQ mailing list - if not then send
mail to Rob Rosen @ucbarpa.berkeley.EDU (correct syntax is somwhere
else in this notes file)
I've collated all the Ensonic factory patches that I can find and
summarized them below. Has anybody out there got any different ones
as there seems to be a variety of different expander cartridges
on sale (ie same cartridge but different sounds and nothing externally
to differentiate the cartridge contents!!). Perhaps if we can track
them all down we can do swapsies !!
Here's what I've got :-
--------------------------------------------------------------------------------
CARTRIDGE 1
--------------------------------------!-----------------------------------------
CART A ! CART B
--------------------------------------!-----------------------------------------
BANK 1 BANK 2 BANK 3 BANK 4 ! BANK 1 BANK 2 BANK 3 BANK 4
--------------------------------------!-----------------------------------------
PIANO1 BOTTLS PIANO2 TRIAGL ! ELPNO2 PIPES TEETH2 D BELL
MRIMBA ORCBEL ELEPNO MIAMIW ! DIGBAS PWRSNK TALKIT BNGVOX
HORN3T REED SYNLED AFTGLO ! DINGER LUCY SYNBAS CHIME1
BO STR 2 COOL PLKBRS PNOSTR ! ECHO STRSTR SALING 3OCT.X
DIGPNO BNDBEL ISLAND KALMBA ! COMP1 CHOIRX HRNSEC ROTARY
WARBEL BASS10 ICYORG BL PNO ! REP 1 KLUNKS AHHHHS BELPAD
ORGAN BASIC 3TRUMS GOBELL ! STARS* DIGPAD F-111 PIANO3
ANABRS GONG1 FUZGTR 4XFADE ! GUITAR CHNSAW SHEMP1 T.GRIT
VELBAS ANSYN1 CELLOS KICK ! DRIPX FLUTE BIG KICK
'AIRS' "EOWW" TEETH K+SIMS ! SHAKER CHOIR2 PUZZGE +DRUM4
--------------------------------------------------------------------------------
CARTRIDGE 2
--------------------------------------!-----------------------------------------
CART A ! CART B
--------------------------------------!-----------------------------------------
BANK 1 BANK 2 BANK 3 BANK 4 ! BANK 1 BANK 2 BANK 3 BANK 4
--------------------------------------!-----------------------------------------
PLKMTL +KOTO2 HITMAN ORCBL2 ! BERGER HARP COQUI DRORGN
FRIDAY WETBAS VIOL 1 BUBBY ! CLAMBO BRASTR WHIPER NOT ME
HARPSI MOODS ICEBEL JAZORG ! CHANTZ "L" ORGBRS PRCORG
SOLICE HEVVY NOISTR STR4RT ! BLLCLV POOPY KALMEM TAP-N2
CHFBAS LAUGHS SFDBK3 BUBBLY ! TEKNO? VIBES1 2PNOS+ BELLS0
SINPAD VELPIN SAXBUT SKID ! OBOE BUBBY2 HIT ME SORBEN
"MACH" NLESS HOWNOW ANYLOG ! STEEL BUBBY3 ACCRDN PNGPNG
HI-RES REPBEL WYDOPN SNAPS1 ! TAPELP COPTER ORIENT EVOLVE
METAL1 LUVPIG SCI-FI STLUNK ! BELAIR WHISTL ARTIC HARPY
TRIBEL ROKORG SKETTY WHLSTR ! BASS.T SWELL SPDWA2 PUTERS
--------------------------------------------------------------------------------
Cartridge 1 patches - Same sound / different name:
--------------------------------------------------------------------------------
CARTRIDGE 1
--------------------------------------!-----------------------------------------
CART A ! ALTERNATE NAME - SAME PATCH
--------------------------------------!-----------------------------------------
BANK 1 BANK 2 BANK 3 BANK 4 ! BANK 1 BANK 2 BANK 3 BANK 4
--------------------------------------!-----------------------------------------
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ELEPNO ...... ! ...... ...... ROADT ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... 2 COOL ...... ...... ! ...... LYLE ...... ......
DIGPNO ...... ...... ...... ! ROADQ ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
ORGAN ...... ...... ...... ! BELFOUR ...... ...... ......
ANABRS ...... FUZGTR ...... ! OB BRS ...... LES P. ......
...... ANSYN1 ...... ...... ! ...... O.B.EX ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
--------------------------------------------------------------------------------
CART B ! ALTERNATE NAME - SAME PATCH
--------------------------------------!-----------------------------------------
BANK 1 BANK 2 BANK 3 BANK 4 ! BANK 1 BANK 2 BANK 3 BANK 4
--------------------------------------!-----------------------------------------
ELPNO2 ...... ...... ...... ! ROAD"3 ...... ...... ......
DIGBAS ...... ...... ...... ! DEXBAS ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... BELPAD ! ...... ...... ...... PPGPAD
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
--------------------------------------------------------------------------------
Patches I've not heard:
--------------------------------------------------------------------------------
CARTRIDGE 1
--------------------------------------!-----------------------------------------
CART A ! CART B
--------------------------------------!-----------------------------------------
BANK 1 BANK 2 BANK 3 BANK 4 ! BANK 1 BANK 2 BANK 3 BANK 4
--------------------------------------!-----------------------------------------
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... HASSEL ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
...... ...... ...... ...... ! ...... ...... ...... ......
--------------------------------------------------------------------------------
|
| 656.5 | Patch: (updated) Harpsicord | VINO::BRAITHWAITE | | Thu Jan 15 1987 12:18 | 80 |
| 14-Jan-87 20:19:55,2972;000000000001
Return-Path: <[email protected]>
Received: from ucbarpa.Berkeley.EDU by TOPS20.DEC.COM with TCP; Wed 14 Jan 87 20:19:45-EST
Received: by ucbarpa.Berkeley.EDU (5.57/1.20)
id AA07724; Wed, 14 Jan 87 17:10:37 PST
Received: from Aurora.ms by ArpaGateway.ms ; 14 JAN 87 15:00:18 PST
Date: 14 Jan 87 16:23:38 EST (Wednesday)
Subject: Harpsichord patch
To: [email protected]
Cc: [email protected]
From: Marc Webster <[email protected]>
Reply-To: [email protected]
Message-Id: <870114-150018-749@Xerox>
Folks,
As promised, here's the harpsichord patch. The initial metalic pluck is
modeled by the noise2 oscillator, and the metalic release buzz by
instantaneously opening the filter all the way upon release. The sound
is quite good, particularly in the middle range (the very low bass lacks
a little resonance and the very high treble lacks definition). On the
whole, I would say it's very usable and one of the better patches (and
certainly better than any of my efforts to create a harpsichord!). Hope
you like it.
Marc
-- satisfaction guranteed, or your money Bach
* * * * * * * * *
PROGRAM: Harpsichord
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 0 0 0 bass
OSC 2 +1 0 1 bass
OSC 3 -3 0 0 noise2 kbd2 -63
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 63 on env1 -63
DCA 2 63 on env1 -63
DCA 3 0 on env2 +63
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 127 7 13 env3 63
-------------------------------------------------------------
FINAL VOL. (ENV 4) PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 63 08
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1
LFO 2
LFO 3
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 00 63 63 00 00 00 47 00 00 06
ENV 2 58 00 00 00 00 00 00 00 05 00
ENV 3 -57 -57 -57 00 00 00 00 00 00 00
ENV 4 63 20 21 21 00 00 43 55 16 45
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off off 0 on on on off
-------------------------------------------------------------
|
| 656.6 | Patch: T/STR2 | VINO::BRAITHWAITE | | Thu Jan 15 1987 12:23 | 69 |
| [[[[[THIS BEING COPIED HERE FROM ANOTHER NOTE FOR COMPLETENESS]]]]]]]
<<< NOVA::$222$DUA16:[NOTES$LIBRARY]COMMUSIC.NOTE;1 >>>
-< ** Computer Music ** >-
================================================================================
Note 584.14 ESQ1 Help needed 14 of 16
BRAHMS::KLOSTERMAN "Stevie K" 59 lines 9-DEC-1986 09:44
-< Try this one >-
--------------------------------------------------------------------------------
I agree on the presets, generally. The e piano doesn't like much and
the presets generally don't take advantage of the three ocsillators. I
programmed this following sound on the ESQ-1 which received via the ESQ mailing
list. It's the first sound that's really impressed me using the three
oscillators.
PROGRAM: T/STR2
--------
Patch sounds like the trumpets and a string patch layered together.
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 +0 00 02 saw lfo1 -02 env1 +03
OSC 2 -1 11 30 piano lfo2 +02 env1 +02
OSC 3 +0 00 00 pulse lfo3 +03 env2 -02
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 54 on off 00 off 00
DCA 2 54 on off 00 off 00
DCA 3 63 on off 00 off 00
-------------------------------------------------------------
FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 32 02 31 env3 +41 off 00
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 ENV4 63 08 off 00
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 20 off on tri 00 01 20 wheel
LFO 2 22 off on tri 00 21 20 wheel
LFO 3 22 off on tri 00 05 25 wheel
-------------------------------------------------------------
L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK=
--------------------------------------------------
ENV 1 +16 +00 +00 +30 00 15 19 03 20 09
ENV 2 +27 +00 +00 +00 00 00 17 00 63 15
ENV 3 +63 +63 +56 63 00 15 00 26 09 00
ENV 4 +42 +61 +43 22 32 15 29 63 36 09
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off off 00 off off on off
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/
LAYER <<< no splitting, no layering >>>
|
| 656.7 | Patch: Pang1 | VINO::BRAITHWAITE | | Sat Jan 17 1987 11:29 | 76 |
| Date: Mon, 10 Nov 86 20:45:26 PST
From: rosen (Rob Rosen)
Message-Id: <[email protected]>
To: esq
Subject: Finally, a patch
Status: O
I decided to take well!flash's suggestion (since that was the only one
I received anyway) and format my patch, which I call "PANG 1", in the exact
manner that the "ESQ1 PROGRAM SHEET" in the back of the ESQ-1 manual does it.
