T.R | Title | User | Personal Name | Date | Lines |
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1518.1 | vibrations | ATSE::FLAHERTY | Enlighten up!! | Fri Aug 09 1991 09:37 | 6 |
| I agree, but would also add another form of expression: drumming.
Having participated in drumming circles, I believe it is another way
in which we can share our souls via sound.
Ro
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1518.2 | | WILLEE::FRETTS | I'm part of you/you're part of me | Fri Aug 09 1991 10:09 | 12 |
|
Yes!!! Very good topic. Our bodies need modes of expression,
especially now. Our bodies hold our stories and much of our pain.
Allowing our bodies to move the way they need to can be the first
steps to deep healing. And by connecting consciously with our
bodies, we will open the door to reconnecting with the earth and
nature the way we are meant to be. Healing of our bodies and
healing of the Earth are intricately linked. As one of my
'personal-names' stated .... 'Thru our bodies we heal the Earth'!
Carole
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1518.3 | Bum-Babumbum-BumBum | VNAED2::KARIN | Through an open door ... | Fri Aug 09 1991 10:21 | 10 |
| Doing drumming and Afro dance myself, I can only agree with what
has been said before. I couldn't live without it!!!
Those forms of nonverbal communication can bring us much closer to each
other than words ever could (imo).
O
<_ _>
( )
/ \ (... me with my Djembe ;-D ...) Karin
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1518.4 | You are so light on my feet! | UTRTSC::MACKRILL | | Fri Aug 09 1991 10:29 | 32 |
| An interesting note Chris,
I remember the first time I saw a Japanese tea drinking ceremony. Here
were these two tea masters sitting on the floor preparing and drinking
tea. Initially I thought, "Gee, what an overrated time-wasting overly
formal way of drinking tea!"
It was some time later that I realised their was some deeper
significance to concentrating energies into a formal ritual. What the
significance is, I'm not sure but it appears to satisfy an inner need
to do something in a structured, sometimes rhythm way. We've all
seen babies unprompted, respond to a bit of boppy music by jiving in
time to the music.
I have seen how many a newcomer to one of them Christian
charismatic/Baptist type meetings gets pulled along into the particular
mode of behaviour, not so much by the message being conveyed, but
rather, being affected by the movement and infectious somewhat
extrovert behaviour of the assembly. The effect on some people is
almost irresistible, amazing to observe...
I can see at least two components:
1. Dance: As a release mechanism, we need to do something in a rythmical
way. Doing it in a group appears to enhance the effects.
2. Ritual and Ceremony - acts as a vehicle to concentrate and focus
one's "energies" (for want of a better word.)
Deeper significance? dunno....
-Brian
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1518.5 | | VERGA::STANLEY | What a long strange trip it's been... | Fri Aug 09 1991 10:44 | 4 |
| Everybody dances at The Dead... but it is a very primal dance... it
is a dance of Chaos.
....but the principle is the same....
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1518.6 | | ROYALT::NIKOLOFF | More than words | Fri Aug 09 1991 11:42 | 8 |
| DANCE... I love it!. Does the 'electric slide' count???
;')
Mikki
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1518.7 | | VERGA::STANLEY | What a long strange trip it's been... | Fri Aug 09 1991 12:26 | 1 |
| Everything counts :-)
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1518.8 | Like a living tuned circuit | KARHU::TURNER | | Fri Aug 09 1991 13:01 | 9 |
| Amazing synchronicity! Just last night I was reading about the Shakers.
I was struck by similarities between their rituals and Sufis. I've been
puzzling over questions about mass rituals and altered states. It seems
that the surest way to induce altered states involves mass movements.
E.J.Gold says that that these types of activities are invocations for
various entities, not all of which are beneficial. Some are feeding off
collective human energies.
john
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1518.9 | Dance | CGVAX2::PAINTER | moon, wind, waves, sand | Fri Aug 09 1991 13:09 | 7 |
|
At Kripalu Center (yoga/holistic retreat in western Mass) there are
yoga classes, however there are also dance aerobics classes, some with
live instruments (drums, etc.). Lots of energy in the room then! The
class is warmup, structured line dancing, and freeform toward the end.
Cindy
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1518.10 | | DSSDEV::GRIFFIN | Throw the gnome at it | Fri Aug 09 1991 15:04 | 27 |
|
I've taken some formal dance classes just for the fun of it, and have
found them movements, and ways to move, helpful.
Personal experience: I can use my body movements to manipulate energies
around me easier (movement provides a focus if necessary). Being
empathic, I have felt the energies, mostly emotional, from group dances
of one sort or another - the energy is the same at concerts. The music
(rythm, pitch, feel, tempo) helps direct the mind, as does movement. A
group of people singing/chanting the same thing, making the same moves,
is a group of people directing their minds and energies in the same
direction. And I suspect that this is one of the cases where the whole
is greater than the sum of the parts.
