| Title: | HEAVY_METAL - Talent Round-Up Day Day |
| Notice: | Rules-2.*,Directory-7.*,Roster-3.*,Garbage-99.* |
| Moderator: | BUSY::SLAB B |
| Created: | Wed May 04 1988 |
| Last Modified: | Fri Jun 06 1997 |
| Last Successful Update: | Fri Jun 06 1997 |
| Number of topics: | 1238 |
| Total number of notes: | 65616 |
So as not to clutter the "Mystic Powers" note (466) the kat fight
has moved here!
How many bands moved to Boston and then joined the ranks of being from
Boston? Granted many of them established themselves while playing in
Boston but I think too many people make too much of this. Obviously
geographic location has a lot to do with it as well as people who can
relate to what you're doing.
Some times it's one member who lived here for two months and then
the rest of the band moved in, and then they we're from Boston! Of
course this is a very general statement.
How many SubPop bands are from Seattle? But yet that grouping played
a part initially. OK, 'nough about that.
I've never understood how being from a particular area implied credit
for some people for being from there too! The statement 'look at
how many bands have come out of...' Yea, so what? I find the point
of interest to be the variations/similarity in sound/style among the
various bands from the same area. Okay, maybe the hereditary /
environment thing plays a role too!
The comparison about the number of bands coming out of Texas, be it
Austin or where ever is irrelevant in my opinion to this discussion
anyway. I think it's all just part of how people like to group
things together to make things easier for them to understand.
Just like the discussions of what is metal and what isn't, what's
alternative, etc. I think the only thing that most people agree on
is what is Pop. The geographic grouping probably appears more when
people discuss bands abroad. It makes sense sometimes but if I
didn't know better I'd say every band in England is out of the
same little hamlet!
Bouncing around here..People in the Boston area have no doubt
heard of or are familiar with the Neighborhoods who after some ten-plus
years and (as one would expect/hope) changes along the way they
recently got signed to Atlantic, not to go off into the major label
discussions but in their case this is great. The reason I bring them
up is because they have changed considerably from when they first
started playing in Boston. I wonder what would have happened if
they or someone else had penned them as this or that type of band
and if they had said, 'there's no scene here let's pack it in'.
Sure they had plenty of club gigs and some larger shows before
but if they thought things would happen quickly. I always liked
the line "first you have to last".
I think Pete (or anyone else) realizes it's not easy...
You (Kath) raised some good points but I think the lack of a metal
scene per se has more to do with the lack of clubs booking 'em.
Sure the reason may have to so with the club's feelings on where
they think they will be successful but the whole point I'm *trying*
to make is the lack thereof probably has more to do with external
reasons than lack of interest by the bands and audiences who
are interested in this music. I'm not saying you implied this,
I just want to state my thoughts how ever garbled they may be!
There's also the who-knows-who syndrome plus the limiting factor
of there's just being so many bands who want to play the few clubs
in Boston or anywhere else for that matter.
I'd like to know what the coloration, if any, to clubs and record sales
of that particular type of music as to overall record sales of all
music. Surely just because most clubs seem to being doing better with
a certain type of music it doesn't reflect most people who enjoy music
such as the current scene. This is probably obvious just do the fact
of the proportion of record buyers to those who frequent club. I
just want to know how a club determines metal/anything else does
work for them business wise. Surely it's something more than one or
two slow nights.
In the defense to TT's they are not wimps but I stand by what I said
earlier that being I think they could be broader to include metal
assuming it's a business decision and not anything else. I can here
the arguments now...
This isn't limited to just this one club. As stated the Channel does
a good mix. Also I'm not making the argument purely on the pro-metal
front but more on the pro-music side. I'm starting to sound like a
politician.
As for the "metal" scene I have always wondered about this
speaking in the Boston area in general. I have noticed some
of the things that Kath pointed but again I wouldn't blame it
on lack of demand for this music. Granted this is on a larger
level, for example but if Gun n' Roses sold some 14 Million records
surely distribution wise there's some fans scattered in this number
(and of course those who dislike 'em) that like a much harder form
of music, "scary metal" for lack of anything else to say!
Did they really say that, Pete?
My observations on the local metal scene for lack of a better phase
is that it's awfully disjoint. I don't mean this to imply that band
members don't get long with other bands but there's something inherently
different. I'm not quite sure what it is! Maybe it's the number of
people who go to shows go to see a couple of their local favorites and
aren't really in tune with all that's going on in the local level
which without this you lack the continuity for the so called scene.
After first hearing the reply that Pete was given regarding
"scary metal" description I was going to say 'how nice it
would be if it were possible to open a club free of most of the
nonsense...no need for a moderator intervention..I'm just....
Pete and others aren't the first people I've heard about with the
booking problems and another worth noting is airplay or lack thereof.
There's seems to be a lot of political blinders in place concerning
who gets airplay.
- Jim
p.s. Thought for the day....
Would you rather have a club the size of the Channel with only
a hundred or so people there on a Tuesday night for instance or the
relatively smaller Rat with 30-40 people?
Actually the answer strengthens what Kath said!!! No matter what
type of Music was going on at the Channel the overhead, etc. would
be cause for them to take a closer look.
| T.R | Title | User | Personal Name | Date | Lines |
|---|---|---|---|---|---|
| 779.1 | The Wonderful World of Metal | CAVLRY::BUCK | ItsJustALilBittyOlePissantCountryPlace | Mon Aug 19 1991 07:43 | 20 |
Well, look at it this way...
Kat was right on the money when she said that bands are pulling
together to do shows together, etc.
Look at two boston metal bands...FLESH and ATUNGA...both bands have
Extreme siblings in them (Flesh with 2, and Atunga with 1)...you
would think these bands had it made, right?
WRONG!
Flesh and Atunga have banded toegther...pulled PA resources, funds,
transportation, etc., and are currently doing shows together. Oh,
in clubs you assume? NOT! They're scheduling their own shows at
local are VFW's, Local parks, etc. You see, there is such a limited
market for metal bands to play, you have to be creative, and here is
one good example of bands with "connections" who are playing the
Hudson ELKS next week...
WEeeeeeeeeeeeeeeeeeeeeeeeeeeeee
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| 779.2 | MILKWY::SLABOUNTY | Exit light ... enter night. | Mon Aug 19 1991 08:11 | 13 | |
Like you said, Jim, a big concern is the overhead for the club.
If an owner/manager doesn't think that he can at least break
even for a night, and most probably make a reasonable profit,
then [s]he's not going to book a band that [s]he doesn't feel
will bring in enough people ... whether the band is metal, rap
or whatever.
And owners don't flip a coin to make these decisions, either.
I'm sure they have some darn good information on which they
are basing their decisions.
GTI
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