The patch is basically derived from the GONG patch that comes standard on all
ESQs; I added more noise and took out the sustain to get the essence of the
effect. In case you didn't get my last mailing, the patch is supposed to
resemble the large trashcan-like cymbal that many drummers use to punctuate
a passage with (c.f. Bill Bruford on King Crimson's "One More Red Nightmare"
from RED, 1975). Feel free to make any comments and suggestions about how
to tweak certain parameters to make the patch sound "better." Since I
basically guessed at the parameter settings anyway, I'm open to anything.
I also suggest that we keep using the form used below to send future
patch info.
%%Rob
PROGRAM: PANG1
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 -1 00 00 noise1 off off
OSC 2 +2 10 00 noise2 off off
OSC 3 -2 05 00 noise2 lfo1 +25 kbd2 -63
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 00 on env2 +63 lfo2 +63
DCA 2 44 on env3 +18 lfo3 +63
DCA 3 63 on env2 00 off 00
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 071 01 00 env4 +57 lfo1 00
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 env4 63 08 wheel 00
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 39 on on noi 63 00 63 off
LFO 2 10 on on tri 09 63 09 off
LFO 3 63 on on tri 07 63 07 off
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
--------------------------------------------------
ENV 1 -63 -63 00 00 00 33 00 00 00 09
ENV 2 +63 +21 +12 00 00 00 00 00 00 00
ENV 3 +63 +06 -61 32 24 00 00 00 00 00
ENV 4 +63 +25 +00 00 00 00 23 36 11 00
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES on of of 00 of of of on
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ off off off
LAYER
|
| 656.8 | Patch: ROADT2 | VINO::BRAITHWAITE | | Sat Jan 17 1987 11:36 | 69 |
| Date: Fri, 21 Nov 86 20:55:51 PST
From: [email protected]
Message-Id: <[email protected]>
Received: by ihnp4.ATT.COM id AA04319; 21 Nov 86 14:06:44 CST (Fri)
Apparently-To: [email protected]
Status: O
Rob,
Here's a patch for the library, and some misc. notes:
PROGRAM: ROADT2
--------
Description: This patch is like the ROADT2 supplied on the voice eprom.
The difference is that the depth of the vibrato is controlled
by the wheel (base level) and by velocity. The harder you
play, the more the vibrato effect. Great for emphasising
a melody...
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 -1 00 00 el pno lfo1 00 env1 00
OSC 2 -1 00 03 el pno lfo1 00 env1 00
OSC 3 +1 07 00 synth1 *off* 00 *off* 00
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 63 on lfo3 -63 *off* +00
DCA 2 63 on lfo3 +00 *off* +00
DCA 3 00 on env1 +42 *off* +00
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 006 00 27 env3 +63 env2 +37
----------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 env4 63 08 lfo2 +47
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 20 off on tri 07 40 01 vel
LFO 2 12 off off tri 63 00 20 *off*
LFO 3 13 on off tri 00 00 00 wheel
-------------------------------------------------------------
L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK=
--------------------------------------------------
ENV 1 +63 +05 +00 63 29 51 56 00 00 01
ENV 2 +63 +00 +00 63 00 00 00 00 00 00
ENV 3 +63 +30 +01 63 22 00 28 47 37 15
ENV 4 +63 +47 +00 50 63 00 41 63 19 09
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off off 00 off off on off
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ off off off
LAYER
|
| 656.9 | Layering: PnoStr/DigPno | VINO::BRAITHWAITE | | Fri Feb 06 1987 14:01 | 46 |
| From: Marc Webster <[email protected]>
I've found a useful patch by layering PnoStr and DigPno. It gives you
the percussiveness of a piano but fills out with the strings. Also,
I've modified the strings so I can controll volume with the voltage
control pedal. Set the three DCA initial volume to 32 instead of 64 and
let the pedal add to the volume appropriately. I also closed the filter
slightly and had the pedal open it back up to add intensity. After
decreasing the amplitude of the DigPno (DCA4 = something in the 20's)
and putting the pno and strings together, I can pull the pedal back all
the way and basically get "just digital piano". As the music intesity
increases, I can begin to press the pedal to add the strings which fill
out the sounds nicely. Not terribly new and exotic, but effective.
And here's a new context for the "TEKNO?" patch (off the cartridge).
The patch has a slight vibrato from LFO1 controlled by the wheel. I
increased the LFO rate to about 28 or so, and set level so that the
pitch would always have a quick, wide "vibrato" (actually, it sounds
more like a fast "shake" in vocal jazz). Then I added heavy reverb
(this part turns out to be very important. If not drenched in reverb,
the sound is hoaky). Now hit a chord in the upper part of the keyboard
with several color notes. For example, a C7 voiced as
G
E
D
Bb
G
If it sounds like mine, you get a very effective "hit" (as in orchestra
hits, brass hits, etc).
note: The reason for the reverb is to blend the fast, wide vibrato into
a single sound color rather than being able to distinguish that the
chord is vibratoing. Too light a reverb makes the pitch variation
obvious.
Since these are just modifications of standard patches, I didn't bother
to print a patch sheet. If somebody asks, though, I will. Also, I've
made a patch of a "record scratch" (errrrRRrrRRrrRREEeeEEEeeKKKK!!!)
It's not fantastic, but it's getting there. One of these days I'll
remember to bring it in.
marc webster
|
| 656.10 | quick ESQ-1 question | TOPDOC::W_JOHNSON | | Tue Feb 17 1987 10:22 | 12 |
|
I've got a quick question about the ESQ-1. I hope this isn't too
much of an impurity:
Is it possible to split the keyboard so that you have the high
octaves of a piano sound on the left side and the high registers
of a, say, synth sound on the right?
Thanks in advance for any answers.
Wayne Johnson
|
| 656.11 | yup | BARNUM::RENE | 8 voices enuff ?? | Tue Feb 17 1987 10:41 | 3 |
|
yesserie.
see note 642.20
|
| 656.12 | Patch: Rogstr | VINO::BRAITHWAITE | | Wed Feb 25 1987 17:56 | 25 |
| From [email protected] Fri Jan 23 09:49:59 1987
(* Blackwell)
To: [email protected]
ROGSTR - Strings
osc1 0 0 0 saw lfo1 +2 env1 +3
osc2 0 0 5 piano lfo2 +1 env1 +2
osc3 0 0 3 saw lfo2 +2 lfo1 +0
dca1 54 on off off
dca2 54 on off off
dca3 53 on off off
filter 127 31 23 env3 +5 vel +0
dca4 63 8 lfo3 +61
lfo1 20 off on tri 0 1 20 wheel
lfo2 22 off on tri 0 21 20 wheel
lfo3 6 off on tri 56 0 20 off
env1 +16 0 0 30 0 15 19 3 20 9
env2 +63 +50 +45 0 0 0 50 63 12 9
env3 +63 +17 +17 0 22 46 44 63 37 9
env4 +42 +61 +43 22 32 15 29 63 36 9
modes off off off 0 off off off off
split off off off
|
| 656.13 | Patch: Organ1 | VINO::BRAITHWAITE | | Wed Feb 25 1987 17:57 | 32 |
| From [email protected] Fri Jan 23 09:49:59 1987
(* Blackwell)
To: [email protected]
----
ORGAN1 - Reasonable Pipe Organ - uses AM mode
osc1 -1 0 0 sine lfo1 -02 env1 +3
osc2 +0 7 0 sine lfo2 +2 env1 +2
osc3 -1 0 0 sine lfo3 +3 env1 -2
dca1 54 on off off
dca2 54 on off off
dca3 53 on off off
filter 32 2 31 env3 +41 off
dca4 63 8 off
lfo1 20 off on tri 0 1 20 wheel
lfo2 20 off on tri 0 1 20 wheel
lfo3 22 off on tri 0 5 25 wheel
env1 +16 0 0 30 0 15 19 3 20 9
env2 +27 0 0 0 0 0 17 0 63 15
env3 +62 +63 +56 63 0 15 0 26 9 0
env4 +42 +61 +43 22 32 15 29 63 36 9
modes off on off 0 off off on off
split off off off
Note: sounds best w/ a touch of mod wheel
Note: take osc2 up one octave for a basic oboe sound
---
|
| 656.14 | Patch: Ob2Brs (variation on OB BRS) | VINO::BRAITHWAITE | | Wed Feb 25 1987 17:58 | 26 |
| From [email protected] Fri Jan 23 09:49:59 1987
(* Blackwell)
To: [email protected]
OB2BRS - Variation on OB BRS w/ mod wheel and velocity controlling filter
osc1 -1 0 0 saw lfo1 +2 lfo3 0
osc2 0 0 4 saw lfo1 +1 lfo3 0
osc3 0 0 1 reed lfo1 +1 lfo3 0
dca1 0 on env2 +63 lfo3 0
dca2 0 on env2 +63 lfo1 0
dca3 0 on env2 +63 lfo1 0
filter 55 6 0 env3 +63 wheel -47
dca4 63 8 lfo1 0
lfo1 22 off off tri 0 1 18 off
lfo2 16 off off sqr 0 1 20 off
lfo3 16 off off tri 0 0 20 off
env1 +62 +8 +20 0 0 0 50 63 20 9
env2 +63 +49 +45 0 0 0 50 63 35 9
env3 +63 +56 +44 61 1 8 25 35 25 3
env4 +63 +46 +63 18 18 6 2 14 25 0
modes off off off 0 on on off off
split off off off
Note: Set the mod wheel about 1/3 open, then use velocity to brighten the
notes. Or use the mod wheel manually.
|
| 656.15 | Patch: Clav | VINO::BRAITHWAITE | | Wed Feb 25 1987 17:59 | 24 |
| From [email protected] Fri Jan 23 09:49:59 1987
(Mike Blackwell)
To: [email protected]
---
CLAV - sounds nice to me. try it!
osc1 -1 0 0 el pno lfo1 +4 env1 0
osc2 -1 0 3 el pno lfo1 0 env1 0
osc3 +1 7 0 synth1 off off
dca1 63 on off off
dca2 63 on off off
dca3 56 on env1 -63 off
filter 47 0 27 env3 +43 env2 +15
dca4 58 8 lfo2 +47
lfo1 20 off off tri o 1 56 wheel
lfo2 12 off off tri 63 0 20 off
lfo3 62 on off noi 56 0 20 off
env1 +63 0 +36 63 63 0 7 46 0 0
env2 +63 0 0 0 0 0 0 0 0 0
env3 +63 +30 +1 41 22 0 28 47 37 14
env4 +63 +47 0 31 63 0 41 47 19 26
modes off on off 0 on on on off
split off off off
|
| 656.16 | Patch: Vader (special effect) | VINO::BRAITHWAITE | | Wed Feb 25 1987 18:03 | 53 |
| 14-Feb-87 11:51:16,1959;000000000001
Return-Path: <[email protected]>
Received: from ucbarpa.Berkeley.EDU by TOPS20.DEC.COM with TCP; Sat 14 Feb 87 11:51:10-EST
Received: by ucbarpa.Berkeley.EDU (5.57/1.20)
id AA05921; Sat, 14 Feb 87 08:47:18 PST
Received: by csv.rpi.edu (5.54/1.14)
id AA08261; Sat, 14 Feb 87 11:45:13 EST
Date: Sat, 14 Feb 87 11:45:13 EST
From: [email protected] (Crah)
Message-Id: <[email protected]>
To: [email protected]
Here's a "fun" patch, good as a special effect. I don't like an envelope
on my specials, as I prefer to do the enveloping from the mixing board,
but you can change ENV4 to be as you wish.
