T.R | Title | User | Personal Name | Date | Lines |
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1256.1 | Jung | BTOVT::BEST_G | Acts of Creation in Time | Wed May 09 1990 10:30 | 47 |
|
Earl,
You might want to check out "Alchemical Studies" by Jung. On the other
hand it may not be what you're looking for...
Jung's idea was that originally these guys started out trying to under-
stand the substances that they were working with. Modern chemists have
found the old alchemical texts to be a bit disappointing for the most
part. They just didn't have a lot of different technologies available
that would have allowed them to understand chemistry to the level that
we do today.
In the process of pondering over these "mysterious" substances, they
began to "project" their unconscious mind onto these substances - which
is why there are so many descriptions of substances (in the old texts)
as having human or even God-like qualities. The seeming formlessness
of the substances (due to lack of conscious, technological terms and
understanding) evoked the formless, dualistic nature of the unconscious
mind and the Self.
So, to the psychologist, the alchemical texts are a veritable treasure-
house of material from the unconscious - very useful when one begins to
speak of archetypes and tries to classify them, etc.
My understanding of the transformative aspects may be limited. It's
not always easy to understand Jung. From what I understand, it
appeared at first that by "hermetically" sealing substances and some
other hocus-pocus, that a transformation of the material (say from
lead to gold) was to occur. But what they were really were trying
to say was something about sealing psychic contents in the unconscious
mind for a time. Later, those contents arise again into consciousness,
transforming the individual because the contents themselves have been
tempered by the fires of the Self. In order to get those contents to
submerge in the the first place they must be tricked into doing so -
something you'll find symbolized in some fairy tales about Jinnis
in bottles granting wishes and all that - sometimes they make demands
on the one who finds the bottle, and that is when they must be tricked
and sealed up again, eventually to emerge as a servant.
How rituals fit in here, I would not know. Personally, I don't think
they are necessary. But for others they might be useful.
guy
|
1256.2 | Thanks, but... | ATSE::WAJENBERG | Vague, yet obscure. | Wed May 09 1990 15:32 | 11 |
| Re .1
Thank you. Your explanation of Jung's interpretation is much as I
remembered it. Unfortunately, what I want to know is not the
psychoanalytic meaning of the alchemical cookery, but whether or not
Hermetics really did the cooking. If they did, did they regard it as
attempts at material transformation, while the spiritual symbolism
remained unconscious, or did they do it as a meditative exercise or
something? If they did not, what did they do instead?
Earl Wajenberg
|
1256.3 | Try this... | USAT05::KASPER | I'm dreaming the BIG dream... | Wed May 09 1990 16:34 | 8 |
| Earl,
I have a book titled _Occult Symboism In Art_ that has a chapter on
Alchemy. I think it covered some of the technical aspects of the
art. I can't recall the author's name. If you have trouble getting
to a copy, let me know.
Terry
|
1256.4 | | BTOVT::BEST_G | Acts of Creation in Time | Wed May 09 1990 17:03 | 15 |
|
re: .2 (Earl W.)
I knew that wasn't what you wanted, but I couldn't resist doing a
brain dump - this stuff doesn't come up in conversation too much
in Vermont. :-)
I've never understood why anyone would undertake a ritual. I would
think that it would only be to reinforce the mental stuff - perhaps
to train the unconscious by an example of sorts.
I will take a look at the Jung book and see if that sheds any light
on your question.
guy
|
1256.5 | potluck | MFGMEM::ROSE | | Thu May 10 1990 08:53 | 42 |
| re: .2
I don't know enough about alchemy to answer your questions, so I've
asked someone who does. (He prefers not to become involved in on-
line or off-line discussions of the topic, but in a few minutes time
gave me quite a bit of information to pass on to you.)
He considers the words "alchemist" and "hermetic" - in the sense you
are using them - to be synonomous. He said that Jung, based on his
readings of the old Latin texts and on translations of the Chinese
alchemy texts, considered alchemy always to be symbolic. He felt
that Jung's preconceived mind-set was probably a determining factor
in the interpretations he formed.
He said that alchemy peaked during the 17th and early 18th centuries,
and that the scientists of that time did actually - as you would say -
"...cook stuff in pots..." in their attempts to transmute base elements
into gold, while simultaneously believinmg that this activity was part
of a spiritual process. The most noted alchemist of the day was Elias
Ashmole, after whom the Ashmolian museum at Oxford is named. Another
prominent figure was the Rev. John Dee - and it has been speculated
that Isaac Newton himself may have dabbled in alchemy. These renais-
sance-type alchemists were very unlike the scientists of today. Most
of them also practiced astrology, and were greatly influenced by Hermes
Trismegistus, a legendary Greek who was the supposed author of works on
astrology, alchemy, and magic.