I also dance for personal communications sometimes. I often find
myself dancing (either big movement, or little) for joy, or working
through sorrow by dance. And if I don't get the opportunety to dance
frequently, I find myself feeling frustrated and angry. I dance in
private, though. I have performed some dance on stage (high school
musicals a long time ago), and have always enjoyed the feeling of this
synchopated, choreographed movement. But todays society does not
provide places in public for people to gather and just free form dance
(bars and such are too crowded, and the purpose is not to dance, but to
perform todays courting rituals, which include dance ;-).
I'm just rambling now, bye.
Beth
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1518.11 | | NQOAIC::MACDONALD | make love to the wind | Fri Aug 09 1991 15:49 | 13 |
|
Having attended a gathering earlier this summer which focused heavily
on ceremony I find this topic timely. This was an introduction for
me to alot of different things but the acts of dance, chanting, altered
states and the seriousness (can't find the word I'm really looking for)
of the rituals left me awed, inspired and wanting more. I found it
a perfect (for me) way to focus and maintain my energy and am hoping
at some point to be able to find a group to join to experience this
on a regular basis. I think it is a shame that the majority of
society does not know how wonderful this all feel. The world today
needs a safe release and maybe this would fit the bill.
MaryAnne
|
1518.12 | | VERGA::STANLEY | What a long strange trip it's been... | Fri Aug 09 1991 16:32 | 2 |
| More and more people are being drawn into it... it seems to be the
way of the future.
|
1518.13 | Review of data | FORTY2::THOMPSON | | Tue Aug 13 1991 11:06 | 70 |
| I would like to review the data input so far, and stir in a few comments:
"Our bodies hold our stories." (CF) - Yes indeed, but inscribed how?
Body language? Who speaks it? Who reads it? A necessary reading for
self-knowledge? The basis for any reading of others?
"By connecting consciously with our bodies, we will open the door to
reconnecting with the earth and nature the way we are meant to be." (CF)
- How conscious? Isn't this the crucial question.
Examples given so far:
"Japanese tea ceremony."
"Structured dance."
"Drumming."
"Free form dance."
What is the degree of `structure' and of `consciousness', in each case?
How are structure and consciousness related? `Structure' and `freedom'?
Does one negate the other? What part does attention play in each?
"An inner need to do something in a structured, sometimes rhythmic,
way." (BM) "Big movement or little." (BG) "Music (rhythm, pitch, feel,
tempo) helps direct the mind, as does movement." (BG) "Vehicle to concentrate
and focus one's `energies'." (BM) "Focus and maintain my energy." (MM)
"The way of the future." (MS) "A group of people directing their minds and
energies in the same direction." (BG) - Something very significant here about
the opening and concentrating effect of movement and music, especially in
a group? A way of knowledge and power? Much more data needed ... ?
And what directs and gives form to energies? Forms or containers? What kinds
of energies? Is there room for a different level of knowledge concerning
energies? Who has it? Had it? Where? When?
And are there different directions - 'light' and `dark', `sacred' and `profane',
`trustworthy' and `perilous'?
"Dance, chanting, altered states and the `seriousness' ..." (MM) "The whole
is greater than the sum of the parts." (BG) - The seriousness felt all the
more deeply, in sharing? The essence of being human? But, when does deep
become `high'? How high can I be without loosing my footing? Who, what, helps
me release my bonds, yet keeps me from stumbling? Movement and stillness!?
"Dance aerobic classes." (CP) "A release mechanism" (BM) "I couldn't live
without it!" (Karin) "Dance ... I love it!" (MN) - Room for innocent play
in a domain of power? Following the example of the child, must I necessarily
remain naive? Is it all as innocent as it seems?
"Mass rituals and altered states." (JT) "Body movements to manipulate
energies." (BG) "Energies, mostly emotional, from group dances." (BG)
"A very primal dance ... a dance of Chaos." (MS) "Not all of these are
beneficial." (JT) - Tremendous forces to which I am all the more subject
in a crowd? Did someone say `manipulate'? How free can I remain to choose?
Mostly emotional? What is really feeding here? On what or whom?
Speaking more personally: one of my friends (Jon Jerstad) makes films in
North India of Tibetan temple dancing? Has anyone seen his work? Other friends
have organised visits to London by the Turkish Mehvlevi (`whirling') dervishes
who also went to France and USA. Did anyone see them? What did you think/feel?
