Conference napalm::commusic_v1

    I'm not sure I understand...
    
    Is this unit a rack-mount synth(s) a la TX816?
    
    Details!! Input!!! Let's address this issue!! Let's have a meeting!!!
    
    Edd

    re .1
    
    	The FB-01 is more like a rack mount dx100.  The TX816, as I
    understand, could be compared to 8 rackmount DX7's, right?  The
    FB-01 has the shaved down 4-operator (as opposed to 6 on the DX7)
    8-algorythm (as opposed to 32 on the DX7) architecture.
    
    	The new features are more memory (240) and eight independant
    voices assignable to separate MIDI channels.
    
    	Dan
    

    
    Sorry to disagree but the FB01 is not a Rack Mount in the true sense
    of the word (i.e. it won't fit in a standard 19" rack" it is however
    a standalone device with no keyboard. If you wan to hear the
    capabilities you could listen to my offerings on the commusic tape.
    The CX5 I used is basically an Fb01 in an MSX computer. All the
    synths on these tracks were recorded in one pass using the
    multy-tymbrailty? of the CX5(ne Fb01). The Only additional instruments
    were a CZ1000 and RX21.  
    
    					Paul                                             

    Except for Germany I have not seen the FB01 in any adds yet.
    Is it available in the US or England? In France it seems to be
    next month for the rest of the year, but that is normal here.
    
    Svein.
    

    
    Yep It's exactly the same here although I have seen and heard one
    they are quoting 4 weeks which sounds close to 1 month which could
    mean anytime soon.
    
    				Paul.

    Finally an add for FB-01 in a french magazine, it is also listed
    by some shops, but with a call us for price note. At least it looks
    like it its here.
    
    Svein.
    

    At least in the U.S., "call us for price" means they haven't seen
    it yet.
        John Sauter

    That I guess is right also for France, but when I called the shop
    for the price they said delivery early next week. Price 2900,- FF
    or approx. $ 446,-.
    
    Svein.
    

    I just got the latest KEYBOARD mag in the mail, it has a one-page
    review of the FB-01.  It lists LOTS of features, some of which confused
    me.  They mention up to *seven* splits at once, layers, etc.  And
    16 'setup memories' for storing split/layer settings, etc.  I'll
    bring in the article sometime and summarize it here.
    
    Anyone know how the splits work?  In the usual way?  Do the 16 setup
    memories hold split and patch assignments for a given keyboard set
    up?  (i.e. Split at key 'x', path 127 on left, 231 on right)?  If
    so, seems like too few memories.  
    
    List price given as $350.00
    
                           -Jim @ FGVAXU::LAING

    All I've seen so far is a full page ad, but it lists the patches.
    For $350 it looks pretty amazing.  Looks like it might be Len's
    next box after the JX-10 (pant slobber drool).
    
    len.
    

    I was in Daddy's in Salem, NH and they are selling it for $315!
    
                           -Jim
    

    Has anybody actually *heard* one yet?  With 240 preprogammed sounds,
    I'm willing to put up with a fair amount of useless stuff (if only
    25% of the sounds are useful, that's still 60 sounds; although my
    recent experience with the JX-10 makes me wonder what goes on in
    the minds of factory programmers, and I can't edit *any* of the
    sounds in an FB01 - at least until somebody writes some fairly general
    purpose system exclusive manipulation software for the Amiga).
    
    And you *can* rackmount an FB01 - it's one rack unit high, but you
    have to mount it on a tray-like contraption that will hold two of
    them side by side.  Roland does a similar thing with their MPU-104/105
    and Boss XYZ-10 series of half width units.  Yamaha does provide
    a rack mount kit (as does Roland, and I'll bet they're incompatible). 

    len.
    

    Yup. I'm praying that the one I ordered that's "on
    the way" is NOT going to be a toy. I think the saving
    graces are two:
    
    1. Voices are velocity sensitive
    2. There are 96 locations apart from the presets to 
       hold your own creations.

    So the real limitation is the 4-operator alg's., I guess...
    And maybe: if they have enuf documentation with it to write 
    some quick software, if you cant wait for someone else
    to do it...

    rr_waiting_and_hoping
    

    The 96 locations are only user programmable *if* you've got the
    software and a machine to run it on.
    
    Also, the limitations are not so much the 4 operator algorithms
    as much as what Yamaha's programmers chose to do with them.  Do
    not confuse architecture and implementation.
    
    All in all, I think it's still a good bet, but I'd like to critically
    audition one before I plunk down the bucks, as this is one box I'll
    be buying for what it *does*, rather than what it *can do*.
    
    len.
    

I don't understand what the operators are, and what you're losing by having 
four instead of six.  Until I figure this out, I'm not going to make any plans 
towards buying an FB01.


				Mark

I posed similar questions in this conference at one time, Mark.  The answers
are in here somewhere, but you gotta find them.

I thought that I was making a huge sacrifice by only having 4 operators rather
than 6 when buying the DX100, but it turns out that one can create mind boggling
sounds with only four operators.  Also, I think that I'd be overwhelmed to the
point where I'd give up making custom sounds if I had a six operator machine.
Four seems somewhat more controllable in most instances.  A friend of mine
with a DX7 tells me that most of the canned DX7 patches really only use a
fraction of the 6 operators anyways.

Can the FB01 be programmed from a DX100?

Todd.

    My understanding (which may be incorrect, but I believe the Keyboard
    review corroborates this) is that the FB01 is programmable only
    via system exclusive messages tagged "Yamaha FB01" (suitably encoded
    of course).  At this time, there is apparently software available
    for the Mac that can handle this.  My guess is the CX5M should support
    this too (they'd be crazy not to support it with their own machine,
    but the again, they *do* make the DXs, don't they...).  A major
    issue (which I think Ron Ross already noted) is whether the thing
    comes with sufficient documentation of the message formats to allow
    you to program (as in computer) your own support software.  I believe
    it is the intent of the Mimetics SoundScape stuff to allow you to
    add modules to their basic stuff so you can do this kind of adaption/
    extension.  I should have the basic SoundScape package in a week
    or two (promises, promises...).  Finally, there's the issue of
    understanding Yamaha's FM synthesis architecture so you know what
    to tell the thing to do.
    
    BTW, the damn DX7 (I say that only because the thing is ubiquitous)
    got the nod in the latest Whole Earth Catalog as the best synth
    to own if you could only own one.  The guy who "recommended" it
    knows little enough about synthesis to claim that the Casio CZ
    architecture is also FM.  Nothing like a bandwagon.  He actually
    claimed that a good reason to get a DX was so you could sound like
    everybody else!
    
    For you FM jocks - what are the rules for combining operators? 
    How many combinations of 4 and 6 operators are possible?  Actually,
    if you tell me (or point me to) the former, I can figure out the latter.

    len (who is yet to be DXed).
    

    The operators are combined in algorythms.
    
    My DX21 has 4 operators which are stacked in 8 algorythms.
    
    The 7 has 6 operators and 16(?) algorythms.
    
    I don't know if further unique permutations are possible, either
    mathematically or Yamahaically.
    
    Edd

    Yes, I know - what I want to know are the rules for forming algorithms.
    I doubt either the 4 or 6 operator synths provide all possible
    algorithms for the number of operators they support.  I want to
    understand what's possible, which ones were chosen for incorporation
    into the instruments, which ones were left out, and why. 

    I thought the DX7 had 32 algorithms?  I suspect the number possible
    goes up *very* rapidly as a function of the number of operators available.

    Incidentally, the ebb and flow of a scummy pond is an Algae Rhythm.
    (That one's been on my list of off the wall band names/record titles
    for a long time now - thanks for the opportunity to drag it out.)

    len.
    

    If you know anybody who can tell me, I'll go with'em.
    
    Get it?
    
    Somebody stop me...
    

    Well, you know what they say about Len's musicianship--
    
    All go and no rhythm!  :-)
    
    
    John M.

    Remember...
    
    Four operators stacked like this...
                                              1
                                              2
                                              3
                                              4
    
    
    is the same as...                         4
                                              3
                                              2
                                              1
                                               
    
    Edd

    
    
    I guess what you chaps are after is a short revie of the Fb01 so
    as I have now lived with mine for 2 weeks I guess I should oblige.
    
    The Fb01 is, as previously mentioned a 1 rack high half width 8
    note polyphonic Midi expander. It has the ability to allow you to
    select up to 8 instruments at any  one time with up to a total of
    8 notes assigned. E.g. Instrument 1 (3 notes Brass), Instrument
    2 (1 note Bass), Instrument 3 (4 notes Strings). The permutations
    as you can apreciate could be extensive.
    
    The FB has 7 banks of 48 voices each, banks 3-7 are presets which
    are the usual high quality YAM FM voices and are mostly extremely
    usable. One gets spoilt for choice with say 8 different organ patches
    and 10 different Synth basses. Those of you who have a DX100 will
    recognise some of the voices. Bank 3 is a straight copy of the
    voices delivered with CX5 Sfg05 fm module on which this unit is
    based.  Banks 1 and 2 are delivered as a copy of bank 3 but are
    user assignable adn you can therefore pickup voices from the other
    banks and assign them to bank 1 or 2 in the order you want to use
    them. 
    
    The Fb01 also has the concept of user configurations which allow
    you to set up and recall different voice and instrument assignments
    for performance use. Configurations 17-20 are preset 1- 16 are user
    assignable.
    
    The process for setting up an configuration is as follows.
    
    		1 select instrument number (1-8)
    		2 select midi chanel.
    		3 select voice.
    		4 Select polyphony.
    		5 Select side (L, LR, R)
    		6 go to 1.
                                    
    In terms of programming the FB voices. Yamaha are in the process
    of producing software for the CX5 ( don't hold your breath). However
    all the voicing details are similar to the DX100 except for an extra
    parameter combining velocity sensitivity and one of the envelope
    generators. (qoute "to add extra expressiveness"). However I have
    manged to get access to some of the parameters from the KX88 and
    have had no trouble in doing so. So if a dumbo like me can manage
    it from the documentation than all you clever guys should have no
    trouble.  I don't however think you can program it from a DX100.
    
    In terms of customer satisfaction I couldn't be happier. I liked
    the Fb01 before I had the KX88. With the KX88 keyboard it really
    comes to life. Can't imagine how I lived without it.
    
    				Paul.

    
    Paul, do we hear correctly that vel. sensitivity can only
    be applied to *one* operator?
    
    Isnt that a bit restrictive? (!)
    
    Ron
    

    
    
    Ron did you gather that from what I said or from some other source
    ?
    
    Ah I think you are misunderstanding what I said about the new
    parameter. I don't think the VS is any more restrictive than on
    any of the other FM based synths. The parameter I am talking about
    is an extra on rather than a reduction of old ones.  I always thought 
    that VS only related to the carrying operator anyway. 
    However I am not sure of this.
    
           			Paul.
     
    

>    is an extra on rather than a reduction of old ones.  I always thought 
>    that VS only related to the carrying operator anyway. 
>    However I am not sure of this.
    
I doubt this is true.  The VS on the DX100 can be applied to either a carrier
or a modulator.

I don't understand the statement about the envelope generator.  Are you sure
that the extra envelope generator isn't for a pitch envelope?  I don't know
how it would be related to VS.

Todd.

    Without introducing feedback, and using modulation and addition as
    the combining principles, I believe the possible algorithmic
    arrangements of 4 operators are as follows.  Forgive the poor man's
    alphanumeric graphics.  The functional notation "1(2)" means "frequency
    modulate operator 1 with/by operator 2" and "1+2" means "add the outputs
    of operators 1 and 2".  I have paginated (with form feeds) each row
    of pictures so they don't get split across your screen.  Each screen
    needs at least 22 lines.  There are 14 algorithms altogether.  Do
    any of you DX/FB types recognize these?  Which ones did Yamaha actually
    use?  Do they allow feedback?  Have I missed any (watch out for
    topological equivalences)?
    
    len.
    
    
    +-+         +-+  +-+     +-+         +-+          +-+          +-+
    |4|         |3|  |4|     |3|         |3|          |3|          |3|
    +-+         +-+  +-+     +-+         +-+          +-+          +-+
     |           |<---+       |           |            +----+       |
     v           v            v           v            v    |       v
    +-+         +-+          +-+  +-+    +-+          +-+   |      +-+
    |3|         |2|          |2|  |4|    |2|          |2|   |      |2|
    +-+         +-+          +-+  +-+    +-+          +-+   |      +-+
     |           |            |<---+      |            |    |       +----+
     v           v            v           v            v    v       v    v
    +-+         +-+          +-+         +-+  +-+     +-+  +-+     +-+  +-+
    |2|         |1|          |1|         |1|  |4|     |1|  |4|     |1|  |4|
    +-+         +-+          +-+         +-+  +-+     +-+  +-+     +-+  +-+
     |           |            |           |<---+       |<---+       |<---+
     v           v            v           v            v            v
    +-+
    |1|       1(2(3+4))     1(2(3)+4)   1(2(3))+4  1(2(3))+4(3)  1(2(3))+4(2(3))
    +-+
     |
     v
   
 1(2(3(4)))
    
    
    +-+              +-+              +-+
    |2|              |2|              |2|
    +-+              +-+              +-+
     |                +----+           +----+----+
     v                v    v           v    v    v
    +-+  +-+  +-+    +-+  +-+  +-+    +-+  +-+  +-+
    |1|  |3|  |4|    |1|  |3|  |4|    |1|  |3|  |4|
    +-+  +-+  +-+    +-+  +-+  +-+    +-+  +-+  +-+
     |<---+<---+      |<---+<---+      |<---+<---+
     v                v                v
    
  1(2)+3+4          1(2)+3(2)+4     1(2)+3(2)+4(2)

    
    +-+  +-+         +-+  +-+         +-+  +-+
    |2|  |4|         |2|  |4|         |2|  |4|
    +-+  +-+         +-+  +-+         +-+  +-+
     |    |           +--->|           +<-->+
     v    v           v    v           v    v
    +-+  +-+         +-+  +-+         +-+  +-+
    |1|  |3|         |1|  |3|         |1|  |3|
    +-+  +-+         +-+  +-+         +-+  +-+
     |<---+           |<---+           |<---+
     v                v                v
    
   1(2)+3(4)        1(2)+3(2+4)      1(2+4)+3(2+4)

    
    +-+  +-+  +-+
    |2|  |3|  |4|
    +-+  +-+  +-+
     |<---+<---+
     v
    +-+              +-+  +-+  +-+  +-+
    |1|              |1|  |2|  |3|  |4|
    +-+              +-+  +-+  +-+  +-+
     |                |<---+<---+<---+
     v                v
    
   1(2+3+4)         1+2+3+4

    re .26 - typically, velocity sensitivity is tied to an envelope by
    shortening envelope (except for release) times at higher velocities.
    Higher velocity also (obviously) raises the effective sustain level.
    
    len.
    

    
    Hm. I'm confused. I guess I'd like to know from you
    DX/TX folks if Vel. Sens. is applied to the sound
    production mechanism in the same way as Len says is
    'typical' (agreed).  Does the DX limit the number of
    env. gen.'s that can be modulated with V. sens? Only/not
    carriers etc?
    
    Now. I also wonder if the FB01 will do 'Keyboard Scaling'
    as the DX or TX....know what I mean?
    
    rr
    

    
    I'll bring the manual in tomorrow and try and answer the questions
    based on that. The SFG certainly has a keyboard scaling parameter
    so I assume the FB does as well.
    
    				Paul.

As far as I know, this is the way the DX100 is implemented for velocity sensing
and keyboard scaling:

VS: Operator levels (carriers and modulators) are the only things that can
	be controlled with velocity sensitive MIDI info.

KS: Operator envelopes are affected by keyboard scaling as well as operator
	levels.


I'm sure the DX21 does it the same way.

RE: .-1 
	That makes sense...

Todd.

    Re: .23 
    
    >In terms of programming the FB voices. Yamaha are in the process
    >of producing software for the CX5 ( don't hold your breath).

	
    Paul - 
    
    Yamaha has already released the software. YRM-506 FB01 VOICING
    PROGRAM. The local store has a couple of copies already. I image
    it is cross between the DX7 - DX21/DX21/DX100 voicing programs and 
    the FM (sfg01/sfg05) voicing program.
    

    I can't unambiguously parse your remark about keyboard scaling;
    are you saying that operator envelopes are affected by both
    keyboard scaling and operator levels, or that both operator envelopes
    and operator levels are affected by keyboard scaling?  The latter
    makes a tad more sense, as it allows you to influence relative harmonic
    content as a function of fundamental frequency (corresponding to
    VCF keyboard tracking in an analog synth), whereas the former doesn't
    seem to make much sense - why should operator levels affect envelope
    times?  Note that analog synths also allow envelope times to track
    the keyboard (higher fundamental means shorter envelope times).

    len.
    

    ...just staring at Len's algowritings...
    
    Can anyone verify whether operator X can modulate *more than 1*
    other operator (not counting those that modulate themselves.).
    
    I was under the impression that each op had 1 output and
    2 (or more?) inputs.
    
    Edd

    Yeah, just what are the rules?
    
    And does the modulating input modulate the operator's frequency
    or the phase angle?
    
    And how can algorithms incorporate feedback?  Does anybody understand
    the mathematics of feedback modulation?
    
    I guess I'm just gonna have to buy one of these dang things and
    get serious...
    
    len.
    

    NO! NO!   Just come up and figure out mine (and then explain it
    to me.)
    
    Edd

    Rather than get bogged down in the discussion at hand, let me simply
    say that I got to play with one of these babies last night for about 4
    hours at a (not so local) music store.
    
    It was great - and rather than be technical, let's just say that
    it does things in the same way that a DX does (read: if you think
    it makes sense, that's probably the way it works).  And, to agree
    with Paul, almost ALL the presets are useful.

    Also got to play a JX10 - and was madly in love, until I happened
    to lean on the ESQ-1 mounted beside it.  The ESQ ate the JX for
    lunch (sorry, Len, just my opinion).  What a machine!  NOw if I
    was just made of money ...

8^)

    A JX/ESQ comparison is not really fair - the ESQ is a sampler, the
    JX a synthesizer.  If you want to compare something to the ESQ,
    try a Roland S50.  There are some people who believe that samplers
    can do everything and will make synths obsolete; well, somebody's
    got to make sounds for people to sample.  And anyway, the JX's factory
    presets suck wind.  I, for one, am in no hurry to get a sampler.
    
    len (who thrives on differing opinions, and will probably get an
    FB01 as soon as I can find one).
    

    ...hate to say it, but I just called Kurlan's.
    
    They *said* they were in stock, $349.00
    
    Edd

    	The esq-1 is not a sampler.  It labels itself as a digital wave
    synthesizer.  It is more on the lines of the Korg DW instruments
    in that it has a wave table by which the DCO's reference wave forms.
    True, some of the waveforms are multisampled, but its bult on a
    synth model rather than a sampler model.
    
    	Dan
    

>    I can't unambiguously parse your remark about keyboard scaling;
>    are you saying that operator envelopes are affected by both
>    keyboard scaling and operator levels, or that both operator envelopes
>    and operator levels are affected by keyboard scaling?  The latter
>    makes a tad more sense, as it allows you to influence relative harmonic
>    content as a function of fundamental frequency (corresponding to
>    VCF keyboard tracking in an analog synth), whereas the former doesn't
>    seem to make much sense - why should operator levels affect envelope
>    times?  Note that analog synths also allow envelope times to track
>    the keyboard (higher fundamental means shorter envelope times).

Right.  I meant the latter.

RE: .35 (just what are the rules?)

	These are addressed in another note called FM synthesis tools.  Read
that and let me know if you want to play with any of the programs I wrote.
I gave up writing more when I brought the DX into the lab and found that
things were not linear (ie: when a standalone carrier's output level is set
on 50 vs. 100, it does not exhibit exactly half the volume).  I also found
that it was next to impossible to model the feedback.

Note that an operator *may* modulate more than one other operator.  There
is an algorithm that looks like this:

			
			+-+
		        v |
			O |
			|-+
		       /|\
		      / | \
		     O  O  O
		     +--+--+
			|
			v

Note also that on these 8 operator machines, operator 4 is the only operator
that can feedback, and can only feedback to itself.  (Operator 4 is the top 
operator in the diagram above which is algorithm number 6 on the DX100)

Todd.

    wrt DX7:
    
    All 32 algorithms have exactly 1 feedback path. In every case save
    one, a 'leaf' modulator feeds back to itself.  The one exception
    is a two-operator feedback path.
    
    Disregarding feedback, 25 algorithms are 'trees' - there is only
    one path to a 'leaf' modulator.  The remaining 7 algorithms have
    unmodulated modulators which feed 2 or 3 carriers.
    
    The key velocity has no effect on the Pitch Envelope.  It may be
    used to change the output level of any operator, using a sensitivity
    parameter which ranges from 0 (no effect) to 7 (maximum effect).
    "The result of increasing the Key Velocity Sensitivity is first
    to subtract from the Output Level, and they add back an amount
    depending on key velocity information".
    
    Each operator also has a Keyboard Rate Scaling parameter. "With
    this parameter, you can set the amount of increase in the Envelope
    rates which occurs as you go from the bottom to the top of the
    keyboard".
    
    David
    

	Well, I ran up to Daddy's Nashua and and plunked down
    	$315 for their 'last' (?) FB01. (Profound Sound: $310+COD)
    	Set it up and the internal dialog went something like this:

	"Hmmmm, ok, power on....cute display.<Press
	some buttons> no sound...gee, better crack the manual,
 	ok, NOW I get it, <Brass bleeps> eewww, *Thin and Dry*.
	(Oh, no, pleze, not a *toy*...)
	<more presets> better,yuk,nice,whoa,huh?,lotsa
	pianos: *electronic* tho,wheres the hammond, etc etc...
	(Nope, not bad...)
	<more manual reading> 'dual mode'(4 doubled voices)
	<brass> ah, thats more like it. <all presets again>
	Still needs reverb...<reverb> Now lets run through those again..."

	I noted about 60 presets that were usable "LIVE" on a solo,
	chordal, or effects basis (Len's "buyable criteria" )
	without any real modification. My style and taste, and
	Your mileage may differ...AND note that in sequenced or
	recorded material the others (some? most?) I BET will be
	more 'usable'. The July issue of AFTERTOUCH publication
	has a soundsheet with both sides FB01 or FB01's. Hear
	it. (Daddy's Nashua has a stack of them free).

	Plusses:
	Your favorite voices can be copied to the 96 user locations
	via the front panel. You 'split' or stack voices by assigning
	note ranges to voices (ie, the KBD doesnt split, the Fb01
	does.) And set number of voices per 'instrument'. A 61 page (!)
	relatively understandable manual with 15 pages devoted to
	midi implimentation details. Microtonal playing via midi.
	Stereo field and effects. More later in other notes...

	Minuses:
	Minor aliasing or (unwanted) sideband noise on most voices
	but not noticed until I used earphones.	
	I think you will notice that you need, and Yamaha wants to sell you:
		1. Another Fb01 (may be worth it compared to 1 Tx7)
		2. An REV 7 or other reverb and/or processing unit
		3. A CX5 to modify or design your own voices.

	*Disclaimers: I have no DX/TX 6 operator systems for comparison.
		     My CZ5000 is NOT velocity sensitive (!)

	Bottom line as of this morning:
	IF YOU WANT ONE, YOU WANT REVERB (STEREO).
	IF YOU GET ONE,  YOU MAY WANT TWO
	IF YOU SEQUENCE, (I bet) YOU'LL WANT ONE. 

	Yep. Moderate satisfaction. And after just scratching the surface.
	ron

    

    
    Ron 
    
    If you really want to kill your bank balance then take it round
    to someone with a VS keyboard preferably a KX and try Piano preset
    2. Bank 4?
    
    		      	Paul.	

Gee Paul, you sound like you talk from experience  (^;

    
    Yes, I know. The CZ5000 was an 'interim' purchase motivated
    by a bargain price to hold me over until I settle on a 'real'
    controller. It's a reasonable machine (multitimbral as well)
    but for me I would trade it's sequencer for vel. sens. (They
    did that in CZ-1 sort of.)
    
    I am going to take the FB back to Daddy's tonight and try it
    just as you suggest (and with MKB 1000)
    
    More:
    	Velocity sens, kdb scaling, and others may be applied to 
	any/all of the 4 operators (but all voice modification is
    	via sys exclusives. Altho the 15 midi pages are clear, its
    	not obvious what some of the fields in the bytes do.

    	Operator block:
       
	$00	%0xxxxxxx	x=TL [???]
    	 :   	etc...
        $05 	%xyyzzzzz	x=0=modulator,disable/AM
    				x=1=carrier,enable/AM
    				y= velocity sens. (AR) [AR???]
    				z=D1R			[D1R????]

    	etc...
    
    	Many abreviations are undefined, and their relationship
    	to the 'sound' even more obscure. (SOP for FM synth, tho)
    
    	voicing program anyone?
    

    	
    SWAG: AR=="attack release??"
    	  D1R== "decay1 of AD1SD2R envelope Release??"
    
    	TL?
    

    AR:== Attack rate    
    D1R:== Decay (part 1) Rate
    
    Edd

    
    OK GUYS: Your opportunity:
    
    Profound Sound came through somehow and send me
    yesterday COD an FB01 about the same time as I
    was paying for one at Daddy's. I have 3 choices:
    
    	1. Refuse it (theyre bummed but thats life)
    	2. Keep it   ( based on results of trying with vel.
    			sens. kbd tonight...)
	3. Sell it to interested party UNopenned as recieved
    	   via UPS (anticipate $310 plus $5 COD/INS charge)
    
	   Anyone interested? With ~$315 check in hand?
    	   UPS will be here SOON...decide.
    
    	Ron_who_reserves_options_one_and_two...
    

    re. .44 {VS KBD}
    
    Did not make it to anywhere with a Vel. Sens. Kbd yet
    to try the Fb01...tomorrow definitely. Now, the mks-20
    is my (eletronic) standard for good piano voice Paul, and
    and I dont expect miracles out of this cutesy Yamahaha
    gizmo to make it compete, but we'll see.
    
