| T.R | Title | User | Personal
Name | Date | Lines |
|---|
| 295.1 | Sax Appeal | ERLANG::FEHSKENS | | Thu Apr 03 1986 15:51 | 14 |
| I have some patches I could share with folks too.
Give up on the sax patch. There are certain instruments whose
sound is so much a function of playing style and interaction with
the musician that attempts to duplicate them on a keyboard synth
are doomed to frustration. Among them, sax and electric guitar.
Likewise brushes on a snare drum, which you'll never get, even out
of a sampler. You can get "sax-like" sounds, but you'll never be
fooled into thinking it's real, like you can with some flute or
harpsichord patches. Sorry to sound so defeatist, but I've been
looking for a synthetic sax for a long time now.
len.
|
| 295.2 | the sound that you're hearing... | BARTOK::ARNOLD | John E. Arnold | Thu Apr 03 1986 17:56 | 29 |
| I think patch sharing would be a great idea (even if it's only a
parameter list or diagram representation)! Perhaps a separate note for
each of the major synth types could be started specifically for patches.
(Maybe that will convince me to perform "spring cleaning" on my studio,
sell some lesser-used stuff, and get one of these new whiz-bang synths!)
At the risk of further degenerating down the saxaphone road, I can't
help but recount a story where I was completely fooled into thinking that
something was an electric saxaphone...
I've been a fan of Traffic for quite some years. I remember listening
to Low Spark of High-Heeled Boys for eons thinking that the late, great
Chris Wood had come up with yet another unique sound of his sax playing
through a distortion box or "blown" amp for much of the soloing. The
attack, the breathiness; without ever questioning it, I presumed that was
a processed saxaphone.
I was floored when 2 or 3 years ago I read an interview with Steve
Winwood where he talked about playing those solos on a distorted Hammond
organ. Back to the turntable and, what do you know, if you really pay
attention, you can sort of hear that it's an organ (occasionally trading
riffs with the sax). Oh well. Admittedly, a Cannonball Adderley solo
would be (almost) impossible to pull off on a synth without it sounding
like a synth. If you change the context of the sound so it's OK to just
remind you of a sax, however, it might be OK.
Just thought I'd add my 2 cents,
- John -
|
| 295.3 | Sax Fantasies | ERLANG::FEHSKENS | | Thu Apr 03 1986 18:04 | 4 |
| Well, I *did* say "sax-like".
len.
|
| 295.4 | | NOVA::RAVAN | | Thu Apr 03 1986 20:13 | 17 |
| I've been told that the sax patch on the DX-7 sounds a lot better
if you use the breath controller, especially one that has been
used often and is broken in. I haven't tried it, but we all understand
the problem: attack envelopes. Some folks call 'em 'signatures'.
The signature of a sax (as was implied in .1) is so complex and
varies so much in a single phrase that something like a breath control
is necessary to get close to the right different shapes to all the
different attack signatures required. The other problem of doing
reeds well is the further complication that for every different
attack signature, there is a corresponding frequency envelope.
Yes, this is true of every 'traditional orchestral' instrument,
but it always seems to be worst in trying to get good reed sounds.
(and to digress even farther from the original topic, I've also
heard that the breath controller helps the voice sound on the DX-7.)
-jim
|
| 295.5 | | NOVA::RAVAN | | Thu Apr 03 1986 20:28 | 9 |
| Back to the original topic (patch swapping) and as file moderator,
feel free to create a note for each 'significantly different' group
of synths. I'd expect one note for the DX-7/9/5/21/100/TX series,
one for Oberheim Matrix-6/12/Xpander (yes they're different,
but they're cousins), one for Casio-101/1000/3000/5000, etc.
And to reiterate, just be careful not to infringe on any copyrights.
-jim
|
| 295.6 | We could use notes 55 for DX7... | PIXEL::COHEN | Richard Cohen | Fri Apr 04 1986 15:17 | 4 |
| Note 55 has a few DX7 patches in it.
- Rick
|
| 295.7 | Mello Bass for CZ-101 | RAINBO::SAVAGE | | Fri Apr 04 1986 15:42 | 65 |
| Below is a patch for the CZ-101 to start things off.
This is a good template for the 101 synth.
Dennis Savage
---------------------------------- cut here -----------------------
TONE NAME- MELLO FAT BASS CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | - | 1 | 0 | 07 | | 3 | 0 |48|99 | | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |68 | | | | | | |0-99 rate| | | | | | | | |
levl|33 |0 | | | | | | |0-99 levl| | | | | | | | |
s/e | |e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 2 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|82 |47 |37 |26 | | | | |0-99 rate| | | | | | | | |
levl|99 |96 |52 |0 | | | | |0-99 levl| | | | | | | | |
s/e | | |s |e | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 2 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|82 |36 |79 |55 | | | | |0-99 rate| | | | | | | | |
levl|99 |91 |59 |0 | | | | |0-99 levl| | | | | | | | |
s/e | |s | |e | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: I like this sound using portamento on time=07. Edited from preset 1
not harsh at all like the bass preset. Sharper attack than the brass.
The vibrato is just an added program that can be transfered to other programs.
It is really neat if the sound has a long release on the DCA after the sustain.
The vibrato is optional and may be altered to your liking.
*****************************************************************************
|
| 295.8 | Any more? | MOSAIC::SAVAGE | | Tue Apr 22 1986 14:40 | 3 |
| Are we going to get any patches here or is this a dead issue.
Dennis Savage
|
| 295.9 | In Time... | ERLANG::FEHSKENS | | Wed Apr 23 1986 13:13 | 4 |
| OK, ok, I'll write some of mine up. Over the weekend.
len.
|
| 295.11 | On the way | MINDER::KENT | | Mon Apr 28 1986 08:07 | 7 |
| I've got one or two on the way to it's just finding the time and
......
But i still think it's a great idea.
PK.
|
| 295.12 | CZ template??? | BARNUM::RHODES | | Mon Apr 28 1986 14:56 | 6 |
| Maybe if someone created a CZ-101 patch template as a note entry/reply
it could be extracted and used by everyone. I don't have a CZ-101
(yet) otherwise I would volunteer. Any volunteers?
Todd
|
| 295.13 | already there | MOSAIC::SAVAGE | | Mon Apr 28 1986 15:59 | 5 |
| see my entry under this note (295) titled mello-bass. It's a good
CZ-101 template.
Dennis Savaeg
|
| 295.14 | A PATCH FROM PK. | MINDER::KENT | | Tue Apr 29 1986 04:43 | 56 |
| What would be really neat would be an rs232 out on the CZ's then
this might be easier. Any way here goes.
TONE NAME- CHAIN GANG CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2 | | | 1 | | + | 1 | 0 | 00 | | 1 | 0 |0 |0 | | - | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 |3 | | 4 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 | | | | | | | |
levl|0 | | | | | | | |0-99 levl|0 | | | | | | | |
s/e |e |e | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 | | | | | | |0-99 rate|76 |89 | | | | | | |
levl|42 |0 | | | | | | |0-99 levl|42 | 0 | | | | | | |
s/e | |e | | | | | | | s/e | |e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |61 |50 | | | | |0-99 rate|99 |83 |50 |50 | | | | |
levl|99 |72 |0 |0 | | | | |0-99 levl|99 |91 |0 |0 | | | | |
s/e | | | |e | | | | | s/e | | | |e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: I never had to give this sound a name before but chain gang seems to
fit the sound. I use it as a replacement or addition to a SNARE in a Rhythm
pattern
|
| 295.15 | preamble to two CZ-101 harpsichord patches | RAJA::SCHMIEDER | | Thu May 08 1986 15:18 | 51 |
| While I'm waiting for my three-hundred page printout, I might as well do
something mildly useful. I'm accessing COMMUSIC using /NONOTEBOOK, though,
as I only have time to do what I came in here for.
On Sunday, I spent two to three hours putting the finishing touches on some
harpsichord patches, my favourite two of which will follow this reply. The
basic sound was pretty easy to achieve, and I'm not at all certain that I
didn't achieve some better sounds on the path to the ones I wound up with.
I reviewed my clarinet and e-violin patches, and want to edit them some
before sharing them.
There are an endless number of harpsichord sounds available on the CZ-101.
Also, I accidentally created a harp sound while making the harpsichord
sound, but I was too foolish to save it as I didn't want to be side-tracked.
Anyway, the most important thing is to select 1+2', select very fine detuning
two octaves above the fundamental and deselect vibrato (harpsichord strings
are plucked rather than struck, and have little if any vibrato).
Next most important thing is to select 3 as the first DC0 1/2 waveform,
and any combination of 6 through 8 as the second. The envelope should stay
at the maximum rate no matter how many steps, and probably shouldn't exceed
three steps. No sustain on one oscillator, with sustain on the other.
The level of step one of DCO 2 will affect the colour of the sound; too
high a value will get you further away from emulating a true acoustic
sound.
The key follow on should be anything between 5-9 on DCW 1 and anything between
0-4 on DCW 2. The values should be spaced apart somewhat, and sound more
realistic towards the centre of the range. This time the envelope should
go abruptly from the highest rate (99) to the lowest (00), with the level
somewhere towards the centre of the scale (around 50).
The same thing applies to key follow on DCA, although this time the values
towards the ends of the range give better results. A four to five step
envelope is necessary here in order to properly emulate the sound that
the harpshichord strings make when they are released (you know, that airy
thunkping sound that sound almost like a key on the keyboard got temporarily
stuck and then snapped back into place). You can play around with the
sustain on this one; whether it occurs and where it occurs (also, whether
it is used on one or both waveform generators) will determine the most
subtle colouration of sound.
I haven't had time to check these since Sunday, but feel confident about
the description above so feel that people could use the above description
to produce good harpsichord patches even if the ones I have provided below
aren't any good.
Mark
|
| 295.16 | harpsichord patch #1 (CZ-101) | RAJA::SCHMIEDER | | Thu May 08 1986 15:29 | 50 |
|
TONE NAME harpsichord #1 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 6 | | 3 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 5 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | |
levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |34 |74 |99 | | | | |0-99 rate|69 |92 |53 |42 |91 | | | |
levl|88 |44 |00 |00 | | | | |0-99 levl|01 |99 |92 |00 |00 | | | |
s/e | | | s | e | | | | | s/e | | | | | e | | | |
_____________________________________ _____________________________________
|
| 295.17 | harpsichord patch #2 (CZ-101) | RAJA::SCHMIEDER | | Thu May 08 1986 15:31 | 50 |
|
TONE NAME harpsichord #2 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 6 | | 3 | 7 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 5 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | |
levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | | |
levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | | |
s/e | | | s | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
|
| 295.18 | CZ-101 Pipe Organ | ERLANG::FEHSKENS | | Mon May 12 1986 11:18 | 59 |
|
TONE NAME - Pipe Organ CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | no | no | | + | 0 | 0 | 02 | | 1 | 0 | 0| 0 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 4 | 4 | | 2 | 1 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 99| 00| 00| | | | | |0-99 rate| 99| | | | | | | |
levl| 66| 66| 00| | | | | |0-99 levl| 00| | | | | | | |
s/e | s | | e | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 99| 0 | | | | | | |0-99 rate| 99| 0 | | | | | | |
levl| 50| 0 | | | | | | |0-99 levl| 83| 0 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 90| 60| | | | | | |0-99 rate| 90| 60| | | | | | |
levl| 99| 0 | | | | | | |0-99 levl| 99| 0 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
Comments: The heart of the pipe organ sound is the doubling a couple of
octaves up. I chose to do that in this patch by using the DCO pitch
envelope rather than the detune parameters (I had a good reason at the
time, I don't remember what it was). The modest detuning fattens the
sound a little, so it sounds like more than one pipe. Overall this is
a very simple but effective patch. You can manipulate the timbre to
your liking by changing the DCW envelope levels. The noninstantaneous
DCA envelope rates soften the onset and simulate some hall ambience.
A good reverb still helps enormously.
|
| 295.19 | Factory patches from Casio. | BEAGLE::MULELID | | Tue May 13 1986 12:23 | 8 |
| Casio is now selling a series of books with CZ patches. I think
there is 80 patches in each book. I guess it is a series because
the one I saw a picture of was vol. 1.
They are also selling the RAM cartridge with preprogrammed patches
that you can keep or overwrite if you like to.
Svein
|
| 295.20 | new CZ template for LN03 | XYLAR::MARSHALL | | Thu Jun 12 1986 09:56 | 25 |
| I just picked up a CZ-101 recently and I think it's super. Originally,
I only wanted a keyboard(elec piano or equiv.) to have in the corner
to help me figure out things on my guitar, but I found a good deal
on the CZ and I find myself spending a copious amount of time on
the thing.
After typing in many patches from the one of the Casio books, I became
frustrated with the layout of their Sound Data pages, so I drew
up a new layout/template of my own on my VAXstation. It is layed
out in the same block diagram as the parameter sections of the synth.
If you have an LN03 hanging off of your VAX you can copy the sixel
file and print it out just as you would print out a text file.