I have been to Japan and seen remarkable things; also various types of Indian
dancing. But I never saw anything American Indian - the Sun dance, Peyote
services ...? Has anyone done so? What about Afro-Carribean events? Russian
orthodox services in USSR? Yes - well before `glasnost', when people who were
there really meant it .... I wept a great deal. And then...?
Yours. Chris.
P.S. If anybody has authentic example(s) of `work songs' from any part of the
world, I would be very interested, please. Interest many times redoubled if
you have an accurate record of the song and the work movements together.
|
1518.14 | | DSSDEV::GRIFFIN | Throw the gnome at it | Tue Aug 13 1991 14:30 | 30 |
| >And are there different directions - 'light' and `dark', `sacred' and
>`profane', `trustworthy' and `perilous'?
In most "mass rituals", there is usually, and should be, a person who
collects this energy, and manipulates it towards a goal. In the
Christian services, it is the priest or minister. In Pagan, it is the
high priest. When the ritual is private, the individual directs the
energies towards a goal. Goals can vary from vague good wishes to
"make XX happen".
Energy is not necessarily "light" or "dark". The source may be one or
the other, the goal may be one or the other. But energy just is.
Granted it is easier to will a dark goal with energies gathered from a
dark source, and vice versa. Dance tends to be a light source,
although if the movements are changed, and the accompanying music, it
doesn't have to be.
Thinking on this one, energy is built/gathered, but the medium that
transport the energy to the "priest" (in rituals) carries along with it
other information - probably emotional - which defines the source.
When the "priest" shapes the energy to a goal, he has to expend some of
that energy replacing the additional information if the aim of the goal
does not match the source.
If energy is not directed towards a goal, other people/things can
'steal' the energy for their use. A goal of just reenergizing yourself
is probably the best to do at the least.
Beth
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1518.15 | Rituals in daily life | ESCROW::COCHRANE | Rack and Rune | Wed Aug 14 1991 15:43 | 33 |
| Funny, I was thinking about this the other day, as I have
gone through quite a few life-altering changes in the past few
months. I wanted to try and create something which would celebrate
the fact that I have come through these changes with a greater
understanding of myself, and realized that we as a society have
few rites or rituals to celebrate turning points in our lives.
On the other hand, I believe society has lost sight of the
small rituals and rites of everyday life, and has, in
consequence, diminished the significance of them. Like what,
you ask? Like,
birthdays
the first day of school
the last day of school
spring cleaning
fall cleaning
cooking meals
laundry
We get other people to clean our homes for us and in some cases
to cook and do our laundry. We fear aging rather than celebrating
the wisdom it often brings. We rush through our lives only to
forget those times we stood at the edge and wondered how the next
event would transform our lives. We fear and resist change. And
I came up with all this while cleaning my kitchen :-) and realizing
for the first time the rhythm involved in the daily tasks we do.
It made the chores take on a deeper meaning.
But I still hate to iron...... :-)
Mary-Michael
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1518.16 | Gives a sense of connectedness | ELESYS::JASNIEWSKI | This time forever! | Tue Aug 20 1991 11:38 | 20 |
|
I find a wonderful feeling when, at the end of a group meeting
I attend, we all form an embracing circle and say the Lord's prayer
together.
I feel whole as a part, as I listen to my voice in harmony with
the others, their voices all in harmony with mine, in the structure
of that action. I also feel part of a whole, through the sense of
connectedness I get with the others and everything when I do this.
I get no such feeling when I watch an episode of "Cheers" on
TV... There, I'm fairly dis-connected from any sense of spirituality,
that being effectively replaced by the (re)'ality of/on the screen.
20th century culture promotes the latter, not the former. The
former, like "entraining" (sp?) with others using hand drums, is
something one chooses because what our culture promotes is no longer
working for us.
Joe
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1518.18 | You're looking at the One Eyed Monstor | KARHU::TURNER | | Thu Aug 22 1991 12:39 | 1 |
| Cheers is only an "experience" for the actors on the set!
|
1518.19 | Seems like the right topic... | TNPUBS::PAINTER | let there be music | Mon Jan 20 1992 14:21 | 24 |
|
The piece below was written in 1991 by someone known worldwide. It
appears on a CD insert.
Can you guess the author?
Cindy
------------------------------------------------------------------------
The Dance
Consciousness expresses itself through Creation. This world we live in
is the dance of the Creator. Dancers come and go in the twinkling of an
eye but the dance lives on. On many an occasion when I am dancing, I
have felt touched by something sacred. In those moments, I felt my
spirit soar and become one with everything that exists.