    More observations:
    
    96 user voices are nice (if you can program them) but it
    seems that the limiting factor is the 16 user 'configuration'
    locations (not enuf!). These carry the state of the machine:
    "instruments": which_of_the_240_plus_96_voices, # of notes per inst.,
    midi channel, detune, portamento, note range to respond to, octave level,
    lfo, and pitch mod sources/ranges....all these PER (each of the
    8) voices.
    
    If there is one thing you 'change' between songs. It would be
    this 'Configuration'. If you dont have a midi mapper or computer
    it looks like manual change of these "total config" presets.
	(Thats a single button press, tho)    
    Using the factory "single" config (plays up to 8 notes of a SINGLE
    instrument) is ok,(its the first thing you do and most traditional)
    but it falls WAY short of the possibilities... like stacking up to
    8 different voices together to respond to the same channel.
     Or 8 same voices with different pitch bend amounts...one note
    bends into an 8 part chord. whew. 
    But these can only be saved in the 16 user configuration locations.
    
    I subjectively bet that if the TX wasnt selling for aprox. $600 
    (ie., 2 * FB01), Yamaha would have priced this unit much higher.
    (But then, it's still a *new* toy...)
        
    Ron_happier_but_desperate_for_*the*_V_S_kbd_controller
        
    

    
    
    I'me generally in agreement with you re the 16 changable configurations
    However desiptie the gripe I haven't got as far as using 5-16 yet.
    WHat is a problem however is my apparent dissability to change the
    configuration number in use, via midi. I think this requires a system
    exclusive message which I can set up on a switch on the KX however
    I don't seem to be able to get it to work. ANy ideas? I'me pretty
    sure this is me misunderstanding the midi message on the FB rather
    than the configuration of th KX.
    
    				  Paul.
    
    				

    Ummm, agree to a point: Ive only used 2 user config slots
    so far (but thats a new one per day, hmmm!). I just
    anticipate that it's going to be a hassle to load in
    new configs...

    The sys-ex recall of configs is another hassle.(Yes, you
    can send typical midi program change cmds from your kbd,
    friends, but that changes the voice(s) assigned to
    THAT midi channel...all to the same voice. It doesnt change
    the nifty mapping setup (config). The config is what specifies
    the whole inst., like 1:note bass., 3:note pad , 3 note:guitar
    1:note sax....and where on the kbd you will play these from,etc.
    pitch bend amount, on and on...)
    
    I remember thinking last night to check the manual for the
    complexity of the config change message, but I cant remember
    finding it...I also left the manual home today.....
    
    argg...
       
    
    
    
    
    

Can the FB save to and load from cassette?

If so I wonder if it would take a voice data dump from the DX100...

Todd.
    

    re .53 - the answer to both questions is no.  See the review in
    the latest Electronic Musician, where they ask (and answer) precisely
    this question.
    
    len.
    

    Right. No jack(s) for cassette dump/load. 
    And perusing the manual it looks like there's no
    *small* sys exc. message for "Change config to numb. x "
    Looks like you gotta send lotsa info about the config,
    which is more like "Load Config number x " or something
    like that....
    
    Ok so lets use the button press on the front panel
    instead. All we need is a "midi_to_solenoid" box,
    positioned in front of the  FB01. 
    
    There HAS to be a short and easy way to recall the
    internal configurations.  

    <pleze?> What an 'oversight'.
    
    rr
    

    
    But....ok, with a vel. sens. kbd the unit is even
    BETTER. Most of the velocity effect on many of the
    voices seems to be Volume related, but there are some
    that show an interesting amount of timbre change as
    well, linked to velocity ...(to my ear in Daddy's
    with 2 guitarists doing Van Halen imitations, a kbd-ist
    on a DX7 slaved to a MKS20, some 'artiste' banging
    a snare,and the background din of WVBF on the PA...)

    Cant wait to diddle the internals with a cumputor...
    
    rr
    
    I am leaning toward keeping the 'in_the_mail' Fb01 if
    it ever shows up...(Len 'money_bags' F. had the first
    crack at it otherwise...sorry Len).
    

    Why is it that everybody get MY unit. I ordered it 4 weeks ago
    and it have not showed up yet.
    
    Well I guess that is what you get for living in the remote parts
    of the world.
    
    So all of you FB01 owners out there, think of me when you
    enjoy yourselves.
    
    Svein.

    Presumably in response to my queries about FM synthesis in this
    forum, somebody has sent me a copy of Yasuhiko Fukuda's book on
    the DX7.  Is this a loan?  A gift?  Can I pay for it?  Whom do I
    thank/curse (this book has been universally reviewed as nearly
    unintelligible)?  The envelope came from ZK, and the last recipient
    was one Hank McCall, whom I don't recognize as a COMMUSIC noter.
    
    len.
    

    
    re - ? About the configuration change parameter Ron.
    
    If you look in the manual it give you a number of sys ex parameter
    changes one of which is configuration change. Para $22 I think.
    I have tried this via a KX88 control key and lo and behold, nothing.
    I can't wait till Len gets his so he can sort me out. 
    
    Len?
    
    				Paul.

    
    All messages must start with bit 7 set, so I dont understand
    this $22 you mention.
    
Looks like a configuration change for the whole instrument is:
embedded in the basic excl msg (p.50):

Status:		$f0
ID:		$43
Substatus:	$75
		$70
(event)
  :
  :
ENd excl	$f7

And the "event" we want is the "configuration data format" p.51
which is:

bytes:
8	name
1	voice combine
1	lfo speed
1	amd
1	pmd
1	lfo wave
1	reception mode
1	reserved
 
16	Inst. #0 definition block (p.52)
16	Inst. #1 definition block
16	Inst. #2 definition block
16	Inst. #3 definition block
16	Inst. #4 definition block
16	Inst. #5 definition block
16	Inst. #6 definition block
16	Inst. #7 definition block
16	Inst. #8 definition block

So it's a bit more complex than the KX can handle.
    See? Yamaha wants to sell you a CX5.    

    Happy programming. ron
    

    I'd sure like to get one and help out, but nobody's got 'em anymore.
    LaSalle's wants a fifty dollar deposit against list price and probable
    delivery in a month or so, Daddy's won't have any more until January,
    I refuse to deal with Kurlan's, and Wurlitzer, Union, Liberty and Centre
    Music don't carry Yamaha;  my best lead, Ross Enterprises, probably
    wants to keep his second one.  I suppose I could hit up one of those
    mail order places, but the story so far from other mail order buyers
    is not encouraging.

    len.

    
    Ron 
    
    I can't remember the page but I.me sure that I read it differently.
    I thought the Configuration change message fitted neatly into 8
    bytes. I'll bring the manual in on Thursday and check this out.
    The MAX size of message from the Kx is 8 bytes so if this won't
    work then I'me stuffed. I already have a CX5 but we haven't seen
    the software yet. And anyway I don't want (in this case) to edit
    the voices, just be able to cahnge the configuration in use from
    my keyboard.
    
    		I'me sure the message went something like
    	
    			$f7
    			$43
    			$0n  n= system channel number
    			$10  (I couldn't work out what the 10 was for)
    			$pp  = parameter $22? = config change, there was
    				also one for changing the syschannel
    				number which you shouldn't need a CX5
    				for I'd have thought.
    			$0d  = data ie 0-19 for configs
    			$f0 (quite appropriate) end of sysex
                                                    
    I thinks that's how it went I tried various permutations but couldn't
    get any to work. I think I'me either misunderstanding the whole
    thing or doing something basically wrong. What will you use 2 for?
    
    				Paul.

    
    Len: Re. mail order...
    
    I am still waiting for my 2nd (blush,blush) Fb01
    from Profound Sound. A call yesterday re. "when was
    it shipped?" produced "<pause>Our UPS sheet indicates
    it went out last Wed. $315.94 total COD". 
    
    Now when I ordered it, it was "It's gonna take a week".
    When I called 5 days later (including a weekend) there
    was some blurb about Yamaha not shipping them their
    allotment yet "which is due any day", so I blew it
    by not asking if they had them in stock (a MUST question
    to ask BEFORE deciding to buy....) So I got semi-irate
    and said I was gonna cancel. They wanted one day to
    "check with Yamaha", so I said I'd call back the next
    day. Then I called Daddys Nashua and put down a VISA
    deposit on their last one (Now they say no more till
    January! Yamaha allotment scheme they say. ) When it
    was in my sweaty little palms, I called Profound 
    to cancel for real.
    
    ***** They had UPS COD'd it the next day, the day I got one*****
    
    So, maybe all it takes is a little irate-ness. BUTTTT,
    If it doesnt arrive today or tomorrow (from kansas...)
    they lose credibility heavily, OTHERWISE myself and
    other folks I know have had success with them, or at
    least acceptable success IF you go the COD route.
    
    They also *say* they have about a dozen left...
    
    I *think* some of these places wait until they get enough
    orders to make a quantity purchase on the items that they
    dont/cant drop ship from the factory...
    
    rr
    
    
    

    
    AH, I think you're on to something. I think you have to
    use the (HUGE) message if you need more than 16 configs
    (it would load a whole new one.) There are some gotcha's
    on the short message:
    
    (BTW, it starts with $F0, ends $F7. I think you reversed em)
    
    1. you are limited to config data $08 to $0D, vboice combine
       lfo info, etc.
    2. It's not clear to me whether this SELECTS a new configuration
       number, or just CHANGES the config data parameter in memory.
       
    3. There's no "increment config" msg or param, so youd need 16 (or 20)
       of these to be sent by the KX88 (or xxxx).

    Check p. 24,25. The "system channel" number in this packet must
    match the currently set unit's "system channel" otherwise, nothing
    happens, I bet. 
    
    Hope you can try it...I wont be able to for a while...
    
    rr
    

    

    
    re. -1
    
    you are right I got the message slightly wrong biy I,me glad I got
    the base idea right. So any Ideas whi I can,t get it to work on
    my system? I have checked all the things you suggested I.e. the
    system channel No etc but all to no avail.
    
    				Paul.

    
    Can you detail the exact packet bytes you send?
    
    Also, how do you verify what you set up on KX?

    And/or do you have a way of seeing what
    'goes out'?

	rr
        

    After calling the mail order firm in Paris, I found out that I
    was on a waiting list. No more FB-01 untill January 87, also
    price up 8%.
    Looks like this is same all over this world. I canceled my
    order and will try to call around and see if I find it in stock
    anywhere.
    
    Svein.
    
    

    My FB01 arrived UPS COD yesterday on schedule.
    
    As of oct 28, ~2:30 EST, Profound Sound (800 637 6863)
    told me they still had "about a dozen" IN stock...

    Ask for Shane and mention moi, Ron Ross 

    $310 plus shipping unless demand has cause a price increase
    
    (Shipping to Paris?!!)
       
     ron
    

    
    Seems like as soon as I explore the surface musical
    abilities of an instrument or new gizmo, my engineerish
    curiosity overwhelms me and I open the thing up.
     (I *like* voiding warrentees. Dont tell anyone)
    I took a quick peek last night.
    FB01 casual observer internals report:
    
    3 boards. Main board glass epoxy. Other 2 boards are
    the power supply, uggy phenolic, more board than parts.
    
    Not much in there. NEC microprocessor and a Yamaha chip
    are the only 'big' chips (physically and functionally).
    Some Static rams,a Rom, about a dozen misc. LSTTL
    and CMOSequiv.LS for latches and I/O, etc. A TL072 or two,
    R's and C's. All packages DIPS. Board mounted connectors.
    ONly 2 Cables (to front panel and power supply.)
    
    I'm guessing th Main board was stuffed by automation  (some
    caps have a bit long leads).
    
    Looks like the Yam. Sound chip has the D to A converter in
    it. 
    
    This beast is apparently mostly software.

    Ron_who_forgets_detail_but_will_look_again
            

    Re: .67-68
    The 2 music stores around here (Akron and Cleveland) sold a total
    of 36 of the little buggers in less than a week. Both stores are
    quoting the same January '87 time for the next batch. I guess thats
    when the next ship comes in.
    
    Re: .69
    I'm curious.... Are there 2 chips with the YAMAHA label and the
    part numbers YM2151 (24 pin) and YM3012 (16 pin) in the little beastie?
    
    If so it has the same guts as the SFG01/SFG05 sound modules for
    the CX5M computer. The 2151 is what Yamaha calls the OPM which is
    the actual FM synthesis chip. The 3012 is the DAC.
    
    There also may be a YM2148 (40 pin ) critter. This is the MIDI i/o
    and keyboard i/o on the module. This from what I can gather is a
    �P. 
    
    The two widgets (FB01 and SFG01/SFG05) look so much alike. If you
    get to look at a CX5M somewhere with the FM Voicing program and
    the FB01 voicing program. They are the SAME for setting up the voices.
    The only difference is the menu for outputing/saving data. The FB01
    version adds MIDI. Also there is an additional page of setups for
    programing MIDI channels to voices. 
                   
    PS 
    For all you YAMAHA'er. You can get technical/service manuals
    for anything Yamaha sells. I already have a CX5M and a DX-7/DX-9 
    manual complements of my IBM employeed brother.
    There is an 800 number for those of us outside of Calfornia to call. 
    I can get the number posted here if anyone needs to see it. The 
    manuals seem to be rather cheap compared to some I have had to 
    purchase (~$12-20).
    
    

    re. -? and th actual packets I send.
    
    They are as follows
    
    			$F0
    			$43
    			$75
    			$00   (I,ve also tried $01 the FB01 is set to
    			$10	system channel 1)
    			$22
    			$06    I,me trying to get to config 6
    	                $F7
    
    I can monitor the fact that the message is going out with my Qx21
    but it only show me the first BYTE. I have tried sending other things
    e.g. note ons etc with plenty of success but I can't get this one
    to work. 
    
    P.s. I'm in Geneva next weeek if the chap in Paris wants me to
    pick up an FB for him at U.K. prices and voltages I could probably
    arrange something. 
    
    			Paul
    		
    			

RE: .70
 Yes, I'd appreciate it if you would post the 800 number!

thanks,

Todd.
			

       I just talked to Paul at Kurlans Music. He said he has a couple
    FB-01 left. The price is $345.00 but said he will discount it if
    you were a previous customer of a Yamaha product.
                                      
                                             Rick

    I'll pick it up for anyone who hasn't been a customer...
    
    Edd

    Yamaha Service Manuals.....
    
    This info is paraphrased from _Aftertouch The Offical Publication
    of the Yamaha Users Group_ Vol. 2 No. 5 May 1986
    
    "Service manuals can be purchased by the consumer through the Yamaha 
    Electronic Service Division Parts department if available. Some
    of the older model service manuals may not be avalable. Inquiries and 
    orders can be made by phoning 714-522-9355 from California and Alaska,
    or 800-521-9479 from all other states.
    
    	Owner's manuals are handled through the Digital Music Instruments
    Division, and may be ordered at no charge by calling 714-522-9493 from
    California or Alaska, or 800-443-2232 from all other states."
    

    
    SH**t, ie: Shoot. Seems like that would work Paul,
    from what I see in the manual. You sure the  basic,
    not system Channel is right? 

    Boy, looks like time to call y-maha.
    
    I'll do it tomorrow and see...
    
    ron

    
    Well guess what (PK's a BOZO). The U.K. "Yamaha customer support
    desk" (they've been watching to many computer programs on TV) phoned
    me after I reported the problem to my music store and they agree
    with you and me  Ron, it ought to work. So the guy said he would
    zip of and try it on one of the KX88's they had "lying around" and see
    what gives. And sure enough he phoned back 10 mins later and said
    no problem all hunky dory. So on the basis I was at least on the
    right track, I had a good review of this all last night and sussed
    the problem. My set up is like this. KX88 into RX7 (temporary) into
    FB01 and all the other expanders TR, RX, CZ and CX. So I took the
    QX out of the system and lo and behold config changes till they
    came out of my ears. 
    
    Now I'me not sure if this is a major misunderstanding on my behalf
    or whether I just didn't think this through properly (probably the
    latter) but when the QX is in midi echo mode I though it meant all
    midi info not just performance info. Anyway the QX eats system
    exclusive messages, probably because it thinks they are for itself.
    I did try changing the system channel No on the QX but no help.
    
    So there it is I can now change configs from the keyboard provided, I
    am prepared to take the QX out of the system. I would have hoped
    I could hve stored the system exclusive "change config message" at
    the begining of each song on the sequencer so that it would call
    up the right instrument configuration. Was this asking to much ? 
    
                       
    				Paul K.

    Thanks Paul. I am actually not in Paris but Valbonne, close to the
    city of Decville. After I canceled the order from the mail order
    company I went out to the local shops, one of them will get in three
    next week and he promissed to reserve one for me. And just to make
    shure he would not forget I (well I had planed to for a while) bought
    a Roland S-10 from him as well. But that will be another story.
    
    Thanks anyway Paul for thinking of me.
    
    Svein.
    

    
    Svein
    
    I would be very interested in your s10 comments as this is also
    a possibility for me.
    
    			Paul.

    
    Start a new note on S10.
    
    Of the 22 total chips in the Fb01, we have some stumpers:
        
    	Yam 3012 16 pin 	dual serial in DAC (in Yam lit.)
    	Yam 2164 24 pin		???? (2163 was an FM gen)	 
	Nec D71051 28pin	?????? (or was it 71150?)
	Nec 70008 A6-6 40pin	uproc, but what?
        JRC 45560 8pin		????? strange.
    
    Help me out. Ive been doin software lately.
    What ARE these cheeps guys?

    Ron
    

    
    Just thought you guys might be interested.
    
    I'me delivering an FB01 to Zayed in Geneva on Tuesday. He reckons
    He will be saving about 30% by buying at th U.K. price. 269 pounds.
    
    					Paul.

    Hello all,
    
    I'm a new reader of this notes file, I am interested in all things
    to do with music and computers. My current keyboard is a pf70, and
    I am considering buying the FB01 expander as my first midi unit.
    
    Paul, can you please tell me where they are available in the UK
    for 269 pounds?, and do you know of any problems that I may have
    when using the FB01 with my pf70.
    
    Many thanks,
    
    		Brian Anthony (UK Remote Diagnosis)
    				Basingstoke.

    I will write a little something in a separate note on the S-10
    when I sort of know it. 
    
    Re:-1  This configuration is something Yamaha is sugesting in
    their adds here in France at least. It should work fine, but
    you may want an extra box called MCS2 from Yamaha which will
    give you the functions that a piano dont have like pitch bend,
    modulation and so on.
    
    Svein.
    

    
    Last nite I compared 2 fb01s to a DX7. I must say they
    each have their impressive points. Fb01: multitimbrality
    for low cost. Dx (Tx) the 'extra' two operators DO make
    a difference to my ears. AND:
        
    All the presets in the Fb01 respond to velocity info. but
    ONLY produce an overall amplitude variation (louder,softer).
    There is no TIMBRE change. The DX/TX shines in this regard.
    Similar to 'real' instruments, a DX can change timbre in response
    to articulation,volume,ets. The difference is very obvious on
    some voices.
    
    So CAN the FB01 respond timbre change vs. velocity info? 
    The DX aftertouch can be routed to lfo vibrato intensity
    on the FB. That's not it. Breath controller info can also
    modulate pitch. Thats not it.
    
    I think Yam. left this out of the presets intentionally or
    copied the DX27/100/whatever 4 operator voices to get the 
    thing on the market quickly.
    
    The midi pages in the manual IMPLY (to me) that an operator will
    respond to velocity info in a way that can produce timbre modulation.
    What this results in is a function of the ALGORITHM used. It looks like
    foot/wheel/aft.touch/breath 'modulation' can be applied *only* to
    the entire voice, and produce volume or pitch modulation overall.
    ( a restriction).
    
    Give me a little more time, guys. I'm not that familiar with FM synth
    and/or DX capabilities, but definitely the presets have no dynamic
    timbre (read: but I want that), altho creating your own voices may.
    See, you should buy a TX816 instead. (For *HOW* much?!@#*&$???)

    Or maybe they just want to create a "FB01 realistic presets" market.
    See it in the back of Keyboard mag. I bet.
    
    rr
    
    
    
    

See my previous note under this topic about the different modulations on
the DX100 (and thus the FB01).  From what I saw of your FB01 last Tuesday,
most of the voices are direct carry-overs from the DX100 (probably 192 out
of the 240 voices, since the DX has 192 voices).  99% of the voices
on the DX100 are *not* velocity sensitive, meaning that the velocity sense
parameter is set to zero in 99% of the patches.  Thus for quick release of the
FB box, I'll bet Yamaha just altered the velocity sensitivity parameter for 
the carrier operators and left the sensitivity for the modulator operators
at nil.  This is rediculous, but will probably sell Yamaha lots of computer
software necessary to alter the presets.  That really sucks.  Nice job Yamaha.

As I said in a previous reply, the BC can be used to control LFO modulation
depth (which modulates *all* notes being played) or amplitude of a carrier
(creating a change in volume) or amplitude of a modulator (creating a change
in timbre).

Todd.

Re 463.82

Hi Brain,

I am new as well!

Close by to you in Fleet is a great shop, Kingfisher Music. They cater 
for the professional musician, but are very helpful with amateurs like 
me! 

They are CHEAP. I bought a CZ5000 7 months ago for 610 pounds, when 
everyone else was charging 800+. I was in there on Monday and tried
the FB-01, and its all that everyone has cracked it up to be, they are 
selling it for 269.00 AND they have them in stock. I am sure I saw a 
pf70 in there as well, is it midi, so they would only be to pleased to 
connect them up for you. (If only I could get the_trouble_and_strife to
agree to spend the money we haven't got!).

Happy spending (letch, letch)

Peter Duce  (European ADG, Reading)

    Is Fleet close to Highfield/Reading as well? I'm going there in
    a couple of weeks so it might be nice to have a look around to
    see if there are any good offers.
    
    Svein
    

    re .87  Thanks for the info on Kingfisher Music in Fleet. I have
    visited the shop a few times in the past but not recently.
    I hope to visit shortly to try out the pf70 with the fb01.
    
    Svein, Fleet is 3 miles south of the A30 between Hartley Wintney
    (sp?) and Aldershot. I can give you direction from Highfield if
    required.
    
    Paul, do you have the Yam CX5 voicing program yet, if so what can
    you do with it?
    
    Brian (NOT BRAIN!!!) Anthony
    

    
    Sorry I've not Answered any of the above queries guys but I have
    been out in Geneva, where Zayed and I had our own version of the
    Midi Jam. Nice Set-up Zayed has.
    
    The CX5 voicing software is not available at my local shop yet and
    I don't beleive it's in the U.K. at all. And yes the PF70 will work
    with the Fb01 and it will sound great. I think that you really need
    this type of weighted keyboard to get the best out of the FB.
    
    				Paul.
    

    Paul -
    
    Do you WANT a copy of the YRM-506 FB0-1 voicing porgram? I can get
    a copy for you if you wish. The price that I have seen locally
    for ALL of the Yamaha Rom cartridges is $48.00 US + 5% state/local 
    taxes. Send me mail at CLOVAX::RATASKI or Tom Rataski @CLO if you
    REALLY want a copy.
    
    -TomR-                                                   

    This is somewhat a side issue relating to FB-01 ... I posted a separate
    note on the topic a while back but got little response (Note 521).
    
    I'm thinking about buying an FB-01, *but* wonder what Yamaha has
    up their sleeve for release in the near future ... specifically,
    I wonder if they'll market a 6-operator equivalent of the FB-01,
    that is, a DX-7-based multi-timbral, etc., box (maybe with 16 voices
    like the DX-7?! :-)
    
    Some say this would cut too much into their TX-7 and 218 market
    ...
    anyone heard anythin?!
    
                                -Jim

    OK, OK, enough whetting of the appetites.  When do we get to HEAR
    one of these things??  Any volunteers who have one in the greater
    Maynard, MA area want to do a FB01-o-rama, similar to the Reverb-o-rama
    Len hosted recently.
    
    If you're all nice to me, I might volunteer to host it in my band's
    studio in Hopkinton.
    
    		Derek

    It seems like my second source also have ended up with delivery
    in January, so if everything works out ok (as a foreigner in
    France I now need a visa to be able to get back home) I will go
    to England in a week or so. I'm not sure where I will be staying
    yet, can be Highfield, Reading, Heathrow or even London, so what
    I would like to know is where can I still get a FB01. Fleet sounds
    cheap and nice but may be out of my reach since Highfield is kind
    of remote and I will have no car. What may be the best bet is London
    on thursday (if that is still the day the shops are open late),
    but where in London. Hope anybody can give me a clue.
    
    Svein.
    

Svein

I am going to Fleet a couple of times in the next few weeks, so I can 
make up my mind what to buy next! I could always arrange to go when 
you are over here and I would be able to pick you up from Highfield 
(which is on the way). Give me a call on 830-3348 if I can help.

Peter

    
    re.-2 and -1
    
    The other alternative is for me to ship one to you at Highfield.
    I am sure one of my guys is down their next week attending a course.
    This is not as much fun as visiting the shop however.
    
    Re.-4 I will check with Yamaha this week and see what the likely
    deliver for the voicing software is in the U.K. (I can't understand
    why it's delayed?). If it's no on the horizon I will take you up
    on the offer. Thanks a lot.
    
    				Paul.

    Thanks a lot to both of you, now I just have to wait a couple of
    days to see if I'm realy on my way. I'll get in touch.
    
    Svein.
    

    Was  in  kingfisher  Music in Fleet and they are now down to 
    their last FB01, AND there were two guys letching after  it. 
    They  do  not expect any in now until after Christmas.  They 
    have been selling one a day! So Svein I am sorry if you were 
    coming before Christmas .....
    
    	Peter

    Sorry I should have told you before, I was booked for the course
    so late that I was only on the waiting list and nobody canceled.
    Therefor I am not comming this side of Xmas. I will be trying in
    Munich next week instead, or wait till next year.
    Thanks for notifying me anyway.
    
    Svein.
    

    
    	Do any of you folks get 'After Touch' ("The Official Publication
    of the Yamaha User's Group")?  They're free.
    
    	The July '86 issue (which just arrived - they're behind schedule)
    had a flexible record included which demonstrated the FB-01.
    
    	In general, I was not impressed with the actual sounds.  The
    'bang per bucks' is good, and multi-timbral capability is of course
    a big plus.  But, for me, the 4-operator sounds that come with it
    are not very interesting.
    
    	Does anyone differ?
    