If you have access to a VAXstation, you can copy the binary data
file and modify it as you like using MAGGIE_tosh(look in the VWS
notesfile on BULOVA.) Enjoy!
the sixel file:
XYLAR""::SYS$PUBLIC:SOUND_DATA.SIX (for an LN03)
and the data file:
XYLAR""::SYS$PUBLIC:SOUND_DATA.DAT (for MAGGIE_tosh)
rick
|
| 295.21 | What about an LN01? | NOVA::ARNOLD | | Fri Jun 13 1986 15:33 | 5 |
| Can you print the sixel file to a LN01?
I tried this, but it didn't work...
-Jeff
|
| 295.22 | Nope | RAJA::SCHMIEDER | | Mon Jun 16 1986 10:53 | 4 |
| I work in hardcopy engineering. The LN01 does not accept SIXELS files.
Mark
|
| 295.23 | Here's my first creation... | AKOV68::EATON | PERSONAL_NAME="string" | Thu Oct 16 1986 15:07 | 57 |
|
TONE NAME- CHIFF STRINGS CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+'1 | | | | | + | 0 | 0 | 07 | | 1 | 0 |0 |0 | | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 |0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |80 |00 | | | | | |0-99 rate| | | | | | | | |
levl|85 |66 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | |sus|end| | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|80 |63 |42 | | | | | |0-99 rate| | | | | | | | |
levl|95 |70 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | |sus|end| | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|75 |55 |40 | | | | | |0-99 rate| | | | | | | | |
levl|68 |99 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | |sus|end| | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This sound was developed to improve one of the factory internals.
It has been quite useful to me as an all-around string sound with that slight
difference that makes it just a bit unusual. I used the pitch envelope
to get that "chiff" sound. It probably could have been done with
the noise modulator, but once I got the sound I wanted, I didn't
bother checking out a "more correct way".
|
| 295.24 | Oh, by the way... | AKOV68::EATON | PERSONAL_NAME="string" | Thu Oct 16 1986 15:13 | 13 |
| Just a comment on the fly...
I just purchased on of the "switchable bank" CZ RAM cartridges
(the kind with 64 memory locations) for $39.95! That's what many
people still ask for on the 16-memory cartridges. So if you live
in the Eastern Mass area, check out R|S|F Music in Cambridge. I'd
strongly suggest calling first, though. They go fast at that price.
I went on a Saturday after having them tell me they had 'em in stock
on Friday - they were sold out. Fortunately, they shipped one out
from the next order at no shipping charge when I told them I had
called beforehand. I got it within a week. I was impressed!
Dan
|
| 295.25 | Free CASIO Book/I Want a Piano/One Question | LEAGLE::GOLDSTEIN | Outrageousness!!? Just a way to WAKE PEOPLE UP! | Thu Oct 16 1986 17:24 | 20 |
|
TWO COMMENTS
1. If you call CASIO in Fairfield NJ (I don't know the exit) they
will send you ***FOR FREE!!!*** a book which explains their entire
MIDI implementation, and is also a pretty good beginners guide to
MIDI for just about any instrument.
2. I am looking for a REALLY GREAT PIANO PATCH!!!!!!!
What is the best that can be done?
Also a question> If I use my CZ101 on batteries (new DURACELLS)
the low battery warning seems to start flashing after about 3 hours,
but there is no indication that the batteries are really low. Should
I worry? How long do DURACELLS or the like really last?
Thanks,
Rich Goldstein
DTN 223-5950
|
| 295.26 | Great piano sound | JON::ROSS | BOZONICS | Thu Oct 16 1986 19:37 | 12 |
|
The best piano? Easy: an MKS20.
(hate to sound like a wise-*** but, couldnt resist.)
On my Cz5000 I've learned to settle for a good dx7-ish
elec. piano...
good luck.
ron
|
| 295.27 | Lets Hear it | MINDER::KENT | | Fri Oct 17 1986 12:02 | 4 |
| re. 26 Perhaps you could post the patch so we can see what I DX7
sounding patch may look like.
Paul.
|
| 295.28 | This guy said he'd swop patc... but gave away free? | RDGE43::DUCE | slowly we change the world .... | Thu Mar 05 1987 03:39 | 1707 |
| For those of you who do not subscribe to the USENET, here are some
patches I received recently. Tried some ... interesting ... pressure
of work (sob,sob) keeps me from doing much at the moment though!
See what you think.
It's kinda long (1710+ lines), so if space is a problem MR Moderator,
perhaps you should delete it, as I'd be happy to MAIL anyone who is
interested, that missed out.
Pete
Newsgroups: rec.music.synth
Path: decwrl!decvax!ucbvax!cartan!ucbcad!ames!rutgers!mit-eddie!bacchus!paul
Subject: CZ Patches Vol II
Posted: 27 Feb 87 21:14:06 GMT
Organization: MIT Project Athena
NAME: background swell
line mod detune vibrato octave
1+2 - + 0 00 07 1 11 51 23 0
DCO1
wave
1 0
rt lv
0 0e
DCO1
key
2
rt lv
99 97s
40 00e
DCA1
key
2
rt lv
72 15
31 93s
31 0e
DCO2
wave
2 0
rt lv
00 00e
DCW2
key
2
rt lv
99 99s
40 00e
DCA2
key
2
rt lv
72 15
31 93s
31 00e
Comments:
turn down DCW1 sustain level if using without tons of processing
-------------------------------------------------------------
NAME:Ministry horns
line mod detune vibrato octave
1+2 - + 1 00 14 3 00 40 11 +1
DCO1
wave
4 1
rt lv
86 99
99 33
68 00e
DCO1
key
2
rt lv
67 99
47 96
37 52s
26 00e
DCA1
key
2
rt lv
82 99
36 91s
79 59
55 00e
DCO2
wave
1 0
rt lv
97 99
89 00e
DCW2
key
7
rt lv
97 87
43 79
50 74s
52 00e
DCA2
key
0
rt lv
99 99
21 97
61 00e
Comments:
Again, use tons of chorus & reverb. Guaranteed to sound like Alain
Jourgensen in short punches. Play parallel ocatves for bigger sound.
-------------------------------------------------------------
NAME: popcorn
line mod detune vibrato octave
1+2 ring + 1 00 00 4 00 97 27 -1
DCO1
wave
5 2
rt lv
95 91
99 00e
DCO1
key
0
rt lv
99 78
47 79s
50 00
47 00e
DCA1
key
4
rt lv
97 99
56 49
99 00e
DCO2
wave
8 3
rt lv
99 99
93 00e
DCW2
key
0
rt lv
99 81s
64 00e
DCA2
key
0
rt lv
99 99
56 00e
Comments:
Great for adding attack to sequencer bass lines.
-------------------------------------------------------------
NAME: Kick #1 (extender for TR505)
line mod detune vibrato octave
1+1 noise - 3 00 06 4 00 53 90 -1
DCO1
wave
4 1
rt lv
98 67
99 00e
DCO1
key
0
rt lv
99 99
99 00e
DCA1
key
0
rt lv
99 99
45 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments:
MIDI to TR505 bass drum, pick a low note (25-40).
-------------------------------------------------------------
NAME:kick #2 (TR505 extender)
line mod detune vibrato octave
1+1 - - 1 00 00 4 04 63 89 -1
DCO1
wave
5 4
rt lv
90 76
90 00e
DCO1
key
0
rt lv
99 15s
50 00e
DCA1
key
0
rt lv
99 99
49 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments:
MIDI to TR505 bass drum, has different sounds in different octaves
-------------------------------------------------------------
NAME: snare #1 (TR505 extender)
line mod detune vibrato octave
1+1 noise + 2 04 08 3 00 56 88 -1
DCO1
wave
4 7
rt lv
99 62
76 00e
DCO1
key
0
rt lv
00 00e
DCA1
key
0
rt lv
99 99
38 51
53 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments:
MIDI to snare drum. I use notes in the lower half of the keyboard.
-------------------------------------------------------------
NAME: Snare #2
line mod detune vibrato octave
1+2 noise + 1 10 0 - -1
DCO1
wave
1 4
rt lv
99 70
54 00s
50 00e
DCO1
key
0
rt lv
99 99
99 00e
DCA1
key
9
rt lv
99 99
51 00e
DCO2
wave
1 4
rt lv
99 70
54 00s
50 00e
DCW2
key
0
rt lv
99 99
99 00e
DCA2
key
9
rt lv
99 99
43 00e
Comments:
For those of us without an SPX-90.
-------------------------------------------------------------
NAME: Rayz
line mod detune vibrato octave
1+2 - + 1 07 10 1 07 61 23 +1
DCO1
wave
1 4
rt lv
00 00e
DCO1
key
0
rt lv
88 99s
47 25
44 00e
DCA1
key
0
rt lv
93 87s
39 00e
DCO2
wave
6 0
rt lv
00 00e
DCW2
key
0
rt lv
99 99s
47 25
44 00e
DCA2
key
0
rt lv
92 99
85 97
92 99
99 98s
32 00e
Comments:
Sounds even cooler if you use the pitch wheel for glissandi.
(Did I really use the word "glissandi"?)
-------------------------------------------------------------
NAME: Whistlin
line mod detune vibrato octave
DCO1
wave
rt lv
DCO1
key
rt lv
DCA1
key
rt lv
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments:
Take the preset "Whistle" and change the detune to + 0 0 20
-------------------------------------------------------------
NAME: Bowp/Industrial [Bass]
line mod detune vibrato octave
1 +2 * + 3 05 00 - -1
DCO1
wave
6 *
rt lv
0 0e
DCO1
key
0
rt lv
72 53
52 00e
DCA1
key
0
rt lv
99 99
44 00e
DCO2
wave
4 0
rt lv
00 00e
DCW2
key
2
rt lv
99 10
48 00e
DCA2
key
0
rt lv
99 81
42 00e
Comments:
* This is one of my most-used sounds. There are four variations
according to the following matrix:
Bowp Industrial
Regular ring mod noise mod
DCO1 6 0 DCO1 6 0
Bass ring mod noise mod
DCO1 6 2 DCO1 6 2
-------------------------------------------------------------
NAME:Pan Pipes / Danger Sound
line mod detune vibrato octave
DCO1
wave
rt lv
DCO1
key
rt lv
DCA1
key
rt lv
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments:
Take the "Internal #3" setting and change DCO1 to
2 0 for pan pipes
7 0 for Dangersound
"Dangersound" on the low D note is something like Ministry
opened their show with last time I saw them. Excuse me for making fun
of those Casio Sound Data book names like "Dangerous Sound #2".
-------------------------------------------------------------
NAME: Traffic Doppler (Barry Kirsch, modified by me)
line mod detune vibrato octave
1+1 noise + 00 03 00 1 00 00 97 -1
DCO1
wave
7 0
rt lv
99 15s
16 00e
DCO1
key
0
rt lv
00 00e
DCA1
key
0
rt lv
35 99
00 00
30 00e
DCO2
wave
rt lv
DCW2
key
rt lv
DCA2
key
rt lv
Comments:
Hold the key down and wait. I like clusters of low notes best
-------------------------------------------------------------
NAME: Sampled Snap
line mod detune vibrato octave
1+2 noise + 1 07 00 1 00 67 09 0
DCO1
wave
5 0
rt lv
96 75
99 00e
DCO1
key
0
rt lv
91 66
93 00e
DCA1
key
0
rt lv
93 99
54 00e
DCO2
wave
2 0
rt lv
97 74
93 00e
DCW2
key
0
rt lv
93 41
64 00e
DCA2
key
0
rt lv
94 99
49 00e
Comments:
Any resemblance to snare #1 is purely intentional.
-------------------------------------------------------------
NAME: Kalimba #3,452,156
line mod detune vibrato octave
1+2 ring + 2 10 00 1 60 50 03 0
DCO1
wave
5 0
rt lv
96 75
99 00e
DCO1
key
9
rt lv
97 24
88 00e
DCA1
key
2
rt lv
95 99
43 00e
DCO2
wave
2 0
rt lv
97 74
93 00e
DCW2
key
9
rt lv
95 82
64 00e
DCA2
key
0
rt lv
96 99
49 00e
Comments:
Yup, more Afro-percussion. This one has radically different timbres in
different octaves (the second octave on the 101 keyboard is my
favorite). Noise percussion makes some interesting sounds too.
-------------------------------------------------------------
NAME: Helicopter (Glenn Bruns, modified)
line mod detune vibrato octave
1+2 ring + 2 00 08 3 00 70 99 -1
DCO1
wave
6 5
rt lv
00 00e
DCO1
key
8
rt lv
60 57s
00 00e
DCA1
key
0
rt lv
99 93s
66 00e
DCO2
wave
1 0
rt lv
00 00e
DCW2
key
8
rt lv
60 57s
00 00e
DCA2
key
1
rt lv
99 93
66 00e
Comments:
Noise modulation makse a meaner helicopter, and a machine gun in the
upper range.