Patch name :VADER
OSC1: 0 000 00 NOISE2 LF01 +63 *OFF* 00
OSC2: -3 00 00 PULSE *OFF* 00 *OFF* 00
OSC3: -3 00 00 PULSE *OFF* 00 *OFF* 00
DCA1: 63 ON LF03 -35 *OFF* 00
DCA2: 26 ON LFO3 -63 *OFF* 00
DCA3: 00 OFF ----------------
FILT: 000 14 40 LF02 +15 *OFF* 00
DCA4: 08 63 *OFF* 00
LFO1 19 OFF OFF NOI 63 00 63 *OFF*
LFO2: 07 ON OFF SQR 63 00 63 *OFF*
LFO3: 08 ON OFF SAW 63 00 63 *OFF*
ENV1-ENV3: UNUSED, doesn't matter.
ENV4: +63 +63 +63 00 00 00 32 32 20 00
MODE: OFF OFF OFF 00 ON OFF OFF OFF
S/L: OFF PIANO1 OFF PIANO1 OFF PIANO1 60
Now play F below middle C. I'm working on a light-saber patch to go with
this one (split, anyone?)
How it works: We use OSC1 and LFO1 to generate nice clean noise.
Then, LFO3 is used to put a ramp-down on the noise via DCA1.
Meanwhile, LFO2 is running at half LFO3's speed (this is critical, folks!)
and is providing a square wave to shift the cutoff frequency of FILT.
This breathing sounds OK, but we add a mechanical buzz via OSC2.
DCA2's manual setting of 26 makes this come out less strongly, and the
LFO3 modulation at -63 makes it ramp completely away much more quickly than
the noise from OSC1.
OSC3 isn't used for anything here. Likewise, only ENV4 is needed in the
envelope generators.
Enjoy.
-Bill Yerazunis
|
| 656.17 | Patch: Oboe (not great) | VINO::BRAITHWAITE | | Mon Mar 02 1987 13:56 | 56 |
| From norton%[email protected] Mon Jan 19 03:40:37 1987
Received: by ucbarpa.Berkeley.EDU (5.57/1.20)
I should warn you the OBOE is lousy. It sounds a little bit better with a touch
of mod wheel. What it really needs is a more 'reedy' sound.
PROGRAM: OBOE
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 0 00 00 FORMT5 lfo1 +02 env1 +63
OSC 2 0 00 00 FORMT2 lfo1 +02 env1 +03
OSC 3 0 00 00 FORMT2 lfo1 +25 env1 +03
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 63 on off 00 off 00
DCA 2 63 on off 00 off 00
DCA 3 63 on off 00 off 00
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 019 09 45 env3 +08 off 00
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 env4 63 08 off 00
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 22 on on tri 00 00 63 wheel
LFO 2 22 off on tri 00 21 20 wheel
LFO 3 06 off on tri 56 00 20 off
-------------------------------------------------------------
L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK=
--------------------------------------------------
ENV 1 +09 00 00 30 00 06 00 03 20 09
ENV 2 +63 +50 +45 00 00 00 50 63 12 09
ENV 3 +27 +00 00 21 22 17 16 00 20 37
ENV 4 +51 +51 +63 18 28 13 23 57 26 09
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off off 00 off off off off
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ off off off
LAYER
|
| 656.18 | Patch: +koto2 | VINO::BRAITHWAITE | | Mon Mar 02 1987 13:57 | 55 |
| From norton%[email protected] Mon Jan 19 03:40:37 1987
KOTO sounds good to my ears.
PROGRAM: +KOTO2
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 -1 00 00 BASS lfo1 -10 off 00
OSC 2 -1 00 01 BASS2 lfo1 -12 off 00
OSC 3 +1 07 03 VOICE2 lfo1 -11 lfo2 +01
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 00 on env1 +63 off 00
DCA 2 63 on off 00 off 00
DCA 3 00 on env2 +52 off 00
-------------------------------------------------------------
FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 004 03 23 env3 +50 off 00
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA 4 env4 63 08 off 00
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 18 on off tri 00 00 39 wheel
LFO 2 16 on off tri 13 00 20 off
LFO 3 16 off off noi 00 01 20 wheel
-------------------------------------------------------------
L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK=
--------------------------------------------------
ENV 1 +63 +08 +20 00 00 00 50 63 20 09
ENV 2 +63 +32 +57 33 00 00 26 28 20 00
ENV 3 +61 +34 00 25 14 02 24 63 20 09
ENV 4 +63 +57 +63 20 00 00 39 48 06 00
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES off off off 00 on off on off
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ off off off
LAYER
|
| 656.19 | Patch: Bagpipes | VINO::BRAITHWAITE | | Fri Mar 06 1987 11:27 | 75 |
|
Date: Fri, 6 Mar 87 09:23:00 EST
From: [email protected] (Crah)
In honor of St. Patrick's Day (well, it's close, eh?) -
BAGPIPES
OSC1 0 0 0 pulse2 off 0 off 0
OSC2 -1 3 8 pulse2 kbd2 -63 wheel +12
OSC3 -2 8 4 pulse2 kbd2 -63 wheel +12
DCA1 58 on lfo1 2 env1 63
DCA2 56 on lfo1 -2 off 0
DCA3 55 on off 0 off 0
FILT 127 o o off 0 off 0
DCA4 63 08 off 0
LFO1 7 off on saw 63 0 63 LFO1
LFO2 & 3 - unused
ENV1 4 0 0 0 0 0 6 0 0 0
ENV2 & 3 - unused
ENV4 63 63 63 21 0 0 18 32 34 0
MODES off off ON 07 on off off off
SPLIT - none
How To Use This Patch:
Bagpipes are rather unique instruments in that they
have a number of "drones" (2,3,4, whatever) which play the same
note continuously. This means that a bagpipe CANNOT play in
any key and sound good- it has to play in the key it was
tuned for.
This being a synthesized bagpipe, we allow the user to tune
the drones to sound harmoniously by means of the modulation
wheel. To tune to a key, press and hold the tonic note
and rotate the mod wheel slowly till you find the point of
least obnoxousness. This patch has been set up so with the
mod wheel all the way DOWN, it's tuned in C.
How This Patch Works:
OSC1 is used to generate the melody line. Meanwhile,
OSC2 and 3 are negatively modulated with the keyboard
position, and hence do NOT track the keyboard position at all.
They play the same note (well, nearly the same note) across the
entire keyboard. In this particular patch, with the mod wheel
all the way down, they play C below middle C and G below middle C.
That gives us proper bagpipe tone (by the way, you can't
sample bagpipes. The drones get all messed up and though it's
interesting, it isn't "bagpipey" when you play it). Now,
bagpipes also slide into notes- there's a little "gulp" when
the player moves his arm. So, we go into monophonic mode and
apply a little fast glide with GLIDE, and a little accent on
the attack with ENV1.
Hints:
Bagpipes don't have a particularly wide range. This one
is no exception. It plays best between middle C and one-and-a-half
octaves up.
AVOID BEATLES SONGS ! A friend of mine played "Penny Lane"
on this patch. I had to spill ice cream into her lap to get her
to stop. I never knew she could be so sadistic. :-)
-Bill Yerazunis
"Bagpipes are an 'outside' toy" -King Arthur
|
| 656.20 | Patch: Clav 1 | VINO::BRAITHWAITE | | Thu Apr 09 1987 00:13 | 62 |
|
Clav
Date: Wed, 8 Apr 87 10:02:21 MDT
From: Tulp E <[email protected]>
Subject: Patches Transoniq Hacker issue 18
Eduard Tulp. [email protected]
The clav 1 patch was programmed by Vincent Sanchez of Aptos Calif.
PROGRAM: CLAV 1
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 UNUSED
OSC 2 -1 00 02 REED ENV1 05 -
OSC 3 -1 00 01 REED LFO1 05 -
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA1 OFF
DCA2 40 ON ENV 2 63 -
DCA3 55 ON ENV 2 63 -
-------------------------------------------------------------
FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 016 00 12 ENV 2 63 KBD 32
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA4 ENV4 63 08 - -
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 22 OFF ON TRI 00 01 17 WHEEL
LFO 2 -
LFO 3 -
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 00 00 -13 00 00 12 50 00 22 09
ENV 2 +63 +37 +16 00 37 10 14 18 20 09
ENV 3
ENV 4 +63 +63 00 00 00 00 11 36 00 00
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES OFF OFF OFF 00 OFF ON OFF OFF
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ OFF OFF OFF
LAYER
|
| 656.21 | Wurlitzer Electric Piano | VINO::BRAITHWAITE | | Thu Apr 09 1987 00:15 | 55 |
|
Wurlitzer Electronic Piano
Date: Wed, 8 Apr 87 10:02:21 MDT
From: Tulp E <[email protected]>
Subject: Patches Transoniq Hacker issue 18
Eduard Tulp. [email protected]
Wurlitzer Electric Piano was created by Roy Smith.