    						- Km

    re 100
    
    Karl, I listened to it too.  I have a feeling that that sound
    sheet doesn't do the fb01 justice, though I still have yet to
    hear it 'live.'  
    
    Also, there's only one song (the one with drums and multiple fb01's)
    that I find listenable, which may have something to do with it.  
    Maybe they want you to be wow-ed when you try it.
                 
    There have been other products' sound sheets that had cool songs.
    Anyone remember the Avatar demo sheet?
                          
    Fredric-B-01
             

    
    Note that they point out more than once that only
    the factory presets were used on all tunes.
    
    Also, there is no velocity modulation on any parameters other
    than overall voice volume on the presets.

    I've never been overly impressed with factory presets, have you?
    I look at presets as an indicator of the overall capabilities
    of the particular instrument and synthesis technique.
    
    I find them 'usable' but a little dry and unexpressive.
    
    We need a cheep voicing method to improve that.        
    

    Well, I saw an issue of Aftertouch that talked about the FB01...
    no soundpage record, though.
    
    Regarding 'cheep voicing method'... the article mentioned that there's
    a voice generation package which runs on a Mac. Not 'cheep', I suppose,
    unless one already owns a Mac... hmmmm

    After searching high and low in Munich for a week, I found one shop
    with one unit used for demo. He was kind enough to sell it to me
    after some talking. So now I am finally the very happy owner of
    a FB-01. I am using the S-10 as the controller and I was glad to
    find that unlike the DX100 the FB-01 responde to velocity data on
    all? the factory patches. 
    I also saw adds for two editor/librarian programs for the FB-01
    in a German music magazine, one to run on C64 and one for Atari
    ST.
    
    Svein
    

    
    Listen real close and confirm that there is no timbre
    variation with velocity, just overall volume, at least
    on the presets. We need this established.

    Anyway, can you post where to get this FB01 software?
    
    ron
        

    Last week I was in L.A. on busyness and stopped in West L.A. Music,
    one of the biggest dealers in the West.
    
    I heard/played the FB01.
    
    I was emphatically *NOT* impressed.
    
    It sounded very thin. There were no apparent velocity timbral variations.
    The Casio CZ101 sounds far better.
        
    Of course I'd just gotten an extensive demo of the E-Mu EMAX Sampler,
    Roland S50 Sampler, and the AKAI S900 Sampler. But my ears weren't
    THAT far gone.
    
    k_the_sampler_seeker_m_II

re.0
	Svein, could you give me some information on who was
	selling the FB01 librarian/editor for the C64 ?

zayed

    The editor running on the C64 is made by a company in Berlin called
    Geeres, it handels both patch and config setup. I dont have the
    magazine with me here today but I seem to remember a price of 
    DM 190.-, I read about it in the december issue of the german
    "Keyboards, homerecording and computers" magazine, you may be able
    to buy it in Switzerland. I am going on Xmas holiday tommorrow
    so I will not be able to get addresse for you before next year.
    Or I can try to get to a terminal during my stay in the high north.
    
    For the timber change with high velocity it may be imagined but
    it seem to me that some patches (sax?) do change.
    
    
    To everybody a Merry Xmas and Happy New Year.
    A bit early, but since I'll be gone.
    
    Svein
    

    
    re .106 aka KM FB01 critique:
    
    1. The casio doesnt even vary VOLUME with velocity.
    
    2. The FB01 has velocity timbre variation thru voicing. 

    ron    

    re -1.. well, Ron, how ABOUT FB-01 'voicing' software ?
    
    Who has it, how much is it, what hardware req'd to run it ?
    
    kmII

    
    Theres Fb01 voicing software written for your MAC availible
    now.    One for CX5. Looks like one for C64.
    Theyre on the way, if not here. You want one for a vax?
    
    The manual has a comprehensive enough midi implimentation
    section that reveals more capabilities than you can hear
    in 5 minutes at a dealer. 
    
    Yamaha not only blew velocity in the voice presets,but 
    also wimped out in the configurations. The 3 choices you
    (probably) heard in the store yeild mega-thinness.
    
    You want fat? Try setting a configuration to all 8 voices
    each slightly de-tuned, for a solo brass or string line.
    Or 4 voices doubled for chords...more like the CZ.
    You can do this from the front panel.
    
    yawn, Im starting to sound like a Yamaha salesman.
    
    Oh, yeah, dont you have a TX rack? No wonder the Fb sounds
    lame in comparison. 
    
       8 }
    

    re -1... gee, ron, after all the VAXmail back&forth between us,
    one would think that you could distinguish between me, 
    
    karl moeller kx88/mac/roland mks-20 southwest
    
                and
    
    Karl Malik  kx88/mac/TX816 northeast

    I know it's not multi-timbral, and that used equipment is anathema,
    but ...

    I just picked up a used (6 mos. old) TX7 module for $450.  And I bet
    those of you who live within 70 miles of a music store (unlike me)
    would have no trouble picking one up cheaper than that.  In any
    case, you can't accuse the TX7 of being thin.

    My 2 cents.

8^)

    I have never heard fat FM strings.
    
    (but I dig just about all the other sounds.)
    
    Edd

    Ok. I agree, how bout: chubby strings. (?)
    Problem is with the phase lock of all voice 
    oscillators to one clock. Ah, good old analog...
    
    OOps. yes, hi Karl. No, I thought *you* had a Tx.
    Point still stands: Fb01 and Tx are in different
    leagues. Can I come visit in feb or march?
    
    I got 2 fb01s cause, per $, theres more potential
    there (for me) than, lets see, what else could I buy
    to have some FM technology, a TX7?. Have a CZ already,
    not FM, all these variants have a different sound.
        
    Theres more hiding in these little FB01s than we 
    can hear "from the factory". It must have been a 
    marketting ploy (or blunder) not to exploit that in
    the presets. I figure they want to sell me a CX5 and S/Ware.
    
    OK, looks like I'm stuck to prove it on Commusic tape III?
    
	ron
        

On the DX100, I have no problems with the 4 operator sounds (except for good
old synth strings), but I do have problems with the noise generated in some 
of the patches.  I tried recording for the first time last week, and found the
noise associated with the piano patches intolerable.  This noise is a serious
problem in that I have found no way to mask it (the noise gain rises with the
signal gain, thus disappearing when the voice dies out).  Anyone else with
an FB or a DX/TX notice this?  I know Ron has.  I had noticed it during casual
use, but didn't realize the magnitude of the problem until I hit the studio
with the old open reel deck in 'record'.

The hereby render many of the patches useless for this reason...

Todd.

    
    You didnt know you bought a love-performance only instrument?
    
    I'd like to peek at the waves with my scope to see if its
    quantization or whatever kinda noise. I didnt find it 
    *that* obnoxious. Only noticed it with earphones and no
    reverb.
    
    Its like a little bit of ring modulation (sideband) noise
    with the signal that changes timbre as the signal does.
    
    wierd. We talking the same noise here?
    
    ron
    

    I haven't noticed any noise with my DX7 or TX7, but I'm not
    sure what you're seeing.  Please describe an experiment that
    the littelest moron could perform, and I'll try it and post
    what I get.
        John Sauter

    Make the moron even littler and I'll try it with 4 operators.
    
    Edd

    The two patch/config editors I have found for the FB-01 is as follows,
    
    For the C64        GEERDES
                       Soft & hardware
                       Guerickestrasse 43
                       D-1000 BERLIN 10
                       Germany
    
                       Telephone 49-30-3429278
    
    Price DM 190,- and it shall work on all available interfaces.
    
    For Atari ST       BEAM TEAM
                       Sophienblatt 42a
                       D-2300 Kiel 1
                       Germany
    
                       Telephone 49-431-63330
    
    Price DM 198,-
    
    
    Svein.

Having been though all 120 responses to this note, I feel considerably 
more expert on the FBO-1, which I had heard about and was considering
purchasing.  However:  I am primarily a pianist rather than a general
keyboardist (though my main instrument is a Roland HP-400), and will
not live w/out velocity sensitivity and reasonable decay.  I passed up
the Roland EM-101 primarily because it has no touch-sensitivity (it
does, however, have a hidden third bank of sounds, details on
request).  So, my yet unanswered FBO-1 questions 
are: 

1) I understand few of the presets use VS.  Do many use decay (for 
   real piano-like action?)  How much Piano-like action can you get
   from this?

2) How much CAN'T I do w/out a home computer (sorry, but many 
   responses didn't indicate their setup)

3) Does it have battery backup of user-programmed sounds?

4) General Dumb Question:  What is KB 'scaling'?

				thanx

					a novice working on improving

    re: 463.121 sub-part 4 "keyboard scaling"...
    
    Keyboard scaling is the method by which the output of a particular
    operator (or operators) varies with respect to it's pitch. 
    
    For example, a patch that was heavily scaled towards the low end
    of the keyboard would gradually get quieter as one moved towards
    the upper end, eventually resulting in no audible output at the
    extreme high end.
    
    It's really useful when used on less than all the operators of a
    particular patch, as it results in a change in timbre as one moves
    about the keyboard, while still retaining the original 'color' of
    the patch.
    
    Edd

    
    re.-2
    
    The Fb01 presets that I have used so far all seem to be Velocity
    sensitive. I use mine with a KX88 and it has replaced a Standard
    Piano for a number of Drama gigs I have do ne recently. And no-one
    has complaned about lack of expression.
    
    Providing you don't want to program the patches then you don't need
    a home computer. I am still waiting for the U.K. to get the voicing
    Rom. All the patches you create will be stored and kept by the Battery
    backup charge in the machine.
    
    Is that all the questions answered?
    
    					Paul 

    "Decay" is inappropriate on patches for which it would be unnatural.
    When the patch is "piano", or "clav", or guitar -- any percussion
    or plucked patch, and others -- then decay is there.  When the patch
    is "organ" or "violin", I would assume it's not there.
    
    "Scaling" is an electronic method for "voicing" a patch.  "Voicing",
    like on an organ or piano, is the gradual change in timbre and volume
    that is built into an instrument along the range of the notes that it
    can play.  Also, "scaling" is more general than voicing, because
    it can affect timbre, pitch (right? is that possible?), amplitude,
    cross-fading (because each operator has independent scaling, right?),
    and other effects of this class.
    
    Just guessing, because I use an older Yamaha system.
    
    Greg W.  (Hi, Jeff)
    Where'd this new terminology come from, anyway?  8^)
    

>    re: 463.121 sub-part 4 "keyboard scaling"...
>    
>    Keyboard scaling is the method by which the output of a particular
>    operator (or operators) varies with respect to it's pitch. 
>    
>    For example, a patch that was heavily scaled towards the low end
>    of the keyboard would gradually get quieter as one moved towards
>    the upper end, eventually resulting in no audible output at the
>    extreme high end.

	I'd like to add that what Edd describes	is LEVEL SCALING. 
	When I read .122, I was initially confused because the
	first thing that came to my mind was the keyboard RATE SCALING.
	The Dx7 has both, and so I assume does the FB-01. 
	Rate scaling modifies the operator envelope's attack time;
	it is "long" for low notes, and "short" on high notes.
	The degree of scaling is variable. This allows you to simulate
	effects due to physical "intertia" - large organ pipes
	have a longer attack because they are moving larger columns
	of air, and such. The benefit is that you can design
	instruments which sound more realistic over a wider range
	of notes.
	

    Actually (for those of you who don't own a Yamaha) for bright sounds,
    it not only "makes them more realistic" over a wide range, but is
    absolutely essential to ensure that the top of the range is not
    complete noise.  It's very easy to get a sound which is good down
    low, but white (or pink) noise up high with Yamaha's system.
    

    FB01 Editor/Librarian for the MAC
    
             $69
    
    From Beaverton Digital Systems
    PO Box 1626 Beaverton OR 97075
    
    
    - from MacMusic bulletin board system

    MacMusic Bulletin Board System
    
            ** FREE **
    
    1 (503) 646-2095 Portland, Oregon USA
    
    1200/2400baud 8BitsNo parity XON/XOFF

                         Fb01 Configuration Setup

Configuration                       NAME
Number
----------------------------------------------------------------------------
Voice Function                      Receive
Combine on/off                      Mode
----------------------------------------------------------------------------
INSTRUMENT Number     1      2      3      4      5      6      7      8    
----------------------------------------------------------------------------
         MIDI Ch    |      |      |      |      |      |      |      |     |
Inst     # of Notes |      |      |      |      |      |      |      |     |
Assign   Limit-Low  |      |      |      |      |      |      |      |     |
         Limit-Hi   |      |      |      |      |      |      |      |     |
----------------------------------------------------------------------------
Voice    Voice #    |      |      |      |      |      |      |      |     |
         Name       |      |      |      |      |      |      |      |     |
Select   Bank  #    |      |      |      |      |      |      |      |     |
----------------------------------------------------------------------------
         Output Lev |      |      |      |      |      |      |      |     |
Inst     Oct. Transp|      |      |      |      |      |      |      |     |
Function Detune     |      |      |      |      |      |      |      |     |
         Stereo CLR |      |      |      |      |      |      |      |     |
         LFO Enable |      |      |      |      |      |      |      |     |
----------------------------------------------------------------------------
         Bender Rng |      |      |      |      |      |      |      |     |
Voice    Port Time  |      |      |      |      |      |      |      |     |
Function Poly/Mono  |      |      |      |      |      |      |      |     |
         PMDevice   |      |      |      |      |      |      |      |     |
----------------------------------------------------------------------------

	Without trudging through all 129 replies, I just wanted to ask a 
question that may have already been brought up.

	The configuration memories:  are they lost when the power is shut down?
I had set up a split/layer configuration on Monday night and went to find it 
last night - 'tweren't there!  I know, you're going to say 'are you sure you 
saved it?'  Yes, I'm sure.  What's the story?

	Dan

    
    Ye the configuration changes are kept providing you save them. It
    even remembers the voices you were using in the last configuration
    before you switched of. So If you are playing with a sequnce which
    has a bass on channel 1 and piano on etc.etc. When you turn on next
    the same voices are loaded.
    
    				Paul.
    
    				Did you have the write protect turned
    off?
    
  

    re .130	Yes, the config memories in *MY* FB 01 are saved when
    I power down.  They have been held when the unit was unplugged too.
    
    	At the risk of insulting your ----    ------ ,  did you switch
    the battery in ?    There's a little slide switch located near the
    power switch at the back that needs something about the size of a
    ball point pen.  
    

RE < Note 463.132 by EUREKA::REG_B "Husqvarna Sonata fur A# saw und vood" >

	The battery switch!  I bet that's in the instruction manual, too!
I always make it a habit to only read what I have to to get the thing going
and then make every concievable mistake afterwards.    

	Dan (the one hiding under his desk with the sheepish grin)

    
    {snicker}
    
    Yes.   In the section called "Powering up" theres A BIG BOLD
    MESSAGE about the battery....
    
    In the first few pages...
    
    You cant miss it.
    
    there. 
    
    &'}
    

	Well, you all convinced me to start reading the manual.

	Browsing through it  I noticed another feature (bug?) I missed.  Anyone
ever do anything with the 'fingered portamento?'  It's described to be something
like; portamento will be active when playing legato, but will be non-active
while playing stacatto.  Has anyone found this useful?  I'd like to try it out
tonight to see how I can use it.

	Dan

    My DX has the 'fingered portamento' feature. I use it on my bass
    patchs for a sliding effect....
    
    Edd

    where is that?!!?
    
    If you'd like a feel for what 'ring modulated' sounds like,
    (In this case we thinks its aliasing) try BriteGT (bank7).
    raise it up +2 oct. and play up at the top of your keyboard.

    Interesting? I could see using it, somewhere....
    
    I bet it works with some other presets...

    
    	re .135	  Useful ?, no but I did try it.  Weird ?, yep, thats
    about it.  I guess I only want it to do that when I play like that.
    
    	Reg
    
    (Who tries almost everything he reads about in the manual, including
    manual reading)
    

    re 'fingered portamento'
    
    it sounds very good with a small port value for things like single
    note woodwind lines. I bleeve it only works in mono mode.
    
              and now for something completely different     
    
    Not to be dense, but what, finally, stated clearly and concisely,
    is the absolute last word on the KX88's ability to (tech term follows)
    farkle the (sys-ex required) configurations within the Fb01 ? Right
    now to use it I have it right in front of me, not over in the rack
    where it belongs.
    
    km

One mo' thing re: fingered portamentoism...

	Was Just playing with the CZ-101 yesterday and found it had the same 
feature in solo mode (mono).

	I knew you all were just dyin' to know...

	Dan    

    
    Karl....the note's here somewhere....
    
    You CAN set up the kx88 to change configs on the fbo1 (sys ex)
    Its only a few bytes of farkleze. BUT, one of those bytes is
    the configuration number...soooooooooo, you need to have 20
    different sys ex packets stored ready to send to do anything
    realtime-ish as far as I can see.
    
    {sigh}
    
    woknwon
    

    re '20 different sysex packets stored'
    
    ya know, this is the stuff that bugs me. I BEG for a NONambiguous
    response and this is what I get..
    
    {sigh}
    
    Okay, we'll play your silly game. '20 sysex packets stored'.. one
    for each possible configuration? There's only 16 user configs
    available.. unless you're including the supplied ones ? And 
    what is IN these packets ? And how are they stored ? I know, RTFM.
    
    And what in each configuration can you alter ? given, say, a two-
    patch config, each patch 4 voices, spanning the entire keyboard..
    can you change one of the two patches within the config ? Or are
    we talkin' changing entire configs here ? What ? HELP !
    
    karl
    
    p.s. for those who don't know me personally, please mentally insert 
    lots of those ugly little faces in text

Re: Farkling (or whatever) the FB01 configurations from a KX88.

I've seen it done. And the man who did is .... Mr. PAUL KENT.

Paul, is this a demo you're giving on your trip to the US ?

	Zayed

    
    Yes you can actually furkle (English Pronunciation) an FB01 from
    the old KX88 using the sliders. It requires a deft touch as picking
    out 20 configs from a slider calibrated to 120 units. How ever we
    have the tecnology and I even have a preprinted card of the sysex
    messages hung on the rrof of the sudio. Any one want a copy ?
    
    				Paul.

    AH THE SLIDER! It crossed me mind, but dont know enuf bout the 
    kx88.
    
    Faces to you too, karl. P 49 of the manual is the packet. $22 is
    configuration change. Heres a copy of an indirect cmd file I use
    with my Micro-11 to change configs on the FB. The packet's in 
    there somewhere.

!!fb01 select configuration 
iu 0 !init user register array
is 0 !and send buffer
! get (decimal) channel number in user reg 1 from user
gd 1 "system channel 0-15"		
! and cnf number in user reg 2
gd 2 "config number 0-19"
!insert the packet in the send buffer
f0
43
75
u1 	! inserts system channel
10
22	! 22 is configuration change
u2	! then comes the configuration number
f7
! transmit it
t
    
    

    Can you also control an FB-01 (ala the KX88) with the ESQ-1?
    
    			-Jeff

    Re: .-1 <yes>
    
    Upon re-reading some of the notes in here....I realized that
    my question (.-2) was a little vague.....what I really meant to
    ask was:  Can I send system exclusive messages for the FB-01 from
    the ESQ-1 (..that's what I need to do to modify settings/patches
    through the midi port?)
    
    
    			-thanks,
    				Jeff

    You can issue "change-patch" commands from the ESQ.  You can't alter
    the parameters within the patch from the ESQ.  You *could* if you
    had a Yamaha DX, though.
    

RE < Note 463.149 by CTHULU::YERAZUNIS >

	... changing parameters from a DX ...

	I just wanted to challenge the idea of parameter access via a 
programmable DX (I take it you mean a DX100, DX21, DX27 type).  I seem to recall
that an FB01 *CANNOT* accept patches from these instruments due to some slight
alterations in the number or arrangement of parameters or some such thing.  I 
have come to believe that the FB can ONLY be programmed from a computer that has
set up the system exclusives to match *OR* possibly some other kind of 
controller that has the flexibility to send user-configured data to match the 
FB's sysex data reception fields.  The only conversation I remember of this kind
is someone here using a Yamaha KX88 to alter something on an FB01.

	Can anyone verify this?

	Dan

    Hey, what about a TX81Z?  Just curious, but would it be possible
    to manipulate FB01 from an 81Z?  'Course you won't necessarily be
    manipulating the *same* parameters, but if I were Yamaha and were
    lazy, I'd probably put in some similar parameters.  
    
    BTW - Aftertouch announced last issue that some future issue will
    discuss a way to convert DX7 patches to TX81Z patches.  I suppose
    that's to back up the claim that the 81Z with 4 ops can do much
    of what a 6 op can do.  Anyway, it may be something to look forward
    to.  Maybe I'll be able to use all those DX7 patches that have been
    tossed my way.
    
    One more thing (though way off base)... Over the weekend I got to
    hear a guy demo a dulcimer at a fair by the Wayside Inn.  Anybody
    know of any good dulcimer patches?
    
    Steve

Funny you should mention dulcimers.  I play one, and am working on an
FB01 patch for one.  (By the way, I am talking about a hammered dulcimer
here.  There is another kind, the Mountain or Appalachian dulcimer.  The
former is a large flat thing with many strings that you strike with small
hammers.  The latter is a long skinny thing with 3 or 4 strings and frets,
that you strum.)

I am starting with the existing Koto and Harp patches and gradually making
small adjustments.  The existing Koto and Harp patches have an obvious bug
from my point of view:  they have release rates greater than their decay-2
rates.  This makes the sound damp out when you send NOTE-OFF.  The real
instruments do not do this.

So the first thing to do (for harp, koto, or dulcimer) is to reduce the
release rate.  Then program the FB01 configurations to give the instrument
several notes to play with, so it won't steal too soon.  4 notes should
be enough.

The Koto patch is buzzier (twangier?  Where is the Twang adjustment?)
than a dulcimer.  The Harp and Koto patches use different algorithms,
and I am trying to understand how each patch difference manifests itself.

    looks like no way tx81z to fb01. 
    
    the 'tz' DOES have a switch to dump/load to tape
    in either DX100 or TX81z format. I will check on
    the midi dump/load capabilities....
    
    BUT::::
    
    The format of the Fb and Tz messages seems to be incredibly
    different. Like from 2 different companies. Im looking at
    1. Dump to kumputor
    2. cut and paste program 
    3. Load to other unit

    ....Because the basic voice parameters are THE SAME. But the
    2 formats just put them in differnet places.
    Thank you Yamaha.
    
    rr
    

     Re: .152
    
    I think the real problem you will have with a hammer ducimer patch
    is you will not be able to create the resonant frequencies of the
    other strings vibrating in sympathy to the previously struck strings.
                                      
    Good luck, if you come up with one I'd like to hear it....but why
    on earth would you want to synthesize such a wonderful instrument
    when playing the real thing is such a delight??

Actually, I wouldn't synthesize a dulcimer for anyone to hear but me.

You can't learn dulcimer music from the printed page; you have to learn
it by ear.  (Otherwise you about unscrew your neck glancing back and
forth.  You have to stare at the instrument in order to play it.)
But I can't "hear" the notes from looking at the page, and greatly
envy those who can.

So I take sheet music and put it into my Mac's music editor, have it
play the whole thing thru the FB01 onto a tape, at reduced tempo.
Then I play the tape one phrase at a time, with lots of repeats,
until I learn each section by ear.

Then when I am all done, I restore the tempo and un-check the dulcimer
voice on the player controls, and get instant "Music Minus One".

Also, there are some interesting things you can do with multiple
dulcimers, and I might want to try that, with the FB01 standing in
for one or two other players.

I have to come up with a dulcimer voice with padded hammers, too.

Hmm - dulcimer-to-MIDI is an interesting concept.  A little hard to put
a pick-up on every string though (there are over 50 of them), and microphone
pickups are not very reliable.  And the fact that strings sound for a
long time would muddy things up considerably.

You are probably right about the sympathetic vibrations, though.  With
only 4 operators I can't do much in that area, as it is hard enough to
get the sound of a struck string in the first place.  I pays me money
and makes me choice.

    The resonant vibrations are *definitely* part of the dulcimer charm.
    I was wondering if somehow I might be able to have extra voices
    emulate it, or use some reverb or chorus or room effects to emulate
    that somehow.  Probably a pipe dream ...
    
    Steve (sure liked the sound at the fair - hammer dulcimer)

The hard part will be that each note on the instrument invokes a different
series of sympathetic strings, since all notes are not present in equal
numbers.  Also I would not be surprised if there was something going on
a fifth above or below any note on the treble bridge, from the other half
of the string.

This isn't really about FB01s.  Maybe a few topics on voice design
would be fun, one topic per instrument.  Titles like "help me design
a French Horn".  Unfortunately, I think getting a good dulcimer sound
is of the same order of difficulty as getting a good piano sound.

Hmm, the FB01 *does* allow any number of instruments to respond to the same
MIDI channel, and they can focus on any subrange of the keyboard...

    What is a hammered dulcimer except a piano for which the designer
    was too cheap to give you a full set of hammers, and decided s/he
    would economize on the number of strings per note by the way?
    
    :^)
    
    Steph.

Actually, the piano is descended from the hammered dulcimer, and not
the other way around.  (At least as regards the way the sound is
produced.

	This is, by no means, on the subject at hand, but I thought some of
you may be interested (or frustrated)...

	Sam Ash, in NY is selling the FB01 for $245 and the TX81Z for $347!
Methinks they're going to get a call from me...

	Dan

    re .157	I second your suggestion for some voice design notes.
    *NOT LIMITED TO IMMITATION OF ACOUSTIC INSTRUMENTS*, though I would
    like to see them included.   I have some stuff at home about designing
    for (and against) sympathetic resonances in instruments, thickness
    of plates, cavity size, string weights, etc.  If its not copyrighted
    I could type it in if there is interest.  Are you volunteering to
    start the base note ?
    
    	Reg
    

I just received my copy of the complete 4 and 6 part dances of Michael
Praetorius (1571-1621) arranged for synthesizer.  This comes to 181 pieces
varying in length and complexity.

My problem is that the guy who arranged them had a Casio CZ101, and programmed
all the program codes according to the way he had his CZ101 set up.  It
appears that the CZ takes MIDI "program numbers" and spreads them over its
many banks of voices, and this stuff I have here has most of its program
numbers in the 60-80 range.