The advent of better chemistry, particularly the amalgam process in
which mercury is used to extract gold from its ore, and the rise of
19th century materialism, which emphasized a non-spiritual reality,
contributed to the decline of alchemy. It remains a fascinating topic
for study, but an impractical pursuit. (Of course, even as we speak,
someone out there somewhere is probably stirring a pot....)
I found it interesting to learn from the dictionary that Hermes Tris-
megistus was supposed to have invented a magic seal to keep vessels
airtight - hence the use of "hermetic" to describe an airtight seal.
Virginia
|
1256.6 | | ATSE::WAJENBERG | Vague, yet obscure. | Thu May 10 1990 10:04 | 18 |
| Re .5
Thank you. That was the kind of answer I was looking for. (More
answers of that sort are certainly welcome. If they conflict on the
particulars, then of course I have to start sorting things out. Oh
well...)
I have heard from historians with an interest in Newton that he DID do
alchemy, though my impression was that it was more proto-chemistry than
anything spiritual. Newton certainly had a spiritual side and wrote
books of Biblical studies on the strength of it, but I never heard of a
connection between that and the alchemy. My knowledge is incomplete,
of course.
Is the Rev. John Dee mentioned the one who was a sort of court magician
to Queen Elizabeth I?
Earl Wajenberg
|
1256.7 | 20th Century Alchemists and Hermetics | NETMAN::ATKINSON | | Thu May 10 1990 11:34 | 15 |
| Good Morning,
Alchemists and Hermitics of this century are not so much interested in
the transmutation of base metals and chemicals as they are the transmutation
of the spirit and the physical body to higher vibratory rates.
Some still work with herbology, creating tinctures, infusions and the like
for the health and balance of the physical vehicle. Mostly, they are not
stirring the "pot" or lighting flames under beakers, but instead are
vibrating DNA helixes and lighting flames in chakras through toning, mantras,
meditations, yoga, grid work, elixirs, and devotion to the Divine Aspect of
themselves, etc.
In Light and Love,
I AM
Altraea
|
1256.8 | usefulness of ritual | RADI8::ZICKEFOOSE | LENNICE | Thu May 10 1990 14:06 | 14 |
1256.9 | | BTOVT::BEST_G | Acts of Creation in Time | Thu May 10 1990 14:09 | 7 |
|
re: .8 (z)
Thanks. That seems like a good enough reason for a ritual. I guess
I still don't have a need for one though.
guy
|
1256.10 | Ask a shaman, maybe? | USAT05::KASPER | I'm dreaming the BIG dream... | Thu May 10 1990 15:06 | 16 |
| re: rituals.
Joseph Cambell has a thing or two to say about rituals and their
purpose. He feels that in older cultures the rituals were more than
simple inactments of myth. The participants frequently entered into
various forms of altered states of consciousness (ie, talking in tongues,
body movements, etc) for specific purposes and, as he says, they become
the myth - actually enter into those mythological realms for the purpose
of having these spiritual experience and gaining knowledge. Today, he
feels, that there isn't enough conscious ritual and the result has been
the creation of unconscious ritual such as gangs and their practices,
psuedo-satanic rituals, etc.
FWIW
Terry
|
1256.11 | Explain, please? | SWAM1::MILLS_MA | | Thu May 10 1990 16:26 | 19 |
| Can someone explain what form of rituals the alchemists indulged in?
(if that's the right way to refer to them)
I find it hard to believe that someone like Isaac Newton chanted, or
recited incantations over a boiling pot, reminds me of the three
witches in Macbeth, but then, maybe I'm imposing my 20th century
knowledge and biases on him.
Another reason why rituals are important, in the religious sense, is
that old religions rely a lot on oral tradition. If you do not have
writing to describe how celebrations should be help, rituals preserve
the tradition.
On a more secular level, rituals become second nature, I believe that
part of the attraction of England and other European and Asian
countries on Americans are their preservation of rituals, however
outmoded they may really be today.
Just my .02
Marilyn
|
1256.12 | Correction | SWAM1::MILLS_MA | | Thu May 10 1990 16:28 | 5 |
| Sorry, that line in the previous note should read how celebrations
should be held, not help.