PROGRAM: WU_PI
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 -1 00 00 SQUARE OFF +05 OFF +00
OSC 2 -1 00 00 PIANO OFF +05 OFF +00
OSC 3 +1 00 00 BELL ENV 2 +12 OFF +53
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA 1 52 ON ENV 1 +26 OFF +00
DCA 2 54 ON OFF +00 OFF +00
DCA 3 25 ON ENV 2 +31 OFF +27
-------------------------------------------------------------
FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 000 03 33 OFF +00 VEL +35
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA4 ENV4 +63 08 LFO 3 +44
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 45 OFF ON TRI 00 00 21 OFF
LFO 2 63 OFF ON NOI 63 63 63 OFF
LFO 3 19 ON OFF TRI 38 19 00 WHEEL
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 +63 +25 +41 63 00 06 07 00 00 09
ENV 2 +63 +48 +10 38 00 00 04 02 53 47
ENV 3 +63 +38 +00 00 00 00 00 04 00 00
ENV 4 +63 +63 +00 20 00 00 15 40 13 00
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES OFF OFF OFF 00 ON OFF OFF OFF
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ OFF OFF OFF
LAYER
|
| 656.22 | Patch: More Strings | VINO::BRAITHWAITE | | Thu Apr 09 1987 00:16 | 61 |
|
String 2
Date: Wed, 8 Apr 87 10:02:21 MDT
From: Tulp E <[email protected]>
Subject: Patches Transoniq Hacker issue 18
Eduard Tulp. [email protected]
String 2 was programmed by Erick Hailstone and Clark Salisbury.
PROGRAM: STRNG2
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 +1 00 00 SAW ENV 1 -03 LFO 3 +03
OSC 2 +1 00 06 SAW ENV 1 +04 LFO 2 +03
OSC 3 +1 00 03 SAW LFO 1 +05 LFO 1 00
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA1 56 ON ENV 1 +63 LFO 2 +08
DCA2 63 ON ENV 2 +63 LFO 2 +06
DCA3 63 ON ENV 2 +56 LFO 2 +05
-------------------------------------------------------------
FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 22 00 63 OFF 00 LFO 1 00
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA4 ENV4 63 08 LFO 1 +03
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 23 OFF ON TRI 12 00 12 OFF
LFO 2 11 OFF ON NOI 11 01 11 LFO 1
LFO 3 08 OFF ON NOI 05 06 15 WHEEL
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 +01 -01 +00 00 00 27 23 28 20 09
ENV 2 +63 +50 +45 00 00 63 50 63 20 09
ENV 3 +63 +10 +41 08 00 08 19 63 44 09
ENV 4 +41 +46 +36 08 20 23 45 45 29 09
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES OFF OFF OFF 00 OFF OFF OFF OFF
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ OFF OFF OFF
LAYER
|
| 656.23 | Patch: Mystery | VINO::BRAITHWAITE | | Thu Apr 09 1987 00:17 | 62 |
|
Mystery
Date: Wed, 8 Apr 87 10:02:21 MDT
From: Tulp E <[email protected]>
Subject: Patches Transoniq Hacker issue 18
Eduard Tulp. [email protected]
Mystery wwas programmed by Erick Hailstone and Clark Salisbury.
PROGRAM: MYSTRY
--------
OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
OSC 1 00 00 00 EL PNO LFO 1 +01 OFF 00
OSC 2 00 00 00 EL PNO LFO 1 +05 ENV 1 00
OSC 3 -1 07 00 SYNTH1 OFF +63 OFF -32
-------------------------------------------------------------
LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
DCA1 63 ON OFF 00 OFF 00
DCA2 63 ON OFF +35 OFF -63
DCA3 63 ON ENV 1 40 OFF 00
-------------------------------------------------------------
FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH
-------------------------------------------------------------
FILTER 27 00 27 ENV 3 +63 ENV 2 +15
-------------------------------------------------------------
VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH
-------------------------------------------------------------
DCA4 ENV4 63 10 LFO 2 +63
-------------------------------------------------------------
FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD=
-------------------------------------------------------------
LFO 1 15 OFF ON TRI 25 01 25 WHEEL
LFO 2 12 OFF ON TRI 00 31 63 OFF
LFO 3 62 ON OFF NOI 56 00 20 OFF
-------------------------------------------------------------
L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK=
-------------------------------------------------------------
ENV 1 +63 00 00 63 00 00 08 00 00 01
ENV 2 +63 00 00 00 00 00 00 00 00 00
ENV 3 +63 +30 +01 41 22 00 28 47 37 15
ENV 4 +63 +63 00 13 38 34 41 63 50 09
-------------------------------------------------------------
SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC=
-------------------------------------------------------------
MODES OFF OFF OFF 00 OFF OFF ON OFF
-------------------------------------------------------------
SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY
-------------------------------------------------------------
SPLIT/ OFF OFF OFF
LAYER
|
| 656.24 | Review | DREGS::BLICKSTEIN | Dave | Thu Apr 09 1987 10:17 | 41 |
| I found the WU_PI (Wurlitzer Electric Piano) patch to be pretty
poor. For one thing they overdid the keyboard scaling. Lower notes
sound way out of tune to my ears. I may hack on it some to get
it to sound more like a Wurlitzer (one of my favorite keyboard sounds).
MYSTRY is one of these special effect type deals. It's a pretty
lush patch, but not overly useful but probably a good one to have
in your library.
I'll try to get around to posting the patches that came with my
issue of the Transoniq hacker. One of them was an excellent organ
sound called LESLIE which uses the WHEEL as a sort of speed control
for a Leslie speaker. I thought this patch was fairly realistic
sounding, particularly in stereo (I feel somewhat better about the
ESQ-1's limited stereo implementation although I still say it could/should
have been much better).
Another good patch from that issue was a "swell brass" patch, which
you've heard on thousands of other synths but may not have had on
your ESQ-1. It's a standard brass patch with a rising filter sweep
that gives you a slight "wah". I'm going to modify it so that
the speed of the sweep is controlled by keyboard velocity.
Thanks to VINO::BRAITHWAITE for typing those patches in. I'll try
to return the favor by typing in the ones I have, and I hope others
will do the same.
db
P.S. Anyone care to type some of the better patches that come with
the cartridges? I was impressed with the CHOIR and CROWD
ones.
p.p.s. Patches I'd like to have:
o a breathy flute patch
o any number of choir sounds "ahhs", "ooos" etc
o weather sounds (particularly a convincing wind sound)
o crowd sounds (applause, etc.)
o single violin sound
o a variety of organ sounds (farfisa, hammond, etc.)
|
| 656.25 | 3rd party ESQ-1 cartridges | MERIDN::BULMER | Life is a Classic Performance | Fri Apr 10 1987 01:00 | 8 |
| FYI
I bought an ESQ-1 cartridge put out by "EyE and I Productions" called
the "Voice Crystal 1" that had some nice sounds on it compared to
some of the Ensoniq cartriges I heard in the store ($59 for VC1).
It had somw good voice sounds and what I thought were nice strings
as well as strings layered with other instruments (flute, tpt).
Check it out if you see it in your store. -Steve B.
|
| 656.26 | cartridges...cartridges. | BARNUM::RENE | not THOSE potatos. | Fri Apr 10 1987 09:42 | 8 |
|
It's about time 3rd party cartridges are being made. I hope
that the ESQ-1 rouses enough interest so that there will be an
abundance of sound cartridges available; similar to the DX-7
situation.
Frank
|
| 656.27 | Two new patches | NEDVAX::DPOWELL | Uh, how do you tune this thing? | Thu May 21 1987 17:29 | 94 |
|
Here are a couple of patches from the Transoniq Hacker I received with my ESQ-1.
Dan
================================================================================
Fender Rhodes patch by Todd Vogelei
ESQ-1 Program Sheet Program: FENDER
-----------------------------------------------------------------------
oct= semi= fine= wave= mod#1 depth mod#2 depth
OSC 1 -1 00 02 EL PNO LFO1 04 ENV1 00
OSC 2 -1 00 00 SINE LFO1 00 ENV1 00
OSC 3 -2 06 00 BELL LFO1 00 OFF -32
-----------------------------------------------------------------------
level= output= mod#1 depth mod#2 depth
DCA 1 63 ON OFF 00 OFF 00
DCA 2 00 ON LFO2 63 LFO2 63
DCA 3 23 ON ENV3 63 OFF 00
-----------------------------------------------------------------------
freq= res(q)= keybd= mod#1 depth mod#2 depth
FILTER 21 13 19 KBD2 12 ENV3 13
-----------------------------------------------------------------------
final vol(env 4) pan= pan modulator depth
DCA 4 63 08 LFO3 -50
-----------------------------------------------------------------------
freq= reset= human= wav= l1= delay= l2= mod=
LFO 1 20 OFF ON TRI 00 01 00 OFF
LFO 2 09 OFF OFF TRI 00 09 20 OFF
LFO 3 18 OFF OFF TRI 00 00 44 WHEEL
-----------------------------------------------------------------------
l1= l2= l3= lv= t1v= t1= t2= t3= t4= tk=
ENV 1 63 00 00 63 00 00 63 00 00 63
ENV 2 63 -33 -33 00 00 00 00 00 00 00
ENV 3 63 30 01 59 22 00 28 47 37 15
ENV 4 63 23 00 29 63 00 40 48 19 09
-----------------------------------------------------------------------
sync= am= mono= glide= vc= env= osc= cyc=
MODES OFF ON OFF 00 OFF OFF OFF OFF
-----------------------------------------------------------------------
split/layer layer split split
split/layer= program layer= program split= program key=
OFF --- OFF -- OFF --- 60
-----------------------------------------------------------------------
================================================================================
GEGEE by Erick Hailstone (MIDI Connection)
This patch uses piano waveforms with long attacks and long sustain. Panning is
set at medium speed. The overall effect is like a large ambient electronic
keyboard with an orchestral nature. A large sound that will fill up any dead
space.