So far as I can tell, the FB01 does not do this.  I had hoped that program
numbers between 49 and 96 would map to voices 1-48 in the next higher bank, but
that does not seem to be the case.  (At least with the "instrument" set to use
bank 1, numbers >48 did not seem to go to bank 2)  The manual has nothing to
say on this point that I could find.  Has anyone stumbled upon what the
FB01 does if it receives a program-change command with a number greater
than 48?  I would prefer not to have to manually edit these 181 files to
change all the numbers. 

    
    I think you are stuck. The FB01 will only respond to pacth number
    1-48 within a bank. I can't think of anyway of getting around this
    problem other than by putting a patch offset into the sequence.
    This would depend on the capability of your sequencer.
    
    						Paul.                                      
    

    I agree with Paul, you are stuck in terms of normal patch changes..
    1 to 48. However I beleive there is a SysEx string which triggers
    a BANK change. This depends on whether you have a real smart sequencer
    or a Yamaha controller keyboard.. unfortunately this option once
    deciphered STILL means you'll have to then edit the sequences so
    the timbres invoked make sense musically.
    
    best. karl

    Hey, guys.  There's more ... If it's set up to talk to a Casio,
    it ain't talkin' to a Yamaha 'cause the code for Casio stuff is
    something like 41H, while Yamaha stuff responds to 43H for sysex
    messages.
    
    Steve

It doesn't send sysex messages.  What I got are musical scores in the form
understood by the ConcertWare+MIDI program on my Mac.  The score has codings
that say things like "this line here should be played on a Krummhorn".  Then
there is a little orchestration table (also part of the score file) that says
"when the score calls for a Krummhorn, use MIDI program 60". 

So what I have to do is load each piece into the ConcertWare editor, call
up the orchestration table, and change the MIDI program numbers so they match
where I put the voices in my FB01.  So whenever I see "Krummhorn" I put
in a "44" or whatever it happens to be, "45" for "Dulcian", "46" for
"Bombarde" and so on.  Then save the file and call up the next one.
Do this 181 times.

Once the files are updated I can sit back and have the program automatically
play each piece in sucession.  Hours of music, no hands.

(Actually, after not very much time krummhorns and bombardes and sackbuts
all start to sound the same, as do most pieces of Renaissance music.  I
will be playing with the orchestrations later.)

    
    It sounds like you will need the aforementioned sysex message to
    change the banks on the FB from the sequence unless you intend to
    do it manually. If you have trouble with the manual in trying to
    do this mail me. It only took me 2 nights and 14 calls to Yamaha
    to get it right.       
    
    					Paul.                                        

Actually, I use only one bank most of the time.  I do use several
different "configurations" though.

ConcertWare has a sort of "MIDI macro library" that you customize for your
particular synth.  You define macros (with arguments yet) as strings of
hex digits.  Then in the score you can put a macro call like "Configure(3)"
and the right thing will happen.  This macro library is kept in a different
file (where I wish they had put the orchestra/program-number table).

The Yamaha manual leaves a lot to be desired, but I was able to figure this
one out with a few experiments.

Here it is a year later and I *really* understand FB01 MIDI messages now.
More than anyone would want to.  As a bonus, I have prepared printed listings
of every voice and configuration setting in the machine, for anyone who
is interested.  I discovered that the on-disk format that the FB01-editor
for the Mac keeps its files is an exact image of the SYSEX messages, which
were documented in the manual.  So I just wrote a little "C" program to
print formatted dumps.

The complete set is for all five ROM banks, 5 pages per bank, printed
in landscape mode.  After the form-feed is a sample entry, voice 4 in bank
5, Flugelhorn.  The numbering of operators follows the conventions of FB01-Edit
(which numbers them 1 thru 4) rather than the FB01 manual (which numbers
them 3 thru 0).

As this is rather specialized (and for some people, obsolete) information,
I don't think I should post all 25 pages here.  Contact me if you want a
copy by VMSmail.

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
5  4 Flugelh  3  poly    0 205  20   0   121   0  Y TOP   5  0  1   1  -3   0  16   0  31  15   0   9
                    0      TRI   3   0    86   0  N TOP   7  0  0   1   0   0  15   0  31  15   0   8
                    7      LOA WHL        96   0  N TOP   5  0  0   2   0   2  31   0  15   0   0   8
                                 2       102   0  N TOP   6  0  1   1   0   0  12   0   5   0   0   8

    Go ahead and post 'em.  The FB-01 is similar enough to the 4-op
    DX machines that they can be useful to have around.
    
    	-Bill

Right, I forgot about the multiwave models.  Then perhaps owners of those other
4-op machines will understand this stuff as well.  Following the form feed are
the listings of banks 3 thru 7.  Extract and print in landscape format.  If you
have a laser printer, you might try NUMBER_UP=2 and PAGE_ORIENTATION=LANDSCAPE
to save paper. 

I am not going to attempt to describe how an FB01 works, or what exactly each
of the parameters does, but here is a description of the abbreviations at the
top of the pages. 

Each voice has certain 'global' parameters, plus four sets of parameters for
the FM operators. 

Global parameters
-----------------
	B	Bank in which this voice is defined (1-7)
	VC	Voice number within bank (1-48)
	Name	Appears in the LED panel
	ALG	Algorithm (1-8)
	Poly	Poly or mono, portamento time, feedback level (0-7)
	Tran	Transposition in half steps (-128 - +127)
	LFO	LFO speed, wave shape, load-enable, sync
	PMd	Pitch modulation depth (0-127) scale (0-7), bend device,
		and maximum bend range
	AMd	Amplitude modulation depth (0-127) and scale (0-3)

Operator parameters
-------------------
    Level parameters
	Lvl	Peak output level (0-127)
	Adj	Downward adjustment on level (0-15)
	AM	AM enable (YES or NO)
	Lst	Keyboard level scaling type
	Lvs	Level sensitivity to velocity (0-7)
	Ld	Keyboard scale effect on level (0-15)
	Rd	Keyboard scale effect on rates (0-3)

    Tuning parameters
	Mlt	Multiple of base pitch (0-15)
	Det	Detune (-4 - +3)
	Inh	Inharmonic multiple (0-3)

    Envelope parameters
	AR	Attack rate (0-31)
	ARs	Attack rate sensitivity to velocity
	D1r	Decay-1 rate (0-31)
	SL	Sustain level (0-15)
	D2R	Decay-2 rate (0-31)
	RR	Release rate (0-15)                                     

A 'Mlt' of zero means 0.5 of the base pitch.  There are three possible
inharmonic multipliers, the exact values of which I do not have at hand.


Page  1          FB01 voices from file 'Bank 3'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
3  1 Brass    6  poly    0 200  50   0   127   4  Y BOT   7  2  1   1  -3   0  18   0   3  13   0   8
                    0      TRI   3   0   127   4  Y TOP   7  4  0   1   1   0  21   0  14  13   0   8
                    7      LOA WHL       112   4  Y TOP   5  4  1   0   2   0  15   0   8  14   0   8
                                 0       109   0  N TOP   7  5  2   1  -4   0  13   0   9  14   4   8

3  2 Horn     3  poly  -12 205   0   0   126   0  Y TOP   7  0  0   1   0   0  18   0  31  15   0  10
                    0      TRI   3   0    99   0  N TOP   7  0  0   1   0   0  13   0  11  14   0   8
                    7      LOA WHL        86   0  N TOP   7  1  1   5   0   2  31   0  17   3   0  15
                                 4       102   0  N TOP   7  1  0   1   0   0  14   0   9  13   0   9

3  3 Trumpet  3  poly    0 205  22   0   127   4  Y TOP   7  0  1   1   0   0  21   0  31  15   0  11
                    0      TRI   3   0   106   0  N TOP   2  0  0   1   0   0  17   0  17  12   0   9
                    7      LOA WHL        90   0  N TOP   3  4  1   2   0   2  31   0  16   5   0  15
                                 4       111   0  N TOP   2  1  0   1   0   0  17   0  14  14   0   5

3  4 LoStrig  3  poly  -12 202  60   0   127   0  Y BOT   5  1  1   1  -3   0  14   0   4  15   0   6
                    0      TRI   3   0    88   0  N TOP   2  4  1   1  -4   0  28   0  13  13   0   6
                    7      LOA WHL       120   0  N TOP   1  5  1   5  -3   0  25   0  11  10   0   8
                                 7       108   0  N TOP   2  2  1   1  -3   0  25   0  10  14   0   5

3  5 Strings  3  poly   12 205  70   0   127   0  Y TOP   7  8  1   1   3   0  13   1   2  15   0   6
                    0      TRI   3   0   100   0  N TOP   5 15  1   1  -1   0  30   1   1  14   0   5
                    7      LOA WHL       127   8  N TOP   4 15  1   2  -1   0  31   1   1  14   0   5
                                 2       109   0  N BOT   4  4  1   0  -2   0  30   1   1  14   0   5

3  6 Piano    3  poly    0 205   0   4   127   0  Y BOT   7  0  2   1  -3   0  23   1   7  11   6   6
                    0      TRI   1   1   112   0  N DWN   5 15  1   1   3   0  29   0   0  11   4   5
                    6      LOA WHL       102   0  N DWN   7 15  1   3  -2   0  22   0   0  11   4   5
                                 5        99   0  N DWN   0  7  1   1   1   0  22   0   5   6   7   4

3  7 NewEP    5  poly    0 205   0   0   127   8  Y TOP   7  0  2   1  -1   0  27   0   4  13   3   6
                    0      TRI   3   0   104   0  N TOP   5  0  2   1  -1   0  27   0   4  13   3   4
                    0      LOA WHL       127   8  Y TOP   7  0  1   1  -1   0  31   0  11  13   8   7
                                 2        86   0  N TOP   5  0  2   7  -1   2  31   0   6  12   4   7

3  8 EGrand   3  poly  -12 205  28   0   126   0  Y TOP   7  0  2   1   0   0  24   0  30  15   6   6
                    0      TRI   0   0   106   0  N DWN   6 12  0   3   3   0  31   0   4  14   2   5
                    7      LOA ---       103   0  N DWN   7 14  0   5  -2   0  22   0   5  13   4   5
                                 0        97   0  N TOP   4  2  1   1  -1   0  31   0   8  13   3   5

3  9 Jazz Gt  1  poly    0 201   0   0   127   0  Y TOP   7  8  0   1   0   0  31   0  10   0   0  15
                    0      TRI   3   0   102   0  N TOP   7 15  0   3   0   0  28   0   6   0   0  15
                    7      LOA WHL       104   0  N TOP   7 15  0   3  -1   0  31   0  10   0   0  15
                                 2        91   0  N TOP   7  0  0  14   0   0  31   0  12   0   0  15

3 10 EBass    1  poly  -12 200   0   0   127   0  Y TOP   3  0  2   1  -1   0  28   0   1  13   5   6
                    0      TRI   2   0   114   0  N TOP   6  4  2   0  -1   0  28   0   4  12   3   6
                    3      LOA WHL       100   0  N TOP   6  4  3   0  -1   0  28   0   6   4  10   6
                                 2        90   0  N TOP   6  4  2   7  -1   0  30   0  13   4   8   6

Page  2          FB01 voices from file 'Bank 3'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
3 11 WodBass  3  poly  -12 202  60   3   127   0  Y BOT   5  1  2   1  -3   0  20   1  19  14   2   6
                    0      TRI   3   1   117   0  N TOP   2 12  3   1  -4   0  20   1   9   8   0   6
                    7      LOA WHL       112   0  N TOP   1 12  0   0  -3   0   8   0   5   0   0   8
                                 2       104   0  N TOP   4  5  3   0  -3   0  23   0   8   7   0   5

3 12 EOrgan1  5  poly    0 175  40   0   127   7  Y TOP   0  1  0   1  -1   0  28   0  15  15   0  15
                    0      TRI   3   0   112   7  N TOP   2  1  0   0  -1   0  20   0  15  15   0  15
                    4      LOA WHL       127   7  Y TOP   0  0  0   2  -1   0  28   0   4  15   0  15
                           SYN   7       105   7  N TOP   2  0  0   1   3   0  25   0  18  15   0  15

3 13 EOrgan2  8  poly    0 208  28   0   127  15  Y TOP   5  0  0   1  -1   0  31   0  31  15   1  10
                    0      TRI   2   0   127  15  Y TOP   5  0  0   2   3   0  31   0  31  15   1  10
                    3      LOA WHL       127  15  Y TOP   5  0  0   3  -1   0  31   0  31  15   1  10
                                 4       127  15  Y TOP   5  0  0   3  -1   0  31   0  13   0   1  11

3 14 POrgan1  5  poly  -12 205  29   0   127   8  Y TOP   4  0  2   0  -1   0  12   0   0  15   0   5
                    0      TRI   0   0   127   0  N TOP   3 13  2   0   3   0  24   0   0  15   0   5
                    7      LOA ---       127   8  Y TOP   4  0  2   2   3   0  15   0   0  15   0   8
                                 0       102   0  N TOP   3  0  0  10   1   0  22   0   0  15   0  10

3 15 POrgan2  5  poly    0 200  29   2   127   0  Y TOP   5 10  2   1  -3   0  15   0   2  15   0   7
                    0      TRI   0   1   126   0  N TOP   2 12  2   0   2   0  15   0   2  15   0   3
                    6      LOA ---       110   0  Y BOT   5 12  2   5   3   0  16   0   2  15   0   6
                                 7       116   0  N TOP   0 12  2   3   3   0  15   0   2  15   0   3

3 16 Flute    4  poly   12 198  45   0   127   8  Y TOP   7  0  1   1  -4   0  15   0   4  15   0   8
                    0      TRI   3   0    99   0  N TOP   7  3  2   1  -1   0  11   0   4  13   0   5
                    7      LOA WHL        75   0  N TOP   5  4  1   2  -4   0  17   0  16  10   2   5
                                 2       127   0  N TOP   7  4  1   1   3   3  18   0  14   9   3   5

3 17 Piccolo  7  poly   24 205  40   4   127   8  Y TOP   7  6  0   1  -4   0  20   0  11  14   0   9
                    0      TRI   3   1   125   8  Y TOP   7  6  0   1  -4   0  20   0  11  14   0   9
                    7      LOA WHL       120   8  Y TOP   7  2  0   1  -4   0  20   0   6   0   0   9
                                 2        94   0  N TOP   7  4  0   1  -4   0  31   0  10  10  15   9

3 18 Oboe     3  poly    0 200  30   3   127   0  Y TOP   5  3  1   4  -1   0  20   0   6  15   0  11
                    0      TRI   3   1    90   0  N TOP   6  6  1   2  -1   0  22   0   0  14   0  11
                    7      LOA WHL       100   0  N TOP   6  8  3   9  -1   0  28   0  12  10  12  11
                                 2       103   0  N TOP   6  6  3   1  -1   0  25   0  11  14   0   3

3 19 Clarine  3  poly    0 204  24   0   121   6  Y TOP   7  0  1   1   0   0  16   0  31  15   0  11
                    0      TRI   3   0   100   0  N TOP   4  9  0   1   0   0  31   0  20  14   0   5
                    7      LOA WHL       122   0  N TOP   4 13  0   5   0   0  31   0  17  12   0   6
                                 2       110   0  N TOP   1  5  1   2   0   0  19   0  18  13   0   9

3 20 Glocken  5  poly   12 205   0   0   127   8  Y TOP   7  0  0   1   3   0  31   0  17  15   8   6
                    0      TRI   3   3    87   0  N TOP   6  0  0   5   3   0  31   0  14   9   5   2
                    4      LOA WHL       127   8  Y TOP   7  0  1   1  -1   0  24   0  17  15   8   6
                                 5       109   0  N TOP   3  6  0  15  -1   0  31   0  19  10   4   5

3 21 Vibes    5  poly    0 185   7  25   127   0  Y BOT   4  2  2   1  -4   0  30   0   5   0  10   4
                    0      TRI   3   1    80   0  N TOP   7  7  2   5  -4   0  30   0   4   0  11   6
                    4      LOA WHL       122   0  Y TOP   7  0  2   1   1   0  27   0   4   7   3   3
                                 4        80   0  N BOT   7 12  1   9  -1   1  31   0  15   4   0   5

Page  3          FB01 voices from file 'Bank 3'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
3 22 Xylophn  5  poly    0 205  30   0   127   8  Y TOP   7  3  1   4   0   0  31   0  31  15  17   8
                    0      TRI   0   0   112   0  N TOP   7  0  2   7   0   0  31   0  22   5  22  12
                    7      LOA ---       127   8  Y TOP   7  0  2   1   0   0  31   0  31  15  15   6
                                 4       106   0  N TOP   7  7  1   6   0   0  31   0  22   9   9   6

3 23 Koto     1  poly    0 205   0   0   127   4  Y BOT   6  2  3   1  -1   0  31   0  10  14   3   1
                    0      TRI   3   0   104   0  N TOP   4  0  3   1  -1   0  28   0   4  12   2   2
                    7          WHL       103   0  N TOP   4  0  3   4  -1   0  29   0   5  14   4   2
                                 3       103   0  N TOP   4  0  3   3  -1   0  26   0   8  13   5   2

3 24 Zither   3  poly    0 200  30   0   127   4  Y TOP   7  4  2   1  -1   0  31   0  12  15   6   5
                    0      TRI   2   0   104   0  N TOP   2  4  2   1  -2   0  31   0  12  15   6   1
                    0      LOA WHL        64   0  N TOP   2  4  2   9  -1   0  31   0   6  15   6   1
                                 2       105   0  N TOP   4  4  2   7  -1   0  31   0   6  15   6   1

3 25 Clav     4  poly    0 205  28   0   127   4  Y TOP   6  3  1   1  -1   0  31   0   5   5   2  12
                    0      TRI   3   0   120   0  N TOP   2  4  3   0  -1   0  31   0   7  12   4   7
                    7      LOA WHL       102   0  N TOP   2  4  2   9  -1   0  31   0   8  13   5   7
                                 2       105   0  N TOP   2  4  3  12  -1   0  20   0   4   0   4   7

3 26 Harpsic  3  poly    0 205  31   0   127   0  Y TOP   7  0  3   4   0   0  31   0  26  13   1   5
                    0      TRI   0   0   127   0  N TOP   0  0  0   1   0   0  31   0  25  13   3   4
                    6      LOA ---        99   0  N TOP   0  0  2   8   0   0  31   0  31  13   5   9
                                 0       119   0  N TOP   0  6  3   0   0   0  31   0  29  12   1   4

3 27 Bells    6  poly  -12 199  15   0   127   5  Y TOP   7  4  1   1  -1   1  30   0   2  14   3   3
                    0      TRI   3   0   110   5  Y TOP   3  4  1   0  -1   1  27   0  15  14   0   3
                    5      LOA WHL       120   5  Y TOP   5 15  0   2  -2   1  29   0  15  14   3   3
                           SYN   4       109   0  N TOP   4  5  0   3  -1   2  29   0   4  13   1   2

3 28 Harp     2  poly   12 205  30   0   127   0  Y TOP   6  4  2   1  -4   0  31   0  12  14   7   4
                    0      TRI   1   0    93   0  N TOP   6 10  0   2  -4   0  31   0   6  14   5   5
                    7      LOA ---        99   0  N TOP   6  4  1   1  -4   0  31   0  13  14   6   5
                                 2       113   0  N TOP   7 12  1   2  -4   0  31   0  12   0   0   4

3 29 SmadSyn  8  poly    0 205   0   0   127  10  Y TOP   6  0  0   1  -4   0  20   1   2  12  11  10
                    0      TRI   5   0   127  10  Y TOP   6  0  0   2  -4   0  15   1   2  12   9  10
                    0      LOA WHL       127  10  Y TOP   6  0  0   3  -4   0  10   1   2  12   7  10
                                 2       127  10  Y TOP   6  0  0   4  -4   0   5   1   2  12   5  10

3 30 Harmoni  4  poly    0 205  13   0   127   4  Y TOP   7  0  0   1   0   0  16   0  31  15   0   9
                    0      TRI   4   0   106   0  N TOP   1  0  0   1   0   0  14   0  31  15   0   7
                    7      LOA WHL        93   0  N TOP   1  0  0   4   0   0  16   0  31  15   0   9
                                 2       102   0  N TOP   1  0  0   1   0   0  16   0  31  15   0   9

3 31 SteelDr  5  poly    0 205  30   0   120   0  Y TOP   5  0  2   1  -1   0  25   0  12   9   6   5
                    0      TRI   1   0   109   0  N TOP   3  7  1   2   0   1  20   0   7   9   6   4
                    0      LOA ---       127   0  Y TOP   5  0  2   1  -4   0  25   0  12  14   6   5
                                 4       102   0  N TOP   2  3  1   1   3   0  22   0   5   9   6   4

3 32 Timpani  3  poly    0 192  29   0   127   0  Y TOP   7  0  0   0   0   0  31   0  25  15  12   4
                    0      TRI   1   2    91   0  N TOP   7  0  0   0   0   0  31   0  25  15  12   4
                    7      LOA ---       119   0  N TOP   7  8  0   0   0   2  31   0  15  12  18   3
                                 7        95   0  N TOP   7  0  0   0   0   0  29   0  18   0   0   3

Page  4          FB01 voices from file 'Bank 3'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
3 33 LoStrg2  3  poly    0 200  52   0   127   0  Y TOP   6  8  0   0   3   0  11   1   5  15   0   6
                    0      TRI   4   0   110   0  N TOP   4 15  0   0  -1   0  16   1   5  13   2   6
                    6      LOA WHL       110   0  N TOP   4 15  1   5   3   0  31   1   8   3   0   8
                           SYN   4       111   0  N BOT   4  5  1   0  -1   0  30   1   4  13   2   6

3 34 Horn Lo  6  poly  -12 190  40   0   127   6  Y BOT   5  2  0   1  -4   0  18   1   2  14   0   9
                    0      TRI   3   0   127   6  Y TOP   4  0  1   2  -4   0  16   1   1  13   0  10
                    7      LOA WHL       127   6  Y BOT   4  2  0   1  -4   0  15   1   5  13   0   9
                                 2       110   0  N TOP   4  5  1   1  -4   0  12   0  11  13   1   8

3 35 Whistle  5  poly   12 200  70  10   120   0  Y TOP   6  4  0   2  -4   0  13   0   8  14   0   9
                    0      TRI   5   0    90   0  N TOP   2  4  0   0  -1   1  25   0  16   8   0   9
                    7      LOA WHL       100   0  Y TOP   5  2  0   2  -4   0  15   0   8  15   0   9
                                 2        90   0  N TOP   2  0  0   1  -1   3  31   0  15   0   0   9

3 36 ZingPlp  5  poly  -12 205   0   0   127   5  Y TOP   7  1  1   2   0   0  19   0  15   0   0   6
                    0      TRI   4   0    97   0  N TOP   3  0  0   1   0   0  28   0   8   1   9  11
                    2      LOA WHL       122   5  Y TOP   7  0  2   8   0   0  31   0   4   2  16   4
                                12       119   0  N TOP   3  0  2   0   0   0  10   0   8   0  16   4

3 37 Metal    3  poly    0 201  27   0   127   0  Y TOP   7  0  0   0  -1   0  27   0  20  13   3   8
                    0      TRI   4   0   117   0  N TOP   5  5  1   1   3   0  31   0  11  15   4   3
                    7      LOA ---       120   0  N TOP   1  6  0   0  -1   0   6   0  20  15   2   1
                                 2       110   0  N TOP   7  5  2   5   3   0  31   0   8  10   6   7

3 38 Heavy    1  poly    0 205  28   0   127   0  Y TOP   4  0  0   0   0   0  31   0  31  15   0  15
                    0      TRI   5   0   113   0  N TOP   0  0  0   0   0   0  31   0  31  15   0  15
                    6      LOA WHL       109   0  N TOP   0  0  0   0   0   0  31   0  31  15   0  15
                                 2       117   0  N TOP   0  7  0   0   0   0  31   0   6   0   0  15

3 39 FunkSyn  4  poly   12 204  26   0   127   0  Y TOP   4  3  1   1  -1   0  31   0   6  14   0  11
                    1      TRI   5   0   127   0  N TOP   3  6  1   0  -1   0  20   0   4  14   0  11
                    3      LOA WHL        90   0  N TOP   5  8  3   9  -1   0  31   0   6  10   6  11
                                 2       127   0  N TOP   0  0  0   5  -1   0   8   0  11  14   2   9

3 40 Voices   2  poly    0 203  44   0   127   0  Y TOP   7  0  0   1  -1   0  14   0  31  15   1   8
                    0      TRI   4   0   116   0  N TOP   0 13  0   1   3   0  11   0  31  15   3  10
                    5      LOA WHL       100   0  N TOP   0 15  0   4   3   3  21   0  14   9   6  10
                                 2        89   0  N TOP   0  8  0   6  -1   3  19   0  18  10   4   4

3 41 Marimba  3  poly  -12 205  31   0   127   0  Y TOP   7  0  0   1   0   0  31   0  12   0   0   6
                    0      TRI   0   0   103   0  N TOP   3  0  0   7   0   0  31   0  18   0   0   4
                    0      LOA ---       103   0  N TOP   3  0  0   7   0   0  31   0  13   0   0   5
                                 7       112   0  N TOP   3  0  0  13   0   0  31   0  27   0   0   5

3 42 EBass 2  4  poly  -12 204   0   0   127   0  Y TOP   6  0  0   0   0   0  31   0   9   2   0   8
                    0      TRI   3   0   111   0  N TOP   7  0  0   0   0   0  31   0   9   2   0   7
                    7      LOA WHL       111   0  N TOP   7  0  0   1   0   0  31   0  13   2   0  15
                                 2       101   0  N TOP   7 15  2  13   0   0  31   0  14   2   0  15

3 43 SnareDr  5  poly    0 205   0   0   127   0  Y TOP   7  0  0   0  -4   0  28   0  14  13  16   9
                    0      TRI   0   0   112   0  N TOP   4  0  0   0  -4   1  24   0  26   6  20   8
                    7          ---       127   0  Y TOP   5  0  0   0  -4   0  26   0  17   6  15  12
                                12       127   0  N TOP   0  0  0  15  -4   0  31   0  23  14   0   8