Marilyn
|
1256.13 | | GVAADG::DONALDSON | the moon-cow, howling... | Fri May 11 1990 04:13 | 13 |
| Re: .6, Earl
> Is the Rev. John Dee mentioned the one who was a sort of court magician
> to Queen Elizabeth I?
Yes, that's the one. I have a book 'by' John Dee, I'll try to
remember to bring in the title (something like "The Heptarchia...").
For an interesting fictional treatment try 'Aegypt' by John Crowley.
It is in any case a very good book. Maigickal themes, blending
of current day reality with medi�val reality, etc.
John D.
|
1256.14 | they are still around | HKFINN::STANLEY | What a long strange trip its been... | Fri May 11 1990 11:08 | 11 |
|
There are alchemists who engage in the transmutation of the physical
properties of chemicals and elements still in this very day and age.
Today they work on converting the elements in nuclear weapons (among
other things) to inert substances rather than converting lead to gold.
As the Grateful Dead say, "I used to play for silver, now I play
for life".
Mary
|
1256.15 | Thoughts on Rituals | CGVAX2::PAINTER | And on Earth, peace... | Fri May 11 1990 18:35 | 25 |
| Re.1
Guy,
I was wondering about rituals a few months ago. So I went to my trusty
friends who engage in rituals and asked them what it was all about.
My first question was about another friend who comes home, turns the TV
on, and I asked whether that was a ritual or not. Immediately the reply
was, "That's not a ritual, that's a rut!" (;^)
I've started practicing my own rituals (lighting a candle to peace on
Earth, for example). Lighting the candle *in and of itself* won't do
anything at all for world peace. However my focused thoughts and good
wishes *will* do something (I believe), and lighting the candle is a
way I reflect that thought in the physical world. Now when I see a
lit candle, it means something very different - something much greater.
To you though, you will see it is simply a lit candle. And that's fine.
Similarly the Christian Eucharest (bread and wine/fluid) is just that -
bread and wine - unless you view it through the eyes of a
believer...and even believers have different interpretations of it
depending upon their backgrounds and beliefs. I will refrain from
giving my own interpretation in this conference (;^), but you get the idea.
Cindy
|
1256.16 | | CSC32::J_CHRISTIE | Excuse me. Have we bonded? | Fri May 11 1990 18:45 | 10 |
| Cindy,
I, too, light candles. I do it to help create focus. Each time
I see the candle lit, it triggers in my mind the reason it is lit;
usually someone special to me, or a prayer for peace, or whatever.
I try to be aware of form devoid of meaning; shadow without substance.
It is, to me, the difference between rut and ritual.
Richard
|
1256.17 | Did she use a match...? | ELMAGO::AWILLETO | Beat those heathen drums... | Sat May 12 1990 00:13 | 10 |
| My grandmother used to light a candle every evening.
I never really paid it any mind until now -- cindy's comment about
it being only a lit candle to some made me think about HOW Grandma
went about lighting her candle.
There's more than what meets the eye (the unattentive eye)!
tony
|
1256.18 | It wasn't easy. | MFGMEM::ROSE | | Sat May 12 1990 12:55 | 65 |
| re: .6
.5 should have read "Dr.", not "Rev." John Dee. He's mentioned
briefly and depicted in the book described below.
"The Illustrated Anthology of Sorcery, Magic and Alchemy" by Emile
Grillot De Givry and translated from the French by J. Courtenay Locke
is a fascinating book. A paperback edition of it was published in 1973
by arrangement with Causeway Books, NY - it seemms to be part of the "A
& W Visual Library." As the introduction states, "...graphic expres-
sion is at the heart of the occult sciences, and ...the illustrations
are clear, natural, and indubitable in contrast to the vagueness and
wordiness of most of the occult literature."
The section on alchemy is less than forty pages long, but contains for-
ty-six pictures and three chapters, entitled (I) The Secret Doctrine;
(II) The Alchemic Material and the Operations of the Work; and (III)
The Laboratory of the Alchemists and of the Puffers. Other sections
also contain information relevant to alchemy - the idea, for example,
that the universe or cosmos is an immense organic being with inter-
linked parts. "That which is above is like that which is below...who-
ever knows one part of the Macrocosm knows, by analogy, all the parts
[including] the Micocosm, who is man. The adept can thus arrive at a
perception of hidden things not known to the vulgar by the synthetic
method put at his disposal by the universe itself, and this method
raises him to such a height of knowledge as makes him almost a god."
