T.R | Title | User | Personal Name | Date | Lines |
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681.1 | | ROSBIF::PHILIPPA | The Booze Bros-Max Rhythm'n'Booze | Wed Oct 18 1989 14:00 | 50 |
| Copied without permission from Metal forces
NIRVANA - BLEACH (MEGA)
Sod it, one more like this and I think I'll just pack up and move out to
seattle for good (and probably support myself by being Jack Endino's
assistant at Reciprocal so I can hear stuff like Bleach as it's being
recorded...)
without a doubt, this is the crowning achievement of sub-pop's history, the
ultimate in an awesome catalogue of bands. N sing songs about school
holidays, barbers, cheese and girls, but do it in a style that makes you feel
like you do after hearing Candlemass' 'solitude' for the first time, more
breathless than a night with a 'pretty polly' of the female persuasion.
recorded for just $600 at reciprocal, the LP opens with a grungy but
deceptively mellow 'Blew' before the White Zombie - bludgeon of 'Floyd the
Barber', Kurdt Kobain's vocals scratching or crooning across the eardrums
according to the mood he's in at the time.
Next is 'About a girl', almost a ballad compared to the rest of the album,
imagine The Beatles crossed with Mudhoney and you'll have it in a nutshell.
'School' is back to the evil grunge again, makes TAD sound like Kylie Minogue
does this, great vocals again and the sort of riffs that you'll never be
able to erase from your memory, totally catchy.
Next song depends on which version of the LP you have, the Sub-Pop import has
the single 'Love buzz', I find it totally impossible to believe that this is a
cover of a song by the same band that Bananarama had a hit with, but it is!
The Tupelo version for the UK however has 'Big Cheese' in this position,
great skin pounding, catchiness and a highly original ending. A dilema for
you unless you have the single (or both pressings - smug bast*rd aren't I?).
'Paper Cuts' thunders to the end of side one annihilating everything in its
path.
side two opens with the best track on the whole LP. If you ever wanted to
hear the absolute limit to which grunge could go, this is there and beyond -
'Negative creep' is its name, totally amazing is its description.
Following that is the crazy up-tempo 'Scoff', then 'Swamp Meet' with more
brain damaging catchiness. 'Mr Moustache' is next, the only track on the LP
that I'm not ecstatic about, I'm not too sure why really, then ending is the
well heavy 'Sifting' with its weird but well suited ending.
Anyone who doesn't love this record has got to be deaf, this is probably one
of the best three LPs this year that I have heard, maybe even the best. If
ya wanna find out what Sub-Pop, Glitterhouse and all those labels are about
then buy this - the best of the whole lot!
Flip
|
681.2 | Yes, that's right... | BUFFER::GOLDSMITH | Flying high on the Medicine Train | Wed Oct 18 1989 15:04 | 4 |
| That's all I needed to hear! I'll get the album tonight!
Thanks Flip!
Steve
|
681.3 | Sliver/Dive...and two live ones | USOPS::ZAPPIA | Noting in rambling | Tue Feb 26 1991 17:24 | 5 |
|
I've had their new single for a while now but ran across a
maxi-single at Rocket with two live cuts on it from Bleach.
- Jim
|
681.4 | | DUCK::PERKINSP | Wiggle it just a li'l bit | Wed Feb 27 1991 03:07 | 4 |
|
Go and buy Bleach, it's a cool album.
Flip
|
681.5 | Blew too | USOPS::ZAPPIA | Noting in rambling | Wed Feb 27 1991 08:48 | 5 |
|
And/or Blew, the import, which has an extra or different track. Of
course I forget the tune but it was a good one.
- Jim
|
681.6 | | DUCK::PERKINSP | Wiggle it just a li'l bit | Wed Feb 27 1991 08:52 | 3 |
|
How come you have an import for a US band?!?
|
681.7 | distribution | USOPS::ZAPPIA | Noting in rambling | Wed Feb 27 1991 09:55 | 7 |
|
It's just a matter of distribution, although they're a Seattle
SupPop band the UK release was different, namely the title and
the different track. I'm sure there's more to it than that but
that's how I understand it.
- Jim
|
681.8 | | DUCK::PERKINSP | Wiggle it just a li'l bit | Wed Feb 27 1991 10:50 | 5 |
|
BUT I'm in the UK and mine was on general release and it was called
Bleach!!!
|
681.9 | Not unusual | GOES11::G_HOUSE | MORE coffee! | Wed Feb 27 1991 12:43 | 9 |
| It's not uncommon for US bands to release albums in Europe or Japan
that aren't released here. These are often released later in the US if
they do reasonably well, but sometimes are only available as imports.
I had to buy Joe Satriani's "Not of This Earth" album as an import as
it wasn't (re)released in the US until after the success of "Surfing
With The Alien".
gh
|
681.10 | ? | WMOIS::MAZURKA | Son of the Dawn | Thu Feb 28 1991 08:31 | 3 |
| I think the Stray Cats did that with their first Album.
Crazy_V-Day_Al
|
681.11 | disco-ray | USOPS::ZAPPIA | smell the magic | Wed Mar 13 1991 10:57 | 10 |
|
In addition to their latest SupPop single of the month "Molly's Lips"
flip-sided with The Fluid is another release coming soon?
They also have a track on the compilation tribute to the Velvet
Underground "Heaven & Hell" doing "Here She Comes Now".
- Jim
|
681.12 | Another good one today! | GOES11::G_HOUSE | I wanna be sedated! | Fri Oct 11 1991 19:43 | 11 |
| I also picked up Nirvana's Nevermind album today and I gotta say it's
very good! Like .0 described, real heavy and noisy! As with Primus,
it probably fits more under the "alternative" classification then
"metal" but whoTF cares!?
Incredibly full sound for a three piece, but I know that's probably
studio tricks and stuff.
Real creative and enteretaining. I'm getting off on it!
gh
|
681.13 | | DPDMAI::THRELFALL | Frank Zappa for President! | Tue Oct 15 1991 14:21 | 1 |
| I like that vid they have...Greg, is the rest of the album as good???
|
681.14 | Good, but strange! | GOES11::G_HOUSE | I wanna be sedated! | Tue Oct 15 1991 18:01 | 9 |
| I haven't seen a video of theirs. I presume it's for "Smells Like Teen
Spirit"? That's a killer song, probably my favorite on the album right
now. I'd say a lot of the rest of it's similar and I like it.
Let me tell you though, this is very wierd music! I keep hearing
snatchs of very odd lyrics as I listen to it more. It's hard to
understand...
gh
|
681.15 | | DUCK::FLEMINGH | | Thu Oct 17 1991 08:48 | 6 |
| They're great live. I saw them at the Reading (UK) Festival in August
and they were the best band there along with PWEI. Am I allowed to
mention PWEI in this conference or will I be banned for being a namby
pamby poncy faggot?
hevs
|
681.16 | | SUBURB::COOKS | Symphonies Of Sickness | Thu Oct 17 1991 09:11 | 5 |
| Yes. We only listen to really heavy stuff in this conference -
like Nelson,Europe,and the ballads of Bon Jovi.
Joe Strummer.
|
681.17 | | DUCK::PERKINSP | OOOOH! A LEANING JOWLER! | Thu Oct 17 1991 09:16 | 5 |
|
re Hevs
You don't have to mention PWEI to be a namby pamby poncy faggot!
|
681.18 | | DUCK::FLEMINGH | | Thu Oct 17 1991 09:25 | 2 |
| Okay, so I also listen to Dionne Warwick. Now that must surely make me
a namby pamby poncy faggot!
|
681.19 | The Aberdeen Story - Part I (Yea, Kimmy I'm getn' beta') | SOURCE::ZAPPIA | Collectible: a clean, Bootleg: a dirty | Thu Oct 24 1991 04:53 | 78 |
|
Greg,
Were you able to find Bleach in your area? I've seen a few vinyl
copies and of course more CDs around the Boston area stores, FYI.
Just as the commercial stations are picking up on them likewise are
the bootleggers but that's another story entirely that I won't get
into here/now.
There's also the "Smells Like Teen Spirit" maxi-single thing that
contains two un-released tracks.
Not that I agree with this theory in general but I forget who said
it and I'll probably butcher it in the translation to boot:
'Four band members at times can work well and at times be
too much, five or more is just plain ridiculous, and when
three members click it's really something special.'
I'll post the above reference later.
As for the studio sound, Greg, you're right one would think that
there's much added in studio but I have to say if anything they
sound as if they record live in the studio. Their live sound
comes across just as strong and is further intensified by Kurdt
Kobain's, vocalist/guitarist, performance as well as the rest of
the band.
Where as Rush have a definite full sound in studio they also amazingly
are able to recreate it live and they do it well. In the case of
Nirvana it's not as a complicated process to reproduce it technology-
wise, i.e., bass player and vocalist having to play keyboards on
tracks, etc. but it's also not to oversimplify Nirvana's playing,
I don't see anything easy about the lead vocal/guitar bit and not
to mention the occasional stage dive but it's done in a stripped
down basic way that manages to come across as very powerful and
effective.
In general I don't care for most pop songs but theirs is a style
that pushes pop to its limit, and if you like pop then this is as good
as pop gets.
Getting back to the studio it's not to say there isn't some limited
form of production. On the other hand it's nothing like guitar walls
of sounds, i.e., multiple dubbed tracks and all that. Not to imply
that's necessarily bad. Nevermind was produced Butch Vig (Killdozer)
who also worked with Smashing Pumpkins...
Getting back to Bleach, the first release, I think it's far noisier
and heavy for lack of another description but Nevermind has many
of those same traits but more in the pop vein.. The one thing I've
noticed after hearing tracks be at following my own playing of
Nevermind or hearing on the radio, record stores, etc. (They all of
sudden appear to be virtually everywhere) is that the last tune I
heard sticks in my head for a long time. This isn't bad, I can think
of a lot worse thoughts to have floating around in there but it's
really remarkable.
RE: .15 / Hevs
As for you UK they're doing a few dates in early November prior to
their European tour. As for Reading I'll just add that Sweredriver,
Teenage Fanclub, Silverfish, the bit I heard of Babes in Toyland,
and of course Nirvana were all great!
- Jim
p.s. As for odd lyrics, definitely, even the meaning that Kurdt
gave for Smells Like...in an interview something to the effect
of underarm odors and such.
Well I'm loosing continuity (what else is new) so I'll cut it off
now.
{BOMBE::RADIO_RADIO is another reference.
- Jim
|
681.20 | | SOURCE::GALLANT | all I wanna do is wrong.... | Thu Oct 24 1991 09:22 | 7 |
|
RE: .19
>(Yea, Kimmy I'm getn' beta')
Glad to hear it... but don't rush back on my account. (8
tigg~~~
|
681.21 | | VCSESU::MOSHER::COOK | Uncongressional Mosh! | Thu Oct 24 1991 10:20 | 3 |
|
I heard some of their stuff on the radio last night. Pretty
interesting.
|
681.22 | Tell me what's so cool about them? | COMET::FRISBYA | She's like TEN-THOUSAND LOVERS | Thu Oct 24 1991 13:20 | 9 |
| For what it's worth......
I don't see anything DAMN special about these guys....
Also..I don't the TEEN SPIRIT song!
I guess that's to be expected for everyone to like it..8)
Frizkid
|
681.23 | Nevermind | GOES11::G_HOUSE | Tommy The Cat | Tue Oct 29 1991 14:12 | 22 |
| re: Jim
No, I never found Bleach. I ended up getting a copy of Nevermind (and
had trouble finding even that one, had to wait three days to get it!)
I like it quite a bit, but the guitar sound is just sooo thick it
doesn't sound like one guitar player. No biggie, overdubed and doubled
guitar parts are pretty standard these days, I just wondered how it
held up live. Some bands hold up well and some don't (and some fake it
with samplers/sequencers/other_players_backstage), sounds like Nirvana
holds up pretty well.
re: Friz
I'm not surprised you don't like it, it's got a harsh edge and you seem
to be real intolerant to most things like that. I personally think it
has an incredible amount of energy and anger in it and I like that.
Very powerful material IMO. I think that many HM noters would probably
enjoy this one as well, since it's fairly heavy and has a good strong
groove, especially if you like music on the harsher side.
gh
|
681.24 | | DPDMAI::THRELFALL | You lie...and yo breath stank! | Tue Oct 29 1991 15:45 | 1 |
| what he said...*8)
|
681.25 | | GOES11::G_HOUSE | Tommy The Cat | Tue Oct 29 1991 16:19 | 1 |
| Which what? Which he?
|
681.26 | | DPDMAI::THRELFALL | You lie...and yo breath stank! | Tue Oct 29 1991 16:44 | 5 |
| you! I agree, Nirvana RULES! Even if you're not into Alternative music, you
should like this...Some pretty cool guitar work on the single anyway...and I got
TWO unreleased songs on it! check it out if you don't have it...
'pril
|
681.27 | s/he's right | SOURCE::ZAPPIA | Do put out the blow torch | Wed Oct 30 1991 04:14 | 16 |
|
I don't recall the word cool being mentioned once. That shouldn't
matter anyhow, I don't care if they're blokes or anything else for
that matter. Either you like 'em or you don't. That goes for any
band for that matter.
Some words used to described them, they suck, they're great,
interesting, Black Sabbath meets Roxy Music (I never liked these
cross things and sounds like stuff), grunge-within-a-heart-of- pop
sound a likes, etc. but whatever it's not for MTV to say, a review,
be it good or bad, it's in you.
Lastly we all know singles aren't always the best song, maybe best in
terms of 'best for radio airplay'.
- Jim
|
681.28 | interesting cover though | RAVEN1::REILLY | I DONT WANT GIRLS WITH GOOD TASTE, I WANT... | Sat Nov 16 1991 07:29 | 8 |
| I picked up Nevermind the other day and I like it. It has alot of
thrash to it without being too fast. The release has a good balance to
it. It doesn't just club you over the head with wall-to-wall power. I
like the anger and there is plenty of that.
2 cents worth
Nate
|
681.29 | ��Dextra tune on nevermind | VELVET::BAKER | | Mon Nov 18 1991 21:23 | 6 |
| my son wanted me to let you know that there is a limited release copy
of the NEVERMIND CD(only) that has an extra song after "Something in
the way" and ten minutes of silence. It is, in his eyes, the best song
on the album. Apparently, very loud and very nasty. Check it out!
Remember,though, only limited copies. He had to buy the album twice to
get the extra song.
|
681.30 | extra track | SOURCE::ZAPPIA | The ghosts of Oxford Street | Tue Nov 19 1991 08:53 | 11 |
|
I don't think there is anything to distinquish the Nevermind CD
release that includes the untitled and non-listed far-more-trashier
sounding track from those that don't have it, i.e. I heard it's
simply on some and not on others, no limited edition marking or
catalog variation.
As for buying two copies that may account for the strong sales
of some 600,000 units to date. :)
- Jim
|
681.31 | | MRVAX::CESCOBAR | INTO THE PIT!!!!!! | Tue Nov 19 1991 09:14 | 7 |
|
Number 9 on the album chart. I tend to think this will be some kind of
one shot. After this they will just release singles that will be
alternatetively popular. Sorta like Love Shack from the B-99's. Or even
Unbelievable by EMF (lies didn't quite follow up)
Chris
|
681.32 | | DPDMAI::THRELFALL | Say baybah!! | Tue Nov 19 1991 10:56 | 6 |
| RE: extra track
Yeah, I discovered that, too! I was like, no way is the last song 20
minutes long! It's a b*tch to get to, but man-o-man is it worth it!
'pril(HMBP-RF-TOSA!)
|
681.33 | | BHUNA::IGOLDIE | Saor Alba | Fri Nov 22 1991 15:37 | 7 |
| I bought the "smells like teen spirit" single yesterday and I love
it.In fact I'd go as far as to say that it may be one of my singles of
the year.
Staynz
|
681.34 | Spirit | ANARKY::BREWER | John Brewer Component Engr. @ABO | Mon Dec 30 1991 10:12 | 7 |
|
... I like the first few bars of "spirit".. strummed in twangy ole
stock guitar... then the amps kick in with the same 4 chords and
you can almost SEE the walls shake...
Good stuff!
/john
|
681.35 | Welcome to Nirvana... | ASABET::D_SWEENEY | | Mon Dec 30 1991 11:23 | 7 |
|
Great album! Got it for X-mas and liked it the first listen. Its hard
to believe there's only three people playing sometimes. Is this there
first album or is thre more Nirvana out there?? I had never heard of
these guys until I saw the vid for "Teen Spirt" on MTV....
Dan
|
681.36 | | DPDMAI::THRELFALL | Hell, CA. Pop. 4 | Mon Dec 30 1991 11:28 | 1 |
| Dan, this is their 2nd album...
|
681.37 | Bleach | GOES11::G_HOUSE | Tommy The Cat | Mon Dec 30 1991 14:28 | 6 |
| Yeah, Nevermind is their second album, the first is called Bleach and I
believe they also have an EP as well. I've never heard Bleach, but the
talk around sez it's heavier and harsher then Nevermind.
gh (who's been looking for it, but hasn't found it yet due to the
extremely lame record stores around Colorado Springs)
|
681.38 | love a buzz | SOURCE::ZAPPIA | career interruption | Mon Dec 30 1991 15:10 | 12 |
|
The title track from the 4-track EP "Blew" which was also on their
first LP "Bleach" also contained the Shocking Blue cover "Love Buzz"
which was their first very limited pressing single b/w "Big Cheese".
The recent pressings of Bleach now have "Love Buzz" as well as a
couple other songs that I don't recognize as being on either of the
earlier LPs or the EP.
Greg, send me mail if you want to arrange a swap for Bleach.
- Jim
|
681.39 | | PROXY::MCCARRON | Itain'twhereyafrom,itzwhereyaat! | Tue Jan 07 1992 10:06 | 6 |
|
Nirvana will be the musical guest on Saturday Night Live
this week.
|
681.40 | | PAKORA::IGOLDIE | got my mojo workin' | Tue Jan 07 1992 10:10 | 2 |
| don't expect anything resembling normality from these guys,twice they
were on tv here in the UK and both times they just did their own thing.
|
681.41 | F.P.C.S.S.W.M.F. | VELVET::BAKER | | Tue Jan 07 1992 20:44 | 7 |
| If you can believe it, Nirvana is alledgedly going to start on a
west-co arena a tour opening for the mighty Red Hot Chili Peppers. They
should stick to headlining club shows in my opinion. The money might
not be there, but it's definitely better for the audience. (besides,
they got a $250,000ntract for Nevermind.d and it's not like they have
an extravagent social life or anything.)
|
681.42 | Nirvana on SNL | GOES11::G_HOUSE | I think I'm gonna hurl! -G. Bush | Sun Jan 12 1992 12:15 | 36 |
| Caught Nirvana on Saturday Night Live last night. As most SNL feature
bands, they played two songs. The first was "Smells Like Teen Spirit"
and the second was "Territorial Pissings". The drummer and bass player
trashed the drum kit at the end of the second song while the Kurt
(singer/guitar player) generated huge amounts of feedback with his
guitar.
Overall the performances were reasonably good, but for some reason they
didn't really seem into it that much. Maybe it was just my tired
perception...
That *giant* guitar sound from the album was gone too. I think I'd
mentioned in here before that I wondered if they'd be able to duplicate
that live. Obviously not. Plus the distorted guitar tone was
absolutely awful. Kurt was using some sort of rack based guitar rig
and it was all thin and buzzy sounding. I *think* I saw a Digitech
Twin Tube preamp in the rack, which would explain that sort of sound
coming out of it (I hate those things).
There were a couple of parts during "SLTS" that I couldn't see him
playing what I heard. I'm not sure if he was or not. If not, then I'm
disappointed...
I heard on MTV this morning that Nirvana will also be playing live
during a segment of "120 Minutes" tonight. Don't know if I'll bother
trying to catch it or not. The last time I sat up watching one of
those shows for "live footage" (of the RHCP), they showed like one
really short song at the very END of the program. I felt cheated...
I think that if I could be insured that Nirvana would play something
other then "SLTS", I'd probably watch it, but I'm starting to get sick
of that song from the massive overexposure it's getting lately. I hate
to ruin a song I like for myself by allowing myself to listen to it too
much just because the media wants to shove it down my throat.
gh
|
681.43 | | CAVLRY::BUCK | REXX & Roll | Sun Jan 12 1992 12:21 | 5 |
| I caught it and thought it was pretty terrible as well! The guitar was
thin and buzzy, and the massive vocal sound was gone, too! 8^( They
sounded like any slightly-out-of-tune garage band to me!