Page  5          FB01 voices from file 'Bank 3'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
3 44 RD Cymb  5  poly    0 205   0   0   127   4  Y TOP   5  0  2   7  -4   3  31   0  31   8   5   2
                    0      TRI   0   0   122   0  N TOP   0  0  0   1   3   2  25   0  28  12   5   3
                    7          ---       100   4  Y TOP   5  0  2   5  -4   2  31   0  31  14   4   2
                                12       122   0  N TOP   0  0  0   3  -4   1  31   0  31  14   0   0

3 45 Tom Tom  1  poly  -12 205   0   0   127   0  Y TOP   7  0  0   2   0   1  31   0  28  15  15   7
                    0      TRI   5   0   104   0  N TOP   7  7  0   2   0   3  31   0  19  13  10   5
                    7      LOA ---       102   0  N TOP   7  4  0   3   0   1  31   0  13  13   5  10
                                 4       111   0  N TOP   7  0  0   0   3   2  31   0  19  10   5  10

3 46 Mars to  2  poly    0 217   0 125   127   0  Y TOP   7  1  1   2   0   0  19   0   9   0   0   2
                    0      RMP   0   3    99   0  N TOP   3  0  0   1   0   0  28   0   8   1   9   2
                    7      LOA ---       127   0  N TOP   3  0  2   2   0   0  31   0   4   2   8   2
                                12       126   0  N TOP   4  0  2   8   0   0  31   0  13  13  16   2

3 47 Storm    4  poly  -24 210 127   0   127   0  Y TOP   7  0  0   0   3   0  15   0   6  12   0   1
                    0      RMP   7   0   110   0  N TOP   7  0  0   6   3   1  10   0   9   9   0   1
                    6      LOA ---       127   0  N TOP   7  0  0   0  -1   1  20   0   7   5   1   4
                           SYN   5       100   0  N TOP   7  0  0   1  -1   3   8   0   8   5   1   3

3 48 Windbel  5  poly    0 216  44   0   127   8  Y TOP   7  0  1   5   0   0  13   0   9  12   0   2
                    0      RMP   6   0   124   0  N TOP   7  6  1   9   0   1  28   0   7  14   0   0
                    0      LOA ---       127   8  Y TOP   7  0  1   1   1   0  14   0   4  10   0   2
                                 7       117   0  N TOP   7  0  0   4   0   1  28   0   8  14   0   3

Page  1          FB01 voices from file 'Bank 4'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
4  1 UpPiano  3  poly    0 205  27   0   127   4  Y DWN   7  0  3   1   0   0  19   0   2  12   1   4
                    0      TRI   0   0   114   0  N DWN   2 15  2   1   3   0  19   0   2  12   1   4
                    7      LOA ---       105   0  N DWN   2 15  3   5  -2   0  19   0   2  12   1   4
                                 4        94   0  N DWN   2 12  3   5   2   0  19   0   2  12   1   4

4  2 SPiano   5  poly    0 205  28   0   118   6  Y TOP   7  0  1   1   3   0  31   0   4  14   1   7
                    0      TRI   0   0   113   0  N DWN   7  2  2   0  -1   1  22   0  20   2  11  15
                    6      LOA ---       127   6  Y TOP   7  0  3   1  -1   0  19   0   2  15   1   7
                                 1       119   0  N DWN   7  7  2   1  -2   0  30   0  23  12   1   4

4  3 Piano2   3  poly    0 205  26   0   127   3  Y TOP   7  0  3   1   0   0  21   1   2  12   1   4
                    0      TRI   0   0   116   0  N DWN   1 15  2   1   3   0  28   0   2  12   1   4
                    7      LOA ---       102   0  N DWN   4 15  1   3  -2   0  21   0   2  12   1   4
                                 4       100   0  N TOP   0 15  0   0  -1   2  31   0  17   0  14  10

4  4 Piano3   2  poly    0 205  27   0   127   4  Y TOP   7  0  2   1   0   0  21   0   6  13   5   5
                    0      TRI   0   0   117   0  N DWN   7 12  0   1  -1   0  24   0   5  13   2   5
                    7      LOA ---        87   0  N DWN   7 15  0   3   3   0  24   0   5  13   2   5
                                 4        84   0  N DWN   7 11  0   3   3   0   0   0   5  13   2   5

4  5 Piano4   4  poly    0 205  30   0   127   0  Y TOP   5  0  3   1  -1   0  23   0  17  14   1   3
                    0      TRI   0   0   106   0  N DWN   1 14  2   1   0   2  21   0  19  15  17   2
                    7      LOA ---       117   0  N DWN   1 15  3   1   3   0  22   0  11  15   1   3
                                 0       110   0  N DWN   0 15  2   3  -1   0  24   0  24  13   3  15

4  6 Piano5   4  poly    0 205  29   4   127   0  Y TOP   7  4  1   1   3   0  29   0   6  12   8   7
                    0      TRI   2   1   106   0  N DWN   5  5  1   1  -1   0  30   0   7  11   6   6
                    7      LOA WHL       100   0  N DWN   5 15  1   3  -2   0  29   0   7  11   6   5
                                 5       103   0  N DWN   7 15  1   5  -4   0  29   0   6  10   5   4

4  7 PhGrand  4  poly    0 205   0   0   127   0  Y TOP   7  0  3   1   0   0  19   0  29  13   1   5
                    0      TRI   3   0   113   0  N DWN   7 15  2   1  -1   0  21   0   3  14   0   5
                    6      LOA WHL       115   0  N DWN   4 15  2   1   3   0  22   0  15  15   0   2
                                 2       113   0  N DWN   0 15  2   3  -1   0  29   0  23  13   2   4

4  8 Grand    3  poly    0 205  28   0   127   5  Y TOP   7  0  2   1   0   0  20   0   8  12   1   6
                    0      TRI   0   0   115   0  N DWN   5 15  1   1   0   0  22   0   1  12   1   4
                    6      LOA ---        93   0  N DWN   4 15  2   7   3   0  24   0   5   0   1   3
                                 0       105   0  N DWN   2  7  1   1  -2   0  24   0   1   0   1   3

4  9 DpGrand  3  poly    0 205  27   0   127   4  Y TOP   7  0  2   1   0   0  20   0   8  12   1   5
                    0      TRI   0   0   121   0  N DWN   2 15  2   0   0   0  22   0   1  12   1   4
                    6      LOA ---        93   0  N DWN   4 15  1   7   3   0  24   0   5   0   1   3
                                 0       103   0  N DWN   0  5  1   1  -2   0  24   0   1   0   1   3

4 10 LPiano1  3  poly  -12 205   0   0   127   8  Y TOP   7  0  2   1   0   0  29   0  30  15   7   9
                    0      TRI   3   0   110   0  N DWN   0 15  0   3   1   0  31   0   3  14   2   5
                    6      LOA WHL       100   0  N DWN   3 15  0  15  -2   0  31   0   5  13   4   5
                                 4       107   0  N DWN   3 15  1   1  -1   0  31   0   8  13   3   5

Page  2          FB01 voices from file 'Bank 4'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
4 11 LPiano2  3  poly  -12 202  29   0   127   5  Y TOP   5  0  1   1  -4   0  22   0  15  14   4   7
                    0      TRI   0   0   110   0  N DWN   4 15  0   3  -1   0  25   0   4   0   5   5
                    6      LOA ---       108   0  N DWN   4 10  0   7  -1   0  21   0  10  13   6   4
                                 0       112   0  N DWN   0 14  0   1   3   0  25   0   2  14   4   6

4 12 EGrand2  5  poly  -12 205  25   0   127   8  Y TOP   7  0  2   1   0   0  20   0   3  12   1   6
                    0      TRI   0   0   124   0  N DWN   3 15  2   3   3   0  22   0   3  12   1   3
                    6      LOA ---       127   8  Y DWN   7 12  3   1   0   0  25   0   8   0  31   6
                                 4       104   0  N DWN   3 15  3   9  -1   2  28   0   8  10   6   3

4 13 Honkey1  1  poly    0 205  31   0   127   6  Y TOP   7  0  2   1  -1   0  20   0   8  12   1   5
                    0      TRI   0   0   118   0  N DWN   2 12  2   1   3   0  22   0   3  12   1   4
                    6      LOA ---        93   0  N DWN   0  4  1   5   3   1  24   0  27  13   4   3
                                 2        82   0  N DWN   0 15  1   5   3   0  24   0   1   0   1   3

4 14 Honkey2  1  poly    0 205  28   0   127   5  Y TOP   7  0  2   1  -1   0  20   0   8  12   1   5
                    0      TRI   0   0   125   0  N DWN   0 15  2   1  -2   0  22   0   3  12   1   4
                    6      LOA ---       102   0  N DWN   0 15  1   7   3   0  24   0   1   0   1   3
                                 4        81   0  N DWN   0 15  1   5   2   0  24   0   1   0   1   3

4 15 Pfbell   5  poly  -12 191   0   0   123   8  Y TOP   7  0  0   4   3   0  31   0   8   0   0   7
                    0      TRI   3   0    96   0  N DWN   2  5  0  14   3   0  31   0   7   1   0   4
                    6      LOA WHL       127   8  Y TOP   7  0  1   1   0   0  31   0   7   0   0   7
                                 2       115   0  N DWN   2 15  2   3  -1   0  27   0   4   0   0   6

4 16 PfVibe   5  poly  -12 191  20  21   127  15  Y TOP   7  0  1   1  -1   0  31   0   5   0  18   6
                    0      TRI   3   1    87   0  N TOP   3  0  1   7   0   0  31   0   8   0  18   6
                    7      LOA WHL       127  15  Y TOP   7  0  1   1   3   0  31   0   5   0   0   5
                                 1        91   0  N TOP   2  0  1  12   0   0  31   0  12   0  18   5

4 17 NewEP2   5  poly    0 193   0   0   127   5  Y TOP   7  3  1   1   0   0  31   0  18  14   6   8
                    0      TRI   3   0   116   0  N DWN   4 15  1   1   0   0  31   0  15  14   5  11
                    6      LOA WHL       127   5  Y TOP   7  0  0   1   0   0  31   0  18  14   6   8
                                 1        71   0  N TOP   7  0  0  15  -1   0  31   0  14   9  15  14

4 18 NewEP3   5  poly    0 205   0   0   127   5  Y TOP   7  6  2   1   3   0  22   0   4  13   3   5
                    0      TRI   3   0   120   0  N DWN   2 15  2   1  -1   0  22   0   4  13   3   4
                    7      LOA WHL       127   5  Y TOP   7  4  1   1  -1   0  24   0  11  13   8   6
                                 2        71   0  N DWN   2  5  2   7  -1   3  24   0   6  12   4   7

4 19 NewEP4   5  poly    0 200   0   2   127   0  Y TOP   7  4  2   1  -1   0  24   0   8  12   6   8
                    0      TRI   2   1    70   0  N DWN   7  6  2  10  -4   3  26   0   3  12   3   6
                    7      LOA WHL       127   0  Y TOP   7  3  1   2  -2   0  28   0  31  14   5   8
                                 2        95   0  N DWN   7  6  2   1   3   0  31   0   4  15   2  15

4 20 NewEP5   5  poly    0 205   0   0   127   5  Y TOP   7  9  2   1   3   0  22   0   4  13   3   5
                    0      TRI   2   0   117   0  N DWN   0 15  2   1  -1   0  22   0   4  13   3   4
                    7      LOA WHL       127   5  Y TOP   7  6  1   1  -2   0  26   0  11  13   8   6
                                 2        91   0  N DWN   2  3  2   7  -1   3  26   0   6  12   4   7

4 21 EPiano1  3  poly    0 205   0   0   127   0  Y TOP   5  3  2   1   0   0  31   0  28  15   4   8
                    0      TRI   3   0    92   0  N DWN   2  6  0   1   0   0  31   0  14   9   5   5
                    0      LOA WHL        84   0  N TOP   5  3  0  12   0   3  31   0  16   8   6  15
                                 4        65   0  N DWN   2  2  0  12   0   0  31   0  17   6   6   9

Page  3          FB01 voices from file 'Bank 4'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
4 22 EPiano2  7  poly    0 185   9  25   127   0  Y BOT   4  2  1   1  -4   0  30   0   5  12   1   7
                    0      TRI   2   1   127   0  Y TOP   7  0  1   2  -4   0  23   0  15   8   1  15
                    4      LOA WHL       110   0  Y TOP   7  0  1   3   1   0  31   0  12   7   1   8
                                 2       100   0  N BOT   7 15  2  14  -1   3  31   0  12   4   0  10

4 23 EPiano3  5  poly    0 200  10   8   120   0  Y TOP   7  0  3   1  -1   0  25   0   4  14   1   7
                    0      TRI   2   1   110   0  N TOP   7  0  2   0  -1   3  23   0  18   1   1   7
                    7      LOA WHL       110   0  Y TOP   7  0  3   3  -1   0  25   0   6  13   1   7
                                 2       100   0  N TOP   7  0  2  15  -1   0  22   0  28   5   1   7

4 24 EPiano4  4  poly    0 192   0  45   126   0  Y TOP   7  0  2   1   1   0  31   0   9  14   2   6
                    0      TRI   3   0    96   0  N TOP   2  0  0   1  -1   0  31   0  31  15   0   5
                    7      LOA WHL        96   0  N TOP   1  0  0   2   3   0  31   0  31  15   0   4
                                 1       109   0  N TOP   1  0  2   0   0   2  28   0  19  12  13   4

4 25 EPiano5  4  poly    0 200  35  40   127   0  Y TOP   3  4  2   1  -4   0  31   0   6  12   1   6
                    0      TRI   3   1   110   0  N TOP   5 15  2   2  -4   0  22   0  12   5   2   5
                    3      LOA WHL        85   0  N TOP   5  5  3   4  -4   0  25   0   6   5   2  15
                                 2        90   0  N TOP   5  4  3   8  -4   1  22   0  17   5   5  15

4 26 HighTin  5  poly  -12 187   8   0   127   4  Y TOP   7  0  0   1   3   0  31   0   8   0  21   8
                    0      TRI   3   0   108   0  N TOP   3  1  0   1   0   0  31   0   8   0   0   7
                    4      LOA WHL       127   4  Y TOP   7  0  0   1   3   0  31   0   9   0   0  15
                                 1        83   0  N DWN   2  6  1  11   0   0  31   0  11   0   0   6

4 27 HardTin  5  poly    0 192  20   0   127   4  Y TOP   7  5  1   1   3   0  31   0   8   1  21   8
                    0      TRI   3   0   123   0  N DWN   3 12  1   1   0   0  31   0   8   0   0   7
                    4      LOA WHL       127   4  Y TOP   7  0  0   1   3   3  31   0  17   0   0  15
                                 1       114   0  N TOP   3  1  1   0   0   3  31   0  18   0   0   6

4 28 PercPf   3  poly  -12 187   0   0   127   0  Y TOP   7  0  1   1   0   0  29   0  17  14   7   8
                    0      TRI   3   0    78   0  N TOP   5  6  1   1   0   0  26   0  18  12   3   5
                    6      LOA WHL        92   0  N TOP   7  0  2  13   0   1  31   0  11  13  16   6
                                 1       115   0  N TOP   0 15  0   1   0   0  31   0  13  15   0  12

4 29 WoodPf   5  poly    0 195  16   0   126  15  Y TOP   7  0  1   0   0   0  31   0   9   0   0   8
                    0      TRI   3   0   103   0  N TOP   3  0  1   1   0   0  31   0   5  15   7   8
                    6      LOA WHL       126  15  Y TOP   7  0  1   0   3   0  31   0   9   0   0   8
                                 1       106   0  N TOP   3  0  0   1   0   0  31   0  12   3   7   8

4 30 EPStrng  5  poly    0 201  63   0   127   8  Y TOP   7  0  2   1   3   0  22   0   4  13   1   5
                    0      TRI   3   0    92   0  N DWN   5 15  2  14  -1   0  22   0  12  11   8   4
                    7      LOA WHL       118   8  Y TOP   7  0  2   1   3   0   4   3   1  13   2   3
                                 2       115   0  N TOP   2  4  2   1  -1   0  31   3  10  14   1   2

4 31 EPBrass  5  poly  -12 205   0   0   127  11  Y TOP   7  0  2   1   3   0  22   0   4  13   1   5
                    0      TRI   4   0    93   0  N DWN   5  7  2  14  -1   0  22   0  12  11   8   4
                    7      LOA WHL       127  10  Y TOP   7  0  2   1   3   0  13   3   1  13   1   5
                                 2       106   0  N TOP   5  4  1   1  -1   0   8   3   3  13   1   7

4 32 Clav2    3  poly    0 205  29   0   126   6  Y TOP   7  0  1   1   0   0  24   0  16  15   9  11
                    0      TRI   0   0   116   0  N TOP   1  0  1   0   0   0  31   0  31  15   0   5
                    7      LOA ---        85   0  N TOP   2  1  1   9   0   0  31   0   9  13   4   4
                                 2       107   0  N TOP   1  1  1   3   0   0  31   0   6  12   0   4

Page  4          FB01 voices from file 'Bank 4'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
4 33 Clav3    3  poly    0 205  30   0   127   0  Y TOP   7  0  2   2   0   0  24   0  27  12   5   7
                    0      TRI   0   0   112   0  N TOP   3  1  0   0  -3   0  23   0  26  13   1   0
                    7      LOA ---        97   0  N TOP   4  7  1   6  -3   3  29   0   1   0   1   0
                                 2       116   0  N TOP   2  4  2   0  -2   0  30   0  28  12   5   0

4 34 Clav4    1  poly    0 205   0   0   127   0  Y TOP   7  0  1   1   0   0  28   0  20  14   8  12
                    0      TRI   3   0   114   0  N TOP   7  0  0   0   0   0  31   0  12  15   8   5
                    6      LOA WHL        97   0  N TOP   7 14  0   5   0   0  31   0  16  15   5   6
                                 2       103   0  N TOP   7  2  2   6   0   0  31   0  11   9   8  15

4 35 FuzzClv  4  poly    0 205  31   0   127   0  Y TOP   7  0  2   3   0   0  30   0  28  12   5   9
                    0      TRI   0   0   125   0  N TOP   4  1  0   0   2   0  30   0  27  13   1   9
                    3      LOA ---       100   0  N TOP   7  6  2  10  -3   0  29   0   1   0   1  12
                                 2       114   0  N TOP   4  2  2  14  -2   0  30   0  28  12   5   9

4 36 MuteClv  3  poly    0 205  30   0   127   0  Y TOP   7  0  1   2   0   0  24   0  19  12  15   7
                    0      TRI   0   0   112   0  N TOP   7  1  0   0  -3   0  23   0  26  13  15   0
                    7      LOA ---        97   0  N TOP   7  7  2   6  -1   3  29   0   1   0  11   0
                                 2       116   0  N TOP   7  4  2   0  -2   0  30   0  28  12  10   0

4 37 MuteCl2  3  poly    0 205  30   0   127   0  Y TOP   7  0  1   2   0   0  24   0  13   0  15  10
                    0      TRI   0   0   112   0  N TOP   7  1  0   0  -3   0  23   0   9   0  15   1
                    7      LOA ---        97   0  N TOP   7  7  2  15  -1   0  29   0   1   0  11   0
                                 2       127   0  N TOP   7  4  2   0  -2   0  30   0  21   0  10   0

4 38 SynClv1  1  poly    0 205   0   2   127   0  Y BOT   6  2  1   1  -1   0  31   0  20  14   3  15
                    0      TRI   3   1   104   0  N TOP   3  0  2   0  -1   0  28   0   6  12   1   6
                    4      LOA WHL       110   0  N TOP   3  0  3   5  -1   0  29   0   5  14   4   4
                                 2       122   0  N TOP   3  0  1   0  -1   0   7   0   9  13   5   7

4 39 SynClv2  4  poly    0 205   0   0   127   0  Y TOP   7  3  3   1  -1   0  31   0  15  11   2  12
                    0      TRI   3   0   119   0  N TOP   4  4  0   0  -1   0  31   0   4  14   4   7
                    7      LOA WHL       102   0  N TOP   4  4  0   9  -1   0  31   0   5  15   4   7
                                 4        93   0  N TOP   4  4  3  12  -1   0  31   0   4   0   4   7

4 40 SynClv3  3  poly    0 205   0   0   127   4  Y TOP   7  0  2   3   1   0  31   0   5  13   2  12
                    0      TRI   3   0   107   0  N TOP   1  4  0   0   0   0  31   0  12  15   4   6
                    5      LOA WHL       110   0  N TOP   1  5  3  15  -3   0  31   0  20  10   4   6
                                 4       127   0  N DWN   2 10  1   1  -4   0   7   0   6   8   4  10

4 41 SynClv4  3  poly    0 205   0   0   110   0  Y TOP   7  0  0   1  -4   0  20   0   2  12   1  10
                    0      TRI   3   0   127   0  N TOP   2  0  0   2  -4   0  20   0   2  12   1  10
                    4      LOA WHL       110   0  N TOP   2  0  0   1  -4   0  20   0   2  12   1  10
                                 4       120   0  N TOP   2  0  0   0  -4   0  20   0   2  12   1  10

4 42 Harpsi2  5  poly   12 205  30   0   125   8  Y TOP   7  0  2   4   1   0  23   0   8  12   6   6
                    0      TRI   0   0   127   0  N TOP   0  0  3   0  -3   0  29   0  14  13   0   0
                    1      LOA ---       123   8  Y TOP   7  0  2   0   2   0  23   0   8  12   6   6
                                 0       127   0  N TOP   0  0  3   2  -3   0  29   0  17  13   0   0

4 43 Harpsi3  3  poly    0 205   0   0   127   0  Y TOP   3  0  3   4   0   0  29   0  26  13   3   5
                    0      TRI   2   0   120   0  N TOP   0  0  0   1   3   0  31   0  25  13   3   4
                    7      LOA WHL       114   0  N TOP   0  7  2   8   0   0  31   0  31  13   5  10
                                 4       108   0  N TOP   0  0  3   1  -4   0  31   0  29  13   0  10

Page  5          FB01 voices from file 'Bank 4'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
4 44 Harpsi4  5  poly    0 205  30   0   122   8  Y TOP   7  0  2   4  -3   0  23   0   8  12   6   5
                    0      TRI   0   0   127   0  N TOP   3  0  3   0  -2   0  15   0  16  13   0   0
                    3      LOA ---       127   8  Y TOP   7  0  2   1  -1   0  23   0   8  12   6   5
                                 4       127   0  N TOP   3  0  2   3   2   0  26   0  19  13   0   0

4 45 Harpsi5  3  poly    0 205  30   0   127   0  Y TOP   2  0  2   1   1   0  31   0   5  13   7   5
                    0      TRI   0   0   106   0  N TOP   1  4  1   3   0   0  31   0  24  14   3   8
                    4      LOA ---       120   0  N TOP   1  5  3   9  -3   0  31   0  24  13   3   6
                                 4       100   0  N TOP   2 10  0   0  -4   0  31   0   6  14   4   6

4 46 Circust  5  poly    0 205   0   0   126   8  Y TOP   7  0  0   1   0   0  16   0  31  15   0  11
                    0      TRI   5   0    68   0  N TOP   7  0  0   2   0   0  28   0  31  15   0  15
                    0      LOA WHL       120   8  Y TOP   7  2  2   8   0   0  31   0  13   0  16   4
                                 7       118   0  N TOP   7  0  0   5   0   3  29   0  22   0  12   6

4 47 Celeste  5  poly   12 202   0   0   127   8  Y TOP   7  0  0   1   3   0  31   0  13   1   0   4
                    0      TRI   3   0    88   0  N TOP   7  0  1   7  -1   0  31   0  16   1   0   6
                    0      LOA WHL       127   8  Y TOP   7  0  1   1  -1   0  31   0  10   1   0   6
                                 0       105   0  N TOP   7  0  1   1   3   3  25   0  28   1   0   6

4 48 Squeeze  2  poly    0 203   9   0   126   6  Y TOP   6  0  0   1  -1   0  14   0  31  15   0  10
                    0      TRI   5   0   100   0  N TOP   2  0  0   4   3   0  31   0   4  15   0   5
                    7      LOA WHL        97   0  N TOP   4  0  0   2  -1   0  31   0  11  15   0  10
                                 2       104   0  N TOP   3  1  0   3   3   0  16   0   6  14   0   5

Page  1          FB01 voices from file 'Bank 5'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
5  1 Horn2    3  poly  -12 202  12   0   127   0  Y TOP   7  0  1   1   0   0  18   1  31  15   0   9
                    0      TRI   4   0    92   0  N TOP   5  0  0   1   0   0  14   0  31  15   0   8
                    7      LOA WHL        64   0  N TOP   5  0  0   2   0   2  15   0  31  15   0  15
                                 2       105   0  N TOP   5  0  1   1   0   0  14   0   9  14   0   8

5  2 Horn3    5  poly  -12 205   0   0   127   1  Y BOT   5  2  0   1  -4   0  16   1   5  13   0   8
                    0      TRI   3   0   105   0  N TOP   4  0  0   1  -4   0  16   1   8  12   0   8
                    6      LOA WHL       127   1  Y BOT   5  2  0   1  -4   0  16   1   2  14   0   8
                                 2       111   0  N TOP   4  0  0   1  -4   0  13   1   8  12   0   8

5  3 Horns    6  poly  -12 205   0   0   127  12  Y TOP   7  0  0   1  -1   0  15   1  31  15   0   8
                    0      TRI   3   0   108  12  Y TOP   7  0  0   1  -1   0  14   0  31  15   0   8
                    7      LOA WHL       127  12  Y TOP   7  0  0   1   0   0  16   1  31  15   0   9
                                 2       106   0  N TOP   4  0  0   1   0   0  13   0  31  15  11   7

5  4 Flugelh  3  poly    0 205  20   0   121   0  Y TOP   5  0  1   1  -3   0  16   0  31  15   0   9
                    0      TRI   3   0    86   0  N TOP   7  0  0   1   0   0  15   0  31  15   0   8
                    7      LOA WHL        96   0  N TOP   5  0  0   2   0   2  31   0  15   0   0   8
                                 2       102   0  N TOP   6  0  1   1   0   0  12   0   5   0   0   8