-------------------------------------------------------------
Paul
Newsgroups: rec.music.synth
Path: decwrl!decvax!ucbvax!cartan!ucbcad!ames!sri-spam!rutgers!mit-eddie!bacchus!paul
Subject: CZ Patches Vol I (January 1986)
Posted: 27 Feb 87 21:16:22 GMT
Organization: MIT Project Athena
Name: synth organ
line mod detune vibrato octave
1+2 + (1,2) 00 06 +1
DCO 1
wave
2 4
rate level
99 33
33 00 e
DCW 1
key
0
rate level
80 99
47 96
37 52 s
26 00
50 00 e
DCA 1
key
0
rate level
99 90
78 65
83 95
70 75
70 99 s
79 59
33 00 e
DCO 2
wave
3 5
rate level
99 33
33 00 e
DCW 2
key
0
rate level
80 99
47 96
37 52 s
26 00
50 00 e
DCA 2
key
0
rate level
99 90
78 65
83 95
70 75
70 99 s
79 59
33 00 e
Comments:
Boring but useful.
Name: drum hit
line mod detune vibrato octave
2 + 1 10 25 0
DCO 1
wave
5 2
rate level
50 00e
DCW 1
key
0
rate level
99 99
99 99e
DCA 1
key
0
rate level
93 55
99 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments:
If you don't have a drum machine, put some of this under your drum noise.
I boost 200hz for extra umph.
Name: drum wash
line mod detune vibrato octave
1+1' noise + (1,2,3) 03 08 1 00 38 15 -1
DCO 1
wave
5 0
rate level
99 62
76 00e
DCW 1
key
0
rate level
99 83
99 00e
DCA 1
key
6
rate level
99 99
38 51
53 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I put the three different versions (different detune octave
settings) on adjacent Internal memory keys , and by switching back
and forth between beats (it takes practice) I got a "drum kit", and
even gated off some of the hits by switching to the next sound before
the note had died out. Primitive, but it got on the local college
station a few times. This is one of those sounds that sounds really
big on tape.
Name: Simmons SDS-7
line mod detune vibrato octave
1+1 noise +1 03 00 -1
DCO 1
wave
1 5
rate level
99 70
42 00e
DCW 1
key
0
rate level
99 99
99 00e
DCA 1
key
9
rate level
99 99
43 00s
50 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I tried to duplicate the sound on Duran Duran's "Rio".
Name: Phil-in-a-box
line mod detune vibrato octave
1+1' noise + 0 10 00 -1
DCO 1
wave
1 4
rate level
99 70
54 00s
50 00e
DCW 1
key
0
rate level
99 99
99 00e
DCA 1
key
9
rate level
99 99
43 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I was trying to emulate the big crashes on "In the Air
Tonight" and "I Don't Care Anymore". Having heard it on CD last
week, there's no comparison. However, SOMEONE on the net (I lost the
message) claims to have improved it. ???
Name: Trevor Horns
line mod detune vibrato octave
1+1' - 0 02 24 3 06 02 99 +1
DCO 1
wave
3 0
rate level
99 33
33 00e
DCW 1
key
2
rate level
67 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
82 99
36 91s
79 59
55 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Everybody likes this one, but you have to play it a certain
way or it sounds stupid. Turn your reverb WAY up and playing three
or four octaves in unison, tap short horn-punch chords.
Ha ha ha, five people have mistaken it for a Fairlight on tape so
far!
Name: organ brass
line mod detune vibrato octave
1+1' + 1 00 06 +1
DCO 1
wave
3 5
rate level
99 33
68 00e
DCW 1
key
0
rate level
80 99
47 96
37 52s
26 00
50 00e
DCA 1
key
0
rate level
99 90
78 65
83 95
70 75
70 99s
79 59
33 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I forget what this sounds like. I'll have to try it again.
Probably an organ set to "brass".
Name: Herbie Scratch
line mod detune vibrato octave
1+1' + 0 02 00 1 00 54 88 +1
DCO 1
wave
3 4
rate level
47 99
99 00e
DCW 1
key
0
rate level
80 99
47 96
38 85s
26 00e
DCA 1
key
2
rate level
99 90
85 65
85 95
78 75
78 99
01 98
99 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: In lieu of having a record to scratch...
Name: Fuzzy bass
line mod detune vibrato octave
1+1' ring + 1 00 00 1 33 55 23 +1
DCO 1
wave
2 3
rate level
00 00e
DCW 1
key
7
rate level
97 99
43 79
50 74s
52 00e
DCA 1
key
0
rate level
99 99
21 00s
61 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Only so-so, but here it is.
Name: fat synth bass
line mod detune vibrato octave
1+1' ring + 0 07 04 1 33 55 23 0
DCO 1
wave
2 3
rate level
50 00e
DCW 1
key
7
rate level
97 99
43 79
50 74s
52 00e
DCA 1
key
0
rate level
99 99
21 89s
61 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Modified version of Casio "Electric bass" that sustains.
I play Wham tunes on it -- drives my roommates *nuts*!
Name: 1-Octave bass
line mod detune vibrato octave
1+2 + 1 00 05 1 54 11 04 -1
DCO 1
wave
1 2
rate level
66 58
72 00
43 05
65 00e
DCW 1
key
9
rate level
82 88
42 63
00 00e
DCA 1
key
9
rate level
99 99
28 00
56 00
DCO 2
wave
5 4
rate level
00 00e
DCW 2
key
7
rate level
92 80
44 62
00 00e
DCA 2
key
0
rate level
90 99
30 86s
86 00e
Comments: I put this under other bass patches (via tone mix) to get
more bottom end.
Name: 2-Octave bass (Tony Levin)
line mod detune vibrato octave
1+2 + 0 00 05 1 54 11 04 -1
DCO 1
wave
1 2
rate level
66 58
72 00
43 05
65 00e
DCW 1
key
9
rate level
82 83
42 63
00 00e
DCA 1
key
9
rate level
99 99
28 00
56 00e
DCO 2
wave
3 4
rate level
00 00e
DCW 2
key
7
rate level
92 80
44 62
00 00e
DCA 2
key
0
rate level
90 99
30 86s
86 00e
Comments: I used this to add bottom to bass parts played in higher
registers until someone pointed out that it sounds just like Tony
Levin's Chapman Stick. "I wanna be.... your Sledgehammer..."
It does have a nice voice of its own.
Name: ArtoNoise Trumpet (#3)
line mod detune vibrato octave
1+2 ring 1 27 49 11 +1
DCO 1
wave
3 0
rate level
00 00e
DCW 1
key
4
rate level
67 79
00 00e
DCA 1
key
2
rate level
70 91
70 67
70 96
70 77
70 99s
56 00e
DCO 2
wave
4 0
rate level
00 00e
DCW 2
key
4
rate level
72 79
00 00e
DCA 2
key
2
rate level
70 91
70 67
70 97
70 77
70 99s
48 00e
Comments: Mix with Casio Preset turmpet. You can set Bend Range to
12 and go a whole octave higher still sounding great.
Name: Lazy Trumpet (#4)
line mod detune vibrato octave
1+1' + 0 00 07 0
DCO 1
wave
1 0
rate level
99 33
68 00e
DCW 1
key
2
rate level
67 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
70 90
70 65
70 95
70 75
70 99s
50 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: I mix this with the Casio Trumpet, set Bend Range to 2, and
get some pretty cool leads with this (a long echo helps).
Name: snap percussion
line mod detune vibrato octave
1+2 noise + 1 00 00 0
DCO 1
wave
1 0
rate level
99 82
99 00e
DCW 1
key
0
rate level
99 99
28 00e
DCA 1
key
0
rate level
99 99
99 00e
DCO 2
wave
1 0
rate level
00 00e
DCW 2
key
0
rate level
00 00e
DCA 2
key
0
rate level
99 99
58 00e
Comments: Four notes within an octave with a slapback echo make
realistic handclaps.
Name: Star Trek noise
line mod detune vibrato octave
1+1' 1 00 60 98 + 1
DCO 1
wave
3 4
rate level
63 99s
99 00e
DCW 1
key
0
rate level
80 99
47 96
38 85s
26 00
50 00e
DCA 1
key
2
rate level
99 90
85 65
85 95
78 75
78 99
01 98s
99 00e
DCO 2
wave
rate level
DCW 2
key
rate level
DCA 2
key
rate level
Comments: Just another stupid noise. Doesn't sound like anything on
Star Trek per se, or does it? I guess it depends on how Trekkie you
are...
Name: Woh-Wow-Yeh FROM BARRY KIRSCH
line mod detune vibrato octave
1+2' + 00 00 07 -1
DCO 1
wave
6 0
rate level
51 33
68 00e
DCW 1
key
2
rate level
58 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
62 71
36 91s
79 59
55 00e
DCO 2
wave
7 0
rate level
53 33
68 00e
DCW 2
key
2
rate level
33 99
47 96
37 52s
26 00e
DCA 2
key
2
rate level
82 99
36 91s
79 59
55 00e
Comments: "All at once, the clouds are parting,
light streams down in bright unbroken beams..."
Is this a Rush sound or WHAT, I ask? I love it anyway :) .
Name: Flutelight ERIC PERSING, _KEYBOARD_ MAGAZINE
line mod detune vibrato octave
1+2 noise - 1 00 00 1 46 52 17 +1
DCO 1
wave
1 0
rate level
52 50
15 00e
DCW 1
key
9
rate level
72 88
99 53s
50 00e
DCA 1
key
0
rate level
99 17
70 91
59 99
12 83s
65 00e
DCO 2
wave
5 0
rate level
83 67
50 00e
DCW 2
key
8
rate level
60 57
00 00e
DCA 2
key
2
rate level
76 67
61 00e
Comments: Yes, THAT sound again.... play happy major thirds and see.
Paul
|
| 295.29 | more CZ patches | VCQUAL::MARSHALL | | Thu Apr 02 1987 09:35 | 766 |
|
Here's a whole slew of CZ patches that appeared in today's
rec.music.synth. I removed the headers and put a form feed
between the patches. NOTE: they are in many different
formats and some don't have titles so it may be somewhat
interesting getting through these things. Enjoy!
rick
*********************************************************
Name: Woody metal.
line mod detune vibrato octave
1+1' ring + 2 00 06 1 50 65 07 0
DCO 1
wave
1 0
rate level
00 00 end
DCW 1
key
9
rate level
83 27
37 10 sus
88 00 end
DCA 1
key
5
rate level
99 99
38 85
21 78
31 65
32 60
40 55
17 00
37 00 end
*****************************************************************************
Comments: Detune, octave=3 also useful. Expriment with vibrato.
*****************************************************************************
Name: Reverb Flute (September 1986 Electronics & Music Maker)
Line: 1+2'
Mod: Noise on
Detune: +,0,0,0
Vibrato: Wave=1,delay=26,rate=55,depth=9
Octave: +1
DCO1: 1st wave = 2, 2nd wave = 0
Rate=70,level = 66 (sus)
00 00 (end)
DCW1: Key follow = 0
Rate=60, Level = 35 (sus)
00, 00 (end)
DCA1: Key follow =1
rate=82 Level = 99 (sus)
58 89
71 54
44 30
63 66
44 30
61 51
50 00 (end)
DCO2: 1st wave = 1, 2nd wave = 0
rate = 00, level = 0 (end)
DCW2: Key follow = 9
rate = 99, level = 00 (sus)
00 00 (end)
DCA2: Key follow = 1
rate = 92, level = 64
56 00 (end)
----------------------------------------------------------------
Name: Guitar with distortion
Detune: +, oct=2,note=7, fine=8
Vibrato: wave=1,delay=0,rate=99,depth=24
Octave=-1
Line: 1+1'
mod: ring
DCO1: 1st wave = 8, 2nd wave = 4
rate =00, level = 00 (end)
DCW1: Key follow = 0
Rate = 99, level = 21 (sus)
33 00 (end)
DCA1: Key follow = 0
rate = 99, level = 99 (sus)
31 83
52 00 (end)
------------------------------------------------------------------
Name: Mean Electric Guitar
Detune: +,1,2,4
Vibrato: 1,53,0,0
Octave:+1
Line:1+1'
Mod:Ring
DCO1: 1st wave = 3, 2nd wave = 4
Rate = 19, Level = 00 (End)
DCW1: Key follow = 1
Rate = 86, Level = 64
07 00 (End)
DCA1: Key follow = 4
Rate = 94, Level = 96 (sus)
92 00 (End)
Comments: Try small amount of glide or portamento to make
it more of a realistic guitar sound.