I become the stars and the moon. I become the lover and the beloved. I
become the victor and the vanquished. I become the master and the
slave. I become the singer and the song. I become the knower and the
known. I keep on dancing then it is the eternal dance of Creation. The
Creator and the Creation merge into one wholeness of joy. I keep on
dancing...and dancing...and dancing, until there is only...the dance.
|
1518.20 | | WBC::BAKER | Joy and fierceness... | Tue Jan 21 1992 14:41 | 9 |
| re: 1518.19
TNPUBS::PAINTER
> Can you guess the author?
Guns and Roses ? Metallica, maybe ?
-Art ;-}
|
1518.21 | It don't matter if you're.... | TNPUBS::PAINTER | let there be music | Tue Jan 21 1992 17:31 | 10 |
|
Re.20
Hey - thanks Art! (;^)
No...it's Michael Jackson from his Dangerous CD.
Guess he's had a few very interesting experiences!
Cindy
|
1518.22 | I don't believe it | KARHU::TURNER | | Wed Jan 22 1992 09:06 | 4 |
| Not necessarily, Maybe just some songwriter... Probably Mikey just
liked the sound of it.
john
|
1518.23 | <---- blasphemer! (;^) | TNPUBS::PAINTER | let there be music | Wed Jan 22 1992 10:35 | 1 |
|
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1518.24 | Succubus crossover? | TNPUBS::STEINHART | | Mon Jan 27 1992 11:14 | 4 |
| Michael Jackson dances as one posessed - though WHAT possesses him, is
anyone's guess. -;)
Laura
|
1518.25 | | HOO78C::ANDERSON | Happily excited, bright, attractive | Wed Jan 29 1992 03:13 | 3 |
| His plastic surgeon?
Jamie.
|
1518.26 | <--- blasphemer 2! | TNPUBS::PAINTER | let there be music | Wed Jan 29 1992 16:42 | 1 |
|
|
1518.27 | | HOO78C::ANDERSON | To err is human, but feels divine. | Thu Jan 30 1992 01:58 | 3 |
| You know I'm so old that I can remember when he looked like a male.
Jamie.
|
1518.28 | Ooo! | FORTY2::CADWALLADER | Reaping time has come... | Thu Jan 30 1992 12:19 | 3 |
| It's what possesses his fans that worries me - Ha! HAAA!!!
- JIM CAD*
|
1518.29 | Re.28 Ooooooo indeed.... | TNPUBS::PAINTER | let there be music | Thu Jan 30 1992 15:13 | 6 |
|
Heh heh.
Just you wait...
Cindy
|
1518.30 | dance lessons | TNPUBS::PAINTER | worlds beyond this | Wed Aug 05 1992 12:59 | 63 |
|
Indian Bharatnatyam Dance Lessons offered in the
Shrewsbury/Westboro area.
Usual disclaimers apply.
Cindy
-------------------------------------------------------
Sridevi Thirumalai is a professional bharatnatyam
dancer, and has been dedicated to the art for the past
15 years. At age 7, she gave her first public solo
performance. She has trained under Guru Padmini
Ramachandran and Guru Narmada and has performed
extensively at festivals all over South India.
Notable among her numerous public performances, her
credits include a solo performance at the NATYANJALI
dance festival at the Nataraja temple in Chidambaram,
Tamil Nadu where she was sponsored by the South Central
Zone Cultural center.
She has also performed at the International Film
Festival; the Karnataka Festival at Madras; "Nritya
Dhara" organized by the International Dance Alliance;
The Indian Fine Arts Society at Madras; the
Purandaradasa Festival at Mysore; "Nitya Parinitha
Mahotsava" organized by the Chitra Kala Parishat, and
Nitya Nritya.
She was the lead dancer in a TV dance serial "Krishna
Nee Begane Baro", which was telecast by Bangalore
Doordarshan weekly for 20 weeks. She is also an
auditioned artist of the Bangalore Doordarshan. Her
programs have been aired by the Madras, Bangalore and
National networks.
She has won many competitions, including taking FIRST
place at the South Central Zone dance competition in
1989. In the Karnataka state competition organized by
Prabhat Kalavidaru, she was judged as the BEST DANCER.
She is a Central Government scholarship recipient, which
is annually awarded to only 5 Indians each year, and has
been running her own dance school in Bangalore for the
past 5 years.
Sridevi is looking forward to continuing her dance
career, teaching and performing Bharathanatyam in the
United States.
--------------------------------------------------------
For Bharathanatyam lessons in the Greater Boston area,
please contact:
BEFORE 01 SEPTEMBER 1992 AFTER 01 SEPTEMBER 1992
Sridevi Thirumalai Sridevi Thirumalai
47 Sheridan Drive, #12 2506 Windsor Ridge Drive
Shrewsbury, MA 01545 Westboro, MA 01581
H:508-842-9428 H:508-366-5223
|