There were many alchemists, but apparently only a minority of them were
"adept" - and therefore in possession of the intellectual and moral
qualities necessary to attain the "secret" of gold. Alongside the
adept were the "...scrambling throng of the uninitiates, who have fail-
ed utterly to penetrate the secret of the true doctrine and continue
working on anomalous materials which will never bring them the desired
results. These are the false alchemists, who are called Puffers [from
the noise of the bellows they used to blow up their fires]...modern
chemistry actually derives from the erratic work of the Puffers [who]
spent themselves on alien substances condemned by the true adepts...
but were led by chance into unexpected discoveries...Kunckel [for ex-
nple] isolated phosphorous and Blaise de Vigenere discovered benzoic
acid." As other authors have noted, the adepts often said, "Our gold
is not their gold."
One of the best illustrations is Fig. 354, a 16th century print by
Brueghel the Elder, entitled "Interior of a Puffer's Laboratory."
(What a mess! It looks strangely like my apt.) "What wreck and dis-
order reigns in this domestic interior...showing a Puffer working sedu-
lously while his wife bewails her empty purse and his children, vainly
seeking food in the bare cupboard, put pots and pans on their heads in
derision. A large window opening out of the picture shows the same
sham adept and his family...going off to take refuge in a poorhouse
after he has wasted all his possessions."
So, successful or not, the alchemists really did do the chemistry.
Some of their many operations included "...purgation, sublimation, cal-
cination, fixation, separation, conjunction, distillation, and reverb-
eration." To complicate matters, they had to do these procedures at
the correct times, astrologically speaking. It's a wonder that any of
them ever got to the gold, but some of them apparently did. "Which
thou wilt do as I did it," says the successful Nicolas Valois, "if thou
wilt take pains to be what thou shouldest be - that is to say, pious,
gentle, benign, charitable, and fearing God."
Virginia
|
1256.19 | The Emerald Tablet, credo of the Alchemists | DWOVAX::STARK | Use your imagination | Mon Mar 16 1992 11:22 | 144 |
| In doing some research for a posting on another network, I dug up
the complete text of the credo of the Alchemists, the
Emerald_Tablet_of_Hermes_Trismegistus. I posted it in PHILOSOPHY
under a Hermeticism topic, in three parts, and am duplicating
it here all in one note, including the essay resulting from my
brief, superficial research. Comments and corrections are
very welcome. The credo is brief, the essay moderately long.
todd
-------------------------------------------------------------------------
This posting contains the complete text of the tablet, in English, followed
by a moderate to long essay on The_Emerald_Tablet from a historical
perspective from a limited set of sources (2).
The text for the tablet is also available in Latin, from the Edinger source
listed in the references. There is also an Arabic version, but I have never
personally come across it (and I'd have trouble typing it in, anyway !).
-----------------------------------------------------------------------------
The Emerald Tablet of Hermes Trismegistus
'Tis true, without falsehood, and most real: that which is above is
like that which is below, to perpetuate the miracles of one thing.
And as all things have been derived from one, by the thought of one,
so all things are born from this thing, by adoption. The sun is its
father, the moon is its mother. Wind has carried it in its belly,
the earth is its nurse. Here is the father of every perfection in the
world. His strength and power are absolute when changed into earth; thou
wilt separate the earth from fire, the subtle from gross, gently and with
care. It ascends from earth to heaven, and descends again to earth
to receive the power of the superior and the inferior things. By this means,
thou wilt have the glory of the world. And because of this, all obscurity
will flee from thee. Within this is the power, most powerful of all powers.
For it will overcome all subtle things, and penetrate every solid thing.
Thus the world was created. From this will be, and will emerge, admirable
adaptations of which the means are here. And for this reason, I am called
Hermes Trismegistus, having the three parts of the philosophy of the
world. What I have said of the sun's operation is accomplished.
-----------------------------------------------------------------------------
Essay concerning the tablet
---------------------------
"A very ancient text, La Table d'Emeraude, says
'The thing that is on high is like the thing that is below,'
and the works of all the philosophers imbued with occult doctrines are not
more than a long commentary on this principle. If man is a diminutive
of the universe, if they both obey the same mechanical, physical,
and physiological laws, it is easy to know one by the other in one and the
same process of study. Whoever knows man knows the universe, and conversely,
whoever knows the universe, knows man."
The above quote is from the French scholar of occultism, Grillot de Givry, from
an English translation of his Witchcraft_Magic_and_Alchemy. Thus does the
'principle of correspondence' in the Emerald Tablet combine organic metaphor
with divine analogy to express the powerful synthetic philosophy of microcosm
and macrocosm found at the core of the known occult sciences among most or all
peoples.