5  5 Trombon  3  poly  -12 205   0   0   126   0  Y TOP   7  0  0   1  -3   0  19   0  31  15   0   8
                    0      TRI   4   0    82   0  N TOP   2  0  0   1   0   0  15   0  31  15   0   8
                    7      LOA WHL       118   0  N TOP   2  0  2   2   0   2  31   0  14   0   0   8
                                 2       102   0  N TOP   6  0  0   1   0   0  15   0  31  15   0   8

5  6 Trumpt2  3  poly    0 205  20   0   127   0  Y TOP   4  0  1   1   0   0  18   0  31  15   0   9
                    0      TRI   3   0    92   0  N TOP   2  0  0   1   0   0  14   0  31  15   0   8
                    7      LOA WHL        68   0  N TOP   2  0  0   2   0   2  16   0  31  15   0   8
                                 2       105   0  N TOP   1  0  1   1   0   0  16   0  31  15   0   8

5  7 Brass2   6  poly  -12 205  27   0   127  12  Y TOP   6  0  0   1   0   0  21   0  31  15   0  10
                    0      TRI   3   0   127  12  Y TOP   6  0  0   1   0   0  21   0  31  15   0  10
                    7      LOA WHL       127  12  Y TOP   6  0  0   1   0   0  21   0  31  15   0  10
                                 4       109   0  N TOP   3  0  0   1   0   0  15   0  10  13   0   5

5  8 Brass3   5  poly    0 205   0   0   127   8  Y TOP   6  0  1   0   3   0  22   1  13  15   0   6
                    0      TRI   3   0   123   0  N TOP   5  5  0   0  -1   0  14   1   7  14   2   6
                    6      LOA WHL       127   8  Y TOP   6  0  1   0   3   0  23   1  13  15   0   5
                                 4       116   0  N TOP   1  3  0   0  -1   0  12   1   7  15   3   5

5  9 HradBr1  3  poly    0 205   0   0   127   0  Y TOP   5  0  0   1   0   0  25   0  31  15   0  10
                    0      TRI   4   0    94   0  N TOP   1  0  0   1   0   0  31   0  31  15   0  15
                    7      LOA WHL        88   0  N TOP   0  0  0   1   0   0  31   0  31  15   0  15
                                 7       110   0  N TOP   1  4  0   1   0   0  16   0  31  15   0  10

5 10 HardBr2  6  poly    0 203  25   0   127   1  Y TOP   0  4  1   1  -4   0  25   0   2  14   0   9
                    0      TRI   4   0   120   0  Y TOP   0  0  1   3  -4   0  24   0   2  14   0   9
                    7      LOA WHL       127   0  Y TOP   0  5  1   1  -4   0  18   0   2  15   0   9
                           SYN   7       116   0  N TOP   1  5  1   1  -4   0  16   0  15  14   4   7

Page  2          FB01 voices from file 'Bank 5'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
5 11 HardBr3  1  poly  -12 202  41   0   127   0  Y TOP   5  0  0   1   0   0  27   0  31  15   0  11
                    0      TRI   4   0   107   0  N TOP   2  0  0   1   0   0  26   0  31  15   0   3
                    7      LOA WHL       101   0  N TOP   3  0  0   1   0   0  19   0  31  15   0   5
                                 7        98   0  N TOP   2  0  0   3  -1   0  16   0  15  12   0   3

5 12 HardBr4  3  poly  -12 205   0   0   127   0  Y TOP   6  0  0   1   3   0  20   0  31  15   0  10
                    0      TRI   4   0    91   0  N TOP   3  0  0   1   3   0  31   0   4  10   0   5
                    6      LOA WHL       116   0  N TOP   3  0  0   1  -1   0  20   0  11  15  15  10
                                 2       113   0  N TOP   3  1  0   1  -1   0  17   0   5  14   0   5

5 13 HuffBrs  5  poly    0 205   0   0   127   8  Y TOP   7  0  1   1   2   0  13   0  13  11   0   8
                    0      TRI   4   0   118   0  N TOP   5  6  1   1  -1   0  13   0  13  15   0  10
                    7      LOA WHL       127   8  Y TOP   7  0  1   1   3   0  13   0  13  11   0   8
                                 4       107   0  N TOP   5  0  1   1  -1   0  13   0  13  13   0   7

5 14 PercBr1  2  poly  -12 205  49   0   126   0  Y TOP   6  0  0   2   0   0  25   0  31  15   0   5
                    0      TRI   4   0    95   0  N TOP   4  4  0   1   0   0  31   0  11  15   0   3
                    7      LOA WHL       127   0  N TOP   2  4  0   1   0   0  31   0  17  14   0   3
                                 4       109   0  N TOP   5  2  0  11   0   0  31   0  17  11  19  12

5 15 PercBr2  4  poly  -12 205  50   0   126   0  Y TOP   5  0  0   1   0   0  31   0  31  15   0   5
                    0      TRI   4   0   117   0  N TOP   5  4  0   5   0   0  31   0  21  12  17   3
                    7      LOA WHL       108   0  N TOP   3  4  0   1   0   0  31   0  31  15   0   3
                                 4       121   0  N TOP   7  0  0   1   0   0  31   0  19  11   0   3

5 16 String1  3  poly  -12 203  53   0   127   0  Y TOP   7  0  1   4   0   0  10   1  31  15   0   6
                    0      TRI   4   0    98   0  N TOP   1  5  1   6   1   0  29   0  31  15   0   4
                    7      LOA WHL       104   0  N TOP   1  6  1   4  -3   0  29   0  31  15   0   5
                                 4       107   0  N TOP   1  3  1   2  -1   0  29   0  31  15   0   5

5 17 String2  3  poly  -24 203  53   0   127   0  Y TOP   7  0  1   4   0   0  11   1  31  15   0   6
                    0      TRI   4   0    98   0  N TOP   2  5  1   6   3   0  29   0  31  15   0   3
                    7      LOA WHL       106   0  N TOP   7  6  1   4   0   0  29   0  31  15   0   3
                                 4       103   0  N TOP   2  3  1   2  -1   0  29   0  31  15   0   2

5 18 String3  3  poly    0 198  53   0   127   0  Y TOP   7  0  1   0   0   0  13   0   3  15   0   6
                    0      TRI   4   0   109   0  N TOP   2 13  1   0   0   0  27   0  31  15   0   3
                    7      LOA WHL       103   0  N TOP   1  0  2   3   0   0  28   0   5  10   0   5
                                 4       107   0  N TOP   2  1  2   0   0   0  31   0   6  14   0   1

5 19 String4  3  poly  -12 203  53   0   126   0  Y TOP   7  0  1   4   0   0  10   1  31  15   0   6
                    0      TRI   4   0   100   0  N TOP   1  5  1   6   2   0  29   0  31  15   0   4
                    7      LOA WHL       105   0  N TOP   0  3  1   4   0   0  29   0  31  15   0   5
                                 2       113   0  N TOP   0  3  1   2  -3   0  31   0  11  13   0   5

5 20 SoloVio  3  poly  -12 203  42   0   126   0  Y TOP   6  0  2   2   0   0  11   0  10  15   0   6
                    0      TRI   4   0   105   0  N TOP   0 13  0   4   0   0  25   0  11  15   6   6
                    7      LOA WHL       103   0  N TOP   1  0  0  12   0   2  28   0  17   7  16  13
                                 2       106   0  N TOP   2  1  0   2  -3   0  27   0   5  14   0   7

5 21 RichSt1  6  poly    0 203  14   0   127  12  Y TOP   7  0  0   1   0   0  14   0  31  15   0   6
                    0      TRI   4   0   127  12  Y TOP   7  0  0   0   0   0  14   0  31  15   0   6
                    7      LOA WHL       127  12  Y TOP   7  0  0   2   0   0  14   0  31  15   0   6
                                 4       111   0  N TOP   1  0  0   1   0   0  31   0   7  14   0   3

Page  3          FB01 voices from file 'Bank 5'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
5 22 RichSt2  6  poly    0 203  14   0   127  12  Y TOP   7  0  0   0   0   0  14   0  31  15   0   6
                    0      TRI   4   0   127  12  Y TOP   7  0  0   0   0   0  14   0  31  15   0   6
                    7      LOA WHL       127  12  Y TOP   7  0  0   0   0   0  14   0  31  15   0   6
                                 4       109   0  N TOP   2  0  0   0   0   0  31   0   7  14   0   3

5 23 RichSt3  5  poly    0 203  28   0   127   8  Y TOP   7  0  0   4   3   0  12   0  31  15   0   6
                    0      TRI   4   0   113   0  N TOP   2  1  0   1   3   0  26   0   5  14   0   1
                    7      LOA WHL       127   8  Y TOP   7  0  0   1  -1   0  12   0  31  15   0   6
                                 4       106   0  N TOP   2  0  0   1  -1   0  26   0   5  14   0   1

5 24 RichSt4  5  poly    0 201  40   0   127   8  Y TOP   5  1  0   3  -1   0  12   0  31  15   0   7
                    0      TRI   4   0   115   0  N TOP   2  2  0   1  -1   0  31   0   7  14   0   5
                    7      LOA WHL       127   8  Y TOP   5  0  0   1   3   0  12   0  31  15   0   6
                                 7       106   0  N TOP   2  0  0   1   3   0  31   0   7  14   0   5

5 25 Cello1   3  poly  -24 202  44   0   127   0  Y TOP   6  0  2   2   0   0  12   0  10  15   0   6
                    0      TRI   4   0    92   0  N TOP   0 15  0   4   0   0  25   0  11  15   6  12
                    6      LOA WHL       127   0  N TOP   0 15  0  14   0   0  31   0  15  12   7  15
                                 2       111   0  N TOP   0  2  0   2  -3   0  28   0   5  14   0   6

5 26 Cello2   3  poly    0 201  40   0   127   0  Y TOP   7  0  1   0   0   0  11   0   3  15   0   6
                    0      TRI   4   0   111   0  N TOP   0 13  1   0  -1   0  27   0  31  15   0   6
                    7      LOA WHL       103   0  N TOP   0  0  2   0   2   0   9   0   9   0   0   5
                                 2       110   0  N TOP   5  0  2   0   3   0  31   0   9  14   0   3

5 27 LoStrg3  3  poly  -12 202  56   3   127   0  Y BOT   6  1  1   1  -2   0  12   0   4  15   0   6
                    0      TRI   3   0    80   0  N TOP   2  4  1   1  -4   0  28   0   3  14   0   6
                    7      LOA WHL       110   0  N TOP   1  5  1   5  -3   0  25   0   6  12   0   8
                                 2       103   0  N TOP   2  2  1   1  -3   0  20   0   2  14   0   5

5 28 LoStrg4  3  poly    0 200  52   0   127   0  Y TOP   7  8  0   0  -1   0  11   1   5  15   0   6
                    0      TRI   3   0   110   0  N TOP   2 15  0   0  -1   0  16   0   5  14   0   6
                    6      LOA WHL       115   8  N TOP   4 15  1   5   3   0  31   0   8   8   0   8
                           SYN   2       111   0  N BOT   1  5  1   0  -1   0  30   0   4  14   0   6

5 29 LoStrg5  2  poly    0 205  55   2   127   0  Y TOP   7  8  0   0  -1   0  12   0   5  15   0   6
                    0      TRI   3   0   114   0  N TOP   2 15  0   1  -1   0  30   0  12  14   2   7
                    6      LOA WHL       117   8  N TOP   4 15  1   5  -1   0  31   0  12   8   0   4
                                 2       113   0  N BOT   1  5  1   0  -1   0  30   0   4  13   2   6

5 30 Orchest  5  poly  -12 201  40   0   127   8  Y TOP   7  1  0   2   0   0  11   1  31  15   0   5
                    0      TRI   4   0   116   0  N TOP   3  2  0   1   3   0  31   0   7  14   0   3
                    7      LOA WHL       127   8  Y TOP   7  0  0   2  -1   0  11   1  31  15   0   5
                                 7       107   0  N TOP   3  0  0   2  -1   0  31   0   7  14   0   2

5 31 5th Str  5  poly  -12 201  40   0   127   8  Y TOP   7  1  0   3  -1   0  12   0  31  15   0   5
                    0      TRI   4   0   115   0  N TOP   2  2  0   3  -1   0  31   0   7  14   0   5
                    7      LOA WHL       127   8  Y TOP   7  0  0   2   3   0  12   0  31  15   0   5
                                 2       106   0  N TOP   2  0  0   2   3   0  31   0   7  14   0   5

5 32 Pizzic1  5  poly    0 205  33   0   127   8  Y TOP   7  0  1   1   0   0  31   0  16   0   0   6
                    0      TRI   0   0   115   0  N TOP   7  0  0   1   0   0  31   0  31  12   0  15
                    7      LOA ---       127   8  Y TOP   7  0  0   1   0   0  31   0  13   0   0   8
                                12       114   0  N TOP   7  0  0   1   0   0  27   0  24  10  21  15

Page  4          FB01 voices from file 'Bank 5'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
5 33 Pizzic2  7  poly   12 205  29   4   127   0  Y TOP   7  6  0   0  -4   2  25   0  25   0   0   6
                    0      TRI   2   1   127   0  Y TOP   7  6  0   1  -4   0  25   0  12   0   0   7
                    7      LOA WHL       127   0  Y TOP   7  2  1   1  -4   0  28   0  12   0   0   9
                                12       108   0  N TOP   7  4  0   1  -4   0  31   0  19   0   0   9

5 34 Flute2   4  poly    0 203  32  38   127   0  Y TOP   7  1  1   2   0   0  16   0  31  15   0  11
                    0      TRI   4   0   104   0  N TOP   2  6  0   2   0   0  31   0  31  15   0   5
                    7      LOA WHL        93   0  N TOP   1  6  0   4   0   0  31   0  17  13   0   6
                                 4       115   0  N TOP   4  0  1   3   0   1  31   0  20  10  19   9

5 35 Flute3   4  poly    0 202  42   0   126   0  Y TOP   7  0  1   1   0   0  15   0  31  15   0  11
                    0      TRI   4   0   106   0  N TOP   1  5  0   1   0   0  31   0  20  14   0   5
                    7      LOA WHL        94   0  N TOP   3  0  0   2   0   0  31   0  20   4   0  15
                                 4       127   0  N TOP   2  0  1  15   0   3  19   0  18  14   0   9

5 36 Flute4   4  poly    0 205  16   0   122   0  Y TOP   7  0  0   1   0   0  15   0  31  15   0   9
                    0      TRI   4   0   109   0  N TOP   4 10  0   1   0   0  25   0  31  15   0   7
                    7      LOA WHL        86   0  N TOP   4  0  0   1   0   0  16   0  31  15   0   0
                                 2        94   0  N TOP   4  0  0   1   0   3  16   0  23   0   0   6

5 37 Pan Flt  3  poly    0 201  34   0   126   0  Y TOP   7  0  1   1  -1   0  16   0  31  15   0   8
                    0      TRI   4   0    85   0  N TOP   4  5  0   2   3   0  31   0  20  14   0   5
                    7      LOA WHL       121   0  N TOP   3  0  0   4  -1   1  25   0  20   7   0   6
                                 4        95   0  N TOP   5  5  1   4   3   0  27   0  18  13   0   9

5 38 SlowFlt  4  poly   12 201  45  11   127   0  Y TOP   7  4  2   1  -4   0   8   1   4  15   0   8
                    0      TRI   3   1    99   0  N TOP   7 10  3   1  -1   0  16   0  11  13   0   5
                    7      LOA WHL        90   0  N TOP   7  8  1   2  -4   0  20   0   7   0   0   5
                                 4       110   0  N TOP   7  4  3   2   3   1  31   0   9   1   3   5

5 39 5th Flt  5  poly  -12 200  30   0   127   0  Y TOP   5  0  0   2   3   0  15   0   8  12   1  10
                    0      TRI   3   0   105   0  N TOP   6  0  0   2  -1   0  20   0  10  10   1  10
                    3      LOA WHL       127   0  Y TOP   0  0  0   3  -1   0  15   0   8  12   1  10
                                 4       108   0  N TOP   0  0  0   3   3   0   8   0  10  12   1  10

5 40 Oboe2    3  poly    0 204  34   0   126   0  Y TOP   5  0  1   2   0   0  16   0  31  15   0  11
                    0      TRI   4   0   108   0  N TOP   1  5  0   0   0   0  31   0  20  14   0   5
                    5      LOA WHL       112   0  N TOP   2  6  0   3   0   0  31   0  17  12   0   6
                                 4       120   0  N TOP   2  5  1   0   0   0  19   0  18  13   0   9

5 41 Bassoon  1  poly  -12 201  20   0   121   0  Y TOP   7  0  0   2   0   0  15   0  31  15   0   9
                    0      TRI   4   0   109   0  N TOP   3 10  0   0   0   0  25   0  31  15   0   7
                    7      LOA WHL       103   0  N TOP   3  0  0   1   0   0  16   0  31  15   0   0
                                 0        88   0  N TOP   4  0  0   0   0   0  16   0  23  15   0   6

5 42 Reed     3  poly    0 204  34   0   116   0  Y TOP   7  0  1   3   0   0  16   0  31  15   0  11
                    0      TRI   4   0   108   0  N TOP   4  5  0   0   0   0  31   0  20  14   0   5
                    5      LOA WHL       112   0  N TOP   4  6  0   3   0   0  31   0  17  12   0   6
                                 2       120   0  N TOP   3  5  1   0   0   0  19   0  18  13   0   9

5 43 Harmon2  1  poly    0 201  13   0   127   0  Y TOP   7  0  0   2   0   0  13   0  31  15   0   8
                    0      TRI   4   1    89   0  N TOP   4  0  0   1   0   0  31   0  31  15   0   3
                    0      LOA WHL        99   0  N TOP   4  0  0  10   0   0  31   0  31  15   0   9
                                 2        61   0  N TOP   4  0  0   9   3   2  31   0  31  15   0   9

Page  5          FB01 voices from file 'Bank 5'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
5 44 Harmon3  4  poly    0 201  40  14   126   0  Y TOP   7  0  0   1   0   0  13   0  31  15   0   9
                    0      TRI   4   1   106   0  N TOP   1  0  0   1   0   0  31   0  31  15   0   5
                    7      LOA WHL        83   0  N TOP   2  0  0   6   3   0  31   0  31  15   0   5
                                 4       112   0  N TOP   2  4  0   5   0   0  31   0  31  15   0   6

5 45 Harmon4  1  poly    0 201   0   0   126   0  Y TOP   7  0  0   2   0   0  13   0  31  15   0   9
                    0      TRI   4   0   106   0  N TOP   2  0  0   1   1   0  31   0  31  15   0   5
                    6      LOA WHL        83   0  N TOP   1  0  0   3  -1   0  31   0  31  15   0   5
                                 4       109   0  N TOP   2  4  0   5   0   0  31   0  31  15   0   6

5 46 MonoSax  3  mono    0 203  30   0   126   0  Y TOP   7  0  1   2   0   0  16   0  31  15   0  10
                   10      TRI   4   0    97   0  N TOP   1  2  1   1   3   0  29   0  31  15   0   3
                    7      LOA WHL        95   0  N TOP   2  0  1   8   0   2  29   0  15  10   0   8
                                 2       107   0  N TOP   2  0  1   1   2   0  29   0   4  14   0   6

5 47 Sax 1    1  poly    0 200  57  10   127   0  Y TOP   7  3  0   1  -1   0  18   0   4  13   0  11
                    0      TRI   3   1   118   0  N TOP   5  4  1   0  -1   0  23   0   2  14   0   2
                    4      LOA WHL        70   0  N BOT   5  6  1   8  -1   0  28   0   8  12   4  11
                                 2       100   0  N TOP   5  1  2   2  -1   1  28   0   4  13   2   3

5 48 Sax 2    3  poly    0 203   0   0   127   0  Y TOP   7  0  0   1   0   0  16   0  31  15   0   9
                    0      TRI   4   0   105   0  N TOP   2  6  0   0   0   0  16   0  31  15   0   9
                    7      LOA WHL        84   0  N TOP   2  0  0   4  -1   1  16   0  31  15   0   9
                                 2       103   0  N TOP   1  0  0   0   0   0  16   0  31  15   0   9

Page  1          FB01 voices from file 'Bank 6'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
6  1 FnkSyn2  4  poly    0 200  40   0   127   0  Y TOP   4  1  0   2  -1   0  20   0  12  14   0  10
                    1      TRI   5   3   125   0  N TOP   2  1  0   0  -2   0  31   0   9  10   0   8
                    7      LOA WHL       113   0  N TOP   2  0  0   0   3   0  31   0   6  12   0   7
                                 2        93   0  N TOP   2  0  0   3  -1   0   7   0   7   8   0   8

6  2 FnkSyn3  2  poly    0 200  30   0   120   0  Y TOP   0  0  0   5  -4   0  20   0   2  12   1  10
                    0      TRI   5   0   100   0  N TOP   0  0  0   8  -4   0  22   0   2  12   1  10
                    3      LOA WHL       127   0  N TOP   0  0  0   0   3   0  31   0   7   5   2  10
                           SYN   2       127   0  N TOP   0  0  0   0  -1   0   5   0   3  12   5  10

6  3 SynOrgn  2  poly   12 200  30   0   127   5  Y BOT   7  6  0   2  -2   0  23   0   3  13   0   9
                    0      TRI   5   0   100   0  N TOP   4  0  0   1  -2   0  25   0   2  13   0  12
                    3      LOA WHL       112   5  N BOT   7  6  0   9  -1   0   5   0   5  13   5  12
                           SYN   2       120   0  N TOP   4  0  0   0  -2   0  18   0   7  13   5  12

6  4 SynFeed  4  poly  -12 205  12   0   127   6  Y TOP   4  0  0   2   0   0  18   0  31  15   0  10
                    0      TRI   5   0   120   0  N TOP   0  0  0   2   1   0  18   0  31  15   0  10
                    7      LOA WHL       116   0  N TOP   0 10  0   2   0   0  18   0  31  15   0  10
                                 2        87   0  N TOP   1  2  0   1   0   0  27   0   3  14   0  10

6  5 SynHarm  1  poly    0 205   0   0   127   0  Y TOP   6  0  0   1   0   0  16   0  31  15   0  10
                    0      TRI   5   0   111   0  N TOP   1  0  0   1   1   0  31   0   4  15   0   5
                    6      LOA WHL        82   0  N TOP   1  0  0   2   0   0  31   0  11  15   0  10
                                 2       110   0  N TOP   1  1  0   3  -3   0  16   0   6  14   0   5

6  6 SynClar  4  poly    0 200  35   0   127   0  Y TOP   5  4  1   1  -4   0  24   0   6  14   0   9
                    0      TRI   5   0   120   0  N TOP   5 15  1   1  -4   0  20   0  15  15   0   9
                    6      LOA WHL       120   0  N TOP   5  5  0   1  -4   0  20   0   4  11   1  11
                                 2        80   0  N TOP   5  4  1   9  -4   0  31   0   4   0   0   0

6  7 SynLead  5  poly  -12 205   0   0   126   8  Y TOP   3  0  0   1   3   0  18   0  31  15   0  11
                    0      TRI   5   0   110   0  N TOP   7  0  0   1   3   0  31   0  21  15   0   5
                    7      LOA WHL       126   8  Y TOP   7  0  0   2  -1   0  18   0  31  15   0  11
                                 4       107   0  N TOP   3  0  0   2  -1   0  31   0  31  15   0   6

6  8 HuffTak  2  mono    0 205  21   0   123   0  Y TOP   6  0  0   1   2   0  21   0  31  15   0  10
                    1      TRI   5   0   106   0  N TOP   3  0  0   1  -2   0  13   0  31  15   0  15
                    4      LOA WHL       121   0  N TOP   3  0  0   6   0   3  31   0  31   7  13  15
                                 2        65   0  N TOP   2  0  0   3   3   1  14   0  31  15   8  15

6  9 SoHeavy  2  poly  -12 205   0   0   127   4  Y TOP   4  0  0   1   0   0  31   0  31  15   0  12
                    0      TRI   5   0   112   0  N TOP   4  0  0   0   0   0  31   0  16  15   0   4
                    7      LOA WHL       106   0  N TOP   5  0  0   0   0   0  15   0   4  10   0  10
                                 2       109   0  N TOP   1  0  0   1   0   0  31   0   8  10   0   8

6 10 Hollow   6  poly    0 205   0   0   127  15  Y TOP   4  0  0   1   0   0  31   0  31  15   0  13
                    0      TRI   5   0   127  15  Y TOP   4  0  0   1   0   0  31   0  31  15   0  13
                    7      LOA WHL       127  15  Y TOP   4  0  0   1   0   0  31   0  31  15   0  13
                                 7       109   0  N TOP   5  2  0   2   0   0  31   0  13  11   0  10

Page  2          FB01 voices from file 'Bank 6'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
6 11 Schmooh  5  poly    0 203  44   0   122   8  Y TOP   6  0  2   1  -1   0   8   2  31  15   1   9
                    0      TRI   5   0   115   0  N TOP   4 13  0   2   3   0  12   1  31  15   3   5
                    4      LOA WHL       125   8  Y TOP   6  0  2   1   3   0   8   2  31  15   1   9
                                 4       115   0  N TOP   4 13  0   2  -1   0  12   1  31  15   3   5

6 12 MonoSyn  6  mono  -12 205   0   0   127   9  Y TOP   6  0  0   1   0   0  31   0  31  15   0  13
                   11      TRI   5   0   127   9  Y TOP   6  0  0   1   0   0  31   0  31  15   0  13
                    7      LOA WHL       127   9  Y TOP   6  0  0   1   0   0  31   0  31  15   0  13
                                 5       107   0  N TOP   5  1  0   1   0   0  31   0  11  13   0  10

6 13 Cheeky   3  poly    0 205   0   0   127   0  Y TOP   7  0  2   2   0   0  24   0  19  13   6  10
                    0      TRI   4   0   116   0  N TOP   7  1  0   0  -3   0  23   0  26  10  10  15
                    6      LOA WHL        94   0  N TOP   7  7  2  15  -1   0  31   0  19   6   7   0
                                 2       117   0  N TOP   7  0  2   0  -2   0  30   0  28  13   1   0

