T.R | Title | User | Personal Name | Date | Lines |
---|
542.1 | Have to go look for it | CSC32::G_HOUSE | My dog ate it... | Mon May 15 1989 11:40 | 4 |
| I haven't heard of them (hey, Colorado isn't typically where you get
all the current rumors...). They do sound interesting though.
gh
|
542.2 | "Nothing is sacred.." | AYOV18::TMCMANUS | | Mon May 29 1989 07:01 | 15 |
| I picked up this album a couple of weeks back...and on first couple
of plays, I didn't really get off on any of the tunes on offer.
I got totally cheesed off with the constant timing/mood changes..
you know what I mean, you've got your head down and your goin' for
it in a big way, when suddenly it turns all ^&%$in' sweetness an'
light!!!!!
BUT I PERSEVERED LIKE CRAZY and now it's an album I really enjoy
listening to - as opposed to rockin' out with. I mean , it's kinda
difficult gettin' into "Thrash Mode" when in 5 secs you're gonna
be hearing "Hemispheres Pt 2".
Gm.
|
542.3 | Yea, They're Dreamin' | ISLNDS::FRIEDRICH | | Wed Jun 07 1989 13:59 | 19 |
| Those guys were at the WJUL studio for an interview a few weeks
ago for the Metallic Mayhem show. Heard a few of their songs,
nothing really stood out. Not sure if keyboards belong in a Thrash
metal outfit. They talked about different things. Their name came
from a theater that Petrucci's father used to frequent as a kid
in California. How to get started in Metal - be financially ready.
I was surprised at the apparent lack of experience these guys
portrayed. Noone claimed to have been a musician for more then a
couple of years. A typical "conversation" sounded like this -
DJ: Well, John, how did you get started on the base.
J: Well, you know, like I was just hangin' out and, well, John
asks me to come over cause like, he needed someone to play base
and like, I never played before, so well, I started playin.
Kinda makes you wonder what a collective intelligence could do in
this business.
|
542.4 | "We can play like that!" | 33224::SIMPSON | I remember now | Sat Jul 15 1989 00:11 | 6 |
| Just picked up their album today, after reading about 'em in 106.
Not bad, definite Rush sound, I thought I heard a bit of Marillion
in there as well. People that hear it think it's Rush. The timing
differences remind alot of Marillion. Excellent drummer!!
Spaceknight
|
542.5 | release date is something like 7/7 | GAMGEE::ROBR | It's powdered toast man! | Wed Jun 24 1992 22:04 | 13 |
|
Just got a promo of the new release (on Atco). It hasn't left my deck
in 4 days. (I have not heard any older stuff by these guys so I can't
compare). Still tons of timing changes, so Alan still won't like them
:'). I would not compare them to Rush this time around. Maybe Fates
Warning/Queensryche with some Metallica riffs and Styx type chorous
lines. Most songs are 8 minutes or so. I thought the whole album was
great except one song (I think it was Hold me Under) in which the
ending sounds like someone hit stop during the record session right in
the middle of a jamming part. Absurd. If you liked FW: Parallels,
grab this!
|
542.6 | | GAMGEE::ROBR | It's powdered toast man! | Thu Jun 25 1992 19:58 | 3 |
|
oh btw, album is called images and words.
|
542.7 | Yeah, good stuff | GOES11::G_HOUSE | WhereWereYouInMyDarkestHour | Thu Jun 25 1992 20:31 | 5 |
| I heard a song off this one a week or so ago and I thought it rooled!
Could be an excellent album. I liked their first effort as well, even
though it was a little keyboard heavy.
gh
|
542.8 | | GAMGEE::ROBR | It's powdered toast man! | Fri Jun 26 1992 21:21 | 4 |
|
a nice blend of keys in this one. not really heavy on the boards at
all. a couple of nice saga tpye guitar/key riffs too...
|
542.9 | It was better than I thought it was going to be | COMET::FRISBYA | Little Dove | Mon Jul 13 1992 12:00 | 4 |
| I went over to a friend's house and he played some of these guys.
I liked it!! Very good drummer and he has a cool sound also...
Friz
|
542.10 | | DSSDEV::KRISTY | DoTheRightThing&BustSomePuppies | Tue Jul 14 1992 21:49 | 10 |
| I was given their tape as a gift today... after a first play-through of
it, I *really* like it.... it has some really cool tunage....
When the song that sounds (like Rob said earlier) like someone hit stop
in the middle of the recording session, I thought my tape player had
eaten the tape... until a couple seconds later and the next song
started.
I noticed a few similarities to Rush, Queensryche, Fates Warning,
etc... definitely a good tape.
|
542.11 | quickly becoming my fav band, right up there with rush!! | GAMGEE::ROBR | It's powdered toast man! | Wed Jul 15 1992 18:27 | 17 |
|
this album is just so plain incredible... im listening to it even as i
read the last note. at work I listen to it for 6 hours straight over
and over night after night and just absolutely still love it (of course
everybody else in my department is entirely sick of it :')).
a couple things i noticed that i just didnt pick up on before. the
guitarist is a total george lynch clone on several occasions. (good
lynch, not his new crap). if i didnt know better i would put $$$ that
it was lynch playing.
also the singer just has so many types of singing. one song at the
beginning he sounds just like s. bach, then onto fates warning, then a
mellow harnell sound... incredible and incredibly talented band. I
have to find their previous stuff.
|
542.12 | | SCARGO::GRENIER | | Wed Jul 15 1992 18:38 | 5 |
| Wow! Sounds like I definately have to get this one!
I loved WDaDU. Do you know if they had one before that?
Steve
|
542.13 | Even though parts are like other groups, they have their own sound. | MPGS::HOWES | INeedARideToTheMorgueThatsWhat911IsFor! | Wed Jul 15 1992 18:43 | 9 |
|
I have to agree with Rob.. This stuff roolz!!!!!!!!!!!!
A MUST pick up!!!
-Seth
|
542.14 | usenet... | OLTRIX::ZAPPIA | limited to 500,000 | Wed Jul 15 1992 19:11 | 33 |
| Article: 18758
Xref: ryn.mro4.dec.com alt.rock-n-roll.metal:18758 alt.rock-n-roll:35582 alt.music.progressive:365
Subject: Re: Someone tell me about Dream Theatre (or is that Theater?)
Date: Tue, 19 May 1992 06:13:13 GMT
Lines: 34
> I guess the subject line says it all. I've seen a lot of mention
>about this band on various newsgroups throughout the past couple of months
>or so, but I'm still unfamiliar with their music, although from what I've
>gathered, they sound like the sort of band that would appeal to me quite a
>bit. I no longer have as much money to spend on CD's as I used to, and
>would like to have some reccomendations before going out and buying one
>of their albums. Would you please mail me (or post, if you prefer) any
>suggestions about which of their albums are particularly worth checking
>out? I'd really appreciate it!
At this point there is only "When Day and Dream Unite" on Mechanic Records.
Since it's a small label, it could be hard to find (though in the UK
they had a back cover ad on Kerrang! when it first came out).
I think they sound like Rush mixed with Praying Mantis with... hmm...
a little Twelfth Night (Sears? not Mann) thrown in. I like the lyrics,
and the musicianship is good, though the mix is horrible. The vocalist
has been canned (he was ok though not great), a new label found, and
a real producer used for "Images and Words" (if I recall correctly) which
will be released next month.
Since it's been a couple of years since "When Day and Dream Unite" was
released, you might be able to find them in the bargain bin with the
Buggles and GTR.
--
|
542.15 | | GOES11::G_HOUSE | Black Sheets Of Rain | Wed Jul 15 1992 19:27 | 9 |
| Seems like this is a band you either really get into or really don't.
I've seen a *lot* of copies of their first one used!
Alan turned me on to the first one, which I thought was interesting. I
think with a better producer they could sound incredible. It's been
awhile since I listened to it, but as I recall, the keyboards were
really in your face on that one.
Greg (who regularly prowls the used record shops)
|
542.16 | | SCARGO::GRENIER | | Wed Jul 15 1992 19:36 | 8 |
| Their WAS a lot of heavy synth/keyboard stuff in the first one,
reminded me of Rush. I thought it added flavor to their material,
but they could have lowered the keys in the mix and still achieved
the same result (a Rush-type sound). It didn't bother me, but I'm
sure a lot of people were turned off by it.
Steve
|
542.17 | | GOES11::G_HOUSE | Black Sheets Of Rain | Wed Jul 15 1992 19:51 | 5 |
| Right. I'd agree, it didn't really *bother* me, but I wouldn't have
mixed it that way. They could have brought out a little more "edge" to
the music by pushing the keyboards down a little.
gh
|
542.18 | | SCARGO::GRENIER | | Wed Jul 15 1992 20:14 | 7 |
| Exactly.
Rob, how heavy are the keys on the new one?
Steve
|
542.19 | | GAMGEE::ROBR | It's powdered toast man! | Wed Jul 15 1992 20:26 | 4 |
|
not very. they mix right into the rest of the sound. production on
this album is great as well. (dont know who did it though, no names on
the tape i have).
|
542.20 | Like Rush? | EEMELI::TFORSELL | SoGetOutThere&Rock&RollTheBones! | Thu Jul 16 1992 07:10 | 10 |
|
I'm been a REAL RUSH fan for ages now.
This sounds like I should really get involved with Dream Theater.
What is their drummer like? And the rhythms. Do they have these
4/4, 3/4, 7/8 changes in the rhythm?
Toffe
|
542.21 | | GAMGEE::ROBR | It's powdered toast man! | Thu Jul 16 1992 09:59 | 8 |
|
I'm a drummer and a total Rush nut. This drummer, though no Neil, is
WAY above average. Tons of ideas and chops. As for strange times,
lots of those too. Most songs are made up of several different parts
put together (much along the lines of Rush or Maiden) and many of the
parts are very odd times, some almost random.
|
542.22 | | DSSDEV::KRISTY | Now and forever curled in my heart | Fri Jul 17 1992 12:17 | 18 |
| Well, a follow-up review is due here.... I've been listening to "Images
& Words" almost non-stop since the tape was given to me...
All I can say is.... THIS TAPE ROOOOOOOOOOOOOOOOLZ BIGTIME!!!!!!!!!!
There are a couple songs on the tape that *really* get to me (in a good
way)... Strangely enough (or maybe not very strange at all), there are
times when I could swear I was listening to the Alan Parsons Project...
then comes a swing by of Rush or Fates Warning or Queensryche....
Given that I really like all four of the other groups I mentioned
above, it causes me to like these guys all the more....
I was making a copy of the tape last night and a friend stopped by...
she was enthralled with the group's sound.... and she doesn't care for
heavy metal at all....
AWESOME TAPE!!!!! I *LOVE* IT!!!
|
542.23 | | SCARGO::GRENIER | | Fri Jul 17 1992 17:49 | 9 |
|
I just picked up this one today. Too early for me to give a
detailed review. First impression after listening to the
first 4-5 songs: I love it! Similar to the first release,
but more varied style. I'm not sure which singer I prefer yet,
I'll have to listen more. This one will NOT be a dust collector!
Steve
|
542.24 | | SUBURB::COOKS | who the hell do we think we are? | Mon Jul 20 1992 09:51 | 3 |
| I got the 1st album when it came out a couple of years ago and thought
it sounded like a cross between Metallica and Rush. Not bad at all.
|
542.25 | Images & Words | MPGS::HOWES | Just keep my heart in your eyes. | Tue Aug 18 1992 20:24 | 10 |
|
Buck, dude, you HAVE to pick up the new one from these guys!
It rules!!! I have been playing continuously since I bought
it a months ago... Get it!!!
-Seth
|
542.26 | | CAVLRY::BUCK | Spread your wings & fly away | Tue Aug 18 1992 22:31 | 4 |
| I went to buy this album tonight, and the person at the record store
told they they had to pull this album off the shelf, as the band
Killing Joke are sueing Dream Theatre for ripping off one of their
entire albums!
|
542.27 | Stay tuned!!! ;^) | MPGS::HOWES | Just keep my heart in your eyes. | Tue Aug 18 1992 22:39 | 25 |
|
re:-1 HAHAHAHA!! Good one Buck!!
You really should get it though...
Just in.....Two more law suits have been filed...
Killing Joke has filed a lawsuit against Michael Schenker
they said it was their idea to be president of their own
fan club... See note 860 for more details!!
Also..
Killing Joke has filed a suit again James Hetfield of Metallica,
aparently there are two reasons for the suit. Killing Joke
claims that it was their idea to burn themselves in concert.
Also it is reported that James has copied a kniting pattern
that Killing Joke invented, James gave NO CREDIT to KJ on the
quilt...
-Seth
|
542.28 | | BUSY::ESCOBAR | Countdown To Extinction | Wed Aug 19 1992 10:18 | 5 |
|
I have this album after ROBR suggested I get it.
Sounded pretty lame to me.
|
542.29 | | METALX::SWANSON | HeThoughtOblivionWellItBekonsUsAll | Wed Aug 19 1992 10:36 | 7 |
| I like it. I went out and got it after hearing Rob's copy!
Chris..... You heard it too at Tigg's party... if you didn't like it
then, why'd you go out and buy it!? :')
|KS|
|
542.30 | | BUSY::ESCOBAR | Countdown To Extinction | Wed Aug 19 1992 10:50 | 6 |
|
I thought maybe it would be better if I got to listen to it, without
all the background noise...
I'll listen to it a little more, maybe it'll grow on me.
|
542.31 | All the same? | SHARE::COOK | Confusion?... I don't get it. | Wed Aug 19 1992 10:58 | 3 |
| I heard some song on the radio Saturday night by them, sounded kind of
like Metal Church, I thought... pretty decent, though... Is the whole
album similar in sound to whatever song they played?
|
542.32 | | METALX::SWANSON | HeThoughtOblivionWellItBekonsUsAll | Wed Aug 19 1992 12:37 | 15 |
| re: -1
There is one song or two where the singer sounds like the guy from
Metal Church. (Their new singer).
I can't remember the names of the songs, but I have a feeling I know
what song you're talking about. The rest of the CD doesn't sound
exactly the same as that. A couple tunes are really mellow. Sounds
like the last 2 or 3 albums by Fates Warning if you've ever heard them.
Sebastian Bach sings on one song I think..... Although he's not listed
anywhere in the credits or special thanks...
|KS|
|
542.33 | | GOES11::G_HOUSE | Just look at what you did here | Wed Aug 19 1992 13:18 | 3 |
| > Sebastian Bach sings on one song I think...
Friz will have to get it.
|
542.35 | MC? Nope... | COMET::FRISBYA | SUCK MY KISS | Wed Aug 19 1992 15:28 | 4 |
| Buck: Are you on drugs? I thought BK was long gone?
Friz
|
542.36 | KILLER SHOW | CAVLRY::BUCK | p_n under construction | Thu Oct 08 1992 10:41 | 13 |
|
WOW!!!
Dream Theatre was TOTALLY AMAZING last night! They had a great sound,
a good song selection, and the JAMMED. Incredible musicians ... the
place was full of rocking Berklee students -- def. a 'musician's musican'
band, but as a whole they were really well received by the Boston
audience (which is more than opener's WILDSIDE can say!!).
Robpose, I didn't see you there. What did you think of last night,
awesome or what?!
|
542.37 | | METALX::SWANSON | space bender | Thu Oct 08 1992 11:00 | 5 |
| Yeah it was killer! I thought Wildside was great too!
Was anyone else there besides me /k and Buck?
|KS|
|
542.38 | | DDIF::JUDY | Picard/Riker '92 | Thu Oct 08 1992 11:34 | 5 |
|
Buck, he was probably working...... he works some Godforsaken
hours like 11:00pm to 8am or something like that.....
|
542.39 | | BUSY::ESCOBAR | One In A Million | Thu Oct 08 1992 11:39 | 4 |
|
He was working, in fact he said so in a note somewhere last night.
|
542.40 | | CAVLRY::BUCK | p_n under construction | Thu Oct 08 1992 11:43 | 3 |
| I read his note from yesterday as saying "I won't be out of work in
time for Wildside (the openers)". I mean, he was so gung-ho on going
all week long -- WTF?!
|
542.41 | ...;')....... | AD::FLATTERY | | Thu Oct 08 1992 11:46 | 1 |
| Ro-o-o-o-B...NA NANA NA NA NA.....You missed it and WE didn't!!......./k
|
542.42 | | CAVLRY::BUCK | p_n under construction | Thu Oct 08 1992 11:54 | 5 |
| >Ro-o-o-o-B...NA NANA NA NA NA.....You missed it and WE didn't!!......./k
Yeah -- not only did you miss a roolin show by the band, /k and I got
into a BEEMer fest ... man, you should have been there!!
|
542.43 | excellent sound! | LMOADM::LEVIN | a turnip cures elvis | Thu Oct 08 1992 14:20 | 4 |
| I was there and I agree with .36 - an INCREDIBLE performance. A *lot*
of talent on that stage ...
Suegene
|
542.44 | Wpose MIA | CAVLRY::BUCK | p_n under construction | Thu Oct 08 1992 14:41 | 4 |
| Hey Wpose,
WHAR WHERE U? We saw Danpose there, as well as the Boa road crew ...
figured you couldn't have been (shouldn't have been!) far behind?!
|
542.45 | | CONTRA::BEL_KWINITH | It's big, it's heavy, it's wood. | Thu Oct 08 1992 21:33 | 11 |
|
waaaaaa!!!
yeah, i was planning on making it, and at the last minute, systems
scheduled a project at work that i HAD to be there to support :'( :'(.
i'm soooo bummed... if anybody hears anything about them playing new
england or new york, please let me know. i'll drive up to 300 miles or
so to catch their show if i have to.
|
542.46 | | CAVLRY::BUCK | Clinton/Gore in '92!!! | Thu Oct 15 1992 11:13 | 3 |
| So, who from the CO crowd went and checked these guys out??
Comments & reviewz requested.
|
542.47 | out of touch | COMET::FRISBYA | puFehttuhs | Thu Oct 15 1992 11:15 | 4 |
| Did it happen yet?
Friz
|
542.48 | Not Yet | COMET::MARTINN | Too sexy for this conference | Thu Oct 15 1992 12:37 | 4 |
| No, they'll be here Nov. 4 and Foolish Pride is opening. In fact I just
called KILO and double checked, so for all my efforts I should be the
one to get the CD, don't ya think?
Rat
|
542.49 | Their chops keep going and going and going... | CAVLRY::BUCK | Clinton/Gore in '92!!! | Thu Oct 15 1992 12:40 | 3 |
| Nov 4? Cool -- that give Coop/CJ, Glh/Dawn, Friz/Vicmeister, Rat,
Devil Dawg, Hammer, and the lot of you to save your pennies for this
show ... BELIEVE ME -- this band roolz, you will NOT be disappointed!
|
542.50 | | MR4DEC::JWHITMAN | | Thu Oct 15 1992 12:41 | 7 |
|
Ya, but that doesn't help Chris out considering he lives out here
in Mass!!
;')
|
542.51 | In My Budget | COMET::MARTINN | Too sexy for this conference | Thu Oct 15 1992 12:45 | 2 |
| Won't have to save to many pennies 'cuz tickets are only $4.94!!!
Rat
|
542.52 | A late and small review | KETJE::VLASIU | | Thu Oct 15 1992 12:52 | 15 |
| I bought "Images and Words" last month and I like it. It's an excellent album
which recalls a bit Rush and Fate's Warning ("Perfect symmetry" time).
The singer has a voice which may recall occasionnely Sebastian Bach (of
Skid Row fame) and the new singer form Metal Church.
There are 8 songs of which few are over 7 or 8 minutes long. The music
balances between power metal, slow ballads and fine instrumental interventions.
The album needs repeated listening to really appreciate it. All the songs
are very fine and include few almost accoustical ballads where the voice of
the singer is very well put in evidence. All the instrumentals are of
jazz-rock quality and the overall recording is excellent. On headphones,
the listening is outstanding.
Well recommended !
Sorin
PS. I bought it after reading the good advices in these notes.
|
542.53 | | CAVLRY::BUCK | Clinton/Gore in '92!!! | Thu Oct 15 1992 12:58 | 2 |
| I thought (live, anyways) that the Singer reminded me a LOT of early
Geoff Tate/QR!
|
542.54 | | CONTRA::BEL_KWINITH | Everyone loves a log... | Thu Oct 15 1992 14:26 | 7 |
|
haven't seen him live :'( :'(, but definately nothing like tate on the
album. now fates warning singer reminds me of tate! :'). in fact
when i played this one tune of parallels for paul mccarron, between the
chords used and the singers voice, paul suggested death by gas or
hanging for sounding so similar :').
|
542.55 | | CONTRA::BEL_KWINITH | Everyone loves a log... | Thu Oct 15 1992 14:26 | 6 |
|
either way, DT is awesome!!!! dont missem!
now, wharz that contest...
|
542.56 | | SPEZKO::BELFORTI | Quiet? W/ 8 teenagers in the house! | Thu Oct 15 1992 15:39 | 18 |
| Hi folks! Long time no note....
I am borrowing a friend's account for a few minutes and HAD to come in
here and state my opinion on DT's show at Axis on 10/7.... WHAT AN
INCREDIBLE SHOW!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I loved DT immediately upon hearing the cassette "Images & Words"...
after seeing them perform live (we were right up front near the
keyboardist), I fell in love with their music all over again..... they
have got to be one of *THE* best musical groups around... *VERY*
talented folks and given the variety of syncopation of all their songs,
I was ceaselessly amazed by them....
Hope they come back to Boston again *REAL* soon!
Have a good one, folks! I'm outta here...
-- Kristy
|
542.57 | | CONTRA::BEL_KWINITH | Everyone loves a log... | Thu Oct 15 1992 15:55 | 4 |
|
i hope they do to... i missed 'em :'( :'(
|
542.58 | Patience | COMET::MARTINN | Too sexy for this conference | Thu Oct 15 1992 17:18 | 3 |
| Well..... We're waiting, have you decided yet on who gets it?
Rat
|
542.59 | Images and Words | BUSY::SLABOUNTY | I'm so damn cool. | Tue Oct 20 1992 08:53 | 9 |
|
Well, I gave this album a spin last night, and I have to say I'm
changing my first impression of them. They don't suck ... they
are amazing. The band is full of great musicians.
I'm not saying I love them ... I like them for now. But the
fact that they're amazing can't be ignored.
GTI
|
542.60 | | CONTRA::BEL_KWINITH | We have no need for ancient ways | Tue Oct 20 1992 12:14 | 5 |
|
that's ewhy escobar doesn't like them! he can't stand bands with
talent :') :').
|
542.61 | | BUSY::ESCOBAR | Anybody Listening? | Tue Oct 20 1992 12:25 | 4 |
|
It's not that their music isn't good. It just doesn't interest me.
|
542.62 | | CAVLRY::BUCK | Rebuild the Revere Beach CYCLONE | Tue Oct 20 1992 12:39 | 5 |
| >It's not that their music isn't good. It just doesn't interest me.
Too many notes!
;')
|
542.63 | Bwahahahahaha!!! | MSBCS::MCBRIDE | Won't you be my neighbor? | Tue Oct 20 1992 12:57 | 9 |
|
Re: Buck
> Too many notes!
OK, Amadeus, I'm rollin'!!!
--
Kevin
|
542.64 | TAR PITS! | COMET::FRISBYA | puFehttuhs | Tue Oct 20 1992 13:42 | 4 |
| Not enough galloping bar chords.
Friz
|
542.65 | | BUSY::ESCOBAR | Anybody Listening? | Tue Oct 20 1992 13:50 | 2 |
|
Precisely!
|
542.66 | | COMET::MARTINN | Too sexy for this conference | Tue Oct 20 1992 21:13 | 3 |
| Well I think I'm gonna go check them out next month when they're here,
anyone wanna go with or have me pick up tickets when I go get mine?
Rat
|
542.67 | Is Anybody Listening? | COMET::MARTINN | Too sexy for this conference | Wed Oct 28 1992 09:24 | 4 |
| Alright, last chance.... I'm gonna go today or tommorow and pick up
tickets for next Wednesday show so if anyone wants me to pick them up
some (to be reienbursed of course) write or mail me!
Rat
|
542.68 | | BINKLY::DEMARSE | Walk me out in the morning dew | Wed Oct 28 1992 10:36 | 4 |
| Where are they playing?
danielle
|
542.69 | 69! | MR4DEC::JWHITMAN | | Wed Oct 28 1992 10:40 | 4 |
|
Escohead! WHERE'S MY CD!?
|
542.70 | | BUSY::ESCOBAR | Bring Your Daughter... | Wed Oct 28 1992 10:59 | 5 |
|
At my house fool!
;')
|
542.71 | | COMET::MARTINN | Too sexy for this conference | Wed Oct 28 1992 11:10 | 4 |
| RE: danielle
Rack N Roll, Colo. Spgs., CO
Rat
|
542.72 | | CAVLRY::BUCK | Is this supposed to be a chance? | Mon Nov 02 1992 13:42 | 1 |
| Whoz goin to see the ever awesome DT this week in COS?
|
542.73 | Do I win Something? | COMET::MARTINN | Too sexy for this conference | Mon Nov 02 1992 14:33 | 2 |
| I am, I am! Got my tickets Friday!!!!
Rat
|
542.74 | | CSC32::J_HERNANDEZ | Pay no mind, to what they say... | Mon Nov 02 1992 16:17 | 3 |
|
I might go, depends.
|
542.75 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Tue Nov 03 1992 09:07 | 4 |
|
depenz on what??? don't miss the most spectacular display of
musicianship this side of rush!!
|
542.76 | | KDX200::COOPER | I even use TONE soap !! | Wed Nov 04 1992 10:15 | 1 |
| I'll be therw with my spousal-unit. Can't wait !!
|
542.77 | | KDX200::COOPER | I even use TONE soap !! | Thu Nov 05 1992 09:39 | 11 |
| DYLIW - A good friend drags you and your wife off to see Dream Theatre
last night ?? Thanks for BJ too, Rat - it was killer!!
DYLIW - You have a new fave band?
Anyway, I loved this show. I'll even go as far as saying that this was
the BEST live performance I've EVER seen, save seeing Queensryche at
AJ's in South Carolina. Wow. I'm going off to buy their CD's at lunch.
Un-FACKIN-believeable !!
jc
|
542.78 | | KDX200::COOPER | I even use TONE soap !! | Thu Nov 05 1992 11:52 | 49 |
| Now for a more in-depth review.
Natalie (Rat), CJ and myself went to Rack-N-Roll last night to see
Dream Theater. I'd only heard the one song that's been getting airplay
on KILO, so I didn't know anything about the band. Natalie had a pair
of tickets ($4.94/each) - At that price, I figured WTF, I'll check 'em
out!
Well, WTF indeed. This band RULES live... I still haven't heard anything
off their CD's, but I will be running off at lunch to buy 'em now.
Their performance was flawless and awe-inspiring. I just sat there with a
beer in my hand and another glass under my chin to catch the drool.
The bassist was playing a 6 string bass, and he was incredible! The drummer
was flashy and had flawless timing and tasty lix for days. The singer is
FUGLY and sort of fat, but he had an EXCELLENT voice - a lot of range and
is very dynamic.
Now for the good part:
The (single) guitarist played thru a pair of 100wt MESA Dual-Rectifier heads
and a pair of Armadillo 4x12's (leather and metal covered celestion loaded
Mesa/Boogie). He also had a 18 space SUS-4 Rack full of cool goodies (can
you say Eventide, Lexicon and TC ?? - I thought you could).
So, you're saying to yourself "Gee, the guy is an FX whore?" - NOT! The
guys sound was clean and tasty, not over-done with FX and harmonizer induced
crapola. When he did kick in the eventide, it was sweet. He played an
Ibanez USA Custom UCG13_type.
He has a style like Yngwie meets Satch meets EJ meets Hetfield meets Gilbert
meets Vai... you get the picture. the dude is super-flexable and has
amazing chops. I was blown away. Also, the keyboard dood was killer also.
He was playing note-for-note arpeggios with the guitar player at lightning
speed. It was a nice touch.
When they opened up, Cindi and I looked at each other and mouthed "Rush"...
10 measures in, we looked at each other and mouthed "Metallica"...then
"Queensryche". The band seems like it has the best parts of three of my
fave bands. I felt the same way wheen I heard Fates Warning 4 years ago...
Now FW is getting popular - I predict Dream Theater will ALSO become quite
popular.
Thats about it in a nutshell. Thinking mans metal!!
Twas the tightest live show I've ever seen - definately rank right up there
with Rush (live) and Queensryche (live). The band SMOKES! Go buy their CD's!
jc (still amazed!)
|
542.79 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Thu Nov 05 1992 13:34 | 8 |
|
another convert!! :')
ps, their first album is out of print (i just asked this morning) and
am also told it was never available on cd (alan, did you have the tape
or cd? just wondering if that was true).
|
542.80 | | GOES11::G_HOUSE | Who do you want to be today? | Thu Nov 05 1992 13:46 | 7 |
| re: Coop
> He played an Ibanez USA Custom UCG13_type.
g13? The grim reaper painted thing, like you got?
gh
|
542.81 | even says so in .0 | DPE::STARR | Out Of The Cradle, Endlessly Rocking! | Thu Nov 05 1992 13:47 | 7 |
| > ps, their first album is out of print (i just asked this morning) and
> am also told it was never available on cd (alan, did you have the tape
> or cd? just wondering if that was true).
I had the CD, for sure, so that info is definitely wrong....
alan
|
542.82 | | KDX200::COOPER | I even use TONE soap !! | Thu Nov 05 1992 13:48 | 5 |
| RE: Greg
Same guitar, different paint job.
jc
|
542.83 | | GOES11::G_HOUSE | Who do you want to be today? | Thu Nov 05 1992 13:50 | 6 |
| re: Coop
Then it ain't a UCGR13, the number is different for each paint job. I
got the catalog here, what picture was it?
gh
|
542.84 | | KDX200::COOPER | I even use TONE soap !! | Thu Nov 05 1992 13:52 | 2 |
| Well - I dunno - it was bright colors!
:)
|
542.85 | Big help... | GOES11::G_HOUSE | Who do you want to be today? | Thu Nov 05 1992 13:52 | 3 |
| Well.....WHAT colors?? In what pattern???
gh
|
542.86 | | CAVLRY::BUCK | Don't stop thinkin about tomorrow! | Thu Nov 05 1992 13:55 | 4 |
| Greg,
It's a custom color pattern. It's basically painted Desert Sun Yellow,
with Green, Blue, Black, and Red geometric shapes painted over it.
|
542.87 | Sounds cool | GOES11::G_HOUSE | Who do you want to be today? | Thu Nov 05 1992 14:06 | 5 |
| Buck comes through again with the "what was that dude playing" info.
Must be a really custom "custom", I don't see anything remotely
resembling that in the current catalog.
Greg
|
542.88 | | CAVLRY::BUCK | Don't stop thinkin about tomorrow! | Thu Nov 05 1992 14:08 | 2 |
| The dude has an Ibanez endorsement, so I suspect it's a REAL custom
made guitar (like in every way, shape, and form).
|
542.89 | | CSC32::J_HERNANDEZ | One banana,2 banana,3 banana, 4 | Thu Nov 05 1992 14:19 | 1 |
| SO anyone wanna book it to Denver and catch tonight's show?
|
542.90 | ;') | BUSY::ESCOBAR | EveryStepBringsMeCloserToMyLast | Thu Nov 05 1992 14:41 | 4 |
|
Sure.
|
542.92 | Alka Selzter Quick | COMET::MARTINN | Too sexy for this conference | Thu Nov 05 1992 15:29 | 6 |
| DYLIW You get to go and see a great concert
DYHIW You don't remember the band at all cuz you were to busy doing
BJs!! :) or should I say :0
The little bit I do remember of them there were great!
Rat
|
542.93 | | CGVAX2::GRENIER | | Thu Nov 05 1992 15:52 | 8 |
| Their first release 'When Dreams & Day Unite' was definately available
on CD, as I have it. I saw the CD in a record store, the other day,
but I can't remember which right now. If someone wants it, let me
know, I'll try to find it.
Steve
|
542.94 | but now that i will be having weekends off!!! ill be out | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Thu Nov 05 1992 18:11 | 7 |
|
sure jesse, im on my way again :'). remember last time i tried this?
a last minute flight, coach class to co springs via phoenix, via denver
was almost $1000! ouch! :') (plus extra for a shuttle out of denver
:')) and didn't arrive there till about 10!
|
542.95 | | CAVLRY::BUCK | Don't stop thinkin about tomorrow! | Fri Nov 06 1992 09:48 | 13 |
| ATTN: Rob
Dream Theater -- Axis -- Wednesday -- December 16th ... BE THERE!!!
Buck, who'll going again, for sure! Anyone else? We should have a HM
night for this show, they're
RRRRRRR OOOOOO OOOOOO LLL IIIIIII NNN NNN !!! !!!
RRR RRR OOO OOO OOO OOO LLL III NNNN NNN !!! !!!
RRRRRRR OOO OOO OOO OOO LLL III NNN NNNNN !!! !!!
RRR RRR OOO OOO OOO OOO LLLLLL III NNN NNNN
RRR RRR OOOOOO OOOOOO LLLLLL IIIIIII NNN NNN !!! !!!
|
542.96 | | AD::FLATTERY | | Fri Nov 06 1992 09:51 | 1 |
| yo buck.....i'm up for it! ! ..........;')......../k
|
542.97 | | CAVLRY::BUCK | Don't stop thinkin about tomorrow! | Fri Nov 06 1992 09:52 | 1 |
| Sethypooh?? You went last time, wanna go again?? |KS|? Others??
|
542.98 | | KDX200::COOPER | I even use TONE soap !! | Fri Nov 06 1992 10:39 | 3 |
| Buck - Me and CJ WILL be there !!!
jc
|
542.99 | Will Wildside be opening again? | METALX::SWANSON | Stardog Champion | Fri Nov 06 1992 11:13 | 4 |
| I'll go!
|KS|
|
542.100 | | MSBCS::MCBRIDE | Won't you be my neighbor? | Fri Nov 06 1992 11:21 | 3 |
|
100 REPLIEZ!!
|
542.101 | | KDX200::COOPER | I even use TONE soap !! | Fri Nov 06 1992 11:41 | 8 |
| Perhaps we can get as MANY people there as possible. I know CJ
and I would like to meet some of you new folk, and see some of the
old-timers too!!
Not to mention seeing an awesome band !! Who is this Wildside ??
Sounds like a Motley Crue tribute band. :)
jc
|
542.102 | | DTIF::JUDY | Picard/Riker '92 | Fri Nov 06 1992 11:52 | 8 |
|
Well considering it's two days before my birthday.....will
you guys buy all my drinks? =)
(and that's only if I have the night off from my second job)
JJ
|
542.103 | | KDX200::COOPER | I even use TONE soap !! | Fri Nov 06 1992 11:55 | 9 |
| JJ - I'll buy you a drinkie or three... SO won't Buck!!
:)
Take that night off - I won't hear ANY excuses! In fact,
Take the next day off also. Buck and I were discussing
off-line that there is a HoJo motel close by thats cheap...
Perhaps we can rent a couple of rooms and swill til dawn...
jc (Who loves to party in hotels. :)
|
542.104 | | MR4DEC::JWHITMAN | | Fri Nov 06 1992 12:29 | 4 |
|
I'll be there..
|
542.105 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Fri Nov 06 1992 13:38 | 5 |
|
YES!!!! i'm making arrangements for that one TONIGHT!! i wont be left
in the c old again!!!
|
542.106 | | AD::FLATTERY | | Fri Nov 06 1992 13:53 | 2 |
| ..ok...looks like we got a dream theater and pre-jj birthday party to
attend that evening.......;"))............/k
|
542.107 | Count me in!!!!!! | DECAGE::HOWES | | Sun Nov 08 1992 12:30 | 11 |
|
re: DT at Axis Dec 16
YES!!!!!!!!! I will try my hardest to be there!!!!
I will drive back from Albany that afternoon if I have to!!
They are one band that NO ONE can miss!!!!!
-Seth
|
542.108 | | CAVLRY::BUCK | He's given me you | Sun Nov 08 1992 14:24 | 6 |
| After /k's party this FRIDAY (Nov 13th), I will start to compile
this HM "Dream Theater" get together in the PARTY note (100.*)
to make it a bit more understandable.
Buck, who thinks this might be a noteworthy HM get together!
|
542.109 | | DDIF::JUDY | Keep the faith | Sun Nov 08 1992 20:07 | 13 |
|
Well I'll be asking for that night off on Tuesday when I
go in. Cross your fingers folks. =)
Does someone have a DT tape I can borrow to listen to for
awhile? The only time I heard DT was at Tigg's party this
summer and I didn't hear it that well. (what I did hear,
I liked)
JJ who thinks this'll be a grand way to welcome in the big
25 a few days early. =)
|
542.110 | Recomendations | CASEE::LALLI | Didier - OSAG Valbonne - DTN 828.5423 | Mon Nov 09 1992 08:59 | 11 |
| Hi there,
I won't be able to make it to your party :-), but does anybody know if Dream
Theatre are planning a Tour in Europe by any chance?
Also which Fates Warning album are recommended to start with, knowing that I
already own everything from Rush, Dream Theatre and Metallica. Any advices?