The legendary Hermes Trismegistus was probably a divinity of the Greek settlers
in Alexandria, Egypt, in the early centuries of our era. The Greeks recognized
aspects of their own divinities in those of the Egyptians, and identified
Hermes with the Egyptian Thoth, as divine inventor of magic, writing, and the
spoken word, all of which were of great sacred importance to the Egyptians.
Thoth-Hermes seems to have developed from a deity into a mythical king who
wrote over 30,000 books, and reigned for 3,226 years. Iamblichus gave the
number of books as 20,000. Clement of Alexandria put the number at a sober
42. They are now believed to be a collection of anonymous writings attributed
to 'Thoth' to give them the credibility afforded books of antiquity. They deal
in the primarily Egyptian and Greek philosophy at the core of what later
became known as Hermeticism, the root of the best known Renaissance Magic and
Renaissance Alchemy. In the early part of the era when this philosophy
first seems to have flourished, there was little doubt of the historical
existence of Hermes Trismegistus, having been confirmed by such notables
as Plato, Diodorus of Sicily, Teriullian, Galen, and Iamblichus, in addition
to many others.
Of all the writing attributed to Hermes Trismegistus, only 14 or 15 short
Greek texts and some fragments preserved by Christian authors survived
into the European Renaissance, as far as we can tell. These came under the
collective title of Corpus_Hermeticum (body of Hermetic writings), or sometimes
The_Hermetica. It is believed that before the end of the 12th century,
a Latin translation was available in Europe, by way of Arabic Alchemists.
The first widely available version of Corpus_Hermeticum in Europe was
the 1463 translation from Greek to Latin by Italian scholar Marsilio Ficino
for his patron, Cosimo de Medici. This is widely believed to be the
first true esoteric writings available in Renaissance Europe, and the basis
of most or all of the esoteric traditions which followed it.
The_Hermetica contained references to Magic, and frequent references to
Astrology, but ony vague references to Alchemy. Later Alchemists considered
teh Hermetic writings to be precious secrets deliberately veiled in allegory
by their writer. Possibly the most controversial idea in the writings to
their limited-size Medieval Christian audience was that of Apotheosis, the
secret, so-to-speak, of the Mystery Religions, whereby the individual human
became deified, 'like a God.' An English translation of the Corpus by Walter
Scott was available from Shambhala Publications at one time. I don't know if
it still is.
The general topic of the Corpus was very reminiscent of Gnosticism, and
some of it was strikingly similar to teh Gospel of St. John. There are also
elements that are strongly Platonic, as from Timaeus, and some which
resemble Philo's Greek-Jewish philosophies.
The Emerald_Tablet itself was one small but very significant passage from
the Corpus, and was considered the credo of the Alchemical adepts. It was
found, according to tradition,
"in the hands of Hermes' mummy, in an obscure pit where his interred
body lay"
in the great pyramid of Gizeh.
By tradition, the finder was either Alexander the Great, Sarah the wife of
Abraham, or possibly Apollonius of Tyana.
It is now commonly believed that there was no such person as Hermes
Trismegistus, and no Emerald_Tablet found in the great master's tomb.
Interestingly echoing the legend, the earliest recorded copy, in the Leyden
Papyrus, dating from about 300 A.D., was discovered in the tomb of an
anonymous magician in Egyptian Thebes in 1828.
In the allegories of the Emerald_Tablet of Hermes Trismegistus, the
Alchemists recognized the various stages of gold-making and the way in
which gold, linked metaphorically with the sun, mediated between man
and God. There are also many parallels between The_Hermetica in general
and the Gospels, which were not lost on the Alchemists.
The true meaning of the Tablet is, as always was, is to be discovered in the
heart and soul of the seeker.
----------------------------------------------------------------------------
References :
_Anatomy_of_the_Psyche_, Alchemical Symbolism in Psychotherapy,
Edward F. Edinger, Open Court Press, 1985.
_The_History_of_Magic_and_the_Occult_, Kurt Seligmann,
Pantheon Books, 1948.
todd
|
1256.20 | Hermeticism and martial arts | DWOVAX::STARK | To Serve Man | Thu Mar 26 1992 14:59 | 8 |
| I've posted an essay from a public newsgroup speculating on (the
philosophy of Hermeticism and practices of Hermetic tradition) in relation
to martial arts practice in the ::ARTS (martial arts) notesfile, topic
604. It is fairly lengthy, so I haven't repeated it here.
Press keypad <7> or <select> to add ::ARTS to your notebook.
todd
|