Buck, disappointed
|
681.44 | Dry vox = small sound | GOES11::G_HOUSE | I think I'm gonna hurl! -G. Bush | Sun Jan 12 1992 13:37 | 5 |
| Bass and drums sounded pretty good, I thought Kurt (the singer/guitar
player) was out of it though. But you're right, the big vocal sound
wasn't there either. In fact, the vocals sounded dry to me...
gh
|
681.45 | | VCSESU::MOSHER::COOK | just an angel in disguise... | Mon Jan 13 1992 09:15 | 2 |
|
The second song was killer!!!
|
681.46 | Inquiring mindz as they say | LACV01::BUCHANAN | Greetings from the Suncrime State | Mon Jan 13 1992 10:26 | 4 |
| What was the 'opening bit' on SNL? The DJ this morning made a big deal
of how funny it was, but I didn't see the show. What's da gig?
|
681.47 | | MR4DEC::JWHITMAN | No more Tears | Mon Jan 13 1992 11:17 | 3 |
|
Gotta love his hair....
|
681.48 | | VCSESU::MOSHER::COOK | just an angel in disguise... | Mon Jan 13 1992 11:20 | 11 |
|
re: Greg
I didn't like his guitar sound on the first song they played, but I
liked it on the second one.
Is it me, or did it seem like him knocking the mic stand down was
an accident? I think after that happened they just went nuts.
Anyone notice the plexiglass wall in front of the drums, getting
him that killer drum sound? Pretty cool!
|
681.49 | more about SNL | GOES11::G_HOUSE | I think I'm gonna hurl! -G. Bush | Mon Jan 13 1992 11:53 | 13 |
| re: /prc
Yeah, that second song ("Territorial Pissings") rips! They did a
pretty good version. Makes me wonder if they're getting as tired of
"Smells Like Teen Spirit" as everyone else is.
I couldn't tell if he knocked the mike stand over intentionally or not.
Like you say, looked accidental at first...
I also noticed the plexiglass drum enclosure. VERY good idea, those
things work great! He did have a good drum sound.
gh
|
681.50 | | DPE::STARR | I'll be your Tennessee lamb..... | Mon Jan 13 1992 13:45 | 8 |
| > Anyone notice the plexiglass wall in front of the drums, getting
> him that killer drum sound? Pretty cool!
The drummer in Little Feat (he's also played with Robert Plant) has been
doing this for years! I believe its so the drummer can whack away at the
drums, while keeping the onstage volume low....
alan
|
681.51 | PART I | POWDML::GOLDBERG | bone crackin' fever | Mon Jan 13 1992 14:34 | 137 |
| I'm breaking this up into two parts.
- taken without permission from Rolling Stone Magazine, Issue 622,
January 23rd, 1992.
"After giving birth to the surprise hit of the year, the guys from
Seattle fight the demons of fame."
NIRVANA
Blood is pouring onto the floor of Nirvana's dressing room. To make
matters worse, the source of the bleeding - a fan with a hole in his
mouth where his front tooth used to be - has gone into shock and is
convulsing uncontrollably.
Only a few minutes earlier he was just one in a stupefied throng of 900
fans in Ghent, Belgium, fanatically watching the carnage. Nirvana lead
singer-guitarist-instigator Kurt Cobain followed a headfirst dive into
the crowd by clawing his way back onstage and systematically spitting
on members of the audience standing in the first three rows. Bassist
Chris Novoselic pulled a Perry Farrell-style full-frontal strip before
trading places with drummer Dave Grohl, who played the bass while
lying on his back in the middle of the stage. Cobain then took violent
offense with the drums, wielding his guitar like an ax and splintering
the kit like firewood. Next stop, a Marshall amp, which Cobain stabbed
repeatedly with the neck of his guitar before he and Novoselic put the
finishing touches on their instruments by smashing them together five
times, the final impact shattering the bass and sending hunks of lumber
into the crowd, striking the aforementioned fan flush in the face. The
show, at this point, was over, Nirvana having done nothing if not put
danger back into rock & roll. Cash from chaos. Nevermind the Six
Pistols...Oh, well, whatever, nevermind.
Backstage, Novoselic is kneeling next to the convulsing fan, trying to
console him, as paramedics strap him to a chair and wheel him away.
The band's tour manager is shrieking about finding equipment for the
rest of the tour. Grohl has walked back into the empty hall, found the
dislodged tooth, intact, in front of the stage and is making plans to
turn it into a piece of jewelry. And Cobain is wandering through the
wreckage. "Hey everybody," he says repeatedly. "Why so glum?"
Explosions of all sizes have followed Nirvana, the most monstrous being
the clamor over the band's latest offering, *Nevermind*. The follow-up
to a striking Sub Pop debut album, *Bleach*, the trio's major-label
coming-out is simultaneously the year's most passionate release and
startling success story. A relentless barrage of thundering, f(ck-you
grunge-pop anthems, *Nevermind* has already sold over a million and a
half copies since DGC Records' initial shipment of only 50,000 records
on September 24th. But along with the overnight rise from the Seattle
underground has come intense media scrutiny, pressure and, in turn,
minor detonations like the Belgium show.
"That was the low point of the tour," says Novoselic, two days later in
Amsterdam. "It wasn't rock-star posing. A lot of what happened had to
do with alcohol and with some really weird tension in the air. THe
whole course of events just couldn't be stopped. We were just on the
train and where it took us, we went. We're dealing with extreme
business here, so reactions are extreme."
Extreme records, it turns out, also spring forth from extreme
individuals, and fro Nirvana the world is seen through the eyes of
Cobain, whose misanthropic view seems to inspire his remarkable gift.
While Grohl handles road pressures with laid-back ease and Novoselic
continually interjects a skewed sense of humor, Cobain rarely speaks to
anyone surrounding him, usually curling up and turning his back to a
crowd or mutely staring with the frightening intensity of a cornered
animal. Having already shunned the *New York Times* and the *L.A.
Times*, he at first refused to be interviewed for this article, changed
his mind, then failed to surface two other times, in one instance
hiding in a locked hotel room.
"When I joined the band, I lived with Kurt for eight months," says
Grohl, 22. "When I first got there, he had just broken up with a girl
and was totally heartbroken. We would sit in his tiny shoe-box
apartment for eight hours at a time without saying a word. For weeks
and weeks this happened. Finally one night, we were driving back in
the van, and Kurt said, 'You know, I'm not always like this.' And I
just went, 'Whewww.'"
Raised by his mother, Cobain, 24, grew up in a trailer park in the
redneck logging community of Aberdeen, Washington, about a hundred
miles from Seattle, where, he has said, he never had a childhood friend
and steadily developed a hatred for the macho, guns-and-booze posturing
around him. By the time he and Novoselic, 26, joined forces in 1987,
borrowing a PA and four-track recorder from Cobain's aunt, the silent
mistrust and pure punk ethic were firmly rooted. "The most
anti-authority guy in the band is Kurt," says Novoselic. "The most
anti-authority guy I *know* is Kurt. He'll be the one to walk up to
people and scream, 'Why? Why? Why?' A lot of times I'll understand the
reason behind things, even if I don't agree with it. Kurt's the guy
out there yelling at the top of his lungs."
Focused frustration and blind rage come through loud and clear on
*Nevermind*. Vacillating from being shimmery and hypnotic to brutally
assaultive, the songs are brief flashes of violence and retreat -
classic pop shrouded in amplified fuzz and elements of danger. IF
guitars could talk, Cobain's would scream, melodically and
irreverently, "What are *you* looking at?" And Grohl - who, as the
group's fifth drummer, has finally given the band the propulsion it has
always promised - bludgeons his drums like they owe him money. Grohl,
who had previously played with the Washington, D.C., hardcore heroes in
Scream, has helped solidify the band's dynamic despite growing up far
from the Seattle scene.
"Before I auditioned for the band, I talked to them on the phone, but
I'd never met them," says Grohl. "I'd seen them once backstage at a
Melvins show, and I found them quite amusing. There was Chris, this
big tall guy jumping all around, and then there was Kurt, sitting in
the corner like he was taking a sh(t. He was sitting there, legs
crossed, not even looking at anybody."
With Grohl in place and two years of gigs between *Bleach* and
*Nevermind*, the startling collection of songs for the new album began
taking shape. The entire disc cashes in on the promise of *Bleach* and
the fantastic single "Sliver." *Nevermind* careens through Cobain's
world, from the subdued, then violent wail of "Lithium" to "Polly", the
unnervingly stark acoustic rendering of a rapist tormenting his victim.
More than sounding like us versus them, *Nevermind* sounds like *me*
versus *you*. "A big factor has been alot of political and social
discontent," says Novoselic. "When we went to make this record, I had
*such* a feeling of us versus them. All those people waving the flag
and being brainwashed, I really hated them. And all of the sudden,
they're all buying our record, and I just think, 'You don't get it at
all.'"
Yet another misunderstanding surrounding Nirvana is that the band
plays, or even embraces, heavy metal - a myth perpetuated by reams of
rave reviews from metal mags and an appearance on MTV's *Headbangers
Ball*, for which Cobain arrived wearing a dress, stating, "I'm dressed
for the ball."
|
681.52 | PART II (last part) | POWDML::GOLDBERG | bone crackin' fever | Mon Jan 13 1992 14:36 | 144 |
|
"Metal's searching for an identity because it's exhausted itself, so
they're going to latch onto us," says Novoselic. "We're not metal
fans. There's a lack of insight into anything higher on any level."
Grohl agrees. "It's the attitude that sets it apart," he says. "When
you think of heavy metal, you think of sexist innuendoes and
pseudo-Satanism." Novoselic concurs. "A lot of heavy-metal kids are
just plain dumb," he says. "I'm sorry. We're heavy, but we're not
heavy metal."
Nirvana's roots can be fairly easily traced to a stormy marriage of
punk and pop. All three members are unabashed about admitting to pop
childhoods (the CD of choice on the Nirvana tour bus is *Abba's
Greatest Hits*), and all would be quick to tell you that strains of
their music can be traced back to Liverpool. "When it comes down to
pop, there's only one word - the B word," says Grohl. "Beatles. We
might as well just play f(cking Beatles covers for the rest of our
careers." Says Novoselic, "They started it, they did it best, they
ended it."
But while *Nevermind* nods at the melody of pop past, it's not likely
that many Top Forty hits will contain squalls of feedback or a singer
screaming like he's exorcising a lifetime of demons. And it's less
likely that a check of the charts will reveal titles like "Territorial
Pissings" and "Drain You" or a song featuring Cobain shrieking: "I'm a
negative creep. I'm a negative creep, and I'm stoned" (from *Bleach*'s
"Negative Creep"). In the melt and marriage of their influences,
Nirvana comes off sounding like the Sweet fronted by Jeffrey Dahmer.
The personalities of the two albums - *Nevermind's* blistering
tunefulness and *Bleach*'s menacing immediacy - stem, in part, from the
reality of the band's surroundings. "*Bleach* was recorded for $600 on
eight tracks," says Novoselic. "We recorded in three days, hacked it
in, hacked it out." The sense of urgency shoes through. On
*Nevermind* we were luck y record in this studio from the Seventies.
It was like a time machine. It was like an old pair of corduroys that
was starting to wear out. Just like a studio Abba would have recorded
in. We'd just stagger in late, then get intense with it."
The staggering intensity of public reaction, however, has thrown
Nirvana into a tailspin. Since vaulting into the Top Five and going
platinum in a matter of months, the band has been deluged with
interview requests and promotional appearances, making band life a
twenty-four-hour-a-day job. At an Amsterdam radio appearance, the
production crew requested a gaggle of tunes from *Nevermind*. Without
responding, the band played a Leadbelly cover and composed a new song
on air, Cobain stopping at the beginning to say, "Wait a minute, I have
to think of some words for this." Outdistancing the likes of Guns n'
Roses, Mariah Carey, Michael Bolton and Metallica on the *Billboard*
charts, it seems, has cast overwhelming shadows of doubt over Nirvana's
self-image as underground, antimainstream operatives.
"We wanted to do as good as Sonic Youth," says Novoselic. "We totally
respect those people and what they've done. We thought we'd sell a
couple hundred thousand records at the most, and that would be fine.
Next thing you know, we go Top Ten. I wish we could have a time
machine and go back to two months ago. I'd tell people to get lost."
Grohl echoes the fact that Sonic Youth - whom Nirvana was opening for
just a few short months ago - is the band's measuring stick for
integrity. "We can related to Sonic Youth because we're from the same
school," says Grohl. "People ask us why they didn't sell 500,000
records, and my only answer is that people are f(cking stupid."
So, the good and bad news for Nirvana is that it is the first of the
slew of indie bands that made the jump to a major label - from Sonic
Youth to Dinosaur Jr to Firehose - to triumph in the mainstream, in
large part due to the fact that it is the first band to deliver the
goods. At a critical juncture of rock's resurgence, hard rock and
metal have garnered mass appeal but are no longer unnerving. Nirvana
delivers intimidation in spades. From the video images of Cobain
snarling to the album's out-of-focus inside photo of his giving the
finger - telling everyone who buys his record to f(ck themselves -
Nirvana has taken fans to an edge they seldom inch toward. And at the
same time, the songs are familiar enough to offer an air of safety,
however uneasy, that other bands can't provide. You can actually *hum*
the damn things.
The band now hopes that, once it has leapt into the mainstream, it
might just gain the opportunity to subvert from within. "Our
justification for all the attention we're getting is that, maybe, a lot
of other underground band will get noticed," says Novoselic. "that's
the only way we can deal with it."
With commercial rock success, however, comes commercial rock
recognition. "everyone is always asking if I'm afraid of the band's
success going to far," says Grohl. "That doesn't really make any
difference. I just don't want to be David Grohl of Nirvana for the
rest of my life. It's like the kid who got caught masturbating in the
bathroom of high school. That's the only way he's ever known."
The band members' main dissatisfaction with their public portrayal is
the media depiction of them as rock brats simply mirroring the nihilism
they rail against, rather than concentrating on their sincere efforts
to focus attention on such problems as sexism and repression. "There's
this saying, 'What's the value of preaching if man isn't redeemable?'"
says Novoselic. "I go back and forth on that, but basically, we're
total optimists. We don't have any agenda. We can yell, 'Revolution,'
and we can yell, 'The middle class is f(cked, go downtown and smash
all the windows.' But then what? There's no agenda. All we are
saying is 'Be aware'. There's a lot of information out there. Use
it."
Then again this *is* still a band that got kicked out of its own
record-release party. "No one wants to be under someone else's
control," says Grohl, before Novoselic jumps in quickly. "It's, like,
I have this hash and I'm going to have to give it away when we leave
Amsterdam," he says. "there's nothing wrong with it. I'm not going to
hurt anybody. Authority and the whole policeman mentality is just
f(cked. I've been arrested before. I've had police come to my house.
So many cops are just dumb."
Now as *Nevermind* remains rooted in rock's elite Top Ten and the video
for its first single, the snarling anti-anthem "Smells Like Teen
Spirit", continues to log hours and hours of MTV airplay, the band
remains slightly blinded by the spotlight and amused that the single's
revulsion of teen apathy is being construed as a youthful call to arms.
"I'm looking forward to being older," says Novoselic. "I've got
everything going against youth that I possibly can. I'm married. I'm
losing hair. I heard somebody say that Nirvana is against the old
generation. That's not right. We're just against the old guard."
Onstage in Amsterdam, the Belgium show two days forgotten, Nirvana is
relentless - occasionally giving tee hysterical crowd a chance to catch
its breath just before punching it in the throat again. Novoselic
bobs up and down barefoot across the stage as Grohl clubs his drums
with the subtlety of a boot to the groin. Cobain, regular guitar out
of commission, sports one with a stick that reads VANDALISM: BEAUTIFUL
AS A ROCK IN A COP'S FACE as he dives at a cameraman who is trying to
film from the edge of the stage. The only explosion tonight is Nirvana
erupting into the fiercest set in rock & roll, Cobain shrieking the
final lines of "Territorial Pissings," the band's bile-spewing
antisexism rant, and then leaping over the drums, into Grohl's arms to
be carried offstage. End of show. End of story. Enough said. "Any
good review," says Grohl, "should just say, 'They go up onstage, they
played fifteen songs, and they left. It was loud. People were
slam-dancing. I went home with a headache. Nirvana.' What more is
there to say?"
Goddess F.
|
681.53 | *BLECK* *BLECK* *BLECK*!!! | MPGS::HOWES | Shadows form scary visions. | Mon Jan 13 1992 15:39 | 17 |
|
I don't think they played that great, but I don't really like
them anyway..
My question is... Did any of you see the end of the show, when
all the people were congradulating each other on the show?
Well, I did... The bass guy (from Nirvana) first went over and
kissed the drummer, and then went to the lead singer/guitarist
and kissed him too. Now, I don't mean a nice little peck, I
mean this was a *HARD* (toungy) kiss. (At least from what I
saw) This grossed me out to no end... Did anyone else see it
or was it just me..
-GrossedOutYpooh
|
681.54 | | VCSESU::VCSESU::COOK | just an angel in disguise... | Mon Jan 13 1992 15:39 | 2 |
|
They do stuff like that to be obnoxious.
|
681.55 | | GOES11::G_HOUSE | I think I'm gonna hurl! -G. Bush | Mon Jan 13 1992 15:53 | 11 |
| Thanks much for posting the interviews, Francine! Interesting reading.
Kind of confirms some of what I thought from listening to the music...
re: the kisses
Yeah, I saw that. Didn't look like any tongue though. I thought it
was interesting that David and Chris were wandering around talking to
the rest of the SNL folks and Kurt was just kind of standing there
looking like he was lost...
Glh
|
681.56 | what would Freud say? | CAVLRY::BUCK | REXX & Roll | Mon Jan 13 1992 15:54 | 3 |
| -2
I think you're jealous!
|
681.57 | It was gross....At least IMO. | MPGS::HOWES | Shadows form scary visions. | Mon Jan 13 1992 16:00 | 19 |
|
re: Greg
Yeah, you might be right about the tounge. I am not sure, I wasn't
really expecting it, and it happened very fast, but still, I know
the kiss was quite hard, not just a little peck.
re: Pete
Well it worked...at least on me....to be sick is more like it.
re: Buck
Nah, I don't think Pete is jealous....
-Seth
|
681.58 | | VCSESU::VCSESU::COOK | just an angel in disguise... | Mon Jan 13 1992 16:01 | 2 |
|
I think Buck meant -3 instead of -2.
|
681.59 | And Buck is not much of a source.. 8) | MPGS::HOWES | Shadows form scary visions. | Mon Jan 13 1992 16:03 | 11 |
|
I know what he meant, I was just being a pain...
It is hard to take insult from a guy who like Ms. Bald O'Connor.
I just consider the source.
-Seth
|
681.62 | This just in from 'MBR... | PROXY::MCCARRON | Itain'twhereyafrom,itzwhereyaat! | Tue Jan 14 1992 10:17 | 8 |
|
I heard the reason for the dead air during the intro to "SLTS"
was due to an "advertisement". Someone in the band said, "Buy Coke.
It's the real thing."
Paul
|
681.63 | Truely a band I've hated from the start.... | COMET::FRISBYA | Sweet Cheater | Tue Jan 14 1992 11:49 | 6 |
| Hi..My name is Allen and I'm a stupid Heavy Metal kid.
Therefore I **REFUSE** to buy anything from this band and I'm
not latching on to them.
Frizkid
|
681.64 | ya love it or hate it | VCSESU::MOSHER::COOK | just an angel in disguise... | Tue Jan 14 1992 11:51 | 6 |
|
I think they're fantastic! They bring me back to the punk/hardcore
days. I love that kind of music, but it's definitely abn acquired
taste.
/prc
|
681.65 | | CSC32::J_HERNANDEZ | People who use straws suck. | Tue Jan 14 1992 12:25 | 5 |
| >>>Hi..My name is Allen and I'm a stupid Heavy Metal kid.
He confirms it!!
Gee, Alan not much teen spirit eh?
|
681.66 | Nice hair buttl*ck......... | COMET::FRISBYA | Sweet Cheater | Tue Jan 14 1992 14:12 | 12 |
| At least I know how to spell my name right when it's right in front of
me....Jesse...It's ALLEN not Alan!
I can't believe any person of the metal crowd would even bother with
these losers after what he said.
F()K TEEN SPIRIT!!!!!!!
I'm soooooooooo sick of everything like this.
Frizkid....pissed
|
681.69 | | VCSESU::MOSHER::COOK | just an angel in disguise... | Wed Jan 15 1992 08:52 | 3 |
|
Nirvana comes from a punk/hardcore background, not a heavy metal
background. There is a BIG difference.
|
681.70 | ANTI-ALTERNATIVE..... | COMET::FRISBYA | California born and raised! | Wed Jan 15 1992 08:54 | 5 |
| Yes...The difference is they don't play their instruments very well and
they wear dresses.
Frizkid
|
681.71 | POP..........POP............POP.? | COMET::FRISBYA | California born and raised! | Wed Jan 15 1992 08:55 | 7 |
| Also....IN the article didn't it say that they come from a POP
background?
With would make it worse....
Frizkid
|
681.72 | | POWDML::GOLDBERG | bone crackin' fever | Wed Jan 15 1992 09:26 | 7 |
|
I thought in the article it said "MOST heavy metal fans are dumb"..
Goddess F.
|
681.73 | | VCSESU::MOSHER::COOK | just an angel in disguise... | Thu Jan 16 1992 12:47 | 8 |
|
> Also....IN the article didn't it say that they come from a POP
> background?