Thanks,
Didier
|
542.111 | | KETJE::VLASIU | | Mon Nov 09 1992 10:36 | 11 |
| Didier, I have listened Fate's Warning's "Parallels" and "Perfect Symmetry"
(this one, I have it). Although Parallels is fine, I prefer Perfect Symmetry
(it's a bit more complex).
For all those enjoying Fate's Warning, Dream Theater, Queensryche .. please
check at the occasion Last Crack's "Burning Time". LC is quite different from
other bands and it surely plays very intelligent music. If you like the former
bands you should like Last Crack's "Burning Time" (one of the very best albums
these years).
Sorin
|
542.112 | JMHO natch | GOES11::G_HOUSE | Big cheese, MAKE me! | Mon Nov 09 1992 11:40 | 5 |
| I like Fate's Warning's album "No Exit", it's roolin and they seem to
have more of their own style on that one rather then the "Queensryche
II" style they've adopted in the last couple.
gh
|
542.114 | | NEMAIL::MERCIER | Im iN the MiDsT Of a tRaUma | Thu Nov 12 1992 12:29 | 5 |
| I heard one of DT's tunes the other nite on the radio...Although they
all sound like great musicians, I personally didnt care for their
style of music....
Bob
|
542.115 | DT RULZ!!!! | COMET::FRISBYA | Bed of Roses | Thu Nov 12 1992 14:30 | 5 |
| You stupid flannel/combat boot skinny puppy type.....Pull YOUR head
OUT!
Friz
|
542.116 | CBs rool! | GOES11::G_HOUSE | Big cheese, MAKE me! | Thu Nov 12 1992 15:24 | 1 |
| The pup's lookin for a combat boot upside the head, methinks.
|
542.117 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Thu Nov 12 1992 17:12 | 8 |
|
that one tune you heard (probably) is awesome, but there's even better
on the album!
:')
that IS my style music!
|
542.118 | | KDX200::COOPER | I even use TONE soap !! | Fri Nov 13 1992 00:13 | 2 |
| You BOB - Like 'em or not, you'd BEST be there for this show!!
jc (Who'll be there in SPADES!)
|
542.119 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Fri Nov 13 1992 08:39 | 4 |
|
okay, i got this night off! we getting a room or what?
|
542.120 | | KDX200::COOPER | I even use TONE soap !! | Fri Nov 13 1992 09:42 | 4 |
| I think we should! I intend to imbibe heavily. :)
Cool ROB !!
|
542.121 | 8) | COMET::FRISBYA | Somebody to Shove | Fri Nov 13 1992 10:12 | 4 |
| -1,-2 GET A ROOM!!
Friz
|
542.122 | | SOURCE::GALLANT | Be colorblind; don't be so shallow | Fri Nov 13 1992 10:21 | 9 |
|
This BETTER happen. I'm putting in for the night off at my
part time job and the day off the next day from DEC.
And someone's going to have to help me get to Axis since I
have NO clue where it is...
tigg~~~~
|
542.123 | | CAVLRY::BUCK | Don't flatter yourself! | Fri Nov 13 1992 11:03 | 2 |
| You can ride with me, Tiggee!!
];^>
|
542.124 | | GOOEY::JUDY | That's Ms. Bitch to you | Fri Nov 13 1992 11:06 | 4 |
|
Can someone bring the DT tape tonite so I can borrow it?
Pweeze?
|
542.126 | | USOPS::GALLANT | Be colorblind; don't be so shallow | Fri Nov 13 1992 11:23 | 6 |
|
RE: Buck
Put yer halo back on and I'll *think* about it. (8
tigg~~~~
|
542.127 | | GOOEY::JUDY | That's Ms. Bitch to you | Fri Nov 13 1992 11:26 | 4 |
|
Thanks Woobie!
|
542.128 | | OOBIE::DAMORE | Welcome to the Jungle.... | Fri Nov 13 1992 11:27 | 4 |
| Can I borrow it after JJ? We work together. She can vouch for me right
J? RIGHT?!? :^)
-a
|
542.129 | | GOOEY::JUDY | That's Ms. Bitch to you | Fri Nov 13 1992 11:31 | 4 |
|
Well I dunno! =)
|
542.130 | Slam!! | NEMAIL::MERCIER | Im iN the MiDsT Of a tRaUma | Mon Nov 16 1992 12:44 | 7 |
| .114....Ill take gregs advice....upside the head with my combat boots..
its pretty ironic...thats how I dress..flannel/combat boots...Anyways,
I still didnt really like the tune I heard....sounded boring to me...
maybe If I ever get a chance to listen to the album, I might like
them.......but as for now...........
|
542.131 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Tue Nov 17 1992 12:24 | 4 |
|
oh yeah, real boring band.... NOT!!!! :')
|
542.132 | | NEMAIL::MERCIER | Im iN the MiDsT Of a tRaUma | Tue Nov 17 1992 12:46 | 3 |
| to each his own.....
:*)
|
542.133 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Wed Dec 02 1992 04:50 | 7 |
|
Just heard today DT will also be playing at what used to be the Escape
Club at Salisbury Beach on... um... some Sat in January (I believe it's
1/9).
|
542.135 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Thu Dec 10 1992 04:30 | 5 |
|
know how to get to salisbury beach center? go there, park in the loop,
walk to the boardwalk, bang a right, it's down there on the right.
|
542.136 | | BUSY::SLABOUNTY | Politically impolite | Thu Dec 10 1992 06:44 | 6 |
|
I heard "Pull Me Under" on WAAF today ... never heard them on
the radio before.
GTI
|
542.138 | | ICS::BUCKLEY | Jesus Christ, the first and last | Thu Dec 10 1992 08:43 | 3 |
| I'll be at the Jan 9 show as well.
Pull Me Under roolz for a radio single!
|
542.139 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Thu Dec 10 1992 09:01 | 15 |
|
re: .137
you're kidding. you dont know how to get to salisbury beach...
um, er...
from nausea, hmmm..... not sure of the easiest. most people i know
from that area drive all the way via backroads. i'd probably go 101e
-> 95S, get off on 110 and follow that all the way in. someone else
can give you better directions. seth will know how to get to salisbury
beach :'). then again, maybe not. He's too cool to hang at the beach
in the summer :') :').
|
542.140 | | BUSY::ESCOBAR | I Want Somebody To Shove | Thu Dec 10 1992 09:26 | 6 |
|
I hear Pull Me Under on various radio stations.
Yup, I love that tune.
|
542.141 | never been there... | DECAGE::HOWES | | Thu Dec 10 1992 10:40 | 9 |
|
>can give you better directions. seth will know how to get to salisbury
>beach :'). then again, maybe not. He's too cool to hang at the beach
>in the summer :') :').
Yeah too cool!!! ;) I have no idea how to get to Salisbury,
I don't think I ever have gone there....
-Seth
|
542.142 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Thu Dec 10 1992 12:14 | 4 |
| Yah, I just heard "Pull Me Under" on the radio when I was driving
home last night. (and it wasn't even on a college station!)
gh
|
542.143 | Nuthin Great | NEMAIL::MERCIER | THeVIolEnCeBEgInsWHenTHeLIgHtsGOouT | Mon Dec 14 1992 16:09 | 11 |
| I know Im gonna get people up in arms, but I heard Pull me Under
a few times in the past week....That song does nothing for me...
its sounds to over processed....to me they sound like are trying to
sound like YeS.....Granted I think YeS are great......All of the
individual musicians sounded great...I loved some of the drum fills..
but Im not really impressed by the originality of there music...It
sounds like something Id hear on the Yes 90215 sp?? album.....
IMO....that is.......go ahead fire away....
Bob
|
542.144 | | BUSY::ESCOBAR | Does Anyone Know An Available P_N? | Mon Dec 14 1992 16:16 | 4 |
|
It does sorta get old, fast.
|
542.145 | | NEMAIL::MERCIER | THeVIolEnCeBEgInsWHenTHeLIgHtsGOouT | Mon Dec 14 1992 16:22 | 4 |
| Whats with the P_N's today...are ya bored...:)
It grew old on me the first time I heard it...
|
542.146 | ;') | BUSY::ESCOBAR | Does Anyone Know An Available P_N? | Mon Dec 14 1992 16:29 | 4 |
|
I can never decide....
|
542.147 | Only bad if people are looking for something to fight about. | DECAGE::HOWES | | Mon Dec 14 1992 16:36 | 13 |
|
It is so silly for people to fight about it, it is all a matter of
taste....
I picked up DT-IAW a few months ago, I have been listening to
it all the time, and I haven't got sick of it at all....
Just as good as the first time...
Too bad you don't like it Bob, but so what? It is all person anyway..
-Seth
|
542.148 | Better than RUSH! | POWDML::BUCKLEY | Lose yourself and gain a friend | Mon Dec 14 1992 16:52 | 1 |
| DT ROOOZL
|
542.150 | | METALX::SWANSON | Damage Inc. | Tue Dec 15 1992 00:00 | 6 |
| re: -1
But if you have to send $20 then it's not free stuff!
:')
|
542.152 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Tue Dec 15 1992 05:09 | 6 |
|
all right buck!!! old quickly? sha, like if!!! :') better than
rush? depends on my mood :').
|
542.153 | | NEMAIL::MERCIER | THeVIolEnCeBEgInsWHenTHeLIgHtsGOouT | Tue Dec 15 1992 09:01 | 3 |
| Its all a matter of personal musical taste....since Friz isnt here
anymore...there's no need to argue about it...but I do think Rush
is much better...regardless of what mood Im in :*)
|
542.154 | NOT | POWDML::BUCKLEY | Lose yourself and gain a friend | Tue Dec 15 1992 10:30 | 8 |
| >but I do think Rush is much better...regardless of what mood Im in
>:*)
Sha .... as if....
|
542.156 | | POWDML::BUCKLEY | Lose yourself and gain a friend | Wed Dec 16 1992 09:25 | 17 |
| So far, I can only confirm the following from my knowledge:
1) Rob R.
2) Buck
3) JC
4) CeeJ
5) Seth
6) Kristy
7) Tigg
8) JJ
D R E A M T H E A T E R -- T*O*N*I*G*H*T !!!!!
be there!
|
542.157 | | USOPS::GALLANT | Can't change my color... | Wed Dec 16 1992 09:50 | 12 |
|
RE: last
And Paul McCarron... I talked to him yesterday and he's
going to call me this morning to let me know for sure
but he did say he was going to hook up with us either
at the show or Uno's..
Alan and /k are Uno bound but not DT....
tigg~~~~
|
542.158 | me too... | BINKLY::DEMARSE | Walk me out in the morning dew | Wed Dec 16 1992 09:58 | 3 |
| I'm going in with /k, but I'm going to the DT show...
:), danielle
|
542.159 | | MSBCS::MCBRIDE | Fear in a handful of dust | Wed Dec 16 1992 11:22 | 15 |
|
Driving home from work last night (another late one :-( ) I was
listening to WAAF's top nine. I damn near punched in another
station when that horrible Pantera "song" came on, but I stuck
it out. I was rewarded by finding out that the DT song (don't
remember the name) that's been getting airplay around here was
the #1 most requested song of the day. R00lin!
I wish I was going to the show tonight but, alas, I seem to
have gotten a life and can't get rid of it tonight. Too many
other things to do, not enough time to do them in and not enough
money anyway.
--
Kevin
|
542.160 | | BUSY::ESCOBAR | Clapping With One Hand | Wed Dec 16 1992 11:24 | 5 |
|
The guitars in Pantera's WALK, are ROOLIN'!
|
542.161 | | MSBCS::MCBRIDE | Fear in a handful of dust | Wed Dec 16 1992 11:46 | 5 |
|
Yuk. I can play better than those guys (Pantera) and I ST00L!
JMNSHO
|
542.162 | Funny the first time only... | BOVES::FENNELL | Ready to crash and burn | Wed Dec 16 1992 11:48 | 4 |
| Was it before or after Detachable P#n!s???
Tim
|
542.163 | | BUSY::ESCOBAR | Clapping With One Hand | Wed Dec 16 1992 11:49 | 6 |
|
RE: -1
Roolin' p_n from a roolin' song!
|
542.164 | Re: .161 | NEWOA::DALLISON | | Wed Dec 16 1992 11:49 | 8 |
|
Hmmm... If you can play better than them you must be quite a musician.
They ain't _amazing_ but certainly don't deserve of a slagging off just
because its not your cup-o-tea. Check out the entire album and then make
a sweeping generalisation if you must.
-Tony (soapbox now under arm)
|
542.166 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Wed Dec 16 1992 12:28 | 9 |
| > Yuk. I can play better than those guys (Pantera) and I ST00L!
Guy, singular. There's only one guitar player in Pantara. And FWIW, I
have to agree with Tony, you must be one heck of a guitar player if you
can outdo the guy. Even though I don't like a lot of their music, I've
heard him play some pretty cool fast stuff. Maybe you should hear more
then one song before you slag him so hard...
gh (who also stools on guitar and couldn't touch the dude)
|
542.167 | | STRATA::KLO | baby u no good | Wed Dec 16 1992 12:36 | 5 |
|
'm agree you must listen to the whole album
DT ROOLIng....................................yeah!
|
542.168 | | MSBCS::MCBRIDE | Fear in a handful of dust | Wed Dec 16 1992 13:09 | 16 |
|
Sheesh. For the humor impaired, insert a smiley after the
first line in .161 and before the "JMNSHO"
Eye wooda thunk bye nau that ewe giez kood rekonize wen eye wuz
jes fackin around. Doo eye reelee haff 2 uze a smilee evry tyme
eye maik a joak?
I don't care for Pantera. They're not my cup of poison. My comment
was not so much slagging them as poking fun at my (lack of) musical
prowess.
--
Kevin - "FREE clues for sale, cheap. Take two, they're small, and
soon to be legendary. <smiley would go here if I used one>"
|
542.169 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Wed Dec 16 1992 13:23 | 4 |
| Any more of this slaggin, and I'll have you in Personnell fast enough
to make your head spin.
/ghrc
|
542.170 | Bedspins for Bonzo | MSBCS::MCBRIDE | Fear in a handful of dust | Wed Dec 16 1992 13:29 | 3 |
|
Ha! My haid is already a'spinnin'. You got anything to make it stop?
|
542.171 | | NEMAIL::MERCIER | THeVIolEnCeBEgInsWHenTHeLIgHtsGOouT | Wed Dec 16 1992 13:41 | 4 |
| This is most legendary....I think Ill drive past EM Leows on my
way home tonite...
/rjm
|
542.172 | | POWDML::BUCKLEY | Lose yourself and gain a friend | Thu Dec 17 1992 09:26 | 3 |
| Good to see /k and Alan show up after the Arc Angels show!!
The show was ROOLIN -- had a great time .. tired, though (ugh!)
|
542.173 | | NEMAIL::MERCIER | THeVIolEnCeBEgInsWHenTHeLIgHtsGOouT | Thu Dec 17 1992 09:28 | 4 |
| Was the place crowded??
Bob
|
542.174 | | BINKLY::DEMARSE | Walk me out in the morning dew | Thu Dec 17 1992 09:35 | 5 |
| It was nice meeting you Buck...and Rob, jj, tigg, ken, jim, jc, cj (am
I forgetting anyone?) We took lotsa pictures to put in the HM photo
album...
:), danielle
|
542.175 | 8 days for xmas! | BINKLY::DEMARSE | Walk me out in the morning dew | Thu Dec 17 1992 09:38 | 5 |
| One of the highlights of the show (for me) was 'O Holy Night'
....sounded awesome..
:), danielle
|
542.176 | But then again she did say 'nice meeting' ;) | DECAGE::HOWES | | Thu Dec 17 1992 10:07 | 12 |
|
'O Holy Night' was cool!!!!!! The whole show was cool (the band that
is) I was hoping that buck was going to beat the crap out of a little
kid that kept annoying him.... The kids suffering would have
been legendary! /src!
(Danielle, no you aren't forgetting anyone!) ;)
-Seth
|
542.177 | ;') | BINKLY::DEMARSE | Walk me out in the morning dew | Thu Dec 17 1992 10:23 | 6 |
| I'm sorry Seth...my brain is a little on the weird side this
morning...my ears are ringing so bad, all I can hear is that ringing
...kinda like in Star Trek...and to top it off, I have a Calc 3 final
today, so I'll be shooting out of here soon...
:), danielle
|
542.178 | The opening band... Moon check?!? were terible. | DECAGE::HOWES | | Thu Dec 17 1992 10:30 | 11 |
|
NO!!!! DON'T MENTION CALC!!!! PLEASE!!!
My ears were ringing earlier, but they are better now...
Where is everyone today? They are all so lazy, I got a
1/2 sleep last night, and I was still in at 8:30 (guess
that shows how crazy I am)
-Seth
|
542.179 | | DDIF::JUDY | That's Ms. Bitch to you | Thu Dec 17 1992 10:38 | 13 |
|
O Holy Night? Did I miss that? =(
re: Buck
Thanks muchly for the ride back to Alewife!
The band was very good. Too bad I couldn't see them better..
too many people.
JJ
|
542.180 | ...i thought "O holy night" was being played by the DJ!" | AD::FLATTERY | | Thu Dec 17 1992 10:40 | 7 |
| well i had a good time last night, hitting both Arc Angels and the
Dream Theater show.......Alan, cabs are definitely the way to go don't
you think.....;')).........good seeing the whole crew last night and
meeting CJ and JC for the first time...god she's a tolerant woman.....
;')).......i don't think i'd want to be JC's tongue this morning......i'm
sure it needs a shave..........;')........can't wait to see the pictures
danielle............../k
|
542.181 | good luck on the calc test! glad it's not me! | DPE::STARR | Two hot girls on a hot summer night | Thu Dec 17 1992 10:58 | 23 |
| Well, danielle, you forgot me, but I'll forgive ya.....
BUck, what's with the yawning??? You guys left early! We not only stayed
'til the end, but even went out for pizza afterwards! Now *we* have a right
to yawn!!!! 8^)
re: /k
> Alan, cabs are definitely the way to go don't you think.....;')).........
No doubt! We did that up right!
re: the show
Dream Theater was good. The vocalist was wicked impressive. I wasn't quite
blown away by the guitarist as I thought I would be. Overall, a good show
(taking into account that I'm not a big fan of theirs).
re: ArcAngels
This was the show of the night! The ROOLED!!!!
alan
|
542.182 | | METALX::SWANSON | Damage Inc. | Thu Dec 17 1992 11:06 | 14 |
| I must have missed O Holy Night too! The show was awesome however!
It was great to meet some new noters (Daniele, Jeff, CIndy), and all
the other familiar ones!
Jeff, you're a character! :')
For those that didn't make it, I must recap something that happened at
Unos before the show. Karen asked the waitress for an ashtray as she
pulls out a cigarette, and the waitress says "I'm sorry, this isn't a
smoking section." And Karen says "Ohhh it is now!" Ha Ha hahaha!
Good one /k!
|KS|
|
542.183 | | DDIF::JUDY | That's Ms. Bitch to you | Thu Dec 17 1992 13:53 | 8 |
|
Yeah, that was a hoot!
Thanks to /k for the offers to crash....I would have taken you
up on it but I have a lot of stuff I need to do today. My apt.
is a disaster! =)
|
542.184 | < | USOPS::GALLANT | Can't change my color... | Fri Dec 18 1992 10:47 | 16 |
|
Yawwwwwwwwwwwwwwwwwwwwwwwwn...blinkblink....
morning. (8 Got home at 2:45am and woke up at 2:45pm. (8
In between that I woke up long enough to haul my offspring
to daycare, came back and went to sleep. (8
Didn't get the things done that I wanted to be sleep was a
bigger priority. (8
It was a good night all things considered I guess. But like
Rob and JJ - I'm old. Too many people, too much smoke and
I like to SEE the bands I pay to watch perform tyvm...
tiggashimmyshimmy~~~~ (8
|
542.185 | ......what are you going to do when you really get old??... | AD::FLATTERY | | Fri Dec 18 1992 10:53 | 5 |
| oh that's right...i made you shimmy in Uno's...i wonder if the film
captured the real essence................;')).........shoulda come to
arc angels with us.....we stood about 6 ft from the stage....nyah
nyah.............../k.
|
542.186 | | SOURCE::GALLANT | Can't change my color... | Fri Dec 18 1992 10:54 | 7 |
|
RE: i made you shimmy in Uno's
ya. ONCE. Hope everyone got a good chuckle cuz it'll never
happen again. (8
tigg~~~~~
|
542.187 | | AD::FLATTERY | | Fri Dec 18 1992 11:10 | 4 |
| ....if i asked you nicely AND threatened to put that
picture of you washing your hair before the firehouse gig in the
HM photo album, me thinks you'd shimmy again...........;'))......
hehehehehehehhhh............./k
|
542.188 | | USOPS::GALLANT | Can't change my color... | Fri Dec 18 1992 11:47 | 10 |
|
re: /k
mumblegrumblemumble...go 'way!!!
(8
tigg~~~~
|
542.189 | ..i just like getting you riled..... | AD::FLATTERY | | Fri Dec 18 1992 11:56 | 2 |
| ....no way...consider me your personal haunt,...designed to remind and
annoy you for many years to come...........;')).............../k
|
542.190 | | SOURCE::GALLANT | Can't change my color... | Fri Dec 18 1992 12:10 | 7 |
|
There will come a day when the tables will be turned and it
will be I threatening to put damaging pictures of YOU into
the HM album TOOTS. (8
tigg~~~~
|
542.191 | | POWDML::BUCKLEY | Lose yourself and gain a friend | Fri Dec 18 1992 12:14 | 2 |
| Anyone up for DT at the Escape Club in Salsbury or at Club Babyhead
in Providence in JAN???
|
542.192 | | AD::FLATTERY | | Fri Dec 18 1992 13:00 | 2 |
| Re; .....tig, now really...would i do that to you??...i mean after
all..you know where i live and all..............;'))......./k
|
542.193 | | BUSY::ESCOBAR | Down With The Ship | Fri Dec 18 1992 13:37 | 4 |
|
RE: Buck
I'll prolly see'em at Escape.
|
542.194 | FYI | POWDML::BUCKLEY | Lose yourself and gain a friend | Fri Dec 18 1992 13:59 | 7 |
| Anyone who thinks they may be going to that early Jan Club Babyhead
show, you better score tickets in advance!! CB only holds about 100+
people, and the shows sell out REALLY quickly there!
Tickets for CB shows can be purchased at Strawberries. Ticketmaster
does NOT carry CB shows...
|
542.195 | | BUSY::ESCOBAR | Down With The Ship | Fri Dec 18 1992 13:59 | 4 |
|
They gotta age limit?
|
542.196 | donno | POWDML::BUCKLEY | Lose yourself and gain a friend | Fri Dec 18 1992 14:01 | 1 |
|
|
542.197 | date that the show is on. not gonna set myself up that easily | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Fri Dec 18 1992 14:12 | 4 |
|
got a date yet buck??? need to know since i work nights. i will DEF
be at escape (i will lower myself to appear there just for DT :')).
|
542.198 | | POWDML::BUCKLEY | Lose yourself and gain a friend | Fri Dec 18 1992 14:28 | 6 |
| The dude who told me didn't know if it was Jan 9th or the 16th
(both are Saturdays!). I guess a call to Club Babyhead would
prove information, but I, unfortunately, don't have the time
to do that right now...
Anyone?
|
542.199 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Sat Dec 19 1992 14:17 | 5 |
|
if its a sat, i will probably go, assuming tix are available up here.
where is babyhead in prov? did it use to be the living room per
chance?
|
542.201 | cool on the LRoom thang. ill be there. | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Sun Dec 20 1992 05:11 | 3 |
|
see buck dive for the x00 replieeezzz!!!!!!
|
542.202 | Update DT show info | POWDML::BUCKLEY | Lose yourself and gain a friend | Mon Dec 21 1992 08:47 | 5 |
| FYI -- sorry, I deleted my old post -- Club Babyhead is NOT, repeat
NOT the old Living Room (sorry, I had mis-information!).
The DT show is January 13th (a Wednesday), and tickets are $6.
|
542.200 | 200 repliez! | POWDML::BUCKLEY | Lose yourself and gain a friend | Mon Dec 21 1992 08:47 | 1 |
| DT ROOLZ!
|
542.203 | | BUSY::ESCOBAR | Down With The Ship | Mon Dec 21 1992 09:05 | 10 |
|
I saw the Pull Me Under video last night (or this morning) 'bout
2:30am.
Maybe I was just sleepy, but it was a bit confusing. Some bedroom
shots, and other junk, and a bunch of live stuff. Apparently the singer
likes Napalm Death cuz he was wearin' their shirt.
|
542.204 | ROOLIN! | POWDML::BUCKLEY | If not today, nor yet tomorrow, then some other day | Mon Dec 21 1992 09:16 | 1 |
| Note new p_n!
|
542.205 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Mon Dec 21 1992 10:39 | 4 |
|
Wed? Well, see you all at Chapter 11 anyway! Wed is not good for me.
|
542.206 | | POWDML::BUCKLEY | If not today, nor yet tomorrow, then some other day | Mon Dec 21 1992 11:15 | 1 |
| Watch the sparrow falling gives to meaning to it all
|
542.207 | | BUSY::ESCOBAR | Down With The Ship | Mon Dec 21 1992 11:38 | 5 |
|
That is a RULIN' part of the song!
Dust fills my eyes... clouds roll by and I roll with them
|
542.208 | | POWDML::BUCKLEY | If not today, nor yet tomorrow, then some other day | Mon Dec 21 1992 16:31 | 10 |
| I was reading through this note string, and was amazed at how many
people in here don't like DT for the sheer fact they are a MUSICAL
band who use odd time singatures and many changes in groove. That
is exactly what DT fans love about this band, their diversity!!
Even your average WAAF fan are liking DT for their musicianship.
I think it helps set them apart, not hinder them commercially.
And oh by the way, I found out at a recent Holiday party that I am
related to the guitarist, John Petrucci!! We play so much alike...
8^) (sha, as if)
|
542.209 | Add another to the list | OOBIE::DAMORE | Welcome to the Jungle.... | Tue Dec 22 1992 08:53 | 22 |
| Well I FINALLY got to listen to Images and Words yesterday
(albeit on a hand held cassette player with batteries that
needed changing...argh!)
Still, I liked it the first time through. And I think it
will grow on me.
They definatly have a "Rush" sound to some of thier songs though.
I didn't think so at first when I only heard "Pull me Under".
But "Surrounded" seems to.
Anyhow, I like it.
Now if I could listen to it in CD quality, I might REALLY like it
(instead of hearing "warbled" lyrics...gack!).
-a
PS All that ranting and raving about getting the tape ripped off?
well, er, my sources were incorrect (gee, should I mention
names?!?!?) "they" were just a twi...oh, never mind. :^)
|
542.210 | | CONTRA::BEL_KWINITH | Dangerous but worth the risk | Tue Dec 22 1992 11:44 | 5 |
|
I finally went out and bought the actual CD for this thing. My tape
disappeared someplace, somewhere at some point.
|
542.211 | | POWDML::BUCKLEY | Let the light surrounded | Tue Jan 05 1993 09:19 | 7 |
| Just a reminder -- if you're not already planning to check out
CoNTaGioUs this Saturday at Derringers, the awe-inspiring DREAM THEATER
is plaing this Saturday at Chapter II (formerly the Escape Club) at
Salsbury Beach.
B there or B []
|
542.212 | | AD::FLATTERY | | Tue Jan 05 1993 10:24 | 4 |
| bucky boo...any chance of getting advance tickets for
D.T. at salisbury........i'd love to see Contagious...but am
officially too old to go to Derringers..........;'))............./k
|
542.213 | Pull me to Chapter II. ;) | DECAGE::HOWES | Angels wake up with a kiss.... | Tue Jan 05 1993 11:00 | 10 |
|
re: /k
Yeah, you can get advance tickets, I got some from
Strawberries.... DT for the thrid time... ;)
-Seth
|
542.214 | | BUSY::ESCOBAR | Hostile Youth | Tue Jan 05 1993 11:01 | 4 |
|
I'm probably goin' too.
|
542.215 | enquiring mindz | POWDML::BUCKLEY | Let the light surrounded | Tue Jan 05 1993 11:04 | 4 |
| Will this be a Cruella DeVille show, /k??
/b
|
542.216 | you......know what i....mean? | DECAGE::HOWES | Angels wake up with a kiss.... | Tue Jan 05 1993 11:05 | 5 |
|
re: chris...........cool......i guess I will
see you there......dt rules........they put on a
great show...../s
|
542.217 | | MR4DEC::JWHITMAN | | Tue Jan 05 1993 12:36 | 11 |
|
re: /k
Officially to old for Deringers? I believe Chapter II is also an
all ages club but MINUS the booze.. But, its probably better that
you don't drink, at least you won't smash your face off of other
peoples skulls... ;')
|
542.218 | | POWDML::BUCKLEY | Let the light surrounded | Tue Jan 05 1993 12:50 | 4 |
| Anyone with a pointer to the "Directions to Clubs" note?? /k and
I have absolutly NO idea how to get to Chapter II!!! 8^( That's
what I get, I guess, for missing all of those LEGENDARY Cycstic
Flowers shows, I guess! 8^)
|
542.219 | < | USOPS3::GALLANT | Can't change my color... | Tue Jan 05 1993 14:06 | 5 |
|
note 14
tigg~~~~
|
542.220 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Tue Jan 05 1993 14:07 | 8 |
| > Just a reminder -- if you're not already planning to check out
> CoNTaGioUs this Saturday at Derringers, the awe-inspiring DREAM THEATER
> is plaing this Saturday at Chapter II (formerly the Escape Club) at
> Salsbury Beach.
I thought DT was opening for Contagious?
Be there or be brackets.
|
542.221 | | POWDML::BUCKLEY | Let the light surrounded | Thu Jan 07 1993 11:45 | 4 |
| Ahem -- Now that Tigga~~ is rich, she has NO EXCUSE not to attend this
Saturdays *fabulous* DT show in Salisbury!
8^)
|
542.222 | I stii have to buy the CD........ | NEMAIL::MERCIER | Rage Against the Machine! | Thu Jan 07 1993 11:55 | 5 |
| I heard that they are playing at The Vertex(sp??) in Hadley on
Sunday?? I didnt see anything else about this show, but I heard it
on AAF so I figured Id post it..
Bob
|
542.223 | ;') | MR4DEC::JWHITMAN | | Thu Jan 07 1993 11:58 | 7 |
|
REL: 222 -< I still have to buy the CD.........>-
So does'nt Chris Escobar... I WANT *MY* CD!!!!!
|
542.224 | | NEMAIL::MERCIER | Rage Against the Machine! | Thu Jan 07 1993 12:03 | 4 |
| Maybe Chris will loan me the CD........
:*)
|
542.225 | | SOURCE::GALLANT | My love won't hurt you... | Thu Jan 07 1993 12:10 | 8 |
|
RE: Buck
tigga would except that tigga has made other plans. (8
tigg~~~~
|
542.226 | | POWDML::BUCKLEY | Let the light surrounded | Thu Jan 07 1993 12:10 | 3 |
| Anyone know WHAT or WHERE the Vertex (??) in Hadley is???
Curious me
|
542.227 | | NEMAIL::MERCIER | Rage Against the Machine! | Thu Jan 07 1993 12:28 | 7 |
| Id buzz AAF....They were advertising it + giving away free tixs.
Bob
Hadley is just before Holyoke (out near springfield)
|
542.228 | | AD::FLATTERY | | Thu Jan 07 1993 13:34 | 2 |
| the vertex is the new name for the old Katrina's or kristina's or
something like that.....lots of people have played there..../k
|
542.229 | /brc | POWDML::BUCKLEY | Let the light surrounded | Thu Jan 07 1993 13:39 | 2 |
| Killer, sounds like it's gonna be a *legendary* Dream Theater weekend!
|
542.230 | | NEMAIL::MERCIER | Rage Against the Machine! | Thu Jan 07 1993 14:14 | 4 |
| Buck---verify that Sunday show....thats what I heard....but I tend to
be wrong sometimes.....sometimes that is!?!?
Bob
|
542.231 | I should be at all 3 | POWDML::BUCKLEY | Let the light surrounded | Thu Jan 07 1993 16:49 | 8 |
| Confirmed DT Show MA show info:
Sat, Jan 09 Chap II Salisbury
Sun, Jan 10 Vertex Hadley
Wed, Jan 13 Babyhead Providence
|
542.232 | | BUSY::ESCOBAR | How Could She Be So Fine? | Thu Jan 07 1993 16:53 | 2 |
|
I'll be at Chap II
|
542.233 | DT at Vertex info | POWDML::BUCKLEY | Let the light surrounded | Thu Jan 07 1993 20:58 | 8 |
| Directions to Vertex, in case anyone wants to go:
- Mass Pike to "Palmer" exit
- Ask booth dood best wat to RT 9 West
- Club is on RT 9 in Hadley, one town over from Palmer.
Tix are $7 in advance, $10 at the door. Doors open at 7:30pm.
|
542.234 | | POWDML::BUCKLEY | Let the light surrounded | Fri Jan 08 1993 11:22 | 19 |
|
Watch the sparrow falling
Gives new meaning to it all
If not today, nor yet tomorrow
then some other day
I'll take seven lives for one
and then my only fathers son
as sure as I did ever love him
I am not afraid
|
542.235 | | BUSY::ESCOBAR | How Could She Be So Fine? | Fri Jan 08 1993 11:37 | 25 |
|
This word is spinning around me
The whole world keeps spinning around me
All life is future to past
Every breath leaves me one less
To my last
Pull me under Pull me under
Pull me under I'mnot afraid
All that I feel is honor and spite
All I can do is set it right
|
542.236 | | USOPS::GALLANT | My love won't hurt you... | Fri Jan 08 1993 12:03 | 9 |
|
Picked up the Dream Theater CD last week and my portable
CD player last night..
It's way cool. I can see now why people have said it's
Metallica/Rush sounding. Pretty decent!!
tigg~~~~
|
542.237 | | POWDML::BUCKLEY | Let the light surrounded | Fri Jan 08 1993 12:05 | 14 |
| > Picked up the Dream Theater CD last week and my portable
> CD player last night..
I knew I liked Tigga~~ for a good reason...
8^)
(a reason besides the fact she is cuter than JJ)
];^>
> It's way cool. I can see now why people have said it's
> Metallica/Rush sounding. Pretty decent!!
Rush/Queensryche/Metallica imvho
|
542.238 | | MR4DEC::JWHITMAN | | Fri Jan 08 1993 12:18 | 4 |
|
Buck, the Dream Theatre slut! all shows!?
|
542.239 | | POWDML::BUCKLEY | Let the light surrounded | Fri Jan 08 1993 12:30 | 6 |
| Yes WhitPose -- ALL shows!! This band ROOLZ -- I can really relate to
what thaty're doing musically ... I am so very into this tape. When I
was without it for 5 days in OK, I was mental! Thank god they were
playing PMU on KATT in OKC! This tape has been in constant loop
rotation in both my truck cassette deck and on the home CD.
|
542.240 | | MR4DEC::JWHITMAN | | Fri Jan 08 1993 12:33 | 7 |
|
I think PMU is cool.. I'll let you know what I think about the
rest of it once I get my free cd from Escoblouse...
|
542.241 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Jan 08 1993 13:19 | 3 |
| > When I was without it for 5 days in OK, I was mental!
You were mental LONG before that!
|
542.242 | Harumph! | POWDML::BUCKLEY | Let the light surrounded | Fri Jan 08 1993 13:27 | 5 |
| >You were mental LONG before that!
I beg your pardon?!
8^)
|
542.243 | | GOOEY::JUDY | That's Ms. Bitch to you | Fri Jan 08 1993 13:28 | 6 |
|
re: Buck
ppppffftttthhhhhh! =)
|
542.244 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Jan 08 1993 13:37 | 4 |
| > I beg your pardon?!
You can beg, but you won't get it.
;^)
|
542.245 | | OOBIE::DAMORE | Welcome to the Jungle.... | Fri Jan 08 1993 15:41 | 17 |
| > Picked up the Dream Theater CD last week and my portable
> CD player last night..
Now let me borrow it will ya? After all I *did* go shopping with ya when
ya picked it out.
> It's way cool. I can see now why people have said it's
> Metallica/Rush sounding. Pretty decent!!
Actually I thought it was more Rush/Queensryche sounding , but...
> Rush/Queensryche/Metallica imvho
oops...ya ya. :^)
But still thier own style too.
|
542.246 | now onto Babyhead... | POWDML::BUCKLEY | Let the light surrounded | Mon Jan 11 1993 09:05 | 15 |
| Quickie DT weekend review:
CHAPTER II -- Hmm, I believe Seth, Kristy, /k, Danille, Rob, Sister_t,
and Chriscopose were in attendance. The band was just *ok* imho --
they were plagued by AWFUL PA problems ... the lack of monitors
somewhat effected the vocal intonation at times, but it was no fault
of the bands. Still a fun night, however...
VERTEX -- a return to greatness ... although since this club is ON the
U-Mass (Zoo MA) campus, it was literally PACKED with college kids.
The band sounded great and played great, and even played a long encore
as people in the audience were so into them!! No encore at CHAP II ...
they were outta there asap.
|
542.247 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 09:43 | 5 |
|
RE: Escape
Nothin' like a mosh at a DT show, eh?
|
542.248 | | DECAGE::HOWES | Angels wake up with a kiss.... | Mon Jan 11 1993 09:48 | 11 |
|
The Escape show was cool! They had a few sound problems,
but the *BAND* was excellent!! Each show seems to get
more violent than the one before! ;^)
Hey Buckpose what did you think of Devine Regale?