ESQ-1 Program Sheet Program: GEGEE
-----------------------------------------------------------------------
oct= semi= fine= wave= mod#1 depth mod#2 depth
OSC 1 -1 00 03 EL PNO LFO1 03 OFF 00
OSC 2 0 00 05 BELL LFO1 -03 OFF -33
OSC 3 -1 00 05 PIANO LFO2 00 KBD2 00
-----------------------------------------------------------------------
level= output= mod#1 depth mod#2 depth
DCA 1 55 ON VEL2 -04 ENV1 45
DCA 2 39 ON VEL2 52 ENV1 59
DCA 3 63 ON ENV2 52 KBD 19
-----------------------------------------------------------------------
freq= res(q)= keybd= mod#1 depth mod#2 depth
FILTER 21 00 00 ENV3 63 ENV1 27
-----------------------------------------------------------------------
final vol(env 4) pan= pan modulator depth
DCA 4 63 06 LFO3 27
-----------------------------------------------------------------------
freq= reset= human= wav= l1= delay= l2= mod=
LFO 1 20 OFF ON TRI 03 00 00 WHEEL
LFO 2 00 ON OFF SQR 63 00 20 OFF
LFO 3 10 OFF ON SQR 63 00 63 OFF
-----------------------------------------------------------------------
l1= l2= l3= lv= t1v= t1= t2= t3= t4= tk=
ENV 1 63 63 63 43 00 00 57 63 63 00
ENV 2 63 -35 -35 57 00 00 34 00 25 63
ENV 3 63 63 10 43 22 00 33 47 37 15
ENV 4 41 63 00 16 00 00 33 57 44 43
-----------------------------------------------------------------------
sync= am= mono= glide= vc= env= osc= cyc=
MODES ON OFF OFF 00 OFF OFF ON OFF
-----------------------------------------------------------------------
split/layer layer split split
split/layer= program layer= program split= program key=
OFF --- OFF -- OFF 32 60
-----------------------------------------------------------------------
|
| 656.28 | Techniques: Making New Sounds | VINO::BRAITHWAITE | | Fri Jun 12 1987 18:04 | 75 |
| Date: Fri, 29 May 87 14:41:57 PDT
From: [email protected] (Sam Dillon (consultant))
Workshop by Bob Wehrman, district sales manager (California)for Ensoniq
He was a facinating speaker, not to mention a darn good
musician. He played several of his own compositions during the workshop
and I was quite impressed. He gave a short history of digital wave synthesis
(actually first predicted by Francis Bacon in the 1600s [I think thats what
he said]) leading up through the Hammond organ and Bob Moog's stuff to the
present gem that most of us own. He then told us about his methods for
creating new sounds. He almost always starts with a sound that is in the
ballpark with the sound he wants, that is he never just starts from scratch.
Even though the ESQ is an incredibly flexible instrument, there are really
only seven aspects to sound that you can change (lets see if I can remember,
I left my note book at home....these are not in order [or probably even right])
1) Loudness
2) Range - eg. don't put the oscillators in octave +3 for a trombone patch
3) Tone quality (Harmonic content) - affected by waveshape AND filter
4) Articulation - Usually affected by the envelope generators
5) Distortion - some sounds are clean, others distorted
6) Vibrato - almost required for good musical sounds.
7) Intonation
He gave several good tips for developing nice, 'fat' patches.
1) When using the filter to control harmonic content, keep the filter
as low as possible and the keyboard amount as high as possible to maintain
the harmonic balance across the keyboard. (Actually, I discovered this
independently myself and I'll vouch for it).
2) One way to get more 'punch' into a patch (say a nice pop at key-on for a
bass patch) is to use the same envelope twice on the same DCA. The effect
is additive.
There were several more but I can't remember them now. If there is interest
I'll bring the note book in and send out the right stuff.
All that said, and several other tips later he then urged us to stop trying
to reproduce acoustic instruments and invent some really interesting
timbres that fit in with our music rather than retread an established path.
Probably some very good advice. If you just want to emulate acoustic
instruments, you would probably be better of with a Mirage. To prove the
point he had an AWESOME pipe organ sample that had to be heard to be
believed. It had to have been sampled in some enormous ancient cathedral in
europe. Apparently this sucker had 64' pipes, and you could hear them.
It was increadible, if/when I get my Mirage (a rack mount, real soon now
I hope) I have GOT to have that sample.
Then (my favorite part of the evening) he put a little tune together on
the fly to demonstrate use of the sequencer. He came up with a great,
jazzy little ditty. A real toe tapper. And boy does he know his way
around the control panel. He had a 'rhodes' background, a nice bass line,
some drums (played by a Mirage over midi), a little string padding, and
a real nice melody line done with a strange lead patch. He was going to
give us some tips on getting the ESQ to sound like more than 8 voices with
'hocketing' but we ran out of time.
The evening flew by. If you have a chance to get to one of these workshops,
do it. It was a very entertaining and educational evening. Plus it was
nice to have a bunch of other ESQ owners there tossing out tips, ideas and
questions.
He also had 'Voice crystal 1'. I have to agree with the previous review,
they are very good patches. He also a preliminary copy of 'Voice crystal
2' which should be out very soon. It also had some very nice patches. I
intend to get both, as soon as I can find them in stock somewhere.
Lastly, Bob has book on the ESQ out, I think it is called 'Getting the
Most from Your ESQ-1' Volume 1 is available now (I think they have it
at Guitar Showcase) It mostly expands on the material in the owners
manual. Volume 2 should be available soon. It disects (sp?) 40 patches
in detail and tries to explain what the programmer had in mind when creating
the patch. It also gives many programming tips (not to mention 40 free
patches). Sounds like it will be well worth the money.
|
| 656.29 | ...ran outa time. uh.huh.... | JON::ROSS | Network partner excited first try!{pant} | Tue Jun 16 1987 14:41 | 5 |
|
"Hocketting?"
more.
|
| 656.30 | | SALSA::MOELLER | I miss Samurai,a large black Manx | Tue Jun 16 1987 18:56 | 7 |
| re 'hocketting':
this is the use of patch changes imebedded in, say, a melody line
to give the ESQ-1, as VINO:: said, the illusion of more than 8
voices...
km�
|
| 656.31 | Harmonica Patch needed ... | GIBSON::DICKENS | Distributed System Manglement | Tue Jun 23 1987 13:47 | 5 |
| Help, I need a Harmonica patch for the ESQ-1. I promise to post
any interesting patches I come up with here.
-Jeff
|
| 656.32 | THEREMin for ESQ-1 | CTHULU::YERAZUNIS | Snowstorm Canoeist | Tue Dec 22 1987 22:51 | 66 |
| THEREM - fake theremin for ESQ-1 with CV pedal.
This patch is pretty close to a multi-oscillator theremin. The
CV pedal controls volume, key velocity controls how fast (and to
a small extent, how loud) a single theremin oscillator will be,
and the MOD wheel controls frequency. The keyboard tracking is
not quite neutralized- this gives a nice phasing effect when you
play two or more notes simultaneously.
How to play it: CV pedal heel-down, hit middle C, fairly hard. As you
bring up the CV pedal volume, twiddle the pitch with modwheel. Now,
*gently* hit E above midC. The phasing will come in gently and
controllably. Continue modulating volume and pitch as you do this.
Adding a third oscillator (say, F) will make the phasing pattern
much more complex and interesting.
The phasing goes faster as the physical distance between notes on
the kb increases. Use this to control the phasing rate.
This patch is neat because now the chord you strike does NOT control
pitch, it controls the time-varying aspects of the sound. Major
phases differently than minor- but sort of similarly. But diminished
phases RADICALLY differently. Inversions of chords phase very
differently also. You can't just randomly invert and get a similar
sound with this patch. (Try an Amaj to see what I mean)
I realize that some of you won't like this patch, because the keyboard
fingering controls rhythm rather than pitch. Be forewarned. (This
months keyboard has a decent article on precision pitchbending-
worth reading if you "get into" this patch, because bend and MOD
are the only pitch controls available!)
THEREM
OCT SEMI FINE WAVE MOD1*AMT MOD2*AMT
OSC1 -1 0 0 SINE WHEEL*63 KBD2*-63
osc2 and osc3 don't matter...
LEVEL OUTPUT MOD1*AMT MOD2*AMT
DCA1 22 ON PEDAL*41 -OFF-
dca2 and dca3 are output OFF
DCA4 63 PAN=8 PAN MOD=-OFF-
FREQ Q KEYBD MOD1*AMT MOD2*AMT
FILT 127 0 0 XCRTL*63 -OFF-
env1, env2, env3 don't matter...
L1 L2 L3 LV T1V T1 T2 T3 T4 TK
ENV4 63 63 63 20 63 40 32 32 32 0
SYNC OFF, AM OFF, MONO OFF, GLIDE 0, VC ON, ENV OFF, OSC OFF, CYC
OFF, no splits, no layers.
Enjoy.
|
| 656.33 | Like, tubular man... | NAC::PICKETT | David R. Pickett - New ESQ-1 Owner | Thu Dec 31 1987 14:46 | 45 |
| TUBELL - Tubular bells, or chimes if you like.
Not much in the way of details on this one, it's pretty simple.
Seasoning to taste may be done as follows: The fine tune on OSC2
produces a light throb to the sound, this is compounded by the panning.
This value may be adjusted to taste, but values over 7 or so get
ugly. A quality of bells is a resonant 12th. This is created by
OSC3. The depth of mod#1 in DCA3 controls the amount of 12th you
get. Fiddle with this value to season your harmonics accordingly.
