T.R | Title | User | Personal Name | Date | Lines |
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153.1 | | EDISON::SPEED | | Tue Oct 01 1985 17:34 | 4 |
| Is there a way to record (via MIDI) a performance generated using the Simmons
pads as real time inputs? Sounds easier than tapping buttons...
Derek
|
153.2 | | SIVA::FEHSKENS | | Wed Oct 02 1985 08:54 | 3 |
| re .1: yes, just plug the MIDI output of the Drumslave into a sequencer;
the sequencer will record the emitted note-ons. This allows for subsequent
reasignment of voices, time correction, overdubbing, etc.
|
153.3 | | EDISON::SPEED | | Wed Oct 02 1985 10:58 | 4 |
| Neat!! Have you tried it yet with your MSQ100? If so, how well does it
work?
Derek
|
153.4 | | SIVA::FEHSKENS | | Thu Oct 03 1985 16:44 | 5 |
| Nope, haven't tried it yet, but I have no reason to believe it won't work.
I will try it tonight though, just to be sure. I usually just program the
drum machines in step mode, as I've gotten pretty good at it.
len.
|
153.5 | | SIVA::FEHSKENS | | Thu Oct 10 1985 15:09 | 29 |
| I actually tried this a while ago, but only just now remembered I promised
to report on how it worked.
Yes, if you plug the Drumslave MIDI out into an MSQ-100, the MSQ-100
faithfully records whatever you play on the pads plugged into the
Drumslave. As fast as I could play (e.g., 16th note triplets at 140 BPM).
It faithfully records all uncleanness too!
The only problem I've had is a tendency for the Drumslave to multiply
trigger on the bass drum pad input (i.e., send a flurry of "note on"s
for nominally one beater stroke). I think this a consequence of a poorly
controlled foot combined with too high a senstivity on that channel,
although turning down the sensitivity seems to only lower the volume, not
eliminate the multitriggering. I wonder about it being my foot's problem
as my SDS-8 "brain" doesn't exhibit the same behaviour. It seems to work
OK when I hit it with a stick, so maybe there's something about my pedal/
beater (I'm using a hard felt beater) combination. The TR707 responds
arbitrarily fast, and it just truncates the sound on repeated notes, so
you get a bass drum with a very prominent attack (like a loud click)
because all the attacks except the last one "stack up" after one another.
I wish I had a 'scope to look at some of the waveforms here so I could
confirm this theorizing. Maybe the SDS-8 is doing the same thing (if
it's the pad/beater/pedal/foot's problem) but I just don't hear it beacuse
the -8's bass (as I configure it) has much less of an attack transient than
the -707 (whose bass drum sounds have a pretty substantial "slap").
Any other theories?
len.
|
153.6 | $$$$$$$$$ | FRSBEE::ROLLA | | Tue Feb 10 1987 12:13 | 0 |
153.7 | ???????????? | FRSBEE::ROLLA | | Tue Feb 10 1987 12:16 | 7 |
| Len
How much for this Drum Slave ? and have you ever plugged it
into a midi keyboard. I wonder if you could program a keyboard
to play with this thing. Sounds interesting...
Mike
|
153.8 | Land of confusion | BARNUM::RHODES | | Tue Feb 10 1987 13:17 | 19 |
| Yea, I have had my eye on Len's drumslave for awhile, but haven't had the
cash. Casio just came out with a pad-to-MIDI converter listing for $299,
so I called them up and ordered a catalog to get more info. They have also
come out with pads.
I am specifically interested in driving my TR505, DX100, and even MIDIverb
with my Simmons pads, but would also like to drive the Simmons brain via
MIDI though I'm not sure that that's worth the additional cost (I'd have
to buy the Simmons MIDI interface at about $400). To further complicate
things, I keep thinking of uses for an Roland Octapad and like the idea
of being able to save pad/midi configurations to memory.
So, I here I stand rather confused. Maybe I'll just spend some money to
build myself the acoustic set that I've always wanted using rototoms...
Todd.
PS: to answer your question, you can drive your MIDI synth with the Drumslave,
however you must supply your own Simmons compatible pads.
|
153.9 | DrumSlave For Sale | DRUMS::FEHSKENS | | Tue Feb 17 1987 09:55 | 13 |
| I no longer have any use for my Drumslave, as my Octapad does
everything it does, and more, better. It's been sitting unused
for about a year. I'll let it go for $200 to the first person
to ask for it. Incidentally, the bass drum problem is a consequence
of just too strong a pulse from the bass drum pad when hit by a
beater driven by my foot. I solved that problem by putting a volume
control on the bass drum pad output. The DrumSlave works by scanning
its inputs at some rate, and when you sock the bass drum pad the
output stays high enough long enough to get picked up by multiple
drumslave scans.
len.
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