-Seth
|
542.249 | | POWDML::BUCKLEY | Let the light surrounded | Mon Jan 11 1993 10:03 | 7 |
| > Hey Buckpose what did you think of Devine Regale?
WTF was Devine Regale??
We Liked the "2nd" band (the Megadethish one). We didn't like any of
the others ones ... ESP that band which went on RIGHT before DT --
retch!
|
542.250 | ;') | BINKLY::DEMARSE | Walk me out in the morning dew | Mon Jan 11 1993 10:04 | 5 |
| Dream Theater isn't the place for a mosh pit. I think it was
idiotic...As for Chapter II, the show was OK, would've been better if they
played a little longer...
:), danielle
|
542.251 | | POWDML::BUCKLEY | Let the light surrounded | Mon Jan 11 1993 10:06 | 2 |
| They started a mosh pit at Vertex, and the bouncers (many of them in
attendance) shipped out about 12 guys out of the club!!)
|
542.252 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 10:44 | 9 |
|
It was bound to happen. Chapter II is loaded with Hardcore Punks that
will be in attendance for the BioHazard show in a couple of weeks.
Poor girl in front of me with a $1500 dollar camera was in the middle
of the damn mosh when it started. Hopefully she got out in one piece.
|
542.253 | Chapter II = BAD sound. | DECAGE::HOWES | Angels wake up with a kiss.... | Mon Jan 11 1993 10:51 | 11 |
|
Buckpose, Devine Regale was the band right before DT. They
were just going on when I got there.. I thought they
were not that bad, they had terible sound problems (as did
DT), but a side from that they are pretty good. I heard
their demo, so I know they can do MUCH better...
-Seth
|
542.254 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 11:14 | 8 |
|
One of the first bands Audatory Imagery was rulin'. Their drummer
ripped it up.
Anybopdy like the Bon Jovi look-alike band?
|
542.255 | ...Morons Among Us....for those not in the know.... | AD::FLATTERY | | Mon Jan 11 1993 13:01 | 3 |
| re: biohazard fans......yeah...some of those mosh-pit morons looked
like toxic waste themselves......i cant' believe that was going on
around us.............one again proof of the M.A.U. theory......./k
|
542.256 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 13:21 | 6 |
|
I'm sure you harbored deep desires to join the fray, /k...
;')
|
542.257 | | NEMAIL::MERCIER | Rage Against the Machine! | Mon Jan 11 1993 13:25 | 5 |
| probably if she had a shotgun......Pits are great, but sometimes people
get way to violent....I know people who mosh,...violently....they go in
with swinging fist......hitting other moshers and anybody in the way..
Bob
|
542.258 | | AD::FLATTERY | | Mon Jan 11 1993 13:33 | 7 |
| oh yeah chris...in a big way i wanted to join in....fortunately i'm a
little higher up on the food chain than those vegetables ....i think
the guys in front of me were a little surprised when i 'suggested' that
they stay away from me........................musta been the look in my
eyes....remember that look chris??................;'))........../k
|
542.259 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 13:37 | 9 |
|
RE: Bob
I love to mosh... but Dream Theater just ain't the place to do it.
I also can't stand Hardcore punks who swing elbows.
Re: /K
Yeah... I know the look. ;')
|
542.260 | Yer too funny, woman | LACV01::MCCARTNEY | Like Paul, without the money | Mon Jan 11 1993 13:38 | 8 |
| re:
.....a little higher up on the food chain than those vegetables.....
Bwhahahahahahahahahahahaha!!
/k, does that make you a /karnivore?
BJ
|
542.261 | ....;'))........... | AD::FLATTERY | | Mon Jan 11 1993 13:48 | 5 |
| ...;')...yup....i'm a mammal, i need oxygen....:"0.....yeah, what chris
said....i certainly wasn't expecting a mosh pit at dream theater...had
i known, i wouldn't have stood where we were....no way.....yeah, those
punks looked into the eyes of PMS and got afraid.....vewwy afwaid.....;')..
......./k
|
542.262 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 13:57 | 3 |
|
PMS Stares have been known to kill before...
|
542.263 | | NEMAIL::MERCIER | Rage Against the Machine! | Mon Jan 11 1993 14:05 | 1 |
| through walls!!!!!!
|
542.264 | | OOBIE::DAMORE | Welcome to the Jungle.... | Mon Jan 11 1993 14:24 | 9 |
| > Poor girl in front of me with a $1500 dollar camera was in the middle
> of the damn mosh when it started. Hopefully she got out in one piece.
Having never been in a mosh I don't know, but I imagine that's GOT to
be scary for a women, or anyone who doesn't WANT to be there and can't
get out.
-a
|
542.265 | | BUSY::ESCOBAR | How Could She Be So Fine? | Mon Jan 11 1993 15:14 | 5 |
|
Actually you can get out. You'll be pushed out eventually. It's not
like the entire floor was a mosh.
|
542.266 | best kept secret | FRETZ::HEISER | arms raised in a V | Fri Jan 15 1993 13:55 | 2 |
| Do you think it would hurt this band's popularity if they're faith
became public knowledge?
|
542.267 | Anyone, Bueller? | BOVES::FENNELL | Ready to crash and burn | Fri Jan 15 1993 14:03 | 3 |
| Which is???
|
542.268 | | OOBIE::DAMORE | Welcome to the Jungle.... | Fri Jan 15 1993 14:32 | 8 |
| I don't listen to music for religion (though sometimes I listen
to religious music) so I don't really care what they are.
They just rool, that's all I know, or care.
Music is music, is what it is.
-a
|
542.269 | 2-69's! | POWDML::BUCKLEY | Ashes can't answer her pain | Fri Jan 15 1993 14:36 | 1 |
| for PRILMONSTER ... on her last day...
|
542.270 | ...;').... | AD::FLATTERY | | Fri Jan 15 1993 15:03 | 3 |
| ....as long as their not zen-budhists...i just HATE that in a band...
dont you?............................/k
|
542.271 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Jan 15 1993 15:12 | 5 |
| > ....as long as their not zen-budhists...i just HATE that in a band...
> dont you?............................/k
Just don't rub their belly's and you'll be cool.
|
542.272 | | AD::FLATTERY | | Fri Jan 15 1993 15:23 | 2 |
| ...;').....i'm already kool....just ask anybody....;"))....../kchilly
|
542.273 | | BOVES::FENNELL | Ready to crash and burn | Fri Jan 15 1993 15:44 | 1 |
| Do they run around airports selling flowers?
|
542.274 | I knew I knew those guys from somewhere! | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Jan 15 1993 16:05 | 4 |
| I coulda SWORN I saw Dream Theatre selling flowers at the airport a
couplea nights ago!
gh
|
542.275 | | POWDML::BUCKLEY | Ashes can't answer her pain | Fri Jan 15 1993 16:07 | 1 |
| How do you think they paid for all their top notch equipment?!?!?
|
542.276 | | DPDMAI::THRELFALL | Left lane must turn left | Fri Jan 15 1993 18:18 | 1 |
| Thanks Buck, for the 69...!! 8)
|
542.277 | Back in Colorado! | NITEB4::COOP | | Mon Jan 18 1993 10:17 | 6 |
| Dream Theater is back in Colorado on the 2nd of February (I think)
and tickets are now $12! (all ages show, aaack!)
From $5 in November in CO, to $10 in MA, to $12 now... they're
touring their $sses off!
|
542.278 | | POWDML::BUCKLEY | Ashes can't answer her pain | Mon Jan 18 1993 10:38 | 10 |
| COop
Can you cross-post that in GUITAR (don't read that conf. anymore!),
I know a few people will be interested.
As far as prices, go, the last 4 DT shows I saw cost $10, $8, $6, and
$7.50, respectively?!
Yes, they are touring a lot, getting the good word out...
|
542.279 | More info | COMPLX::FERRIS | Mr. Bad Example | Mon Jan 18 1993 13:52 | 8 |
|
Yeah, I heard they were playing the City Auditorium this time. at least
thats what I thought. I'd like to see em if thats where they are going
to be playing.
mike
|
542.280 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Mon Jan 18 1993 15:42 | 4 |
| Yeah, they're playing at City Auditorium, Feb. 8th. I heard it on the
radio at lunchtime. Tickets are available now.
gh
|
542.281 | | COMET::MARTINN | Too sexy for this conference | Mon Jan 18 1993 18:17 | 8 |
| > From $5 in November in CO, to $10 in MA, to $12 now... they're
> touring their $sses off!
Gee according *certain people* (not mentioning names) in this
conference that constitutes *selling-out*!
Rat (who oughts go see them
again since I barely remember their last performance!:)) )
|
542.282 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Mon Jan 18 1993 18:21 | 5 |
| I don't think that has anything to do with selling out, just selling.
They're still playing the same music, aren't they? See the "what's a
sellout" topic (well, except for the chit-chat).
gh
|
542.283 | | COMET::MARTINN | Too sexy for this conference | Mon Jan 18 1993 18:27 | 3 |
| I saw that topic after I wrote in here.... besides I was just trying to
make a point to a *certain* few!
Rat
|
542.284 | | KDX200::COOPER | Hello me, it's me again! | Mon Jan 18 1993 18:29 | 17 |
| Dream Theater could never sell out in my mind...
...Course I said the same thing about Metallica and MegaDeth not too long
ago...
:-)
PS - I mentioned in GUITAR notes that I was going to get tickets tomorrow
at lunch... You Co.Spgs noters SEND MAIL !!
> Rat (who oughts go see them
> again since I barely remember their last performance!:)) )
Thats never happened to ME before... 'Cept at Axis..
:-)
jc
|
542.285 | | DDIF::JUDY | That's Ms. Bitch to you! | Tue Jan 19 1993 10:08 | 9 |
|
(insert snickering sarcastic voice here)
Gee Coop, can't hardly imagine why you don't remember anything
from Axis! =)
JJ
|
542.286 | | POWDML::BUCKLEY | sometimes all i want to do is wait | Tue Jan 19 1993 10:14 | 3 |
| .....hey jj......word has it you were the same way at the last dezyne gig
at the officers club at ft. devens........
|
542.287 | | KDX200::ROBR | Morning comes too early... | Tue Jan 19 1993 10:16 | 4 |
|
speaking of dezyne, how about some breaded chicken, jj?
|
542.288 | | KDX200::COOPER | Hello me, it's me again! | Tue Jan 19 1993 12:28 | 9 |
| > (insert snickering sarcastic voice here)
> Gee Coop, can't hardly imagine why you don't remember anything
> from Axis! =)
:-)
jc (Who was BLOTTO !)
|
542.289 | | DDIF::JUDY | That's Ms. Bitch to you! | Tue Jan 19 1993 12:55 | 9 |
|
re: Buck
Gee, and to think you said you had a life...musta been a lie. =)
re: Rob
Don't remind me! =)
|
542.290 | FYI | FRETZ::HEISER | real men wear purple | Tue Jan 19 1993 16:15 | 124 |
| Article 13458 of rec.music.christian:
Path: nntpd2.cxo.dec.com!nntpd.lkg.dec.com!news.crl.dec.com!deccrl!caen!zaphod.mps.ohio-state.edu!usc!sol.ctr.columbia.edu!hamblin.math.byu.edu!yvax.byu.edu!cunyvm!psuvm!emw107
Newsgroups: rec.music.christian
Subject: Re: Dream Theatre
Message-ID: <[email protected]>
From: Young Indy <[email protected]>
Date: Thu, 14 Jan 1993 14:54:03 EST
References: <[email protected]>
Organization: Penn State University
Lines: 37
In article <[email protected]>,
[email protected] (Michael A. Heiser) says:
>
>Does anyone know if this is a Christian band?
>
> Mike
I don't know much about their Christian validity, but I can tell you that
there are references to the "afterlife" and the fact that "he is risen" as
well as references of symbolism of light, dark, and the spiritual world.
As an added twist, on the inside cover of the DT album, "Images and Words"
there appears to be a modified "sculpture" of the sacred heart of Christ
which looks to be made out of wood and bob wire fence. Interesting, I thought.
At any rate, I can't really tell if they are a Christian band, unless they
come out and say that they are. I really don't care if they are or not person-
ally, they're music is the most refreshing that I have listened to since
Marillion and King's X. Which brings up an interesting point. If you listen to
to any of the following groups, I thing you'll really like Dream Theater:
Rush
Yes
Marillion
Queensryche
Genesis
King's X
And obviously there are other bands out there too with similiar styles
but these are just a few to compare to DT.
Hope this helps.....
-Ed
=====================================================================
Edwin 'Big Ed' Weiland - [email protected]
Architectural Engineering; Penn State University
"There are two ways to be and truth does not depend on me." --King's X
=====================================================================
Article 13464 of rec.music.christian:
Newsgroups: rec.music.christian
Path: nntpd2.cxo.dec.com!nntpd.lkg.dec.com!news.crl.dec.com!deccrl!caen!saimiri.primate.wisc.edu!ames!agate!stanford.edu!rock!concert!samba!usenet
From: [email protected] (Phil Powell)
Subject: Re: Dream Theatre
Message-ID: <[email protected]>
Sender: [email protected]
Nntp-Posting-Host: lambada.oit.unc.edu
Organization: University of North Carolina Extended Bulletin Board Service
References: <[email protected]>
Date: Thu, 14 Jan 1993 23:35:10 GMT
Lines: 22
In article <[email protected]> [email protected] (Michael A. Heiser) writes:
>
>Does anyone know if this is a Christian band?
>-
>
> Mike
>
> "in this day & age...music performed by humans...hum?!"
> - wilde silas tomkyn
Nope... they're into New Age themes in their lyrics and I met the band
last December.. the guitarist, though, is a really nice guy.. the
keyboardist probably thinks I need my medication dosage increased! ;-)
Phil
--
The opinions expressed are not necessarily those of the University of
North Carolina at Chapel Hill, the Campus Office for Information
Technology, or the Experimental Bulletin Board Service.
internet: laUNChpad.unc.edu or 152.2.22.80
Article 13482 of rec.music.christian:
Path: nntpd2.cxo.dec.com!nntpd.lkg.dec.com!news.crl.dec.com!deccrl!enterpoop.mit.edu!gatech!usenet.ins.cwru.edu!news.ysu.edu!psuvm!emw107
Organization: Penn State University
Date: Fri, 15 Jan 1993 09:26:54 EST
From: Young Indy <[email protected]>
Message-ID: <[email protected]>
Newsgroups: rec.music.christian
Subject: Re: Dream Theatre
References: <[email protected]>
<[email protected]>
Lines: 23
In article <[email protected]>,
[email protected] (Phil Powell) says:
>Nope... they're into New Age themes in their lyrics and I met the band
>last December.. the guitarist, though, is a really nice guy.. the
>keyboardist probably thinks I need my medication dosage increased! ;-)
>
>Phil
Phil,
Are they Christians though? As in, is any member of the band a Christian?
They may not be a "Christian band", but may have Christian values, and I am
curious to know if they said anything to that effect.
-Ed
====================================================================
Edwin 'Big Ed' Weiland - [email protected]
Architectural Engineering; Penn State University
"Oh, His children smile because they know He loves them." -King's X
====================================================================
|
542.291 | ................ | AD::FLATTERY | | Tue Jan 19 1993 16:22 | 2 |
| .....have you ever noticed that if you look at the band picture on I&W...
their eyes follow you no matter how you hold it............??........../k
|
542.292 | | BUSY::ESCOBAR | Anyway You Want It | Tue Jan 19 1993 16:45 | 4 |
|
I bet you liked that /k.
;')
|
542.293 | | AD::FLATTERY | | Tue Jan 19 1993 16:54 | 2 |
| ...;')...not me...you know how i just hate being the center of
attention..................................;')00000000000.........../k
|
542.294 | | BOVES::FENNELL | Ready to crash and burn | Tue Jan 19 1993 16:58 | 4 |
| No wonder with the getup you're wearing today. (According to Danielle
anyway - I haven't seen it)
TIm
|
542.295 | | POWDML::BUCKLEY | sometimes all i want to do is wait | Tue Jan 19 1993 16:59 | 3 |
| Hay Tim,
How bout a roadtrip to Boves??
|
542.296 | How long does it take Rob? inquiring minds and all | CADSYS::FENNELL | Ready to crash and burn | Wed Jan 20 1993 08:16 | 6 |
| Boves' network is DOA this morning 8-(
That's a long drive, Buck.... Takes over 2 hours 8-)
|
542.297 | 2 hours for dinneris nada! | POWDML::BUCKLEY | sometimes all i want to do is wait | Wed Jan 20 1993 08:38 | 4 |
| >That's a long drive, Buck.... Takes over 2 hours 8-)
Tim, you're talking to someone who'll drive for 15 hours to ride a
roller coaster!!
|
542.298 | That was a joke son! | CADSYS::FENNELL | Ready to crash and burn | Wed Jan 20 1993 10:29 | 1 |
| It's 230 miles from here buck...
|
542.299 | | POWDML::BUCKLEY | sometimes all i want to do is wait | Wed Jan 20 1993 10:36 | 2 |
| I think we should do an "HM at Boves" night -- waddaya say? A couple
of carloads of people up there (I'll drive, WTF) ... it could happen.
|
542.300 | | BUSY::ESCOBAR | Anyway You Want It | Wed Jan 20 1993 10:43 | 3 |
|
I went to see dream theater 300 times.
|
542.301 | | POWDML::BUCKLEY | sometimes all i want to do is wait | Wed Jan 20 1993 10:44 | 1 |
| -1 Most LeGenDaRY
|
542.302 | | AD::FLATTERY | | Wed Jan 20 1993 10:59 | 1 |
| What's Boves??............../k
|
542.303 | | POWDML::BUCKLEY | sometimes all i want to do is wait | Wed Jan 20 1993 11:08 | 3 |
| >What's Boves??............../k
Besides being Tim's node name, it's a most excellent Italian restaraunt!
|
542.304 | | BUSY::ESCOBAR | Anyway You Want It | Wed Jan 20 1993 11:10 | 3 |
|
Where??
|
542.305 | | MR4DEC::JWHITMAN | Resistance is futile.... | Wed Jan 20 1993 11:21 | 5 |
|
Knowing buck, it's probably next to some roller coaster that we'd all
HAVE to stop by...
|
542.306 | | USOPS1::GALLANT | Can't change my color... | Wed Jan 20 1993 11:37 | 7 |
|
It's in Burlington, VT...
a good four hour drive from the Marlboro area
tigg~~~~
|
542.307 | as if... | POWDML::BUCKLEY | sometimes all i want to do is wait | Wed Jan 20 1993 11:49 | 1 |
| Four hour drive?? Who's driving, Pete??
|
542.308 | I bet Rob has done better though... | BOVES::FENNELL | Ready to crash and burn | Wed Jan 20 1993 11:56 | 3 |
| I've made it in 2� hours from Marlboro. Who's riding with me?
Tim
|
542.309 | Hey if it is anywhere near Albany I'll go.. ;^) | DECAGE::HOWES | When angels waken with a kiss.... | Wed Jan 20 1993 12:11 | 7 |
|
Is that close to Albany? It's near the VT/NY boarder right?
-Seth
|
542.310 | Long swim though | BOVES::FENNELL | Ready to crash and burn | Wed Jan 20 1993 12:28 | 2 |
| Only 12 miles from NY...
|
542.311 | | USOPS1::GALLANT | Can't change my color... | Wed Jan 20 1993 14:01 | 7 |
|
'scuse me. Guess I'm just not a maniac driver... took me
about three from Gardner so 2.5 from Marlboro is a bit
far fetched, IMO.
tigg~~~~
|
542.312 | possible | BOVES::FENNELL | Ready to crash and burn | Wed Jan 20 1993 14:44 | 5 |
| > about three from Gardner so 2.5 from Marlboro is a bit
> far fetched, IMO
Bet?
By the way, who's a maniac?
|
542.313 | took a few bleams | FRETZ::HEISER | real men wear purple | Wed Jan 20 1993 15:10 | 1 |
| No way Tigga, he was beamed up.
|
542.314 | | KDX200::ROBR | Morning comes too early... | Wed Jan 20 1993 20:33 | 19 |
|
It's on Pearl St. in Burlington VT. I took some friends there on my
way home from Montreal. They were all crying about how hungry they
were and just to stop any place. I told them shut up and wait till you
try it, it will be worth the wait. I ACTUALLY got them to agree to
this!! They flipped! This is the BEST italian, and it is CHEAP!!!
Spaghetti and meatballs is like $2.95, for a huge plate. You get full
loaves of excellent bread as well. I'm always up for a trip. My
family has been going to this place for three generations. Boves son
is taking over the place these days, but he is a way cool guy. PS, it
takes me about 3 hours or so from here at normal speeds, though one
year, I made it from Lebanon, NH (at the border of NH/VT) to Burlington
in under an hour. It was my father's birthday and Boves closed at 10.
I got a late start. 135mph all the way down 89 gets kind of scary,
especially with only 2 lanes and lots of trucks on the road at that
time of night :'). Needless to say, I'm always up for a Boves trip. I
only have two orders left in the freezer from my last trip :').
|
542.315 | It used to cost even less! | BOVES::FENNELL | Well that's 1 for you and 2 for me | Thu Jan 21 1993 00:29 | 2 |
| Kind of makes you cry when you realize my little sister lives about 5
minutes from there on North Avenue doesn't it???
|
542.316 | | KDX200::ROBR | Morning comes too early... | Thu Jan 21 1993 03:19 | 4 |
|
nope. you cant appreciate what you can have every day (besides if i
lived 5 minutes from boves, i'd weigh about 300 lbs.)
|
542.317 | | KDX200::COOPER | Hello me, it's me again! | Thu Jan 21 1993 11:37 | 5 |
| 17 days until my THIRD DT show... I can't fackin' wait !!
BTW Rob, the best Italian food is at Marconi's in Ashland Mass.
:-)
|
542.318 | As Lloyd Bentsen would say... | BOVES::FENNELL | Well that's 1 for you and 2 for me | Thu Jan 21 1993 12:38 | 5 |
| I've eaten at Boves
Boves is a good friend of mine and
Marconi's is no boves...
|
542.319 | | KDX200::ROBR | Morning comes too early... | Thu Jan 21 1993 14:58 | 11 |
|
Coop, I don't believe it. I have traveled all over New England in
search of a closer Italian resteraunt that is comparable to Boves. I
haven't even found ANYTHING that I call good italian, except Lucia's
(thanks Alan, /k).
Now Tim, have you checked out Marconi's so we can laugh at coop? If
not, I'll check it out just to make sure :'). Where is Ashland?
|
542.320 | | MR4DEC::JWHITMAN | Resistance is futile.... | Thu Jan 21 1993 15:19 | 8 |
|
There is a new Italian restaraunt in Marlboro (somewhat new). In
the place of the old City Hall Music. I haven't tried it, but I
guess the guy makes all his own pasta and bread etc...
|
542.321 | Hardly close | BOVES::FENNELL | Well that's 1 for you and 2 for me | Thu Jan 21 1993 17:58 | 12 |
| I went to a place in downtown Ashland (?) with a fish tank in the front
and lots of booths. You take 135 east from 495, take a left into Ashland
ctr at the Timex factory and a right onto the road past the RR tracks and
it is right there.
Is that the place Coop?
If that's the place, don't even bother Rob, some people just don't
understand...
Timbo
|
542.322 | | BOVES::FENNELL | Well that's 1 for you and 2 for me | Thu Jan 21 1993 17:59 | 6 |
| Can we start a Boves's note??? I think we should
Boves - preferred by metalheads 3 to 1...
Tim
|
542.323 | fyi | FRETZ::HEISER | gotta pocket full of kryptonite | Thu Jan 21 1993 18:13 | 56 |
| Article 13612 of rec.music.christian:
Newsgroups: rec.music.christian
Path: nntpd2.cxo.dec.com!nntpd.lkg.dec.com!news.crl.dec.com!deccrl!srvr1.engin.umich.edu!zaphod.mps.ohio-state.edu!howland.reston.ans.net!spool.mu.edu!agate!stanford.edu!nntp.Stanford.EDU!kellyj
From: [email protected] (Kelly Johnson)
Subject: Re: Dream Theatre
Organization: DSG, Stanford University, CA 94305, USA
In article <[email protected]> [email protected] (Phil Powell) writes:
>In article <[email protected]> Young Indy <[email protected]> writes:
>>In article <[email protected]>,
>>[email protected] (Phil Powell) says:
>>>Nope... they're into New Age themes in their lyrics and I met the band
>>>last December.. the guitarist, though, is a really nice guy.. the
>>>keyboardist probably thinks I need my medication dosage increased! ;-)
>>>
>>>Phil
>>
>> Phil,
>>
>>
>> Are they Christians though? As in, is any member of the band a Christian?
>>They may not be a "Christian band", but may have Christian values, and I am
>>curious to know if they said anything to that effect.
>>
>>
>> -Ed
>>
>> ====================================================================
>> Edwin 'Big Ed' Weiland - [email protected]
>> Architectural Engineering; Penn State University
>> "Oh, His children smile because they know He loves them." -King's X
>> ====================================================================
>
>
>I never had the chance to share with them in the realm of faith - I'm
>afraid I do not know, yet their lyrics do not reflect their faith provided
>they be Christians at all...
>
>Phil
>
>--
> The opinions expressed are not necessarily those of the University of
> North Carolina at Chapel Hill, the Campus Office for Information
> Technology, or the Experimental Bulletin Board Service.
> internet: laUNChpad.unc.edu or 152.2.22.80
After reading the words to their music it is highly doubtful to me that
they are "serious" about their faith IF any of them are Christians. I
tend to doubt that any of them are UNFORTUNATELY. Musically this band
is AWESOME and it's too bad that there aren't many (if any) Christian
bands with this kind of talent. I happen to love progressive rock which
Dream Theater borders on. I wish there were lots of Christian bands in
this genre and others that really put out good music and put on great
stage shows. I think God deserves the best. I listen to alot of
Christian music because it is lyrically appealing to my spirit, but musically
most of it is pretty average. Just one guys opinion.
|
542.324 | Give me a break | BINKLY::DEMARSE | Inspiration, move me brightly | Fri Jan 22 1993 08:33 | 5 |
| re [-1]....
who cares what they are? Does it really matter?...
;), danielle
|
542.325 | | BUSY::ESCOBAR | Best Of Both Worlds | Fri Jan 22 1993 08:57 | 4 |
|
I think they're human. But I'm not sure...
|
542.326 | some people were interested in knowing, try NEXT UNSEEN | FRETZ::HEISER | Billary takes U.S. hostage | Fri Jan 22 1993 10:17 | 1 |
|
|
542.327 | one that really cares | KDX200::ROBR | Morning comes too early... | Fri Jan 22 1993 10:31 | 4 |
|
find me ONE other than yourself.
|
542.328 | Not as bad I guess | BOVES::FENNELL | Well that's 1 for you and 2 for me | Fri Jan 22 1993 10:51 | 4 |
| I asked. I thought they were chicken worshippers or something...
Tim
|
542.329 | Buck did too | FRETZ::HEISER | Billary takes U.S. hostage | Fri Jan 22 1993 10:53 | 1 |
|
|
542.330 | You should know better!!! ;^) | DECAGE::HOWES | When angels waken with a kiss.... | Fri Jan 22 1993 10:56 | 11 |
|
Mike, I am very surprised at you, you should know better
that to actually put some information in this conference.
This is not the place for ANY types of REAL information,
it is only a place to fight about who has beeter taste,
and who wears more makeup...
-Seth
|
542.331 | BAILIFF, WHACK HIS PETER! | FRETZ::HEISER | Billary takes U.S. hostage | Fri Jan 22 1993 10:57 | 1 |
| Sorry Seth!
|
542.332 | fyi & fwiw | POWDML::BUCKLEY | sometimes all i want to do is wait | Fri Jan 22 1993 11:06 | 3 |
| ROb,
I did ask...
|
542.333 | FWIW | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Jan 22 1993 12:13 | 3 |
| And I was also curious.
gh
|
542.334 | | KDX200::ROBR | Morning comes too early... | Sat Jan 23 1993 04:58 | 7 |
|
yep, but offline indications to me also showed you didn't really CARE.
it did not make a difference to you one way or another, you were only
curious because mike brought it up in the first place, that's why i
said show me someone who really CARES, not someone who is curious.
|
542.335 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Sun Jan 24 1993 17:00 | 20 |
| Who are you talkin to, Rob? Me? (I was .-1) I don't remember talking
about that offline. I suppose I don't really *care* what their
religious persuasion is, but I did find that discussion interesting
reading. (Certainly better then most of the content free chatter that
goes on in here, at least it had something to do with a band...)
>you were only
> curious because mike brought it up in the first place,
Sorry, but Mike wasn't the first one to bring it up. Buck asked
whether DT were Christians in the CCM notesfile (note 218.0) over a
week before Mike's first note in this topic. He didn't start this, he
just tried to help out by finding the answer to Buck's question. I
presume he only crossposted the responses he got in here since there's
a lot of interest in the band in this file and not many of the noters
in here follow the CCM file.
FWIW, I seriously doubt that even Mike CARES what the answer is...
gh
|
542.336 | does this thread sound childish or what | FRETZ::HEISER | Billary takes U.S. hostage | Mon Jan 25 1993 11:44 | 7 |
| > curious because mike brought it up in the first place, that's why i
> said show me someone who really CARES, not someone who is curious.
Wrong again, Rob. Buck created a DT topic in the CCM conference
because he wanted to know. He brought it up.
Mike
|
542.337 | | KDX200::ROBR | Morning comes too early... | Mon Jan 25 1993 17:26 | 3 |
|
not what his mail said :').
|
542.338 | | KDX200::ROBR | Morning comes too early... | Mon Jan 25 1993 17:28 | 4 |
|
hey, just noticed labrie isnt on the first album. howz the singer on
wd$du.
|
542.339 | Dream Theater wowing big crowds across the USA | POWDML::BUCKLEY | I am a Zipperhead! | Wed Jan 27 1993 13:33 | 8 |
|
A big congrats to Dream Theater -- They ranked in not ONE, but THREE
of the Top Grossing concerts in the country last week (in the Top
40). All three shows were sellouts.
Hmmm, the Babyhead show I went to was a sellout, the Vertex show was a
sellout, one of the Axis shows was a sellout...
|
542.340 | 8^) | COMPLX::FERRIS | Mr. Bad Example | Wed Jan 27 1993 13:54 | 6 |
|
It wasn't because the other 37 bands had the week off was it?
mike
|
542.341 | | BOVES::FENNELL | Living life by the drop | Wed Jan 27 1993 14:15 | 3 |
| Buck, how did they pull this off? Aren't they playing clubs at
$12-$16/ticket?
|
542.342 | | BUSY::ESCOBAR | Forever Young | Wed Jan 27 1993 14:20 | 5 |
|
Probably cuz most of the big names are out of the country or didn't
tour this week.
|
542.343 | not to demean DT in any way, it's cool that they're doing well | DPE::STARR | Rage Against The Machine | Wed Jan 27 1993 14:27 | 11 |
| > Probably cuz most of the big names are out of the country or didn't
> tour this week.
Almost NO major acts tour in January! There are certain standars from the
music industry - and one is that all major tours end before the Christmas
holidays, and don't start up again until the middle of winter or even spring.
(Another is that there is never a major album release in January.....)
So it's easy for any touring band to get into a Top 40 grossing situation
this time of year....
alan
|
542.344 | | POWDML::BUCKLEY | I am a Zipperhead! | Wed Jan 27 1993 14:46 | 29 |
| Alan writes:
>Almost NO major acts tour in January! There are certain standars from the
>music industry - and one is that all major tours end before the Christmas
>holidays, and don't start up again until the middle of winter or even spring.
If you'd like a listing of the MAJOR acts currntly on tour, I'll be
happy to provide you with them...
>So it's easy for any touring band to get into a Top 40 grossing situation
>this time of year....
Not really -- Look at the Phoenix at all the shows in the Boston area
this month ... then think of how many shows just like it are happening
around the nation, and you tell me it would be easy to log into the
Top 40 shows in the nation for the week???
RE: Tim
Yeah, their ticket prices are raning from $10 - $16, but the thing that
separates them from the competition is the sellouts. If you sell out
at a lower ticket price, it will still beat a major who only fills
2/3's of an arena at a much higher ticket price.
Others doing VERY well at the moment is the Megadeth/Stone Temple Pilots
tour, which is really ripping up ticket sales!
|
542.345 | Wow, they beat Jim Nabors and Mel Torme too! | FRETZ::HEISER | Billary takes U.S. hostage | Wed Jan 27 1993 14:59 | 1 |
|
|
542.346 | | OOBIE::DAMORE | Judge not lest ye be judged yourself. | Wed Jan 27 1993 15:12 | 1 |
| Not Mel Torme, not possible.
|
542.347 | WDADU! ;) | DECAGE::HOWES | When angels waken with a kiss.... | Thu Jan 28 1993 09:09 | 15 |
|
re: Rob & Buck,
Hey did I ever tell you guys that *I* have the first DT release? ;)
hehehehehe
The guy on the first tape is no LaBrie (sp?). He does okay,
but I can see why he is gone.... The songs are good, but
it is no I&W.
-Seth
|
542.348 | 8 minute single! | POWDML::BUCKLEY | sometimes salvation | Wed Feb 17 1993 10:05 | 6 |
| Dream Theater just released their 2nd single off of Images and Words --
it's Take the Time. Wow -- surprised, I thought it would have been
Surrounded for sure!
Anywho, since the edited Pull Me Under to death, I wonder what they'll
do to Take the Time, which is a MUCH longer song!!
|
542.349 | | BUSY::ESCOBAR | Wherever I May Roam | Wed Feb 17 1993 14:36 | 3 |
|
Dream Theater - March 10th at the Avalon. Tickets go on sale friday.
|
542.350 | PHYSED!!! (tm) | POWDML::BUCKLEY | sometimes salvation | Wed Feb 17 1993 14:50 | 6 |
| YES!!!
I was gonna say, I heard them on this show this past weekend, and they
just finished gigging Los Angeles, they said they were headed to TX,
and then onto FL, and then back up the east coast. Figured they'd
be back in Boston at some point.
|
542.351 | | KDX200::ROBR | This world is spinning around me | Wed Feb 17 1993 15:41 | 3 |
|
wed night eh? crap.... looks like a go into work late type night...
|
542.352 | | BINKLY::DEMARSE | Alison's starting to happen | Wed Feb 17 1993 16:05 | 1 |
| We have those all the time, right /k?
|
542.353 | .....')...... | AD::FLATTERY | | Wed Feb 17 1993 16:31 | 2 |
| ./...i dont' know what you are talking about...i'm usually in bed by
10......................................./k
|
542.354 | | POWDML::BUCKLEY | sometimes salvation | Wed Feb 17 1993 16:37 | 4 |
| >....i dont' know what you are talking about...i'm usually in bed by
>10......................................./k
...but what time do you go to sleep.....???........./b
|
542.355 | ..maybe that's why she's SO cranky.... | AD::FLATTERY | | Wed Feb 17 1993 16:42 | 2 |
| ...generally i don't....being the insomnimaniac that i am..../k
|
542.356 | and when she has a meeting at ucsb :') | KDX200::ROBR | This world is spinning around me | Wed Feb 17 1993 16:46 | 3 |
|
the only time she sleeps is when i call and wake her up :').
|
542.357 | | AD::FLATTERY | | Wed Feb 17 1993 16:50 | 2 |
| ...true....they say that timing in life is everything....and yours
sux rob...............................;').................../k
|
542.358 | | LACV01::MCCARTNEY | Like Paul, without the money | Thu Feb 18 1993 09:16 | 5 |
| Yo, Buck!
Do you know when DT is supposed to be in FLA?
Beejay
|
542.359 | | POWDML::BUCKLEY | sometimes salvation | Thu Feb 18 1993 09:20 | 4 |
| >Do you know when DT is supposed to be in FLA?
Nein!
|
542.360 | Lemme catchup here... | GLOWS::SIMPSON | | Sat Feb 20 1993 03:37 | 13 |
| Beg pardon all, but for the learning impaired, could someone please
explain just what occured with this band? I went back and checked
the old notes, they had some kind of court battle with another band,
got that part! Now, how long has the re-released "Images and Words"
been out, and what was the outcome of their court battle?
Sheesh! Gotta go scour the music stores for "When Day and Dream Unite"
now, off to Tower Records I go...
Thanks in Advance,
Spaceknight
|
542.361 | | KDX200::ROBR | This world is spinning around me | Sat Feb 20 1993 09:56 | 3 |
|
huh? court battle? i&w rereleased? did i miss something?
|
542.362 | | XCUSME::JENNISON | Make You a Believer | Mon Feb 22 1993 12:21 | 1 |
| Who is going to DT? Is is 18 and older? Mar 10?
|
542.363 | Oh...you ment Dream Theatre...nevermind | GOES11::G_HOUSE | It's NOT a TOOMAH! | Mon Feb 22 1993 12:25 | 7 |
| > Who is going to DT?