Name: Scratchy Trumpet
line mod detune vibrato octave
1+2' + 0 00 00 1 19 50 14 0
DCO 1
wave
4 0
rate level
00 00e
DCW 1
key
0
rate level
99 99s
27 00e
DCA 1
key
4
rate level
70 99
20 89s
49 00e
DC0 2
wave
3 5
rate level
00 00e
DCW 2
key
0
rate level
51 77
39 00e
DCA 2
key
4
rate level
99 79
32 00e
Comments:
TONE NAME harpsichord #2 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 6 | | 3 | 7 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 5 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | |
levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | | |
levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | | |
s/e | | | s | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
CZ PATCH NAME: swept reed
COMMENT: modified casio reed
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 3.4-99.29-72e
DCW1 (key-env): 9-74.93-93.86s-50e
DCA1 (key-env): 1-86.99-63.93-65.94-29e
DCO2 (wave-env): 6.4-99.66-73e
DCW2 (key-env): 2-43.60-24.49-26e
DCA2 (key-env): 0-62.94-18.85-24.77-26e
DETUNE (+- oct - semi - fine): (-)0-0-7
MODULATION (1'or 2' - ring or noise): either 1' or 2'
VIBRATO (wave-delay-rate-depth): 4-81-41-99
KEYBOARD OCTAVE (+ o -): 0
CZ PATCH NAME: minor vox chorus
COMMENT: fairly modal based on casio human voice
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 1.4-55.65-40.66s-2e
DCW1 (key-env): 0-99e
DCA1 (key-env): 0-79.99-21.74s-31.75-60e
DCO2 (wave-env): 5.0-50e
DCW2 (key-env): 8-46.65-35.20s-54e
DCA2 (key-env): 0-67.77-21.77-12.90s-35e
DETUNE (+- oct - semi - fine): (-)0-7-10
MODULATION (1'or 2' - ring or noise): 2'
VIBRATO (wave-delay-rate-depth): 1-72-46-19
KEYBOARD OCTAVE (+ o -): 0
CZ PATCH NAME: Synth Bass II
COMMENT: modified casio
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 2.3-0e
DCW1 (key-env): 7-97.99-43.79-50.74s-52e
DCA1 (key-env): 0-99.99-21e
DETUNE (+- oct - semi - fine): (-)1-0-3
MODULATION (1'or 2' - ring or noise): 1' - ring
VIBRATO (wave-delay-rate-depth): 1-33-55-23
KEYBOARD OCTAVE (+ o -): 0
CZ PATCH NAME:swept mute ens.
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 2.1-67.55-42.60-54.6-50e
DCW1 (key-env): 0-52.99-28.90-30.97-31.93-22.71s-50.52-50e
DCA1 (key-env): 0-71.99s-38.82-30.75-49e
DCO2 (wave-env): 2.4-53.15-49e
DCW2 (key-env): 0-53.99-79.72-50.70s-50e
DCA2 (key-env): 0-89.91-49.86-18.73(?s?)-20.70-22e
DETUNE (+- oct - semi - fine): +1-0-2
MODULATION (1'or 2' - ring or noise): 2' ring
VIBRATO (wave-delay-rate-depth): 1-42-31-20
KEYBOARD OCTAVE (+ o -): 0
CZ PATCH NAME: Bright electric piano
COMMENT: I could really use some nice pianos
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 5.2-99.66-99e
DCW1 (key-env): 0-99.99s-0e
DCA1 (key-env): 0-92.99-95.87-92.99-99.88s-43e
DCO2 (wave-env):3.1-99.66-99e
DCW2 (key-env): 0-99.99s-0e
DCA2 (key-env): 0-92.99-95.87-92.99-99.88-44e
DETUNE (+- oct - semi - fine):+0-0-10
MODULATION (1'or 2' - ring or noise): 2'
VIBRATO (wave-delay-rate-depth): 1-45-52-11
KEYBOARD OCTAVE (+ o -): +1
--------------------------------------------------------------------------
Bird call #1 :
Line Modulation
Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range
------ ---------- -------------------- --------------------- ---------
1 off off 0 0 0 0 1 00 80 68 + 1
-- DCO 1 -- -- DCW 1 -- -- DCA 1 --
Wave Form Key Follow Key Follow
First Second ---------- ----------
------------ 4 0
4 0
ENV (pitch) ENV (wave) ENV (amp)
------------- ---------- ------------------
Step 1 2 Step 1 Step 1 2 3
Rate 99 40 Rate 00 Rate 69 46 64
Level 65 0 Level 00 Level 88 99 00
End End End
NOTES : Built from the "whistle" preset. Play around with portamento,
and quickly a notes followed by their third or fourth.
--------------------------------------------------------------------------
Bird call #2 :
Line Modulation
Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range
------ ---------- -------------------- --------------------- ---------
1 off off 0 0 0 0 1 00 48 49 + 1
-- DCO 1 -- -- DCW 1 -- -- DCA 1 --
Wave Form Key Follow Key Follow
First Second ---------- ----------
------------ 4 0
4 0
ENV (pitch) ENV (wave) ENV (amp)
---------------- ---------- ------------------
Step 1 2 3 Step 1 Step 1 2 3
Rate 52 00 00 Rate 00 Rate 69 46 64
Level 66 00 00 Level 00 Level 88 99 00
End End End
NOTES : Built from the "whistle" preset. Vibrato can be taken off.
Short repeated key strokes work well.
TONE NAME- MASSIVE BASS CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | off| off | | + | 0 | 0 | 4 | | 1 |33 |23| 06| | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 4 | 4 | | 3 | 4 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|50 | | | | | | | |0-99 rate|50 | | | | | | | |
levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 7 |(0-9) | 7 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|97 |43 |50 |50 | | | | |0-99 rate|97 |43 |50 |50 | | | | |
levl|99 |79 |87 | 0 | | | | |0-99 levl|99 |79 |87 | 0 | | | | |
s/e | | | s | e | | | | | s/e | | | s | e | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |21 |61 | | | | | |0-99 rate|99 |21 |61 | | | | | |
levl|99 |88 | 0 | | | | | |0-99 levl|99 |88 | 0 | | | | | |
s/e | | s | e | | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT:
Based on Elec Guitar preset C-5. Play in the second octave.
*****************************************************************************
TONE NAME- THWACK DRUMS CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | off| on | | + | 0 | 10 | 0 | | 3 | 0 |55| 85| | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 5 | 1 | | 6 | 4 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|92 |99 | | | | | | |0-99 rate|99 |99 |13 | | | | | |
levl|93 | 0 | | | | | | |0-99 levl|99 |53 | 0 | | | | | |
s/e | | e | | | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 8 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |94 |50 | | | | | |
levl|99 |86 | 0 | | | | | |0-99 levl|99 |99 | 0 | | | | | |
s/e | | | e | | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 1 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |41 |52 | | | | | |0-99 rate|99 |53 |52 | | | | | |
levl|99 | 0 | 0 | | | | | |0-99 levl|81 |35 | 0 | | | | | |
s/e | | s | e | | | | | | s/e | | | e | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT:
Based on "Tom toms 1" from Casio "Pro-tone data book." Play octaves 2+3.
*****************************************************************************
TONE NAME- BELL ORGAN CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | off| off| | + | 3 | 07 | 08 | | 1 |49 |50| 10| | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 5 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|50 | | | | | | | |0-99 rate|50 | | | | | | | |
levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 7 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 |50 |52 |50 | | | | |
levl| 0 | | | | | | | |0-99 levl|70 |68 |97 | 0 | | | | |
s/e | e | | | | | | | | s/e | | | s | e | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |55 |31 |31 | | | | |0-99 rate|99 |81 |31 |31 | | | | |
levl|99 |89 |65 | 0 | | | | |0-99 levl|90 |86 |29 | 0 | | | | |
s/e | | | s | e | | | | | s/e | | | s | e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT:
Based on "fairy tale" preset, B-8.
*****************************************************************************
------------------------------------------------------------------------------
Line Select Modulation Detune Vibrato Octave
+/- Octave Note Fine Wave Delay Rate Depth +/- Range
1+1' + 1 8 1 38 60 4 0
DCO 1
Wave Form
First Second
2 3
Step 1 2
Rate 99 68
Level 33 0
END
DCW 1
Key Follow 9
Step 1 2 3 4
Rate 73 99 99 00
Level 88 96 99 00
SUS END
DCA 1
Key Follow 0
Step 1 2 3 4
Rate 82 99 88 62
Level 81 99 96 00
SUS END
* Use it at the extreme low end for a fat slightly distorted deep organy
sound. I don't know how else to explain it.
-------------------------------------------------------------
line mod detune vibrato octave
1+2 + 2 00 01 1 51 60 05 -1
DCO 1
wave
1 0
rate level
50 00e
DCW 1
key
5
rate level
99 27
48 00e
DCA 1
key
6
rate level
94 99
32 00s
45 00e
DCO 2
wave
2 0
rate level
50 00e
DCW 2
key
1
rate level
99 12
12 00e
DCA 2
key
3
rate level
95 99
54 36
28 00s
60 00e
------------------------------------------------------------------
Name: Space Shots
line mod detune vibrato octave
1+1' off/off - 0 00 06 3 0 35 93 (whatever you like best)
DCO 1
wave
8 0
rate level
99 33
33 0 END
DCW 1
key
0
rate level
99 99
46 99
37 52 SUS
26 0 END
DCA 1
key
0
rate level
99 50
77 99
67 91 SUS
79 92
26 0 END
Comments:
This sounds kind of like the laser fire in a cheap video game.
To change the number of shots fired each time you push a key,
change the rate of DCA 1, STEP 5.
To vary the speed at which shots are fired, vary the vibrato
rate (most effective if you do this while playing.)
------------------------------------------------------------------
Name: Glissando Filter Sweep
line mod detune vibrato octave
1+1' off/off - 0 00 06 1 0 0 6 - 1
DCO 1
wave
8 0
rate level
99 33
70 0 END
DCW 1
key
0
rate level
99 99
46 99
37 52 SUS
26 0 END
DCA 1
key
0
rate level
99 50
77 99
67 91 SUS
79 59
33 0 END
Comments:
This sound creates a "high-to-low" filter sweep in discrete increments
(hence, glissando) each time a key is pressed. The sweep is most noticable
in the lower range of the keyboard. For really gothic song intros,
try setting DETUNE OCTAVE to -1 and playing single notes going slowly
>from high to low on the keyboard.
(Notice that the parameter values of this sound are very similar
to those of Space Shots. By tweaking the vibrato, DCO1, DCA1
it becomes a semi-musical sound.)
------------------------------------------------------------------
=========
Name: Diva Harmonic
An ethereal third harmonic fades in as the fundamental fades out.
Play slowly & hold down the keys for several seconds for full effect.
Reminiscent of some of the music in the film _Diva_.
Line 1+2' Octave 0
Detune + OCT 1, NOTE 7 FINE 0
Vibrato: Wave 1 Delay 0 Rate 0 Depth 0
Modulation: None
DCO 1 Wave 1 Env 0/0/END
DCW 1 Key 0 Env 53/5 37/0/END
DCA 1 Key 0 Env 38/99 30/0/END
DCO 2 Wave 1 Env 0/0/END
DCW 2 Key 0 Env 32/5 25/0/END
DCA 2 Key 0 Env 32/99 30/0/END
=========
Name: Landing 747
The best sound comes from keys at the low end of the keyboard, I think.
Hold down the key to let the effect complete its cycle.
Holding several adjacent keys works well, too.
Line 1+2' Octave -1
Detune - OCT 1, NOTE 0 FINE 0
Vibrato: Wave 1 Delay 31 Rate 36 Depth 0
Modulation: Noise
DCO 1 Wave 5 Env 99/95 9/43/SUS 8/0/END
DCW 1 Key 0 Env 99/73/SUS 9/62 9/0/END
DCA 1 Key 6 Env 56/88/SUS 10/28 37/0/END
DCO 2 Wave 5 Env 99/80 24/43/SUS 8/0/END
DCW 2 Key 0 Env 99/81/SUS 9/62 9/0/END
DCA 2 Key 2 Env 53/81/SUS 10/37 30/0/END
========
Name: Thompson Bass
Similar to the plucked bass sound used on several Thompson Twins records.
After an initial transient, the note fades to a muted drone.
Line 1+2' Octave -1
Detune - OCT 0, NOTE 0 FINE 0
Vibrato: Wave 1 Delay 0 Rate 0 Depth 0
Modulation: None
DCO 1 Wave 3 Env 0/0/END
DCW 1 Key 9 Env 99/94 55/23/SUS 37/0/END
DCA 1 Key 0 Env 99/99 63/70/SUS 50/0/END
DCO 2 Wave 3 Env 0/0/END
DCW 2 Key 9 Env 99/94 55/23/SUS 37/0/END
DCA 2 Key 0 Env 99/99 63/70/SUS 50/0/END
==========
Happy listening.
|
| 295.30 | Wanted: CZ-101 Harpsichord Patch | FGVAXU::MASHIA | Fast falls flatten flutes | Tue Apr 14 1987 16:29 | 5 |
| I'm looking for a good harpsichord patch for my CZ-101 for a tune
I'm working on. Anybody have one they'd be willing to share?
Thanks,
Rodney M.
|
| 295.31 | | REGENT::SCHMIEDER | | Wed Apr 15 1987 17:07 | 15 |
| RE: .30
I assume your reply means you tried the ones I posted earlier in this note and
didn't like them. There is supposed to be a professionally designed harpsichord
patch in the package that was mentioned in yet another note, part of a hundred
or so other patches. Someone here ought to remember the information on that;
I think I located it once doing a "dir/title="cz101" or "dir/title="patch".