The article said Punk and pop. Mostly punk as is evident by
their music.
/prc
|
681.74 | Self-haters......... | COMET::FRISBYA | California born and raised! | Thu Jan 16 1992 14:14 | 4 |
| Mostly more time in the bathroom than playing their instruments because
THAT'S WHAT IT SMELLS LIKE..............
Frizkid
|
681.75 | | POWDML::GOLDBERG | throw me in the slam | Tue Mar 10 1992 10:41 | 20 |
|
Here is Nirvana's top ten picks taken without permission from Rolling
Stone Magazine, Issue 625.
1. Melvins, Bullhead
2. Urge Overkill, Supersonic Storybook
3. Mudhoney, Every Good Boy Deserves Fudge
4. Pixies, Trompe le Monde
5. Breeders, Pod
6. Tad, 8-Way Santa
7. Shonen Knife, Christmas EP
8. Sonic Youth, Goo
9. Teenage Fanclub, Bandwagonesque
10. L7, Smell the Magic
Goddess F.
|
681.76 | What no Bikini Kill? | OLTRIX::ZAPPIA | punk rock polly | Tue Mar 10 1992 10:58 | 10 |
|
I think they're soon to be label mates with L7 along with Sonic
Youth who have been signed with DGC. Chris, the bass player was
wearing their T-shirt during the SNL performance that I have still
yet to see.
The only band I'm surprised they didn't mention is Captain
America, the others are all appropriately mentioned.
- Jim
|
681.77 | good reading | DPDMAI::THRELFALL | I ate the five bucks! | Thu Mar 12 1992 10:51 | 151 |
| Hey all you Nirvana fans (I know yer out there *somewhere*)! I just
found this article - check it out!
Taken from the April, '92 issue of Elle magazine without permission.
By Gina Arnold
MUSIC: Three 'negative creeps' who rocked the charts.
HIGH TIMES AND LOW LIFE
NIRVANA DEFIES THE ODDS
If America has given birth to a new youth culture in the last decade,
the Nirvana show at San Francisco's Cow Palace this past New Year's Eve
was its christening. Fifteen thousand fans, clad in the sanctioned
uniform from the movie Bill & Ted's Excellent Adventure (baseball caps
worn backwards, Red Hot Chili Peppers T-shirts, torn cutoffs, long johns,
and combat boots) congregated to cheer the year's surprise anti-heroes
and self-described "negative creeps". When the band (Kurt Cobain, guitar
and vocals; Chris Novoselic on bass; Dave Grohl on drums) burst into its
signature single, "Smells Like Teen Spirit", the crowd threw itself into
an enormous vortex of motion: people leaping on top of one another's
heads, hurling shoes on stage, and screaming out the chorus. One
onlooker near me started thrashing his head about so violently that his
hair whipped my face. I turned to give him a nasty look and did a double
take: it was Ted himself, Keanu Reeves, moshing his brains out. Nearby
his buddy River Phoenix nodded along, equally rapt. At the end of the
set, band members smashed their instruments to bits while the audience
howled with glee.
The Cow Palace show was no isolated enclave of enthusiasm; that very
week, Nirvana's album, Nevermind, was on its way to number one on the
Billboard charts. To get there, it had to bump albums by Mariah Carey,
Michael Jackson, Hammer, Guns n' Roses, and Garth Brooks. But unlike
some of these mainstream kingpins, Nirvana owes its success to sheer
merit, not studio hype. I still found it heartening to hear "Smells Like
Teen Spirit", after weeks on the charts, blasting out of Chevy vans and
bleeding out of the open windows. The rise of Nirvana is a kind of
David-and-Goliath victory, with the good guys - three scruffy stoners
from the Pacific Northwest - besting the spandex-clad, bleached-blond
bimbo-boys of every other metal band. When Nevermind went platinum in
October of last year, it did so without the benefit of a single in the
top 100 or heavy rotation on MTV. Thanks to the punch of the "Teen
Spirit" video - a send-up of a high school pep rally - it now has both.
And early this year, the album went triple platinum.
Despite the fact that well-made, heavily rotated videos are powerful
selling tools for albums and practically required for top-of-the-charts
success, Nirvana claims to have no great interest in the form. "I'd
rather read Mad Magazine than ponder MTV for even one minute," insists
Novoselic. He adds, though, that the group is hoping to use a
pyrotechnician for their next video. When asked how one gets a job like
that, he deadpans, "I guess you had to have a really good guidance
counselor in high school."
Why then is Nirvana so wildly successful? "The music," says
Novoselic with a shrug. "It's pretty much self-explanatory. I think you
can sum up all of Kurt's lyrics like this: 'I hate myself. Do you know
where I can buy a gun?'" At his outrageous clam, Cobain - shaggy-haired,
pinwheel-eyed, and generally pretty silent - giggles uncontrollably.
Though almost every other song on the record does in fact mention guns,
Cobain's lyrics are a far cry from the sort of puerile macho posturing
that characterizes most metal. "Territorial Pissings" reveals an overt
feminist sympathy - "Never met a wiseman/If I did, he'd be a woman" - and
"Polly," about a woman abducted and raped, is bleak and damning. On a
recent episode of MTV's heavily testosterone-powered Headbanger's Ball,
Cobain wore a yellow ball gown to distance Nirvana from the
leather-and-chain regulars and, just perhaps, to show his solidarity with
women. And earlier this year, the band was the featured attraction at
two major abortion-rights fundraisers held in Los Angeles.
As Nirvana's resident genius, Cobain is an unlikely teen idol. He
looks like the worst sort of pothead, the type who hangs out in the high
school parking lot. His hobby is sleeping. Both he and his best friend,
Novoselic, come from Aberdeen, Washington, a tiny coastal town about 100
miles southwest of Seattle, which they proudly describe as "the suicide
capital of the state of Washington." Cobain grew up in a trailer park,
and Novoselic's family moved around a lot. The two felt outside the
culture of redneck suburban heavy metal, and refused to listen for all
adolescent eternity to albums by the likes of the Scorpions and Black
Sabbath. When a friend lent them a fuzzy copy of a tape by the San
Francisco band Flipper, they swore allegiance to punk rock. "It made me
realize there was something more cerebral to listen to than stupid cock
rock," says Novoselic. "And it brought all the misfits in town together.
We all realized that rednecks weren't just dicks; they were total dicks!
The same friend who won them over to punk had a band called the
Melvins, who played an illegal gig at a local supermarket parking lot.
"When I saw them play, Cobain recalls, "it just blew me away and I was
instantly a punk rocker. I got a spiky haircut and I abandoned my
friends because they didn't like that music. And it made me want to play
guitar. I learned one Car's song and AC/DC's 'Back in Black', and after
that I just started writing my own. I didn't feel it was important to
learn other songs because I knew I wanted to start a band. But I
couldn't find anyone in Aberdeen to be in a band with. After about two
years, I made a tape of some punk rock songs and I played it for Chris.
He really liked it, and suggested we start a band. Even though," he
says, laughing at the memory, "it sounded exactly like Black Flag."
Ironically, the Melvins were playing a tiny club in San Francisco the
night of the Nirvana New Year's Eve bash. Cobain wrecked the Cow Palace
stage not simply because it was de rigueur (though Nirvana has been known
to trash more than a few instruments) but to pre-empt an encore so he
could catch his mentor's show. Making an appearance at the Melvins' gig
was something of a favor returned: when Cobain and Novoselic formed
Nirvana they borrowed what Cobain calls "scraps of Melvins' equipment" -
including their drummer. Actually, they went through four drummers
before finally hiring Grohl from the Washington, D.C. band Scream.
The group played small clubs in Tacoma and Seattle prior to signing
on with Sub Pop, Seattle's prestigious alternative-music label. Nirvana
put out a single, "Love Buzz," and six months later the group released
its debut album, Bleach. Though far rawer and heavier than Nevermind,
Bleach contained certain Beatlesesque melodies and harmonies that
distinguished Nirvana from the more metal-edged bands coming out of
Washington. Bolstered by Sub Pop's good name and their own incessant
touring, the album quickly garnered an enthusiastic underground
following.
In 1989, Nirvana toured Europe with another Sub Pop band, TAD. For
Novoselic, the low-rent tour was less that a perfect experience. "Eleven
people cruising in one van," he recounts, "kind of stinks." Then Sonic
Youth, college radio's feedback heroes, asked Nirvana to open for their
American tour. The band found itself heavily wooed by several major
labels, whose A&R people obviously knew a good thing when they heard it.
In the summer of 1990, Nirvana signed with DGC, Geffen's alternative
label, and began work on Nevermind.
Cobain now makes his home on Olympia, Washington, though he plans on
moving to Los Angeles later hits year after marrying his fiancee,
Courtney Love. Love fronts the band Hole, and appeared opposite Joe
Strummer (former Clash member) in Straight to Hell, Alex Cox's film
homage to the spaghetti-western. Novoselic lives with his wife, Shelli,
in Tacoma; Grohl returns to his home in D.C. between engagements. But
nobody has spent much time at home since the release of Nevermind. And
when they get back this time, they'll be superstars. How will that feel?
Lounging by the pool at L.A.'s tony Beverly Garland hotel, Cobain
considers the band's seemingly overnight and phenomenal success. "Well,
it's a fine thing and a flattering thing, but it doesn't matter," he
insists. "We could be dropped in two years and go back to putting out
records ourselves and it wouldn't matter to us, because success is not
what we were looking for. We don't want to be staying at the Beverly
Garland hotel: we just want people to be able to get the records."
Novoselic has a darker perspective. "I'm grateful to be here,
sitting by the pool, all arrogant and everything," he says, "scoffing at
the employees and people on their vacation and stuff. But this isn't
going to last forever. I'll be out on the street again soon, because
rock 'n' roll is bullshit. Bunch of druggies and alcoholics. Bunch of
noise."
What a way to end an interview, huh guys?
-hope you enjoyed it!
'pril
|
681.78 | | PEKING::PERKINSP | I'm a negative creep | Thu Mar 12 1992 11:00 | 5 |
|
I STILL refuse to give in and buy Nevermind.
flip
|
681.80 | | PEKING::PERKINSP | I'm a negative creep | Thu Mar 12 1992 11:16 | 3 |
|
Bleach is where it's at.
|
681.81 | Nirvana? NOT! | COMET::FRISBYA | You and me were meant to be | Thu Mar 12 1992 11:48 | 7 |
| I STILL refuse to buy anything by them. Period.
BTW-In more surprising news....Weird Al is making another funny video
entitled "Smells Like Nirvana".
Frizkid
|
681.82 | | SUBURB::COOKS | I`m the Ace Face in a Zoot Suit | Thu Mar 12 1992 12:24 | 4 |
| So who are Nirvana? The latest coool thing?
Boring,boring,boring.
|
681.83 | I hope it blows over soon! | COMET::FRISBYA | Anyway the wind blows | Thu Mar 12 1992 12:26 | 4 |
| Definately a fad. By reading that article they know it too!
Frizkid
|
681.84 | | KDX200::COOPER | Step UP to the RACK ! | Thu Mar 12 1992 13:17 | 3 |
| I like Territorial Pissings and Come As You Are. I've got the Nevermind CD.
"Ehhhh"
|
681.85 | | DPDMAI::THRELFALL | I ate the five bucks! | Thu Mar 12 1992 13:46 | 1 |
| I've yet to get Bleach. But you can bet that's the next one I'll get!
|
681.86 | | PEKING::PERKINSP | I'm a negative creep | Fri Mar 13 1992 04:09 | 9 |
|
Stu, I'm surprised you haven't heard of Nirvana, they've had a very big
following over here for at least the past couple of years. Did you not
see them at last year's Reading Festival...and they're set to headline
this year (depending on if the event goes ahead). If you like a good
grungy guitar sound and you like it raw, well, you can't get more to
the bone than Bleach.
flip
|
681.87 | | SUBURB::COOKS | I`m the Ace Face in a Zoot Suit | Fri Mar 13 1992 07:41 | 9 |
| Well,i certainly like it raw..er,yeah,i have heard of them,and in fact
i`ve got "I want you" (the Kiss song) by them on my Kiss covers
compilation album.
I wouldn`t mind checking out Bleach,i must say. Oh,and i`ve never been
to the Reading festival,though i did come close to seeing Iron Maiden
headline in way back in `82,but my mum wouldn`t let me go.ho!ho!
|
681.88 | | PEKING::PERKINSP | I'm a negative creep | Fri Mar 13 1992 07:47 | 4 |
|
Yeah, I figured you were a mummy's boy.
|
681.89 | | SUBURB::COOKS | I`m the Ace Face in a Zoot Suit | Fri Mar 13 1992 08:30 | 5 |
| Er,i wuz a little lad of 13 at the time. Plus the fact we were going
on holiday to Spain the next day.
I`m not a mummy`s boy. I`m rock hard. Sort of.
|
681.90 | Nirvana sued Nirvana??? | OGWV50::TANAKA | | Thu Apr 02 1992 06:50 | 24 |
| Hi All,
I heard the following news(rumor?) just today.
I'm not sure if it's correct or not.
Does anybody know anything about it?
Thanx in advance.
Toshiaki Tanaka from Tokyo, Japan
There is another band called Nirvana in Britain and the band sued American
Nirvana about copy right violation of the band name.
British Nirvana released 2 albums(or singles?) and suspends the band activity
now.
In response to that lawsuit, American Nirvana said "The band suspends the
activity. It means that they have already abandoned the copy right."
|
681.91 | 8) | COMET::FRISBYA | Call 574-7697 to rent this space | Thu Apr 02 1992 09:12 | 5 |
| HA!HA! I hopw the spoiled brat American Nirvana have to change their
name. I also hope I never hear from them again.
Frizkid in his PIHOS seat
|
681.92 | think about it | OLTRIX::ZAPPIA | Pro-Escalator-Movement | Thu Apr 02 1992 11:03 | 38 |
|
RE: -1 / Friz...
Why do you call them spoiled, do you care to backup any of your
statements? Come on. Discuss.
There was a band in the 60's by the same name, I forget where they
were from, the UK possibly.
I forwarded some of you Nevermind lyrics off the usenet - they're
supposed to be included with the next (late summer) single "Lithium".
I love Kurt's home brewed t-shirt on the cover of Rolling Stone -
from what I can make out "Corporate Magazines Still Suck". I agree
in general with some dislike of corporate matters but being part of
the corporate structure myself...one reason why I have been trying
not to say only negative things about MTV, I think I mentioned
else where but Kurt Loader certainly has more sense than some people
in the business, writers, djs, etc. There certainly are more figurine
types who don't know diddley about music but fit the suit. I agree
with the sediment that one way to beat the enemy is to join them...
As well as the points (1%) Sup Pop now receives from the sales of
Nevermind the band also have to do one one more single for Sup Pop's
Single of the Month club - there may also be a "rarity" release of
the demo tracks originally given to Jack Endino, two of the tracks
from this demo made it to Bleach. Also, same songs have already been
written for the next record due to out for fulfillment of DGC
contract. It's supposedly will be a mixture of more softer mellower
stuff and harder edged pop stuff. It will clearly be different and
unlike many bands who can virtually put out the same well received
initial records over and over again this one will not be another
Nevermind.
- Jim
|
681.93 | | COMET::FRISBYA | Worship me | Thu Apr 02 1992 11:16 | 12 |
| O.k. I'm game. They have bad attitudes and think everything sucks.
They even think that selling as many albums as they did, sucks.
Don't they ever like anything?
Everytime I read about them or see them their ALWAYS bitchin'.
IMHO that qualifies spoiled or maybe I meant spoiled as in
ROTTEN.
Frizkid
p.s. And they're boring. 8)
|
681.94 | | CAVLRY::BUCK | Heartbreak Boulevard | Thu Apr 02 1992 11:24 | 3 |
| I don't see Gary Moore bitching cuz Skid Row (the hair band) stole his
UK band's name?!
|
681.95 | | KETJE::VLASIU | | Thu Apr 02 1992 11:56 | 5 |
| In the beginning I enjoyed listening almost all the Nevermind album but this
has vanished now. With the exception of "Smells like teen spirit", I find the
songs quite boring after repeated listening.
Sorin
|
681.96 | Untitled R.A.S.H. | USOPS::ZAPPIA | Pro-Escalator-Movement | Fri Apr 03 1992 10:45 | 187 |
|
If I tried putting this into completely sensible order I'd probably
end up saying nothing so....
Friz...my intended point was - do you have to reply to a topic 10
or so times to make your point, how many times does it take for
you to say how much you dislike someone - if you must why not make
your point once with something to back up your feelings and then
move on?
I was not trying to discount your opinion or even disagree with it.
Although I do disagree that they have bad attitudes. I think they
have fine attitudes they appear to be enjoying what they do and
anything else that has happened is certainly some what out of their
control. On the other hand doing interviews and being on covers
of some magazines that they may not particularly have cared for in
the past isn't all bad or even a "sell-out" - if they manage to
accomplish or say some of what they want. Why do it otherwise is
beyond be. I guess they could talk about how "fame" now allows them
to do some things that they could never do before but I think they're
more down to earth and don't think they can change the world or the
music business but clearly they have already, if not directly added
another dimension to bands who have been around for years. They're
not trying to fit any established norms for how a band should or
should not be. They're simply Nirvana or actually maybe a band who
might like if you enjoy their music an appreciate that they're not
ignorant of things around them.
Even though I enjoy reading many bands interviews you should always
take them with a grain of salt. How many times have you heard
someone in the public eyes whose comments got distorted by an
interviewer? This happens many times.. They can some times so
easily turn completely around a statement or exaggerate it.
If by bitchin' you mean their comments on the state of things
socially, women's issues, etc. I don't consider that bitchin'
at all.
Not everything sucks but a lot of things can be better? As much as
I some what prefer to keep things separate if you think things
are perfect you must live in area I'm unfamiliar with. A lot
of things do suck, but again not everything.
Reminds of something I recently heard, if you think about politics
too much you either become a terrorist or depressed - I feel a bit
of the later I guess.
It's also interesting to note that Kurt has continued to say bad
things about Pearl Jam and yet one member of Pearl Jam (vocalist
I think mentioned if not for the Green River records sold by Sup Pop
they wouldn't have been able to put out their record Bleach, etc.
Also, I forget his name and don't know if it's true but supposedly
their second guitarist who only toured for some some of Bleach
before being tossed out fronted them the $600 to record Bleach
I forget his name , he did not play on first record even though
his name appears on it.
Some of their interview comments stories could just be a mutation
of really having completely boring lives as I'm sure is possible
if you suddenly reached this level of people being interested in you.
Surely anyone who exceeded their goal ten-fold even if they didn't
have a goal to begin with - at least DGC I can believe only expected
to sell along the lines of 250,00 units some where along the lines
of Sonic Youth and to now being over triple platinum - 3,000,000 plus
is a bit beyond. I guess in interviews they could say nothing and be
real morons but why not try to say something meaningful.
At times I do get tired of their always seeming to be a message
for instance when watching TV sitcoms that are intended to be humorous
but does get a little tiring with some of the underlying points but
I guess it's not all bad for it to be entertaining and though
provoking.
Also as Kurt could possibly be the John Lennon (in comments not
comparing musically ) of the nineties he has no intentions of
being spokesperson but does express his opinions. Also if they
help other bands and that is already showing sighs of happening
then all the hoopla is worth it.
I don't think they're upset with selling as many albums as they have
but more so with how they they are viewed as being some well calculated
hyped output of David Geffen's and company. Clearly Bleach should
have initially done just as well but could never have because of
constraints of Sup Pop and basically far less visibility or more
accurately more specific audiences, college radio, many tours via
club circuits, etc. I don't think anyone will argue that the affect
of MTV (the nations only music station) has not been a factor as well
as the diversity of radio stations through out the country who first
picked up on the first single and continue to play others. I can
understand how some original fans may not like the current exposure
of the band but to not like the album because of this is silly.
Bleach is really not all together different than Nevermind but does
have more of a rough quality about it, certainly the pop factor is
there but the exposure channels it was on could not possibly expect
to deliver the same impact. Sales of it are now doing well
as interest has been sparked by those who liked Nevermind. If
anything the time spent recording each album was clearly a factor as
well as other things, from a a few days for Bleach to a few weeks for
the Nevermind has to do with it as well as being a difference of two
years. Butch Vig and more spent in the studio also part of it.
The thought of them being accused of "sell outs" is beyond me and
reminds me of some of the flack Metallica has received. I guess their;'s
some sort of fine line between being popular and selling many records,
doing what you want, how you're perceive, etc. but to favor obscurity
over popularity independent of be able to maintain your artist destiny
is beyond me.
Even in the April Rolling Stone Kurt who originally blew them off but
who has now ended up a couple of times even stated he doesn't
care of the magazine so to simply have said I don't what to me on your
cover because I hate you magazine doesn't accomplish much as being able
to state you feelings in a forum that does meet many of the people
you might bit reach otherwise. I forget one comment but
it's like preaching to people who already know what you're about,
it serves no purpose. Beat the enemy, join them.