Been there, don't care to go back. I mean, the people were nice
enough, but the heaves, shakes, and headaches don't cut it. I have an
aversion to white lab coats now.
gh
|
542.364 | | POWDML::BUCKLEY | snow is a 4-letter word! | Mon Feb 22 1993 12:26 | 1 |
| I'm going (but you knew that). The show is 19+
|
542.365 | | XCUSME::JENNISON | Make You a Believer | Mon Feb 22 1993 12:27 | 3 |
|
HAHA HEHEHE,,, Greggy your too much!
|
542.366 | | XCUSME::JENNISON | Make You a Believer | Mon Feb 22 1993 12:28 | 2 |
|
I didn NOT!~
|
542.367 | | KDX200::ROBR | This world is spinning around me | Mon Feb 22 1993 13:23 | 2 |
|
i will attempt to be there.
|
542.368 | | XCUSME::JENNISON | Make You a Believer | Mon Feb 22 1993 14:18 | 2 |
| RR... Can I get tickets at Strawberries? is that Mar 10?
Thank you very much
|
542.369 | | POWDML::BUCKLEY | snow is a 4-letter word! | Mon Feb 22 1993 14:23 | 8 |
| Here is the concert info for anyone who missed it in 22.*
BAND: Dream Theater
WHEN: Wednesday, March 10th
WHERE: Avalon Ballroom, Lansdowne Street, Boston, MA (Next to AXIS)
SHOW: ...is 19+
TICKETS: Through TicketMaster outlets
|
542.370 | | KDX200::ROBR | This world is spinning around me | Mon Feb 22 1993 14:58 | 4 |
|
in otherwords, no you cant get tickets at strawberries. ticketmaster
or door only.
|
542.371 | ;^) where exactly can I get tickets? ;^) heheh | DECAGE::HOWES | When angels waken with a kiss.... | Mon Feb 22 1993 15:12 | 9 |
|
Hey Crumpet,
Can I get tickets at Record Town????
|
542.372 | | DEC25::COOP | | Mon Feb 22 1993 15:23 | 7 |
| Boy these guys are busy tourin'!
Nov- CO
Dec- MA
Feb-CO
March- MA again?
|
542.373 | | BINKLY::DEMARSE | Alison's starting to happen | Mon Feb 22 1993 15:33 | 4 |
| Buck, in the Radio_Radio notesfile, they have the Dream Theater show
listed as Friday, March 19th at the Avalon....which one is it?
:), d
|
542.374 | 3/10 ... *not* 3/19!!! | POWDML::BUCKLEY | snow is a 4-letter word! | Mon Feb 22 1993 15:44 | 6 |
| >Buck, in the Radio_Radio notesfile, they have the Dream Theater show
>listed as Friday, March 19th at the Avalon....which one is it?
The show IS Wednesday, March 10th. I asked the person who posted
that WTF he was doing, and he said it was a typo -- the "9" and
the "0" being right next to each other, etc.
|
542.375 | | DREGS::BLICKSTEIN | Here all life abounds | Mon Feb 22 1993 17:35 | 5 |
| Is it reserved seating? When does the show start?
DOn't know (yet) if I'll be in town or if I can go. If I can
pick up tix on the day of the show and not have to sit alone I'm
interested.
|
542.376 | I've learned to accept it | GOES11::G_HOUSE | It's NOT a TOOMAH! | Mon Feb 22 1993 17:48 | 9 |
| > If I can pick up tix on the day of the show and not have to sit alone
> I'm interested.
I go to almost every show I see anymore alone. Not from lack of asking
people to join me, it just never seems to work out (or nobody wants to
see the groups I do). If I waited around for someone to go to shows
with, I'd miss basically everyone I want to see.
gh
|
542.377 | | KDX200::ROBR | This world is spinning around me | Tue Feb 23 1993 00:30 | 7 |
|
reserve seating???!?!?!? hahahahaha!!!!!
more like sardine seating. prepare to be squished and sweat.
you wont be able to walk or see either :').
|
542.378 | | IMTDEV::COOP | | Tue Feb 23 1993 02:39 | 4 |
| Rob,
The auditorium in CO Springs was *empty* :-(
|
542.379 | | KDX200::ROBR | This world is spinning around me | Tue Feb 23 1993 04:13 | 9 |
|
wow!!!!!
just the opposite here. /k and d. almost got run over by a runaway
skinhead pit that suddenly broke out (several times) :') when they were
at chapter '11'. packed everyplace
thats right, you were there at axis.
|
542.380 | Officer Officer....:) | BINKLY::DEMARSE | Alison's starting to happen | Tue Feb 23 1993 08:43 | 5 |
| >>just the opposite here. /k and d. almost got run over by a runaway
>>skinhead pit that suddenly broke out (several times) :') when they were
>>at chapter '11'. packed everyplace
Yeee.....that was a night.....
|
542.381 | | POWDML::BUCKLEY | snow is a 4-letter word! | Tue Feb 23 1993 09:07 | 13 |
| DT are way big up here in the northeast!! I've seen them twice at
Axis, once at Chap 11, once at Vertex, and once at Babyhead. The
only show that wasn't a sardine pit was the first show at Axis I
caught with /k (we actually had seats!). Everything after that
has been a sold-out sardine nightmare!!
I expect the Avalon show to see-out, so I don't know about "day of"
tickets. I would DEFINITELY get them in advance kids!
The avalon show will be "General Admission", but is multi-level in
there, so you can choose a certain elevation to stand at to see (if
you get there early enough).
|
542.382 | | MR4DEC::JWHITMAN | | Tue Feb 23 1993 10:16 | 6 |
|
I don't think there will be problems getting tickets the day of
the show for Avalon..
|
542.383 | I've seen em turned away at the last two DT shows! | POWDML::BUCKLEY | snow is a 4-letter word! | Tue Feb 23 1993 10:29 | 1 |
| Avalon holds 1500 people -- you take your chances...
|
542.384 | | BINKLY::DEMARSE | Alison's starting to happen | Tue Feb 23 1993 11:58 | 7 |
| I was listening to Dream Theater this morning, and I really hate the way
they end "Pull Me Under".....it's just chopped off at the end.....
|
542.385 | | MR4DEC::JWHITMAN | | Tue Feb 23 1993 12:25 | 4 |
|
Well, considering when they played Axis I had no problem getting in.
I think Avalon will be no problem..
|
542.386 | | POWDML::BUCKLEY | snow is a 4-letter word! | Tue Feb 23 1993 12:44 | 1 |
| I guess you didn't see where it said LAST TWO shows...
|
542.387 | | IMTDEV::COOP | | Tue Feb 23 1993 12:52 | 14 |
| I don't know how many tickets they sold here in Colorado
Springs, but it is an auditorium, much like a basketball court,
and the seats were only filled to half court, and no one sitting
up on the side bleachers (they weren't letting anyone). We
got advanced tickets because we thought they'd sell out (and
paid $16) when we could have gotton them at the door for $12.
The sound was terrible in the place (BAD acoustics!) I don't
think they were quite ready for the auditorium yet, they sold
out the local club (Rack and Roll) their first time around.
It was an all ages show both times. Most of the people there
at the concert were the local musicians. I could pick out
several bands in the crowd.
cj
|
542.388 | | BINKLY::DEMARSE | Alison's starting to happen | Tue Feb 23 1993 13:37 | 1 |
| Which shows were your last two shows?
|
542.389 | | POWDML::BUCKLEY | snow is a 4-letter word! | Tue Feb 23 1993 13:41 | 3 |
| >Which shows were your last two shows?
Vertex and Babyhead
|
542.390 | | MR4DEC::JWHITMAN | | Tue Feb 23 1993 14:19 | 12 |
|
Well, isn't Avalon bigger than both of those? I went to the last show
they played in Boston.. big hype on WAAF, PMU was getting massive
airplay... and they still didn't sell out.. looked pretty close, but
no problem getting in.
I would think twice if they were playing Axis.. but Avalon, I would'nt
worry..
Whit-
|
542.391 | any advice for seating, parking, etc.? | ASDG::BECHTLER | | Tue Feb 23 1993 14:36 | 14 |
| Any advice for going to this show at Avalon? I ordered my tix
over the phone but I've never been to Avalon. I know how to get
there but how early (a) do they open the doors and (b) is it wise to
get there? I usually avoid gen. ad. shows but I really really want
to see this band.
And parking, is there usually space at that garage next door? How
much of a ripoff is it? Coming in from the countryside I probably
won't have much choice about it, since it'll be hard to leave work
by 6.
Thanks for any info...
Laurie B.
|
542.392 | 8) | BINKLY::DEMARSE | Alison's starting to happen | Tue Feb 23 1993 14:40 | 3 |
| Park in an empty lot with no attendant...it's free and you probably
won't get towed, unless they want to tow 20 cars along with yours...
there is one down the street from Axis, past the taxi building...
|
542.393 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Tue Feb 23 1993 15:17 | 3 |
| This band sucks, I don't understand why anyone would want to go see
them.
|
542.394 | | IMTDEV::COOP | | Tue Feb 23 1993 17:37 | 3 |
| RE:-1
It must be PMS, you still haven't gotton over that Greg? ;-)
|
542.395 | Try_Some_Ben_Gay_On_That_Neck,Bud. | WMOIS::MAZURKA | Son_Of_The_Dynamic_Tension | Tue Feb 23 1993 18:16 | 5 |
| Greg...May_Be It's a TOOMAH!! :_)
I still haven't heard Enuff of this band to give MHO.
Crazy_Yeah"I'm_In_The_Dark_Ages"_Al
|
542.396 | Dream Theater info list! | POWDML::BUCKLEY | On the road again... | Thu Feb 25 1993 16:59 | 26 |
| FYI -- did you know there was a Dream Theater mailing list! This list
is for fans of Dream Theater, and will discuss them and any related
topics.
Send mail to US1RMC::"[email protected]"
text of message should say:
subscribe ytsejam "[email protected]"
This is the address to pass on to friends and coworkers who are
interested in joining this newsgroup. Subscription requests, etc. are
handled here.
DIGEST FORM
-----------
Also, if you'd like this in digest format, send a request to
ytsejam-request with a message body containing only:
set ytsejam mail digest
(notice that this is left justified).
|
542.397 | | POWDML::BUCKLEY | On the road again... | Thu Feb 25 1993 17:00 | 7 |
| I pulled this off the Usenet a couple weeks ago... just fyi for any DT
followers that are interested in joining the Dream Team...
If you want to join the fan club and get all kinds of free stuff,
send $20 (+ $3.50 US, $5 Canada) to The Dream Team, P.O. Box 230156,
Hartford, CT 06123-0156. Send your name, address and shirt size.
|
542.398 | hahaha.... | BINKLY::DEMARSE | Alison's starting to happen | Fri Feb 26 1993 09:19 | 1 |
| Oooooooohhh....the "DREAM TEAM".......
|
542.399 | | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 09:20 | 5 |
|
Buck, I think Dream Theater should hire you as their personal
publicist.
|
542.400 | For BUckweat | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 09:20 | 3 |
|
400 Dreaming Replies
|
542.401 | | POWDML::BUCKLEY | The Rabbit in Red | Fri Feb 26 1993 09:41 | 20 |
|
I've only got one thing to say...Dream Theater fackin roolz the
universe, ok? <puff> You can take your Warrant's and your Motley Crue's
and your Poison's and all thsoe AC/DC wanna-be bands and get em all
together in a McDonald's and wait for some maniac to come along and
blow em all away, ok? And you know who that manic is? I'll tell you
who it is ... two words -- Dream Theater, that's who! Ya got it?
<puff> These guys were in the woodshed practicing their little brains
off while most rockers were busy soiling their diapers and trying to
mousse that little curl on the top of their bald little heads! <puff>
I've got two words for you -- Berklee College. I've got two more words
for you -- Musical Literacy! So, next time your done listening to
those sophomoric metal meanderings of yours, why don't you do yourself
and your brain a favor and walk right down to that little corner record
store, you know, the one next to the convience store where you buy beer
and condoms every friday night? <puff> You walk in the record store,
and you say to the little pimple-faced geek working behind the register
"listen man, I want to buy Images and Words right now, or there are
gonna be a lot of messy cheeseburgers, you got it? Bottom line, Dream
Theater fackin rooolz the universe...period...end of discussion!
|
542.402 | | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 10:01 | 4 |
|
I think they suck.
|
542.403 | hahahah.....8) | BINKLY::DEMARSE | Alison's starting to happen | Fri Feb 26 1993 10:02 | 1 |
| BIG TIME SUCK.....
|
542.404 | Put your CD where your mouth is! | POWDML::BUCKLEY | The Rabbit in Red | Fri Feb 26 1993 10:07 | 3 |
| Well Chrisco, if you think they suck so much, why don't you give your
I&W CD to Whitpose -- I mean, he DID win it from you in the first
place?!
|
542.405 | | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 10:09 | 9 |
|
Because I keep forgetting that's why. If he'd remind me, I'd give it to
him.
|
542.406 | | POWDML::BUCKLEY | The Rabbit in Red | Fri Feb 26 1993 10:22 | 21 |
| >Because I keep forgetting that's why. If he'd remind me, I'd give it to
>him.
It;s not like he hasn't asked:
Note 542.223 Dream Theater 223 of 405
MR4DEC::JWHITMAN 7 lines 7-JAN-1993 11:58
-< ;') >-
RE: 222 -< I still have to buy the CD.........>-
So does'nt Chris Escobar... I WANT *MY* CD!!!!!
Note 542.240 Dream Theater 240 of 405
MR4DEC::JWHITMAN 7 lines 8-JAN-1993 12:33
I think PMU is cool.. I'll let you know what I think about the
rest of it once I get my free cd from Escoblouse...
|
542.407 | | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 10:34 | 5 |
|
Er... well... he hasn't said please... ;')
|
542.408 | ;') | MR4DEC::JWHITMAN | | Fri Feb 26 1993 12:21 | 5 |
|
Thanks buck!!!
WHERE'S MY CD ESCO!?!?
|
542.409 | | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 12:23 | 5 |
|
It's right in the middle of my CD collection. And guess what, I even
replaced the Jewel Box cuz it was cracked. What a nice guy I am, eh?
|
542.410 | | MR4DEC::JWHITMAN | | Fri Feb 26 1993 12:38 | 7 |
|
What a nice guy.. now give me my cd ya scumbag.. I'm gonna hafta
report it stolen and call your ole'man..
Then again, if I did that he'd probably just arrest me for some
minor violation.. ;')
|
542.411 | | BUSY::ESCOBAR | Blessed Are The Warmongers | Fri Feb 26 1993 13:16 | 10 |
|
>> Then again, if I did that he'd probably just arrest me for some
>> minor violation.. ;')
Up against the car, you long haired freak!
;')
|
542.412 | You still got it? Post it!!! | GOES11::G_HOUSE | It's NOT a TOOMAH! | Fri Feb 26 1993 14:23 | 7 |
| re: .401
Yer lucky I don't still have my reply when you sent me that a couple of
months ago...
;^)
gh
|
542.413 | WDADU -- Available through mail-order | POWDML::BUCKLEY | The Rabbit in Red | Fri Feb 26 1993 15:22 | 29 |
| FYI -- here is the info on how to obtain copies of Dream Theater's
first (and now out-of-print) album, "When Dream and Day Unite"..
DISCLAIMER: I am totally un-connected with the person described below,
and receive no monitary reimbursement for the following post. The info
contained below is being posted FYI ONLY -- If you're interested in the
material being offered, you can take it from there.
---------------------------------------
Dream Theater - When Dream And Day Unite (Cass) [USA] $3.95
Dream Theater - When Dream And Day Unite [Germany] $18.95
The debut release by this band has been sought after since the original US
CD issue went out-of-print in short order. A cassette version is available to
those interested in sampling the band, while a German reissue is available
for those who prefer the CD format. Musically, I would classify this as AOR
with a progressive bent, along with bands such as Magellan and Echolyn.
Interested parties, please send a reply to ...
US1RMC::"[email protected]"
Once I get your reply, I will send you an invoice. Shipping costs are $1.95
for an order with a single CD, and $2.95 for any order with 2 or more CDs.
All CDs are sent by First Class Mail, and these shipping rates are only good
within the USA. Please inquire about overseas' shipping rates.
|
542.414 | WARNING -- LONG interview follows! | POWDML::BUCKLEY | The Rabbit in Red | Tue Mar 02 1993 09:02 | 781 |
| From USENET:
Date: Mon, 1 Mar 93 15:32 EST
From: "Jeff Hochberg" <[email protected]>
Subject: Interview with Mike Portnoy
Newsgroups: alt.rock-n-roll.metal,alt.rock-n-roll.metal.progressive
Subject: Interview: Mike Portnoy of Dream Theater
Alright! It's finished! For those of you who DON'T subscribe to Ytsejam
(the Dream Theater mailing list), here's the deal. On Saturday I had
an interview scheduled with Mike Portnoy for my radio show (The Metal
Machine on WPSU), and thought it would be a neat idea to post it to
usenet as well. I came up with a whole interview's worth of my own
questions, but I thought it would also be a cool idea if I could
include questions from net.fans all over the world. So I posted an
article (to the mailing list) to this effect, recieved a bunch of
questions via e-mail, and incorporated them into the interview.
The scenario: It's about 8:30 pm on Saturday, February 27th. I'm at
Hammerjack's in Baltimore, and the pre-show "meet & greet" party for
the band, a bunch of Rock 103 contest winners, and some other various
VIPs is in full swing. I've just finished talking to Mike and his tour
manager about when and where our interview will take place, and the
consensus is: after the party, upstairs in the dressing room. Cool.
I have a couple of beers, hang out with my friends, mingle with the
band a little (who are finished with soundcheck and have just taken
a peek at the final edit of their new video), and about an hour later
the party is over. Mike, myself, and a couple of others go upstairs to
a little room adjacent to the dressing room, close the door, sit down
on the floor Indian-style, and start to B.S. I pull out my notebook
and tape recorder, press RECORD, and the here's what happened:
MY INTERVIEW WITH MIKE PORTNOY (slightly edited)
------------------------------------------------
Mike: [talking directly into the microphone, acting goofy] Hi,
this is Mike Portnoy! And we're here in Baltimore, in
some shabby room at Hammerjack's.
Me: So, this is pretty much the last couple weeks of the tour
here in the U.S.?...
Mike: Yeah, we've been out 5 months now, and we've got about 2
more weeks here, workin' our way up the east coast... then
we get a much-needed 10 days off, and then we go to Europe
for a month. So we're gonna be leaving for Europe at the
end of March and we'll be there till the end of April...
we're playing England, Germany, Scotland, Holland, Italy,
France, Spain, places like that. Places that we've never
been and have always dreamed about...
Me: And what happens after that? I read in an article somewhere
that you're supposed to be touring through the fall?
Mike: Well, I'm sure we're gonna tour all year, up until the end
of the year... I'm not sure exactly what our plans are for
after Europe, but one of 2 things will happen, I mean, by
the time we get back from Europe, that'll be 7 months on
our own, headlining, so we're definitely ready to move up.
The ideal situation for us would be to pick up on another
major tour, an opening slot, just because we've done 7
months on our own now, so... hopefully, there's a couple
things in the works with another major act that could work
out, and if for some reason those fall through, then we'll
just continue doing what we're doing now...
Me: I know you had that one show over the summer with Iron
Maiden... have any other bands approached you about an
opening slot?
Mike: Yeah, well, there's a couple of things in the works... I
don't wanna jinx 'em, I'm superstitious (grins)...
Me: ..that's cool....
Mike: ...hopefully they'll pan out, and during the summer we'll
be out with another band.
Me: And when you do come back to the States again, will it be another
big huge leg, because people are asking from all over the place,
you know, "when are they coming back to the west coast? When are
they coming here or there..."
Mike: Well, definitely summertime we'll be back in the States, doing it
from the middle of May on, it's just a matter of whether we'll be
doing it ourselves or with another band. We've hit pretty much all
the major markets in the States at least once, doing clubs and
stuff, and next time out we're probably gonna a step up and
start doing theaters and stuff... we've been doing a bunch of
theaters on this leg now, just because the response has been so
well. The turnouts are great, so we're gonna start stepping up to
bigger places, finally.
Me: You mentioned before that you guys had just checked out the new
video that just got finished, can you tell us anything about it?
Mike: Well, it's a video for "Take the Time"... it's an edited version,
of course, but it's not that bad, because it's still about 6
minutes long... It's actually, in our eyes, the first Dream
Theater video, because the video for "Pull Me Under", as great as
it's done for us, I mean, it's great that MTV is playing it as
much as they are, but it's not really the video that we wanted.
It was a last-minute thing, it was done on a low budget, we didn't
have too much input into the making of it, it was just like [snaps
his fingers] the label just put it out just to have something out
there. So luckily MTV's playing it, I mean we didn't even expect
that, so that's great, we can't complain, but this time out, this
video is really the first video that we're really involved with
the making of. It's just a performance video, there's no
conceptual footage, no other actors, it's just us playing and it
really showcases us playing, you can see the instruments, and it
has a lot of personality to it. It's just a performance thing...
Me: Was it actually at a show, or did you play in an empty hall, or
whatever?..
Mike: Yeah, it was a soundstage where we filmed it. It was a 14 hour
shoot, and the soundstage had about 3 different stages, so we
shot some of it in one setting, and some of it in a different
setting, you know, but no audience involved. This way we could
just focus on what we were doing, whereas the first time around
the footage of us was live at a show, so we weren't able to
really focus on the filming of it.
Me: OK... let's see...
Mike: Would anybody like some gum? [shares his gum with us, and then
[leans over and says directly into the mic] This is good gum!
Me: I don't think I really have to ask this, but I think I will just
for the record anyway: how do you guys feel about the edited
versions of your songs?
Mike: It's definitely... insulting to us, as artists or whatever you
want to say, you know, just to have have something that we spent
so long putting together just chopped up and thrown away like
that, you know? It's like bringing up a baby, spending all this
time bringing up a baby and then somebody just takes it and like
tattoos it or something [?]... So, it's tough. It's a tough call,
I mean at first we completely objected to doing edits and stuff,
but I guess with a band like ours where we're writing 8, 9, 10
minute songs, it's inevitable that some stations are going to
need shorter versions to fit into their format, so.. it's alright,
we can deal with it, as long as we have creative control over
what the edit is. And luckily a lot of the cool stations are
playing the full-length versions anyway... and the most important
thing is: I'd rather have the label let us record the 10 minute
versions and then edit it for release than having us edit them
to begin with on the record, I mean the most important thing is,
when its 10 years from now, they're not gonna be listening to the
edited version on the radio, they're gonna have the record in
their record collection, and that's gonna have the full-length
versions. So, the versions that are on the album, at least
they're full-length and we're able to have the full songs there.
Even if somebody hears the edited version on the radio, they're
gonna go out and get the full-length version anyway, so that's
most important.
Me: Just out of curiosity, are the edits a contractual thing, or
pressured on you, or voluntary....
Mike: It's just one of the many creative pressures... it's one of those
creativity things you lose control over. The more people you have
involved and the more "business" it becomes, the less creative
control you have.
Me: So there's no clause in the contract or anything.
Mike: No, but it's like... if we refused to have edits, then they're
not gonna release singles and do videos, so we have to get the
music out to reach people some way or another... Actually, the
CD single for "Take the Time" has liner notes on the back that
we wrote, asking radio programmers to take the time to play the
full-length versions.
Me: Really? Because I have the promotional single right here, and it's
just plain white.
Mike: Yeah, that's not actually the fully packaged one, that was just
an advance one that they sent out real quick. You'll probably be
getting the real one this week if you haven't already. It's fully
packaged and it's got a cover, and on the back it's got a note
from us asking you to play the full-length version. It says,
"Think of all the things you could do in 8 minutes, you can go
to the bathroom, you could have a cigarette, [everyone laughs]
you could catch up on some sleep..." so hopefully we can persuade
them to use it as "bathroom music".
Me: A-ha... inside the mind of a DJ. Let's see... when I talked to you
in Pittsburgh, you mentioned something about an EP possibly coming
later this year with "A Change of Seasons" on it?
Mike: Well, it's still a possibility. Whatever our next release is,
"A Change of Seasons" will on it. Whether or not we do the EP or
we just hold it for the next album, we don't know yet, I mean
there's been talk about us doing an EP with "A Change of Seasons"
and some live tracks, but it's just talk right now. But it will
be released... whatever our next release is, it'll be on there.
Me: And that's your lyric-writing debut...
Mike: See, that's why I don't have any lyrics on this album, because
"A Change of Seasons" was supposed to have been on this album,
and, I mean, that song is the equivalent of like 4 or 5 songs,
lyrically. So when everyone was saying, "OK, I'll write these
lyrics, I'll write these lyrics..." for all the rest of the
songs that are on the album, I didn't take any because it
would've been too much [laughs], and I ended up getting dicked
out of lyrics altogether...
Me: Yeah, I have that song on a demo...
Mike: With vocals, or without?
Me: Without. I've never heard the one with. What are the lyrics
about? It's kind of weird to talk about a song that no one's
heard yet, but...
Mike: It's sort of like a whole conceptual thing broken down into 4
different sections, lyrically. It's using the different seasons
as a metaphor for the different emotions that the main character
is going through... it's almost like _The Wall_, it's sort of
like this one character who's going through all these different
emotional things: he's dealing with death, he's dealing with
relationships, and it's sort of like his point of view, and...
going insane and not being able to cope with all these problems,
and it's just using the seasons as a metaphor for all these
different emotions and feelings that he's going through. So
each section is a different state of mind for the main
character.
Me: Would you ever consider doing a concept album in the future?
Some people say that _Images and Words_ is kind of thematic in
some ways...
Mike: Yeah, that wasn't on purpose, that was just coincidental...
because we were all writing, drawing from the same inspirations.
All the lyrics on this album were written during the period
when we didn't have a singer and were changing labels and
changing management, so we were all dealing with bad situations,
and that came out in the lyrics. But, I mean, "A Change of
Seasons" is as close to a concept album or a concept piece as
we've ever gotten, so there'll be that, and someday, I mean, we'd
love to do it. All of our favorite bands have concept albums, you
you know, Genesis, Marillion, Rush and Yes.... so it's something
we would love to do...
Me: Hmmm...
Mike: ..Queensryche...
Me: Tell me a little bit about how you guys get together and write...
Mike: Basically, the four of us- I say four, not including James just
because he wasn't there for the writing of this album- the four
of us just get to rehearsal without any preconceived ideas and
we'll just start... you know, somebody will have an inspiration
musically and start coming up with something, and maybe I'll come
up with a cool time signature change on the drums or something,
you know, a different groove, and that'll spark the bass line,
and then the guitar and keyboards will- and this is just one
example, I mean it's different of course with every single section
of the song- but, it's just like a chain reaction thing. We get
together and start shooting out ideas and the sparks start flying,
you know, the creative sparks just [snaps his fingers] keep going,
and then we all start putting in these ideas, and it's like,
"well, let's take this part, and we'll play it this time in 3/4,
and then later on we'll do it in 4/4, and we'll bring it back
in.." All these ideas just keep accumulating and accumulating
and growing, and it turns into the song. It turns into a 10
minute song, next thing you know... [laughs]
Me: We heard you guys playing at soundcheck, working on some stuff...
Mike: Yeah, that was actually "A Change of Seasons". We haven't played
that in about a year, and we're gonna actually make its
premiere next week in New York. We're doing this show at the
Limelight next week, it's next Thursday, March 4th.. and they're
promoting it as like a big theater show, almost like going to a
play... no opening band, we're gonna do two hour-long sets, with
a 20 minute intermission, and they're gonna hand out programs,
like a playbill, they're gonna have ushers in tuxedos, they're
gonna have curtains all around the stage and stuff... So, we
wanted to do some special stuff there, so we're gonna do a bunch
of unreleased stuff, a lot of old stuff that we haven't been
doing, and...
Me: Do "March of the Tyrant"!
Mike: Oh god [laughs]... that is OLD.
Me: I love the ending of that song. In fact, was gonna suggest that if
you were trying to think of other stuff to do as B-sides or
whatever, make that into a instrumental...
Mike: I would love to do some of that old stuff, but it's tough getting
the whole band to agree even to do stuff off our first album, so
no one feels like we're taking a step backwards, you know, "we
wanna look forward to the future...", that whole attitude, so...
But I would love to do some of that old stuff, just for the
nostalgic purposes.
Me: OK, along the same songwriting-type lines, this is something I'm
personally really curious about. How do you guys write the vocal
melodies, since your songs start out as instrumentals... do you
come up with it as a band, or hand the lyrics to the singer and
say "work on it", or what...
Mike: No, actually, the melodies come from whoever happens to write
the lyrics. Usually what we'll do is we'll go through that whole
music-writing process that I was just talking.... we'll go
through that, we'll put the song together, and as we're writing
it. we'll consciously say "OK, this'll be a vocal section, this'll
be the first verse, OK, then this'll be the chorus, this'll be the
second verse..." So we know where the lyrics are gonna go once the
song is done, and once the song is done, then one person will
say, "Hey, I've got an idea for the lyrics" and somebody will
just grab the song and go away and write lyrics. The case in the
past has been that whoever wrote the lyrics, wrote the lyrics
with melodies in mind, so... up till now it's been weird, because
we've always written without a singer. Our whole first album was
written before Charlie was in the band, and this whole album was
written before James was in the band, so whoever writes the lyrics
writes 'em with melodies in mind, and then, in the case of this
album at least, they would work with James and give him the
melody ideas and phrasings that they had in mind when they were
writing the lyrics, and then James, of course, embellishes them
and puts his touch on them, but usually the lyricist works on
all the melodies.
Me: How many vocalists, roughly, did you audition before you found
James?
Mike: Well, we got about... over 200 tapes, but we didn't physically
*audition* 200 people. But yeah, we got about 200 tapes, I've
got a box about that big [pointing to a box] filled with tapes..
But out of those 200 or so tapes, we only only auditioned maybe
20. I mean, it took a lot for us to actually call up somebody.
You know, out of all those tapes.... there were so many different
qualities we were looking for, and the only one you can really
get off the tape is the voice, and only so many people even got
past that first point where we actually liked the tape and called
the person up. So we auditioned about 20 people, and some of
them, we would work with- there were a couple people we worked
with for like weeks or months at a time- and then other people
just came down for one audition and we just knew it wasn't it.
So... it was tough, man, it was a very, very tough period for us.
Me: What did the audition consist of, and what were the criteria, aside
from finding who could go *Aaaaaaaaaa!* in tune...
Mike: Well, we were looking for, obviously, someone with a wide range
and a good voice, a good strong voice... something that was
melodic, so those were all the aspects of the voice we were
looking for, but there's also their "look", you know, we wanted
someone who looked unified with us as a band... that was a little
bit of a problem with Charlie, and somebody who had a common
musical direction. A lot of musicians like progressive music
and the kind of music we play, but very few singers can actually
get it, you know, most singers want to do more commercial stuff,
so it was tough to find a singer with a common musical direction
or vision as ours, so that was important, and of course a
personality, somebody that we can live with every day for the
rest of our lives and be able to work with. And as far as the
process goes... if we liked the tape, we would call the person
up, chat with them, see if they were cool or not, we'd tell them
to learn a bunch of songs off the first album at that point,
because that's all that was available. They would come down, run
through those songs... if they got past that part, then we
would start breaking out new ideas and saying, "hey, sing this"
and seeing how well they could improvise, how well they could
take creative ideas and mold them. So it was very, very
frustrating, and a long process...and only one survived, and
that's the Canadian that's in the band now. [laughs]
Me: A good choice, I'd say. Just out of curiosity, what ever became
of Charlie?
Mike: He's a lot older than us, he's in his 40's now, his early 40's,
and it just never worked out with him, and as far as what he's
doing now, I don't know. We saw him once on this tour, and that
was our first time seeing him in years...
Me: Was the parting amicable? Was he fired?
Mike: He was fired... he didn't leave the band. We kicked him pretty
hard, actually. But we left on good terms, I mean, I lived with
him for about a year, when he was in the band we lived together.
We were all pretty close, so we left on good terms, but then
things went sour after that because he was bad-mouthing us, and
I guess things would get back to him that we were bad-mouthing
him and stuff, so it got a little rough after the breakup, so
we didn't really stay in touch with him. I don't know what he's
doing.
Me: OK, this is a little bit off the subject, but a lot of people have
been wondering about the status of Watchtower and Fates Warning.
I figured since you're friends with 'em, you could let us know
what the deal is....
Mike: Actually, I just saw members from each band. As far as
Fates Warning goes, we just saw Ray in Arizona and Jim in
L.A. just a couple of weeks ago, and contrary to popular
belief, they haven't broken up, they're working on new
material, and looking for a new record deal. They got out
of their deal on Metal Blade, which is something they had
to do to really move forward, but it's gonna take a while
before they can really get a new deal, you know, this stuff
takes time, so.... they're just working on new material and
looking for a new deal, and they'll be back. And
Watchtower... we just saw Doug and Rick when we were in
Austin 2 weeks ago, and they've been on hold for years for
two reasons: first of all, because they've been looking for
a new singer, and they can't find a new singer, and Ron,
the guitarist, he's been through a couple of hand
operations. He hasn't been able to play guitar in a couple
years, so his hand is finally healing, he's finally
playing, and they've just been waiting for his hand to heal
all this time, and now he's finally playing again, they're
getting the band back together, and they're still looking
for a singer, but we also saw Jason McMaster, who was their
old singer who's now with Dangerous Toys, and they were
talking about possibly doing a reunion album, like Jason
going back to the band and then just doing an album
together. So, there's what Watchtower's doing....
Me: Cool, thanks. OK... compared to your first album, this album
obviously has such a fuckin' awesome, huge sound. How much of
this to you attribute to your producer, better technology,
bigger budget, or all of those things?..
Mike: Probably the first and the third. Better technology is
probably only because it was in the hands of the right
people, but I think the 2 reasons that the album might
sound bigger and better are obviously the producer... I
think David did a great job getting the sounds, the record
sounds really good and full and clear, and everything is
audible. That's one factor, and the other factor is
obviously money and time. Being on a major label, we
got a much bigger budget, I mean, our first album we did in
like 3 weeks on $30,000, this time around we had over 2
months and we did it for over 200,000. So, you know, you
get what you pay for, so you get more studio time and you
get a better producer... so, those were all the factors, I
suppose.
Me: Taking all that time and care in doing the album, what types
of things did you do differently? In particular, the drums
and the guitars sound much, much better...
Mike: What did we do differently? We were able to just
concentrate on everything a little bit more, and work on
getting better sounds. The first time around, everything
was so rushed, we had 3 weeks, and that's including the
mix, so we had about 2 weeks to record and about a week to
mix the first album. It's sort of like, you get in there,
bang out your parts, OK, on to the next instrument, it's
like one after another. This time around we were able to
really pick the parts apart and analyze them and try
different ways of playing them, different ways of
orchestrating them... and, you know, we were just able to
relax and be able to concentrate on the sounds and the
orchestration of the instruments.
Me: Is the snare drum sound a triggered sample?
Mike: [snort].. yes. Unfortunately... that wasn't my choice, it
was forced upon me by our producer. But I won't get into
that.
Me: It sounds nice and punchy, though.
Mike: Yeah, it's punchy, but... It's big when it's supposed to be
big, but it's also big when it's not supposed to be big.
Me: Was that the only thing, because I can't tell if the rim
clicks and stuff were samples also...
Mike: There was an occasional acoustic snare drum mixed in, I
mean, we recorded all my natural drum sounds, and then had
the option of triggering it, so at times, when it was
really dynamic or there were a lot of intricate parts going
on, we tried to mix in the acoustic snare sound as much as
possible. But, that's the one thing that bothers me about
the album is some of the stuff on the drum sounds. I think
they sound great overall, but there's a lot of fine-tuning
that I would have personally liked to have done, but, you
know... that's another story.
Me: What's the status on plans for re-releasing the first album?
Are there any?...
Mike: Hopefully... I mean, everybody's looking for it,
everybody's asking for it, and nobody can get it. Atco is
looking into buying the rights to it an re-releasing it.
Someday it'll happen, I'm sure.. but hopefully it'll happen
soon. Hopefully this year, but I don't know.
Me: Any chance of re-mixing it or anything?
Mike: Yeah, if they were gonna re-release it, we would like to
re-mix it. And people have asked if we would re-do the
vocals: I don't think so, just because, you know, that's
not the way it was. So we'd leave Charlie on there, and
hopefully re-mix it. As far as James doing those songs,
we'd like to release live versions or something so people
can hear him singing it, but... Hopefully that'll all
happen. We're crossing our fingers, just because a lot of
people are looking for it.
Me: OK, let's see here... "The Killing Hand". This is more a
question for John, but someone wanted to know what the
inspiration was for the lyrics on that song. Isn't that a
science fiction story he wrote, or something?
Mike: Yeah. I'll answer for John, so it won't be COMPLETELY
accurate, but it'll be my interpretation of the story that
he tells. It's science fiction... it's just a story he made
up, it's sort of a Twilight Zone sort of story that deals
with somebody- at least this is was he says- it deals with
somebody standing in front of a wall, like a memorial, and
seeing all the names of people that have died from a war,
and the character is wondering how they all died, and
somehow he gets miraculously brought back in time and he's
able to see actually how all these people died... and there
was some sort of holocaust or something... and I'm being
very vague and general, but this is basically it... he
witnesses a holocaust or something, where there's a leader
wiping out all these people. Basically, he goes back to the
wall, you know, by the end of the song, "when I go back
again, will it be the same"...
Me: Yeah, I'm rushing through the lyrics in my head as you're
describing it...
Mike: So he goes back to the wall, and then there's one more
name.. "one more name appears" on the wall, and it's HIS
name, and the big twist... the big Rod Serling twist, I
believe, is that HE was the Killing Hand. He was the one,
by going back in time, that killed all these people, or
something like that...
