| T.R | Title | User | Personal
Name | Date | Lines |
|---|
| 582.1 | | ASAHI::COOPER | Burn my flag, and I'll shoot ya... | Thu Jun 29 1989 10:40 | 11 |
| Any diminished chord is sexual... I mean like we're talkin' lock up
the children because I'm playin' my guit, and you *know* what happens
when that happens. Especially when it's LOUD AND PROUD ala Marshall.
On another note... There are some tunes that I would rather play
the rhythm part on, just because it gets me so high...
Eye Of The Beholder is just like that.
jc
|
| 582.2 | Yo, Buck - hint hint. 8^) | ANT::SLABOUNTY | Lolly^3 get your adverbs here. | Thu Jun 29 1989 11:15 | 9 |
|
I'm gonna stay out of this note 'coz all the chords bring
out 'frustration' in me due to the fact that I can't play
any of 'em.
8^)
GTI
|
| 582.3 | Buck's zen on diminished chords and their contexts | MARKER::BUCKLEY | Where the down boys go | Thu Jun 29 1989 11:19 | 28 |
| Diminished chords sexual???
I don't know about that...I mean, chord "sounds" and textures that
the mind attches to these tones are very subjective...
Ie, Vai always sez he associates modes with things like Mixo is a
happy, merry sound, like a carnival...Yngwie sez phrygian is dark, like
a castle, etc.
To me, Diminished is a melancoly type of sound...it reminds me of
sitting in a dark corner of an attic while the last rays of an autumn
sun beam in thru the window just before dusk...ie..the medium between
light and dark tones.
Tray playing this chord progression to see what I mean:
E- | B | E- | B | A- | E- | G#dim | G#dim (next inv.)|
Esus | E- | A- | E- ||
In this, the minor tonailty is quickly established with the Emin to B
major chord change (implies E harmonic minor). When you get to the
G#dim chord, it throws in the feeling I talked about above... its not
as dark a tonaility as the previous minor progression has established,
yet the chords don't really tell you if the progression will continue
minor, or modulate to a major tonailty. I fool you with the Esus4 to E
minor resolution (It goes back to minor!!), but your ear wanted to ear
the E major after that sus (an old Bach trick).
|
| 582.4 | 8^) | HAZEL::STARR | What do ya do when you get lonely...? | Thu Jun 29 1989 11:31 | 12 |
| > the chords don't really tell you if the progression will continue
> minor, or modulate to a major tonailty. I fool you with the Esus4 to E
> minor resolution (It goes back to minor!!), but your ear wanted to ear
> the E major after that sus (an old Bach trick).
Of course! Why didn't *I* think of that!!!!
8^)
Sorry - I just got so lost there, I just had to laugh at myself!
cat
|
| 582.5 | | HAZEL::STARR | What do ya do when you get lonely...? | Thu Jun 29 1989 11:34 | 6 |
| Oh, and by the way, being mostly a rhythm player, I have a tendency to like
very simple chords (especially since I don't know the difficult ones!).
Anyways, for some unknown reason, I have a tendency to really like Aminor
chords.....dunno why, I just do!
cat
|
| 582.6 | | ASAHI::COOPER | Burn my flag, and I'll shoot ya... | Thu Jun 29 1989 12:53 | 6 |
| There is another chord that gets me off...
It's found in "Breakin the silence" by Queensr�che. I have no idea
what it is but it's a G something... Whoa. Watch it ladies.
jc
|
| 582.7 | | RAVEN1::JERRYWHITE | Hindsight is always 20/20 ! | Fri Jun 30 1989 00:25 | 7 |
| Minor chords = Major depression (depending on the angle of the dangle)
8^)
Scary (who's perpendicular most of the time)
|
| 582.8 | Interesting discussion! | CSC32::G_HOUSE | Speak, Strike, Redress | Fri Jun 30 1989 19:22 | 26 |
| re: .0 Bm = sad
Hmm...I don't think of Bm as sad, but as kicking! Reminds me of "White
Wedding"...
re: .1 Dim = sexual
You must have sex on the brain, dude! I don't think of diminished
chords as sexual at all. (Come to think of it, I don't think of any
specific chords or keys as sexual...)
Personally, the key of F#m strikes me as being a very sad, thoughtful
key.
Also Bb seems kind of sad and bluesy to me. Probably because I'm used
to hearing lots of rock in A or B and not in between.
I think the way a scale or chord affects you is influenced a lot by
what you're accustomed to hearing and your musical background. I think
that someone that's studied music extensively, like Buck, will think
of a piece in a different way than a neophyte, like myself (but I'm
learning, and I *want* to learn!). Not that that diminishes the
feeling.
gh
|
| 582.9 | joke !! | CHEFS::DALLISON | Its Katching ! | Sun Jul 02 1989 14:57 | 6 |
|
Diminished chords remind me of mystery - of the unknown.
I prefer Dm to Bm - its very moody.
Argumented chords remind me of women ;^)
|
| 582.10 | 8^) | CSC32::G_HOUSE | Speak, Strike, Redress | Sun Jul 02 1989 18:24 | 3 |
| >Argumented chords remind me of women ;^)
They confuse you?
|
| 582.11 | | CHEFS::DALLISON | Its Katching ! | Mon Jul 03 1989 09:21 | 4 |
|
ha! I hadn't thought of that side of it 8^)
I meant argumented as in ARGUE (as in women ;^) ).
|
| 582.13 | | 38482::YERAZUNIS | I refuse to wear a 'power suit' unless it's powered armor! | Sun Jul 16 1989 22:56 | 3 |
| D minor makes me homesick.
|