My harpsichord patches really stink, and unfortunately were better before I
tweaked them too much. Wish I had saved the preliminary patches before I
ruined them. If you find some good patches that aren't copyrighted, I will
be interested in seeing them as well (hopefully posted in this note).
Mark
|
| 295.32 | Must've missed 'em | FGVAXU::MASHIA | Fast falls flatten flutes | Thu Apr 16 1987 09:19 | 10 |
| Re: .31
I thought I had extracted all the CZ patches already, but I don't
remember running across the "hundred or so". I think I've seen a couple
dozen. I'll look some more.
If I find anything worthwhile, or can tweak one of them into something
worthwhile, I'll post it here.
Rodney M.
|
| 295.33 | | REGENT::SCHMIEDER | | Fri Apr 17 1987 13:32 | 26 |
| RE: .32
Sorry, I must have given the impression that the hundred or so CZ patches were
in this file! What I meant was someone mentioned a mail-order number to call
for a published book full of LOTS (number escapes me) of
professionally-designed CZ patches.
I haven't bought it yet, or extracted the more recent patches posted here that
were in the harder-to-read format, because I'm not certain I'm going to hang
on to my CZ101 even as a MIDI-driven keyboard. I just have this feeling that
Casio's going to be coming out with a backwards-incompatible replacement that
will dry up the support for the CZ101 in terms of new patches/etc.
My honeymoon with the CZ ended long ago, but not as quickly as with other
keyboards I have owned. I didn't think $400 was too bad when I bought it, got
pretty upset when the price dropped below $200, but right now I could sure use
the money.
I'm glad I bought it, though, because it helped me to learn about synthesis.
I don't think I would have learned as much on a (more expensive) Roland or
Korg. And, with digital delay, some of the sounds still sound decent to me.
One of the best sounds is the church organ sound that Len Fehskens developed
and posted earlier in this note. I haven't gotten sick of that one yet.
Mark
|
| 295.34 | Oops! Found 'em! | FGVAXU::MASHIA | Fast falls flatten flutes | Fri Apr 17 1987 17:37 | 16 |
| Re: .33
You were right, Mark. There were a bunch that I had somehow missed,
including the two harpsichord patches. I haven't had a chance to
try them yet.
I originally bought my CZ simply as an intro synth. I don't play
keyboards, and simply wanted to play with it. Like most people,
when I heard the factory presets, I was underwhelmed, but it was
a great buy for the money (I paid $300). I've since found that it
has a LOT more capability than I really expected.
I'm primarily interested in tunes, not "sounds" per se, so there
are already more than enough patches than I'll ever need...probably.
Rodney M.
|
| 295.35 | CZ acoustic Piano (sorta) | AKOV68::EATOND | Then the quail came... | Mon May 25 1987 18:24 | 51 |
|
TONE NAME- PIANO CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+'2 | | X | | | + | 1 | 0 | 03 | | 1 | 57|0 | 1 | | - | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 1 | | 3 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |40 |50 |50 |50 | | | |0-99 rate| 0 | 0 | 0 | 0 |50 | | | |
levl| 0 | 0 | 0 | 0 | 0 | | | |0-99 levl| 0 | 0 | 0 | 0 | 0 | | | |
s/e | | | | |END| | | | s/e | | | |SUS|END| | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | 4 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |13 | | | | | | |0-99 rate|67 |13 | | | | | | |
levl|34 | 0 | | | | | | |0-99 levl|37 | 0 | | | | | | |
s/e | |END| | | | | | | s/e | |END| | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | 8 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |32 |31 |17 | 8 |16 | 5 |47 |0-99 rate|47 |44 |28 |26 | | | | |
levl|99 |46 |17 |14 |17 | 8 | 5 | 0 |0-99 levl|11 |24 | 1 | 0 | | | | |
s/e | | | | | | | |END| s/e | | | |END| | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This is about as close to a piano as I've heard on the CZ.
|
| 295.36 | CZ Fender Rhodes | AKOV68::EATOND | Then the quail came... | Mon May 25 1987 18:26 | 52 |
|
TONE NAME- Rhodes Piano CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+'2 | | | | | + | 2 | 10 | 05 | | 1 | 0 |27| 4 | | - | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 |0 | | 4 | 0 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 | | | | | | |0-99 rate|92 |99 | | | | | | |
levl|10 |00 | | | | | | |0-99 levl|59 |00 | | | | | | |
s/e | |end| | | | | | | s/e | |end| | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 2 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 | | | | |0-99 rate|99 |99 |99 | | | | | |
levl|65 |58 |46 |00 | | | | |0-99 levl|99 |40 |00 | | | | | |
s/e | | |sus|end| | | | | s/e | |sus|end| | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 | | | | | |0-99 rate|99 |36 |24 |46 | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|45 |18 |00 |00 | | | | |
s/e | |sus|end| | | | | | s/e | | |sus|end| | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This patch was published in the FEB '86 issue of KEYBOARD. I've used
it extensively as a bright Rhodes piano.
|
| 295.37 | ... and another piano. | NIMBUS::DAVIS | | Thu May 28 1987 12:09 | 64 |
| *****************************************************************************
COMMENTS: Since everyone seems to want/have a piano sound on the CZ, I thought
I'd throw in my 2� worth. It sounds pretty good to my ears, but I'd be
interested in hearing any comments or suggestions. Also, there's a couple of
variations to this patch. Adding ring mod will give a slightly brighter,
thinner sound. Using only the 1 voice select will give you (on the CZ-101)
eight notes and still a decent piano sound. The detune gives a nice chorus
effect, you might want to play with the "fine" parameter for different speeds.
Moving the "end" point of DCA 1 envelope produces some interesting sustain
effects. Set at step 6 it sounds as if you're holding a sustain pedal, and at
step 7 you get a very *looong* sustain effect.
Rob
*****************************************************************************
TONE NAME- Piano CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | - | 0 | 0 | 01 | | 4 | 0 |50|01 | | + | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 2 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 | | | | | | |0-99 rate| | | | | | | | |
levl|08 |0 | | | | | | |0-99 levl| | | | | | | | |
s/e | |e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate| | | | | | | | |
levl|84 |91 | | | | | | |0-99 levl| | | | | | | | |
s/e | |e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|95 |26 |18 |18 |18 |18 |00 |45 |0-99 rate| | | | | | | | |
levl|99 |80 |60 |40 |20 |00 |00 |00 |0-99 levl| | | | | | | | |
s/e | | | | | | | |e | s/e | | | | | | | | |
_____________________________________ _____________________________________
|
| 295.38 | 8-note polyphonic Piano | ORION::LAQUERRE | | Thu Jun 25 1987 22:58 | 66 |
|
This is the piano voice I've been using lately, but the one in the
previous reply looks interesting. I'm looking forward to trying that
one as well.
My goal is to come up with an 8-note polyphonic piano patch. I've got
a CZ-1000, and with the larger keys, it's more tempting to try and
play it like an acoustic piano. 4-note piano voices just don't do it.
Of course, trying to get a nice bright piano voice without the DETUNE
function makes it pretty tough. There's not much to this one, but
it's a start.
Peter
*****************************************************************************
TONE NAME- 8-note Polyphonic CARTRIDGE NO. TONE NO.
Piano
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1 | | | | | | | | | | 1 | 06|06|06 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate| | | | | | | | |
levl|00 | | | | | | | |0-99 levl| | | | | | | | |
s/e |e | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |45 |20 | | | | | |0-99 rate| | | | | | | | |
levl|66 |33 |0 | | | | | |0-99 levl| | | | | | | | |
s/e | | |e | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |20 |44 | | | | | |0-99 rate| | | | | | | | |
levl|99 |11 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | | |e | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
|
| 295.39 | Help with reproducing templates | LOLITA::DIORIO | | Tue Jul 28 1987 18:19 | 11 |
| Soon I will be entering a bunch of new patches that I worked out
on my newly acquired CZ101. Can some one tell me how to reproduce
the CZ patch template here with a minimum of work? There has to
be a better way than putting all those dots and dashes in from scratch.
Is there a way to extract the template from a previous reply, store
it in a buffer, and transfer it to this reply? If there is a way,
could someone please detail how to do it (send me a mail message
if you wish). So far I have created 8 new patches...and expect to
working on more this week.
Mike D
|
| 295.40 | FORWARD the template | NIMBUS::DAVIS | | Wed Jul 29 1987 10:19 | 9 |
| I think what you want to do is use FORWARD to mail one of the previous
replys to yourself and then extract the template from the VAX mail. You
can then you your favorite text editor to make multiple copies of the
template and type in all your patches. When the file (or multiple
files) is ready you can specify the complete file name (including your
node) with the REPLY command to bring it back into notes.
Rob
|
| 295.41 | Template follows.... | ECADSR::SHERMAN | one rubber nose! | Wed Jul 29 1987 10:23 | 8 |
| I extracted note .7 to get the template which is in the next reply.
Juset do
extract file.name
when you are at the template note. Edit the template, and enter
it with
reply fine.name
Steve
|
| 295.42 | CZ-101 Template (hacked from note .7) | ECADSR::SHERMAN | one rubber nose! | Wed Jul 29 1987 10:24 | 54 |
|
TONE NAME- CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| | | | | | | | | | | | | | | | | |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| | | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| | | | | | | | |0-99 rate| | | | | | | | |
levl| | | | | | | | |0-99 levl| | | | | | | | |
s/e | | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| | | | | | | | |0-99 rate| | | | | | | | |
levl| | | | | | | | |0-99 levl| | | | | | | | |
s/e | | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| | | | | | | | |0-99 rate| | | | | | | | |
levl| | | | | | | | |0-99 levl| | | | | | | | |
s/e | | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT:
*****************************************************************************
|
| 295.43 | Thanks! | LOLITA::DIORIO | | Fri Jul 31 1987 11:01 | 6 |
| Thanks all for the help! I should be posting my 8 patches either this
weekend or the beginning of next week.
Thanks again...
Mike D
|
| 295.44 | My first 8 CZ101 patches | LOLITA::DIORIO | | Mon Aug 03 1987 15:09 | 454 |
| Here are the 8 patches. These are my first attempts at programming the
CZ-101, although I've had lots of experience programming analog synths. I
would appreciate any feedback on these patches....e.g. which ones you like,
which ones you don't like and why. This will help me improve the next group
of patches that I submit. Thanks.. Mike D.
****************************************************************************
TONE NAME- Ring Modulo 1 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | |Yes | | | - | 1 | 00 | 00 | | 1 | 5 |14| 5 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 8 | 4 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 | | | | | | |0-99 rate|92 |99 | | | | | | |
levl|10 |00 | | | | | | |0-99 levl|59 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 | | | | |0-99 rate|99 |99 |99 | | | | | |
levl|65 |58 |46 |00 | | | | |0-99 levl|99 |50 |00 | | | | | |
s/e | | | s | e | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |50 | | | | |0-99 rate|99 |36 |36 |24 |46 | | | |
levl|99 |00 |50 |00 | | | | |0-99 levl|45 |30 |25 |00 |00 | | | |
s/e | | s | | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a very raucous sound.
*****************************************************************************
*****************************************************************************
TONE NAME- Slow Saw Sweep CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 0 | 00 | 06 | | 1 |00 |00|00 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 8 | | 1 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |57 | | | | | | |0-99 rate|99 |57 | | | | | | |
levl|65 |00 | | | | | | |0-99 levl|66 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |30 | | | | | | |0-99 rate|30 |99 | | | | | | |
levl|99 |00 | | | | | | |0-99 levl|99 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|72 |45 | | | | | | |0-99 rate|72 |45 | | | | | | |
levl|92 |00 | | | | | | |0-99 levl|92 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a traditional analog-type filter sweep sound. Hold down
the keys for 4 to 5 seconds to get the full sweep effect.
*****************************************************************************
*****************************************************************************
TONE NAME- 96 Tears CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | + | 2 | 00 | 01 | | 1 |00 |56|14 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 4 | | 4 | 3 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|88 | | | | | | | |0-99 rate|97 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 1 |(0-9) | 4 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |91 |75 |75 |97 |84 |00 |0-99 rate|97 |99 |91 |90 |99 |97 |83 |02 |
levl|88 |80 |99 |70 |99 |77 |89 |00 |0-99 levl|83 |99 |91 |93 |99 |83 |84 |00 |
s/e | | | | | | | s | e | s/e | | | | | | | s | e |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 1 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 | | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 | | | | | | |0-99 levl|99 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a Vox Continental-type organ sound. This sound has made
somewhat of a comeback lately. Dedicated to those of you who love
cheesy organ sounds!
*****************************************************************************
*****************************************************************************
TONE NAME- Lucky Man CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | - | 0 | 00 | 04 | | 4 |28 |42|06 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 2 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|00 | | | | | | | |0-99 rate|00 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | 7 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|74 |60 |42 | | | | | |0-99 rate|93 |60 |42 | | | | | |
levl|92 |87 |00 | | | | | |0-99 levl|99 |87 |00 | | | | | |
s/e | | s | e | | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 6 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|86 |68 |56 |78 |36 |78 |30 |38 |0-99 rate|75 |55 |55 | | | | | |
levl|72 |99 |50 |72 |40 |42 |52 |00 |0-99 levl|68 |99 |00 | | | | | |
s/e | | s | | | | | | e | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a classic Moog-type sound. I set my Portamento ON,
Time=10, but adjust it to suit you.