Me: Wow.
Mike: ...and the key phrase is: "or something like that".
[everyone laughs]
Me: Is "Metropolis" the same type of thing? Does he do a lot of
writing like that, like writing a little story first?...
Mike: Yeah, I guess John's lyrics come from from like a storybook
sort of thing, a fictional thing. Of course there are
exceptions, but I think that's more of where he's coming
from, almost like the old Neil Peart lyrics. And Kev is
more from like a religious or a spiritual sort of
inspiration, he writes a lot of stuff like that.
Me: That leads right into my next question. Does the band have
any particular religious or spiritual beliefs? Not as a
whole, but the individuals...
Mike: Not as a whole. Individually, I mean, I'll speak for
myself, I don't have any particular religious beliefs or
anything, but I think if there's any person in the band
that is very inspired by religious and spiritual sort of
things, it's Kev. You'd have to ask him, but he's real into
that sort of stuff. John Myung, too, he's really into that
sort of thing too, so Kevin and John are more up that sort
of alley.
Me: What were some of your personal drumming influences, who made
you want to pick up sticks and start playing?
Mike: When I started... I mean, I grew up listening to music
since I was a *little* kid... my dad was a disc jockey on
the radio, and he was very hip, he was listening to a lot
of the stuff in the 60's when I was born, so as soon as I
was born I was listening to the Beatles, and the Who, and
the Stones, and Hendrix, and the Doors... so I was like
this little rock-n-roll kid when I was real young, I mean,
I was like the only kid in my elementary school who had
hundreds of records and stuff, so, when I started playing
drums, back then I was listening to a lot of Kiss and
stuff like that, the Beatles, Led Zeppelin, the Who, so
those were some of my first big drum influences, like Keith
Moon and John Bonham. Then I started listening to stuff
that was a little bit more progressive, like Rush and Yes,
so Neil Peart was my drum GOD for years and years and
years, I mean that's all I did was listen to Rush. The same
goes for the other guys in the band, too, Rush is the big
one. So I was listening to Peart and stuff like that, and a
lot of Frank Zappa... his music was a big, big influence on
me, and still is, and then through the years I started
listening to a lot more heavy stuff, lot of the heavy
thrash bands like Anthrax, Metallica, Testament, Pantera,
so all those drummers influenced me with my double-bass and
stuff. And then a lot of more jazz-oriented stuff, like
Chick Corea, like Dave Weckl on drums, and Al DiMeola and
stuff like that... but I don't know. It's not only drummers
that influence me, it's just music in general. I can get as
much inspiration on the drums listening to the production
on a Public Enemy album as I can listening to a Chick Corea
album listening to Dave Weckl play drums, or listening to
Jane's Addiction or Pantera, you know, so it's just trying
to listen to as many different styles of music as possible
and just take it all in.
Me: Someone came up with the idea to start a petition drive to
get you guys on tour with Rush.. [laughs] He wanted me to
run that by you and see if that would have your blessing. You
guys are on the same label and all...
Mike: Yeah! Yeah, do it. Hey, I mean, that would be incredible.
It's just a matter of timing at this point.. I don't know
when their new album is due, but I haven't heard anything
about it. We're gonna be touring all year, so it would be
great if it could work out. Actually, another one of our
childhood dreams came true a couple of weeks ago. We've
always wanted Rush to hear us, or see us, our bring us on
tour with them or whatever, and just a couple of weeks ago,
actually, not Rush, but the other big one for us, Yes, came
down to see us when we played out in Hollywood, so that was
incredible for us, we were awe-inspired by them, man, it
was like we were scared shitless to go on. [everybody
laughs] We're hanging out in the dressing room, and they
all came in, and it was like, "Fuck, man, how the hell are
we gonna go on now?" So that was cool...
Me: This may be covered by the possible EP, but do you plan to
release a commercially available single, maybe for the next
single, because all the others all the way back to "Status
Seeker" have been promotional-only...
Mike: I think so. I don't know if it would be in America, though,
I mean, I know there's been talk about them doing it in
Europe, because CD singles are really big over there...
when you get CD singles, most of them are imports. So I
know there are plans to do that, because we have some stuff
we want to put on the B-sides, like we have a song
"Forever" that you probably know from one of our demos...
we've recorded that, so we have that sitting on the shelf
that we could use for a B-side. I don't know if they're
gonna release anything in America, but they might, we've
heard talk about it.
Me: Who wrote the words to that song, by the way?
Mike: "Forever"? John Petrucci.
Me: Another good one for John. What's been your most memorable
moment so far on this tour, do you think...
Mike: Oh, that's easy. Actually, Yes is now up there, but until
Yes coming to see us, hands down, the most memorable thing
for me was the first night in Japan. We went to Japan back
in November and did a bunch of shows. The first night we
played there, I mean, it was the biggest rush I've ever
had, playing there and coming on stage in the dark, and the
intro tape is rolling, and then we kick into "Metropolis"
and the lights go on, there's like thousands of screaming
Japanese kids... it the biggest rush I've ever had, it sent
chills down my spine. To me, that was the most memorable
thing...
Me: The first album has already been re-released over there,
right?
Mike: Yeah. They sell the albums in the lobby when you play in
Japan, so not only did we have merchandise for sale, they
had big stands where they sell both albums, so they had
boxes and boxes of the first album out there. The same with
Germany, too, I know it's still available over there...
Me: Are there any moments you'd rather forget about?...
Mike: Well, there's a few cities I'd rather forget about..
[laughs] I don't know, there have been a couple of shows...
Luckily, thank god, almost all the turnouts have been way
beyond what we expected. I mean, I would say since we've
been back out this year, 80% of the shows have been sold
out, and the others are all packed. But there were a couple
cities toward the beginning where the turnouts were just
ridiculous. We played a show in New Orleans and there were
like 40 people there, and then a couple places like Omaha,
Nebraska and Cedar Rapids, Iowa and places like that...the
turnouts were good there, but it's just that the crowd
reaction is so weird, you know, they're very laid back and
they don't really know how to take to the band, so there
have been some weird experiences.. but they've all been
experiences, so I'm glad I've experienced them all.
Me: I understand the Majesty demos are on CD in Europe?
Mike: In Germany.
Me: Is that a bootleg, or was that something authorized...
Mike: No, it's bootleg. It's a mass-produced bootleg. It's
somebody who obviously mass-produced like hundreds or
thousands, I don't even know, of Majesty demos on CD.
Me: How does it sound?
Mike: [laughs] Well, the demo to begin with doesn't sound that
good, I mean it was done on my 4-track and it's kinda
wishy-washy, so the conversion to CD... it doesn't sound
any better because it's on CD. When I found out about it, I
told them, like, "Shit, I wish they came to me for the
master tape", because I've got the master sitting in my
bedroom, at least it would've sounded better. So this is
probably off of a tape that was like a couple of
generations down, so the sound isn't that good, but it's a
cool collector's item.
Me: What is your opinion overall about bootlegging in general?
Mike: Well, you're asking either the right guy or the wrong guy,
because my personal opinion is.. I mean, the first half of
the tour, I was letting people in with video cameras and
cassette tapes. I personally have no problem with it
whatsoever, I think it's cool, because I'm a collector
myself... I have bootlegs of like every band, video and
audio, so I'm fully supportive of it. However, there are 4
other people in my band, and a crew and a manager and a
tour manager, and since then I've been told not to let
anybody else into the place with tapes recorders and video
cameras. So, I personally have nothing against it, and when
I see somebody filming, I don't say anything.. and I hope that
they get away with it, and I pull 'em over afterwards and
say "Hey, send me a copy" [everyone laughs], you know, but
the crew and the rest of the band don't feel comfortable
with it.
[extended personal chit-chat about tape trading, etc. deleted]
Me: Well, that's about all I have. Did you guys think of any
other stuff while we were talking? [addressing my friends
Dave, Eric, and Tom, who are also metal DJs at WPSU]
Dave: Yeah, I thought of one. Was it a conscious effort not to
drag an opening band out with you, and just hook up with a
local band in each city?
Mike: No.. I mean, I don't even know who we would take out. If we
headline during the summer, if we don't get on another
package and we go out ourselves, we're gonna take a band
out, I just don't know who it would be. This time, I don't
know why it didn't happen, it just didn't, so we have
different bands in every city. We had no objections.. there
have been a couple of bands that have done a bunch of dates
with us, this band here, Psychotic Waltz [pointing at his
shirt] did 3 shows with us on the west coast, and there
have been a couple of bands that have done various shows
with us... It wasn't our decision, I mean, we'd love to
take somebody out, especially if it fit musically.
Tom: Fates Warning...
Mike: Yeah, Fates.. hey, we've been talking to them for years
about touring together, but right now the timing wouldn't
work out. They're not gonna have a new album out for at
least a year, I would assume, but we'd love to do it. We've
always talked about touring together. Anything else?
Me: I'm trying to think. I guess not. Can you do a couple of
ID's for our show?...
Mike: Sure.
[remainder of the time is spent recording a couple of radio ID's
for our show, and small talk about this and that]
So there you have it, folks! Hope everyone enjoyed it. (You'd better,
it took me 7 hours to transcribe!) Thanks to everyone on the Ytsejam
mailing list who offered question ideas. I included just about all of
'em, I think. Anyway, stay tuned for more interviews like this in the
future, hopefully...
Jeff
|
542.415 | DT's old name | POWDML::BUCKLEY | The Rabbit in Red | Tue Mar 02 1993 09:09 | 13 |
| Here is some misc Dream Theater info:
Ytsejam is Majesty backwards. Majesty was the bands original name but
when they got signed, they found out that name was copyrighted by a
band a long time ago. The people who had the name were unwilling to
let the name go, even though they never released an album under that
name (at least I think that was the story. Mike Portnoy told us this
before the show here in San Diego). During the concert the singer
pronounced it "Yit-see Jam" or something along those lines.
There was a single released for "Matter of Time" I'm pretty sure.
Brian got one through the fan club. No b'sides or anything on it
though.
|
542.416 | FYI -- current Dream Theater set list | POWDML::BUCKLEY | The Rabbit in Red | Tue Mar 02 1993 09:12 | 29 |
|
Well, I saw Dream Theater Saturday night at Hammerjacks in Baltimore
and needless to say, once again they were incredible. Since the last
time I saw them (mid-December), they've added some pyrotechnics to the
show. Here's what they played:
Metropolis
A Fortune in Lies
Under a Glass Moon
Surrounded
The Ytse Jam/Drum Solo
Another Day
Pull Me Under
Take the Time/Guitar Solo
Encore:
Keyboard Solo/Wait for Sleep
Learning to Live
James LaBrie mentioned before "Take the Time" that it's going to be the
next single and video, so keep your eyes and ears open! Besides the
special effects, there were a couple other differences between the
shows I've seen. The first time, they played "O, Holy Night" between
"Wait For Sleep" and "Learning to Live." Also, John Myung and Johm
Petrucci did a bass and guitar duet, but didn't do one on Saturday.
Mike Portnoy dropped a drum stick during his drum solo last time, but
this time he was perfect! If you get a chance to see a show at
Hammerjacks, DO SO. The place is great!
|
542.417 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Tue Mar 02 1993 11:57 | 5 |
| re: .414
I bet Windows noters just *love* you...
gh
|
542.418 | Interview with DT's guitarist | POWDML::BUCKLEY | The Rabbit in Red | Wed Mar 03 1993 08:44 | 95 |
| WARNING -- another *long* Dream Theater interview follows!
SUBJECT: An Interview with Dream Theater guitarist John Pertrucci:
How long has Dream Theatre been together? What brought the band
together?
ANSWER: Dream Theater has been together for about 7 years. Kev, John,
and I grew up together, and Mike was "discovered" while we all attended
the Berklee College of Music in Boston. Our current Canadian
"throat-minster" was found through one of our friends at Mechanic
during auditions.
Who are your major influences as a guitarist? Who are the influences
of the other band members?
ANSWER: My major influences can basically be broken down in two categories:
1) THE STEVES: Steve Morse, Steve Howe, Steve Vai, Stevie Ray Vaughn
2) THE ALS: Alex Lifeson, Al Dimeola, Alan Holdsworth
Pretty bizzare eh? John's major influences are Steve Harris, and Geddy
Lee. Mikes are numerous including Terry Bozzio, Neil Peart, Vinnie
Calauta (sp?). Kev's are Rick Wakeman, Jens Johansen, Michelle
Camillo, George Winston, and loads more..
Do you consider yourselves more of a metal band or more of a progressive
group?
ANSWER: Thats a good question! In fact I think the thing that keeps
us "modern" and not sounding dated is that we do have a heavy sound.
Metal is just as big as an influence as 70's prog-rock on our writing
style and sound as a band.
What were the circumstances of Charlie Dominici's leaving?
ANSWER: Charlie is a very talented musician but all of us sort of new
from the beginning that he could never take us where our dreams aspired
as a front man. His live performance lacked and he was considerably
older than us.
Why has is taken so long between albums?
ANSWER: Well basically because we have gone through changes! It took
us a year and a half to find a new singer. It took 18 months to get
out of our old record deal. We then recorded a demo for Atco Records
and eventually signed with them. I quess just a lot of red tape!
Will your 20 minute song be released on your next album?
ANSWER: No. "A Change of Seasons" will not be released on our
forthcoming record, but we hope to include it as a focal peice on a
live 5-song E.P.
What does the new album sound like compared to When Dream and Day Unite?
ANSWER: First of all James (our new singer) is 1 million times better
and more emphasis is show on the vocals and their place in the songs.
The production is so much better. All of teh instruments are much
clearer and separated. Also the guitars are a lot more up front and
heavier. There is also a soprano sax spot light by Jay Beckenstien of
Spiro Gyra, and many uses of acoustic piano throughout the entire
record.
Tell us a little about the new singer.
ANSWER: Our new singer's name is Kevin James Labrie. We call him
James as to not confuse him with Kev, our keyboardist! He lives in
Canada and his old band was called Winter Rose. The guy is completely
amazing and super cool. He is also pretty damn handsome, which is
cool, cuz it attracts a lot of women!
Is there a particular form of music you see the band sticking with
(metal, progressive, whatever) or will you become more experimental as
time goes on?
ANSWER: I think Dream Theater will always primarily be a rock band.
However the range of influences that sneak their way right into our
music is ever changing and endless, so who knows?
Where do you see Dream Theatre in 10 years?
ANSWER: Working on our third record...Just kidding! More refined as
players and writers, a lot more fans, and a lot more roadies!
|
542.419 | Another source for DT's first album | POWDML::BUCKLEY | The Rabbit in Red | Wed Mar 03 1993 08:51 | 15 |
|
Besides being readily availble on CD in Germany and Japan (in stores,
mind you!!), Dream Theater's first album, "When Dream and Day Unite"
is all but MIA here in the USA!!
However -- the album (CD) *can* be ordered through Columbia House's
catalog:
Dream Theater "When Dream And Day Unite" -- 384842
You can also call an 800 number to order this. It's 1-800-457-0500.
Cheers,
Buck
|
542.420 | FYI on a live DT tape... | POWDML::BUCKLEY | The Rabbit in Red | Wed Mar 03 1993 08:54 | 9 |
| FYI -- Someone on usenet has a live DT bootleg they are offering copies
of. The show was recorded in Buffalo on January 16th. If you're
interested in more information on this, send mail to
US2RMC::"[email protected]" -- the guy's name is Tinch.
Cheers,
Buck
|
542.421 | | BUSY::SLABOUNTY | A seemingly endless time | Wed Mar 03 1993 10:26 | 6 |
|
Columbia House? Haven't even noticed it in the catalog.
I'll have to look again next time I get one.
GTI
|
542.422 | | POWDML::BUCKLEY | The Rabbit in Red | Fri Mar 05 1993 10:21 | 11 |
|
Wondering what those lyrics at the very end of Pull Me Under
are?!?!?
"Oh, that this too too sullied flesh might melt, thaw, and resolve
itself into a dew..."
It's a famous line from Shakespeare, which was also used in a Sting
song called Another Day.
|
542.423 | | POWDML::BUCKLEY | Can you pay the price? | Wed Mar 10 1993 08:25 | 15 |
| Well, today is the day when dream and day unite at the Avalon Ballroom
in Boston!!
Just a friendly reminder --
D R E A M T H E A T E R L I V E
Tonight, Wednesday, March 10th
Avalon Ballroom
Lansdowne Street (Next to Axis)
Boston, MA
Doors open at 8pm
|
542.424 | | GOOEY::JUDY | That's Ms. Bitch to you! | Wed Mar 10 1993 08:47 | 9 |
|
Anyone read the 'jacket' to the I&W CD? Under the thank yous
it says 'the dancing dward, Bob and the Log Lady'....
DT are Twin Peaks fans! Very cool. =)
JJ
|
542.425 | | GOOEY::JUDY | That's Ms. Bitch to you! | Wed Mar 10 1993 08:48 | 3 |
|
OOps...that should have been dwarf not dward. =)
|
542.426 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Wed Mar 10 1993 12:21 | 1 |
| Ah yes, Dream Theater...yawn...
|
542.427 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 12:25 | 4 |
|
Dream who?
|
542.428 | | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 12:29 | 1 |
| I think they are a garage band or something....
|
542.429 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 12:40 | 6 |
|
What kind of music do they play?
Do they act out on stage like a real 'theater'?
|
542.430 | Buck can tell us more | GOES11::G_HOUSE | It's NOT a TOOMAH! | Wed Mar 10 1993 12:42 | 3 |
| I heard that not only do they act out stuff on stage (the "theatre")
part, they've also been known to induce sleep (the "dream" part).
|
542.431 | | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 12:45 | 4 |
| I think that they play folk, but a few people said that they are
starting to get a little harder. As for them acting out on a stage
like a real 'theater', I'm not really sure. Probably, they sing pansy
songs anyway......
|
542.432 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 12:47 | 4 |
|
Don't they sing that song "Push Me Over"?
|
542.433 | | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 12:49 | 1 |
| Yeah, that's it!!! The name was right on the tip of my tongue.....
|
542.434 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 12:51 | 7 |
|
they have an album.... "Pictures And Stuff", right?
It's all coming back now!
I love their banjo player!
|
542.435 | Proving you have bad taste over and over again! ;^) | DECAGE::HOWES | When angels waken with a kiss.... | Wed Mar 10 1993 12:52 | 9 |
|
Yeah, you guys are funny, but what can I expect from people
who like the dead, grundge, and Metallica....
-Seth
|
542.436 | | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 13:00 | 22 |
| ->> they have an album.... "Pictures And Stuff", right?
->>
->> It's all coming back now!
->>
->> I love their banjo player!
Yeah, he's good...I'm really interested in the mandolin player. He's
cool...Their new album 'Pictures and Stuff' sounds a little more
bluegrassy than their first one...Maybe if they are lucky they'll
play at the Newport Folk Festival this year....but that's a lot to
expect out of a new folkie band. Especially since their album hasn't
even touched the charts yet....
->> -< Proving you have bad taste over and over again! ;^) >-
->> Yeah, you guys are funny, but what can I expect from people
->> who like the dead, grundge, and Metallica....
Oh Seth, today is not the day to talk about having bad tastes with
me...
:), d
|
542.437 | Can you say "No Feeling" | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 13:16 | 22 |
|
>> Yeah, he's good...I'm really interested in the mandolin player. He's
>> cool...Their new album 'Pictures and Stuff' sounds a little more
>> bluegrassy than their first one...Maybe if they are lucky they'll
>> play at the Newport Folk Festival this year....but that's a lot to
>> expect out of a new folkie band. Especially since their album hasn't
>> even touched the charts yet....
I love the pictures of them in the inlay. All dressed up in
over alls with baseball caps. But I wished they didn't have
shaved heads.
>> -< Proving you have bad taste over and over again! ;^) >-
>> Yeah, you guys are funny, but what can I expect from people
>> who like the dead, grundge, and Metallica....
Oh please. Dream Theater are DRASTICALLY over-rated.
Good, yes,... Great, maybe... the best, not even close.
|
542.438 | | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 13:28 | 14 |
| ->> I love the pictures of them in the inlay. All dressed up in
->> over alls with baseball caps. But I wished they didn't have
->> shaved heads.
I know....the singer would look so much better with hair. And the
beard on that bassist is nasty! And someone told me he has 5 wives...
yuck...
->> Oh please. Dream Theater are DRASTICALLY over-rated. Good, yes,...
->> Great, maybe... the best, not even close.
Yeah. I agree...they are overrated in here. I do think they are wonderful
musicians, but not THE BEST...and I'll say that about a lot of bands,
even the Dead.
|
542.439 | Can you say Metallipose? I knew you could! ;) | DECAGE::HOWES | When angels waken with a kiss.... | Wed Mar 10 1993 13:34 | 15 |
|
> Oh please. Dream Theater are DRASTICALLY over-rated.
> Good, yes,... Great, maybe... the best, not even close.
Overrated by who? Just because Buck likes them and posts
a lot of notes doesn't mean they are over-rated.
People who appreciate talent in music, and not just noise
fill DT concerts. I hardly call progressive fans liking
a progressive group 'over-rated'.
> -< Can you say "No Feeling" >-
Sure..... "Joe Satriani"... ;)
-Seth
|
542.440 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 13:41 | 9 |
|
>> I know....the singer would look so much better with hair. And the
>> beard on that bassist is nasty! And someone told me he has 5 wives...
>> yuck...
Yup. And that patch he wears over his eye. Gotta go.
The bassist's beard is really gross! It's like 4 feet
long. And dirty and tangled. Yuk.
|
542.441 | Progressive? Ha! No feeling is more like it. Machines! | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 13:44 | 14 |
|
>> Overrated by who? Just because Buck likes them and posts
>> a lot of notes doesn't mean they are over-rated.
>> People who appreciate talent in music, and not just noise
>> fill DT concerts. I hardly call progressive fans liking
>> a progressive group 'over-rated'.
Sorry, I don't have to like dream theater to appreciate
talent.
They're overrated, IMO, Period. No need to argue, paigeboy.
|
542.442 | Not my problem if you can't appreciate GOOD music! | POWDML::BUCKLEY | Can you pay the price? | Wed Mar 10 1993 13:45 | 5 |
| RE: Greg, Danielle, and Chris
Obviously, the complexity and intensity of DT's music is far beyond
your comprehesion. Some people don't like Opera either...nuff said!
|
542.443 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 14:06 | 7 |
|
It's one thing to appreciate their music, it's another thing to treat
them like Musical Gods.
They make some pretty good tunes, 'nuff said.
|
542.444 | I don't care if you like'em or not, but the talent is there. | DECAGE::HOWES | When angels waken with a kiss.... | Wed Mar 10 1993 14:06 | 23 |
|
> Sorry, I don't have to like dream theater to appreciate
> talent.
That is the point, you don't. The worst 'artist' in DT,
has more talent than all of the 'band members' in Metallica
put together.
> They're overrated, IMO, Period. No need to argue, paigeboy.
That is because you can't support your statement.
> -< Progressive? Ha! No feeling is more like it. Machines! >-
It is progressive like it or not. Although I would pick
no feeling over 'Lets rip of the public by posing some more'
feelings...
-Seth
|
542.445 | DT are not musical gods, but they have talent. | DECAGE::HOWES | When angels waken with a kiss.... | Wed Mar 10 1993 14:08 | 10 |
|
> It's one thing to appreciate their music, it's another thing to treat
> them like Musical Gods.
Hahahaha!!! Funny I think I said that to you a couple of month
ago regard how you worship Metallica!!!
|
542.446 | | POWDML::BUCKLEY | Can you pay the price? | Wed Mar 10 1993 14:18 | 17 |
| RE: Chris and "no need to treat them like musical gods.."
Look, I went to school with these guys. They had gigs every day
DAY -- and it wasn't playing "Jump in the Fire" either ... they
were DIVERSE musical gigs ... from latin sambas to be bop to
swing jazz to jazz fusion to progressive rock, etc. etc. And these
guys can burn in all styles, not just rock. They also were trained
in ENSEMBLE playing. Look, all the bands you may like are probably
good BANDS -- but are they good musicians?? Maybe at what they do
in their own circle (example, Jaymz is an excellent thrash rhythm
guitarist!), but as real, diversified MUSICIANS, they can't cut it,
and I'd like to see ANYONE in rock today who could just walk into
any type of gig and burn it... I know Vai could, and Satch, but
Kirk or Lars or any of those cats?
NOT!
|
542.447 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 14:23 | 9 |
|
What does Metallica have to do with this. We're talking about Dream
Theater. They're good musicians. And I agree it's progressive.
But that's it. IMNSHO.
And I feel bad for you, if the only way you can praise DT is by putting
another (and other) band down. You're a joke.
|
542.448 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 14:25 | 10 |
|
Once again, why must you praise one band by putting another band down.
That doesn't say much in my ears for the band. I like DT's music, I
like a lot of it. I like *ALL* of Metallica's music. That's *my*
personal taste. But you don't hear me going "Metallica's the best
because DT sucks"
Please.
|
542.449 | | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 14:31 | 14 |
| ->> -< Not my problem if you can't appreciate GOOD music! >-
->> RE: Greg, Danielle, and Chris
->> Obviously, the complexity and intensity of DT's music is far beyond
->> your comprehesion. Some people don't like Opera either...nuff said!
I think that the important thing to address here is that everybody is
different. We all like different things, have different views, and
different musical tastes. Music is a universal language, and there
are so many different types and styles. So don't put me down saying
that I don't appreciate 'GOOD MUSIC' when I am more flexible than you
ever could be. I do like Dream Theater, and Chris and I are kidding
around with the folk thing....but it feels like there are a lot of
put-downs to other music in this file because "Dream Theater Rules"...
and Dream Theater this and that.......
|
542.450 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Wed Mar 10 1993 14:52 | 37 |
| re: Youngster, er...Danielle
> Oh Seth, today is not the day to talk about having bad tastes with
> me...
Let us know when a good day is, ok? My schedule looks good for next
Tuesday, how about your's?
re: Chris
> >> I know....the singer would look so much better with hair. And the
> >> beard on that bassist is nasty! And someone told me he has 5 wives...
> >> yuck...
>
> Yup. And that patch he wears over his eye. Gotta go.
> The bassist's beard is really gross! It's like 4 feet
> long. And dirty and tangled. Yuk.
No kidding, somebody get that dude a BATH! Looks like he lives under a
bridge!
re: Danielle (again)
> ...when I am more flexible than you ever could be.
Woah, I love a woman who stretches out!
re: Buck
Can you say "dated"? I thoughtcha could. Dream Theater, boooooring.
Rock & roll is about music with an edge....
(ps, you take this stuff toooooooo seriously, I can't believe you
actually fell for our baiting!)
gh
|
542.451 | :):):) | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 14:55 | 6 |
| re: [greg]
Hahahaha..........;') ;') ;')
:), danielle
|
542.452 | ;^) | GOES11::G_HOUSE | It's NOT a TOOMAH! | Wed Mar 10 1993 14:59 | 1 |
| Yo Buck...get FLEXABLE!
|
542.453 | ESOD | POWDML::BUCKLEY | Can you pay the price? | Wed Mar 10 1993 15:03 | 1 |
|
|
542.454 | ;') | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Wed Mar 10 1993 15:05 | 6 |
|
"Get flexable"
Hahahaha... love it.
|
542.455 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Wed Mar 10 1993 15:12 | 2 |
| "ESOD"?? Explain?
|
542.456 | | COMET::MARTINN | I'll hate you better! | Wed Mar 10 1993 15:19 | 1 |
| I'll take a guess..Eat S*it Or Die?
|
542.457 | :'P | BINKLY::DEMARSE | Just say NO to hummus! | Wed Mar 10 1993 15:20 | 1 |
| Probably......hahahahaha....
|
542.458 | Limber up, limbo down... | GOES11::G_HOUSE | It's NOT a TOOMAH! | Wed Mar 10 1993 15:46 | 3 |
| But that phrase normally has an "and" in it, not "or"??
gh
|
542.459 | | KDX200::ROBR | This world is spinning around me | Wed Mar 10 1993 16:46 | 7 |
|
hey, what time does dt go on tonight? ive managed to swing being able
to go into work for 1:45am. just want to make sure that's late enough.
friggin $18.50 a ticket.... sigh..... i swear the prices double every
time they come back....
|
542.460 | Limber up crc! ;) | DECAGE::HOWES | When angels waken with a kiss.... | Wed Mar 10 1993 16:47 | 20 |
|
> What does Metallica have to do with this. We're talking about Dream
> Theater. They're good musicians. And I agree it's progressive.
> But that's it. IMNSHO.
Trying to make a talent comparison between a band you like
and a band I like, but I guess you missed that.... I don't
care which you like better, it is all a matter of taste,
but anybody saying DT is talentless is full of it.
> And I feel bad for you, if the only way you can praise DT is by putting
> another (and other) band down. You're a joke.
/prc? Is that you??? 'You're pathetic' is a standard
prc quota when he had no point.
-Seth
|
542.461 | | MR4DEC::JWHITMAN | | Wed Mar 10 1993 16:58 | 6 |
|
18.50!? SHA! RIGHT!!!
|
542.462 | | KDX200::COOPER | Hello me, it's me again! | Wed Mar 10 1993 20:03 | 18 |
| Ya know...
I oughta fly out there, team up with Buck-meister, and we go around
slapping the dog-snot out of all ya !
:-)
You folks gotta remember - DT and the whole style of high-tech music
is life-long. Do you think Yes and Rush will ever stop getting
airplay?? I doubt it. Will Nirvana and Pearl Jam ?? Probably.
Flahses in the pan - people will tire of their lack of talent and
imagination. Grunge is like a kidney stone. It'll pass, but not
without some pain. :-)
jc
|
542.463 | Hahahaha... you're tres amusing, Seth | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Thu Mar 11 1993 08:43 | 22 |
|
>> Trying to make a talent comparison between a band you like
>> and a band I like, but I guess you missed that.... I don't
>> care which you like better, it is all a matter of taste,
>> but anybody saying DT is talentless is full of it.
Please point out where I said DT was talentless?
Where, or where did I say it? Can anyone find the note?
>> /prc? Is that you??? 'You're pathetic' is a standard
>> prc quota when he had no point.
What are you talking about? So now I can't even use
"you're" in front of a word. Puuuhlease...
In fact, in the words of /prc, you _are_ pathetic.
Go play with your anotomically correct DT dolls. You're boring.
(Oh no! I used "you're"... I'm /prc, I'm /prc!!!)
|
542.464 | :) | BINKLY::DEMARSE | Just say NO to hummus! | Thu Mar 11 1993 09:21 | 21 |
| Seth, please do me a favor and DROP IT. The whole conversation is
OVER.
> KDX200::COOPER "Hello me, it's me again!"
> You folks gotta remember - DT and the whole style of high-tech music
> is life-long. Do you think Yes and Rush will ever stop getting
> airplay?? I doubt it. Will Nirvana and Pearl Jam ?? Probably.
> Flahses in the pan - people will tire of their lack of talent and
> imagination. Grunge is like a kidney stone. It'll pass, but not
> without some pain. :-)
>
> jc
Steven, I agree a little but I think that Eddie Vedder's voice will
always get airplay, no matter what band he is in. 8^P And Dream
Theater are just babies as far as how long they have been around, so
who knows what's going to become of them? Maybe their next album is
going to suck...it can happen...:-)
:), danielle
|
542.465 | | KDX200::ROBR | This world is spinning around me | Thu Mar 11 1993 09:54 | 15 |
|
coop, great kidney stone analogy!!! :')
escopose, the /prc style of noting has NOTHING to do with you're. It
was the pathetic that was so obviously /prc.
PS, DT rules!!! Every time I see them they just amaze me. Toward the
end of Waiting for Sleep they went into this thing where they just ran
different parts of the song all together in what seemed almost a random
order. Of course it wasn't but watching them was like watching a
machine with all the gears and pulleys turning and moving in sync. It
was just incredible to see. This is the sort of band that just
inspires the musician in me. This is the reason I play an instrument.
To be a part of a team that is the perfect music machine is my dream.
|
542.466 | No feeling. | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Thu Mar 11 1993 10:09 | 11 |
|
<<< Note 542.465 by KDX200::ROBR "This world is spinning around me" >>>
>> To be a part of a team that is the perfect music machine is my dream.
Thank you for saying that. Rob agrees with me. DT are machines.
Don't deny it now either... you said it...
|
542.467 | | KDX200::COOPER | Let The Light Surround You!! | Thu Mar 11 1993 13:21 | 3 |
| RE: Rob
thankyouverymuch...
|
542.468 | good concert | ASDG::BECHTLER | | Thu Mar 11 1993 13:29 | 4 |
| Great show! Glad I went.
What was the name of the warmup band? I couldn't quite catch
their name.
|
542.469 | MINE | COMET::MARTINN | I'll hate you better! | Thu Mar 11 1993 13:40 | 1 |
| Oh yea, I'm taking this one too!!
|
542.470 | | POWDML::BUCKLEY | Can you pay the price? | Thu Mar 11 1993 13:46 | 13 |
| > Great show! Glad I went.
Agreed! The sound was WAY off for the first 3 1/2 songs, but by the
start of the 5th tune, it was perfect, and the band was very psyched
about last nights gig!!
> What was the name of the warmup band? I couldn't quite catch
> their name.
Hard to hear, but it was either MOON_CRUSH or MOOD_CRUSH ...
They were kind of cool as well..
|
542.471 | | KDX200::DRTBYK::COOPER | Ex-Squeeze Me ? Baking Powder ? | Thu Mar 11 1993 14:13 | 3 |
| I'm jealous you got to go and I didn't !!
:-)
|
542.472 | It is all in fun, so lighten up..... | DECAGE::HOWES | When angels waken with a kiss.... | Thu Mar 11 1993 14:32 | 13 |
|
> Seth, please do me a favor and DROP IT. The whole conversation is
> OVER.
Sorry, I didn't know you were the notes police.....
Well if you say it is over it is over, your majesty. ;)
As far the the 'conversation' these type of 'fights' about
taste is standard HEAVY_METAL material, if you don't like
it hit next unseen, or go back to 'The Dead'
-Seth
|
542.473 | don't mind them seth, they're cranky | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Thu Mar 11 1993 14:41 | 5 |
| > Well if you say it is over it is over, your majesty. ;)
Hey, Majesty is Dream Theater's *original* band name!!
;')
|
542.474 | Tick tick tick! | DECAGE::HOWES | When angels waken with a kiss.... | Thu Mar 11 1993 14:44 | 16 |
|
> Hey, Majesty is Dream Theater's *original* band name!!
> ;')
I know! ;^)
But Buck you are taking a chance by writing a note about
DT in the DT note.... Watch out for the patrol(wo)men!!!!
They'll put a stop to that real quick! ;)
I am going to see DT in Poughkipsie N.Y. Tonight...
Can't wait!!!
-Seth
|
542.475 | | METALX::SWANSON | PeopleThinkI'mCrazyButI'mInDemand | Thu Mar 11 1993 14:52 | 5 |
| The name of the opening act was Moodcrush I think. they were pretty
good, especially the last song they did!
|KS|
|
542.476 | | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Thu Mar 11 1993 15:03 | 1 |
| Saw Paul McCarron at the show -- he said to say "Hi" to everyone!
|
542.477 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Thu Mar 11 1993 15:07 | 30 |
| re: Coop
I think we're already seeing a diminishing in desire to hear stuff like
Yes and Rush. It's been ages since I heard a Yes song on the radio and
even when I did, it was always the SAME two or three songs (and nothing
even close to their most interesting work). Rush? I hardly hear them
either. Soon as the last of the dinosaurs (like us) that grew up with
them die off, then they'll be history.
The current popularity of low-tech type bands is a direct signal that
people are tired of hearing stuff like that. Even in it's heyday,
there's limited appeal for people/bands that play technically difficult
musical styles. The majority of the audience for any of these bands
are musicians, not the general public. The general public could care
less if music is well written or perfectly executed, they want to hear
something that's memorable and has a good groove.
re: Chris
> Thank you for saying that. Rob agrees with me. DT are machines.
Mike Ferris and I were just talking about this at lunch yesterday. One
of the biggest reasons I find DT disinteresting is that they're just
*too* slick and perfect. I like emotional music and this just doesn't
do it for me. It's interesting, in the same respect that someone that
paints a picture that looks as good as a photograph, but at that point,
the photograph is just as good (and a heck of a lot easier and less
expensive).
gh
|
542.478 | more on the show | ASDG::BECHTLER | | Thu Mar 11 1993 15:08 | 11 |
| Re Moodcrush (opening band)...I thought some songs had potential,
especially the last one, but it was WAY TOO LOUD, or at least way too
distorted. The sound was much better for DT, although some of the
soft vocals were a little too fuzzy for my taste.
This was my first time to Avalon...do people there frequently smoke
controlled substances so openly? I liked the club a lot...we had
free parking and great sight lines over the floor crowd from the
left-hand side railing.
Laurie B.
|
542.479 | | METALX::SWANSON | PeopleThinkI'mCrazyButI'mInDemand | Thu Mar 11 1993 15:28 | 13 |
| > It's interesting, in the same respect that someone that
> a picture that looks as good as a photograph, but at that point,
> the photograph is just as good (and a heck of a lot easier and less
> expensive).