Also, when I oiginally created the patch, I experimented with using
a sine wave on OSC3 for the harmonic. Try it. -dp
OCT SEMI FINE WAVE MOD#1 DEPTH MOD#2 DEPTH
OSC1 -1 0 0 BELL OFF 0 OFF 0
OSC2 -1 0 3 BELL OFF 0 OFF 0
OSC3 0 7 0 BELL OFF 0 OFF 0
LEVEL OUTPUT MOD#1 DEPTH MOD#2 DEPTH
DCA1 0 ON ENV1 63 OFF 0
DCA2 0 ON ENV1 63 OFF 0
DCA3 0 ON ENV1 56 OFF 0
FREQ RES(Q) KEYBD MOD#1 DEPTH MOD#2 DEPTH
FILTER 50 1 6 VEL2 27 OFF 0
FINAL PAN PANMOD DEPTH
DCA4 63 8 LFO1 31
FREQ RESET HUMAN WAVE L1 DELAY L2 MOD
LFO1 9 OFF ON TRI 63 00 63 OFF
LFO2 X X X X X X X X
LFO3 X X X X X X X X
L1 L2 L3 LV T1V T1 T2 T3 T4 TK
ENV1 63 63 63 0 63 0 0 0 50 63
ENV2 X X X X X X X X X X
ENV3 X X X X X X X X X X
ENV4 63 63 63 10 63 0 0 0 63 63
SYNC AM MONO GLIDE VC ENV OSC CYC
MODES OFF OFF OFF 0 OFF OFF OFF OFF
|
| 656.34 | Steel drums | FROST::HARRIMAN | what's in a name anyway? | Fri Apr 08 1988 11:20 | 41 |
|
For those of you with both an ESQ-1 and an Octapad, here is a steel
drum patch that is fairly reasonable. Further tweaking is invited.
OCT SEMI FINE WAVE MOD#1 DEPTH MOD#2 DEPTH
OSC1 0 0 0 VOICE1 OFF 0 OFF 0
OSC2 0 0 5 FORMT1 OFF 0 OFF 0
OSC3 -1 0 8 ORGAN OFF 0 OFF 0
LEVEL OUTPUT MOD#1 DEPTH MOD#2 DEPTH
DCA1 62 ON ENV3 63 OFF 0
DCA2 63 ON OFF 0 OFF 0
DCA3 63 ON ENV1 40 OFF 0
FREQ RES(Q) KEYBD MOD#1 DEPTH MOD#2 DEPTH
FILTER 28 3 6 ENV3 63 OFF 0
FINAL PAN PANMOD DEPTH
DCA4 63 8 ENV4 63 LFO2 47
FREQ RESET HUMAN WAVE L1 DELAY L2 MOD
LFO1 20 OFF ON TRI 63 00 00 OFF
LFO2 X X X X X X X X
LFO3 X X X X X X X X
L1 L2 L3 LV T1V T1 T2 T3 T4 TK
ENV1 63 00 00 63 00 0 8 0 00 01
ENV2 63 63 0 0 0 0 0 0 0 0
ENV3 63 53 44 27 22 0 0 0 56 63
ENV4 63 63 63 29 63 63 45 31 31 09
SYNC AM MONO GLIDE VC ENV OSC CYC
MODES OFF OFF OFF 0 OFF OFF ON OFF
This works best in MIDI note range 70-85. Set your Octapad keys
accordingly.
|
| 656.35 | Major changes to ESQ-1 from 2.0 -> 3.4 | PAULJ::HARRIMAN | That's me | Thu Apr 28 1988 17:56 | 38 |
|
Well this looks like a good place to drop this:
here are the major changes from 2.0 to 3.5:
o Initial Banner
- used to just stay on until you hit a button.
- now it switches over to your selected voice page after a few
seconds.
o Storage Page
- Major revisions in layout and function
- Now allows MIDI store to other than Mirage (like an MDF-1)
o Sequencer changes
- Now you may reference all 128 MIDI program numbers regardless
of whether or not you have a cartridge in (you couldn't previously
get 128 even _with_ a cartridge installed)
- improved edit page layout. Edit sequence now has another menu
beneath. You may delete and insert measures in a sequence. You
may delete measures from the beginning of a sequence.
o Bugfixes. five or six previously incorrectly offset MIDI parameters
now receive the same as what was sent. This was especially prevalent
on the MODE page (glide, AM sync, etc. All scrambled)
o Shortcut added: To create a new sequence you can now just select
an unused one and it puts you in the CREATE SEQUENCE page.
That's all the major points.
/pjh
|
| 656.36 | thx | GIBSON::DICKENS | Sproiinnnngggg | Fri Apr 29 1988 14:38 | 7 |
| Thanks.
I half-hoped they'd add some kind of visual editor. It still can't
edit velocity data. (grumble,grumble)
-Jeff
|
| 656.37 | I'm a bit dissapointed myself | DREGS::BLICKSTEIN | The height of MIDIocrity | Fri Apr 29 1988 14:48 | 4 |
| I confess, I'm somewhat dissapointed to if this is all that they've
done.
I'll stick with V2.3 for now.
|
| 656.38 | | PAULJ::HARRIMAN | That's me | Fri Apr 29 1988 16:52 | 8 |
|
It's not a particularly exciting bunch of changes, to be sure, but
I am sure they were annoying to some (like the mis-mapped
parameters)...
More later
/pjh
|
| 656.39 | The total, almost unabridged version | PAULJ::HARRIMAN | That's me | Mon May 02 1988 11:53 | 391 |
|
The following is as close as I care to come to an actual transcription
of the document. There are some references to change in the Musician's
Manual.
1) Changes to the Master Page
Two parameters have been added and one renamed on the master page
(see page 18 in the MM). The new parameters are (1) allow the use
of an optional CVP-1 control voltage foot pedal as a Modulator OR
as a volume pedal, and (2) add a Status selector (loca/MIDI/Both)
for the "straight synth" section. In addition, the VELOCITY parameter
has beed renamed TOUCH. The master page now looks like this:
MASTER TUNE=+00 KBD=BOTH TOUCH=MED
PEDAL = MOD BEND- RANGE=02 MODE=ALL
The new parameters on this page are as follows:
KBD - "Straight Symth" keyboard Status:
This determines whether the straight synth (which si what we call
normal keyboard operation, with no sequencer tracks added), will
play locally (only on the esq-1), only over MIDI, or both. The straight
synth is independent of the sequencer, so depending on the setting
of this parameter you can play along with a sequence using only
local voices, only a remote instrument, or both. See the section
MIDI (p.20) for more on straight synth operation. The three available
settings are:
- BOTH: When BOTH is selected here, notes, controllers and program
changes played from the keyboard when no sequencer track is selected
will play both locally and be sent out MIDI. This is the default,
and the most common setting. When you select a program from the
ESQ-1 front panel, the corresponding Program Change will be sent
out MIDI and you will hear the change locally.
- MIDI - notes and controllers played from the keyboard when no
sequencer track is selected will only be sent out MIDI and will
not play any local ESQ-1 voices. It is comparable to "local off"
on some instruments. When you select a program from the esq-1 front
panel, the corresponding program change will be sent out MIDI.
- LOCAL - Notes and controllers played from the keyboard when no
Sequencer Track is selected will only play on the ESQ-1 and will
not be sent out MIDI at all. When you select a program from the
ESQ-1 front panel, no program change will be sent out MIDI.
PEDAL: Foot pedal function select
PEDAL=MOD This is the default value. When pedal=mod, the foot
pedal will act as a Modulator in the Voice section of the ESQ_1
and will have an effect on the sound when PEDAL is selected as a
Modulator and assigned a modulation depth other than 0. When PEDAL
=MOD, moving the pedal will send MIDI foot pedal (controller #4)
messages out MIDI.
PEDAL=VOL When PEDAL=VOL the foot pedal will adjust the volume
of the ESQ-1. When no sequencer track is selected, moving the pedal
will raise or lower the volume of the straight synth. When a track
is selected, moving the pedal will have the same effect as adjusting
the mix level on the mix/MIDI page. Only the straight synth or track
will be affected - only one track's volume can be adjusted at a
time, though the pedal will be recorded if it is moved while recording
a track. When PEDAL=VOL, moving the pedal will send MIDI volume
(Controller #7) messages out MIDI.
The ESQ-1 sequencer will record and play back foot pedal information,.
However, when the sequence is played back any foot pedal information
in the tracks will be interpreted EITHER as a modulator or as volume
information depending on the setting of this control at the time
of playback. if a track is recorded with this parameter set one
way, and then played back with it set the other way, you will not
get the desired result.
IMPORTANT NOTE: if you don't have a CV pedal, you should NOT leave
this parameter set to PEDAL=VOL when you turn the unit off. If you
do, the next time you power up, the ESQ_1 will set the straight
synth volume to zero - it won't make any sound. To get the volume
back to normal, just go to the master page,s elect this parameter
and set it to MEDAL=MOD.
2) A SLIGHT CHANGE TO THE START-UP PROCEDURE
When you tyurn the ESQ-1's power on, it will now show the ENSONIQ
ESQ-1 DIGITAL WAVE SYNTHESIZER screen for several seconds and then
automatically switch to one of the four Internal Program Select
pages.
3) SHORTCUT FOR CHANGING THE SPLIT KEY (SPLIT/LAYER PAGE)
There is an easy way to adjust the value of the split key parameter
(SPLIT-KEY= on the SPLIT/LAYER page) using the following short cut:
o with the SPLIT KEY parameter selected, press and hold down the
RECORD button (in the sequencer section).
o While holding down the RECORD button, play any key on the keyboard.
That key will be set as the Split Key. The number on the display
will be updated accordingly.
4) OCTAVE RANGE OF OSCILLATORS
The available range of values for the Octave of each oscillator
now goes from -3 to +5 instead of -3 to +3 as shown on p.42-43 of
the manual.
5) SENDING SEQUENCER DATA TO REMOTE DEVICES FOR STORAGE
When you send Sequencer data via MIDI in the ESQ format (SEQ to
ESQ-1 on the STORAGE page; see pp 182-184 in the MM) the data WILL
be sent, folled by the message "DATA TRAMSMITTED - CHECK RECEIVER",
even if there is no response from the receiving unit. This allows
sending Sequencer data to non-ESQ systems such as MIDI disk drives,
etc.
6) CHANGES TO MIDI OVERFLOW MODE
When MIDI overflow mode is ON the ESQ-1 will echo all inbound
MIDI program changes and controllers at its MIDI OUT jack. Also,
when OVERFLOW is on, tracks with LOCAL status will send Program
and volume changes out via MIDI when a sequence is selected or comes
around as a step in a song.