*****************************************************************************
*****************************************************************************
TONE NAME- Reverse Perc CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | |Yes | | + | 1 | 00 | 00 | | 1 |00 |00|00 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 3 | | 4 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 | | | | | | |0-99 rate|76 |89 | | | | | | |
levl|42 |00 | | | | | | |0-99 levl|42 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|37 |54 |61 |50 | | | | |0-99 rate|54 |83 |50 |50 | | | | |
levl|00 |00 |00 |00 | | | | |0-99 levl|99 |91 |00 |00 | | | | |
s/e | | | | e | | | | | s/e | | | | e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: I hear this as a potentially useful percussion sound. It sounds
like a backwards something!?! Playing A,Bb, and B outlines an
F# Major triad (by sounding F#, A#, and C# respectively).
*****************************************************************************
*****************************************************************************
TONE NAME- Clap Plus CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | |Yes | | + | 1 | 00 | 00 | | 1 |00 |00|00 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 3 | | 4 | 4 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 | | | | | | |0-99 rate|76 |89 | | | | | | |
levl|42 |00 | | | | | | |0-99 levl|42 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|37 |54 |61 |50 | | | | |0-99 rate|80 |83 |50 |50 | | | | |
levl|00 |00 |00 |00 | | | | |0-99 levl|99 |91 |00 |00 | | | | |
s/e | | | | e | | | | | s/e | | | | e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: For a passable handclap sound, play E1,F1,F#3,and G3
simultaneously. Hitting other keys gives various other percussive
hits. Glisses from top to bottom and from bottom to top yield
interesting effects also.
*****************************************************************************
*****************************************************************************
TONE NAME- Pseudophone CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | |Yes | | - | 1 | 00 | 00 | | 1 |46 |52|17 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 6 | | 5 | 0 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|52 |50 | | | | | | |0-99 rate|83 |50 | | | | | | |
levl|15 |00 | | | | | | |0-99 levl|67 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 8 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|72 |99 |50 | | | | | |0-99 rate|60 |00 | | | | | | |
levl|88 |53 |00 | | | | | |0-99 levl|57 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 2 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |70 |59 |12 |65 | | | |0-99 rate|76 |61 | | | | | | |
levl|17 |91 |99 |83 |00 | | | |0-99 levl|67 |00 | | | | | | |
s/e | | | | s | e | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This was an attempt at a sax sound, that didn't quite work out,
but hopefully you'll find some use for it as I did. Sounds best
(to me) from C1 to Bb4. Above that it sounds too flute-ish.
*****************************************************************************
[A
*****************************************************************************
TONE NAME- Ring Mod Synth Bass CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | |Yes | | | - | 1 | 00 | 00 | | 1 |05 |14|05 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 8 | 4 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 | | | | | | |0-99 rate|92 |99 | | | | | | |
levl|10 |00 | | | | | | |0-99 levl|59 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 | | | | |0-99 rate|99 |99 |99 | | | | | |
levl|65 |58 |46 |00 | | | | |0-99 levl|99 |50 |00 | | | | | |
s/e | | | s | e | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |50 | | | | |0-99 rate|99 |36 |36 |24 |46 | | | |
levl|99 |00 |50 |00 | | | | |0-99 levl|45 |30 |25 |00 |00 | | | |
s/e | | s | | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This bass sound is not for the faint of heart! Unfortunately has
a limited good-sounding range of from F1 to F3 (approximately).
This sound is a variation of Ring Modulo 1. The envelope is not
intended to be that of a bass guitar. "Bass" in this context only
refers to the range, not the 4-stringed instrument.
*****************************************************************************
|
| 295.45 | picky, picky!! | LOLITA::DIORIO | | Tue Aug 11 1987 15:41 | 9 |
| Someone has brought to my attention that on some of my patches,
the ones that use lines 1+1', I listed out all the DCO2 signal path
parameters, when they are actually irrelevant. This is true. Sorry
for the unnecessary information...and thanks to the person who told
me about this. I am a little embarrassed, but at least I learned
something! Keep those cards and letters (Electronic mail) coming!
Mike D
|
| 295.46 | I Promise to Leave Out Bombers Overhead | DRUMS::FEHSKENS | | Tue Aug 11 1987 17:17 | 6 |
| Programmed up the 96 Tears patch last night, loved it!
OK, I'll list some of my own patches and post them.
len.
|
| 295.47 | 8-note polyphonic piano | CAD::MERLETTE | | Mon Aug 17 1987 14:33 | 68 |
| RE: .38
I took a course in Computer Music last semester and I learned just
how hard it is to synthesize a good piano sound. Two classmates of mine tried
in vain to do it with Fourier Analysis. There seems to be just too many
parameters to take into account. (eg., the resonance of the other strings
when one key is pressed). Even sampled piano sounds are good only at the
note they were sampled on. I found the task of creating an 8-note polyphonic
piano sound on the CZ-101 interesting enough to pursue. My result is given
below. It's been a long time since I heard a real piano, but I hope this
is close. Enjoy!
TONE NAME-8 Note PIANO
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1 | | | | | + | 0 | 0 | 0 | | 1 |51 |52| 05| | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate| | | | | | | | |
levl| 0 | | | | | | | |0-99 levl| | | | | | | | |
s/e | e | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 | | | | | | |0-99 rate| | | | | | | | |
levl|40 | 0 | | | | | | |0-99 levl| | | | | | | | |
s/e | s | e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |57 |38 |40 | | | | |0-99 rate| | | | | | | | |
levl|99 |86 |15 | 0 | | | | |0-99 levl| | | | | | | | |
s/e | | |s |e | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This is modified from the Electric Piano Preset. If you select
Preset #5 and change the line select from 1+2' to 2 and turn the volume on
max, you get a fair sounding piano. What I did was basically copy the
envelopes of line 2 into line1 and changed the DCA to approximate a piano
envelope. (Perhaps using all 8 steps would offer a better approx.) It seems
that the middle registers sound the best.
*****************************************************************************
|
| 295.48 | Piano Revisited/Goodbye | CAD::MERLETTE | | Fri Aug 28 1987 09:29 | 18 |
| One of the reasons synthesized piano sounds lack that "real feel"
is that the initial sound of the hammer striking the string is missing.
It occurred to me that maybe this effect could be done with the
aid of a sampling drum machine (the RZ-1 immediately comes to mind).
By sampling the sound of the hammer striking the string and playing
this drum sample for every note using the piano patch, I'd bet some
sort of realism could be added. I haven't tried this myself, but
I will as soon as I get back to school (where there's a real piano!)
Speaking of school (if you haven't figured this out already)
I'm a summer hire and today is my last day :-(
I've really enjoyed this notesfile, particularly this note.
I've learned a great deal from this notesfile, and I only hope that
someone out there has found my replies helpful. Hopefully I'll
return next summer! Until then, keep interfacing!
--Darryle
|
| 295.49 | Sampling meets Synthesized meets Additive | BARNUM::RHODES | | Fri Aug 28 1987 09:50 | 8 |
| Great idea, Darryle. Very similar to the D50 style of synthesis, using
a sampled initial sound, and a synthesized following. Sounds like it
will take lots of work to get it to sound right, tho.
Good luck back at school...
Todd.
|
| 295.50 | Everybody wants a piano.... | JAWS::COTE | Practice Safe Sysex | Fri Aug 28 1987 09:53 | 10 |
| How do you propose to get just the sound of the "hammer" and not
get any "string"?
A big problem people run into when sampling pianos is that the initial
hammer thwack gets transposed over the length (in keys) of the sample.
Better piano samples are always multi-sampled.
On DX type machines you can dedicate a carrier to hammer thwack.
Edd
|
| 295.51 | The C2 hammer is a foot wide, but the C6 is only a micron | DRUMS::FEHSKENS | | Fri Aug 28 1987 11:26 | 11 |
| Couldn't you set the keyboard follow for the "oscillator" (sample)
pitch to 0?
You mean your synth doesn't have keyboard follow for oscillator
pitch?
Well, don't despair, most don't. The only one I've run into is
the Polaris, which could even map the keyboard backwards!
len.
|
| 295.52 | ESQ's do that too- handy for practical jokes... | CTHULU::YERAZUNIS | This is intense! | Mon Aug 31 1987 18:33 | 9 |
| Er, you get keyboard follow for free on an ESQ- but you can undo
it by adding KBD2 to the pitch at -63.
Then, you modulate the pitch with VEL2, at -63. Result- a patch
that sounds high when you hit it hard, low when soft, and keyboard
position has approximately no effect on!
Very annoying to "conventional" keyboardists...
|
| 295.53 | Cartrides for CZ5000 | IMBACQ::BERDAT | | Fri Dec 04 1987 10:11 | 10 |
|
I am looking for some good cartridges for my CZ5000. I have
seen alot advertised in KEYBOARD, but I have was wondering if someone
knew of some good ones to get. Also where is the best place to
get them?
Bob
|
| 295.54 | This note's been quiet for while... | 4TRACK::LAQUERRE | | Tue Jan 12 1988 21:30 | 18 |
|
What are all you CZ owners out there using for bass sounds? I've been
borrowing a bass guitar from a friend and when I give it back I was
hoping to use my CZ-1000 as a fillin until I get around to buying my
own bass. I've already been using the CZ as a bass in some songs, but
I've had trouble finding a nice clear bass patch that's full and clear
without being boomy. All the canned "fat" bass sounds just don't do it
for me.
After messing around a lot, I ended up coming back to one
of the patches described in the Sound Data book that comes with the
CZ--it's called the Wood Bass patch. But even that one falls down
if you're not in just the right octave.
What's your favorite CZ bass patch? If you have your own, how about
posting it?
Peter
|
| 295.55 | Hear! Hear! | ECADSR::SHERMAN | I have an M.S. - in SCIENCE! | Tue Jan 12 1988 21:40 | 4 |
| Gee, I'm kinda' interested, too. I've been using my TZ for bass
'cause I don't like the CZ bass stuff.
Steve_who's_*still*_satisfied_with_his_CZ-101
|
| 295.56 | New CZ Patch Dump From the USENET | AQUA::ROST | I feel your innuendo | Wed Jan 20 1988 11:46 | 1024 |
| Here are some new CZ patches that came over USENET this morning.
Obviously, I haven't heard these yet, so I can't vouch for quality.
They were part of a CZ patch archive dump, the others are already posted
elsewhere in this note.
BTW, most of the patches I've tried from this note so far are great,
particularly Len's pipe organ and Mike's "Lucky Man" Moog. These patches
put the Casio factory patches to shame.
I'm currently trying to get a Mellotron patch together but it may be
nearly impossible.....I did come up with a Lowrey organ patch for you Soft
Machine/Caravan/Pink Floyd fans, though. Also struggling to get some
decent drum sounds, I'm too cheap to buy a drum machine. :-) :-)
Here goes:
1) Real fat Oberheim-like moan
line 1+1' octave 0 or -1 vibrato w1 d28 r49 d21
det + 1 00 10
DCO 1 DCW 1 DCA 1
wave key fol key fol
4 3 0 0
rt lv rt lv rt lv
99 66 91 67s 77 60
99 00e 00 00e 48 68
39 99
68 99s
32 00e
2) Snare double for drum machine
line 1+2' octave 0(?) vibrato off noise detune + 3 11 60
DCO 1 DCW 1 DCA 1
wave key fol key fol
2 2 0 0
rt lv rt lv rt lv
99 99 95 29 88 99
77 00e 41 00 36 91
79 60
54 00
55 00 \
51 00 > Hey, do these do anything?
47 00 /
50 00e
DCO 2 DCW 2 DCA 2
wave key fol key fol
2 2 0 2
rt lv rt lv rt lv
99 99 96 34 89 99
77 00 41 00e 36 91
79 59
55 00
50 00
50 00
50 00
49 00e
Note: I didn't write down the octave setting, but when set up
correctly there will be this surprise "clank" somewhere in the second
octave of the keyboard, and a more electronic-drum-like bash on the
low C. Reuben had this timed to go with the snare on his TR-707, and
the resulting clank sounded like a Depeche Mode sample. In fact, I
*thought* he was doing this on his Prophet 2000, it sounded so good.
4) MIDI looping?
Yup. If you want to fatten up a sound, try running a cable
from MIDI OUT to MIDI IN. It's not like digital delay, it's real
doubling (again due to the CZ MIDI-playback end-play bug/feature that
throws the timing off by a different random amount every time). It
improves some sounds and deteriorates others, but get a Radio Shack
MIDI cable and try it, it's worth it!
Name: Bushy
line mod detune vibrato octave
1+2 + 0 00 03 0 00 00 00 0
DCO 1
wave
5 0
rate level
99 65
38 66s
00 00e
DCW 1
key
2
rate level
99 99s
40 00e
DCA 1
key
2
rate level
72 92s
45 00e
DCO 2
wave
1 0
rate level
99 66
00 00e
DCW 2
key
2
rate level
99 99s
40 00e
DCA 2
key
2
rate level
72 92s
45 00e
Comments: Reminds me of Kate Bush.