Yeah, but what about the talent it would take to paint a picture that
was indistinquishable from a photograph? Not to mention the fact that
that person could then paint photograph quality scenes that were
complete fantasy and could never be captured in a photograph!
|KS|
|
542.480 | | FRETZ::HEISER | Komm Gott, Sch�pfer, Heiliger Geist | Thu Mar 11 1993 15:29 | 10 |
| > Mike Ferris and I were just talking about this at lunch yesterday. One
> of the biggest reasons I find DT disinteresting is that they're just
> *too* slick and perfect. I like emotional music and this just doesn't
> do it for me. It's interesting, in the same respect that someone that
> paints a picture that looks as good as a photograph, but at that point,
> the photograph is just as good (and a heck of a lot easier and less
> expensive).
gh, thanks for admitting that DT = Steve Vai and you don't like either
one. There's hope for ya brother!
|
542.481 | | METALX::SWANSON | PeopleThinkI'mCrazyButI'mInDemand | Thu Mar 11 1993 15:30 | 5 |
| re: .478
I didn't see any "substances" only smelled them.... *was* kinda
suprised though at how many times I noticed it though!
|
542.482 | Right, that's what I was implying! | GOES11::G_HOUSE | It's NOT a TOOMAH! | Thu Mar 11 1993 15:48 | 33 |
| re: Ken
> Yeah, but what about the talent it would take to paint a picture that
> was indistinquishable from a photograph?
But that was my entire point! It clearly takes incredible amounts of
skill to be able to do that kind of thing, but the end result is no
better then that done without the attendant skill. Therefore that use
of skill is misplaced for most people that would view the painting,
who couldn't care less if it was a painting or a photo. Sure, there
will be a very small subset of people out there that will *highly*
value the piece for the skill it requires to execute it, but most
people couldn't care less about the process, only the end result.
BTW, skill != talent, in my book.
> Not to mention the fact that
> that person could then paint photograph quality scenes that were
> complete fantasy and could never be captured in a photograph!
But, if it appears to be a photograph, people will think that it is,
whether it really occurred in time and space or not.
re: Mikey
> gh, thanks for admitting that DT = Steve Vai and you don't like either
> one. There's hope for ya brother!
Totally different thing, Vai makes me feel something when I listen to
his stuff, DT doesn't.
gh
|
542.483 | dude, you need HELP! | FRETZ::HEISER | Komm Gott, Sch�pfer, Heiliger Geist | Thu Mar 11 1993 15:51 | 8 |
| �> gh, thanks for admitting that DT = Steve Vai and you don't like either
�> one. There's hope for ya brother!
�
� Totally different thing, Vai makes me feel something when I listen to
� his stuff, DT doesn't.
right and the next thing you'll tell me is that you sense all kind of
emotions from your new Poison CD.
|
542.484 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Thu Mar 11 1993 16:02 | 8 |
| > right and the next thing you'll tell me is that you sense all kind of
> emotions from your new Poison CD.
You keep trying to convince me of that, but I *still* say Poison sucks!
Now take off those womens underwear and wash that makeup off your face!
gh
|
542.485 | | FRETZ::HEISER | Komm Gott, Sch�pfer, Heiliger Geist | Thu Mar 11 1993 16:04 | 2 |
| Like I told ya yesterday, there's a time and place for peaking. BTW -
my wife says your taste in makeup is lousy.
|
542.486 | | METALX::SWANSON | PeopleThinkI'mCrazyButI'mInDemand | Thu Mar 11 1993 16:30 | 7 |
| > skill to be able to do that kind of thing, but the end result is no
> better then that done without the attendant skill. Therefore that use
Yeah, but the end result is better if the painter painted something
surreal that could not be photographed, but yet still looked like a
photograph!
|
542.487 | What gives? | COMET::MARTINN | I'll hate you better! | Thu Mar 11 1993 17:35 | 8 |
| Re. Greg
Wasn't it you that was arguing the fact of how little skilled musicians
are out there and yet they're the ones who sell out just to make it?
Now you're stating just the opposite of what you did before that
technique isn't as important as feeling.....
Rat
|
542.488 | I don't think I contridicted myself... | GOES11::G_HOUSE | It's NOT a TOOMAH! | Thu Mar 11 1993 18:11 | 49 |
| re: Ken
> Yeah, but the end result is better if the painter painted something
> surreal that could not be photographed, but yet still looked like a
> photograph!
You can set almost anything up for a photograph using props and stuff.
The idea is though that if it looks like a photograph, then it probably
isn't going to be all that different from the topics you'd find in one.
I used to take a lot of "art" type photograhs. You might be surprised
how abstract photographs can be, it ain't all people and landscapes.
In fact, my stuff was abstract enough that it turned most people off.
I got so I wouldn't take any "normal" photos 'cause that didn't
interest me and I ended up getting out of that particular hobby (which
I was deeply involved in) because of it.
re: Nat
I'm not sure what it was that I said that you're thinking about, but I
don't think I intended it the way you're saying it. I've always loved
music that has little or no technical merit. I also like a lot of
people who are monsterously skilled at playing, but it's not for the
skill.
Mikey's noting my love for Steve Vai's stuff is a prime example. I
love Vai's music and he makes me drop my jaw in awe sometimes at the
things he can play, but it's not solely because of his playing skill
(which is tremendous), it's because of the way he uses it in a musical
context.
Chris Impelleterri is an example of someone who's got great playing
skill that I can't stand. His music is totally cold and uninspired. I
think there's a note in here somewhere on him, check my responses on
it, even way back then. He's an amazing guitarist, but I hate his
songs.
Technical skill is a means to an end, not an end in itself. The art is
the music, not the athletic ability used to make it. What I've heard
of Dream Theater's music just doesn't inspire much inside me. They're
clearly very skillful and know their stuff, but I don't particularly
enjoy it. I mean, it's not like I hate 'em or anything. I won't
change the station if one of their songs comes on or anything...
I'm mostly just baitin Buck and Rob by saying that stuff in this note
anyway... ];^)
gh
|
542.489 | | BINKLY::DEMARSE | Just say NO to hummus! | Thu Mar 11 1993 19:34 | 31 |
|
->> <<< Note 542.472 by DECAGE::HOWES "When angels waken with a kiss....">>
->>
->> > Seth, please do me a favor and DROP IT. The whole conversation is
->> > OVER.
->> Sorry, I didn't know you were the notes police.....
->> Well if you say it is over it is over, your majesty. ;)
Seth, what I mean is that I'm not wasting any more time on something that's
really stupid. And the first thing that you do today is try starting it up
again. That's why I asked you to give it a rest for once.
->> As far the the 'conversation' these type of 'fights' about
->> taste is standard HEAVY_METAL material, if you don't like
->> it hit next unseen, or go back to 'The Dead'
->>
->> -Seth
(sigh).....:(
->> But Buck you are taking a chance by writing a note about
->> DT in the DT note.... Watch out for the patrol(wo)men!!!!
->> They'll put a stop to that real quick! ;)
->> -Seth
whatever
/danielle
|
542.490 | music is math and algorithms | KDX200::ROBR | This world is spinning around me | Thu Mar 11 1993 20:46 | 11 |
|
yep, youre right chris, i said it and i knew what i was saying when i
did. emotional music for me is music that is pure logic. perfection
of form and technical writing. that's why groups like DT, rush and
yngwie are my favorites. I find TONS of emotion in them. Yngwie a bit
less because that's just one person taking the lead and not everybody
working together as a perfect logical unit. of course i like tons of
other stuff, but they don't inspire me like rush and DT. I suppose
that why I like a lot of fusion as well...
|
542.491 | | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Thu Mar 11 1993 23:50 | 8 |
| -1
You forgot Yes, Fates Warning, Leatherwolf, and Kansas! I totally
agree -- brillint music (to me) :== a group of musicians who can
come together together and make a chemistry to produce a complex,
masterful work. That can be the London Philharmonic or it can be
Weather Report. Unfortunately, I don't think it includes such
bands like L7 or Metallica.
|
542.492 | | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 05:13 | 5 |
|
speaking of weather report, do you have a favorite? i have heavy
weather but i didnt find it too inspiring for some reason...
|
542.493 | Don't Dream it ... BE it! | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Fri Mar 12 1993 08:50 | 1 |
|
|
542.494 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 09:15 | 16 |
|
You're right, that catagory you described doesn't include; Metallica,
Guns N' Roses, Megadeth,...
Oh I almost forgot... those are the biggest names in Metal. Oh I'm
sorry... did you say Dream Theater, Yes and Rush is what the people want?
Face it, DT are great musicians. They're music is great. But it's
all just a bunch of chords and time changes.
Sorry, I find more emotion in the "die" chant in Creeping Death than I
find in the whole I&W album.
|
542.495 | | GOOEY::JUDY | That's Ms. Bitch to you! | Fri Mar 12 1993 09:24 | 3 |
|
Personally....I think I&W is great just from the lyrics
alone.....
|
542.496 | to each his own | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Fri Mar 12 1993 09:26 | 3 |
| You see, I (me, personally) think the "die" chant is stupid.
JUST MY HUMBLE OPINION. To *me* -- Emotion is the sweet sax
solo at the end of Another Day, or the end of Metropolis...
|
542.497 | Hahahaha... none of 'em, right? | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 09:51 | 4 |
|
Ok... and which member of the band did that Sax Solo?
|
542.498 | Well? | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 10:19 | 2 |
|
|
542.499 | each is as good at their own instrument | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 10:37 | 6 |
|
actually the sax on the album was done by Jay Beckenstein who was
loaned to them from GRP. the sax when live is played by the keyboards.
what's your point?
|
542.500 | | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 10:37 | 3 |
|
500 dreamy replieeezzzz...
|
542.501 | | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 10:40 | 4 |
|
ps, jj is right. just the lyrics in themselves make this band
something special and rare.
|
542.502 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 10:45 | 5 |
|
The lyrics? They're second rate Jim Morrison wannabes. The lyrics on a
portion of the songs turn me off.
|
542.503 | not! | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Fri Mar 12 1993 10:58 | 5 |
| Oh yeah, the are second rate!! Nothing like...
"Die, Die by Death. I creep across the land, killing first born
man" Those are f***ing brilliant, man!!
|
542.504 | ;^) | GOES11::G_HOUSE | It's NOT a TOOMAH! | Fri Mar 12 1993 11:09 | 4 |
| > emotional music for me is music that is pure logic. perfection
> of form and technical writing.
Rob of Vulcan speaks.
|
542.505 | Cool show once again! | DECAGE::HOWES | When angels waken with a kiss.... | Fri Mar 12 1993 11:10 | 16 |
|
> "Die, Die by Death. I creep across the land, killing first born
> man" Those are f***ing brilliant, man!!
hehehehehe ;)
BTW the show last night a Poughkeepsie, was really cool, the
opening band 'Head' were terible they are like a bad cross
between Siagon Kick and Shotgun Messiah Brrrr!!!
Everybody moshed to 'Pull Me Under' again. ;)
-Seth
|
542.506 | thanx for the compliment | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 11:15 | 3 |
|
greg, peace and long life :').
|
542.507 | Live long and prosper, Rob | GOES11::G_HOUSE | It's NOT a TOOMAH! | Fri Mar 12 1993 11:16 | 8 |
| FWIW, I have to agree with Buck on the "die die" chant thing, pretty
juvenile.
re: Seth
They mushed to "Pull Me Under"? VERY strange...
gh
|
542.508 | | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 11:18 | 5 |
|
they didnt mosh THIS time... now the chapter 11 show... THAT was a
mosh! :') (not a great mosh, but still a mosh). i was fairly close
to the front with buck. i think we would have noticed a mosh.
|
542.509 | nobody told me there was another show!!! | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 11:19 | 8 |
|
oh wait a sec... poughk... whatever...???
there was another show last night???
where the hell was that??? (ie poghmumblefratz)???
|
542.510 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 11:21 | 5 |
|
That's funny I was born in Poughkeepsi.
|
542.511 | | BINKLY::DEMARSE | Just say NO to hummus! | Fri Mar 12 1993 11:28 | 14 |
| ->>They mushed to "Pull Me Under"? VERY strange..
->>they didnt mosh THIS time... now the chapter 11 show... THAT was
->>A mosh! :')
yes, the Chapter 11 moshing thing was very strange....and to top it off
we were all near the front where it started....
->> oh wait a sec... poughk... whatever...???
There was a show at Poughkeepsie, NY last night.......I think near NYCish..
they're also playing in Rochester, NY soon....I have friends going....
|
542.512 | It was at 'The Chance' (the the = though the) | DECAGE::HOWES | When angels waken with a kiss.... | Fri Mar 12 1993 11:30 | 17 |
|
re: Greg
> They mushed to "Pull Me Under"? VERY strange...
------
Yep, got out the sleds the dogs and everything!!!! hehehehe ;^)
It is kinda silly to mosh to DT, the the heavy parts of the
song, "live" do get EVERYONE moving. Even the security guards
stopped watching the crowd, they looked at the band, and were
bobing their heads around. ;^)
re: Rob
Yup, last night in Poughkeepsie N.Y. about 40 miles north of
N.Y. City..... 'Twas cool.
-Seth
|
542.513 | | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 11:34 | 4 |
|
whens the show in rockchester??? if its a fri or sat im going!!
(interested buck?)
|
542.514 | no mo snow! | POWDML::BUCKLEY | Whoway, da Wabbit kicked da bucket! | Fri Mar 12 1993 11:35 | 2 |
| I donno, Rob. Rochester would be a cool trip, but not through the
Blizzard of the century...
|
542.515 | Rovhester show... | BINKLY::DEMARSE | Just say NO to hummus! | Fri Mar 12 1993 11:36 | 1 |
| I think it's during the week, but I'll check...
|
542.516 | | BINKLY::DEMARSE | Just say NO to hummus! | Fri Mar 12 1993 11:37 | 1 |
| I mean, Rochester show......oops
|
542.517 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Fri Mar 12 1993 11:43 | 13 |
| re: Seth
>> They mushed to "Pull Me Under"? VERY strange...
> ------
>
> Yep, got out the sleds the dogs and everything!!!! hehehehe ;^)
Musta been SOME show!!! While the band's up there acting out their
songs, the audience is breaking out the dogsleds!
I think my spelling musta been a Freudian slip...
gh
|
542.518 | Whoa - 12 hours in the car! | BOVES::FENNELL | What you got buried in your backyard? | Fri Mar 12 1993 11:43 | 12 |
| If I remember right Rochester is 350 miles from the 495/Mass Pike
intersection. Take if from me... Going to Rochester from here is the trip
from hell. It'll take you a good 6 hours because everybody goes 60-65.
DO NOT go in the snow. They get real snow near Buffalo. As in park the
car on the side of the highway because we can't move...
|
542.519 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 11:44 | 7 |
|
"Acting out their songs"
I love it. ;')
|
542.520 | | GOOEY::JUDY | That's Ms. Bitch to you! | Fri Mar 12 1993 12:07 | 8 |
|
Chris
Give it a rest. You like Metallica and not DT...we get the
point.
|
542.521 | | GOES11::G_HOUSE | It's NOT a TOOMAH! | Fri Mar 12 1993 12:11 | 6 |
| re: JJ
I think you're missing his point, he *likes* DT! It's been on his
"what's hot" list for weeks.
gh
|
542.522 | | KDX200::DRTBYK::COOPER | Ex-Squeeze Me ? Baking Powder ? | Fri Mar 12 1993 12:14 | 6 |
| Dream Theater rools!
BTW - The sax solo in question was recorded by the sax player from Spyra Gyra,
I think... Isn't that right dood?? What a SWEET TOON !
jc (Who only recently has one thing in common with John Pertrucci)
|
542.523 | | GOOEY::JUDY | That's Ms. Bitch to you! | Fri Mar 12 1993 12:15 | 7 |
|
re: gh
Well then I guess I don't get it...... oh well. =)
|
542.524 | | FRETZ::HEISER | Komm Gott, Sch�pfer, Heiliger Geist | Fri Mar 12 1993 12:18 | 3 |
| > -< music is math and algorithms >-
silly me, I always thought that was for computers.
|
542.525 | The Ultimate Band, Folks! | FRETZ::HEISER | Komm Gott, Sch�pfer, Heiliger Geist | Fri Mar 12 1993 12:25 | 6 |
| > did. emotional music for me is music that is pure logic. perfection
> of form and technical writing. that's why groups like DT, rush and
So to take this logic a step further, the Ultimate band would be a drum
machine and a synthesizer for all the instruments all on MIDInet.
There you'll have enough math and algorithms to lacquer quite a woody.
|
542.526 | ;') | MR4DEC::JWHITMAN | | Fri Mar 12 1993 12:30 | 5 |
|
I THINK THEY ALL SUCK!!
|
542.527 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Fri Mar 12 1993 13:06 | 6 |
|
I agree with Whitpose. Dt, Metallica, all of them... they suck!
I'm droppin' metal for Rap... where Machines do the work.
|
542.528 | Go over to LAME::RAP ;) | DECAGE::HOWES | When angels waken with a kiss.... | Fri Mar 12 1993 13:08 | 10 |
|
> I'm droppin' metal for Rap... where Machines do the work.
Okay, take care.... See-ya... Hasta! ;)
-Seth
|
542.529 | | METALX::SWANSON | PeopleThinkI'mCrazyButI'mInDemand | Fri Mar 12 1993 13:12 | 15 |
|
> You can set almost anything up for a photograph using props and stuff.
> The idea is though that if it looks like a photograph, then it probably
> isn't going to be all that different from the topics you'd find in one.
Okay, let me use an example, to make my point. Have you ever seen that
painting by M.C. Escher of the waterwheel where the water rolls off the
wheel, and then appears to travel down a canal only to wind up back at
the top where it drops off like a waterfall down over the wheel again?
It's an optical illusion. How could you ever photograph something like
that? I guess it doesn't have to be photograph quality to get the
desired effect, but you know what I mean!
|KS|
|
542.530 | | KDX200::ROBR | This world is spinning around me | Fri Mar 12 1993 18:43 | 7 |
|
mike, if it were computers playing all the parts, the music would still
be enjoyable to me, but it would lose the feeling i get watching people
that are musically perfect. that is the thing that really turns me on.
people that are so good together that they COULD almost be machines.
|
542.531 | IMHO | COMET::VERMETTEC | The guy with the Rush hat ... | Sat Mar 13 1993 05:49 | 15 |
| Re: Last 50 or 60
Here's mt two cents worth :
I think progressive is going to make a come back and Dream Theater si
going to open the doors and pave the way!
I've been buying up progressive stuff like King Crimson's Box set,
Yes's Box (and tapes) I've been listening heavily to ELP. I love
progressive rock. If no one catches on to it now. When I get good
enough to play in a band I'm going to bring it back in full glory!
DT has its low spots for me but I haven't heard a group more closely
play progressive than these boys!
GO DREAM TEAM!
Chris Vermette
|
542.532 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Mon Mar 15 1993 09:23 | 12 |
|
"Musically perfect"
I can not believe you said that.
Claiming that any band is perfect is completely and utterly
ridiculous.
(Now they're not even human! They don't make mistakes! They're
perfect!)
|
542.533 | | COMET::VERMETTEC | The guy with the Rush hat ... | Sun Mar 21 1993 18:56 | 20 |
| re: -.1
I think that the Dream Theater perfection is stylistic of today's
music. Industrial is using computers and other stuff to make sound. I
think that technical players are going to be coming out of the wood
work. dream Theater is deffinately a technical band.
I agree with previous notes about it sounding to perfect. I like
listening to the sound of a vinal album being played(the hiss and white
noises effect). I think is adds to the whole package. But music tech is
only going to get better and will make sound more perfect. I personally
like the way albums were produced in the late sixties and early
seventies. I play on recording AAD or ADD.
I just babbling but here's two more of my hard earned cents:
Don't blame DT for being a sign of the times(and of the possible
future) they have learned to make there sound that well, so well that
we die hards of the hiss age want to cry, that we dislike what they are
trying to accomplish. Entertainment in a world of Rap [ B*) ].
IMMHO - Chris "I was born about 20 years too late" Vermette
|
542.534 | | POWDML::BUCKLEY | A Change of Seasons | Sun Mar 21 1993 23:51 | 11 |
| I've been listening non-stop to WDADU ... this is a great album!
The production is typical "low budget for 1989" ... ok, but not
great. Anywho, the slick production does not mask any of their
playing, and in fact it sounds less "mechanical" and more like
real people just jamming.
Album highlights:
Ytse Jam
The Killing Hand
The Ones Who Help Set the Sun
|
542.535 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Mon Mar 22 1993 09:00 | 5 |
|
How about that hack job on Take The Time that's on the radio. And I
thought Pull Me Under was bad.
|
542.536 | DT not meant for radio | POWDML::BUCKLEY | A Change of Seasons | Mon Mar 22 1993 09:03 | 2 |
|
I heard that the other day -- boy, can a razor ruin a song! 8^(
|
542.537 | | BUSY::ESCOBAR | So I Can See Where I'm Goin' Baby | Mon Mar 22 1993 10:19 | 5 |
|
I wonder who does the editing. A cut version wouldn't be bad, if they
did it right, but the cuts are always in the wrong places.
|
542.538 | | DABEAN::REAUME | analog audio/digital control | Mon Mar 22 1993 16:56 | 8 |
|
DT's I & W has several songs that fall out of radio's acceptable length.
Radio did it to In-A-Gadda-Da-Vida and is still doing it! Plat the
drum solo!
-B{}{}M-
|
542.539 | addendum to .413 -- Sources for DT's 1st lp...WDADU | POWDML::BUCKLEY | feelin stronger everyday | Wed Mar 24 1993 21:29 | 71 |
|
*****************************************************************************
" W H E N D R E A M A N D D A Y U N I T E " S O U R C E S
*****************************************************************************
This is a list of all sources for Dream Theater's "When Dream And Day
Unite" that I know of as of March 22, 1993. If you know of a WDADU
source that is not on the list (or a source listed that is out of
stock) please e-mail me at [email protected] so I can
keep this list current--my main info source for this list is Internet!
________________________________________________________________________________
And now, The List:
Columbia House carries WDADU; the catalog number is 384842. Order normally, or
call 1-800-487-0500 to order. (Note: This is NOT listed in the usual catalogs
to my knowledge.) This is the only place that I know of that sells WDADU on
cassette. Probably American.
Life By Design carries WDADU on CD (Japanese) for $21.17 ($22.45 on CO). The
address is:
Life By Design
129 N. Wahsatch
Colorado Springs, CO 80903
Ph. #: (719)475-0937
Fax #: (719)471-1408
CDs We Bee sells the Japanese CD of "When Dream And Day Unite" for $23.99. I
have heard good things about this store...the address is:
CDs We Bee
S. 3420 Whipple St.
Spokane, WA 99206
Ph. #: (509)922-7378--ask for Spike.
Sound City 2000 sells the Japanese WDADU CD for $25.99 (+$3.75 P&H). The order
number (which MUST be included in the order) is N02-D042687-J. (BTW, is this
the catalog number for WDADU?) Write to them at:
Sound City 2000
P.O. Box 22149
Portland, OR 97269-2149
Ph. #: (503)654-2196
The Exclusive Co. is selling the German WDADU CD at $15.99--the lowest price
seen yet for WDADU on CD. There were only 3 copies when I talked to him last,
though, and I have no idea if he is getting any more. Write to them at:
The Exclusive Co.
508 State St.
Madison, WI 53703
Ph #: (608)255-2433
Worldwide CD is also selling the German WDADU CD for $18.00. The address is:
Worldwide CD
P.O. Box 543
Villa Park, IL 60181
Ph. #: (708)941-7619
Fax #: (708)941-7923
Reportedly, Goldmine Magazine (a rare records/boots mag) is offering
WDADU-- could someone give me the address so I can confirm this?
Thanx...
Still trying to confirm the Slipped Disc lead...no response yet to my
letter (of course that could be due to the blizzard, tho'...) I will
list an address when I get confirmaton that they still have it. (BTW,
Dream Theater mentions them in the liner notes to I&W...)
________________________________________________________________________________
Well, that wraps it up for this week--keep your eyes peeled, good luck,
and as always, DREAM ON!!!!!
|
542.540 | | POWDML::BUCKLEY | feelin stronger everyday | Thu Mar 25 1993 10:15 | 50 |
| RE: .3
Not that you're probably still reading this file, but a lot of what
I read in your reply is total BS --
>Those guys were at the WJUL studio for an interview a few weeks
>ago for the Metallic Mayhem show. Heard a few of their songs,
>nothing really stood out. Not sure if keyboards belong in a Thrash
>metal outfit.
Thrash metal?? DT aspires to be nothing more or less than a
"Progressive Rock" (the band's term) band!
>They talked about different things. Their name came from a theater
>that Petrucci's father used to frequent as a kid in California.
Correction, drummer Mike Portnoy's father gave the band their name,
not Petrucci!
>I was surprised at the apparent lack of experience these guys
>portrayed. Noone claimed to have been a musician for more then a
>couple of years.
What?!? 4 out of 5 members spent 4 years at Berklee College of Music.
I know, they were in my graduating class!! And, you don't just WALK
into Berklee to start to learn your instrument -- you have to take an
admissions test to prove instrument proficiency! So, take your "none
of them have been a musicians for more than a couple of years" and
smoke it buddy!
>A typical "conversation" sounded like this -
>
>DJ: Well, John, how did you get started on the base.
>J: Well, you know, like I was just hangin' out and, well, John
> asks me to come over cause like, he needed someone to play base
> and like, I never played before, so well, I started playin.
Well man, like, if you ever like hung out with any of the cats at
Berk, you know? Like, you'd kind of understand the gist of the
school lingo, you know? Kind of like 60s Hippy meets "valley girl".
But what does prose have to do with chops?? I knew this fiend of a
player named Vadeem who was being begged by several top artists
(Chaka Kahn, Barbara Streisand, Patti LaBelle) to play in their
recording/touring band ... he burned, but "to like, you know, listen
to him talk, you know? you'd think, like, he was an idiot".
|
542.541 | | BUSY::ESCOBAR | Are You Gonna Go My Way? | Thu Mar 25 1993 10:53 | 4 |
|
You're replying to a 3 and a half year note?
|
542.542 | | KDX200::ROBR | The adventures of Letterman! | Thu Mar 25 1993 10:55 | 11 |
|
buck, i of course agree with you 100%, but im curious, when i was
practically begging you to buy the album, you wouldn't go near it. you
had never heard of the guys. now that you find they are so great,
they were suddenly school buddies (a previous note mentioned that when
you were in school with them, they jammed out like 5 nights of the
week, etc). did you KNOW these guys or did they just go to the same
school? hell, jay leno went to my old school. probably 15 years
before i did though :'). not trying to bust them, just curious.
|
542.543 | | BUSY::ESCOBAR | Are You Gonna Go My Way? | Thu Mar 25 1993 11:19 | 5 |
|
Yes, If I recall, I was only the second person in this conference who
bought the album. Rob wouldn't shut up ;') about them, so I checked
them out. How strange...
|
542.544 | Roolin ever since! | DECAGE::HOWES | When angels waken with a kiss.... | Thu Mar 25 1993 11:24 | 10 |
|
Do you remeber the day you bought Dream Theater I&W???? ;^)
14-Jul-1992.... ;^)
-Seth
|
542.545 | | BUSY::ESCOBAR | Are You Gonna Go My Way? | Thu Mar 25 1993 11:28 | 4 |
|
Yeah, the about 3 days after Tigga's summer party.
|
542.546 | didn't like 'em then, still don't..... | CADVAX::STARR | Love and hope and sex and dreams | Thu Mar 25 1993 13:06 | 4 |
| You guys are laaaame - check out the base note for when I got my first
Dream Theater album.....
alan
|
542.547 | | BUSY::ESCOBAR | Are You Gonna Go My Way? | Thu Mar 25 1993 13:13 | 6 |
|
Oh I'm sorry, your Highness, didn't realize you bought yours so
early.
|
542.548 | | KDX200::ROBR | The adventures of Letterman! | Thu Mar 25 1993 13:27 | 9 |
|
alan does get the DT credit for when the first album came out, and we
all ignored him :'). then i forced everybody to listen to it as
tigga's party (well sort of, it was rather distorted :')) over and
over.
jack gave me a copy about 6 weeks before it came out. (ps, i also have
new savatage and testament. dont THINK they are out yet).
|
542.549 | | DECAGE::HOWES | When angels waken with a kiss.... | Thu Mar 25 1993 13:41 | 7 |
|
Rob how is the new savatage? I heard they got
a new singer... What does he sound like?
-Seth
|
542.550 | went to different schools together? | FRETZ::HEISER | raise your voice in shouts of joy | Thu Mar 25 1993 14:00 | 4 |
| Rob asks some interesting questions of Buck. I can't wait to hear the
answers.
Mike
|
542.554 | The "other" musician's musicians band | DREGS::BLICKSTEIN | My name is Victoria Winters | Thu Mar 25 1993 15:44 | 5 |
| > depenz on what??? don't miss the most spectacular display of
> musicianship this side of rush!!
Rob my friend, I am going to have to take you to a Dregs show.
|
542.555 | | POWDML::BUCKLEY | feelin stronger everyday | Thu Mar 25 1993 16:40 | 19 |
| >buck, i of course agree with you 100%, but im curious, when i was
>practically begging you to buy the album, you wouldn't go near it. you
>had never heard of the guys. now that you find they are so great,
>they were suddenly school buddies (a previous note mentioned that when
>you were in school with them, they jammed out like 5 nights of the
>week, etc). did you KNOW these guys or did they just go to the same
>school?
I remember Majesty from Berklee -- they were one of the "Hot" bands
to catch (you know, word of mouth ... Majesty is doing a recital in
E10 on Wedneday, check it out...). Never heard of "Dream Theater"
til I bought the I&W album!! Indeed, after learning they went to
berklee, I went and checked my yearbook -- there they were ... john,
john, and mike, Class of 85. i remember seeing Mike Portnoy around,
and Jung Myung did lots of sessions. I think Petrucci was in one of
William Leavitt's guitar ensembles with me, but I'm not sure. Anywho,
I remember the faces, and the "former" band (who were more often than
not an instrumental band). The whole "Dream Theater" thing came later
I guess..
|
542.556 | maybe they weren't my best friends, but... | POWDML::BUCKLEY | feelin stronger everyday | Thu Mar 25 1993 18:55 | 8 |
|
...and oh by the way -- I also checked by "musician resource" listing
I had when I was an active engineer/producer. I have the addresses
and phone numbers of John, John, and Mike from Dream Theater still in
my book! AND -- they're still legit ... just called Mike Portnoy --
his answering machine msg sez "Hi -- I'm on tour in Europe, leave a
message after the beep"...
|
542.557 | | KDX200::ROBR | The adventures of Letterman! | Thu Mar 25 1993 20:33 | 3 |
|
cool!!! hi, im in europe... NICE!! :')
|
542.558 | Cool, yes; stupid, also yes; relevant, NOT! | DREGS::BLICKSTEIN | My name is Victoria Winters | Fri Mar 26 1993 00:04 | 6 |
| "Cool" perhaps, but also pretty stupid.
He might as well say "Hi, no one is going to be in my house for awhile.
Come and rip me off!"
The cops make a point of telling people not to do this.
|
542.559 | The EyKay is under the AtMay | BOVES::FENNELL | Back to the Light | Fri Mar 26 1993 08:42 | 5 |
| Really,
Maybe he needs new stereo equipment...
Tim
|
542.560 | | BUSY::ESCOBAR | Are You Gonna Go My Way? | Fri Mar 26 1993 09:01 | 5 |
|
You know you have a problem when you think a bands answering machine
message is cool.
;');');')
|
542.561 | | KDX200::ROBR | The adventures of Letterman! | Fri Mar 26 1993 10:41 | 5 |
|
um, maybe he is set up like me. i leave messages on my machine telling
where i am when i go away. i also live at home and just have my own
line. when im gone, there are still plenty of people about.
|
542.562 | | GOES11::G_HOUSE | ThatsWhenIreachedForMyRevolver | Fri Mar 26 1993 11:46 | 4 |
| Yeah, I was just thinking the same thing, Rob. Maybe he doesn't live
alone, just has a personal phone line.
gH
|
542.563 | Latest complete listing of where to find the 1st album | POWDML::BUCKLEY | feelin stronger every day | Tue Mar 30 1993 08:58 | 81 |
| *****************************************************************************
" W H E N D R E A M A N D D A Y U N I T E " S O U R C E S
*****************************************************************************
Hi again! Got some new sources, and some updates on a few old ones, so here we
go again (CO noters, take note of source in the Springs!!)!
And now, The Mother Of All WDADU Lists...
*****************************************************************************
As always, Columbia House is carrying WDADU on cassette through their ordering
club. This is their print of the U.S. version. The order number is 382842.
Order normally, or call 1-800-487-0500. (Note: You have to be a member or join
Columbia House to go this route. Also, the wait can be long--but it's
definitely worth it...)
A person on Internet is selling the U.S. version on cassette, as well as the
German CD. The cassette goes for $3.95 and the CD goes for $18.95. Contact at
"[email protected]" for more info.
I have heard some people in Goldmine, a rare-records magazine, are selling
WDADU. You may try this route, especially if you also collect bootlegs and
such. The phone number for subscription is (715)445-2214. It is also
available in some collectibles stores for $2.95...
Record-Rama is selling the German (?) version of WDADU. I was unable to get a
complete address or price, but the phone number is (412)367-7330.
The partial address is at the corner of McNight St. and Siebert Rd. in
Pittsburgh, PA. (I would appreciate more info on this...)
Life By Design is now carrying the German WDADU (they were carrying the
Japanese version) on CD for $21.17 ($22.45 on CO). (Note: credit card orders
not accepted--check or Money Order only) The address is:
Life By Design
125 N. Wahsatch
Colorado Springs, CO 80903
ph. #: (719)475-0937
Fax #: (719)471-1408
CDs We Bee is carrying the Japanese version on CD for $23.99. Hopefully, soon
I will have an e-mail address for this...stay tuned...for now, write or call
at:
CDs We Bee
S. 3420 Whipple St.
Spokane, WA 99206
ph. #: (509)922-7378--ask for Spike.
Sound City 2000 has the Japanese CD for $25.99 (plus $3.75 p&h). The order
number (which must be included in the order) is N02-D042687-J. The address
is:
Sound City 2000
P.O. Box 22149
Portland, OR 97269-2149
ph. #: (503)654-2196
Metal Disc is selling WDADU (no price or country info given). The address is:
Metal Disc
P.O. Box 4649
Thousand Oaks, CA 91359
ph. #: (805)492-METL
The Exclusive Co. is selling the German CD for $15.99 (they may be out at the
time of this writing...I don't know. Please give me recent info on this).
Try them at:
The Exclusive Co.
508 State Street
Madison, WI 53703
ph. #: (608)255-2433
Worldwide CD is selling the German CD for $18.00...call or write at:
Worldwide CD
P.O. Box 543
Villa Park, IL 60181
ph. #: (708)941-7619
Fax #: (708)941-7923
*****************************************************************************
|
542.564 | | KDX200::COOPER | Let The Light Surround You!! | Tue Mar 30 1993 14:43 | 1 |
| On my way downtown with spouse and child to get my copy NOW!!!!
|
542.565 | Did anyone from here go?? | POWDML::BUCKLEY | dark and stormy plains.. | Thu Apr 01 1993 09:58 | 13 |
| From USENET:
I saw them last night (30th) at the Marquee in London and they were
incredible!
Give me a day or two and I'll post the rest of the European dates.
I do know that they are playing Stockholm tonight (31st) and they
return to the Marquee on Friday 23rd April - I'll be there.
Cheers,
Mark
|
542.566 | | DABEAN::REAUME | light 2 dark,dark 2 light | Fri Apr 02 1993 10:28 | 11 |
|
Dream Theater just re-booked their gig in Syracuse. They were
scheduled a few weeks ago, but we got hit with four feet of snow and
EVERYTHING shut down, including the gig.
The new date is May 17th which is a Monday, so I know there won't
be any band conflicts. And the promoter, Chuck, is a friend of mine
so hopefully that beer I bought him last month will come in handy
for primo seats!
-B{}{}M-
|
542.567 | Syracuse, Italy? | DREGS::BLICKSTEIN | My name is Victoria Winters | Fri Apr 02 1993 12:55 | 10 |
| > Dream Theater just re-booked their gig in Syracuse.
> The new date is May 17th which is a Monday
Huh??? I thought they were gonna be in europe until (at least) the
summer?
If not, Buck/Rob - Syracuse is a mere 5 hours away.
db - who hasn't seen them live yet
|
542.568 | Dream Theater EURO Dates! | POWDML::BUCKLEY | dark and stormy plains.. | Fri Apr 02 1993 13:00 | 26 |
| Here is a list of dates that Dream Theater are playing on their current
European tour:
March
30 London England
April
1 Stockholm Sweden
2 Copenhagen Denmark
4 Ludwigsburg Germany
5 Milan Italy
7 Augsburg Germany
8 Munich Germany
9 Hamburg Germany
10 Utrecht Holland
12 Bonn Germany
13 Paris France
14 Werl Germany
15 Frankfurt Germany
17 Dudley England
18 Milton Keynes England
19 Bristol England
21 Glasgow Scotland
22 Buckley England
23 London England
|
542.569 | | COMET::MARTINN | I'll hate you better! | Fri Apr 02 1993 13:27 | 1 |
| Oh yea 5 69's!!!
|
542.570 | <8'0 | LACV01::MCCARTNEY | Like Paul, without the money | Fri Apr 02 1993 13:38 | 3 |
| Rat, I don't know how you have energy for anything else with all those 69's
you keep snagging.
|
542.571 | Couldn't let the pass (unfortunately) | DREGS::BLICKSTEIN | My name is Victoria Winters | Fri Apr 02 1993 14:00 | 5 |
| > 22 Buckley England
A private audience Buck?