Regarding the rock star image I'm sure Kurt and others aren't the
first to face some of the preconceived notions about this, Dave Grohl
for one mention that being 1/3 Nirvana (I think he's more than simply
the last of a long string of the band's drummers) is the life but
after Nirvana he does want to get a life.
Even if the story is self-contrived it's something to think about.
I'll have to come back to this but for now...
HYDRA::RAY_RAY
================================================================================
Note 534.120 Nirvana 120 of 147
USOPS::ZAPPIA "punk rock polly" 52 lines 12-FEB-1992 22:21
-< bio-hazard >-
--------------------------------------------------------------------------------
Whatever the real story is I like this one and I could not have said
it better...
Some of the story is obviously amusingly stated such as Kurt being a
saw blade painter...who knows, maybe there is such a thing.
An extract from a DGC bio on the band; starting in on the last
paragraph and other pieces.
Therein lies the rationale behind the title Nevermind "no one,
---------
especially people our own age, want to address important issues."
Cobain continues, "They'd rather say 'Nevermind, forget it.' On one
hand we're not a political band but we're just some guys playing music
but we're just not another mindless band asking people to forget it
either. There's no rebellion in rock 'n' roll anymore. I hope the
underground music can influence the mainstream and change some kid's
life and stop him from becoming a welder or a sleazy lawyer. Maybe
what we need is a new generation gap.
Kurt says, "But we've never cared much for professionalism as long
as the energy was there. Like our live shows: We're out of tune and
we use feedback. That's not on purpose or because we don't care
we're just musically and rhythmically retarded and we play so hard
that we can't tune our guitars fast enough.
Our songs also have the standard pop format: verse, chorus, verse,
chorus, solo, bad solo.
Yes, we felt a lot of pressure to stay underground. We're experiencing
the typical independent-band-gone-onto-a-major-label-punk-rock-identity-
crisis. That's why we're vomiting on stage and smashing our gear more
than ever now for all the kids!"
Lastly, as far as reading goes, the Jan/Feb issue of Option has about
one of the best recently published interviews as it pre-dates all the
current smells around us.
Yes, it would be impossible for Sub Pop to have come close to selling
a million records and although DGC was more likely who would ever have
predicted current expectations of 7 million copies being sold?
Also mentioned in some interviews is the fact that their only practical
choice was with a major as they would be able to buy out their contract
with Sup Pop.
I also like his I-can-end-it-anytime-I-want approach to all the current
exposure. It's quite a change from the 3 interviews in 3 years during
the Bleach days.
- Jim
|
681.97 | Philospher or Plowman (-person)... | USOPS::ZAPPIA | Pro-Escalator-Movement | Fri Apr 03 1992 11:11 | 6 |
|
The condensed version; I'm just as confused as Kurt Cobain who in
turn admits to being just as confused as everyone else.
- Jim
|
681.98 | good article | POWDML::GOLDBERG | stop draggin' around | Thu Apr 09 1992 09:43 | 544 |
| taken without permission from Rolling Stone Magazine, issue 628.
INSIDE THE HEART AND MIND OF KURT COBAIN
For now, Kurt Cobain and his new wife, Courtney Love, live in an
apartment in Los Angeles's modest Fairfax District. The living room
holds little besides a Fender Twin Reverb amplifier, a stringless
guitar, a makeshift Buddhist shrine and, on the mantel, the couple's
collection of naked plastic dolls.
Scores of CDs and tapes are strewn around the stereo - obscurities such
as Calamity Jane, Cosmic Psychos and Billy Childish, as well as Cheap
Trick and the Beatles. "Norwegian Wood" drifts down the hall to the
dimly lit bedroom, where Cobain lies flat on his back in striped
pajamas, a red-painted big toenail peeking out the other end of the
blanket and a couple of teddy bears lying beside him for company. The
surprisingly fragrant Los Angeles night seeps through the window
screen.
He's been suffering from a long-standing and painful stomach condition
- perhaps an ulcer - aggravated by stress and, apparently, his
screaming singing style. Having eaten virtually nothing for over two
weeks, Cobain is strikingly gaunt and frail, far from the stubbly
doughboy who smirked out from a photo inside *Nevermind*. It's hard to
believe this is the same guy who smashes guitars and wails with such
violence - until you notice his blazing blue eyes and the faded pink
and purple streaks in his hair.
Cobain had abruptly canceled an earlier interview, partly because of
the anti-Nirvana letters that recently dominated ROLLING STONE's
Correspondence page and partly because the magazine borrowed the title
of the band's hit single "Smells Like Teen Spirit" for a headline on
the recent *Beverly Hills, 90210* cover.
Then he came around. "There are a lot of things about ROLLING STONE
that I've never agreed with," says Cobain in a gentle growl one or two
steps up from a whisper. "But it's just so old school to fight amongst
your peers or people that are dealing with rock & roll, whether or not
they're dealing with it in the same context that *you* would like to.
There are a lot of political articles in there that I've been thankful
for, so it's really stupid to attack something that you're not 100
percent opposed to. If there's a glimmer of hope in anything, you
should support it.
"I don't blame the average seventeen-year-old punk-rock kid for calling
me a sellout," Cobain adds. "I understand that. Maybe when they grow
up a little bit, they'll realize there's more to life than living out
your rock & roll identity so righteously."
"All I need is a break, and my stress will be over with," says the
twenty-five-year-old Cobain. "I'm going to get healthy and start
over."
He's certainly earned a break after playing nearly 100 dates on four
continents in five months, never staying in one place long enough for a
doctor to tend to his stomach problem. And he and his band mates,
bassist Chris Novoselic (pronounced nova-SELL-itch) and drummer Dave
Grohl, have had to cope with the peculiar position of being the world's
first triple-platinum punk-rock band.
Soon after the September release of *Nevermind*, MTV pumped "Teen
Spirit" night and day as the album vaulted up the charts until it hit
Number One. Although the band's label, DGC, doubted the album would
sell over 250,000 copies, it sold 3 million in just four months and
continues to sell nearly 100,000 copies a week.
For Nirvana, putting out their first major-label record was like
getting into anew car. But he runaway success was like suddenly
discovering that the car was a Ferrari and the accelerator pedal was
Krazy Glued to the floorboard. Friends worried about how the band was
dealing with it all.
"Dave's just psyched," says Nils Bernstein, a good friend of the band
members' who coordinate their fan mail. "He's twenty-two, and he's a
womanizer, and he's just: 'Score!'" Novoselic, according to
Bernstein, had a drinking problem but went on the wagon this year so he
could stay on top of his exploding career.
But rumors are flying about Cobain. A recent item in the
music-industry magazine *Hits* said Cobain was "slam dancing with Mr.
Brownstone," Guns n' Roses slang for doing heroin. A January profile
in BAM magazine claimed Cobain was "nodding off in mid-sentence,"
adding that "the pinned pupils, sunken cheeks and scabbed, sallow skin
suggest something more serious than mere fatigue."
Cobain denies he is using heroin. "I don't even drink anymore because
it destroys my stomach," he protests. "My body wouldn't allow me to
take drugs if I wanted to, because I'm so weak all the time.
"All drugs are a waste of time," he continues. "They destroy your
memory and your self-respect and everything that goes along with your
self esteem. They're no good at all. But I'm not going to go around
preaching against it. It's your choice, but in my experience, I've
found they're a waste of time."
Cobain brushes off speculation that he's finding fame difficult and
dismisses rumors that he'll soon break up the band because it has
become too big. "It really isn't affecting me as much as it seems like
it is in interviews and the way that a lot of journalists have
portrayed my attitude," he says. "I'm pretty relaxed with it."
But people who know him say otherwise. Choosing his words carefully,
Jack Endino, producer of the band's debut album, *Bleach*, says, "When
I saw them in Amsterdam a few months back, it seemed like they were a
little grouchy and...under pressure, let's put it that way." "Kurt is
ready to strangle the next person who takes his picture," adds
Bernstein.
Fame rubs against Cobain's punk ethos, which is why he refused a limo
ride to Nirvana's *Saturday Night Live* appearance. "People are
treating him like a god, and that pisses him off," says Bernstein.
"They're giving Kurt this elevated sense of importance that he feels he
doesn't have or deserve. So he's like 'F(ck you!'
"Chris and Dave had had to pick up a lot of Kurt's slack," Bernstein
continues. "Chris and Dave were close before, but now they're
inseparable."
"Just to survive lately, I've become a lot more withdrawn from the
band," Cobain confesses. "I dont' go party after the show; I go
straight to my hotel room and go to sleep and concentrate on eating in
the morning. I'd rather deal with things like that. Our friendship
isn't being jeopardized by it, but this tour has definitely taken some
years off of our lives. I plan to make changes."
Stress has gotten to Cobain before. He had an onstage breakdown at a
1989 show in Rome, near the end of a particularly grueling European
tour. Says Bruce Pavitt, co-owner of Sub Pop Records, Nirvana's first
label: "After four or five songs, he quit playing and climbed up the
speaker column and was gong to jump off. The bouncers were freaking
out, and everybody was just begging him to come down. And he was
saying, 'No, no, I'm just going to dive.' He had really reached his
limit. People literally saw a guy wig out in front of them who could
break his neck if he didn't get it together." Cobain was eventually
talked down.
If he can stand the heat, Cobain, extremely bright and unafraid to take
provocative stands, may emerge as a John Lennon-like figure. The
comparison with Cobain's idol isn't frivolous. Like Lennon, he's using
his music to scream out an unhappy childhood. And like Lennon, he's
deeply in love with an equally provocative and visionary artist -
Courtney Love, leader of the firey neo-feminist band Hole.
Cobain and Love were married on February 24th in a secluded location in
Waikiki, Hawaii, after Nirvana's tour of Japan and Australia, with only
a female nondenominational minister and a roadie as a witness.
"It's like Evian water and battery acid," Cobain says of the couple's
chemistry. And when you mix the two? "You get love," says Cobain,
smiling for the firs time. Exhausted and bedridden, Cobain is still so
smitten that he can proclaim: "I'm just happier than I've ever been.
I finally found someone that I am totally compatible with. It doesn't
matter whether she's a male, female or hermaphrodite or a donkey.
We're *compatible*." Whenever Love walks into the room, even if it's
to scold him about something, he gets the profoundly dopey grin of the
truly love struck.
"I have through about it, and I can't come to any conclusions at all,"
says Cobain of *Nevermind's* phenomenal success. "I don't want to
sound egotistical, but I know it's better than a majority of the
commercial sh(t that's been crammed down people's throats for a long
time."
*Nevermind* embodies a cultural moment; "Smells Like Teen Spirit" is an
anthem for (or is it against) the "Why Ask Why?" generation. Just
don't call Cobain a spokesman for a generation. "I'm a spokesman for
*myself*," he says. "It just so happens that there's a bunch of people
that are concerned with what I have to say. I find that frightening at
times because I'm just as confused as most people. I don't have the
answers for anything. I don't want to be a f(cking spokesperson."
"That ambiguity or confusion, that's the whole thing," says *Nevermind*
producer Butch Vig. "What the kids are attracted to in the music is
that he's *not* necessarily a spokesman for a generation, but all
that's in the music - the passion and [the fact that] he doesn't
necessarily know what he wants but he's pissed. It's all these things
working at different levels at once. I don't exactly know what 'Teen
Spirit' means, but you know it means *something* and it's intense as
hell."
Cobain agrees the message isn't necessarily in the words. "Most of the
music is really personal as far as the emotion and the experiences that
I've had in my life," he says, dragging on a cigarette, "but most of
the *themes* in the songs aren't that personal. They're more just
stories from TV or books or movies or friends. But definitely the
emotion and feeling is from me.
"Most of the concentration of my singing is from my upper abdomen,
that's where I scream, that's where I feel, that's where everything
comes out of me - right here," he continues, touching a point just
below his breastbone. It just happens to be exactly where his stomach
pain is centered.
When 'Nevermind' his number One, Cobain was "kind of excited," he says.
"I wouldn't admit that at the time. I just hope that it doesn't end
with us. I hope there are other bands that can keep it going."
Although Cobain is thrilled when underground bands infiltrate the
mainstream charts, he's outraged by others who are riding the coattails
of the alternative boom. His favorite target is Pearl Jam, also from
Seattle, which he accused of "corporate, alternative and cock-rock
fusion" in a recent *Musician* magazine interview. "Every article I
see written about them, they mention us, and they're baiting that
fact," says Cobain, sitting up cross-legged on the bed. "I would love
to be erased from my association with that band and other corporate
bands like the Nymphs and a few other felons. I do feel a duty to warn
the kids of false music that's claiming to be underground or
alternative. They're jumping on the alternative bandwagon."
"I don't know what I did to him; if he has a personal vendetta against
us, he should come to us," says Pearl Jam's Jeff Ament, who says Cobain
barely even said hello when they did a recent minitour together. "To
have that sort of pent-up frustration, the guy obviously must have some
really deep insecurities about himself. Does he think we're riding his
bandwagon? *We* could turn around and say that Nirvana put out records
on money we made for Sub Pop when we were in Green River - if we were
that stupid about it."
Cobain is happier to reel off a list of some of the bands he *does*
like: the Breeders, the Pixies, R.E.M., Jesus Lizard, urge Overkill,
Beat Happening, Dinosaur Jr and Flipper. Then there's his beloved
Captain America, a ramshackle pop group from Scotland. "Eugene and
Frances Kelly are the Lennon and McCartney of the underworld - or the
Captain and Tennille," says Cobain.
For the members of Nirvana, plugging fellow underground musicians is
one of the few consolations for the pressures of fame. When the band
played Seattle's paramount Theater for its big homecoming show last
Halloween, its opener was Bikini Kill, a confrontational female-led
band from nearby Olympia that came out in lingerie with SLUT written
across their stomachs. Novoselic is toying with the idea of a
"punk-rock MTV" featuring underground bands.
Helping out fellow alternative types strengthens the community that
made Nirvana's own success possible. "It's not a matter of destroying
the music industry," explains Sub Pop co-owner Jonathan Poneman, "it's
a question of being able to be *included*. Egalitarian revolution -
that's what makes them a punk-rock band."
It's fitting that Nirvana bumped Michael Jackson off the Number One
spot on the pop charts. Besides a fondness for small children and
animals, Cobain and Jackson have little in common - Jackson claims it
doesn't matter if you're black or white, but when Cobain hears such
saccharine platitudes, he screams. Jackson's music is Eighties-style
ear candy, while Nirvana makes grass-roots music for the Nineties.
There's no glamour in Nirvana, no glamour at all, in fact.
Novoselic and Cobain come from rural Aberdeen, Washington, a hundred
miles southwest of Seattle, where Novoselic's mom runs Maria's Hair
Design. A depressed logging town, Aberdeen has seen better days -
namely, during the whaling era in the mid-nineteenth century, when the
town served as one big brothel for visiting sailors, a fact that
Novoselic has said makes residents "a little ashamed of our roots."
Pervasive unemployment and a perpetually rainy, gray climate have led
to rampant alcoholism and a suicide rate more than twice the already
high state average. The local pawnshop is full of guns, chain saws and
guitars.
One of the more popular bars in town is actually called the Pourhouse,
which is where two young men about Cobain's age, Joe and James, sit
down for a pitcher of beer - each. Joe is out of work because his leg
is broken. "I tried to fly off a house," he explains.
"Yea, I know the Cobain kid," says James. "Faggot."
"He's a *faggot*?" asks Joe, taken aback. Recovering quickly, he
declares: "We *deal* with faggots here. We run 'em out of town."
*This* is where Cobain and Novoselic grew up. That's why they kissed
each other full on the lips as the *Saturday Nigh Live* credits rolled.
They knew it would piss off the folks back home - and everybody like
them.
"I definitely have a problem with the average macho man - the
strong-oxen working-class type," Cobain says wearily, "because they
have always been a threat to me. I've had to deal with them most of my
life - being taunted and beaten up by them in school, just having to be
around them and be expected to be that kind of person when you grow up.
"I definitely feel closer to the feminine side of the human being that
I do the male - or the American idea of what a male is supposed to be,"
Cobain continues. "Just watch a beer commercial and you'll see what I
mean."
Of course, Cobain was miserable in high school. Surrounded by
hard-drinking metalheads whose only prospects where unemployment or
risking life and limb hacking down beautiful centuries-old trees,
Cobain was a sensitive sort, small for his age and uninterested in
sports. "He was terrified of jocks and moron dudes," recalls Cobain's
old friend Mudhoney bassist Matt Lukin.
"As I got older," says Cobain, a fan of Beckett's, Burrough's and
Bukowski's, "I felt more and more alienated - I couldn't find friends
whom I felt compatible with at all, Everyone was eventually going to
become a logger, and I knew I wanted to do something different. I
wanted to be some kind of artist."
"If he could have been anywhere else," says his mother, Wendy O'Connor,
"he would have been fine - there would have been enough of his kind not
to stick out so much. But this town is just exactly like Peyton Place.
Everybody is watching everyone and judging, and they have their little
slots they like everyone to stay in - and he didn't."
A friend of Cobain's half-joked that *Nevermind* sold to every abused
child in the country, and maybe that's not far from the truth - the
divorce rate soared to nearly fifty percent in the mid-seventies, and
all those children of broken homes are becoming adults. Including Kurt
Cobain.
Cobain started life as a sunny child. "He got up every day with such
joy that there was another day to be had," recalls his mother. "When
we'd go downtown to the stores, he would sing to people." Cobain's
intelligence was apparent early on. "It kind of scared me because he
had perceptions like I've never seen a small child have," his mother
continues. "He had life figured out really young. He knew life wasn't
always fair. Kurt was focused on the world - he would be drawing in a
coloring book, and the news would be on and he was very attuned to
that, and he was just three and a half. He knew all about the war.
"He had make-believe friends, too," O'Connor says. "There was one
called Boda - he blamed everything on him. He had to have a place at
the table - it just became ridiculous. One day his uncle Clark asked
if he could take Boda with him to Vietnam because he was lonely there.
And Kurt took me aside and whispered in my ear: 'Boda isn't real.
Does Clark know that?'"
But Cobain's parents - a secretary and an auto mechanic - divorced when
he was eight, and "it just destroyed his life," says his mother. "He
changed completely. I think he was ashamed. And he became very inward
- he just held everything. He became real shy. It just devastated
him. I think he's still suffering." A bit of a "juvenile," as he puts
it, Cobain was shuffled from his mother to his father, uncles and
grandparents and back again.
Cobain listened to nothing but the Beatles until he was nine, when his
dad began subscribing to a record club and albums by Led Zeppelin, Kiss
and Black Sabbath began arriving in the mail. Then Kurt began
following the Sex Pistols' American tour in magazines. He didn't know
what punk sounded like, because no store in town stocked the records,
but he had an idea. "I was looking for something a lot heavier, yet
melodic at the same time," Cobain says, "something different from heavy
metal, a different attitude."
Cobain idolized the Aberdeen band the Melvins and drove their tour van,
hauled their equipment and watched over 200 of their rehearsals, by
his estimate. Melvins leader Buzz Osbourne became his friend and
mentor and took sixteen-year-old Cobain to his first rock show - Black
Flag. According to erstwhile Melvins bassist Matt Lukin, "He was
totally blown away." It was about this time that Cobain moved from
drums to guitar.
I don't think he had a hell of a lot of friends," Lukin recalls. "He
was always trying to start bands, but it was hard to find people who
wouldn't flake out on him." Osbourne introduced him to Novoselic, a
shy youth so tall (he's six foot seven) that he bumped his head on the
beams in Cobain's house. Cobain formed a band with this kindred spirit
two years his senior. They went through names like Ed, Ted, and Fred;
Skid Row; and Fecal Matter before settling on Nirvana. Nerves and
crummy equipment hampered their live attack, but Nirvana slowly
developed a powerful sound, become very popular in neighboring Olympia,
where they would play wild parties at Evergreen State College.
Meanwhile, Cobain's mother kicked him out of the house after he quit
high school and played in bands instead of getting a job. Homeless,
Cobain slept on friends' couches. At one point, he lived under a
bridge in Aberdeen, an arrangement chronicled in *Nevermind's*
"Something in the Way."
A vandal with a cause, Cobain loved to spray-paint the world *queer* on
four-by-four trucks, the redneck vehicle of choice. Other favorite
graffiti included GOD IS GAY and ABORT CHRIST. In 1985 Novoselic,
Osbourne and eighteen-year-old Cobain wrote HOMOSEXUAL SEX RULES on the
side of an Aberdeen bank (Osborne swears it said, QUIET RIOT). While
Osborne and Novoselic hid in a garbage dumpster, Cobain was caught and
arrested. A police report lists the contents of his pockets: a guitar
pick, a key, a beer, a mood ring and a cassette by the militant punk
band Millions of Dead Cops. He received a $180 fine and a thirty-day
suspended sentence.
"He is really a very angry person," says Sub Pop's Bruce Pavitt, "so he
makes dramatic gestures that piss people off." But Cobain is also
sensitive, and sensitive people are often the angriest. "Exactly,"
says Pavitt. "That's the key."