Name: Spacious
line mod detune vibrato octave
1+1' - 0 00 02 0 00 00 00 0
DCO 1
wave
2 6
rate level
00 00e
DCW 1
key
4
rate level
99 60
30 75s
50 80
00 00e
DCA 1
key
0
rate level
99 90
40 93s
45 30
60 00e
Comments:
Name: Wild Kingdom
line mod detune vibrato octave
1+2 ring + 1 00 01 1 15 28 06 0
DCO 1
wave
2 0
rate level
99 33
68 00e
DCW 1
key
2
rate level
67 99
47 96
37 52s
26 00e
DCA 1
key
2
rate level
90 99
36 91s
79 59
55 00e
DCO 2
wave
5 0
rate level
99 33
68 00e
DCW 2
key
2
rate level
63 99
66 96
37 52s
26 00e
DCA 2
key
2
rate level
70 99
36 75s
79 55
55 00e
Comments: I called this "Wild Kingdom" because it's sounds like a
nature TV show patch. The patch is based on CZ-101 patch #1 (Brass
ens. 1). The slow vibrato is critical for this patch.
Name: Rising resonance
line mod detune vibrato octave
1+2' + 0 00 04 0 00 00 00 0
DCO 1
wave
3 0
rate level
00 00e
DCW 1
key
6
rate level
99 90s
40 00e
DCA 1
key
9
rate level
72 92s
50 00e
DCO 2
wave
6 0
rate level
99 95
27 66s
00 66
00 00e
DCW 2
key
9
rate level
99 40s
40 00e
DCA 2
key
0
rate level
80 80
60 90s
55 00e
Comments: Try different waveforms, esp. on DCO 2.
Name: Chunky Blocks
line mod detune vibrato octave
1+1' ring - 3 03 08 1 00 38 15 -1
DCO 1
wave
2 1
rate level
99 62
76 00e
DCW 1
key
0
rate level
99 83
51 00e
DCA 1
key
6
rate level
99 99
52 00e
Comments: Use tone mix if you're using this patch for bass line.
Also, I'm not sure if the detune is supposed to be "-".
Name: Electric bubbles
line mod detune vibrato octave
1+2' ring + 2 00 08 3 00 75 99 0
DCO 1
wave
6 5
rate level
00 00e
DCW 1
key
8
rate level
60 57s
00 00e
DCA 1
key
0
rate level
99 36
70 91
59 99
12 93s
66 00e
DCO 2
wave
1 8
rate level
00 00e
DCW 2
key
8
rate level
60 57
00 00e
DCA 2
key
1
rate level
99 36
70 91
59 99
12 93s
66 00e
Comments: Strictly for special effects. High notes sound like a ray
gun (don't ask what kind of ray); low notes sound like a helicopter.
Based on CZ-101 patch #7 (flute) -- which explains the gratuitous
detail in the DCA's.
Tone Name: "Choral oooh"
Line Select: 1 + 2'
Modulation: none
Detune (-) oct: 0
Note: 00 fine: 07
Vibrato wave: 1 delay: 40
rate: 26 depth: 03
Octave -1
DCO1 wave 1st: 1 2nd: 0
step 1 2 3
rate 86 00 74
level 66 10 00
sus/end sus end
DCW1 key follow: 6
step 1 2 3
rate 70 00 50
level 24 79 00
sus/end sus end
DCA1 key follow: 0
step 1 2 3 4
rate 85 36 40 50
level 99 40 00 00
sus/end sus end
DCO2 wave 1st: 2 2nd: 0
step 1 2 3
rate 59 81 00
level 66 62 00
sus/end sus end
DCW2 key follow: 5
step 1 2 3
rate 70 69 50
level 28 79 00
sus/end sus end
DCA2 key follow: 9
step 1 2 3
rate 85 83 50
level 99 37 00
sus/end sus end
Comments: "Choral oooh" was a semi-successful experiment to see if
something close to vocals could be obtained. As you CZ
owners know, the "human voice" preset sounds ok, but not
at all like a human voice. "Choral oooh" sounds something
like a person singing "oooh" (long u sound). It is not
perfect, but I think you will find it outclasses the human
voice preset by far. This voice sounds best when you play
major chords on the middle-high octave range.
---------------------------------------------------------------------
Tone Name: Reverb Strings
Line Select: 1 + 1'
Modulation: none
Detune (+) oct: 0
Note: 00 fine: 10
Vibrato wave: 1 delay: 28
rate: 52 depth: 11
Octave +1
DCO1 wave 1st: 1 2nd: 3
step 1 2
rate 99 99
level 66 00
sus/end end
DCW1 key follow: 0
step 1 2
rate 99 00
level 99 00
sus/end sus end
DCA1 key follow: 4
step 1 2 3 4 5 6 7
rate 64 95 75 75 79 63 26
level 99 99 76 76 33 87 00
sus/end sus end
DCO2 wave 1st: 1 2nd: 3
step 1 2
rate 99 99 (Same as DCO1)
level 66 00
sus/end end
DCW2 key follow: 0
step 1 2
rate 99 00 (Same as DCW1)
level 99 00
sus/end sus end
DCA2 key follow: 0
step 1 2 3 4 5
rate 92 95 92 99 32
level 99 87 99 88 00
sus/end sus end
Comments: "Reverb Strings" is a modification of the preset "Synth
Strings". The "reverb" comes from playing the note not
only when a key is pressed, but also when the key is
released. Try holding a chord and then letting off the
keys one at a time, and you will hear the effect. With
a little practice on the timing of pressing and releasing
the keys, you can get some interesting effects such as
eight eighth notes when only when four eighth notes
separated by eighth rests are played.
Name: YABS (Yet Another Bass Sound)
Line: 1+1'
Detune: +,0,0,1
Vibrato: Wave=1,delay=0,rate=50,depth=0
Octave: +0
DCO1: 1st wave = 2, 2nd wave = 3
Rate=99,level = 99
99 00 (end)
DCW1: Key follow = 0
Rate=99, Level = 99
50, 00 (end)
DCA1: Key follow =0
rate=99 Level = 99 (sus)
50 00 (end)
----------------------------------------------------------------
Name: NOISE SWEEP
Noise: On
Line: 1+1'
Detune: +,0,0,1
Vibrato: Wave=1,delay=0,rate=50,depth=2
Octave: +0
DCO1: 1st wave = 2, 2nd wave = 3
Rate=99,level = 99
49 00 (end)
DCW1: Key follow = 0
Rate=99, Level = 99
50, 00 (end)
DCA1: Key follow =0
rate=99 Level = 99
02 98
53 00 (end)
Name: Nightporter
line mod detune vibrato octave
1+2 + 0 00 12 0
DCO 1
wave
1 0
rate level
00 00e
DCW 1
key
9
rate level
60 60
12 00e
DCA 1
key
0
rate level
95 30
99 00e
DCO 2
wave
2 0
rate level
50 00e
DCW 2
key
9
rate level
77 50
12 00e
DCA 2
key
5
rate level
95 30
99 00e
Comments:
"'Nightporter' was programmed (surprise, surprise) in an
attempt to recreate the mood of the Satie-influenced Japan song of the
same name. If the sound comes across too sweet for your taste, reduce
the Fine Detune to around 09 for a more piano-like sound. Some slow
modulation delayed to the tail-end of the sound adds a different
dimension, too." -_MT_
Name: newhorn
line mod detune vibrato octave
1+2 ring + 0 00 12 1 27 49 11 (0,+1)
DCO 1
wave
3 2
rate level
00 00e
DCW 1
key
4
rate level
67 79
15 00e
DCA 1
key
2
rate level
70 91
70 67
70 96
70 77
70 99s
44 00r
DCO 2
wave
3 2
rate level
00 00e
DCW 1
key
4
rate level
72 79
15 00e
DCA 1
key
2
rate level
70 91
70 67
70 96
70 77
70 99s
35 00r
Comments:
Tone mix one voice in octave 0 with one in octave +1
Well?
Tone Name: Brass Strings
Line Select: 1+2'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = +6
Vibrato: Wave = 1 Delay = 28 Rate = 52 Depth = 11
Octave:
DCO1 DCO2
---- ----
First = 1 Second = 5 First = 1 Second = 3
Rate: 99 99 Rate: 99 68
Level: 66 00 Level: 33 00
Sus/End: E Sus/End: E
DCW1 DCW2
---- ----
Key Follow: 0 Key Follow: 0
Rate: 99 00 Rate: 80 47 37 26
Level: 90 00 Level: 99 96 52 00
Sus/End: S E Sus/End: S E
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow: 0
Rate: 92 95 92 99 45 Rate: 99 77 67 79 33
Level: 99 87 99 88 00 Level: 50 99 91 59 00
Sus/End: S E Sus/End: S E
Comment: This patch started as a combination of the Synth Strings preset and
Synth Brass 1. It works well for lead lines on the upper half of the keyboard.
--------------------
Tone Name: Ice Blue
Line Select: 1+1'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = -7
Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0
Octave:
DCO1 DCO2
---- ----
First = 2 Second = 0 First = Second =
Rate: 00 Rate:
Level: 00 Level:
Sus/End: E Sus/End:
DCW1 DCW2
---- ----
Key Follow: 5 Key Follow:
Rate: 99 50 Rate:
Level: 85 00 Level:
Sus/End: S E Sus/End:
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow:
Rate: 99 50 50 40 Rate:
Level: 80 99 50 00 Level:
Sus/End: S E Sus/End:
Comment: Sounds almost like a synth clarinet.
--------------------
Tone Name: Pseudosilk
Line Select: 1+1'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = +7
Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0
Octave:
DCO1 DCO2
---- ----
First = 1 Second = 0 First = Second =
Rate: 00 Rate:
Level: 00 Level:
Sus/End: E Sus/End:
DCW1 DCW2
---- ----
Key Follow: 7 Key Follow:
Rate: 93 60 42 Rate:
Level: 99 90 00 Level:
Sus/End: S E Sus/End:
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow:
Rate: 75 55 40 Rate:
Level: 68 99 00 Level:
Sus/End: S E Sus/End:
Comment: This patch was designed to sound like the lead synth in Pseudosilk
Kimono by Marillion.
--------------------
Tone Name: Oracle
Line Select: 1+1'
Modulation: Ring = OFF Noise = OFF
Detune: Octave = 0 Note = 0 Fine = +7
Vibrato: Wave = 2 Delay = 0 Rate = 60 Depth = 30
Octave:
DCO1 DCO2
---- ----
First = 2 Second = 7 First = Second =
Rate: 00 Rate:
Level: 00 Level:
Sus/End: E Sus/End:
DCW1 DCW2
---- ----
Key Follow: 0 Key Follow:
Rate: 99 40 Rate:
Level: 99 00 Level:
Sus/End: S E Sus/End:
DCA1 DCA2
---- ----
Key Follow: 0 Key Follow:
Rate: 99 30 Rate:
Level: 99 00 Level:
Sus/End: E Sus/End:
Comment: An exotic-sounding tone.
Name: Buzzing Fly
line mod detune vibrato octave
1+1' ring + 3 06 11 1 00 11 44 -1
DCO 1
wave
2 7
rate level
50 00s
50 00e
DCW 1
key
0
rate level
99 80
35 57
41 96
40 47
41 79
39 62
40 95
30 00e
DCA 1
key
0
rate level
99 80
33 67
33 86
34 64
32 78
33 65
35 79s
28 00e
Comments: An annoying patch to enter manually, but amusing.
-----------------------------
Name: Drill
line mod detune vibrato octave
1+1' noise + 2 00 40 1 36 66 62 0
DCO 1
wave
1 2
rate level
55 82s
54 39
00 00e
DCW 1
key
4
rate level
82 92s
26 45
00 00e
DCA 1
key
0
rate level
63 99s
47 68
70 00e
Comments:
--------------------------
Name: Dropped Bomb
line mod detune vibrato octave
1+2' noise - 0 05 07 1 24 54 00 -1
DCO 1
wave
5 0
rate level
99 86
38 00e
DCW 1
key
4
rate level
99 40
50 80s
99 00e
DCA 1
key
0
rate level
99 20
36 40s
99 00e
DCO 2
wave
3 3
rate level
99 65
40 66s
00 00e
DCW 2
key
4
rate level
99 99
40 75
40 77
40 51
44 00e
DCA 2
key
0
rate level
99 20
36 40s
99 00e
Comments: Press key to drop bomb, release to explode. Best range seems
to be in the octave above middle C. I have yet to get a decent explosion
sound out of the CZ -- this explosion is weak.