;-)
|
542.572 | Oh the crosses we must bear! :^) | COMET::MARTINN | I'll hate you better! | Fri Apr 02 1993 15:16 | 5 |
| >Rat, I don't know how you have energy for anything else with all those 69's
>you keep snagging.
Well it's a tough *job* but someone has to do it.... :^) or better yet
:^0
|
542.573 | | KDX200::ROBR | No one can stop us now... | Fri Apr 02 1993 16:54 | 3 |
|
syracuse... dave, im there! (Assuming its not snowing in may :'))
|
542.574 | | DABEAN::REAUME | light 2 dark,dark 2 light | Sat Apr 03 1993 20:14 | 15 |
|
Got my tix for the Syracuse DT gig. My connection (the owner) came
through. The girl in the box office was gonna give me second row in the
balcony, which wasn't all that bad (actually the way the place is
arranged there isn't a bad seat in the house). So I talked to my buddy
today, who was gonna sell me tickets on Friday after work but he'd
locked the keys to the box office IN the box office just before I got
there. He told me to come back today and he'd hook me up with great
seats. Check this out: Orchestra , Center, Row AA (first row).
Talk about psyched. I'll be able to give Coop some of Patrucci's
Tri-Axis patches from where I'm sitting! The band is gonna be in my
face! Now I gotta wait six weeks!
-B{}{}M-
|
542.575 | | KDX200::ROBR | No one can stop us now... | Sun Apr 04 1993 02:01 | 4 |
|
what size hall is this?? reserved seating at a DT show? Dave B and I
(and maybe buck???) were planning on driving out there for this.
|
542.576 | | KDX200::ROBR | No one can stop us now... | Sun Apr 04 1993 02:03 | 10 |
|
ps, wdadu rules!!!!
(thanks buck!!!)
pps, dave b and i went to see fortune tonight. both of us were rather
disappointed to find they dont play covers at all anymore. thier
originals were good i guess, but kind of boring and nothing like all
the cool progressive covers they used to do.
|
542.577 | good acoustics too! | FREEBE::REAUME | light 2 dark,dark 2 light | Sun Apr 04 1993 17:06 | 8 |
|
Symphony Hall in Syracuse is a new venue with approx 1000 capacity.
The tix for the Dream Theater show on May 17th are $14.50. Keep in
mind this is a Monday evening and the show starts at 7:30 p.m.
If anybody is heading out this way, give me a shout!
-B{}{}M-
|
542.578 | monday eh? dave? still wanna go? | KDX200::ROBR | No one can stop us now... | Mon Apr 05 1993 05:21 | 6 |
|
dont suppose you can get any more way cool seats :') :')
1000 ??? they pack that many into axis anyway :').
|
542.579 | | POWDML::BUCKLEY | dark and stormy plains.. | Mon Apr 05 1993 10:56 | 3 |
| Someone in here said DT was supposed to be playing at the Boston
Music Awards. Well, they have a gig scheduled that night in
Germany -- I don't think they'll be PLAYING at the awards!!
|
542.580 | | BUSY::SLABOUNTY | It's a fine, fine day | Mon Apr 05 1993 13:21 | 6 |
|
I found WDADU in CDSWAP for $6 ... glad I didn't respond to that
ENET mailing list right awayand pay full price!!
GTI
|
542.581 | | KDX200::ROBR | No one can stop us now... | Mon Apr 05 1993 18:16 | 7 |
|
what??? you pud... :'(
btw buck, i had also heard the same thing about the BMA and DT. I had
forgotten though until you mentioned it.
|
542.582 | | POWDML::BUCKLEY | dark and stormy plains.. | Mon Apr 05 1993 18:21 | 2 |
| Yeah, I've heard it too, but if you peruse their European Tour
schudule, kinda makes you say "WTF?"
|
542.583 | Half of the band here, other half there ???? | PAULUS::JAKOBI | Stefan Jakobi, L10N, ISE Frankfurt | Tue Apr 06 1993 03:47 | 5 |
|
What date is the Boston Music Award ?
...SJ...
|
542.584 | 4/7/93 | WMOIS::MAZURKA | Son_Of_The_Dynamic_Tension | Tue Apr 06 1993 07:19 | 1 |
| Ta_Marra..
|
542.585 | Maybe they BEAM themselfs... | PAULUS::JAKOBI | Stefan Jakobi, L10N, ISE Frankfurt | Tue Apr 06 1993 08:47 | 5 |
|
At least they are scheduled to be in Germany that date.
Don't know how they want to manage...
...SJ...
|
542.586 | guess they were wrong.... | BINKLY::DEMARSE | Soak the Sun | Tue Apr 06 1993 10:44 | 4 |
| I think they said it on the radio like a month ago.....appearances by
Dream Theater, Evan Dando, Juliana Hatfield, etc. etc.....
|
542.587 | | POWDML::BUCKLEY | am i ever gonna change? | Wed Apr 07 1993 17:12 | 158 |
| From usenet -- ever wonder about those Hamlet references in PULL ME
UNDER??
***************************
Lost in the sky
Clouds roll by and I roll with them
KING CLAUDIUS [to Hamlet] How is it that the clouds still hang on you?
Arrows fly
Seas increase and then fall again
HAMLET To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
[and so on...]
This world is spinning around me
This world is spinning without me
Every day sends future to past
Every breath leaves one less to my last
Watch the sparrow falling
Gives new meaning to it all
If not today nor yet tomorrow then some other day
HAMLET Not a whit, we defy augury: there's a special
providence in the fall of a sparrow. If it be now,
'tis not to come; if it be not to come, it will be
now; if it be not now, yet it will come: the
readiness is all: since no man has aught of what he
leaves, what is't to leave betimes?
I'll take seven lives for one
There are seven deaths in Hamlet.
And then my only father's son
As sure as I did ever love him
I am not afraid
Ghost I am thy father's spirit,
Doom'd for a certain term to walk the night,
And for the day confined to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purged away. But that I am forbid
To tell the secrets of my prison-house,
I could a tale unfold whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes, like stars, start from their spheres,
Thy knotted and combined locks to part
And each particular hair to stand on end,
Like quills upon the fretful porpentine:
But this eternal blazon must not be
To ears of flesh and blood. List, list, O, list!
If thou didst ever thy dear father love--
HAMLET O God!
Ghost Revenge his foul and most unnatural murder.
HAMLET Murder!
Ghost Murder most foul, as in the best it is;
But this most foul, strange and unnatural.
HAMLET Haste me to know't, that I, with wings as swift
As meditation or the thoughts of love,
May sweep to my revenge.
- AND -
HAMLET Ay, so, God be wi' ye;
[Exeunt ROSENCRANTZ and GUILDENSTERN]
Now I am alone.
[...etc, etc...]
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murder'd,
[...etc, etc...]
This world is spinning around me
The whole world keeps spinning around me
All life is future to past
Every breath leaves me one less to my last
Pull me under Pull me under
Pull me under I'm not afraid
All that I feel in honor and spite
All I can do is set it right
HAMLET Rest, rest, perturbed spirit!
[They swear]
So, gentlemen,
With all my love I do commend me to you:
And what so poor a man as Hamlet is
May do, to express his love and friending to you,
God willing, shall not lack. Let us go in together;
And still your fingers on your lips, I pray.
The time is out of joint: O cursed spite,
That ever I was born to set it right!
- AND -
HAMLET [...]
When honour's at the stake. How stand I then,
That have a father kill'd, a mother stain'd,
Excitements of my reason and my blood,
And let all sleep? while, to my shame, I see
The imminent death of twenty thousand men,
That, for a fantasy and trick of fame,
Go to their graves like beds, fight for a plot
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth!
Dust fills my eyes
Clouds roll by and I roll with them
Centuries cry
Orders fly and I fall again
This world is spinning inside me
The whole world is spinning inside of me
Every day sends future to past
Every step brings me closer to my last
Pull me under Pull me under
Pull me under I'm not afraid
Living my life too much in in the sun
Only until your will is done
HAMLET Not so, my lord; I am too much i' the sun.
[in response to Claudius's comment on clouds, above.]
Oh that this too
Too solid flesh
Would melt
[Direct quote]
HAMLET O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
|
542.588 | As the Church lady would say: | BOVES::FENNELL | Back to the Light | Wed Apr 07 1993 17:44 | 2 |
| Could it be Satan?
|
542.589 | no it's Billy Shakes | FRETZ::HEISER | serving Barney at The Roadkill Cafe | Wed Apr 07 1993 17:47 | 1 |
|
|
542.590 | | KURMA::IGOLDIE | Vote with a bullet | Sat Apr 10 1993 04:34 | 7 |
| at last I've got a chance to hear this band.They play 2 songs on Raw
power the other night.I was very impressed with the complexity of their
music.The drummer is very good and the bass player damn fine too.I'll
listen to their songs again and I may even buy the cd!!
staynz
|
542.591 | | KDX200::ROBR | I laugh at what I've done... | Sat Apr 10 1993 15:24 | 4 |
|
you MIGHT even buy the cd????!?!? what does it take?!? go out and GET
it! now!! it'll be the best purchase you've made in ages :').
|
542.592 | | KURMA::IGOLDIE | Zig,there's a bee on your head! | Sun Apr 11 1993 04:01 | 6 |
| ......so can take it you're a bit of a fan? 8)
staynz
|
542.593 | | GOES11::G_HOUSE | Think, it ain't illegal yet | Mon Apr 12 1993 13:21 | 5 |
| Ian,
Definitely get it! ...especially if you've been experiencing insomnia
or too much emotion in your life. This could be the thing that cures
what ails ya!
|
542.594 | | BUSY::SLABOUNTY | Go Go Gophers watch them go go go!! | Mon Apr 12 1993 13:40 | 6 |
|
I listened to WDADU once through, and wasn't too impressed. It
was OK, but definitely not as good as I&W.
GTI
|
542.595 | | KDX200::COOPER | Let The Light Surround You!! | Mon Apr 12 1993 13:45 | 4 |
| WDADU is definately not for the first time DT listener... Once weened
from I&W, though, it's ROOLIN!
jc (Who had it grow on him...)
|
542.596 | | POWDML::BUCKLEY | It's nicer than Betty Monroe had! | Mon Apr 12 1993 14:02 | 15 |
| WDADU and I&W are like day and night!
The DT which plays on WDADU is by far a different band!! The singer
really does make that much of a difference on a band's sound. Also,
they seemed to be more into the "spacey sound with lots of effects"
on WDADU. At first, I hated WDADU -- probably becuase I was listening
to I&W day in and day out. Then I put I&W away and solely listened
to WDADU on it's own merits. I think the album ROOLZ now, but they
are were their own band, and the two cannot really be compared. I
like Charlie Dominicci's vocals for what they were... He's no LaBrie,
but he was good for what they were doing back then.
WDADU has some great tunes on there... Killing Hand, Ytse Jam, Light
Fuse and Get Away, The Ones Who Help Set the Sun, etc.
|
542.597 | hope this helps | FRETZ::HEISER | nothing but the blood | Mon Apr 12 1993 14:03 | 3 |
| > jc (Who had it grow on him...)
you're pharmacist probably has something for that.
|
542.598 | Perhaps the pharmacist also has the cure for baited breath | DREGS::BLICKSTEIN | My other PC is a Mac | Mon Apr 12 1993 14:14 | 12 |
| > > jc (Who had it grow on him...)
> you're pharmacist probably has something for that.
BTW Mike,
We haven't yet had a rating of Petrucci on the "Heiser scale of
emotionless guitar playing".
We're all waiting with baited breath for that.
db
|
542.599 | | GOES11::G_HOUSE | Think, it ain't illegal yet | Mon Apr 12 1993 15:25 | 3 |
| re: db
He's right up there with Satriani, man.
|
542.600 | can't knock what you haven't heard | FRETZ::HEISER | nothing but the blood | Mon Apr 12 1993 16:05 | 8 |
| > We haven't yet had a rating of Petrucci on the "Heiser scale of
> emotionless guitar playing".
I can proudly say that I have yet to hear any DT tune.
> We're all waiting with baited breath for that.
See your pharmacist.
|
542.601 | I coulda sworn I've seen people do it... | DREGS::BLICKSTEIN | My other PC is a Mac | Mon Apr 12 1993 16:17 | 3 |
| > can't knock what you haven't heard
I had heard that you could. Guess I was wrong. ;-)
|
542.602 | | KDX200::COOPER | Let The Light Surround You!! | Mon Apr 12 1993 16:50 | 3 |
| Mike!
Man, you GOTTA hear this stuff!!
|
542.603 | not worth it | FRETZ::HEISER | nothing but the blood | Mon Apr 12 1993 17:05 | 2 |
| After what Greg and I have been talking about, I may never listen to
it.
|
542.604 | | KDX200::ROBR | I laugh at what I've done... | Mon Apr 12 1993 17:42 | 7 |
|
wdadu is definately different, but i like it just as much as i&w. but
buck is right, it took several listens to allow it to grow and the
puttng aside of i&w. i now have both constantly in my cd player but i
have to say, right now i listen to wdadu more!!! im ordering 2 more
cd's for people tomorrow.
|
542.605 | | POWDML::BUCKLEY | It's nicer than Betty Monroe had! | Mon Apr 12 1993 17:46 | 3 |
| Same here ... i&w has been shelved for the time being!! 8^)
Tracks 3, 4, and 5 just rip!
|
542.606 | | COMET::MARTINN | I'll hate you better! | Mon Apr 12 1993 19:01 | 3 |
| Mike
Don't *ever* listen to Greg!!! ;-)
|
542.607 | | GOES11::G_HOUSE | I came, I saw, I left... | Mon Apr 12 1993 19:18 | 1 |
| He knows truth when he hears it... ;^)
|
542.608 | | KDX200::COOPER | Let The Light Surround You!! | Mon Apr 12 1993 22:17 | 4 |
| People who don't like Dream Theater are obviously deranged, sicko,
pose-boize (okay, pose-people :-) wanna-be music fans, and should
pack their bags and move to Minnesota with Frisby.
|
542.609 | | POWDML::BUCKLEY | It's nicer than Betty Monroe had! | Tue Apr 13 1993 12:19 | 6 |
| Well, the thing is...
Greg has only heard the first album. Now, i can see many point froms
that perspective where Greg may suggest someone else not even bother
checking out ther band, but personally, I think he should at least
check out the entire i&w album before making further comments.
|
542.610 | | GOES11::G_HOUSE | I came, I saw, I left... | Tue Apr 13 1993 14:02 | 9 |
| Actually, what Mikey and I were talking about had nothing to do with
Dream Theater. I don't hate them, I just haven't heard anything that
really turned my head. Great chops, sure, but half the world has that
these days... Most of my poking in here has just been to get Buck and
Rob's goat, but the first album really did about nothing for me. I'd
still like to listen to the new album (hint hint, Jeff, you were gonna
loan me the CD...?)
gh
|
542.611 | | DREGS::BLICKSTEIN | My other PC is a Mac | Tue Apr 13 1993 14:56 | 22 |
| Greg,
All I can say is that I HATED I&W the first "n" times (where n is a
fairly large number) I heard it.
Given how many people with similar tastes raved about this album I kept
listening to it, and while I'm still not really as crazy about them as
"some" people, I really think it's a GREAT album.
Part of what did it for me was starting to play some of the tunes. It
often happens that I hate things, then I have to learn them, and then
I begin to appreciate them.
I also realized that DT's music really has MUCH MORE impact live than
it does on record. In some sense, I guess they are like the Grateful
Dead of progressive rock.
It won't bother me if you never learn to like them, but I just wanted
to say that, at least with me, learning to appreciate the music was a
slow process.
OK, now go ahead and dis this reply with something witty... ;-)
|
542.612 | ;^) | GOES11::G_HOUSE | I came, I saw, I left... | Tue Apr 13 1993 15:03 | 3 |
| > OK, now go ahead and dis this reply with something witty... ;-)
Oh yeah...well...YER MAMA!
|
542.613 | bleeech! | FRETZ::HEISER | nothing but the blood | Tue Apr 13 1993 16:14 | 7 |
| > OK, now go ahead and dis this reply with something witty... ;-)
Well db, the Grateful Dead analogy just about cements things for me.
> I also realized that DT's music really has MUCH MORE impact live than
> it does on record. In some sense, I guess they are like the Grateful
> Dead of progressive rock.
|
542.614 | I feel left out -- I want a rating, dammit! | POWDML::BUCKLEY | It's nicer than Betty Monroe had! | Tue Apr 13 1993 17:40 | 5 |
| > We haven't yet had a rating of Petrucci on the "Heiser scale of
> emotionless guitar playing".
Hey, I wanna know where MY playing rates on the Heiser scale of
Emotionless guitar playing!!
|
542.615 | | GOES11::G_HOUSE | I came, I saw, I left... | Tue Apr 13 1993 18:53 | 5 |
| He hadn't heard *your* emotionless playing, dude! He's still waiting
for me to get another working cassette deck so that I can copy your
JV/PKs tape for him...
gh
|
542.616 | | KDX200::ROBR | I laugh at what I've done... | Tue Apr 13 1993 19:04 | 7 |
|
re: .610
'half the world' definately does NOT have their sort of chops :').
maybe lots of guitarists with chops these days, sure, but not an entire
band!
|
542.617 | What do you think? | PAULUS::JAKOBI | Stefan Jakobi, L10N, ISE Frankfurt | Wed Apr 14 1993 04:00 | 24 |
|
The following note is taken from the 'Frankfurter Rundschau' and
frankly translated. Please excuse mistakes and the quality of
translation.
Some collegues and me are going to see ourselves what Dream Theater
can do. If I find the time I'll post a review on friday.
...SJ...
Long live confrontation, said Dream Theater to themselfs and
respectlessly lumped Art Rock and Speed Metal together. What came
out was a lively mixture of dreamy songs in epic length and hard
riffs - to be listened to on their new album "Images and Words".
'You can't always rattle off the same phrases of Heavy Metal' said
guitarist John Petrucci, 'on the other hand it is senseless trying
to sound original under all circumstances. We grew up with Zappa
and Yes as well as with Black Sabbath and Iron Maiden.'
This spring the US-Quintett comes to Germany for the first time.
On thursday, 15th in Frankfurt, Batschkapp.
|
542.618 | | DREGS::BLICKSTEIN | My other PC is a Mac | Wed Apr 14 1993 11:03 | 20 |
| re: .610, .616
Other bands with "their sort of chops" (every member is a monster):
The Dixie Dregs - obviously
The Steve Morse Band
The Allan Holdsworth Band
The Larry Carlton Band
Bela Fleck and the Flecktones
Chick Corea Electrik Band (Weckl, Corea, Gambale)
In my opinion, the most incredible bass player in the world is Vic
Wooten from the Flecktones. I'll bet most of you who are into
progressive kind of music haven't checked out the Flecktones - they
are sorta lumped into the "Bluegrass" category, but they are definitely
"progressive bluegrass".
I don't like everything they do, but some of it blows me away in much
the same way as the Dregs do.
|
542.619 | Yes, I know this is the DT note, but... | BINKLY::DEMARSE | Soak the Sun | Wed Apr 14 1993 12:27 | 28 |
| >> Bela Fleck and the Flecktones
I LOVE these guys!!! 8^)
>> In my opinion, the most incredible bass player in the world is Vic
>> Wooten from the Flecktones.
Yes, Victor Wooten is *REALLY* good....amazing...each one of the
Flecktones are excellent musicians...here's part of the tour
schedule in case you want to see them...
4/14 Rockefellers, Houston, Tx.
4/15 Main Street Arts Fest., Ft Worth, Tx.
4/16 El Ray Theater, Albuquerque, N.M.
4/22 Tacoma, Wa.
4/23 Portland, Or.
4/24 Eugene, Or.
5/1 Sun Fest, West Palm Beach, Fl.
5/7 Symphony Hall, Syracuse, N.Y
5/8 Tulip Fest, Albany, N.Y.
6/19 Telluride, Co.
6/21-25 Colorado?
6/26 Jazz, Saratoga, N.Y
6/27 Ben & Jerrys, Warren, Vt.
:), danielle
|
542.620 | another | FRETZ::HEISER | dance with the one who brung ya | Wed Apr 14 1993 12:53 | 1 |
| You forgot Joe Satriani and band with Stu Hamm and Jonathan Mover.
|
542.621 | ;-) | DREGS::BLICKSTEIN | My other PC is a Mac | Wed Apr 14 1993 13:02 | 5 |
| > You forgot Joe Satriani and band with Stu Hamm and Jonathan Mover.
Oh yeah, them...
;-)
|
542.622 | Satch/Hamm/Mover | DREGS::BLICKSTEIN | My other PC is a Mac | Wed Apr 14 1993 13:03 | 2 |
| Just kidding, that's definitely a killer trio.
|
542.623 | welcome to the Satch Bandwagon | FRETZ::HEISER | dance with the one who brung ya | Wed Apr 14 1993 13:27 | 1 |
| Congrats db!
|
542.624 | Satch is Pertrucci's guitar tech!! | KDX200::COOPER | Let The Light Surround You!! | Wed Apr 14 1993 13:30 | 1 |
| Satch can't hold a candle to Petrucci!!
|
542.625 | always glad to help | FRETZ::HEISER | dance with the one who brung ya | Wed Apr 14 1993 13:31 | 1 |
| I know, it's more like a flamethrower than a candle.
|
542.626 | ;-) | DREGS::BLICKSTEIN | My other PC is a Mac | Wed Apr 14 1993 15:44 | 11 |
| > Welcome to the Satch Bandwagon
> Congrats db!
Mike, I've always been on the Satch bandwagon.
I have all his albums.
Just because he's a mere pismire when compared to Steve Morse doesn't
mean I don't like him.
If I only liked people who were as good as Morse, I'd only like Morse.
|
542.627 | mover=asolid, boring drummer | KDX200::ROBR | Nothing is sacred | Wed Apr 14 1993 17:40 | 4 |
|
jonathan mover??? yuk. boring. a coworker used to take lessons from
the guy. he's even more b{ring :').
|
542.628 | oh yeah - Petrucci rips! | DABEAN::REAUME | light 2 dark,dark 2 light | Thu Apr 15 1993 10:17 | 12 |
|
I've had the I & W disk since Christmas (It was on my list). I didn't
really tear into it until around late February. Even though I
appreciated a lot of the playing right off, I didn't really get into
it. I think it was "Another Day" that got me going on really listening
to DT, then "Surrounded" got more of my listening attention. Now
I listen to the entire CD!
And now I've got front row center seats for their May 17th gig in
Syracuse. I guess I'm a Dream Theater junkie now.
-B{}{}M-
|
542.629 | | POWDML::BUCKLEY | sunlight | Thu Apr 15 1993 10:41 | 1 |
| ...and he's got the DT p_n to prove it, folks!
|
542.630 | | PAULUS::JAKOBI | Stefan Jakobi, L10N, ISE Frankfurt | Fri Apr 16 1993 09:45 | 41 |
|
Hi all,
as promised here's a short review on last night concert with the
most famous band: DREAM THEATER
To say that beforhand, the club (Batschkapp, Frankfurt) was totally
sold out. And when I say totally I mean _totally_. The guy at the
door said that 800 people fit in, somebody said 1000 were actually
in there and I belief he was right.
Opener was 'Heavens Gate' a german band. Strong HM, not too bad
except the singer...his voice was somewhat weak. They played 1 hour
and after a 15min break Dream Theater came on stage.
As I didn't know one of their songs (leave alone the names of songs),
I can not give you a list of what songs they played but will just
mention what came into my mind while seeing them on stage.
The first part of the show was somewhat less interesting, they played
many slow songs and the crowd didn't really go with them. After 45
minutes they speeded up and now this arena started cooking. One song
after the other brought up waves of enthusiasm and people started
singing with the band (Ehrrm, I couldn't...). Strongest part of the
gig was at the end when they played their hits, or what I think must
be their hits. All in all they played a bit less than 2 hours and
many people were really exhausted.
Bout' this drummer, I would call him 'Mr Beast'. I have never befor
seen a drummer who was so much engaged in about what is going on on
stage and motivating the growd. Thereby he was drumming very exact
and did an excellent drumming job.
Bout' this singer, no doubt he has a good voice but I still ask myself
why he ran off the stage everytime there were 10 seconds without any
lyrics. Any suggestions?
Overall impression: Good concert, good atmosphere, definitely worth
going. I think about buying their second album.
...SJ...
|
542.631 | | POWDML::BUCKLEY | sunlight | Fri Apr 16 1993 10:27 | 33 |
| > Opener was 'Heavens Gate' a german band. Strong HM, not too bad
> except the singer...his voice was somewhat weak. They played 1 hour
> and after a 15min break Dream Theater came on stage.
> As I didn't know one of their songs (leave alone the names of songs),
> I can not give you a list of what songs they played but will just
> mention what came into my mind while seeing them on stage.
Well, in the US, they were playing the following set:
Metropolis: Part 1
A Fortune in Lies
Under a Glass Moon
Another Day
Surrounded
Ytse Jam (instrumental)
Pull Me Under
Take The Time
Wait for Sleep
Learning to Live
But reports from the UK said they had added more tunes from WDADU, like
The Killing Hand, and also a new Instrumental that the guitarist wrote.
> Bout' this singer, no doubt he has a good voice but I still ask myself
> why he ran off the stage everytime there were 10 seconds without any
> lyrics. Any suggestions?
Well, it's well known this is a MUSICIANS band. The focus in on the
players, not the singer (as opposed to bands like Skid Row where
the singer is the band). When the guys in DT start playing, they
don't want some guy just standing up there distracting from people
watching them blow chops. I can understand...
|
542.632 | | PAULUS::JAKOBI | Stefan Jakobi, L10N, ISE Frankfurt | Mon Apr 19 1993 03:43 | 11 |
|
Hi Buck,
yes they played at least 2 instrumentals and for the first part of
the show the singer mentioned their first album (btw what does WDADU
mean?) quite often, didn't always exactly get what he said...
And there was this bassplayer, hardly to be seen as he was hiding
behind his own hair...
...SJ...
|
542.633 | | KDX200::ROBR | Nothing is sacred | Mon Apr 19 1993 05:23 | 4 |
|
wdadu = when day and dream unite. the name of dt's first album. the
two instrumentals were probably ytse jam and an as yet unrecorded song.
|
542.634 | | KDX200::ROBR | Nothing is sacred | Sun Apr 25 1993 03:13 | 4 |
|
Someone posted a note in the DT newsletter saying there is a DT show in
Rhode Island on May 15th.
|
542.635 | | DREGS::BLICKSTEIN | My other PC is a Mac | Sun Apr 25 1993 21:43 | 1 |
| Darn, I got a gig (db wilfred) that day.
|
542.636 | Mike Portney interview from DT newsletter | KDX200::ROBR | Phantasmagorical!!! - (Daffy) | Tue Apr 27 1993 09:16 | 772 |
|
Date: Sun, 25 Apr 93 16:29:47 BST
From: CP_PWM%[email protected]
Subject: The Interview
The Dream Theater Interview
Interview with Mike Portnoy, the drummer of Dream Theater.
This took place in the Bristol Bierkeller, Bristol, U.K., on
Monday April 19th, an hour or so before their concert. It
was done while other members of the group were
soundchecking, and the support group were warming up.
I initially told him that I'd been a big DT fan for 4
years or so, and that I'd originally heard of DT through the
Rush fanzine 'Spirit of Rush'. Mike knew all about the SOR,
having met the guys who write and publish it a few times.
I then told him that this interview was going to go out
onto the computer network for DT fans and be distributed
worldwide. The questions were sent to me by 'hardcore' fans
all over the world, and he should expect some quite specific
detailed questions. Mike wasn't at all phased by this,
saying he'd recently done an interview with another computer
network in America (anyone know about this??) so he knew
what I was talking about.
He was extremely easy to talk to, very friendly and
enthusiastic. I'd only have to suggest a question and he'd
talk for ages, which made it very easy for me. He also
tried to answer all the questions fully, even the ones where
I asked for very direct answers to specific (and sometimes
quite obscure to any but hardcore fans) questions. Despite
the interview room being noisy, with telephones ringing and
loud soundcheck noises coming through the wall, he always
tried to ensure his voice was being picked up by the
microphone, and was generally very helpful. All in all, a
great guy to have met and spoken to.
In the following PM is me, (Paul May), Mike is obviously
Mike Portnoy.
-----------------------------------------------------------
PM: So, first of all, how's the European tour going at the
moment? You've almost finished it now, haven't you?
Mike: Yeah, we have 4 more shows including tonight and then
we're back home. We've been here now for 3, 3 and half
weeks. It's going amazing. We didn't know what to
expect, we'd been touring through the States for 6
months and after a while we knew what to expect in the
States, but we didn't really know what to expect out
here. We didn't know if it was going to be this small
underground cult following, or if it was going to be
people coming out of curiosity. But so far every night
has been great. It's been packed to capacity, every
show in every country we've played in. Well, by the
time we're outta here we'd have done 6 shows in England
and 7 in Germany, we've played Italy & France, Scotland
& Sweden, so all these places, & it's been great
everywhere.
PM: Have you noticed any difference in the audiences at all,
between the US audiences and the European ones?
Mike: I can definitely see a difference between European
audiences and American audiences, but we could also see
the difference in the different countries out here.
Even a difference between the English audiences and the
German audiences, and the Italian audiences, we could
see a big difference...
<in the background the other members of DT are
soundchecking, playing 2112-Presentation by Rush>
Mike: (breaks into a big smile)...Hey, they're playing Rush
out there!...but the American audiences, I mean,
they're different because you get a lot more people
that just casually come to the show. You get a good
percentage of the people that are actual fans, but then
there's also a percentage of people that just go to the
club to hang out & drink and pick up girls, and the
people that come to get rowdy and mosh & headbang &
stuff. But they're very crazy in America, very loud,
very vocal.
We've noticed that here, as well as Japan...let's
say for instance, Japan, the audiences are very, very
analytical. They're very supportive of everything you
do. In the quiet parts during the set, the audiences
are very quiet, and in the loud parts they're loud.
The German audiences were actually the most vocal
audiences we ever played to. They were singing along
to every single word. The German fans were simply
fanatical. They have all bootlegs & old demos of us,
and articles on us we've never seen. They're really
fanatical.
And the English, we noticed, so far, that they're
also quieter than most of the audiences we've played
for. Last night we did a show in Milton Keynes and it
was, like, the quietest audience we've played for. And
we didn't know how to read that. We didn't know if
they we being, you know, very receptive to the music
and just watching & being analytical, or what?
PM: I think in England they don't know much about you yet.
That's what it is. In terms of radio airplay you've
had virtually nothing. You've been interviewed on late
night TV rock shows like Raw Power, and some may have
seen that, but that's probably about it. The first
album was hardly bought at all here, because it got no
exposure. So nobody knows it exists. It's now been
deleted over here so nobody can get hold of it.
There's massive load of people trying to get copies of
it.
Mike: Yeah, it's out of print everywhere.
PM: Is it going to be re-released at all?
Mike: Hopefully, we'd like it to be. There's all these
people that are just discovering us now, that are
looking for the 1st album & can't find it. The problem
is that we're on a different label now, and our old
label owns the rights to it. Our new label is looking
into buying it out & re-releasing it.
PM: Have you had chance to do any sightseeing at all, on
your trips around Europe?
Mike: Well, when we first got over here we had about 4 days
off in London, doing a lot of press and stuff. And I
made sure that I went to Abbey Road. So one of the
first things I did when I arrived here is I went to
Abbey Road, took my shoes off, and walked across the
pedestrian crossing...
PM: did a Beatles...?
Mike: Yeah (laughs). And when we went to Paris, we had a
little bit of time, so we went to the Eiffel Tower. I
wanted to go to Jim Morrison's grave in Paris but we
didn't get to do it. The rest of the guys went to see
Beethoven's house in Bonn in Germany. So we get to do
a little bit of sightseeing, but unfortunately not as
much as we'd like. I mean, most of the time it's just
straight to the venue, and we get back on the bus after
the show, go to sleep and wake up in front of the next
venue.
PM: So you haven't seen much of Bristol, then?
Mike: No, we walked around and went to McDonald's.
PM: (laughing) McDonald's in Bristol is not exactly one of
it's main tourist attractions though...
Mike: (laughing) Well, you do have quarter pounder deluxes
here, that they don't have in America.
PM: Right. What are your plans for the rest of the year?
Are you going to carry on touring, go round the States
again, new album?
Mike: We get back to the States next week, and then next
month we start a full summer tour through the States,
so we'll be touring all over America all summer long.
We have September off because John Petrucci's getting
married, so we're taking a month off. But hopefully
the plans are to come back out here in October, do
Europe & Japan once again, and then at that point that
would have been about 15 months on the road, so we'll
start worrying about the next record.
PM: Will this tour be as a support group for a major group?
Mike: When we come back? As of now, no, but if something
comes along obviously we'd love to. So far the 7
months we've been on the road has all been on our own,
mainly because something hasn't come up. There's been
a couple of offers, but they weren't bills we would
really like to be associated with. So, if the right
situation came around we would definitely take it, but
meantime it's great doing this because it's on our own
terms. We get to play to people that know our music
and we're getting to play as long as we'd like. So
that's rewarding, though of course, opening for
somebody else we'd be reaching a whole new audience,
which is very important. But it'd have to be the right
situation.
PM: There are a lot of people who'd love you to open for
Rush on their next tour. I've heard there's even a
petition going around in the States?
Mike: That would be a dream come true for us. It's just a
matter of timing. And I know they're in the studio
now, but I don't think their record's coming out till
September or so. If it happens, then it'd be a dream
come true, but it's just a matter of the timing, you
know.
PM: A couple of questions about the way you guys write the
songs. You're all so talented as individuals, does
that make songwriting difficult? I mean how does the
songwriting process come about, individually & then put
it all together, or a jam session, or what?
Mike: No, it's completely collectively. This whole album
was written basically before James was in the band. So
the 4 of us had written all of this material through
the couple of years we were looking for a vocalist.
Basically the 4 of us just get together in a rehearsal
environment, start shooting out ideas and jamming &
connecting them and expanding on them, and
orchestrating them. But it's completely collective.
It's great for me as a drummer because I get as much of
a chance as anybody else to contribute to the music.
And so we all have an equal hand when it comes to the
songwriting. You know, it makes for a lot of
frustrations & a lot of arguments. Everybody's
nitpicking on all their parts and everybody else's
parts, but at the same time it adds a great diversity
to the sound because we all bring in our individual
influences & ideas.
PM: Do you ever feel that as a result some of your songs
might become a little self-indulgent, with long,
extended instrumental sections, etc?
Mike: (smiling) Well, it depends on what your perception
of self-indulgence is. We're just expressing
ourselves. For us the song comes first before putting
in the solos and everybody showing off. Everything is
there on our album for a reason, I mean, even if the
song is 10 minutes and has got a 6-minute instrumental
section, it's because we felt that that was the
direction the song needed to go. In a song like
Another Day, which is pretty straight and to the point,
we kept it short, because that was all that particular
song really needed. That's maybe the reason that some
of the songs are long, too, because the 4 of us are all
putting in all these ideas, so in order to really
fulfil everybody's ideas it takes 10 minutes to do it
sometimes.
PM: Would you classify yourselves as progressive rock
because of that?
Mike: I would say that we have many progressive rock
influences...
PM: But the term itself doesn't frighten you at all?
Mike: Well, it doesn't frighten us because we'd be the
first to admit that we were influenced by those early
progressive rock bands. But I think that we're more of
a metal band than we are of a progressive rock band. I
think the term progressive rock doesn't really turn us
off, but I think it does turn some other people off. I
know a lot of critics have this stereotype of
progressive rock and when they suddenly hear that Dream
Theater is progressive rock, or pomp-metal as they call
it out here (smiling), I think it turns a lot of
critics off immediately. It immediately gives them
this idea of something which isn't necessarily true. I
mean, we have those elements, but we're very much a
metal band, as much as we are a progressive rock band,
as much as we are a jazz-metal band. We try to put a
little bit of everything in there.
PM: Changing tack slightly. The group has been together
now for about 8 years, do you feel that you were let
down at all by record companies in the past, because
it's taken this long to get recognised? You seem to
have become an overnight success after 8 years...
Mike: (laughing) Yeah, um, it's been an 'over-decade
success'! We've learnt a lot about the music business
over the past couple of years. We've had many, many
frustrations with our former label & our old singer and
stuff, and our old manager, and our old booking agent,
and our old lawyer... And basically that's why it took
so long to put out this record, it's because we made so
many changes in order to do things right. We learned a
lot of the business angles and things that should &
shouldn't be done. Promises that are made, that aren't
fulfilled. And we learned how to deal with some of
that stuff and try to make the right decisions. And
luckily we've been fortunate to be given a second
chance to correct all the mistakes we made in the past.
PM: It seems to be working this time as well...
Mike: Yeah, we took a lot of time to make sure it would
work this time. We not expecting to be overnight
sensations. We're not expecting to be multi-platinum
artists right off the bat. We just want the tools to
function. We want to be able to tour in support of the
records, we want to be able to record the albums on a
proper budget, we want to be able to do videos, you
know, just do everything else that all other bands do.