Cobain took jobs as a janitor at a hotel and at a dentist's office
(where he dipped into the nitrous) and moved in with Matt Lukin, who
was then with the Melvins. Just to freak the neighbors, Cobain made a
satanic-looking doll and hung it from a noose in his window. He kept
some pet turtles in a bathtub that he put in the front room. THen
realized that there was no way to drain the water, so Lukin, a
carpenter, simply cut a hole in the floor. The foundation eventually
became water-logged, leaving the rickety shack teetering.
In a demo session with producer Jack Endino, one of the patron saints
of the Seattle grunge scene, Cobain and Melvins drummer Dale Crover
finished ten songs in one afternoon. Impressed, Endino played the tape
for Sub Pop's Jonathan Poneman. (Two cuts would up on *Bleach*, and
later this year Sub Pop will release a collection of Nirvana rarities).
At a Seattle coffee shop, Poneman met Cobain, who was awed by Sub Pop
because it boasted one of his favorite bands, Soundgarden. Novoselic
showed up a bit later. Chris was drunk and belligerent," recalls
Poneman, "and just didn't give a flying f(ck about it - 'Okay, you want
to put out our records, that's cool.' And then he'd insult me."
Poneman signed Nirvana anyway.
A year and two drummers later, in October 1988, Sub Pop released the
single "Love Buzz"/"Big Cheese"; *Bleach* was released in June 1989,
recorded for the princely sum of $606.17. (Jason Everman didn't
actually play on the album, although he was credited as a guitarist
because he bankrolled the recording. "We still owe him the $600," says
Cobain. "Maybe I should send him off a check.")
*Bleach* sold slowly at first, but after a few months critical raves
and effusive praise from indie kingpins Sonic Youth eventually helped
*Bleach* to sell 35,000 copies, very impressive for an indie release.
(The album's sales exploded in the wake of *Nevermind*.)
But by this time, *Bleach* drummer Chad Channing was history. Osborne
knew Dave Grohl from sharing bills with Grohl's band, Scream. After
Scream's basisst quit, Grohl called Osborne in desperation, and Osborne
hooked him up with his old buddies in Nirvana. "Chris and Kurt liked
Dave because he hits the drums harder than anybody," says producer
Butch Vig.
In August 1990, Nirvana recorded six tracks with Vig for a planned Sub
Pop album. *Bleach* was very good, but Cobain had returned to the
studio with songs that were a quantum leap past anything he'd done
before.
Meanwhile, Sub Pop had begun talking to major labels about a
distribution deal. Figuring that if they had to be on a major label,
they might as well choose it themselves, the members of Nirvana began
shopping the Vig demos. Only a major could afford to buy Nirvana out
of their Sub Pop contract, and major distribution would get their punk
to the people. "That's pretty much my excuse for not feeling guilty
about why I'm on a major label," says Cobain. "I should feel really
guilty about it; I should be living out the old punk-rock threat and
denying everything commercial and sticking in my own little world and
not really making an impact on anyone other than the people who are
already aware of what I'm complaining about. It's preaching to the
converted."
A bidding war broke out among a handful of labels. Nirvana signed to
DGC, the label run by entertainment magnate David Geffen, a subsidiary
of giant MCA and the home of Guns n' Roses and Cher. The band received
$287,000 in advance money.
The group approached R.E.M. producer Scott Litt and Southern pop
maestro Don Dixon, but neither wound up taking the job, and the band
chose Vig to produce instead. During rehearsals for the album, one
song really stuck out. "As soon as they started playing 'Teen
Spirit,'" Vig says, "it was awesome sounding. I was pacing around the
room, trying not to jump up and down in ecstasy."
*Nevermind* was recorded last spring for $135,000, including living
expenses, mastering and even Vig himself (he has since renegotiated his
deal). Slayer producer Andy Wallace mixed the album. Vig knew
something was up when all sorts of people started asking him for
advance tapes; now he's besieged with offers to produce bands and "make
them sound like Nirvana."
Just last September Novoselic and Cobain were so poor they had to pawn
their amps; now Cobain gets twenty bucks out of the cash machine and
finds there's another $100,000 in his account. When Novoselic told a
friend he'd bought a five-bedroom house in Seattle, the friend pointed
out that the payments would just be another headache. "What payments?"
Novoselic replied. He'd paid for the house in full.
"A lot of people as me: 'When's he going to buy you a new car? When's
he going to buy you a house?'" says Cobain's mother. "I couldn't even
accept it if he offered it. We could have helped him along if we would
have realized that this was really going to be something. We thought
he'd get over it. I wish we would have helped him out a little more.
He owes us nothing."
Nirvana, however, owes DGC another record, which the band will likely
start recording late this fall or early winter. Says Jonathan Poneman,
"Either Kurt is going to create something that is an ornate
masterpiece, or he is going to create something angry and filled with
rage and confusion." Butch Vig thinks it might be a low-key acoustic
album.
"I have a pretty good idea," says Cobain. "I think both of the
extremes will be in the next album - it'll be more raw with some songs
and more candy pop on some of the others. It won't be as
one-dimensional."
One-dimensional or not, there's a good change Cobain's audience just
doesn't get his message. The antimacho "Territorial Pissings" was used
as background music for a football show; "Smells LIke Teen Spirit"
might suffer the same fate as "Rockin' in the Free World" or "Born in
the U.S.A." - listeners may not get the irony at all. Actually, Cobain
called it in the chorus to *Nevermind's* "In Bloom" - "He's the one who
likes all the pretty songs/And he likes to sing along.../But he knows
not what it means." Cleverly, the song is a natural-born sing-along,
trapping listeners into the joke.
According to Nils Bernstein, most Nirvana fan letters are along the
lines of "Hey, dude, I saw your video and bought your tape! You guys
kick *ass!*"
"*Everybody* says, 'You guys kick *ass*'," says Bernstein. About half
ask for the lyrics to "Teen Spirit" (the complete lyrics to *Nevermind*
will be included with the next single, "Lithium"). Most letter writers
are between then and twenty-two, buy cassettes and watch MTV. "There's
not very many sexual letters," says Bernstein, "which is a drag. The
ones from prison are the best ones; also the ones from the military."
And what do soldiers say? "They say, 'Hey, you guys kick some *ass*!'"
Cobain accepts that much of his new audience is made up of the same
type who hassled him in high school. "I can't have a lot of animosity
toward them, because I understand that a lot of people's personalities
aren't necessarily their choice - a lot of times, they're pushed into
the way they live," he says. "Hopefully, they'll like our music and
listen to something else that's in the same vein, that's a bit
different from Van Halen. Hopefully, they'll be exposed to the
underground by reading interviews with us. Knowing that we do come
from a punk-rock world, maybe they'll look into that and change their
ways a bit."
But it's doubtful that most of them ever will. "Yeah, it seems
hopeless," Cobain says with a sigh. "But it's fun to fight. It gives
you something to do. It relieves boredom." He laughs.
Goddess F.
|
681.99 | Good stuff | WMOIS::MAZURKA | Son of the Dawn | Thu Apr 09 1992 19:24 | 4 |
| Readin articals like this is what I'm gonna miss most when you're
gone,F.
Crazy_"sniff"_Al
|
681.101 | Kurt Cobain is nothing to be scared of... 8*) | POWDML::GOLDBERG | stop draggin' around | Fri Apr 10 1992 08:57 | 9 |
|
gee thanks Al! I thought noone had noticed this article! Or maybe
noone is interested!
Goddess F.
|
681.102 | | GOES11::G_HOUSE | Now I'm down in it | Fri Apr 10 1992 15:45 | 5 |
| ...or maybe it was so long that nobody's finished reading it yet.
Lot'sa work, F., Thanks!
gh (with it off in mail waiting to get read)
|
681.103 | | WLDWST::GKEFALINOS | No | Fri Apr 10 1992 16:54 | 10 |
|
Has anyone heard the spoof on Smells?
Called Smells like Rice crispies.
Hilarious.
Gerry
|
681.104 | Not another one... | GOES11::G_HOUSE | Now I'm down in it | Sat Apr 11 1992 01:15 | 5 |
| Everyone's doing some sort of take off on SLTS these days, it seems to
be a popular target. I've heard two of 'em already, and have heard of
two more.
gh
|
681.105 | No Smells Please | USOPS::ZAPPIA | railroad quirk | Sat Apr 11 1992 18:53 | 20 |
|
Yea, besides that they really do seem to be virtually everywhere;
- This morning I was walking down to beautiful Medford Sq (MA) to
catch a bus and while on route I hear "Polly" being played by
some practicing musicians in a nearby house. I guess the sign
"no Stairway" in music shops will soon be replaced by "No Smells..."
- Jim
p.s. Not to be outdone by the Goddess (all the best to you...)
I hope to enter in a good piece on the whole Olympia, WA, etc.
thing hopefully. I wish I had a scanner or didn't mess around so
much in a high school typing class - haven't improved much from the
11 words a minute (just slightly kidding, my single finger technique
with a pencil usually in one hand works just fine. Lastly regarding
the reference in that Rolling Stone article a few back that mentioned
the Nymphs - who quite literally headlined recently but I won't go
into the details - and I thought shows had gotten status-quo'ish'
|
681.107 | | GOES11::G_HOUSE | Germ Killer, Plaque Slayer | Mon Jun 01 1992 20:15 | 5 |
| If it was a rerun of the last time they were on the show, then the
songs they did were "Smells Like Teen Spirit" and "Territorial
Pissings" (in that order, trashing the stage at the end of T.P.).
gh
|
681.108 | | MASALA::IGOLDIE | So be it....! | Mon Jun 01 1992 20:42 | 4 |
| Territorial pissings is an excellant song!
Staynz
|
681.109 | | VCSESU::COOK | I am a Viking | Mon Jun 01 1992 23:36 | 2 |
|
It's the best on the release, IMO.
|
681.110 | I'm so happy cause today I shaved my head | OLTRIX::ZAPPIA | what color is your 3 ton parachute? | Tue Jun 02 1992 10:39 | 132 |
| Oh yea, a few back regarding the bit about Cobain disliking the
Melvins this also adds to the silliness of the statement that
his name was spelled wrong again on one of the Melvins earlier
records in the Thanks column (Kurdt Ko-Bain). Also, I'm not
surprised that the latest Trouser Press book has it spelled wrong.
If you liked Territorial Pissings then you may like the tracks
from the BBC sessions currently only available as a Japanese import
(and Australia) but soon to be domestically available in the states.
I think Sup Pop is also planning a tribute to the Vaselines
release shortly and odd as it may sound (pun intended? I don't
know) Bleach has been re-released AGAIN this time remastered.
talk about oxy moronic marketing cash-ins but it probably will
also sell. What better way to make morons like myself re-buy
something.
Since I'm too lazy to extract the relevant bits below you can be
bored by the whole of it.
Hormoaning....
I forget where this was started, someone had asked about the Aussie
release of Hormoaning so I'll mention it here...
The "limited" (who knows, possibly 'limited to 100,000' or 'limited to
as many as we can sell') Australian edition of Hormoaning does appear
to be unique as compared with the Japanese release. The vinyl copy
has an entirely different cover, the group is pictured in a bathtub,
as does the CD.
The other included tracks other than the Cobain EIHY and Aneurysm are
two tracks written by the Vaselines (one member Eugene Kelly now in
Capt. America), _Molly Lips_ and _Son Of a Gun_, Devo's _Turnaround_
and _D7_ (Greg Sage), a great "demented-7" tune.
The Aussie "Bleach" '92 limited edition comes in a bag with tour
dates on it and poster.
Also worth noting is a recent NME interview (21-Mar-92) with Chris
Novoselic (...sell-itch) where he mentioned a similar future release
such as Frank Zappa's beat-the-bootleggers. I'd like to see stuff
such as 'Punk Rock' "Polly" studio/radio thing show up on it. It's
a really great version of Polly, Polly at the speed of sound...
Lastly I'm interested in an early (autumn '86 collaboration between
Cobain and Dale Crover, the Melvins drummer, I think it was just a
demo..."Fecal Matter", recorded on a four-tarck.
-< Danny Goldberg - Swan Song / Modern Records / Nirvana? >-
--------------------------------------------------------------------------------
I found this interesting; Danny Goldberg, the former VP for Swan
Song went on to his own ventures at Modern Records and now I see
a reference to a Danny Goldberg as manager of Nirvana in association
with Gold Mountain Entertainment. Is it the same person? I knew
someone by the name of Susan Silver was their manager but maybe
things have changed. The Danny mentioned had a partner with a
sirname of Silva. I would guess that Nirvana's single "Sliver"
was named somewhat after one of them.
Just some more rambling.
- Jim
Again I forget where this left off....never mind..so I include it
again for the sake of confusion.
Have a hangover...
Kurt as stated many times in interviews that he enjoys both the
Breeders and Pixies...as well as constantly mentioning other bands
who he enjoys. (Captain America, Melvins, Flipper, Buthole...
etc.)
Has anyone else noticed Kurt giving everyone the finger in the
insert, I forget which (if all or not) formats? I do recall it
being clearer in some formats...
I had heard about the Killing Joke and "Come as You Are" comparison
before, some reviewers have pointed out the similarities.
I am curious about the Alien Sex Fiend "Smells Like..." Also, an
old Creem magazine makes reference to "Smells Like a Hit Song" -
gee that's it the lyrics all come from back issues of Creem!
32017> I'm pretty sure they were engineered and produced by Craig Montgomery.
I know EIHY and Aneurysm were.
I seem to recall him being involved with those two tracks...I think
they were from pre-Nevermind and DGC conceptions, i.e., demos
possibly while still under Sup Pop.
Also, the UK "Wipeout" record has a couple of very close (if not
final) mixes to Nevermind tracks, some of the 4 covers from Hormoaning
(which was also earlier bootlegged as 2 EP 7"), I forget the other
things about this,....
As for the "Endless Nameless" track it's on the UK edition of the
"Come as You Are" single along with the EIHY and Aneurysm. The
US version has two live tracks "School" from Bleach and "Drain You"
both recorded in late October at the Paramount Theater in Seattle,
the bands home coming I believe before off to UK again.
I think only a limited first shipment of US Nevermind CD didn't
have "Endless Namesless" making them "collectible". I know of
no vinyl having copies of Nevermind with it...
Where are they now, Japan (I think there's another single out there)
They been to Australia...something like 100 shows in the last 5 months!
Needless to say Butch Vig (Smashing Pumpkins, at least one other I
should be able to recall -) is being pursued...
Kurt is planning to get with his ex-girlfriend from Bikini Kill to
release some songs they wrote when the were together. Kurt and
Chris appears on Mark Lanegan's(Screaming Trees) solo, one track.
Also, maybe him and Courtney will collaborate on some side projects.
>32047 Does anyone have a recording of Nirvana's Amsterdam jam ...
I've yet to see or hear any comments but it has been advertised in
various record collector rags.
32228> Here in Australia we got told that the EP was a Australian tour
exclusive...
I believe the insert or something to that affect is exclusive, i.e.
the package only. Also, it's the only place I've seen vinyl edition
availability.
|
681.112 | | DPDMAI::THRELFALL | Wanna start a rumble? | Tue Jun 02 1992 14:48 | 8 |
|
}} Territorial pissings is an excellant song!
If you like that, check out their single with "Aneurysm" and
"Even In His Youth". They're excellent songs that aren't on Nevermind.
'pril
|
681.113 | Lots of Nirvana singles around | GOES11::G_HOUSE | Germ Killer, Plaque Slayer | Tue Jun 02 1992 19:51 | 3 |
| Or "Dive" from "The Grunge Years" compilation.
gh
|
681.114 | pick me, pick me | OLTRIX::ZAPPIA | drum on a stick | Wed Jun 03 1992 10:28 | 36 |
|
Yea, I like "Dive" a lot...there is a lot of other non-Bleach
and Nevermind songs when you include various covers, Greg Sage
(ex-Wipers), Vaselines as already mentioned in that earlier ranting
of mine that 'Pril condensed into one meaningful sentence, Devo,
their first on Sup Pop "Love Buzz" (Shocking Blue)...etc. Some
radio stations also play a non-official song called Rape Me or
something like that from I think the same show as some of the live
tracks which are on some singles as noted below.
HYDRA::RAD...
================================================================================
Note 534.129 Nirvana 129 of 147
USOPS::ZAPPIA "punk rock polly" 25 lines 9-MAR-1992 12:14
-< Confirmed Nut >-
--------------------------------------------------------------------------------
.128> I'm still not buying Nevermind, not even for endless nameless.
Who told you to buy it? Not me!
Those of you who like live tracks, "School" and "Drain You"
from the Paramount Theater in Seattle in late October '91
are on the "Come As You Are" U.S. CD5. The 7" is b/w the LP
version of "Drain You".
As far I can tell some early U.S. "Nevermind" CD's didn't have
the extra track "Endless Nameless". The U.K. version of the
"Come as You Are" single will have it and one other previously
unreleased track. Supposeldly the first 40,000 shipped discs
either didn't have it by accident or on intentionally.
Only a nut would buy Bleach for the recently added "Downer" track.
- Jim
|
681.115 | Durf....Durf! | COMET::FRISBYA | Little Dove | Thu Jul 02 1992 11:47 | 7 |
| Nirvana has a new video on Mtv. It's called "Lithium"..
VERY original live shot footage video...I don't think I've seen
anybody do that since...ummm...ummmm, YESTERDAY!
Friz
|
681.116 | | PAKORA::IGOLDIE | | Wed Jul 29 1992 04:53 | 9 |
| Here's a question for all you Nirvana heads out there.I bought
Nevermind on cd and wondered if..........
does everyones version have about 8 minutes of silence at the end of
the last listed track then some heavily distorted guitar type frenzy?
I talked to a guy on my shift and he says he hasn't!!
Staynz
|
681.117 | | PEKING::PERKINSP | Keep George out of my Bush | Wed Jul 29 1992 05:09 | 14 |
|
sigh.
The name of the track is Endless Nameless...it should be on every cd
released in the UK, however, they goofed and left it off the first few
thousand. If you have a CD without the track you have the limited
edition.....
....until recently....I've heard that they are now releasing the CD
without endless nameless.
Bloody awful track anyway.
Flip
|
681.118 | | KURMA::IGOLDIE | | Wed Jul 29 1992 05:47 | 4 |
| Ta!
Staynz
|
681.119 | | SEAVU::SLABOUNTY | Stand by, stomach-here come banana. | Wed Jul 29 1992 08:52 | 8 |
|
It's supposed to be awful ... it's a backwards recording of who-
knows-what.
But I like it.
GTI
|
681.120 | Endless Riddance,.., | EMDS::GRCOOP | Hare Krishna, Hare Krishna, Hare, Hare... | Wed Jul 29 1992 11:53 | 8 |
| It's not awful.
If you have it, hold on to it because the newer pressings do not
have "Endless Nameless" on them. So you can be the lucky one to
have one of 40 zillion copies with it on it.
Bill.
|
681.121 | | PEKING::PERKINSP | Keep George out of my Bush | Wed Jul 29 1992 12:01 | 6 |
|
Not awful? It's not worth waiting the 12 minutes of silence for the
track to start. I'd rather listen to the real stuff and put Bleach on
for a spin.
Flip
|
681.122 | index skipping | USOPS::ZAPPIA | In love with these (la la) times | Wed Jul 29 1992 12:07 | 20 |
|
My cheapo player doesn't have it but I guess some can skip over
these types of moments of silence. I wonder if the track was
encoded to allow this.
<<< SSDEVO::CD.NOTE >>>
-< Compact Discs V2. >-
================================================================================
Note 867.7 Extra / Hidden Tracks and Other Oddities 7 of 20
USOPS::ZAPPIA "failure to think anew..." 8 lines 25-MAR-1992 12:39
-< index skipping >-
--------------------------------------------------------------------------------
I didn't realize till yesterday when someone told me that some CD
players allow you to program it to skip encoded track indexes which
might be handy in the cases of tracks with preceded moments of
silence such as pointed out in base note. That's if I understood
it right!
- Jim
|
681.123 | | SUBURB::COOKS | who the hell do we think we are? | Wed Jul 29 1992 12:40 | 8 |
| Personally,i think the Bleach album is quite appalling.
My mate gave it to me `cos he couldn`t stand it - and er,neither can
i. If anyone wants a free copy,just ask.
It gives me the same nauseating feeling as when i hear the Butthole
Surfers.
|
681.124 | | GOES11::G_HOUSE | I wish I was ocean size | Wed Jul 29 1992 13:07 | 6 |
| > It gives me the same nauseating feeling as when i hear the Butthole
> Surfers.
Sounds like I better go pick up some Butthole Surfers then!!!
gh
|
681.125 | Butthole Surfers.....LAME! | COMET::FRISBYA | MADAM RUBY'S LOVE BOUTIQUE | Wed Jul 29 1992 13:12 | 5 |
| Why are you having the WAVES again? I told you shouldv'e had that
Chinese food!!!