Here's a good CZ bass patch that was spit out one day by my random patch
generator:
LINE RING NOISE +/- OCTV NOTE FINE WAVE DELAY RATE DPTH OCTV
1+2 OFF OFF + 0 00 07 1 00 00 00 -1
LINE 1 LINE 2
WAVEFORMS WAVEFORMS
3 0 4 0
PITCH ENVELOPE PITCH ENVELOPE
RATE 50 50 RATE 50
LEVL 00 00 LEVL 00
S E E
DCW KEYFOLLOW DCW KEYFOLLOW
0 0
WAVE ENVELOPE WAVE ENVELOPE
RATE 72 20 RATE 87 56 33 89 72 57
LEVL 41 00 LEVL 98 76 58 61 30 00
S E E
DCA KEYFOLLOW DCA KEYFOLLOW
0 0
AMPLITUDE ENVELOPE AMPLITUDE ENVLOPE
RATE 99 50 RATE 99 50
LEVL 99 00 LEVL 99 00
S E E
Try it. You know what they say, computers never lie! Want more ? I have
tons of patches. Let me know.
Another random patch that sounded good. I thought I would share it with
you net-heads. It's more mello than the last bass patch I posted.
BOWR BASS
Line Ring Noise +/- Octv Note Fine Wave Delay Rate Depth Octv
1+1 OFF OFF + 0 00 07 1 11 51 18 0
Line 1 Line 2
------ ------
DCO Waveforms DCO Waveforms
4 3 1 0
Pitch Envelope Pitch Envelope
Rate 00 00 00 00 00 00 00 00 Rate 00 00 00 00 00 00 00 00
Level 00 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00
E E
DCW Keyfollow DCW Keyfollow
7 2
Rate 74 47 00 00 00 00 00 00 Rate 99 40 00 00 00 00 00 00
Level 78 00 00 00 00 00 00 00 Level 99 00 00 00 00 00 00 00
E E
DCA Keyfollow DCA Keyfollow
2 2
Rate 72 38 00 00 00 00 00 00 Rate 72 38 00 00 00 00 00 00
Level 92 00 00 00 00 00 00 00 Level 92 00 00 00 00 00 00 00
S E E
ROUGH EDGE
Line Ring Noise +/- Octv Note Fine Wave Delay Rate Depth Octv
1+1 OFF OFF + 0 00 08 1 45 49 02 0
Line 1 Line 2
------ ------
DCO Waveforms DCO Waveforms
4 3 1 0
Pitch Envelope Pitch Envelope
Rate 67 87 00 00 00 00 00 00 Rate 00 00 00 00 00 00 00 00
Level 33 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00
E E
DCW Keyfollow DCW Keyfollow
1 2
Wave Envelope Wave Envelope
Rate 99 34 40 04 00 00 00 00 Rate 99 50 50 50 50 50 50 50
Level 99 24 17 13 00 00 00 00 Level 99 00 00 00 00 00 00 00
E E
DCA Keyfollow DCA Keyfollow
3 2
Amplitude Envelope Amplitude Envelope
Rate 97 52 14 39 00 00 00 00 Rate 72 38 00 00 00 00 00 00
Level 99 98 65 00 00 00 00 00 Level 92 00 00 00 00 00 00 00
S E E
|
| 295.57 | See EM for CZ Drums | DRUMS::FEHSKENS | | Wed Jan 20 1988 15:56 | 10 |
| re .56 - check out the latest Electronic Musician for a set of drum
patches for the CZ family synths. I programmed up a few of them
and they're quite good, considering. They sound synthetic (i.e.,
like a Simmons kit), but if that's acceptable to you then they're
very good.
Oh, yes, thanks for the kind words about my organ.
len.
|
| 295.59 | Anybody got a patch? | DECSIM::MERLETTE | | Tue Jun 21 1988 12:35 | 7 |
| Hello again!
I'm a returning summer student and last year I really enjoyed this
entry. Unfortunately, I haven't noticed much activity here lately.
I have some randomly generated CZ101 patches which I will post as
soon as I can. I hope I will not be alone (hint,hint).
keep having fun,
-DM
|
| 295.60 | More CZ patches from Usenet | 16BITS::WAKE | | Fri Jun 24 1988 09:05 | 199 |
|
Newsgroups: rec.music.synth
Path: decwrl!labrea!agate!ig!uwmcsd1!bbn!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+
Subject: cz patch
Posted: 23 Jun 88 16:04:41 GMT
Organization: Carnegie Mellon
Name: solostring
By: Miles Bader
Vibr: W: 1 Del: 28 R: 56 Dep: 10
Oct: -1
Line: 1+2'
Mod: none
DCO1: WF: 4,0 Env: 0/e
DCW1: KF: 0 Env: 81/92, 56/86, 30/80/s, 0/0/e
DCA1: KF: 1 Env: 70/50, 66/99, 49/91/s, 43/0/e
DCO2: WF: 1,0 Env: 48/1, 40/0/e
DCW2: KF: 0 Env: 81/80/s, 0/0/e
DCA2: KF: 1 Env: 70/50, 66/99, 49/91/s, 40/0/e
Vel1: A: 7 W: 0 P: 0
Vel2: A: 7 W: 0 P: 0
Detune: 0,0,0
Comments: A pretty good clean single string sound. Sounds good over the
whole keyboard. Play with the chorus.
Newsgroups: rec.music.synth
Path: decwrl!labrea!eos!ames!mailrus!husc6!bbn!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+
Subject: cz pateches
Posted: 15 Jun 88 21:08:15 GMT
Organization: Carnegie Mellon
These are for the cz1, so just ignore the velocity data if you don't have one.
Name: jangly
By: Miles Bader
Vibr: W: 1 Del: 0 R: 53 Dep: 12
Oct: 0
Line: 1+1'
Mod: -
DCO1: WF: 1,0 Env: 0/e
DCW1: KF: 0 Env: 99/99, 40/74/s, 47/48, 0/0/e
DCA1: KF: 2 Env: 80/99/s, 34/0/e
Vel1: A: 3 W: 0 P: 0
Detune: -0,0,13
Comments: If released quickly, sounds very "jangly", otherwise, quickly
becomes more breathy sounding, and sustains that way.
One of my favorites.
Name: swerl
By: Miles Bader
Vibr: -
Oct: -1
Line: 1+2'
Mod: -
DCO1: WF: 3,2 Env: 0/e
DCW1: KF: 9 Env: 35/90/s, 35/80, 0/0/e
DCA1: KF: 0 Env: 99/99/s, 33/0/e
DCO2: WF: 2,3 Env: 0/e
DCW2: KF: 4 Env: 85/70, 30/76/s, 30/0/e
DCA2: KF: 2 Env: 99/99/s, 33/0/e
Vel1: A: 3 W: 0 P: 0
Vel2: A: 3 W: 0 P: 0
Detune: +2,0,7
Comments: Initially sounds bell-like, swelling to a much fatter sound,
more so the lower the note. Started out as "octavibrato" from
Keyboard magazine.
Name: aaaho [just need uuullman now]
By: Miles Bader
Vibr: -
Oct: -1
Line: 1+2'
Mod: -
DCO1: WF: 3,0 Env: 80/66, 75/0/e
DCW1: KF: 3 Env: 85/99/s, 51/0/e
DCA1: KF: 2 Env: 80/99/s, 33/0/e
DCO2: WF: 4,0 Env: 0/e
DCW2: KF: 3 Env: 85/85, 30/76/s, 30/0/e
DCA2: KF: 2 Env: 80/99/s, 33/0/e
Vel1: A: 3 W: 4 P: 0
Vel2: A: 3 W: 0 P: 0
Detune: +1,0,7
Comments: Sounds more voice-like the harder you hit. If you don't have
a cz1, you'll have to decrease the sustain level of dcw1 to a
point that sounds good.
-Miles
Newsgroups: rec.music.synth
Path: decwrl!ucbvax!pasteur!ames!ncar!gatech!mcnc!uvaarpa!virginia!maxwell.acc.Virginia.EDU!smm7l
Subject: CZ Patches
Posted: 6 Jun 88 14:14:09 GMT
Organization: Academic Computing Center, University of Va.
I seem to recall seeing a few postings for Casio CZ patches on this net,
so I will assume that there is at least _some_ audience for these patches.
Here are a few of my own, which I think some of you might enjoy:
----------------------
"Space" (Couldn't think of a better name. Can you?)
Line Select: 1 + 1'
Modulation: None
Detune: (+) Oct: 00
Note: 00 Fine: 07
Octave: +1
Vibrato: Wave: 1 Delay: 23
Rate: 52 Depth: 05
DCO 1: Wave: 2 0
Env: 99 00 (E)
DCW 1: Key Follow: 0
Env: 89 99
68 00 (E)
DCA 1: Key Follow: 3
Env: 94 99
55 93
21 10 (S)
33 00 (E)
This one also works well with line select set to 1, which gives you 8 voice
polyphony.
---------------------------------------
"Crazy"
Line Select: 1 + 2'
Modulation: None
Detune: (-) Oct: 01
Note: 00 Fine: 06
Octave: +1
Vibrato: Wave: 1 Delay: 62
Rate: 39 Depth: 06
DCO 1: Wave: 2 4 DCO 2: Wave: 4 2
Env: 99 66 (S) Env: 00 00 (E)
00 65
00 64
00 63
00 00 (E)
DCW 1: Key Follow: 2 DCW 2: Key Follow: 8
Env: 99 81 Env: 99 81
55 23 (S) 55 23 (S)
37 00 (E) 37 00 (E)
DCA 1: Key Follow: 0 DCA 2: Key Follow: 0
Env: 99 99 Env: 99 99
63 90 (S) 63 90 (S)
40 00 (E) 33 00 (E)
(If you play and hold a C Major chord, it sounds like the
opening chord of Prince's song "Let's Go _Crazy_". You know:
"Dearly beloved, we are gathered here today to talk about this thing
called life....")
-----------------------------------------
"Choral"
Line Select: 1 + 2'
Modulation: None
Detune: (-) Oct: 01
Note: 00 Fine: 07
Octave: +1
Vibrato: Wave: 1 Delay: 38
Rate: 51 Depth: 08
DCO 1: Wave: 5 0 DCO 2: Wave: 3 5
Env: 00 00 (E) Env: 00 00 (E)
DCW 1: Key Follow: 8 DCW 2: Key Follow: 7
Env: 30 28 Env: 40 40
50 00 (E) 42 57
00 56
15 00 (E)
DCA 1: Key Follow: 1 DCA 2: Key Follow: 1
Env: 80 36 Env: 88 36
70 91 70 91
59 99 59 99
12 93 (S) 12 93 (S)
32 00 (E) 23 00 (E)
(If you want 8 voice polyphonic, use Line Select 2, but this is not nearly
as good as the whole thing.)
-------------------------------
If anyone else has patches, I would love to try them out! I would also like
to hear your comments.
-Steve Michelson
|
| 295.61 | | VAXRT::GENTRY | Megan Gentry MLO5-5/E76 | Mon Aug 08 1988 21:58 | 9 |
|
I recently purchased a CZ-101 with the knowledge that it was being
discontinued. For the price, I figured it would be a good first
synthesizer for use with my pdp-11 (oh for an RS-232 to MIDI
converter).
Its good to see a patch trade note. I hope there is one on
programming/use tips (I'm still just looking through the file, I
just found it).
|
| 295.62 | Go with it | TYFYS::MOLLER | TAICS / You Are Number 6 | Tue Aug 09 1988 15:35 | 17 |
| I like my CZ-101 & Find that it still has lots of power. Mine has 3
years worth of mileage on it & I plan to keep using it (In fact, I'd
like to find another one - I wish that there was a rack version,
I'd love to add it to my rack of goodies). There are a few good books
on programming & patches. The one that is mentioned in this notes
file (350 patches) has some nice sounds in it, however, expect that
at least 70% of the free, or published patches for the CZ to be
mediocre, or of limited value. My favorite use of my CZ is for
Animal sounds & things (like Jets landing, or trains driving by).
I use the peculiar sounds more than anything else, because it adds
effect. Ain't that what a Synth is for??
I really hate the keypad entry, but then, I think most front panel
access to the inside workings of current Digital synth's were based
on some of ther Marquis DeSade's principals of cruelty.
Jens
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| 295.63 | Keypads aren't that bad | VAXRT::GENTRY | Megan Gentry MLO5-5/E76 | Wed Aug 10 1988 01:29 | 5 |
|
Re: .-1
If you think the keypad is rough to enter patches with, try the
dial of the HT-700. Now THATs a pain.
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| 295.64 | CZ101 Guitar Sounds Wanted! | WEFXEM::COTE | It's wierd in your neighborhood... | Thu Aug 16 1990 10:44 | 13 |
| <<< DNEAST::SYS$TOOLS:[NOTES$LIBRARY]COMMUSIC.NOTE;2 >>>
-< * * Computer Music, MIDI, and Related Topics * * >-
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Note 2419.0 CZ101 Guitar Sounds Wanted! No replies
WFOV12::HARRIS_R 7 lines 16-AUG-1990 09:29
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I read all the patches for the CZ101 synth, contained in a earlier
note, and found only TWO that tried to duplicate the sound of an
electric guitar. There has got to be more! Somebody help a new
synth owner with no programming ability (not to much playing ability
as well).
Ron
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