7) FACTORY INTERNAL PROGRAMS RELOADED AFTER INITIALIZING
When the memory of the ESQ-1 is re-initialized (by holding down
RECORD and pressing the upper-left-hand "soft button", then answering
"YES") the 40 original factory sounds will be automatically reloaded
into the ESQ-1's Internal program Memory, as part of the
re-initialization process. Note that re-initializing erases the
sequencer memory and replaces any programs that were in the internal
memory at the time.
8) A QUICK WAY TO CREATE A NEW SONG OR SEQUENCE
There is now a shortcut which lets you bypass the CREATE/ERASE
Page when you want to create a new sequence or song.
o press the yellow SEQ button and then one fo the four Bank buttons
to go to any sequence or Song Slect page.
o press the soft button which corresponds to any unused sequence
or song location
o you will be automatically placed on the CREATE SEQUENCE or CREATE
SONG screen (shown on pp. 125-126 in the MM) The sequence or song
location you pressed is the one that will be created if you press
"YES".
If you pressed an empty song or sequence by mistake, or if you change
your mind, just press "NO".
9) RENAMING AN EXISTING SONG
While on the SONG EDIT page (see p. 160) you can change the name
of an existing Sone if you like. pressing the soft button sbove
the song name puts you on a RENAME SONG sub-page. The procedure
for renaming a song is the same as for naming it when it was first
created. ....
10) PROGRAM NUMBERS FROM 1 - 128 ON THE MIX/MIDI PAGE
On the TRACK/PROG NUM sub-page of the MIX?MIDI page (p.113 in
the MM) the range for each traack is now 001 to 128 whether a cartridge
is installed or not. This allows you to select program numbers which
are out of range for the esq-1.
Also, when on the mix/MIDI page, pressing the mix/MIDI button again
has the same effect as pressing *MORE* - the display will advance
to the next sub-page.
11) ACCESS TO THE CONTROL AND MIX/MIDI PAGES FROM THE PLAY/KEEP
PAGE]
With the ESQ-1 in the Audition Play or Audition Stop states,
you can now select the Control Page (for turning the clock on or
off while auditioning tracks) or the MIX/MIDI page (for balancing
levels while auditioning). Any time you press STOP, you will be
returned to the PLAY/KEEP page.
12) LOOP SWITCH SETTING SAVED WITH EACH SONG
The setting (on/off) of the LOOP switch on the control page will
now be remembered for songs as well as sequences. for your existing
esq-1 songs you might want to check the status of this parameter
to make sure it is how you want it for each song. Once set, it will
be remembered.
13) CHANGES TO THE LOOK OF THE STORAGE PAGE
The look of the storage page has changed slightly from what is
represented on pp. 78 and 174 of the MM, but the functions performed
there are the same. When you press the STORAGE button, the page
now appears like this:
STORAGE -- SELECT TYPE --
CARTRIDGE MIDI TAPE
From here you choose which type of Data Transfer you want:
[ed. abbreviation - this stuff all works the same as before.]
14) ADD OR DELETE BARS FROM ANY POINT WITHIN A SEQUENCE
The ability to ADD or DELETE bars starting from any bar within
a sequence has been added to the EDIT SEQUENCE page (see p. 155).
The CHANGE LENGTH function, which added or deleted bars only from
the end of a sequence has been replaced with two separate commands,
ADD and DELETE.
Changing the length of a sequence is now a two-step process. First
you tell the ESQ-1 at which bar you want to begin altering the
sequence. Second you tell it how many bars you want to add or delete
starting from that point.
In combination with the COPY and APPEND edit functions, you can
use these new commands to effectively "cut and -paste" parts of
different sequences together.
When you press SEQ from the EDIT page, the display now looks like
this:
EDIT SEQUENCE 01 004 BARS 4/4
APPEND ADD DELETE COPY * EXIT *
The two new edit functions are as follows:
The ADD bars function lets you add up to 99 bars to tghe sequence
at a time. There are two steps, 1) decide at which bar you want
to start adding, and 2) decide how many bars you want to add.
The DELETE bars function [works pretty much the same way - ed.]
15) ERRORS RECEIVING PARAMETER SELECTS ON THE MODES PAGE
Prior to V3.0, there was a discrepancy between the MIDI parameter
number which was sent and the number which was recognized for the
first four parameters on the MODES page. The correct parameter numbers
were sent by the ESQ-1, but the wrong parameters would be selected
locally as a result of incoming parameter selects. in all ESQ-1
software prior to 3.0:
Sent: Received:
117 $75 MODES AM switch 117 $75 MODES sync switch
118 $76 MODES glide 118 $76 MODES AM switch
119 $77 MODES mono switch 119 $77 MODES mono switch
120 $78 MODES sync switch 120 $78 MODES glide
As of V3.0 this has been corrected.
16) ADDENDUM TO ESQ-1 MIDI SPECIFICATION
(Ed. note - I'm getting tired of typing even though I type fast.
If you want a copy of this send me mail and your home address and
we'll arrange for you to receive a copy of the document.)
See appendix 2 in the MM. Please note that these additions pertain
to software release 2.1 and higher only.
2.5.1 Compare Button Status Message
This message is now both sent and received by the esq-1. It is sent
whenever the Compare status is changed by pressing the compare button.
xxxxxxxx ESQ Sysex header
00010000 Compare Status Command Mode
0000000n Status, n=1=ON, n=0=OFF
11110111 End Sysex
2.7.1 Device Inquiry Message
ESQ-1 now responds...
11110000 Sysex
01111110 non-real-time
0000nnnn nnnn= MIDI channel
-OR-
01111111 All channel broadcast
00000110 General Info message
00000001 Device Inquiry Message
11111110 End Sysex
2.7.2 Device ID Message
This is what the ESQ-1 responds with.
11110000 Sysex
01111110 non real time
0000nnnn nnnn=MIDI base channel
00000110 general Info
00000010 Device ID message
00001111 Ensoniq manufacturer's code
00000010 ESQ product family code lsb
00000000 ESQ product family code msb
00000001 ESQ-1 family member code lsb
00000000 ESQ-1 family member code msb
00000000 Software revision info
00000000
0nnnnnnn Major Version number (integer)
0nnnnnnn Minor Version number (fraction)
11111110 End Sysex
17) ERRORS IN THE MIDI SPECIFICATION
The following documentation errors exist in the MIDI parameter
Number List (appendix 3 in the MM)
ENV1 T1 should be 05, not 03
ENV1 LV should be 03, not 04
ENV1 T1V should be 04, not 05
S/L layer switch should be 127, not 125
S/L layer prog should be 128, not 126
S/L split-layer switch should be 125, not 127
S/L split-layer prog should be 126, not 128
Also, on the Master page, MIDI parameter 134 ($86) should be Pedal
Function Select.
18_ SPECIAL APPLICATION NOTE - STORING ESQ-1 DATA TO AN EXTERNAL
MIDI DISK DRIVE
Instructions for usingf an external device with sysex recording
capabilities (omitted long list supplied -ed)
IMPORTANT: when sending data to a sysex recorder, send the data
exactly as you would to another esq-1. When you later want to reload
from the drive, DO NOT use the MIDI LOAD command on the storage
page. This only relates to data stored in Mirage format. Your MIDI
disk will ignore it completely and nothing will happen.
Sequences:
To save sequencer data:
1) connect 'em up
2) prepare drive to receive
3) select storage page
4) MIDI SEND
5) SEQ to ESQ-1
6) select CURRENT SEQUENCE or ALL SEQUENCER DATA
7) the display will read MIDI DATA BEIN>G TRANSMITTED - PLEASE WAIT.
when done, it will read DATA TRANSMITTED - CHECK RECEIVER.
8) save the data on your disk.
To load:
1) hook 'em up the other way
2) ENABLE the ESQ-1 to receive system exclusive!
3) make sure the ESQ-1 is set to the right base channel.
4) locate the file and prepare to send it
5) do so.
6) when the transfer is complete the ESQ-1 will show a Sequence
Select page. if you load one sequence then it will be placed in
the highest numbered empty sequence.
PROGRAMS:
To save programs:
(ed: do it like the sequences, except you select SAVE PROG instead!)
To load programs:
(ed: likewise!)
If you load one program, it does not store it; it places the program
in the EDIT buffer. You must then WRITE it somewhere. Otherwise
it drops all 40 into the INTERNAL memory...
-there. that didn't take too long to type in. That's the sum total
of the release info, mostly unabridged. If you want a copy then
you must send me your address as I will not send it via internal
mail (I don't like getting in trouble any more than db does).
Sorry this took so long, I have wheateana for a brain and I left
the notes in a magazine and couldn't find it for a week.
/pjh
|
| 656.40 | No step-backwards on SEQ. | CTHULU::YERAZUNIS | I'm with the band. | Mon May 02 1988 12:03 | 9 |
| Yeah- I got mine back after upgrading on Saturday- and it STILL
cannot step the sequencer backwards
Bleahhhhhhhh!
But the extra 2 octaves is a nice feature!
-Bill
|
| 656.41 | V3.4 versus V3.5 anybody ? | HAMPS::NORTON_A | Andrew Norton, South UK Region AC | Tue May 24 1988 08:03 | 23 |
|
I've been searching the UK for the latest version of the ESQ1 ROM's.
Ensonic UK tell me that the latest that they've got is V3.4. They
no nothing of 3.5 and it could be months before they get any sight
of it since everything comes here via other parts of Europe. My
current version is 2.0 and I want the new sequencer and volume pedal
features.
My questions are :
Does anybody know the difference between 3.4 and 3.5 ? I don't want
to get 3.4 if it contains bugs fixed in 3.5, but then if its only
things I won't use then I don't mind getting it.
How do you people in the US get hold of updates ? Would anybody
over there be prepared to get hold of a set of ROM's for me and
post them over to the UK (All costs covered of course) - Or do you have
to send in your old ROMS as part of the deal ? A set of 3.4 ROMS
from Ensonic UK cost 22.50 pounds and I don't have to return my
old ones but I'm hesitant to pay for an already obsolete version.