Friz
|
681.126 | | SUBURB::COOKS | who the hell do we think we are? | Wed Jul 29 1992 13:13 | 3 |
| No! Don`t! It`s not good for your health! Just try "Locust Abortion
Technician" or "Stairway to Steven". Quite appalling.
|
681.127 | | NEMAIL::MERCIER | bOmbBlaSt,Thair goes the NaybOrhOOd | Wed Jul 29 1992 13:18 | 3 |
| Butthole surfers---- Cream Corn
Friz, you butthole surf when you doing you splits.. right?
|
681.128 | DUH! My name is Bob and I like Soundgarden. DUH! | COMET::FRISBYA | MADAM RUBY'S LOVE BOUTIQUE | Wed Jul 29 1992 13:25 | 5 |
| Negative.....But it does have something to do with cream corn when
I do the splits. 8P
Friz
|
681.129 | Picken up Quarters...huh :) | NEMAIL::MERCIER | bOmbBlaSt,Thair goes the NaybOrhOOd | Wed Jul 29 1992 13:28 | 1 |
|
|
681.130 | | KIRKTN::IGOLDIE | | Wed Jul 29 1992 13:29 | 7 |
| I haven't heard the Butthole surfers but I've heard Bleach and thought
it ok.A lot of the songs have very repative lines but they're full of
energy,so what the hell! 8)
Staynz
|
681.131 | !!!!!!!!!!!!!!!!!!!!! | COMET::FRISBYA | MADAM RUBY'S LOVE BOUTIQUE | Wed Jul 29 1992 13:30 | 5 |
| Bob...How about ya come to Colorado and see how many quaters I can kick
out of your head!
Friz
|
681.132 | Yes I eat cow I am not proud\ | DPDMAI::THRELFALL | HeWhoStandOnToiletIsHighOnPot | Wed Jul 29 1992 20:28 | 10 |
| Bleach rulz. Listening to it right now as a matter of fact. The
Surfers are okay, but they don't compare to Nirvana...btw, it's
*Hairway* to Stephen. The last track on Nevermind doesn't sound
backwards to me, just like they did a free-for-all in the studio. You
know, ya got some extra time recording an album, why waste $ ? At
least that's my opinion.
btw, Congrats Coop!!! I'm sure Jamie is an angel... 8)
'pril
|
681.133 | Kurt picked a winner didn't he? | COMET::FRISBYA | Thinking Of You | Wed Aug 05 1992 13:51 | 11 |
| OH MAN! I heard on Mtv news yesterday that Courtney Love(Wife of Kurt
Cobain) is going to be in the next issue of VANITY FAIR in a see-though
teddy. BTW-She's about 7 months pregnant.....
Reports say that they had to air-brush a ciggerette out of her hand.
She's been smoking and shooting herion though out her 7-months.
They said she also bad-mouths everyone in Paerl Jam,Soundgarden,plus
the other members of Nirvana.
The couple is now being compared to Sid and Nancy...
Friz
|
681.134 | | NEMAIL::MERCIER | When he's holding you down | Wed Aug 05 1992 13:54 | 2 |
| My kinda people......................NOT!!
|
681.135 | I HATE people like her.... | COMET::FRISBYA | Thinking Of You | Wed Aug 05 1992 13:57 | 8 |
| HEY!!! They started the whole grunge thing YOU so much adore.
Btw-She fronts her own band called "HOLE"...maybe she should drop
off into one.
The issue of VANITY FAIR will be out Aug. 11th and I'll be sure
to buy it.
Friz
|
681.136 | | CAVLRY::BUCK | Don't fear, Love will make us strong | Wed Aug 05 1992 14:49 | 2 |
| She sounds like the 90s version of Nancy Whatsherface (ex-SO of Sid
Vicious)
|
681.137 | I know... Get off my soapbox! | NEEPS::IRVINE | try as they might they cannot steal your dreams | Thu Aug 06 1992 06:30 | 10 |
| Sounds like she needs to be placed where she cannot endanger the child
she is carrying.... if the rumours are true about the cigs & smack!
Personally....
If the child does not make it, or is hooked on smack because of her
addiction... she should be prosecuted for some offense around
endangering her childs life....
Bonzo
|
681.138 | | GOES11::G_HOUSE | Arms raised in a V | Thu Oct 08 1992 18:32 | 6 |
| I just thought I'd drop a quick note in here to let everyone know how
much Friz enjoyed listening to my Bleach tape this afternoon. I didn't
think I was gonna get my Walkman back from him! I can still hear him
humming "Negative Creep"!
gh
|
681.139 | BS! | COMET::FRISBYA | On the seventh day he created me | Fri Oct 09 1992 13:13 | 5 |
| And if you believe -1 then I have some beachfront property in
Colorado to sell to ya!
Friz
|
681.140 | | GOES11::G_HOUSE | Arms raised in a V | Fri Oct 09 1992 13:24 | 1 |
| Methinks thou doest object too much.
|
681.141 | I would never buy that crap... | COMET::FRISBYA | On the seventh day he created me | Fri Oct 09 1992 13:35 | 4 |
| sha....
Friz
|
681.142 | ....nitnitnitnitnitnit...... | AD::FLATTERY | | Fri Oct 09 1992 13:40 | 2 |
| re: the bill shakespeare usage...it's "methinks thou doth protest too
much!"...........if yer gonna do it...do it right...............;').../k
|
681.143 | | GOES11::G_HOUSE | Arms raised in a V | Fri Oct 09 1992 13:52 | 10 |
| Oh like a couple of mistyped letters in one word makes it wrong.
No, FrizGRUNGE, you wouldn't buy it...
YOU'D JUST COME OVER TO MY OFFICE AND MOOCH A LISTEN OFF MY COPIES!
gh
|
681.144 | I'm a negative mooch and I'm slackin'! | COMET::FRISBYA | On the seventh day he created me | Fri Oct 09 1992 17:05 | 7 |
| I was interested to see how FACKIN' awful it was...It sure didn't let
me down!
8P~~~~HURL!!!!!!
Friz
|
681.145 | Now that's SOME GRUNGE!!!!!!!! | COMET::FRISBYA | ICU..though the hole in my wall | Mon Oct 12 1992 17:44 | 4 |
| Screw Kurt Cobain....Listen to Greg (Cobain) House's demo!!!!!!!
Friz
|
681.146 | | GOES11::G_HOUSE | Arms raised in a V | Mon Oct 12 1992 18:49 | 3 |
| Now if only people would *buy* my stuff like they did Cobain's...
gh
|
681.147 | It beats raising cattle........ | COMET::FRISBYA | ICU..though the hole in my wall | Mon Oct 12 1992 18:55 | 4 |
| MOVE TO SEATTLE....
FRIZ
|
681.148 | | BUSY::SLABOUNTY | I'm so damn cool. | Tue Oct 13 1992 07:29 | 8 |
|
> -< It beats raising cattle........ >-
Hmmm ... is Frizzz a Weird Al fan?
GTI
|
681.149 | That's for sure! | COMET::FRISBYA | ICU..though the hole in my wall | Tue Oct 13 1992 13:23 | 4 |
| I'm more of a Weird Al fan than a Nirvana fan.
Friz
|
681.150 | | POWDML::BUCKLEY | feelin stronger every day | Mon Mar 29 1993 13:05 | 7 |
| Cool interview with Kurt Cobain in the most recent Advocate.
Kurt disspells a lot of rumors generated by past interviews,
and tells it like it is. has some interesting things to say
about GnR/Axl Rose.
Thanks for our beloved former deccie Carla Blazek for forwarding
me a copy.
|
681.151 | | GOES11::G_HOUSE | ThatsWhenIreachedForMyRevolver | Mon Mar 29 1993 13:37 | 1 |
| What is an "Advocate"?
|
681.152 | | POWDML::BUCKLEY | feelin stronger every day | Mon Mar 29 1993 15:56 | 3 |
| The Advocate is like this Gay/Lesbian mag publication -- look like
it's geared towards like the activist types... ??? Anywho, the
interview with Cobain is kind of neat..
|
681.153 | | COMET::MARTINN | I'll hate you better! | Mon Mar 29 1993 16:35 | 3 |
| So where do you find this mag.?
Better yet why don't you just reprint it for us? :^)
|
681.154 | new album | ANARKY::BREWER | nevermind.... | Tue Sep 07 1993 11:09 | 6 |
|
Sooooo....has anyone heard any stuff off the new album?
The 'alternative' rock station here has been playing
'heart shaped box' for a few days.... pretty good tune.
/john
|
681.155 | | TRACTR::JENNISON | Wanted Dead Or Alive | Tue Sep 07 1993 11:24 | 4 |
|
Just heard this new tune,... Its nice,,,
SueJ
|
681.156 | | BINKLY::DEMARSE | Ripple in still water... | Tue Sep 07 1993 12:30 | 1 |
| I didn't like it....it sounds like all of their other songs...
|
681.157 | | BOVES::FENNELL | In memory of #28 | Tue Sep 07 1993 12:43 | 1 |
| Agreed - this song is Lithium all over again.
|
681.158 | | BOVES::FENNELL | In memory of #28 | Tue Sep 07 1993 12:43 | 1 |
| Agreed - this song is Lithium all over again.
|
681.159 | | BUSY::SLABOUNTY | Whose Line Is It Anyway? | Tue Sep 07 1993 19:45 | 8 |
|
Tim, once would have been fine. Thanks. 8^)
And WAAF has been playing "Heart-Shaped Box" also ... not bad,
but nothing special.
GTI
|
681.160 | Album released | ANARKY::BREWER | nevermind.... | Wed Sep 22 1993 12:30 | 7 |
| I picked up In Utero last night.
I like it, but then again, I like Nirvana. Your mileage
may vary.
Interesting intervew/story about the band in SPIN.
/john
|
681.161 | ehhhh | TROOA::RATTMANN | Ach! | Fri Sep 24 1993 16:18 | 8 |
|
How is this album compared to Nevermind? I Have that, and
Incesticide, like both (for that type of music)...
Didn't like Bleach much though..
Keith
|
681.162 | | KURMA::IGOLDIE | Dope for guns | Fri Sep 24 1993 19:14 | 2 |
| I have Incesticide and didn't think much of it.There's a couple of
really good songs but they're few and far between.
|
681.163 | | GOES11::HOUSE | and he put the load right on me | Tue Sep 28 1993 16:04 | 5 |
| I think Bleach and the singles before Nevermind (like "Dive") were
their best. But I did like Nevermind. The one song I've heard from
the new one had the "Nevermind" kind of sound to it.
gh
|
681.164 | how original | FRETZ::HEISER | AWANA | Tue Sep 28 1993 16:36 | 2 |
| I watched these guys on SNL again. The "Rape Me" riff sounds just like
"Smells Like Teen Spirit."
|
681.165 | | GOES11::HOUSE | Warning warning, danger Will Robinson | Tue Sep 28 1993 18:56 | 4 |
| How were they otherwise? What songs did they play? How'd it sound
with the extra guitar player?
gh
|
681.166 | exit stage right | TROOA::RATTMANN | Ach! | Tue Sep 28 1993 18:57 | 9 |
|
They are smart. If it sells, don't stop milking it until its gone dry.
I'm sure they will make a coupla million more off this one...
Later,
Keith
|
681.167 | only watched cuz Sir Charles was on | FRETZ::HEISER | AWANA | Wed Sep 29 1993 15:51 | 4 |
| The first tune they did was ok. I'm not sure what it was called.
"Rape Me" was the 2nd and I thought it was lame.
|
681.168 | "grunge" haha | TROOA::RATTMANN | Ach! | Fri Oct 01 1993 17:25 | 7 |
|
Yeah some of the stuff on that album sucks... Theres about 5 or 6
songs that are good. Video out for one song off new album, forget
what title it was...
Keith
|
681.169 | | KDX200::COOPER | Testing my new personal name | Fri Oct 01 1993 18:13 | 1 |
| I got one...69.
|
681.170 | It's just _one_ opinion. | PAULUS::JAKOBI | You aim, you shoot, you run... | Wed Oct 13 1993 13:22 | 12 |
|
In a german newspaper they gave the new album 5 stars (out of 5).
I remember sentences like:
...one can feel the hate, the anger, they shout it out...
...angry guitars...
...this is what R&R was ment to be...
...most revolutionary since punk...
well, havn't heard it, but sounds a bit too overwhelming.
...SJ...
|
681.171 | money.. | TROOA::RATTMANN | Like my life, I'm on fire. | Wed Oct 13 1993 18:39 | 8 |
|
Actually, there are a good 7 songs out of 10 on this one..
At least 3 could be directly on the Nevermind release.. One uses the
"Smells like teen Spirit" chords exactly.. :'>
Keith
|
681.172 | | WMOIS::MAZURKA | Son_Of_One_Who_Walks_On_Down | Thu Oct 14 1993 07:48 | 6 |
| The Group will Play at The Wallace Civic_Center on Nov.12th.
Tix on Sale Satur_Day(Ticket_Master and The Orpheum_Theater Box_Office.
General Admission(Watch_Out)$21.50 which InCludes a $2 Parkin_Fee.
Crazy_Utero_Al
|
681.173 | | CADSYS::FENNELL | Repulsively Titanic | Fri Dec 17 1993 21:51 | 1 |
| Anyone catch Nirvana on MTV Unplugged last night?
|
681.174 | Random comments | GOES11::HOUSE | You sick little monkey! | Mon Dec 20 1993 08:59 | 24 |
| Yeah, I saw most of Nirvana on MTV Unplugged...yawn. It forced me to
head for bed by making me really sleepy. These guys are TRES boring
without the screaming and distortion! I thought Cobain's vocals were
too low in the mix. Someone should have snatched that accordian from
Novaselich (sp) and smashed it to bits, that would have improved the
sound about 75%. And when he wasn't playing that, it seemed like his
bass lines were out of key in places, gak.
Plus, it wasn't entirely "unplugged". I heard distortion on one of
Cobain's guitar solos. Doubt that was coming out that Martin
*acoustic* guitar he was playing...
The drummer looked bored completely stiff...
They also played a lot of new songs that I didn't know ('cause I
haven't heard "In Utero").
Honestly, to me the best thing about the show was their stage setup (a
buncha flowers and candles), which at least had some visual appeal.
My wife also thought it was boring, and...well...she actually listens
to, and *likes*, a lot of boring stuff!!
Greg
|
681.175 | | WMOIS::MAZURKA | Son_Of_Fabio | Mon Dec 20 1993 09:09 | 3 |
| I Liked the Cover they did of Bowie's"The Man who Sold_The_World."
|
681.176 | | POWDML::BUCKLEY | Scandalized my name! | Mon Dec 20 1993 09:26 | 8 |
| The whole eMpTyV "Unplugged" thing is NAFF! I saw Duran Duran the
other night -- full mic'd n midi'd drum kit, elec organ...the guitar
and bass were "acoustic" by nature, but plugged in and processed
(reverbs and delays!). Plus they had a full string section, pianist
(a REAL one!), and a couple of backing vocalists...and they STILL
sucked!
A solid 10 on the Zzzzzzzzzz scale (the Nadia Commanich of Nodoze!).
|
681.177 | | GOES11::HOUSE | You sick little monkey! | Mon Dec 20 1993 09:36 | 8 |
| Yeah I saw that one too, Buck. Reminded me how dependant some people
are on technology. Most of Duran Duran's songs just didn't hold up to
being played on (relatively) simple instruments. I suppose there's
nothing wrong with that, but you'd think they'd recognize what works
and what doesn't and try to avoid embarrassing themselves by playing so
far outside of their context.
Greg
|
681.178 | | POWDML::BUCKLEY | Scandalized my name! | Mon Dec 20 1993 09:58 | 6 |
| -1
Yeah, I sor of like DD's stuff -- that processed, textured (and
layered) sound appeals to me on a studio level. The tunes themselves
are pretty much pap, but I like the tones they achieve. It was
definitely lost live.
|
681.179 | | GOES11::HOUSE | You sick little monkey! | Mon Dec 20 1993 10:49 | 7 |
| re: Buck
I agree completely, also how I feel about DD. The "acoustic" versions
made the fact that the songs are really pretty poor stick out like a
sore thumb.
gh
|
681.180 | unplugged reveals... | EEMELI::HAUTALA | Positive Blues | Mon Jan 03 1994 03:27 | 6 |
|
Most bands that are boring when unplugged, also are not very great
players.
Hannu
|
681.181 | | COMET::VERMETTEC | Bravely brave Sir Robin rode forth from Camelot | Mon Jan 03 1994 04:42 | 3 |
| maybe they just are not very good showman or have poor showmanship.
chris
|
681.182 | Once was bad enuff | POWDML::BUCKLEY | Raptor -- Rules the Skies! | Mon Jan 03 1994 06:43 | 8 |
| They (eMpTyV) had that *retched* Duran Duran Unplugged show on again
last night ...
_ /|
\'o.O'
=(___)= Aack!!!
U
|
681.183 | | KURMA::IGOLDIE | Just another victim | Wed Feb 02 1994 13:32 | 6 |
|
well I've got my tickets for the Scottish date! 8)
ian
|
681.184 | can you say "BRIBE"? | FRETZ::HEISER | tragically cool | Wed Feb 02 1994 13:44 | 2 |
| You have to buy a ticket to get a date there?! And they say Scots are
better lovers?!
|
681.185 | | KURMA::IGOLDIE | Just another victim | Wed Feb 02 1994 13:52 | 4 |
| I would gladly give all I own to shag Kurt Corbain! 8)
ian
|
681.186 | | GOES11::HOUSE | Like a cat caught in a vacuum | Wed Feb 02 1994 14:14 | 1 |
| Ah ya cheeky monkey!
|
681.187 | | KIRKTN::IGOLDIE | Just another victim | Wed Feb 02 1994 14:18 | 4 |
| the one and only! 8)
ian
|
681.188 | | POWDML::BUCKLEY | Raptor -- Rules the Skies! | Fri Mar 04 1994 06:02 | 7 |
|
....I should have left this post for Seth.....;')...but, nirvana lead
singer Kurt Cobain is in a coma...following an overdose of barbituates
....in an apparent attepmted suicide....this happened while the band
was on tour in Rome, Italy......some reports have even said he's died..
.......
|
681.189 | Sid | TECRUS::DEMARSE | Inspiration, move me brightly | Fri Mar 04 1994 07:25 | 7 |
| Kurt....
He's just so punk
:), d
|
681.190 | | ICS::WHITMAN | | Fri Mar 04 1994 07:41 | 6 |
|
Heard he's still alive, just comafied...
Whit-
|
681.191 | ..oh the angst of it all... | AD::FLATTERY | | Fri Mar 04 1994 08:35 | 2 |
| ...it's hell being well known, well liked and well off, isn't
it?...../k
|
681.192 | Haw! | WMOIS::MAZURKA | Son_Of_B&B_And_A_Little_Weed. | Fri Mar 04 1994 09:02 | 3 |
| How Would you know??
Crazy_:_)_Al
|
681.193 | enemy within my head!I often wish that I was dead! | MIMS::ROBINSON_B | | Fri Mar 04 1994 09:05 | 10 |
|
I hope all those impressionable youths dont start trying to kill
themselves just to be cool like him. Being rich and famous, and having
a good time must be hell.
*B*
|
681.194 | HEARD HE'S IN A LIFE THREATING COMA...WOW THATS COOL... | KDCA01::CDCUP_TORREN | | Fri Mar 04 1994 10:34 | 5 |
| I heard, he was in between European concert dates and went to Rome
to see his wife and 2yr old kid, and OD on barbituates and champagne.
It must be pretty tough, I mean his wife is pretty good looking,
not to mention the muffins he's probably baking on the side, and
all the cha-ching he's making...Ya I'd rather be dead too...
|
681.195 | DA TROOF! | FRETZ::HEISER | the rock cries out! | Fri Mar 04 1994 10:46 | 1 |
| HE SOLD HIS SOUL IN A DEAL WITH THE DEVIL AND NOW HE'S COLLECTING!
|
681.196 | | GOES11::HOUSE | Aren't you glad I asked? | Fri Mar 04 1994 10:51 | 4 |
| According to someone in Radio_Radio, Cobain's out of the coma and is
recovering.
gh
|
681.197 | I could use some more of that muffins and cha-ching! | MIMS::ROBINSON_B | | Fri Mar 04 1994 10:53 | 5 |
|
yore going ta hell boy! hell hounds on yore tail boy!
|
681.198 | Love at first fright otherwise known as Fire in the Hole | PATE::SCHIAVONE | Cameras got them images... | Fri Mar 04 1994 11:16 | 7 |
|
> It must be pretty tough, I mean his wife is pretty good looking,
I'd classify Courtney a lot of things, but "good-looking isn't
one of them...
/Cap'n Quad
|
681.199 | | POWDML::BUCKLEY | Raptor -- Rules the Skies! | Fri Mar 04 1994 11:37 | 17 |
| RE: .194
>It must be pretty tough, I mean his wife is pretty good looking,
>not to mention the muffins he's probably baking on the side
Yeah, after that interview in The Advocate, I wonder what kind of
muffins he's baking on the side as well?!
RE: .195
Ahhh--you're possessed by the Devil (dawg)!
