Title: | * * Computer Music, MIDI, and Related Topics * * |
Notice: | Conference has been write-locked. Use new version. |
Moderator: | DYPSS1::SCHAFER |
Created: | Thu Feb 20 1986 |
Last Modified: | Mon Aug 29 1994 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 2852 |
Total number of notes: | 33157 |
Over the weekend I finally made the PAiA 5710 Hot Lyx Sustain work. It had failed because I used a crummy IC socket that was not making contact with the etch runs. It is, of course, just an Automatic Gain Control (AGC) with about a 1.5 to 2 second recovery. You get about the same result as recording yourself on a small cheap cassette with a built-in mike. I wanted it for piano. It is intended for electronic instruments. When used with acoustic instruments, it turns up its gain until it picks up background noise. When you hit a note, it turns down its gain and then slowly turns it up as the note fades away. Maybe it's more exciting in combination with some other effect. Thomas Janzen DEC Marlboro MA
T.R | Title | User | Personal Name | Date | Lines |
---|---|---|---|---|---|
91.1 | GIBSON::DICKENS | Mon Apr 29 1985 12:20 | 12 | ||
I got my MXR dyna-comp for $40, new, because MXR put out a whole new line of effects and dealers want to get rid of the old ones. It is a great effect. I use it with my MXR distortion+ before it in the signal chain. The classic combo. The only problem is that it will radically amplify any noise coming from upline when you stop playing. (guitar) For a cleaner sound, I'd like to get a noise gate with a decay time that roughly matches the dyna-comp's, so when you stop playing, it will cut the output level as the compresser boosts it way up. I've seen this work, with someone else's setup and it sounded great. -Jeff |