Andrew
|
| 656.42 | How about 3.6? | PAULJ::HARRIMAN | Let's keep sax and violins on TV | Tue May 24 1988 09:33 | 13 |
|
re: .-1
The current version, which I just got in at my local music store
with my name on it, is *3.6*...! I'll find out whether or not you
can get a copy. Probably will cost money ($19 USA) and postage...
BTW 3.6 fixes bugs in 3.5 which if I recall fixed bugs in 3.4.
I'll check the release notes after Wednesday when I should have
it in hand.
/pjh, confused_with_Ensoniq's_apparent_zealous_approach_to_SW_upgrades
|
| 656.43 | | HAMPS::NORTON_A | Andrew Norton, South UK Region AC | Tue May 24 1988 10:56 | 12 |
|
No wonder the UK doesn't get half the upgrades. By the time they
arrive they're out of date ! When I spoke to Ensonic UK and told
them I knew of people in the US who were running 3.5 he suggested
that was the best source for the ROMS if you had the contacts.
$19 plus postage etc is still much cheaper than the 23 pounds it would
cost me in the UK. To have a dealer fit them for me would cost 30
pounds plus an extra 10 if I don't return my old ROMS !!.
Any information would be appreciated.
Andrew
|
| 656.44 | Ramblings | DYO780::SCHAFER | Brad - DTN 433-2408 | Tue May 24 1988 12:42 | 12 |
| Note that ESQ ROMs are not really available without an old ROM tradein.
I.e., you can't just walk into a repair shop and plunk down 20 clams
and demand the latest s/w rev. The old ROMs must be returned, or
Ensoniq will "become very unhappy" with the service center. Of course,
if you have a good relationship with the shop, the point becomes mute.
I can also vouch for the 3.6 s/w rev - and installing new ROMs is a
cinch. Good luck, Andrew ... and you too, Paul, if you're gonna try
and pull this off. BTW - you DON'T want 3.4 ... buggy. Get 3.5
or 3.6.
-b
|
| 656.45 | | ODIHAM::NORTON_A | Andrew Norton, South UK Region AC | Wed May 25 1988 05:40 | 10 |
|
I don't mind returning my old ROM's - it would just take longer
due to the distance they have to travel !
The guy at Ensonic UK said I would be doing him a favour if I returned
the old ROMs, but he wasn't that fussed. Wish I knew how long it
will be before they get a bug-less version over here.
Andrew
|
| 656.46 | 2.3 ain't bad | DYO780::SCHAFER | Brad - DTN 433-2408 | Wed May 25 1988 06:13 | 6 |
| RE: bugless version
As far as I can tell, 2.3 was pretty stable. 3.5 woofed a few times,
but I couldn't reproduce before I sold the thing.
-b
|
| 656.47 | Wanted: Clap patch | DREGS::BLICKSTEIN | Yo! | Tue Jul 19 1988 13:04 | 21 |
| Does anyone know of a good ESQ-1 or SQ-80 patch that simulates
handclaps?
I was somewhat dissapointed to find that the "complete" drum kit
in the SQ-80 doesn't include many of the things you'll find in
any drum machine including cowbells, claps, ride, crash, rim,
side-stick, etc.
I'm sure though that you'll be as relieved as I was to learn that it
DOES have log drums.
I think I'll hang onto my HR-16. ;-)
In fairness, I should mention that several percussion patches come with
the unit including cymbals, gongs, etc. Those patches are quite good.
Gong, in fact, is one stop below excellent.
I'm planning to write a full blown review of the SQ-80 as compared with
the ESQ-1.
db
|
| 656.48 | :-) | CTHULU::YERAZUNIS | Since when do electrons carry charge? | Tue Jul 19 1988 13:37 | 5 |
| Log drums? Uh, base 10 or base e?
:-)
|
| 656.49 | Don't clap. Snap. | DYO780::SCHAFER | Brad ... DTN 433-2408 | Tue Jul 19 1988 14:07 | 5 |
| Find the SNAPS patch and either mung the waveforms or the filter. I did
this once while diddling, but didn't save it. It wasn't as good as the
HR claps, tho.
-b
|
| 656.50 | Trick for auditioning voices for sequences | DREGS::BLICKSTEIN | Yo! | Tue Jul 26 1988 11:04 | 45 |
| Here's an ESQ-1 technique �'ve been using that I thought I'd share.
The general problem is where do you put the patches you use from
the sequencer? Put them in internal memory and they go away when
you read in new banks to look for sounds to use with your sequences.
Put them on a cart, and it takes forever to load up the cart (writing
to ESQ-1 carts takes awhile) and bizarre things can happen if the
carts not there, or if the wrong patches are there.
What I do is sorta a compromise. I would call it "ESQ-1 volume
shadowing". It takes advantage of an ESQ-1 feature whose utility
may not be readily apparent:
If a cartridge is not inserted and a track uses a voice that
is supposed to be on the cartridge, it uses the corresponding
voice in the internal bank. For example: the first voice on
the first bank on cart A will use the first voice on the first
bank of the internal memory.
For LOCAL tracks (tracks that play ESQ-1 sounds) I always use program
numbers in the CART A range.
If I'm trying to find patches for the sequence (which means I'm
constantly reading things into internal memory), I copy the bank
associated with the sequences into CART A, and then use internal
memory to read in and audition sounds. Note that I can easily
audition a sound IN the context of a sequence this way.
if I'm not auditioning sounds, I just read the bank associated with
the sequence into internal memory and UNPLUG the cartridge. All the
sounds work as they should.
There is one minor disadvantage to this: instead of getting program
names on the track select page, you get *CART* which is supposed to
be an indication that this track uses a cartridge voice but there
is no cartridge installed so it's using an internal voice instead.
I don't find this much of an inconvenience. I'm pretty good about
keeping "track sheets" for sequences and that's what I typically
use to find out the names and track #'s of the voices I'm using.
db
|
| 656.51 | Ensoniq ESQ1 - Patches & Techniques | BPOV04::HARRINGTON | Career?! This is *just* a job! | Mon Nov 07 1988 10:32 | 12 |
|
I need an ESQ-1 patch that approximates Keith Emerson's synth sound from
the solo at the end of ELP's "From the Beginning."
If anyone has such a patch, could you post it here, or contact me? I
need the info in "patch sheet" format.
Thanks.
---- Shawn Harrington
|
| 656.52 | How to demo a patch | DREGS::BLICKSTEIN | Yo! | Tue Nov 22 1988 14:37 | 26 |
| I've played that tuned with a former band. I don't have the patch
for an ESQ-1 but it should be pretty easy to program that particular
one. It's mostly a sine-wave with a little glide on it.
BTW, anyone try out the (blush) Orchestra Hit patches in the
recent Transoniq Hacker. It's not great, but it's pretty good
if you add a bit of echo and you play it right.
I tried hitting individual notes and was about to declare it a waste
of time. Then I read the kibbitz comments that get included along
with the patch authors comments. It really only works if you
play several octaves. Do that and it sounds good, otherwise it
doesn't even sound remotely like an Orchestra Hit.
Unfortunately, there's no real science to trying out patches. You
have to understand the context in which they're intended.
I try to do the following for each patch:
o See if it's pressure sensitive (I have an SQ-80)
o Play single notes, chords, octaves, etc
o See what the Mod Wheel does
o See what velocity does
o Try to play it in all the octaves
db
|
| 656.53 | Moved by moderator. | DYO780::SCHAFER | Brad - back in Ohio. | Mon Nov 28 1988 09:22 | 17 |
| <<< NOVA::$111$DUA0:[NOTES$LIBRARY]COMMUSIC.NOTE;1 >>>
-< ** Computer Music ** >-
================================================================================
Note 1781.0 I need "RAIN" for SQ-80 or ESQ-1. No replies
TILTS::LIBERTINI 10 lines 23-NOV-1988 17:33
--------------------------------------------------------------------------------
Does anyone have a patch of "soft rain" or any "rain" or
a "sizzling bacon" patch that can be tweaked to "rain" for an
ENSONIQ SQ-80. I'll take ESQ-1 type if there is one.
BTW: I have a field of crickets that I found in the TRANSONIQ
HACKER that is dynomite.
Joe
|
| 656.54 | Sound effects were v good on this | MARVIN::MACHIN | | Mon Nov 28 1988 09:44 | 6 |
| I heard a great patch cartridge on Andrew Norton's ESQ1 the other
day. I think it's Voice Crystal (Andrew?). Must have something like
what you want. Plus it had a brilliant minimoog patch, modulation
all over the place, the lot.
Richard.
|
| 656.55 | Kudos to SYNTAUR 3rd party patches | DYO780::SCHAFER | Brad - boycott hell. | Fri Nov 03 1989 15:43 | 15 |
| Blast it - I've moved this all over creation, and can't seem to get it
to the right spot. Sorry for the screwed up maps, folks.
--------------------------------------------------------------------------------
Note 2154.0 GREAT ESQ/SQ80 SOUNDS No replies
TILTS::LIBERTINI "I have to hit the LOTTO, soon." 7 lines 3-NOV-1989 13:01
--------------------------------------------------------------------------------
I am very impressed with the new sounds from SYNTAUR PRODUCTIONS
in North Hollywood, Ca. There are two sets, SOUNDSET 1 and
SOUNDSET 2. I suggest buying both sets. There are some dynomite
sounds on these sets. There are some D-50 sounds that will blow
you away. See the ads in TRANSONIQ HACKER and ELECTRONIC MUSICIAN.
Well worth the price,
|
| 656.56 | Help! | ZEKE::WOZNIAK | | Tue Jul 17 1990 11:15 | 6 |
| I am working with a friend's ESQ-1 and need an accordian sound, but
it is not present on any of the disks. Could someone please tell me
how I can program it in?
Thanks,
Ross
|
| 656.57 | Polka time!!! | CSC32::MOLLER | Who you gonna call? Code Busters! | Tue Jul 17 1990 14:59 | 9 |
| >> I am working with a friend's ESQ-1 and need an accordian sound
I have one on my ESQ-1, but I didn't program it in, I got it elsewhere.
If you arn't in a great rush, I could get you a copy on tape (I doubt
that you have access to either of my disk formats). I never got into
programming the ESQ-1 at all, so I have no idea where to even start.
Jens
|