RE: .196
Yeah, I just heard the same on 'BCN...he's out of the coma now.
|
681.200 | sad news | FRETZ::HEISER | another day in DECrestaurant | Fri Apr 01 1994 11:53 | 3 |
| Radio news just reported that Kurt Cobain has OD'd again is in a
coma again. Doctors think he may not be so lucky this time since he
hasn't fully recovered from the first episode.
|
681.201 | ha ha ha | TECRUS::DEMARSE | sprinkle all my kisses on your head | Fri Apr 01 1994 11:55 | 5 |
| wow you're full of the april fool's jokes today, eh Mike?
|
681.202 | What a wasteoid | MIMS::ROBINSON_B | | Fri Apr 01 1994 11:57 | 9 |
|
Since Cobain OD'ed, I consider him an incredible fool, so what better
day to give hime some $h|t !!!
*B*
|
681.203 | | AD::FLATTERY | | Fri Apr 08 1994 13:56 | 2 |
| ...just read in MUSIC that someone heard that Cobain shot himself with
a gunshot and is no longer with us??.....anyone hear this?...../k
|
681.204 | | GOOEY::JUDY | Love is an angel disguised as lust | Fri Apr 08 1994 14:08 | 6 |
|
Hmmm... maybe I should hang on to the Utero CD that I
got from BMG because I forgot to send in the card and
keeping to mail back to them..... then again..maybe not. =)
|
681.205 | actually that should be :'( | METALX::SWANSON | Ride The Lightning | Fri Apr 08 1994 14:47 | 5 |
| Yeah, I just heard it in the mutternings note!
:')
|
681.206 | tragically sad | FRETZ::HEISER | Clinton Impeachment: 14.4M+ signatures | Fri Apr 08 1994 15:23 | 2 |
| Supposedly he had been missing for 6 days. They found him with the
shotgun at his side and a suicide note.
|
681.207 | | XCUSME::JENNISON | Dont Call Me Daughter | Mon Apr 11 1994 10:43 | 8 |
|
His wife read his suicide note to the fans....
His last words: Its better to Burn OUt than Fade away...
I love u I love U I Love U
What a jerk!
|
681.208 | Famous last words | MIMS::ROBINSON_B | | Mon Apr 11 1994 10:53 | 8 |
|
Was that all that he said ??
*B*
|
681.209 | | XCUSME::JENNISON | Dont Call Me Daughter | Mon Apr 11 1994 11:11 | 7 |
| I caught the last half...
He said he just didnt have the passion anymore.
She was hard to understand because she was crying.....
|
681.210 | | BUSY::SLABOUNTY | Is this p_n great or what? | Mon Apr 11 1994 11:25 | 8 |
|
>She was hard to understand because she was crying.....
Maybe whatever he left her isn't enough to support her drug
habit.
GTI
|
681.211 | Suicide = Supreme Selfishism | FRETZ::HEISER | no D in Phoenix | Mon Apr 11 1994 11:41 | 1 |
| It's pretty selfish to abandon a wife and 2-year old child.
|
681.212 | | ICS::WHITMAN | | Mon Apr 11 1994 11:54 | 7 |
|
Anyone sick of Nirvana yet? Just watch MTV.. Ya know, I didn't really
care for him.. thought he was arrogant.. but still, God have mercy on
him....
Whit-
|
681.213 | | USOPS::GALLANT | but she listens to Merle... | Mon Apr 11 1994 14:00 | 20 |
|
RE: Whit
>but still, God have mercy on him....
Agreed. It's sad to see that his only escape was taking
his own life - but what I don't understand is the people
tha MTV were interviewing on the street and how they all
said it was such a "shock" to them. ...the main was in
a drug induced *coma* a couple weeks ago. It didn't
surprise me at all!
As far as leaving his wife and child behind - it is selfish
but if someone is low enough in a state of depression to
actually develop a plan, and ultimately carry it out, to take
their own life - they may truly see no other way. It's just
a shame he wasn't straight enough to see he could've received
help.
tigg~~~
|
681.214 | | KURMA::IGOLDIE | It's my lucky carpet | Tue Apr 12 1994 04:28 | 11 |
|
I greee with Mike,suicide is the ultimate in selfishness.He's left his
wife and baby to try and mop up the emotional wreck he's leaving
behind.If he didn't have the passion for it all.He should just have
split up the band and passed into obscurity.I took my ticket back and
got my money back.My friend works at the ticket desk and told me there
had been people in on saturday nearly in tears as they handed back
their ticket!
ian
|
681.215 | monkey see monkey do | FRETZ::HEISER | no D in Phoenix | Tue Apr 12 1994 11:21 | 3 |
| Last evening's news mentioned something about a 28-year old fan or
relative (caught tail end of the report) that went out and committed
suicide just like Kurt did.
|
681.216 | No Judas Priest fiasco here | DREGS::BLICKSTEIN | db | Tue Apr 12 1994 12:46 | 1 |
| Well, at least the parents can't sue Cobain.
|
681.217 | just dawned on me | FRETZ::HEISER | no D in Phoenix | Tue Apr 12 1994 14:13 | 4 |
| Now I finally figured out what that line was from Teen Spirit
Here we are now, don't restrain us,
blow your brains out, entertain us....
|
681.218 | here they are | FRETZ::HEISER | no D in Phoenix | Tue Apr 12 1994 14:14 | 23 |
| Okay, you knew it would be only a matter of time so here's the first of
them.....
WARNING! Don't hit return if you don't want to be grossed out...
Are you SURE?
How does Kurt Cobain gather his thoughts?
With a squeegee
What was the last thing to go through his mind?
His teeth
What color are his eyes?
Blue. One blue right, the other left.........
|
681.219 | one of these days, Blam! right in the kisser. | MIMS::ROBINSON_B | | Tue Apr 12 1994 15:14 | 9 |
|
Did anyone find out the rest of the suicide letter?
*B*
|
681.220 | | GOES11::HOUSE | Aren't you glad I asked? | Tue Apr 12 1994 15:40 | 5 |
| Seems kind of ironic, but the last song that Nirvana released is
called "I Hate Myself And I Want To Die". It's on the Beavis &
Butthead Experience disc.
gh
|
681.221 | that's a good one, Greg! | FRETZ::HEISER | no D in Phoenix | Tue Apr 12 1994 15:49 | 1 |
|
|
681.222 | Yeah... | PATE::SCHIAVONE | Sit back and get urself relaxed... | Wed Apr 13 1994 07:33 | 6 |
|
I I think "I Hate Myself and I Want to Die" was slated for release
on "In Utero" but it was a little too hardcore by some exec's stds
for the album - that's why it was released on B&B
/Cap'n Quad
|
681.223 | just a shot in the dark, One inch away from you. | MIMS::ROBINSON_B | | Wed Apr 13 1994 07:38 | 9 |
|
Reports say he was back on heroin before he blew himself away.
*B*
|
681.224 | | ICS::WHITMAN | | Wed Apr 13 1994 09:44 | 10 |
|
I caught most of the letter on MTV the other night. I couldn't really
make out much of it.. His wife was crying and was adding little
comments after each sentence like "You as*hole, I can't believe you
did this... everyone, please yell as*hole!" Then everyone yells it.
She only read parts of it, she kept saying "and then he has some
personal stuff which is non of your damn business".
Whit-
|
681.225 | | WMOIS::MAZURKA | Son_Of_B&B_And_A_Little_Weed. | Wed Apr 13 1994 11:22 | 8 |
| I don't know if I heard this right,But I think I did.
At the end of the Phone_Message she says Some_Thing like..
"I've been Sleeping with Curt's Mother Every_Night Because her
Body is Kind of like Curts."
HHHmmmmmmmmmmmm?.?
Crazy_Ex_Squeeze_Me??
|
681.226 | | TECRUS::DEMARSE | No ego's under water | Wed Apr 13 1994 11:28 | 8 |
| >> "I've been Sleeping with Curt's Mother Every_Night Because her
>> Body is Kind of like Curts."
hahahaha......;')))....actually I think she said something along the lines
of, "I've been sleeping with Kurt's mother every night...and when I wake up
I think it's Kurt because their bodies are kind of the same..."
|
681.227 | or maybe Kurt was a she? | FRETZ::HEISER | no D in Phoenix | Wed Apr 13 1994 13:08 | 2 |
| That's gross. Next thing ya know they'll be moving to the Sweet Sister
Spirit Farm.
|
681.228 | One Bad Joke Deserves Another | POBOX::PATLA | Elvis Sells DECpc's at Digital! | Wed Apr 13 1994 15:28 | 18 |
|
Where was Kurt last seen?
Hanging around in his living room....
|
681.229 | | KURMA::IGOLDIE | It's my lucky carpet | Thu Apr 14 1994 05:12 | 7 |
| there was a story on the radio this morning that the day before they
found Kurt,Courtney was picked up by police for possession of drugs
and receiving stolen goods!
ian
|
681.230 | | XCUSME::JENNISON | Dont Call Me Daughter | Thu Apr 14 1994 08:59 | 2 |
|
I heard it was POSSESSION only.
|
681.231 | Love ain't particular - haw haw | FRETZ::HEISER | no D in Phoenix | Thu Apr 14 1994 11:31 | 4 |
| Yesterday's paper had some interesting things to say about her as well,
kind of shed some new light on her comments about sleeping with Kurt's
mom. Courtney claimed she has bumped uglies with 15 women. Maybe she
draws the line at animals, like Elfin.
|
681.232 | ...;'))... | AD::FLATTERY | | Thu Apr 14 1994 12:27 | 2 |
| ....mikey..you have such a delightful, yet disarmingly revolting way of
putting things.........................................../k
|
681.233 | ..;')... | AD::FLATTERY | | Thu Apr 14 1994 12:29 | 2 |
| ..by the way...Ian....aren't you going to put your Kurt and Courtney as
the 90's version of Sid and Nancy, theory in here??......./k
|
681.234 | | QRYCHE::STARR | We all want something beautiful | Thu Apr 14 1994 12:32 | 6 |
| > ..by the way...Ian....aren't you going to put your Kurt and Courtney as
> the 90's version of Sid and Nancy, theory in here??.......
Hey, I already had that theory going!
alan
|
681.235 | ;-) | FRETZ::HEISER | no D in Phoenix | Thu Apr 14 1994 13:15 | 1 |
| thanks for the compliment, /k!
|
681.236 | | GOES11::HOUSE | Aren't you glad I asked? | Thu Apr 14 1994 13:17 | 1 |
| So, what was it exactly that ol' Courtney was busted for?
|
681.237 | Impersonating a blonde | FRETZ::HEISER | no D in Phoenix | Thu Apr 14 1994 13:18 | 1 |
|
|
681.238 | | BUSY::SLABOUNTY | Is this p_n great or what? | Thu Apr 14 1994 13:35 | 5 |
|
Or impersonating a female.
GTI
|
681.239 | now there's a concept | FRETZ::HEISER | no D in Phoenix | Thu Apr 14 1994 13:43 | 1 |
| I was gonna say that, Shawn, but was trying to be PeeCee(tm).
|
681.240 | Courtney's message | JGO::NIEMANTS | | Thu Apr 14 1994 14:23 | 83 |
| The following is the message that Courtney taped for fans at Kurt's
public memorial service:
I don't know what to say. I feel the same way you do guys do. If you
guys don't think... to sit in this room where he played guitar and
sang, and feel so honored to be near him, you're crazy... Anyway, he
left a note, it's more like a letter to the fucking editor. i don't
know what happened. I mean it was gonna happen, but it could've
happened when he was 40.
He always said he was gonna outlive everybody and be hundred and
twenty. I'm not gonna read you all the note 'cause it's none of the
rest of your fucking business. But some of it is to you. I don't
really think it takes away his dignity to read the considering that
it's addressed to most of you. he's such an asshole. I want you all to
say 'asshole' really loud. "This note should be pretty easy to
understand. All the warnings from the punk rock 101 courses over the
years since my first introduction to the shall we say, ethics involved
with independance and embracement of your community, it's proven to be
very true. "Ihaven't felt the excitment of listening to as well as
creating music, along with really writing something, for too many
year's now.
"I feel guilty beyond words about these things -- for example, when
we're backstage and the light go out and the roar of the crowd begins,
it doesn't affect me the way in which it did for Freddie Mercury, who
seemed to love and relish the love and adoration of the crowd."
Well, Kurt, so fuckng what -- then don't be a rock star you asshole.
"Which is something I totally admire and envy. The fact that I can't
fool you, any one of you, it simply isn't fair to you or to me.
The worst crime I could think of would be to pull people off by faking
it, pretending as if I'm having 100% fun"
Well Kurt the worst crime I can think of is for you to just continue
being a rock starwhen you fucking hate it, just fucking stop.
"Sometimes I feel as I should have a punch-in time-clock before I walk
out on stage. I've tried everything within my power to appreciate it,
and I do, god believe me I do, but it's not enough. I appreciate the
fact that I and we have effected and entertained a lot of people. I
must be one of those narcissists who only appreciate things when they
are alone. Im too sensitive. I need to be slightly numb in order to
regain the enthusiasm I once had as a child. On our last 3 tours I've
had a much better appreciation of all the people I know personally, and
as fans of our music, but I still can't get out the frustration to
gather the empathy I have far everybody. Ther's good in all of us and I
simply love people too much.
So why didn't you just fucking stay?
"So much that it makes me feel just too fucking sad. Sad little
sensative unappreciative Pieces --" Jesus man oh shut up.. bastard Why
didn't you just enjoy it? I don't know. Then he goes on to say personal
things to me that are none of your damn business; personal things to
Frances that are none of your damn business.
"I had a good marriage, and for that I'm grateful. But since the age of
seven, I've become hateful toward all humans in general only because it
seems so easy for people to get along that have empathy."
Empathy?
"Only because I love and feel for people too much I guess.
Thank you all from the pit of my burning nauseous stomach for your
letters and concern during the last years. I'm pretty much of an
erratic moody person and I don't have the passion anymore. Peace, Love,
Empathy, Kurt Cobain."
And there's some more personal things that is none of your fucking
bussiness. And I just remember: this is all bullshit...
And I'm laying in out bed, and I'm really sorry. And I feel the same
way as you do. I'm really sorry you guys. I don't know what I could
have done. I wish I'd been there. I wish I hadn't listened to other
people, but I did.
Every night I've been sleeping with his mother, and I wake up in the
mmorning and think it's him because his body's sort of the same.
I have to go now.
-- Courtney Love
|
681.241 | must've been pretty messed up | FRETZ::HEISER | no D in Phoenix | Thu Apr 14 1994 14:41 | 2 |
| Pretty sad, also seems to be very confused. First he says he loves
people, then he hates them.
|
681.242 | I don't belive this! | ELIS::BOEREN | Vidi, vici, veni! :) | Fri Apr 15 1994 03:30 | 14 |
| I can't believe what all you people are saying here.
Are there no Nirvana-fans here?
Off course, I too think it's not good to leave your wife and child
alone this way, but you gotta think off Cobain himself too.
Don't you think he thought about that before he shot himself?
Off course he did, it was his own family, remember?
He must have felt pretty bad, and have had too much pain to live on,
even having considered what he'd do to his wife and child.
And furthermore, I loved the music, and I'm sad that there won't
(probably, unless they have some unpublished material) be another
Nirvana album with Curt singing on it.
Marcel.
|
681.243 | poetry and deep theories in 1 note! 8) | KURMA::IGOLDIE | It's my lucky carpet | Fri Apr 15 1994 04:28 | 19 |
| my Sid and Nancy theory,
well Kurt is a punk rock fan and the pinnacle person in that genre was
Sid Vicious,he died in a less than glamorous manner as did Kurt,both
Sid and Kurt had female companions that look *very* similar to each
other and all four of the above people screwed around with drugs.To
complete this theory,Courtney will have to die horribly and if she did,
she'd be as stupid as the rest.
FWIW....Kurt could never be like Sid.Kurt could play an instrument.
I was disucssing this theory with my friend and he said he had created
a Haiku(sp) in memeory of Kurt that went something like....
Kurt,Kurt mortally hurt
what does this mean
to Francis Bean?
by Finlay R.McNicol 8)
|
681.244 | Little correction. | ELIS::BOEREN | Vidi, vici, veni! :) | Fri Apr 15 1994 06:05 | 22 |
| Sorry to have to correct you, but being a B&B-fan, I thought I should
do so.
A haiku consists of 5 syllables, 7 syllables and 5 syllables.
Like in:
It was cool huh huh,
When we killed that frog huh huh
It won't croak again.
Or, free to the last one, after my Data Communication test I had
wednesday:
It was cool huh huh,
When I flunked that test huh huh,
I'll do it again.
I'm not sure if that last line is about making the test or flunking it.
:)
Marcel.
|
681.245 | | KIRKTN::IGOLDIE | It's my lucky carpet | Fri Apr 15 1994 06:28 | 4 |
| well I like I said,it was a friend of mine that made it up not me.I
liked what he did ad thought it quite poignant(sp)
ian
|
681.246 | Got your number off the bathroom wall. | MIMS::ROBINSON_B | | Fri Apr 15 1994 07:36 | 18 |
|
I had never really liked Nirvana. My girlfriend likes them (or whats
left of them) so I ended up listening to them, I think they were a
good band. I liked Bleach the best.
As for Cobain, I am getting really tired of all this stuff I keep
hearing about how he was in so much pain and it was not his fault and
how this is not just another case of a rock star getting in too deep.
People are acting like he was some sort of god. I think he was just
another screwed up individual who couldn't handle life in the fast lane
so he took the easy way out. He was just too weak to cope, which is why
I think he went back to the drugs. I agree it is sad that he felt bad
enough to kill himself, but things like this happen every day. Just
because he was some sort of "generation X" leader or whatever, his life
was (is) worth no more than anyone else's.
*B*
|
681.247 | | CADSYS::FENNELL | First time in a limousine? Dr? | Fri Apr 15 1994 08:43 | 6 |
| I guess I kind of agree with the last. On the good side, I think the edge Kurt
gave them in lyrics and attitude made them the success they were. On the bad
side I'd say that the lyrics were hardly made up and it sounds like he meant
just about everything he wrote.
Tim
|
681.248 | | FRETZ::HEISER | no D in Phoenix | Fri Apr 15 1994 11:08 | 3 |
| > Sorry to have to correct you, but being a B&B-fan, I thought I should
Is that Beatniks & Bongos?
|
681.249 | | FRETZ::HEISER | no D in Phoenix | Fri Apr 15 1994 11:12 | 4 |
| I agree with Mr. Robinson's neighborhood, he was messed up. If he
truly cared about his family, he'd still be among the living. The sad
fact is that he got out of drug rehab only 2 days before shooting
himself - screwed up!
|
681.250 | | GOES11::HOUSE | Aren't you glad I asked? | Fri Apr 15 1994 11:38 | 20 |
| Well, FWIW, I liked Nirvana's music. I don't see any way that they
could continue, since Kurt wrote all the music (except for one song
on the last album) and had the recognizable voice (like it or not).
Nothing Chris played as far as bass lines was very memorable to me, and
the drumming, while energetic, also didn't seem to be anything special.
They're all done.
As far as Kurt, when you're in that situation, it's much easier to
believe that your family will actually be better off without you. I'm
also tired of hearing people slammin on him for what he did. Hey, it
wasn't the choice I'd make, but unless you guys knew him personally or
walked a mile in his shoes, you have no right to judge. Hey, maybe he
did something you didn't like, well..so what? People do things I don't
like every day, but I'm not constantly crabbin about it. Some of you
keep harping on Kurt for being so selfish, well I consider it pretty
selfish for you to be angry at him for depriving you of his future
music, or seeing him in concert or something. If you didn't like the
music, what do you care whether he offed himself or not?
Greg
|
681.251 | Disagree in in part, agree in large | DREGS::BLICKSTEIN | db | Fri Apr 15 1994 11:42 | 17 |
| > Off course, I too think it's not good to leave your wife and child
> alone this way, but you gotta think off Cobain himself too.
> Don't you think he thought about that before he shot himself?
> Off course he did, it was his own family, remember?
Well, not to detract from the tragedy of his death, I happen to think
that his actions demonstrate that he did NOT think of his family.
If he cared more for his family then himself, I'd have to think he
wouldn't have shot himself. That seems like a reasonable conclusion
to me.
However, it's never as simple as just that. People with problems often
don't think of other people first. THat's often WHY it's classified as
a "problem".
db
|
681.252 | | AD::FLATTERY | | Fri Apr 15 1994 11:59 | 22 |
| i'll tell you what i'm sick of....i'm sick of people saying that
'we didn't understand him' etc...so we have 'no right to talk about
what he did'...as observers we have the right to our opinions...
this is a guy who was doing at least when he started out, exactly what
he wanted to be doing..playing music....somewhere during the course of
his career he lost the sincerity to go on with the music....it just
wasn't fun anymore......so he said.....well..so what??....alot of us
can't dredge up the sincerity every day to go to our jobs..but we dot
it...or we get out of that job and find something that we can be
passionate about.....what precludes this guy from finding away to do
that..that which all of us at onee time or another manages to do....