6 14 SynBell  3  poly    0 200  49   0   121   5  Y TOP   4  0  0   2  -2   0  31   0  15  15   0   5
                    0      TRI   3   0   120   5  N TOP   6  1  0   3   3   0  31   0   7  10   0   3
                    7      LOA WHL       120   5  N TOP   6  0  0   3  -4   0   3   0   7  12   0  15
                                 2       105   5  N TOP   6  1  0   2  -2   0   9   0  18  15   0   6

6 15 SynPluk  4  poly  -12 205   0   0   127   7  Y TOP   7  0  2   2   0   0  31   0  12  14   5   7
                    0      TRI   3   0   117   0  N TOP   3  0  0   1   0   0  31   0  31  15   0  15
                    7      LOA WHL       111   0  N TOP   3  0  2   4   0   0  20   0  31  14   5   6
                                 2       107   0  N TOP   2  0  0   7   0   0  31   0  21  14  11   6

6 16 EBass3   4  poly  -12 204   0   0   127   3  Y TOP   6  0  0   0   0   0  31   0   9   2   0   8
                    0      TRI   3   0   111   0  N TOP   7  0  0   0   0   0  31   0   9   2   0   7
                    7      LOA WHL       111   0  N TOP   7  0  0   1   0   0  31   0  13   2   0  15
                                 2       109   0  N TOP   7 15  2  13   0   0  31   0  17   2   0  15

6 17 RubBass  6  poly  -12 203   9   0   127   8  Y TOP   5  0  0   1   0   0  31   0  31  15   0   9
                    0      TRI   4   0   114   8  Y TOP   5  0  0   1   0   0  31   0  12  14   0   9
                    6      LOA WHL        95   8  Y TOP   5  0  0   1   0   0  31   0  11   1   0   9
                                 7       113   0  N TOP   7  0  0   1   0   0  31   0  14   0   7   6

6 18 SolBass  2  poly  -12 196  16   0   127   0  Y TOP   3  0  1   0   0   0  31   0   9   0   0   8
                    0      TRI   3   0   103   0  N TOP   7  0  1   0   0   0  31   0   9   0   0   8
                    7      LOA WHL       100   0  N TOP   5  0  1   1   3   0  31   0  17   0   0   8
                                 2       106   0  N TOP   7  0  0   1   0   0  31   0  16   3   7   8

6 19 PlukBas  2  poly  -12 193  16   0   127   0  Y TOP   6  0  1   0   0   0  31   0   9   0   0   8
                    0      TRI   4   0   103   0  N TOP   7  0  1   0   0   0  31   0   9   0   0   8
                    7      LOA WHL       100   0  N TOP   7  0  1   1   3   0  31   0  17   0   0   8
                                 2        95   0  N TOP   7  0  0  10   0   0  31   0  18   3   7   8

6 20 UprtBas  3  poly  -24 197  16   0   127   0  Y TOP   7 15  2   1  -1   0  25   0  18  13   6   6
                    0      TRI   4   0   111   0  N TOP   6 15  2   2   3   0  30   0  13   8  12   8
                    7      LOA WHL       117   0  N TOP   6 15  2   1   3   0  17   0  11   8   5   6
                                 2        99   0  N TOP   5  0  2   1  -1   0   9   0  31  15   6   5

6 21 Fretles  3  poly  -24 203  31   0   127   0  Y TOP   5 15  2   1   0   0  25   0  18  15   5   6
                    0      TRI   3   0   120   0  N TOP   5 15  2   1   3   0  27   0  13  14   2   8
                    7      LOA WHL       104   0  N TOP   5 15  2   2   3   0  30   0  13   8  12   8
                                 2       111   0  N TOP   5 15  2   1  -1   0   8   0   6  14   1   5

Page  3          FB01 voices from file 'Bank 6'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
6 22 FlapBas  6  poly  -12 198   0   0   126   8  Y TOP   5  0  1   1  -3   0  31   0  31  15   0   7
                    0      TRI   3   0   116   8  Y TOP   7  0  1   0   0   0  31   0  31  15   0   7
                    6      LOA WHL       126   8  Y TOP   5  0  1   1   1   0  31   0  31  15   0   7
                                 2       119   0  N TOP   3  3  1   0  -3   0  31   0  14  11   0   6

6 23 MonoBas  4  mono  -12 196   7   0   127   0  Y TOP   4  0  1   0   0   0  31   0   8   0   0   8
                   13      TRI   3   0    96   0  N TOP   5  0  1   0  -1   0  31   0   9   0   0   8
                    6      LOA WHL       117   0  N TOP   5  0  1   0   3   0  31   0  10  11  15   8
                                 2        99   0  N TOP   4  0  0   0   0   0  31   0  13   4  25   8

6 24 SynBas1  1  poly  -12 205   0   0   127   0  Y TOP   4  0  0   0   0   0  31   0  31  15   0  12
                    0      TRI   3   0   111   0  N TOP   4  0  0   0   3   0  31   0   9   0   0   9
                    7      LOA WHL       110   0  N TOP   3  0  0   0  -1   0  31   0  12  10   0  10
                                 2       109   0  N TOP   5  4  1   0   3   0  31   0  13  10   0   8

6 25 SynBas2  1  poly  -12 205   0   0   127   4  Y TOP   7  0  1   1   0   0  28   0  20  14   8  12
                    0      TRI   3   0   114   0  N TOP   4  0  0   0   0   0  31   0  12  15   8   5
                    6      LOA WHL        97   0  N TOP   4 14  0   5   0   0  31   0  16  15   5   6
                                 4       103   0  N TOP   3  2  2   6   0   0  31   0  11   9   8  15

6 26 SynBas3  1  poly  -12 205   0   0   126   0  Y TOP   5  0  0   0   0   0  31   0  31  15   0  12
                    0      TRI   4   0    98   0  N TOP   4  0  0   1   0   0  31   0  31  15   0   9
                    7      LOA WHL       110   0  N TOP   4  0  0   0   0   0  31   0  12  10   0  10
                                 4       109   0  N TOP   5  4  1   0   0   0  31   0  13  10   0   8

6 27 SynBas4  6  poly  -12 200  40   0   127   5  Y TOP   7  0  1   0  -1   0  30   0   7  14   4   7
                    0      TRI   3   0   120   5  Y TOP   7  0  2   1  -1   0  30   0   9  14   4   6
                    7      LOA WHL       100   5  Y BOT   7  0  2   7   0   0  31   0  12   5  10  15
                                 2       103   0  N TOP   7  0  1   0  -1   0  31   0  10  12   4  10

6 28 SynBas5  2  poly  -12 200  30   0   127   0  Y TOP   4  0  3   1  -1   0  28   0   5   4   3   7
                    0      TRI   3   0   112   0  N TOP   4  4  3   0  -1   0  28   0   4   4   6   6
                    5      LOA WHL        76   0  N TOP   4  4  3   0  -1   0  16   0   4   4   8   6
                           SYN   2        90   0  N TOP   4  4  0   5  -1   0  30   0   3   4   5   6

6 29 SynBas6  2  poly  -12 204  30   0   127   0  Y TOP   6  0  2   1  -1   0  28   0  12  13   5   5
                    0      TRI   3   0   110   0  N TOP   7  6  1   1  -1   0  31   0  26  14   6   4
                    6      LOA WHL        65   0  N TOP   7  8  1  15  -1   2  31   0  15   0   9  11
                                 2       110   0  N TOP   7  4  1   1  -1   0  31   0   8   5   4   6

6 30 SynBas7  1  poly  -12 205   0   0   127   0  Y TOP   4  0  1   1   0   0  28   0  20  14   8  12
                    0      TRI   5   0   104   0  N TOP   2  0  0   0   0   0  31   0  13  15   8   7
                    6      LOA WHL       110   0  N TOP   3  0  0   0   0   0  31   0  16  15   5  15
                                 4       115   0  N TOP   2  2  2   1   0   0  31   0  15   9   8  15

6 31 Marimb2  5  poly  -12 205   0   0   127   8  Y TOP   7  0  1   1   0   0  28   0  17  12  10   5
                    0      TRI   2   0    91   0  N TOP   1  0  1  10   0   0  28   0  17  12   6   6
                    7      LOA WHL       127   8  Y TOP   7  0  1   1   0   0  28   0  17  12  10   5
                                 4       103   0  N TOP   1  4  1   5   0   0  22   0  14  11   9   6

6 32 Marimb3  5  poly  -12 205   0   0   127   4  Y TOP   7  0  1   1   0   0  28   0  17  12  10   6
                    0      TRI   2   0    95   0  N TOP   2  0  1   5   0   0  28   0  14  14  11   5
                    5      LOA WHL       127   4  Y TOP   7  0  1   1   0   0  28   0  22  12  17   5
                                 5       103   0  N TOP   2  4  1   5   0   0  25   0  23  11  23   7

Page  4          FB01 voices from file 'Bank 6'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
6 33 Xyloph2  5  poly    0 205   0   0   127   8  Y TOP   7  0  0   1   0   0  31   0  31  15  15   7
                    0      TRI   2   0   115   0  N TOP   7  3  2   5   0   0  31   0  19   5  16   5
                    5      LOA WHL       127   8  Y TOP   7  0  0   1   0   0  31   0  31  15  18   7
                                 4       109   0  N TOP   7  0  0   2   0   0  31   0  22   5   0   9

6 34 Vibe2    3  poly    0 203   0  14   127   0  Y TOP   7  0  2   1   3   0  31   0  17  15   5   4
                    0      TRI   2   1    87   0  N TOP   7  0  0   5   3   0  31   0  14   9   8   6
                    0      LOA WHL        89   0  N TOP   7  0  2   2  -1   0  24   0  17  15   5   4
                                 4        89   0  N TOP   2  0  0  12  -1   0  31   0  15  10  14  10

6 35 Vibe3    8  poly  -12 197   0  33   127  10  Y TOP   7  0  0   1   3   0  31   0  20  13   7   7
                    0      TRI   4   1   127  10  Y TOP   5  0  1  14  -1   0  31   0  16   0  21   6
                    0      LOA WHL       127  10  Y TOP   7  0  0   4  -1   0  31   0  20  13  11   7
                                 2       127  10  Y TOP   7  0  0   1  -1   0  31   0  20  13   7   7

6 36 Glockn2  5  poly    0 205   0   0   127   8  Y TOP   7  0  2   1   3   0  31   0  17  15   5   4
                    0      TRI   3   0    87   0  N TOP   6  0  0   6   3   0  31   0  14   9   8   6
                    4      LOA WHL       127   8  Y TOP   7  0  2   1  -1   0  24   0  17  15   5   4
                                 4        92   0  N TOP   4  4  0  14  -1   0  31   0  15  10  14  10

6 37 TubeBe1  5  poly   12 205  34   0   127  10  Y TOP   7  0  2   1   3   0  24   0  24  14   3   1
                    0      TRI   3   0   112   0  N TOP   5  0  2   1  -1   1  21   0  14  13   0   0
                    4      LOA WHL       127  10  Y TOP   7  0  2   1  -1   0  28   0   6   7   4   2
                                 4       109   0  N TOP   5  6  0   1   0   1  26   0   4  11   1   1

6 38 TubeBe2  5  poly    0 205   0   0   127   8  Y TOP   7  0  1   1   3   0  31   0  31  15   9   4
                    0      TRI   3   0   117   0  N TOP   5  6  0   2  -1   3  31   0  10  14   4   3
                    5      LOA WHL       127   8  Y TOP   7  0  1   1  -1   0  31   0  31  15   9   5
                                 4       108   0  N TOP   5  3  1   3   0   1  31   0  16   7   7   5

6 39 Bells 2  6  poly  -24 205  34   0   127  12  Y TOP   7  0  1   1  -1   1  30   0   2  14   3   3
                    0      TRI   3   0   127  12  Y TOP   7 13  1  10   3   0  27   0  15  14   0   3
                    4      LOA WHL       127  12  Y TOP   7 13  0   2   0   3  29   0  15  14   3   3
                                 2       111   0  N TOP   0  0  0   2   0   3  29   0   4  13   1   2

6 40 TempleG  4  poly  -12 205   0   0   127   0  Y TOP   7  0  1   1   0   0  31   0  21  13   6   4
                    0      TRI   2   0   100   0  N TOP   7  0  2   1   0   3  31   0   6  13   0   2
                    1      LOA WHL       112   0  N TOP   7  4  1   3   0   1   3   0   2  12   7   2
                                 4       111   0  N TOP   7  0  0   0   0   3   6   0  11  15   4   4

6 41 SteelDr  3  poly    0 205   0   0   127   0  Y TOP   7  0  0   1   0   0  20   0  10   0   0   6
                    0      TRI   2   0    96   0  N TOP   6  0  0   1   0   2  20   0  10   0   0   4
                    7      LOA WHL        99   0  N TOP   6  0  0   1   0   2  20   0  10   0   0   4
                                 5        93   0  N TOP   6  0  0   2   0   2  20   0  16   0   0   3

6 42 ElectDr  4  poly    0 205   0   0   127   0  Y TOP   7  0  1   0   3   0  19   0  22  15  13  10
                    0      TRI   6   0   127   0  N TOP   7  0  0   0  -1   2  21   0  31  15  27  15
                    0      LOA WHL        36   0  N TOP   7  0  0   1  -1   0  24   0  31  15  16  15
                                12        36   0  N TOP   7  0  0   1   0   0  24   0  31  15  23  15

6 43 Hand Dr  2  poly    0 198  44   0   127   0  Y TOP   1  0  3   1  -4   0  31   0   0  15   7   3
                    0      TRI   3   0   103   0  N TOP   3  5  2   0   3   3  31   0  24  13   3   4
                    7      LOA WHL       110   0  N TOP   3  0  0   2   1   1  29   0  26   4   6   4
                           SYN  12       123   0  N TOP   4  0  2   0   3   1  26   0  21   9   0   6

Page  5          FB01 voices from file 'Bank 6'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
6 44 SynTimp  4  poly    0 205   0   0   126   0  Y TOP   7  0  1   0   0   0  31   0  31  15  12   6
                    0      TRI   4   0   121   0  N TOP   7 10  0   0   0   0  31   0  18   8  12   5
                    7      LOA WHL       114   0  N TOP   7  0  0   0   0   0  31   0  18  10   2   5
                                 4       126   0  N TOP   4  0  0   2   0   2  31   0  31  15   0   0

6 45 Clock    5  poly  -12 201  26   0   127   8  Y TOP   7  0  0   4   0   2  31   0  19   5  13   6
                    0      TRI   1   0   127   0  N TOP   7  0  0   0   0   3  26   0  28  12   1   3
                    0      LOA WHL       127   8  Y TOP   7  0  0   0   0   1  25   0  18   3  23   3
                                 4       127   0  N TOP   7  0  0   0   0   0  31   0  18   0   1   5

6 46 Heifer   1  poly    0 205   0   0   127   0  Y TOP   6  0  0   3   0   0  31   0  16   5  18   8
                    0      TRI   3   0   106   0  N TOP   3  0  0   2   0   0  31   0  16   5  18   6
                    5      LOA WHL       109   0  N TOP   3  0  0   2   0   1  31   0  16   5  18   6
                                 5       115   0  N TOP   4  0  2   1   0   1  31   0  16   5  18   6

6 47 SnareD2  5  poly  -24 205   0   0   127   8  Y TOP   7  0  0   0   0   0  31   0  31  15  16   7
                    0      TRI   2   0   124   0  N TOP   7  0  0   3   0   1  31   0  26  10  10   5
                    7      LOA WHL       127   8  Y TOP   7  0  0   1   0   0  19   0  31  15  17   8
                                 4       127   0  N TOP   7  0  0   2   3   2  31   0  31  15   0   0

6 48 SnareD3  1  poly  -12 205   0   0   127   0  Y TOP   7  0  0   2   0   3  31   0  31  15  16   8
                    0      TRI   4   0   122   0  N TOP   6  0  0   2   0   3  31   0  26  10  10   5
                    7      LOA WHL       127   0  N TOP   5  0  0   3   0   1  19   0  22  13  17   8
                                 4       127   0  N TOP   7  0  0   6   3   1  31   0  31  15   0   3

Page  1          FB01 voices from file 'Bank 7'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
7  1 JOrgan1  8  poly  -12 191   4   0   127  15  Y TOP   7  0  0   1  -1   0  31   0  31  15   1  10
                    0      TRI   3   0   127  15  Y TOP   7  0  0   1   3   0  31   0  31  15   1  10
                    3      LOA WHL       127  15  Y TOP   7  0  0   6  -1   0  31   0  18  15  14  10
                                 7       127  15  Y TOP   7  0  0   3  -1   0  31   0  13   0   1  11

7  2 JOrgan2  8  poly  -12 208   6   0   126  15  Y TOP   7  0  0   1  -1   0  31   0  31  15   1  10
                    0      TRI   3   0   127  15  Y TOP   7  0  0   1   3   0  31   0  31  15   1  10
                    3      LOA WHL       126  15  Y TOP   7  0  0   2  -1   0  31   0  31  15   1  10
                                 7       127  15  Y TOP   7  0  0   3  -1   0  31   0  13   0   1  11

7  3 COrgan1  7  poly  -12 205   0   0   126  12  Y TOP   5  0  0   1   3   0  31   0  31  15   0  15
                    0      TRI   4   0   126  12  Y TOP   5  0  0   2   0   0  31   0  31  15   0  15
                    7      LOA WHL       126  12  Y TOP   5  0  0   3  -1   0  31   0  31  15   0  15
                                 7       127   0  N TOP   0  0  0   1   0   0  31   0  25  12  30  15

7  4 COrgan2  8  poly    0 198  51   5   120  15  Y TOP   6  0  0   0  -4   0  25   0  15  15   0  15
                    0      TRI   3   1   127  15  Y TOP   6  1  0   3   3   0  30   0  15  15   0  15
                    5      LOA WHL       127  15  Y TOP   6  0  2   1  -1   0  26   0  15  15   0  15
                                 7       127  15  Y TOP   6  1  0   6  -4   0  28   0  18   0   0  15

7  5 EOrgan3  4  poly  -12 198  16   0   119   0  Y TOP   5  0  0   3  -2   0  31   0  31  15   0  15
                    0      TRI   3   0    95   0  N TOP   1  0  0   1   3   0  31   0  31  15   0  15
                    7      LOA WHL        94   0  N TOP   1  0  0   1   2   0  31   0  31  15   0  15
                                 7       104   0  N TOP   1  0  0   2  -2   1  24   0  26   9   9  15

7  6 EOrgan4  7  poly  -12 205  49   0   127  12  Y TOP   7  0  0   1   0   0  31   0   0  15   0  10
                    0      TRI   4   0   127  12  Y TOP   7  0  0   2   0   0  31   0   0  15   0  10
                    7      LOA WHL       127  12  Y TOP   7  0  0   4   0   0  31   0   0  15   0  10
                                 7       101   0  N TOP   2  4  0   4   0   0  31   0   0  15   0  10

7  7 EOrgan5  7  poly  -12 183  63  88   126  12  Y TOP   6  0  0   1   3   0  31   0  31  15   0  15
                    0      TRI   3   0   127  12  Y TOP   6  0  0   2  -1   0  31   0  31  15   0  15
                    0      LOA WHL       126  12  Y TOP   6  0  0   6   3   0  31   0  31  15   0  15
                                 7       100   0  N TOP   1  0  0   3   0   0  31   0  31  15   0  15

7  8 EOrgan6  6  poly  -12 205  62   0   127  13  Y TOP   5  0  0   1   0   0  31   0  31  15   1  10
                    0      TRI   4   0   124  13  Y TOP   5  0  0   1   0   0  31   0  31  15   1  10
                    6      LOA WHL       127  13  Y TOP   5  0  0   4   0   0  31   0  31  15   1  10
                                 4       100   0  N TOP   1  3  0   2   0   0  31   0  31  15   1  10

7  9 EOrgan7  5  poly  -12 205   0   0   126   8  Y TOP   7  0  0   2   3   0  31   0  31  15   0  15
                    0      TRI   3   0   111   0  N TOP   3  0  0   1   0   0  31   0  31  15   0  15
                    0      LOA WHL       126   8  Y TOP   7  0  0   1  -3   0  31   0  31  15   0  15
                                 4        94   0  N TOP   3  0  0   7  -1   0  31   0  31  15   0  15

7 10 EOrgan8  8  poly  -12 205   0   0   126  15  Y TOP   7  0  0   1   3   0  31   0  31  15   0  15
                    0      TRI   3   0   126  15  Y TOP   7  0  0   2   0   0  31   0  31  15   0  15
                    0      LOA WHL       126  15  Y TOP   7  0  0   4  -3   0  31   0  31  15   0  15
                                 4       126  15  Y TOP   7  0  0   8  -1   0  31   0  31  15   0  15

Page  2          FB01 voices from file 'Bank 7'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
7 11 SmlPipe  5  poly    0 205   0   0   126   8  Y TOP   5  0  1   0   3   0  17   0  31  15   0   9
                    0      TRI   3   0   119   0  N TOP   0  7  0   0   3   0  31   0  31  15   0   9
                    6      LOA WHL       126   8  Y TOP   5  0  1   2  -3   0  19   0  31  15   0  11
                                 4        97   0  N TOP   0  0  0   4  -1   0  31   0  17  13   0  11

7 12 MidPipe  5  poly    0 205   0   0   118   8  Y TOP   5  0  1   2  -1   0  18   0  31  15   0  10
                    0      TRI   3   0   124   0  N TOP   1  7  0   2  -1   0  31   0  31  15   0   9
                    6      LOA WHL       126   8  Y TOP   5  0  1   0   3   0  16   0  31  15   0   7
                                 4       107   0  N TOP   1  0  0   0   3   0  31   0  17  14   0   8

7 13 BigPipe  5  poly    0 205   0   0   121   8  Y TOP   6  0  1   2  -1   0  18   0  31  15   0  10
                    0      TRI   3   0   106   0  N TOP   2  0  0   3  -1   0  31   0  16  13   0   9
                    6      LOA WHL       126   8  Y TOP   6  0  2   1   3   0  14   0  31  15   0   6
                                 4       112   0  N TOP   2  2  0   0   3   0  31   0  17  14   0   8

7 14 SftPipe  8  poly    0 205   0   0   127  13  Y TOP   5  0  0   0   2   0  23   0   0  15   0  10
                    0      TRI   0   0   123  13  Y TOP   5 15  0   4  -1   0  17   0   0  15   0  10
                    0      LOA WHL       124  13  Y TOP   5  0  0   1  -1   0  23   0   0  15   0  10
                                 0       112  13  Y TOP   5  9  0   8  -1   0  22   0   0  15   0  10

7 15 Organ    1  poly    0 203   0   0   126   0  Y TOP   5  0  0   1   0   0  13   0  31  15   0   9
                    0      TRI   3   0   106   0  N TOP   1  0  0   1   0   0  31   0  31  15   0   5
                    7      LOA WHL        74   0  N TOP   0  0  0   1   3   0  31   0  31  15   0   5
                                 4       112   0  N TOP   0  4  0   5   0   0  31   0  31  15   0   6

7 16 Guitar   2  poly  -12 205   0   0   127   0  Y TOP   7  0  1   1   0   0  27   0  20  14   6   9
                    0      TRI   3   0   100   0  N TOP   4  7  0   1   0   0  31   0  12  15   8   5
                    7      LOA WHL        93   0  N TOP   3  7  0   3   0   0  31   0   8  15  17   6
                                 4       106   0  N TOP   3  4  2   3   0   0  31   0   5  14   4   3

7 17 Folk Gt  1  poly  -12 201  12   0   126   0  Y TOP   7  0  1   1   0   0  31   0  18  15   8   8
                    0      TRI   3   0   100   0  N TOP   4  8  0   3   0   0  28   0   6   0   0   8
                    5      LOA WHL       105   0  N TOP   6  9  1   3  -1   0  31   0  10   0   0   9
                                 7       104   0  N TOP   5  5  1   8   0   0  31   0   9   0   0   6

7 18 PluckGt  3  poly  -12 205   0   0   126   0  Y TOP   7  5  2   1   0   0  31   0   6   7   4   5
                    0      TRI   3   0    77   0  N TOP   7 15  3   1   0   0  31   0   5  11   0  15
                    7      LOA WHL       123   0  N TOP   1 15  3  10   0   0  31   0   8  12   0  15
                                 2       104   0  N TOP   3  2  3   1   0   0  31   0   5  13   1   4

7 19 BriteGt  4  poly  -12 205  28   0   127   0  Y TOP   7  0  2   4   0   0  31   0  22  13   4   7
                    0      TRI   3   0    92   0  N TOP   0  0  0  10   0   0   7   0  11  15   3   8
                    4      LOA WHL       111   0  N TOP   0  0  0   1   0   0  22   0   9   8   9   6
                                 2       114   0  N TOP   0  0  1   7   0   0  23   0  26  12   5   6

7 20 Fuzz Gt  1  poly  -12 205   0   0   127   6  Y TOP   5  0  1   1   0   0  31   0  31  15   6  15
                    0      TRI   4   0   109   0  N TOP   0  0  0   1   0   0  31   0  31  15   0  15
                    7      LOA WHL       120   0  N TOP   0  5  0   3   0   0  31   0  23  13   5  15
                                 4       110   0  N TOP   0  3  0   3   0   0  31   0  31  15   0  15

7 21 Zither2  1  poly  -12 205   0   0   126   0  Y TOP   7  0  0   1   0   0  31   0  24  15   6   8
                    0      TRI   3   0   114   0  N TOP   2  5  0   1   0   0  31   0  31  15   0   3
                    6      LOA WHL        85   0  N TOP   3  3  0   2   0   0  31   0  12  10   3  10
                                 4       114   0  N TOP   2  4  1   5   0   0  31   0  11  13   6  10

Page  3          FB01 voices from file 'Bank 7'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
7 22 Lute     2  poly  -12 205   0   0   127   0  Y TOP   7  0  2   1   0   0  31   0  31  15   8   6
                    0      TRI   3   0    92   0  N TOP   5  4  0   1   0   0  31   0  17  13   2   5
                    7      LOA WHL       103   0  N TOP   7  7  0  10   0   0  31   0  19  13  14   5
                                 4       110   0  N TOP   2  3  1   3   0   0  31   0  12  12   5   5