...kurt had money and support....both things make finding help alot
easier than if he hadd no familial support and no money.....i feel
sorry that he was such a weak person that he couldnt' find a way to
make things better for himself and in the end took his only life
as a last resort..i feel sorry for his family that has to go on with
the pain of all this in their hearts......you knwo the only people who
don't have problems are dead people.....this has nothign to do with his
fame or his music....he was just a weak little man who couldn't pull
his shite together....but let's not fall all over ourselves feeling
sorry for him..he had more resources at his fingertips to help him than
many of us ............................./k
|
681.253 | | GOES11::HOUSE | Aren't you glad I asked? | Fri Apr 15 1994 12:05 | 16 |
| re: .-1
Don't get me wrong, I don't feel sorry for him. He offed himself, so
what? Why do people get so upset about that? I'm just tired of people
hearing people say what a slime he was or how selfish he was or
whatever, when they have no way of knowing that. Maybe he was, maybe
he wasn't. I don't know...most people saying that stuff don't know
either. Doesn't make much difference now, does it?
Frankly, perhaps I'm strange for having this opinion, 'cause honestly,
I felt nothing when I heard he was dead. My reaction was "Oh, ok".
Like nobody could have seen *that* one coming... I don't feel
especially sorry for him, I just don't like to hear conjecture about
it.
Greg
|
681.254 | | FRETZ::HEISER | no D in Phoenix | Fri Apr 15 1994 12:49 | 3 |
| I'm not even a Nirvana fan, but suicide is traditionally labeled the
selfish crime. He even mentioned something about narcissism in his
last note. He did nothing to dispel that label.
|
681.255 | | PATE::SCHIAVONE | Sit back and get urself relaxed... | Fri Apr 15 1994 12:54 | 7 |
|
RE - /k
Bravo, best laymans terms I've heard yet. Life is a bitch,
for everyone, EVERYONE.
/Cap'n can't quit
|
681.256 | | AD::FLATTERY | | Fri Apr 15 1994 14:21 | 5 |
| re:-1/..thanks, i think...;')....i really dont' mean to sound cold
about his death or anyone elses for that matter....but the fact is, that
except for the couple of seconds of guts it took to pull the trigger.....
it takes more guts to deal with life and all its inherent problems than
it does to 'end it all'...../k
|
681.257 | Enter a title? That's hard, let me think... | ELIS::BOEREN | Vidi, vici, veni! :) | Mon Apr 18 1994 03:27 | 14 |
| I almost agree completely with Greg.
Except for 1 thing: I DID feel something when I heard he was dead.
But then again, that might have had another reason, which I will not
bore you people with.
The only thing that STILL surprises me, and kind of ticks me off, is
that all those people who are NOT Nirvana-fans keep writing replies
here. WHY?? You didn't care for the band or the guy anyway, so why
reply? If fans will reply, either if it's negative, or 'positive' (if
that is possible) it's okay, but it makes no sense to me why all these
'outsiders' even bother to reply. Just to spill their guts? Or however
you say that. Nothing personal, by the way, just wondering.
Marcel.
|
681.258 | Why am I filled with this animosity? | MIMS::ROBINSON_B | | Mon Apr 18 1994 08:07 | 10 |
|
Unfortunately for me, I became a Nirvana fan a little too late. I
think it is a terrible tragedy that Cobain is dead. I also agree with
Greg. After his first attempt at suicide, and the fact that most of
their music was on the depressing side. It did not surprise me when he
succeeded at killing himself.
*B*
|
681.259 | I think you owe me a great big apology. Terrible lie | MIMS::ROBINSON_B | | Mon Apr 18 1994 08:12 | 20 |
|
Oh yeah,
What is the difference between Motley Crue and Nirvana??
Motley Crue fired their singer.
Nirvana's singer fired himself.
*B*
Oh booo to yourself.
|
681.260 | Who? | PATE::SCHIAVONE | Sit back and get urself relaxed... | Wed Apr 20 1994 08:49 | 9 |
|
> The only thing that STILL surprises me, and kind of ticks me off, is
> that all those people who are NOT Nirvana-fans keep writing replies
> here. WHY?? You didn't care for the band or the guy anyway, so why
Who might these people be? I didn't know you could spot them
so easily...
/Cap'n Quad
|
681.261 | fyi | FRETZ::HEISER | no D in Phoenix | Thu Apr 28 1994 21:14 | 11 |
| (UPI) - The first annual Kurt Cobain Target Shoot will be held in
Seattle, Washington next month to honor that late singer. Awards will
be given in the 2, 4, or 6 inch distance competitions for both modified
and open-choke weapons.
Walls will be provided for backups free of charge, but the estates of
the participants will be responsible for repainting. Citizens for
Natural Selection, sponsors for the event, are extremely hopeful for an
all-star celebrity turn-out. "We're getting a positive responsive from
several fronts, including Guns and Roses lead singer Axel Rose. Our
organization is VERY excited about having him as a participant".
|
681.262 | | METALX::SWANSON | Ride The Lightning | Fri Apr 29 1994 12:36 | 4 |
|
ha... ha...
|
681.263 | | CADSYS::FENNELL | First time in a limousine? Dr? | Fri Apr 29 1994 13:23 | 1 |
| I heard 14,000,000 people were signed up...
|
681.264 | | FRETZ::HEISER | no D in Phoenix | Fri Apr 29 1994 15:25 | 3 |
| what has 6 arms, 6 legs, and 2 heads?
Nirvana
|
681.265 | I see you guys are subscribed to HUMOR too! | ELIS::BOEREN | Vidi, vici, veni! :) | Tue May 03 1994 08:52 | 1 |
|
|
681.266 | | AYOV16::SROBERTSON | | Fri May 06 1994 07:24 | 5 |
|
Someone in the local rag is trying to sell tickets for a concert
that didn't take place,obviously,as "memorabilia" tickets -
Anything for money.
|
681.267 | re.-1 Where for how much? | ELIS::BOEREN | Two Beer Or Not Two Beer, ...... | Fri May 06 1994 09:11 | 1 |
|
|
681.268 | | AYOV16::SROBERTSON | | Tue May 10 1994 03:14 | 2 |
|
Ayr,Scotland - for offers!
|
681.269 | You have any? If not, who does? | ELIS::BOEREN | Two Beer Or Not Two Beer, ...... | Tue May 10 1994 06:45 | 1 |
|
|
681.270 | | AYOV11::SROBERTSON | | Wed May 11 1994 03:29 | 2 |
|
No I don't have any - and the rag is gone.
|
681.271 | whos the selfish one? | ANARKY::BREWER | nevermind.... | Thu Oct 13 1994 20:22 | 8 |
| re: .254
(suicide is a selfish thing...)
Is asking something to stay alive to make the rest of ones
acquaintences "comfortable" and guilt-free, any less selfish?
/john
|
681.272 | Suicide: | HOTLNE::LUCHT | Triple Bock is here! | Fri Oct 14 1994 06:35 | 4 |
| "A permanent solution to a temporary problem."
- Bill Ward
|
681.273 | SEE YA..... | KDCA01::CDCUP_GREENE | | Wed Dec 21 1994 05:56 | 9 |
|
I think it is a real waste of talent. He had such
a wicked voice. So distinguished... I was looking
forward to some great releases from Nirvana.
Now what...?
GMAN
|
681.274 | | BUSY::BUSY::SLABOUNTY | Thailboat!! | Wed Dec 21 1994 06:45 | 7 |
|
Now what?
At the very least the band needs another vocalist.
GTI
|
681.275 | | KDX200::ROBR | Drinks for all my friends... | Wed Dec 21 1994 08:55 | 7 |
|
what has 4 legs and works at mcdonalds?
the surviving members of nirvana.
|
681.276 | Let them RIP... | STKHLM::STENSTROM | Fahr, fahr, fahr auf der Infobahn... | Wed Dec 21 1994 08:57 | 7 |
| >> At the very least the band needs another vocalist.
Why not just let them RIP? Would you have tried to find a replacement
for someone like Jimi H? The Joe Blow Experience feat Noel Reding and
Mitch Mitchell?? Nirvana was Curt, Curt was Nirvana.
/tOM
|
681.277 | | BUSY::BUSY::SLABOUNTY | Thailboat!! | Wed Dec 21 1994 09:59 | 9 |
|
We didn't need a replacement for Jimi ... 7 years later we got
The Eddie Van Halen Experience.
Twice the showman and twice the talent to boot.
GTI
|
681.278 | | METALX::SWANSON | Ride The Lightning | Wed Dec 21 1994 12:29 | 12 |
| > We didn't need a replacement for Jimi ... 7 years later we got
> The Eddie Van Halen Experience.
>
> Twice the showman and twice the talent to boot.
AaAAAAA Ha Ha Ha Ha Ha Ha HA!!!!!!!!!!!!!!
OHHHH Ho HO Ho HO HO !!!!
Say you were kidding shawn!
|
681.279 | | XCUSME::JENNISON | The Girl From Yesterday | Wed Dec 21 1994 12:53 | 1 |
| Its ALIVE!
|
681.280 | | BINKLY::DEMARSE | Enjoy being | Wed Dec 21 1994 13:01 | 2 |
| I don't know if anyone has posted this in here, but last I heard
David Groel (drummer) is playing for Tom Petty...
|
681.281 | | FRETZ::HEISER | Grace changes everything | Wed Dec 21 1994 13:03 | 1 |
| I agree with Shawn. Eddie > Jimi
|
681.282 | retch | POWDML::BUCKLEY | I [heart] Roller Coasters! | Wed Dec 21 1994 13:33 | 1 |
|
|
681.283 | JImi vs Eddie... | STKHLM::STENSTROM | Fahr, fahr, fahr auf der Infobahn... | Tue Dec 27 1994 01:41 | 9 |
| JH and EvH are the two most influential players in Rock Guitar History.
I would not put one before the other. And when talkin' showmanship, JH
was pretty good. Lets not forget that he learned from playing with the
best showman of them all, The Georgia Peach, The Quasar.., The King of
Rock n Roll - Little Richard Penniman!!!
Lets face it , Eddie VH is just a pale dutch boy with fast fingers...
/tOM
|
681.284 | JIMMY . . . | KDCA01::CDCUP_GREENE | | Thu Dec 29 1994 05:52 | 7 |
|
I agree, how can you compare JIMMY to eddie.
JIMMY ruled then and still rules today when
he is not even with the living.
GMAN
|
681.285 | EVH sux | POWDML::BUCKLEY | Welcome to Paradise! | Thu Dec 29 1994 07:05 | 1 |
|
|
681.286 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Thu Dec 29 1994 12:20 | 6 |
|
He always spoke very highly of you.
GTI
|
681.287 | respect where due | POWDML::BUCKLEY | Welcome to Paradise! | Thu Dec 29 1994 12:46 | 2 |
|
...as he should!
|
681.288 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Thu Dec 29 1994 15:13 | 10 |
|
I think his exact words were ...
"Buck's not too much of a jerk, most of the time."
8^)
GTI
|
681.289 | | 24333::BARBER_A | No swords | Thu Feb 15 1996 12:36 | 5 |
| I have a really cool pic of Kurt wallpapered on my PC.
If anyone's interested, I could copy or mail it to you.
I guarantee you've never seen this one before!
|
681.290 | | BRAT::JENNISON | She Talks To Angels | Thu Feb 15 1996 12:36 | 1 |
| Is he naked ? 8}
|
681.291 | | DECWIN::JUDY | That's *Ms. Bitch* to you! | Thu Feb 15 1996 12:43 | 6 |
|
God I hope not.
Sorry but Kurt was NOT an attractive dude.......
|
681.292 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 12:44 | 3 |
| Naw, it's just his face.
He's got this magical forlorn look that will melt your heart.
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681.293 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 12:45 | 1 |
| JJ, if you saw this, you'd think differently. I PROMISE.
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681.294 | | POOKY::OROURKE | I'm going to a land downunder | Thu Feb 15 1996 12:53 | 5 |
|
NO offense, but who wants to look at someone who is dead...and made
himself that way!
/jen
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681.295 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 13:02 | 5 |
| Perhaps I should have said "if you are/were a Nirvana fan".
Just because he's dead, does his music go away?
Does his memory go away?
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681.296 | | POOKY::OROURKE | I'm going to a land downunder | Thu Feb 15 1996 14:04 | 7 |
|
'Pril...it isn't that it downgrades his music. I just wouldn't want
the reminder that he chose to give up and deny his family, friends, and
the world of what gifts he had.
/jen (who has lost two friends to suicide...)
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681.297 | | HOZHED::FENNELL | A cowboy's life is the life for me | Thu Feb 15 1996 14:13 | 6 |
| For a second there I thought pril was talking about the autopsy photo of Kurt.
I've seen it on the net.
That would be rather intense wallpaper...
Tim
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681.298 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 14:33 | 17 |
| Jen, there is much pain involved in it, I know. But you probably would
look at pix of your friends if you had the chance, maybe just one last
time wouldn't you...? As something to remember them by? I can see
your point though.
I still have all these unresolved feelings when I look at his picture.
Like, love and devotion mixed with hatred and denial. I used to be a
huge Nirvana fan and when I found out he offed himself I must have
cried for days. I haven't given it much thought since...I've been kind
of indifferent and tried to avoid it. When I saw this picture it all
came rushing back.
He's got the most beautiful blonde hair and a really intense look on
his face. It's definitely worth seeing "if you are/were a ever huge
Nirvana fan".
'pril
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681.299 | | FABSIX::I_GOLDIE | resident alien | Thu Feb 15 1996 14:37 | 4 |
|
I saw the autopsy photo of Kurt...it was intense!
ian
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681.300 | 300 Nevermind repliezz | HOZHED::FENNELL | A cowboy's life is the life for me | Thu Feb 15 1996 14:44 | 4 |
|
It is pretty hard to tell what/who etc... Gross is the word.
Tim
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681.301 | | FABSIX::I_GOLDIE | resident alien | Thu Feb 15 1996 14:46 | 5 |
| true...there was no face and hard to say who it was!
ian
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681.302 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 14:46 | 1 |
| Piercing blue eyes
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681.303 | | FABSIX::I_GOLDIE | resident alien | Thu Feb 15 1996 14:46 | 6 |
|
no eyes at all...or nose,eyes,teeth or anything!
ian
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681.304 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 14:50 | 3 |
| That's real funny.
And appropriate too, I might add.
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681.305 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 14:51 | 29 |
| KURT COBAIN'S HEAD WAS NOT "BLOWN OFF!!"
The visual images created and promoted by Courtney Love and others
are actually much worse than
the true images left in the wake of Kurt's death.
Contrary to popular belief, the shotgun blast resulted in VERY
LITTLE VISIBLE DAMAGE!
This was an intra-oral discharge. The shotgun barrel was placed in
the mouth against the hard pallet.
The pellets from the shotgun blast remained inside the head. This was a
"penetrating" shot that DID NOT
EXIT.
As a result, there was no blood or tissue "splatter" typical in
most shotgun blasts to the head. There
was a pool of blood on the floor from seepage, and damage inside the
mouth could be observed, thus the
police report indicates, "obvious trauma to his head."
But, unlike the fake photos being passed around, and the grossly
exaggerated visual images
deliberately planted in the minds of Kurt's fans, THERE WAS NO GAPING
EXIT WOUND.
Although drawn and slightly distorted due to the beginning effects
of decomposition, KURT'S
FACIAL FEATURES WERE ALL LEFT INTACT AND RECOGNIZABLE. He was
fingerprinted for
identification as a matter ofprocedure...not necessity, as falsely
reported in the press.
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681.306 | | HOZHED::FENNELL | A cowboy's life is the life for me | Thu Feb 15 1996 14:56 | 1 |
| I wouldn't be surprised in the least if the picture I saw was a hoax.
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681.307 | | FABSIX::I_GOLDIE | resident alien | Thu Feb 15 1996 14:58 | 5 |
| if the body was wearing a blue plaid shirt,then that was the one I
saw too.
Ian
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681.308 | | SCASS1::BARBER_A | No swords | Thu Feb 15 1996 15:01 | 1 |
| Luckily for my psyche, I never saw it.
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681.309 | | HOZHED::FENNELL | A cowboy's life is the life for me | Thu Feb 15 1996 17:22 | 1 |
| It was gross - trust me... bleah!
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681.310 | | POLAR::LYLE | like walking on glass | Thu Feb 15 1996 21:48 | 12 |
|
In my opinion, anyone that kills himself/herself should not be
mourned. The families should be, not the 'victim'.
It's down right chicken to end your life for ANY reason.
I too have lost two friends from suicide (one was a very close friend)
and I hate the bastard for doing so. I have absolutely no sympathy for
any knob that 'can't take it' and ends it all.
Thanks for letting me vent.
Dave
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681.311 | | EDWIN::HOOKER | | Fri Feb 16 1996 09:28 | 4 |
| Too bad the whole grunge/plaid wearin/I'm depressed/self pity/
I'm a retard/I don't shower/blah blah blah didn't die after Kurt did.
Shane, who doesn't like Courtney and her hole (band) either
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681.312 | | HOZHED::FENNELL | A cowboy's life is the life for me | Fri Feb 16 1996 09:48 | 4 |
| Dave Grohl's band is kind of cool. Very ungrungelike too. They have a song
that I'd swear was done by the Hollies (of 60's fame)
Tim
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681.313 | | PATE::SCHIAVONE | I guess the jokes on me....she said | Fri Feb 16 1996 09:48 | 6 |
| >>Too bad the whole grunge/plaid wearin/I'm depressed/self pity/
>>I'm a retard/I don't shower/blah blah blah didn't die after Kurt did.
It wasn't born with him either, look at Michael Stipe...
/Cap'n Quad
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681.314 | doesn't he have the Tommy Morrison/Magic Johnston thing????? | POLAR::RENAUDP | No...Not even breathing hard!! | Fri Feb 16 1996 10:47 | 4 |
| HE'S a topic all on his own......
Paully
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681.315 | | HOZHED::FENNELL | A cowboy's life is the life for me | Fri Feb 16 1996 12:30 | 2 |
| Who's Tommy Morrison?
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681.316 | | BUSY::SLABOUNTY | Don't like my p_n? 1-800-328-7448 | Fri Feb 16 1996 12:40 | 5 |
|
He's a fighter.
Well, he was a fighter until the other day.
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681.317 | | POOKY::OROURKE | I'm going to a land downunder | Fri Feb 16 1996 12:41 | 7 |
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RE: Who's Tommy Morrison?
The heavyweight boxer that just tested positive in a mandatory AIDS
test required before a fight.
/j
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681.318 | | POWDML::BUCKLEY | | Fri Feb 16 1996 13:33 | 6 |
| Re: .314
I wouldn't imply Michael Stipe and Tommy Morrison are in the same
boat. Well, they are, in a sense, but Stipe is far further into
his illness, whereas Morrison just tested poz for HIV -- BIG
difference.
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681.319 | | HOZHED::FENNELL | A cowboy's life is the life for me | Fri Feb 16 1996 14:09 | 3 |
| I think Michael Stipe looks like an Aids poster child, yet other than in here,
(HM) I've heard nothing about this. I realize he tries to protect his personal
life
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681.320 | Now, I'm hungry.... | STRATA::LAMOTHE | Just me,My Fat Boy, & Kelly Bundy | Sun Feb 18 1996 15:08 | 7 |
|
At least he didn't die like ELVIS, on the royal thrown writing
his songs, or like garcia piggin' out on extra large
sausage/mushroom/cheese/pepperoni Pizza's...
/Sax_part_time_Pizza_boy
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681.321 | | SCASS1::BARBER_A | catch a groove and let it flow | Sun Feb 18 1996 17:00 | 1 |
| Where did they throw him?
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681.322 | | BUSY::SLABOUNTY | Don't like my p_n? 1-800-328-7448 | Mon Feb 19 1996 07:22 | 5 |
|
Into the moat.
He made a very big splash.
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681.323 | | PCBUOA::WHITMANJ | | Mon Feb 19 1996 08:36 | 5 |
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Tommy Morrison also co-stared in the last Rocky movie..
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681.324 | New Record | BRAT::FORTIN_C | Spacin' Out and Havin' Fun | Thu Oct 03 1996 07:35 | 6 |
681.325 | | CADSYS::FENNELL | Nothing is planned by the sea and the sand | Thu Oct 03 1996 09:13 | 6 |
681.326 | New Record | BRAT::FORTIN_C | Spacin' Out and Havin' Fun | Thu Oct 03 1996 14:28 | 32 |
681.327 | | BRAT::JENNISON | She Talks To Angels | Thu Oct 03 1996 15:56 | 1 |
681.328 | | BRAT::FORTIN_C | Spacin' Out and Havin' Fun | Thu Oct 03 1996 16:18 | 2 |
681.329 | | ABACUS::JENNISON | She Talks To Angels | Thu Oct 03 1996 19:01 | 1 |
681.330 | Daddy's little girl... | PATE::SCHIAVONE | Always wanna be a PUNK | Mon Oct 14 1996 09:16 | 2 |
681.331 | | SCASS1::BARBER_A | I'm not crazy! | Mon Oct 14 1996 10:00 | 2
|