7 23 Banjo    3  poly    0 205   0   0   127   0  Y TOP   7  0  2   3   3   0  31   0  13   9  11   6
                    0      TRI   3   0   121   0  N TOP   0  0  2   1  -1   0  31   0   2  15   3   0
                    5      LOA WHL        98   0  N TOP   0  0  3   9  -1   0  31   0  27  12   8   1
                                 7       120   0  N TOP   4  0  2   1  -2   0  30   0  23  12   0   4

7 24 SftHarp  4  poly    0 201   0   0   126   0  Y TOP   7  5  2   1   0   0  31   0  17  15   5   4
                    0      TRI   3   0    96   0  N TOP   4  8  0   2   0   0  31   0  14   9   8   6
                    7      LOA WHL        95   0  N TOP   5  7  2   2   0   0  24   0  14  11   5   4
                                 2       108   0  N TOP   5  4  0   3   0   0  31   0  13  10   6   4

7 25 Harp2    2  poly    0 201   0   0   126   0  Y TOP   7  5  1   1   0   0  31   0  17  15   5   5
                    0      TRI   3   0    78   0  N TOP   7  0  0   1   0   0  31   0  14   9   8   6
                    7      LOA WHL       101   0  N TOP   6  3  2   5   0   0  24   0  14  11   5   4
                                 4       105   0  N TOP   3  0  0   3   0   0  31   0  15  10  14  10

7 26 Harp3    2  poly   12 205   0   0   127   0  Y TOP   6  6  2   0  -1   0  31   0  12  14   6   3
                    0      TRI   3   0   103   4  N TOP   6 10  1   1   3   0  31   0   6  14   3   2
                    7      LOA WHL       110   0  N TOP   6  4  2   0  -4   0  24   0   4  10   3   3
                                 4       114   3  N TOP   6 12  1   2  -4   0  31   0  12  10  16   6

7 27 SftKoto  1  poly    0 201   0   0   126   0  Y TOP   7  0  2   1   3   0  31   0  17  15   8   5
                    0      TRI   3   0   106   0  N TOP   1  0  0   1   3   0  31   0  13   9   8   1
                    6      LOA WHL        86   0  N TOP   1  3  2   2  -1   0  24   0  14  11   5   4
                                 2       107   0  N TOP   1  2  2   5  -1   0  31   0  12  10  14  10

7 28 HitKoto  1  poly    0 205   0   2   127   4  Y BOT   4  2  2   1  -1   0  31   0   5   0   3   4
                    0      TRI   2   1   110   0  N TOP   3  0  2   3  -1   0  31   0   8   0   2   3
                    7      LOA WHL       110   0  N TOP   3  0  3   7  -1   0  31   0   8   0   4   1
                                 2       118   0  N TOP   3  6  0   9  -1   0  31   0  20   0   0   0

7 29 Sitar1   4  poly    0 203  24   0   127   0  Y TOP   7  5  3   2   3   0  31   0   5   7   8   0
                    0      TRI   4   0   111   0  N TOP   1  0  2   2  -1   0  31   0   6   5   3   0
                    7      LOA WHL       127   0  N TOP   1  0  2   1  -1   0  31   0   6   7   4   1
                                 2       107   0  N TOP   1  0  3   1   0   0  23   0  14  14   9   0

7 30 Sitar2   3  poly    0 205  27   0   127   0  Y TOP   0  0  1   1  -4   0  31   0   5  11   5   3
                    0      TRI   0   0   107   0  N TOP   0  7  1   1  -4   0  31   0   2  12   2   2
                    0      LOA ---       112   0  N TOP   0  3  1   9   3   0   6   0   8   9   6   5
                                 2       120   0  N TOP   3  9  1   7  -1   0  31   0   7   8   3   2

7 31 HuffSyn  5  poly   12 205   0   0   127   0  Y BOT   7 15  0   1  -1   0  14   0  15  14   1   8
                    0      TRI   3   0     2   0  N TOP   0 10  0   0  -1   0  15   0   2  10   1   6
                    7      LOA WHL       110   0  Y TOP   7  4  2   2  -1   0  12   0  23  12   8   8
                                 7       127   0  N TOP   0  4  1  15  -1   3  31   0  12   0   0   8

7 32 Fantasy  7  poly    0 202  40   0   127  12  Y TOP   7  0  2   1  -1   0  31   0  10  15   0  15
                    0      TRI   5   0   127  12  Y TOP   7  0  0   1   0   0  31   0  10   9  10   4
                    2      LOA WHL       127  12  Y TOP   7  0  0   1   0   0  31   0  31  15   0  15
                                12        94   0  N TOP   2  0  0   2   0   0  17   0  31  15   0  15

Page  4          FB01 voices from file 'Bank 7'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
7 33 Synvoic  3  poly    0 203  42   0   122   0  Y TOP   7  0  0   1  -1   0  14   0  31  15   1   9
                    0      TRI   4   0   116   0  N TOP   0 13  0   1   3   0  11   0  31  15   3   9
                    7      LOA WHL       108   0  N TOP   0 15  0   5   3   2  21   0  14   9   6  10
                                 2       108   0  N TOP   0  8  0   3  -1   0  19   0  18  10   4   4

7 34 M.Voice  3  poly  -12 205  57   3   127   0  Y TOP   4  6  0   4   3   0  13   0   3  13   0   8
                    0      TRI   4   1    90   0  N TOP   3  7  1   1   3   0  15   0   8  10   0   5
                    0      LOA WHL        95   0  N TOP   3 15  0  15  -1   3  24   0   3   8   0   5
                                 2       110   0  N TOP   2 15  0   1  -1   0  14   0   6  12   0   5

7 35 VSAR     3  poly   12 205  24   0   127   5  Y TOP   7  0  2   1   3   0   6   3   8  12   1   6
                    0      TRI   3   0   119   0  N TOP   7 15  1   0  -2   0   8   3   1  12   1   4
                    6      LOA ---        94   0  N TOP   4 15  2   7  -4   0   9   3   5   0   1   4
                                 2       105   0  N TOP   2 15  1   1  -2   0  11   3   1   0   1   3

7 36 Racing   3  poly    0 112  42   0   127   0  Y TOP   7  0  0   1   0   0  21   0  31  15   0   3
                    0      TRI   7   0    89   0  N TOP   7  0  0   1   0   0  31   0  31  15   0   1
                    7      LOA ---       127   0  N TOP   7  0  0   0   0   1  31   0  31  15   0   3
                                12       107   0  N TOP   7  0  0   0   0   0  31   0  31  15   0   2

7 37 Water    5  poly  124 160 127  50   127   0  Y TOP   0  0  0  15  -4   3  20   0   8   6   1   3
                    0      RMP   7   0   127   0  N TOP   0  0  0   0  -4   0   8   0   2  15   1   2
                    6      LOA ---       127   0  Y TOP   0  0  0  15  -4   3  20   0   8   4   1   3
                           SYN  12       123   0  N TOP   0  0  0   0  -4   0  18   0   3  15   5   1

7 38 WildWar  4  mono   11 205   0   0   127   0  Y TOP   7  0  0   1   0   0  15   0  18  14   0   4
                   21      TRI   4   0    36   0  N TOP   7  0  0  10   0   0   0   0   0   0   0   0
                    2      LOA WHL        90   0  N TOP   7  0  0  12   0   0  22   0  18  15   0   4
                                 1       118   0  N TOP   7  0  0   8   0   0  15   0  18  13   0   4

7 39 Ghostie  5  mono    0 205  80  88   127   8  Y TOP   7  0  0   2  -1   0  15   0  31  15   9   5
                   88      TRI   6   1    76   0  N TOP   7  0  0   4  -1   0  31   0  15  12   0   4
                    7      LOA ---       127   8  Y TOP   7  0  0   2   3   0  15   0  31  15   9   5
                                12        98   0  N TOP   7  0  0   2   3   0  31   0  15  13   0   3

7 40 Wave     1  poly  -24 119  83 114   127   0  Y TOP   7  0  0   0   0   0  11   0  22  15   0   7
                    0      TRI   6   2   127   0  N TOP   7  0  0   8   0   3  31   0  31  15   0   0
                    7      LOA ---       127   0  N TOP   7  0  0  12   0   2  31   0  31  15   0   3
                                 4       127   0  N TOP   7  0  0  15   0   3  31   0  31  15   0   0

7 41 Space 1  1  poly    0 200  30   0   127   0  Y TOP   6  4  0   1  -1   0  25   0  15   9   4   5
                    0      TRI   7   3   101   0  N TOP   4  4  0   0  -1   0  10   0   5   0   6   2
                    7      LOA ---       127   0  N TOP   6  4  0   1  -1   0  18   0   3  15   6  12
                           SYN  12       100   0  N TOP   4  4  0  15  -1   3  16   0   6  15   1   3

7 42 SpChime  5  poly    0 205  23   0   127   8  Y TOP   7  0  0   1   0   0  31   0  19  13   3   4
                    0      TRI   3   0   115   0  N TOP   1  9  0   2   0   3  31   0   8  14   5   1
                    6      LOA WHL       127   8  Y TOP   7  0  0   0   1   0  31   0  10  13   7   4
                                 4        98   0  N TOP   1  3  0   8  -3   2  10   0  31  15   3   4

7 43 SpTalk   6  poly    0 220 125   0   127  12  Y TOP   7  0  0   1   0   0   8   0  31  15   2   9
                   76      RMP   6   2   127  12  Y TOP   7  0  0   1   0   2   6   0  31  15   3   1
                    0      LOA ---       127  12  Y TOP   7  0  0   2   0   1   3   0  31  15   4   1
                                 5       127   0  N TOP   7 14  0   2   0   2   5   0  31  15   1   1

Page  5          FB01 voices from file 'Bank 7'

               Global                            Levels            Tuning          Envelopes
     ---------------------------------   ------------------------ ----------- -----------------------
B VC Name    ALG Poly Tran LFO PMd AMd   Lvl Adj AM Lst Lvs Ld Rd Mlt Det Inh  AR ARs D1r  SL D2R  RR
7 44 Winds    5  poly  -24 112  83 100   127   8  Y TOP   7  0  0  15   0   3  11   0  22  15   0   7
                    0      TRI   6   2    97   0  N TOP   7  0  0   0   0   0  31   0  31  15   0   0
                    7      LOA ---       127   8  Y TOP   7  0  0   4   0   1  31   0  31  15   0   3
                                 4       127   0  N TOP   7  0  0   0   0   0  31   0  31  15   0   0

7 45 Smash    3  poly    2 212  52   0   127   0  Y TOP   7  0  0  15   0   3  31   0  31  15  15   7
                    0      TRI   7   0   116   0  N TOP   7  0  0   6   0   2  31   0  13  11   0   7
                    7      LOA ---        93   0  N TOP   7  0  0  15   0   3  31   0  31  15   0   6
                                 5       127   0  N TOP   7  0  0   5   0   3  31   0  19   6   6   5

7 46 Alarm    3  poly    0 229   0  50   127   0  Y TOP   7  0  0  10  -1   1  31   0  31  15   0   6
                    0      RMP   4   3   103   0  N TOP   0  0  0   3  -1   3  31   0  31  15   0   4
                    4      LOA ---        91   0  N TOP   0  0  0   2   3   2  31   0  31  15   0   6
                                 4        85   0  N TOP   0  0  0  15   3   3  31   0  31  15   0   3

7 47 Helicop  5  poly  -12 221   0 115   127   6  Y TOP   7  1  0   0   0   2  14   0  31  15   0   4
                    0      TRI   0   3   127   0  N TOP   7  6  0   0   0   0  31   0  31  15   0   0
                    7      LOA ---       127   6  Y TOP   7  1  0   0   0   1  14   0  31  15   0   4
                                12       127   0  N TOP   7  6  0   0   0   0  13   0  31  15   0   0

7 48 SineWav  1  poly    0 205   0   0   127   0  Y TOP   0  0  0   1  -4   0  31   0   0  15   0  15
                    0      TRI   0   0     0   0  Y TOP   0  0  0   1  -4   0  31   0   0  15   0  15
                    0      LOA ---         0   0  Y TOP   0  0  0   1  -4   0  31   0   0  15   0  15
                                 0         0   0  Y TOP   0  0  0   1  -4   0  31   0   0  15   0  15

This is interesting. A few months ago, I sold my FB-01 and bought a TX81Z. It 
works better with my WX7 wind controller. Anyway, I attempted to write a 
program to convert the FB-01 patches on my PC to TX81Z patches, figuring that 
since they are somewhat similar, I could convert the parameters and change 
the sysex format and be done.

After digging through the Yamaha documentation for both boxes and cranking up 
Turbo Pascal, I tried in vain to get the program to work. My main problem is 
deciphering the FB-01 midi stream, packing the data, and so on. Big problem.
(Coupled with the fact, I hadn't written a program of this complexity in well 
over 10 years.)

Net - if anyone has any clues and wants to help out or finish the program I'll 
share the resulting patches with them. This could be an interesting project 
for some techie out there in COMMUSIC land.

Geoff

The three inharmonic multiplier values are 1: 1.41    2: 1.57   3: 1.73
The inharmonic multiplier is in addition to the regular multiplier.

The eight algorithms are as follows.  Operator 4 is the only with an internal
feedback path.


Alg 1	+---+			Alg 2	+---+	+---+
	| 4 |			    	| 3 |	| 4 |
	+---+				+---+  /+---+
	  |				  |   /
	+---+				+---+/
	| 3 |				| 2 |
	+---+				+---+
	  |				  |
	+---+				+---+
	| 2 |				| 1 |
	+---+				+---+
	  |				  |
	+---+
	| 1 |
	+---+
	  |


Alg 3	+---+			Alg 4	+---+
	| 3 |				| 4 |
	+---+				+---+
	  |				  |
	+---+	+---+			+---+	+---+
	| 2 |	| 4 |			| 3 |	| 2 |
	+---+  /+---+			+---+  /+---+
	  |   /				  |   /
	+---+/				+---+/
	| 1 |				| 1 |
	+---+				+---+
	  |				  |


Alg 5	+---+	+---+		Alg 6		+---+
	| 2 |	| 4 | 				| 4 |
	+---+	+---+			       /+---+\
	  |	  |			      /   |   \
	+---+	+---+			+---+/	+---+  \+---+
	| 1 |	| 3 | 			| 1 |	| 2 |	| 3 |
	+---+	+---+			+---+	+---+	+---+
	  |	  |			  |	  |	  |
	  +---+---+			  +-------+-------+
	      |					  |


Alg 7			+---+	Alg 8	+---+	+---+	+---+	+---+
			| 4 |		| 1 |	| 2 |	| 3 |	| 4 |
			+---+		+---+	+---+	+---+	+---+
			  |		  |	  |	  |	  |
	+---+	+---+	+---+		  +-------+-------+-------+
	| 1 |	| 2 |	| 3 |			      |
	+---+	+---+	+---+
	  |	  |	  |
	  +-------+-------+
		  |

The January 1989 issue of "Electronic Musician" has an article on "secrets
of the FB01" in which the FB01's ability to use fractional tuning is discussed.
The implementation is completely brain-damaged, but it is there, and at
least has the flexibility that you are not limited to 12 notes per octave.

Yamaha added a private version of NOTE-ON with a "cents detuned" parameter.
Of course, no sequencer in the known universe generates these messages,
which by the way have to be *inside a SYSEX* group.  (Which means you can't
be sending other things at the same time for other channels unless you turn
off the SYSEX first.)

But I think I'll go measure my Harry Partch wind chimes and see if I can
get the good ol' "tubular bells" to sound like them.  (My tuner reads out
cents deviation from standard pitch.)

    Anyone managed to figure out how to program-change the voices in
    a configuration ?

    I'm using PRO24 (Steinberg) which allows you to set a program-change
    command at the start of any pattern (pattern=n number of bars of music
    on a track). The value that can be used is 1-128.

    It seems that the FB01 will react to 1-48 and only on the currently
    selected bank. So what if I'm on sound bank 3 voice 33 and I want
    the sequencer to switch it to 6/17 at some point ?

    Any ideas ?

    Zayed

There is a parameter-change message to do that.  My cheat-sheet is at home, but
I think it isn't even a SYSEX.  You can do it either of two ways:

    1)	Change the bank of whatever instrument is on channel N to B.
    2)	Change the bank of instrument I to B.

Then similarly to change the voice.

(Bank is a number 0 to 5.  Voice is a number 0 to 47.)  By the same means
you can change the pan, output level, etc.

I wuz wrong, it is a SYSEX message.  Here they are.  All values in hex.

To change a configuration parameter by MIDI channel:

	F0 43 1n 15 p v F7

To change a configuration parameter by system channel plus instrument:

	F0 43 75 0s 18+i p v F7

Where:
	n = MIDI channel number minus one (0-F)
	p = parameter number 00-17
	i = instrument number minus one (0-7)
	v = new parameter value 00-7F
	s = System MIDI channel number minus one (0-F)

The bank parameter is number 04, and takes values from 00-06 (the bank number
minus one).  So for example, to change the instrument on channel 5 to be bank
6, you would send the message:  F0 43 14 15 04 05 F7.
				       |     |  |
			    chan=5 ----+     |  +--- bank 6
                                             |
					   "bank"

All this is from the manual.

    
    
    Zayed.
    
    Remember I also had this problem. What I did in the end was set
    up one of the KX88 sliders to do the BANK change. The sysex message
    is as stated previously. in fact what I did in the end was set up
    a QX5 macro to handle this and then just edit the macro fro each
    song. In fact I have now parted with the FB01 so the problem has
    gone away. 
    
    				PAUL.

    
    I was just working with a borrowed FB01 last night and came across an
    interesting phenomenon mentioned in the manual.  
    
    It says that the waveform and rate of the LFO are determined by the
    last instrument selected in a configuration, i.e. in a multi-timbral
    setup, if I bring in a new patch on one instrument, it's LFO parameters
    are used for *all other instruments*.  So if I set up a subtle vibrato
    on a flute patch track in my sequencer then go add a wild synth lead,
    my flute vibrato ends up with the intense synth vibrato!!!???
    
    This thing only has one LFO in it (as opposed to one per voice)?  This
    seems pretty silly...is the TX-81Z the same way, one LFO fits all?
    
    Still waiting for a box that doens't have some stupid gotcha in it
    somewhere....
    
    							Brian

    You are correct, the FB01 only has one LFO.   I think the TX81Z has two
    LFOs, and part of a voice definition is which LFO to use.

RE < Note 463.179 by AQUA::ROST "Bikini Girls With Machine Guns" >

>    This thing only has one LFO in it (as opposed to one per voice)?  This
>    seems pretty silly...is the TX-81Z the same way, one LFO fits all?

	I think the TZ has 2 lfo's.  In a configuration setup, you can select
LFO A, LFO B or "vib" (vibrato) for a given voice.  I don't know what the
difference between the "vib" and the two LFO's, though.  I don't have the manual
handy.

	Dan

    Grumble grumble.  Has anyone had this problem with an FB01?  The front
    panel has a "Protect" mode which can have the value on or off. 
    According to the manual, with protect mode on, you can't store into the
    machine's memory either from the front panel or from MIDI.
    
    Guess again!
    
    I wiped out one of my RAM voice banks by a double error:  (1) confusing
    upload with download, and (2) believing the protect feature.  I was
    trying to record the initial settings for posterity into a blank file
    and bingo, I up/downloaded the blank file to the memory, even with
    protect on.  I was philosophical about it, though...I figured the sense
    of on and off was reversed, so I tried again with protect set to off. 
    Not only did it still write memory, but it also then switched it back
    to protect on mode.  Hmmmm.
    
    Does this match the findings of others?
    
    Burns
    

	I turn my FB01 off while saving sequences to floppy (these are MMT-8
	sequences, not FB01 SYSEX), since it likes to go out to lunch when
	I save sequences. Otherwise, it works quite well. I have a SYSEX save
	of the FB01 in case I hose it too badly. Mines set to protect mode
	also.

								Jens

I don't think I understood your words about MMT-8 vs. FB01 SYSEX.
My problem, unfortunately, was that I was trying to fetch the memory from
the FB01 to the computer when I actually loaded the FB01 memory.  This is a
bit hard to do with the power off.

So you think that protect mode not doing anything is a feature, eh?  Pretty
odd.

Thanks for your experience...

Burn

I just called Music Quest (since it was their FB01 editor) and they gave me an
idea...I looked in the Yam book, and sure enough...there is a Sysex code to
turn protection off.  Ha...what a crock.  The editor is probably turning
protection off, doing the load, and then turning it back on again.  That is
why it comes on after a load when I start with it off.

Burns

    How far they've fallen...is anybody really selling FB01s under $100
    yet?  Check out this from USENET:
    
From: [email protected] (Christopher Penrose)
Subject: wanted: yamaha FB-01
Date: 23 Oct 90 18:46:41 GMT
    
I know that this is embarassing (don't forward this to comp.music please)
but I need a small, dirt cheap MIDI FM synthesizer module from someone who
needs some money.
 
A yamaha FB-01 will do just fine.  I will pay no more than $50 dollars folks,
unless you have a yamaha TX81z for $75.  
 
Try to keep this a secret, ok? 
 
Christopher Penrose
[email protected]
{seismo, ucsd}!esosun!jesus!penrose

    I can't imagine needing money so desperately I'd let go of my TZs for
    $75 a pop... A music store would probably give me that much...
    
    Edd

    I agree.  That guy's request is totally unrealistic!  FB01's probably
    have an open market value of $100.  TZ's generally get quite a bit more
    due to considerable enhancements in design and quality sound.  Only
    once in a while do you see them going used for less tan $200.
    
    	Dan (former used market expert)
    

I've seen *recent* ads for an FB01 for $200.  Of course, one was also sold
in this conference for $100.

Burns

    
    
      I've seen at least 5 fb01's go for at least $150 in the last 4
    months at local stores. Never lower.
    
    
    
    RichC
    

I am trying to figure out how to get my FB01 to respond to channel after touch.
In particular, I have connected my Casio DH-100 to the FB01 (via Cakewalk etc)
and would like the FB01 to follow my breath intensity.  All it does is notice
the note velocity at the start of a note.

I have looked through the FB01 manual quite extensively (once I found the
section written in English) and it seems that it is SUPPOSED to take channel
AT, but I can't get it to do that.

Here is what I tried:  I have a configuration which has 1 voice for each of 8
channels.  I am only dealing with channel 1, but I went to each voice and
modified its PMD (is that the name?) setting to "Aftertouch".  Breath did not
work either, but I would not expect it to, since the DH100 sends aftertouch,
not breath.

I can't seem to find anything else that is related in the FB01.  Any ideas?

-----------------------------------------------

While we are at it, does the FB01 have some sort of demo built into it?

Thanks!

Burns

I haven't the foggiest about the FB01, but I have a similar setup with different
sequencer and SGU and can suggest some possibilities, at least.

- Does Cakewalk have any "filter" abilities which might be preset to remove
aftertouch?

- Does the FB01 have both "aftertouch on/off" and "aftertouch sensitivity"
settings?

It took me a bit to get satisfactory aftertouch settings for playing my DH-200
through my Kawai's wind patches, but it was worth it. Good luck.

Cheers,
	Bob

                                -< Not likely >-
--------------------------------------------------------------------------------
	I think that you are out of luck. The FB01 is pretty stupid by
	todays standards (I only use mine for Bass guitar re-enforcement -
	ie, all 48 sounds in RAM 1 is the same sound - Pizzicato set 1
	octave lower than normal - gives a nice deep bass punch - all
	8 notes reponding to the same midi channel). Every time I've
	tried to enable or disable any of the FB01's parameters, it
	seems to ignore the default set ups. Don't expect too much from it.
	By the way, I bought mine from an individual who was trying to
	do the same thing that you are trying (and it didn't work for
	him either).

							Jens

    You can get the FB01 to respond to aftertouch, I've done it (but it was
    on loan, and it's been awhile).  You're on the right track.  Check for
    a global parameter turning aftertouch on and off (independent of the
    PMD settings).  
    
    Make sure the patch you're playing with *does* something with
    aftertouch; some may not.  I seem to recall the only mapping of
    aftertouch is to vibrato on the FB01.
    
    						Brian

    Thanks folks...I'll keep poking around.  Let me know if you come up
    with any other ideas (or want to trade an FB01 for an MT32 or
    something)
    
    Burns

I little more careful reading of the manual indicates that what you can
connect the aftertouch to on an FB01 is "PMD", or Pitch Modulation D???,
via the LFO.  In other words, aftertouch does not control the volume, it
controls the pitch.  Isn't that pretty odd?

What I probably need to do is to convert the aftertouch to a note stop/note
start sequence and have the instrument set for "mono" to keep it from attacking.

Burns

    If you can connect the modulation source to PMD (Pitch Mod Depth) you
    might want to look to see if you can also connect it to AMD, amplitude
    modulation deph.
    
    Edd

    Re: .196
    
    Not odd at all.  The most common use of aftertouch is for vibrato.  The
    FB01 calls the vibrato controller the Pitch Mod Device, you can use the
    mod wheel *or* aftertouch, but not both, etc.  It's certainly *less*
    common on synths to see modulators like the mod wheel, aftertouch, etc.
    modulate amplitude parameters. 
    
    As far as I know, the FB01 cannot map aftertouch to amplitude.  Anyone
    with a patch editor for the FB care to comment? 

    PMD on the FB01 is not like the mod-wheel, but is more of an amplitude
    control on the LFO's effect on the frequency.
    
    Increasing the PMD would have the effect of increasing the amount
    of pitch variation, but the nature of that variation comes from the
    LFO.
    
    Now remember that the FB01 is an *FM* device.  If you modify the
    pitch of a MODULATOR osc, you are not changing the perceived pitch
    fundamental, but the pattern of its harmonics.
    
    But still, it is the LFO doing most of the work.
    
    In the TX81Z they knew better, and there are a few more parameters
    in the whole LFO/BC setup, and you can make the BC control amplitude
    directly.  If it is the amplitude of a MODULATOR, then you control
    the spectrum of the sound; if it is the amplitude of a CARRIER, then
    you contol the volume of the sound.

A while back, I tried to run my WX7 into an FB01 and tried to do the same 
thing. The FB01 does not seem to have a way to link volume to with the Breath 
Controller or Aftertouch parameters. The WX7 could be set to send out Midi 
volume messages, but it didn't seem to work real well either. I finally gave 
up and sold the FB01 and bought a TX81Z. It does work very well with the WX7.

Geoff