When success comes, it'll happen. But it'll happen
slowly and it'll be a gradual thing, I think, with us.
PM: Do you think the group has any sort of common
philosophy, either politically or religiously? Since
most members of the group seem to take a turn at
writing a song on the album, compared to a group like
Rush where only Neil Peart writes all their songs and
defines the group's outlook, do you have any one member
that defines the artistic direction at all?
Mike: Musically or lyrically?
PM: Both?
Mike: Musically, like I said, it's completely
collaborated...
<at this point the group's manager came in & said he needed
Mike to do a soundcheck now. The interview was continued an
hour later after the soundcheck. The group did various
numbers from the show, and at one point played along to a
backing tape by Tori Amos>
PM: That was Tori Amos wasn't it?
Mike: Yeah, that was an accapella piece. She's Kev's idol,
so Kev has just fulfilled one of his lifelong dreams,
to support Tori Amos (laughs). I think maybe we'll do
that again at soundcheck on Wednesday & I'll record
that onto DAT. That could be pretty interesting. I
have a DAT machine on tour with us, and I record almost
all the shows. I'm pretty fanatical about collecting
videos and DATs & I videotape most of the shows too.
PM: Where was I? Half way through a question, oh yeah, the
one about 'does any one member define the artistic
direction of the group?'
Mike: Oh yeah (smiles), that question. That seems like
years ago that I was asked that question. Um, no like
I said earlier, before dinner, and before soundcheck,
everything in this band is completely collective,
whether it be the writing, or even the business, or
making creative decisions. It's probably the best thing
about the band, and the worst thing about the band.
It's the best because everybody's got an opportunity to
have a say & equal vision. But it's also the worst
because obviously it creates thousands of disputes and
arguments. But the music, it's never like one person
comes in and hands out parts. There's been cases where
one person had more input than others, I mean, like
Surrounded stemmed from a keyboard thing that Kev had,
and Another Day stemmed from a guitar idea John had.
So occasionally there can be one person bringing in an
idea and then it gets worked on by the whole band. But
for the most part it's completely collaborative in
every respect. And when it comes to the lyrics
everybody takes turns going home and doing a add-on
bit.
PM: Right, so it never comes about that one person might
write the lyrics to something, and maybe, James says
I'm not going to sing that because I don't believe it.
Mike: Well, that's never really happened. Usually the
person that writes the lyrics keeps in mind the
direction and the way the band want to be, or viewed
as, or whatever. So, I mean, we haven't had that
problem yet. James pretty much came into the band with
everything written, and all the lyrics and the melodies
were pretty much finished. And he, of course,
embellished a lot of stuff, put his little touch on
things. It's good, we write the music together, and
everybody being able to write lyrics on their own is
good. It gives everybody an individual outlet for
expression.
PM: Do you think this long tour is going to influence the
songwriting? Are we going to see shorter songs?
Mike: So far, the 7 month's of touring as far as its
influence on songwriting has put a serious halt to the
creative flow, since it's hard for us to write on the
road. We're not the sort of band that can sit on the
tour-bus with an acoustic guitar. We've always written
in a rehearsal environment, and being on tour we never
really have that environment. Occasionally at
soundcheck, if there's enough time, we'll start running
through different ideas, and I'll record them onto DAT.
So I've got, like, lots of ideas on tape that we'll
begin to assemble when we get off the road. But we
haven't really been able to write much on this tour.
The touring will have an influence upon future
songwriting, however. We'll probably be a little bit
more conscious of certain things, now we're learning on
the road. For example, James is only maybe on stage
half the time, because there's so many instrumental
sections. And maybe the vocal range sometimes can
really take its toll. So there's a lot of things we may
put in for consideration when it gets to writing again.
PM: Is James going to start writing songs?
Mike: Hopefully. Who knows what'll happen, but of course
we'd welcome his creative influence with open arms, you
know. We're anticipating that he'll be involved with
it, so we'll see.
PM: In one of the interviews you did a while ago, you
alluded to a live EP called 'A Change of Seasons'.
What's happening with that?
Mike: Well, as far as the Change of Seasons goes, the
initial idea was to record it as an EP so we could
really focus on the conceptual end of it, really have
it stand out and not be mixed in with studio tracks.
That was the original idea, I don't know what's going
to happen. We may do that, or we may just wait and put
it on the next album. On Friday night at the Marquee
we're bringing in a mobile studio and recording the
show. I don't know what we're gonna do with it. We
may put out a live EP with those tracks, we may put out
several CD singles and use those tracks as B-sides,
whatever. But there will be something new soon. If
it's not an album or EP, at least some B-sides of live
stuff, CD singles or something.
PM: After the first album didn't sell all that many copies,
and then the various troubles with the management,
label, etc, did you come under any pressure when you
came to make Images & Words, to try & make yourself
more commercial, more playable-on-the-radio? Did you
have to fight for your artistic integrity at all?
Mike: Pretty much all of this record was written in the
period when we didn't even have a label. Legally we
were still signed to Mechanic, but they weren't doing
anything for us any more. And so, basically, there was
no record company involvement when it came to writing
this record. We had a lot of freedom. We talked with
several labels that were interested, and the thing that
really made us enthusiastic about Atco was the artistic
freedom that they gave us. I remember specifically
having a meeting with them, and they had the attitude,
like, 'Don't change for radio - radio will change for
you'. (smiles) They were, like, 'Don't ever go in and
try to write a 5 minute hit-single - just do what you
do - keep coming out with the 12 minute songs,
whatever' They were completely behind that.
Maybe here in Europe there hasn't been much radio
play, but in America, Pull Me Under was a top ten album
radio track, which is something we never, in a million
years, considered we'd have. MTV was playing it all
the time. We figured we'd never be a radio band
(smiles).
PM: Wasn't that one shortened though, to make it playable
on the radio? Did you mind that?
Mike: Um, at first we were pretty bothered by it, the idea
of doing edits. Actually 2 different edits were made
for Pull Me Under, a radio edit & a video edit. And we
also did an edit for Take The Time. At first it was
disturbing, in a sense we were having to compromise for
the label, but I guess we came to grips with it. The
reality of it is that as long as we could live with the
edit itself it's ok. The idea of an edit is tough to
deal with, but when all is said and done, when you hear
the edit, if you can live with it, then all it's gonna
do is generate interest in the band, and people are
gonna go out and buy the record and hear the full
version anyway. And 10 years from now, when they're
listening to their record collection, they'll have the
full-length version and won't ever remember there was
an edit. And if they come to see us live, not only
will they hear the real version, but in most cases
they'll see the extended version too.
PM: Ok, a couple of more detailed questions now, from some
of the hardcore fans on the net. A question which
seems to be asked a lot is what does the logo mean, the
symbol that appears on the cover of both albums?
Mike: (points to tattoo on left shoulder) This one?
PM: Yeah, that's the one. Is there a story there?
Mike: Yeah, there's a story. Basically, we used to be
called Majesty years ago, and it's an M, a variation of
an M for Majesty. When we signed for Mechanic and were
working on the album, we were still called Majesty, and
we were putting together the album cover artwork.
There was this idea of the guy getting branded, and we
wanted a symbol that would represent the band. So
actually, Charlie, our old singer, found this symbol,
it's a variation of Mary Queen of Scots, or something
like that, a symbol that she had, I don't even
remember, it's been so long. But basically it's an M,
for Majesty...or if you like, it's an M for Meaningless
(laughs).
We had the artwork done for When Dream & Day Unite
with this symbol and everything, and afterwards we
found out we had to change the name. But the cover was
already done and we decided to keep the symbol anyway,
just as a reference to Majesty.
PM: Ok, and the other symbol that you use a lot is the
burning heart wrapped in wire.
Mike: (points to tattoo on right shoulder) That's on this
arm (smiles).
PM: Is there a story for that one, it's on your videos as
well. It appears everywhere.
Mike: Um, basically it's a variation, or, in fact, might
even be a direct rip off of the sacred heart of Jesus.
That was Kev's idea. Kev is, I don't want to say very
religious, but he's very spiritual and stuff like that.
And when it was coming time to put together the album
artwork for Images & Words, we had all these different
elements and ideas from the lyrics that we wanted on
the cover. And we wanted something right in the centre
of the cover that would symbolise, you know, all the
elements of the music. So we figured this would be a
good symbol, at least for this album. It sort of
symbolises the music...the heart would represent
passion & emotion, and the barbed wire strength &
power, and the flame generating, you know, whatever...
I don't know whether there's a direct answer I can give
you. Maybe Kev could tell you.
PM: Ok, I might talk to him later, if I get the chance.
Another question, which is about Pull Me Under. There
seem to be a lot of references in there to Hamlet. Is
that genuine? Is the song about Hamlet?
Mike: Yeah. That's Kev also. Those are Kev's lyrics. And
in his words, it's not a song about Hamlet, it's
inspired by Hamlet, and it's taking the story... What
Kev says is that it's not a song about Hamlet, but it's
a song about what Hamlet is about. There's a lot of
direct references in there, but it's basically relaying
the story of somebody coping with somebody else's
death, and trying to deal with it, and avenge it, and
trying to face the situation. And in the case of Pull
Me Under, it's almost pessimistic, which is very
different from the outlook of the rest of the lyrics on
the album, which are more optimistic.
PM: Yes, I found that. What's the significance of the
sudden cut-off at the end of that track. Is that a bad
edit, or is it deliberate? I think it's deliberate...
Mike: Actually it's completely deliberate. That was my
idea. Everybody, when the album came out, thought that
their CD was defective or something. Basically we
wrote it like that, it wasn't even a studio technique,
like we had an ending and we decided to just cut it
out. We wrote it like that, and the very end of that
song has all these different grooves chugging along,
and then these different vocals, keyboards being
layered on top, and then I just said 'Hey, let's just
drop dead outta nowhere. Just go from one extreme to
the other'. Basically it's a rip off of the end of
side one of Abbey Road (laughs). The Beatles did that
20 years ago. It was just for the effect of it.
PM: Yeah, I think it works. Um, somebody on the net-list
suggested that Learning To Live is all about AIDS. Any
comments on that?
Mike: Um, those are John Myung's lyrics, so I can't really
comment for him. But I do know that those lyrics were
definitely inspired by the AIDS epidemic. After those
lyrics were first written, John first told us that it
is about AIDS, but since then he's changed his mind
(laughs). So you'd have to ask him. But those are
definitely references to the AIDS epidemic.
PM: Ok, there are various ideas around about what
Surrounded is all about. It seems to contain various
ideas about changing religion, or losing faith
completely, or what? How would you interpret them?
Mike: That's Kev again. I'm not even gonna touch
Surrounded's lyrics with a 10 foot pole, cos I've yet
to figure them out. They're personal to Kev, so...
PM: Ok. Another song that generates a lot of interest is
Metropolis. Is it based on the film?
Mike: No, not at all. Actually, when we're writing songs
we always write them instrumentally first, and we
always come up with silly titles for them. The
original title for Learning To Live was Creep With
Tonality, and the original title of Take The Time was
Grab That Feel. This is the best one, the original
title of Under A Glass Moon was The Battle of Jimmy
Coco and Fish-Face (laughs). So, when we're writing
songs we come up with an instrumental working title
which basically just come from, like, a mood, that we
got from the music. And when we were writing
Metropolis, we actually called it Crumbling Metropolis.
For years & years, before there was even lyrics in that
song, it was always referred to as Crumbling
Metropolis. And then eventually Metropolis, just
because of the beginning, which has this big overture
feel. It reminded us of a big city, and the Crumbling
Metropolis came into play when we got the whole
instrumental section just going way outta wack.
So basically, when it came time to write the
lyrics, John decided to write lyrics based around the
working title. He made up this little story, which has
nothing to do with the movie. It's a fictional story
that he made up that's pretty much about brotherhood.
Two brothers, which are spirits, the Miracle & the
Sleeper, and has to do with the 3 dances of life that
they go through. And they're dealing with each other &
their relationship. But it all takes place within this
Metropolis. And that's why it's Metropolis part 1,
because in the future there's gonna be a sequel.
PM: John Petrucci seems to base a lot of his lyrics upon
short stories he's written. The Killing Hand, I
believe, was based on a short SciFi story he wrote.
Has he published any stories anywhere?
Mike: No, none have ever been published. But we do base a
lot of our songs on them, Metropolis was a perfect
example of, I guess, almost a science fiction idea,
which he put into lyrics. The Killing Hand was very
much like a Twilight Zone sort of story, and Metropolis
is the same. So John's lyrics in a lot of cases come
from that sort of, you know, storyline, or almost like
a poem, or short story. His lyrics take more of that
form. Kev's lyrics come from a more spiritual angle.
Almost like a religious sort of, inspiration or
something. But John's are more like Neil Peart's old
lyrics (smiles).
PM: So are there any more songs which are based upon
stories John has written? The Ones Who Help To Set The
Sun, perhaps?
Mike: Yeah, exactly. Even Under A Glass Moon is almost
fictional, you know, just like a story.
PM: That's another one I'm not really sure I understand.
Mike: That's actually the only song on Images & Words that
doesn't tie in with the common thread. There's a
common thread through all the lyrics, which was only
coincidental. It wasn't meant to be there originally,
but because of the surroundings that we were in during
the writing of the album, all the lyrics deal with
trying to face up to a negative situation - trying to
deal or cope with something that's a very frustrating
situation - trying to be as optimistic as possible in
the face of negativity or pessimism. And Under A Glass
Moon is pretty much the only track that doesn't tie in
with that theme.
<at this point the manager came in and said we had to wrap
it up soon, as the doors would soon be open.>
Mike: OK, do you have one or two more quickies?
PM: Yeah. What is being said in the background of A
Fortune In Lies, there's a lot of talking going on that
can only just be heard.
Mike: A Fortune in Lies was about a friend of ours who was
arrested for stealing some stuff, or whatever, I don't
wanna get too specific. And basically those samples in
the middle of A Fortune In Lies were taken from a
documentary about people in jail - them reflecting on
the mistakes they've made which landed them in jail.
So we saw this documentary, I don't remember the name
of it, although I have it on videotape still, and it
had all these quotes in it. We put some of those
samples in because we felt it was fitting to the
lyrics.
PM: Have you got any idea what the new single's going to
be? Will it be Surrounded, which seems to me to be the
perfect choice?
Mike: Er, close. When we get back from Europe we gonna be
shooting the new video for Another Day. That'll be the
3rd video. And we're not going to even have to edit it
either. So that'll be a first for us. And then
Surrounded, will, if everything goes as planned, be the
4th single. So side 1 of the album will be all the
singles, side 2 will be all the non-singles (smiles).
That's the basic plan right now.
You don't wanna know about the samples at the
beginning of Take The Time?
PM: Yes, go for it. Every little bit of info is useful.
Mike: (laughs) Actually there are 2 samples. The samples
at the beginning are Frank Zappa, The Beastie Boys and
Public Enemy. And then later on there's a quote from
another source that had a direct reflection of what the
lyrics were about, an Italian quote from the movie
Cinema Paradisio. And it comes after the line 'I can
see much clearer now I'm blind'. The quote is an
Italian voice which translates to 'Now that I'm blind I
can see much better', or something like that.
PM: What do you think is the meaning of that? That idea
occurs throughout the whole album.
Mike: Well actually the lyrics to Take The Time were a
first for us. This was the first time we'd ever
written lyrics together. We decided we wanted to write
a song about the whole period we were going through -
looking for a singer, a label, and in a sense taking
the time to make these right decisions. And we broke
it up, first verse, second verse, third verse, bridge,
and chorus, and everybody went away - like, I had the
first verse, John Myung had the second verse, John
Petrucci wrote the third verse, and Kev wrote the
bridge. And everybody went away and wrote from their
individual points of view, their views on the whole
situation we were going through, and then got together
& put it all together. So that one line, 'I can see
much clearer now I'm blind' was Kev's part of the
lyrics, those were the bridge. And he also mentioned
something like that in Surrounded too. You'll have to
ask Kev what they mean, though.
PM: One last question then?
Mike: Sure.
PM: Who thought up the name Dream Theater? It states in
the liner notes to When Dream & Day Unite 'Thanks to
Howard Portnoy for the name'. Is that your Dad?
Mike: Yeah, that's my Dad. He's pretty much the reason
I've ever been interested in music to begin with. When
I was born I was completely surrounded by music at all
times from him. He was a disc-jockey, and when I was a
little kid he turned me on to the Beatles, The Who,
Zeppelin, and stuff like that. And so, obviously, him
being such a big music fan, he has always followed what
I'm doing. And he's a big Dream Theater fan. So when
it came time for looking for a new name for the band,
he was giving us suggestions and stuff. And we were
getting so desperate too, I mean, we would drive by a
McDonald's and say 'Hey, let's call the band Big Mac!',
you know (laughs). Anything we saw, we'd wanna name
the band. And one day he suggested The Dream Theater,
it's the name of a movie theater out by where he lives.
He lives in California. He suggested that amongst many
other names.
PM: It's the perfect name for you, it really is.
Mike: Yeah, we felt it really fit the music well.
<At this point Mike was called away to prepare for the
concert, so I finished up by thanking him for sparing almost
an hour of his time for this interview. He said it was a
pleasure, and said he hoped I enjoyed the show. After the
show I met him again, and told him I'd send him a copy of
this transcript.>
|
542.637 | | JOKUR::ESCOBAR | Relax... It's Only Temporary... | Tue Apr 27 1993 16:22 | 4 |
|
Dream Theater Sucks.
|
542.638 | | BINKLY::DEMARSE | Ripple in still water... | Tue Apr 27 1993 16:24 | 3 |
| Hi Esco!!! Like the p_name.......
:), d
|
542.639 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Tue Apr 27 1993 16:54 | 6 |
| Escofart,
Boy did they pick a most fitting HOST NODE system to put you on!!
You big girls blouse, go back to the rock you crawled out from under!
|
542.640 | | AD::FLATTERY | | Tue Apr 27 1993 17:01 | 2 |
| ...geez buck..no smileys or anything on that one.....get up on the
wrong side of the crypt today??...................;'))............./k
|
542.641 | | GOOEY::JUDY | slept with romance, danced with lust | Tue Apr 27 1993 17:17 | 6 |
|
re: Buck
Escofart???!! bahaahahaaaaaaaaaaaaaaaaa! ahem.
|
542.642 | | JOKUR::ESCOBAR | Relax... It's Only Temporary... | Tue Apr 27 1993 17:56 | 8 |
|
Hey Buck, ya know what Pertrucci said. his main influence for writing
Metropolis (I think it was Metropolis) was Iron Maiden. He says they
were one of the main reasons he strived to get so good.
How amusing.
|
542.643 | moot point | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Tue Apr 27 1993 18:03 | 12 |
| >Hey Buck, ya know what Pertrucci said. his main influence for writing
>Metropolis (I think it was Metropolis) was Iron Maiden. He says they
>were one of the main reasons he strived to get so good.
Hmmm, must be that "progressive" metal style Maiden has to their music.
Oh yeah, and Bruce Dickenson is classically trainde in Opera, don't
forget that... 8^)
Yeah, so what. I listened to IM as a teenager, too, but my music
sounds nothing like theirs. Either does DT's ... no galloping
dinosaur rhythms found in Metropolis...
|
542.644 | | FRETZ::HEISER | the sun was setting in Avalon | Tue Apr 27 1993 18:21 | 1 |
| and for the PC types: Escoflatulence.
|
542.645 | | GOES11::G_HOUSE | Son of Spam | Tue Apr 27 1993 18:43 | 1 |
| Escogreatwindfrombehind
|
542.646 | | KDX200::ROBR | Phantasmagorical!!! - (Daffy) | Wed Apr 28 1993 11:17 | 8 |
|
hey buck, have you talked with the guy with the majesty demos yet? i
saw the note....
i have a lead on some of the DAT's portnoy records straight from the
board!! someone jack knows is friends with mike and has a couple of
tapes mike gave to him.
|
542.647 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Wed Apr 28 1993 11:29 | 11 |
| >hey buck, have you talked with the guy with the majesty demos yet? i
>saw the note....
Already in process -- I'm sending him a tape this week!
>i have a lead on some of the DAT's portnoy records straight from the
>board!! someone jack knows is friends with mike and has a couple of
>tapes mike gave to him.
Well, GET THEM!!!
|
542.648 | Damn! These guys are road whores! | KDX200::COOPER | Let The Light Surround You!! | Wed May 05 1993 13:54 | 7 |
| Dream Theater is coming to Colorado *again* !!
I'm THERE! June 11 I think...
I think I will also be dragging Greg to the show...By the short
hairs if necessary!!
:-)
|
542.649 | ;^) | GOES11::G_HOUSE | Son of Spam | Wed May 05 1993 14:29 | 1 |
| Geez, what a bunch of sellouts...
|
542.650 | | JOKUR::ESCOBAR | I'm Not Stoppin' 'Til I'm Done | Wed May 05 1993 14:46 | 5 |
| No kiddin', since I doubt they have any new material they're just
soaking their fans.
|
542.651 | when you find a lemon, squeeze it | FRETZ::HEISER | raise your voice in shouts of joy | Wed May 05 1993 15:25 | 1 |
| Coop just wants to steal Petrucci's patches.
|
542.652 | | GOES11::G_HOUSE | Son of Spam | Wed May 05 1993 15:37 | 4 |
| It won't help... I copped Buck's Mp-1 settings and my playing still
sucked.
gh
|
542.653 | | KDX200::COOPER | Let The Light Surround You!! | Wed May 05 1993 17:39 | 6 |
| Good point.... I can swipe Pertrucci's patches, but I'll never be able
to play like him, so whats the use.
Dream Theater RULES. Don't forgot that, ya buncha nancy-blouse POSEURS!
:-)
|
542.654 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Wed May 12 1993 11:29 | 5 |
|
FYI on the DT gig this Saturday at Rocky Point -- Tickets to the
show are $12.50. The Park is open from Noon until 9pm, with the
doors to the show opening at 8pm. I think there are two opening
bands, but am not sure.
|
542.655 | Dreaming of Dream Theater | DELNI::CASHMON | Swatting flies | Wed May 12 1993 11:48 | 9 |
|
Buck, how do I get tickets to the Rocky Point show? I'd hate to drive
all the way there just to find out its sold out. Is there anywhere I
can get them around here?
Thanks,
Rob
|
542.656 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Wed May 12 1993 12:29 | 5 |
| >Buck, how do I get tickets to the Rocky Point show? I'd hate to drive
>all the way there just to find out its sold out. Is there anywhere I
>can get them around here?
Tickets are being sold at all Strawberries record & tape outlets.
|
542.657 | I hear the term "Dream Theater" is Scandanavian for "opening act" | GOES11::G_HOUSE | Son of Spam | Wed May 12 1993 13:08 | 5 |
| > I think there are two opening bands, but am not sure.
Dream Theater and who? Who's headlining?
gh
|
542.658 | | KDX200::COOPER | Let The Light Surround You!! | Wed May 12 1993 13:26 | 10 |
| RE: Greg
NOT!
I know that at The Mammoth in Denver, Galactic Cowboys
are opening... I know I can count on Greg going to this
show with us...
Hey Buck, have you talked to the spouse lately??
jc
|
542.659 | | GOES11::G_HOUSE | Son of Spam | Wed May 12 1993 13:40 | 6 |
| > I know that at The Mammoth in Denver, Galactic Cowboys
> are opening...
Galactic Cowboys rool, I'd go just to see them!
gh
|
542.660 | | BINKLY::MINARDI | | Wed May 12 1993 14:32 | 1 |
| Dream Theater sux!!
|
542.661 | | JOKUR::ESCOBAR | Mister Fantastic | Wed May 12 1993 14:36 | 4 |
|
Ahahaha, Greg, yer killin' me... ;')
|
542.662 | | KDX200::ROBR | Phantasmagorical!!! - (Daffy) | Wed May 12 1993 16:21 | 5 |
|
thanks minardi, wanna go??? :') buck, got directions to rocky point
for us?
|
542.663 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Wed May 12 1993 16:58 | 15 |
| My directions to RPP are shakey (read: I know how to drive there, etc.)
The park is located on RT117A in Warwick, which if you look on a map,
is the circle route around the bay area (the park is right on the bay).
So, I *think* the directions are:
I-95 South (thru Providence)
Exit for RT 113 East (to Warwick)
RT 113 dead-ends into RT 117 -- Take a left.
Watch for the SMALL RPP park, you wanna bear off to the right onto
RT 117A. The park will be on your left, watch for the sign. If
you pass this BIG wrought iron gate mansion on your left, you've gone
too far!
|
542.664 | What if you're coming from Clinton? | FRETZ::HEISER | raise your voice in shouts of joy | Wed May 12 1993 19:08 | 1 |
|
|
542.665 | Too funny! | BOVES::FENNELL | Call your travel agent | Wed May 12 1993 19:23 | 6 |
| Another Legendary joke...
We should have saved that string. That was for the Bash at the Marlboro
Fish and Game...
|
542.666 | | BUSY::SLABOUNTY | Good Heavens,Cmnder,what DID you do? | Thu May 13 1993 07:43 | 3 |
|
The number of the beast!!
|
542.667 | | USOPS::GALLANT | She'd rather go than fade away... | Fri May 14 1993 10:40 | 16 |
|
RE: I-95 South (thru Providence)
Just a warning - and it might not even apply to you depending
on what time you head down, etc. But there's *heavy* road
construction going on in Providence on I-95.
JJ and I actually got stuck in it on a *weekend* AND in the
*morning* (I didn't think state workers were allowed to work
either one of those times) (; heading down to Rhode Island
about a month ago and I know it's still a pain.
Expect to get stuck in traffic unless you know of an alternate
route.
tigg~~~~
|
542.668 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Fri May 14 1993 11:11 | 9 |
| Thanks Tig!!
Yup, forgot about this issue. I-95 is ONE LANE from BEFORE Prov
until WAY AFTER!! I suggest you try (is it?) rt 295, which
goes around Prov completely and come out on I-95 south of Warwick
(so you would have to head north).
Construction on I-95 will last throughout the summer (can you imagine?)
|
542.669 | | USOPS::GALLANT | She'd rather go than fade away... | Fri May 14 1993 11:56 | 13 |
| RE: Route 295
That's what was suggested to me but I wasn't sure where it
would dump you off so I didn't want to say anything unless
I knew for sure.
It was suggested to us to take 295 around Providence to
get to the Narragansett Bay area so if you can find an
alternate route to get there, do it. (;
tigg~~~~
|
542.670 | | KDX200::COOPER | Let The Light Surround You!! | Fri May 14 1993 12:29 | 5 |
| I'm convinced that in Mass. they start at one end of an interstate
(pick one) and starting toward the other end... When they are
finished, they go back and start again. Mass Pike for instance...
jc
|
542.671 | it's called 'job security' | FRETZ::HEISER | raise your voice in shouts of joy | Fri May 14 1993 13:57 | 1 |
|
|
542.672 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Sun May 16 1993 12:27 | 75 |
| Well, I was in attendance last night at Dream Theater's first US show
on their 1993 Summer Tour. The band played at Rocky Point Park's
Palladium. It was a sold out show at 2,000 people!! The place was
packed, and it was rockin!! RUN, don't walk to the DT date nearest you
-- This was my 10th time seeing DT live. They were great the other
times, but this time was the absolute BEST. I am not sure what the
European leg of the tour did for them, but they have REALLY honed their
act to a *stunning* display. After seeing DT live all those time, I am
awe-stuck after this show!!!
Here are some show run-downs...
THE STAGE:
The band is playing on a much bigger stage now. Both Myung and
Petrucci have added an additional amplified stack on each side of
their stage to the backline. Myung and Petrucci are also both sporting
new axes on this tour!! Their light show was AMAZING. They havd a
*very* large set-up, and it was used very well! In addition to a large
set of lights at the front and back of the stage, the band has their
I&W backdrop, as well as a new "theater"-style curtain hanging from the
ceiling on stage. Their sound was PERFECT!!! I'm not kidding you,
from song one it was the clearest and best mixed I've heard to date.
They also were using a much larger PA system than before, and they must
have got some top pro sound engineer with them now, as the sound was
absolutly wonderful!!
THE SONGS:
Here is the set list they played...
Learning to Live
Under a Glass Moon
(Instrumental Segue)
Status Seeker
Wait for Sleep
Surrounded
??? (Brand new song)
(Instrumental Jam, or entended ending to Brand New Song??)
Take the Time
Another Day
Metropolis - Part 1 (with drum solo in the middle)
-- Encore:
Long instrumental segue...
Pull Me Under
THE SHOW:
Their stage presence is noticably better than before. Again, maybe the
Euro tour whipped them into shape?! LaBrie's vocals were perfect --
album quality. They didn't have the roughness they did at the end of
their Winter tour. He also seems MUCH more a part of this band now,
and doesn't see as "un-sure" onstage as he did at times last year. All
in all the band was tight, energietic, and aggressive! I firmly
believe this will be the tour that will "push" DT over the top into the
nationals/big time!! Esp. after they release Surrounded as a single,
there will be no stopping them. The reaction DT got from the crowd was
wild. They have the who place clapping and singing along, with one
HUGE mosh-pit in the center of the place!!
All I can say is if DT keeps improving at this pace, they will be
HEADLINING stadium shows this time next year!
Cheers,
Buck
PS - On Rocky Point ... the Schwarzkopf WILDCAT coaster was down 8^(,
but the Intamin FREEFALL was up -- got about 15 rides on that. Also
did many rides on the Chance SKY DIVER. A great whirl-n-hurl ride.
The Arrow Loop-Screw coaster still sux!! Ron Toomer is a poofter!
|
542.673 | | COMET::MARTINN | Prior to that I was a person | Sun May 16 1993 19:20 | 5 |
| Great review Buck!!!!! I was planning on seeing them anyways but now
I'm sure I don't want to miss them!
So Greg and Coop can I come along? :^)
Rat
|
542.674 | | KDX200::ROBR | Phantasmagorical!!! - (Daffy) | Mon May 17 1993 20:32 | 10 |
|
well buck, i was about to leave to go, then thought, maybe i should
call. so i did, found out they weren't going on until 10:15 and i had
to be at work by 11:30 or so, so had to skip it... sigh. Well, I am
now days... M-F 9-5!!! The traffic sux big time though.....
ps flip, danielle, /k..... welcome back (if you made it :'))
|
542.675 | | POWDML::BUCKLEY | Sleeping Beauty Land Theme Park | Thu May 20 1993 12:32 | 10 |
| I know where a live DT video can be had. The set for this show
includes:
intro: 'Simpsons Theme'/Metropolis/Under A Glass Moon/Only a Matter of
Time/Surrounded/Pull Me Under/The YTSE Jam (including drum solo)/Bass &
Guitar duet/Another Day/The Killing Hand/Take the Time/Piano intro/Wait
For Sleep/Learning To Live
Send me mail for more info...
|
542.676 | | KDX200::ROBR | Phantasmagorical!!! - (Daffy) | Thu May 20 1993 21:18 | 3 |
|
i know too, but send buck mail anyway... :')
|
542.677 | | KDX200::COOPER | Let The Light Surround You!! | Thu May 20 1993 23:00 | 5 |
| The people who REALLY matter, Rob, have already seen mail from
Buck regarding this most legendary set of tapes.
jc (Who matters) :)
|
542.678 | | KDX200::COOPER | Let The Light Surround You!! | Tue Jun 29 1993 01:26 | 6 |
| Hey BOom,
You never did say what you thought of the DT show you attended
last month... Isn't Petrucci's tone RrrrrrROOLIN' !?!?!?
jc
|
542.679 | Coop, when is the DP/4 scheduled to arrive? | DREGS::BLICKSTEIN | DOS Boot | Tue Jun 29 1993 10:33 | 7 |
| > You never did say what you thought of the DT show you attended
> last month...
And you (Coop) never did say what you thought of the Ensoniq Clinic
you attended this month. Nudge.. nudge..
db
|
542.680 | Lexicon RULES dood, didn't anyone tell ya?? | KDX200::COOPER | Let The Light Surround You!! | Tue Jun 29 1993 12:12 | 17 |
| Yo db,
I didn't go... I konked out on the sofa instead. :-)
FWIW - I don't think that price/performance ratio of the
DP/4 is in there yet. I'd rather have a rack full of
Lexicons at this point. I can pick up used Lexicons for
$200-$250 all day long that (IMHO) smoke units of the
$XXXX variety.
My future plans include another LXP-1 and a pair of LXP-5'.
That coupled with the LXP that I already have, the SMC and
the MRC, makes for less than $1K, and I get four individual,
completely cool processors with remote MIDI real time control,
plus automation. Cool eh? The second LXP-5 will go in the
guitar rack, naturally. :-)
jc (Poor man)
|
542.681 | The DP/4 is much more than just a multi-effects box | DREGS::BLICKSTEIN | DOS Boot | Tue Jun 29 1993 14:03 | 50 |
| Coop, I think that you are under the false impression that a DP/4
is just an expensive multi-effects processor like a GP-16 or a
Multi-verb or whatever. It ain't.
> FWIW - I don't think that price/performance ratio of the
> DP/4 is in there yet. I'd rather have a rack full of
> Lexicons at this point. I can pick up used Lexicons for
> $200-$250 all day long that (IMHO) smoke units of the
> $XXXX variety.
You can't compare a single LXP-1 to a DP/4.
That 4 used Lexicons cost about the same as a new DP/4 actually
indicates that the DP/4 is probably ahead of the Lexicons in the
price/performance ratio.
An LXP-1 is a single-effect processor.
A DP/4 is FOUR totally independent single effects processors in one
box. Thus a DP/4 is really the equivalent of 4 LXP-1's in terms of
functionality. Actually it's slightly more than that.
A single LXP-1 can't simultaneously add overdrive to your guitar, reverb
to your drums, compression to your bass, and chorus to your keys.
A single DP/4 can do that and more!
I said it's slightly more than 4 LXP-1s. That's because many of
the individual DP/4 "algorithms" can do two effects at once.
It's also "more" than 4 LXP-1's because it is also a MIDI-controlled
patch bay. You process 4 signals independently, or you can chain any
commbination of them in any arbitrary order and combine any of the
output signals anyway you want it.
What's more is that you can change the configuration instantly via
MIDI. That is, I may want two use two effects on one channel for
the first part of the song and then independently for another.
With LXP's you'd have to recable! Not only is that unnecessary
with the DP/4 but you can do it automatically under MIDI control.
It seems to me that the DP/4 actually blows away the LXP-1 in terms
of price/performance but it's a big up-front investment because it's
like buying 4-6 LXP-1s.
Ensoniq generally NEVER gets blown away in the price/performance
category. These are the guys that made sampling available to the
masses (The Ensoniq Mirage was first sampler under like $5000!!!).
db
|
542.682 | Perish the thought! | KDX200::COOPER | Let The Light Surround You!! | Tue Jun 29 1993 15:24 | 35 |
| >Coop, I think that you are under the false impression that a DP/4
>is just an expensive multi-effects processor like a GP-16 or a
>Multi-verb or whatever. It ain't.
I know that... I've seen the box before. It is, very impressive...
I remember when the ART SGE came out it was also impressive because
of all the cool functionality it had (every effect in the world,
nine at a time, digital mixer etc...). The bummer is that it sounded
like doo-doo.
I'm sure (actually, I KNOW) the Ensoniq offering is light-years ahead
of the ART offering, but the point is, I'm not so impressed by bells
and whistles any more. I mean I like the SDE-1000 I got from dbii,
cuz it's simple and functional.
In a studio environment, I would MUCH rather have 20 inexpensive
signal mangling boxes (MVII's, SDE1000's, DBX 163x's, Pultecs...
oppps, scratch that last one :-) than one impressive peice of gear
and a bitchin' patchbay, than a programmable wonder-box (which I'm
sure the Ensoniq is).
Perhaps the DP-4 would be cool in a guitar rack, where programmability
is a plus... But, I've had my lexicon in my guitar rack too, and
it's happenin'. Beleive it or not, I like to keep things simple
there also - I just don't have time to program stuff any more.
I like to use a cord, my fave four presets, a guitar, and hundreds
of 4x12's. :-)
On the otherhand, in the studio, when people are getting billed for
time, they aren't gonna like waiting for me to program a MIDI mixed
'verb/chorus/delay' patch... Especially if I duplicate the effort
with a patch bay and 16 MVII's anna few LXP-%'s.
:-)
db, am I getting old or something??
|
542.683 | Price/performance is why I'd buy it | DREGS::BLICKSTEIN | DOS Boot | Tue Jun 29 1993 17:16 | 20 |
| re: Coop
Sorry, I had thought you didn't know that because of the mention of
the price/performance and the price comparisons you drew.
I totally disagree that it's not absolutely KILLER in the
price/performance area.
> I'm sure (actually, I KNOW) the Ensoniq offering is light-years ahead
> of the ART offering, but the point is, I'm not so impressed by bells
> and whistles any more.
Neither am I - the reason I'm thinking about one is that I can sell
all the stuff I'm using in its absence, buy one, and come out with
a) much better quality sound and b) probably some cash besides!
The DP/4 doesn't have a lot of bells and whistles - it's mainly
just a lot of bang for the buck.
db
|
542.684 | | KDX200::COOPER | Let The Light Surround You!! | Tue Jun 29 1993 21:56 | 12 |
| Thats cool - I just don't think that the DP/4 is as cool sounding
as my Lexicon (not even close, IMHO), and while I can add to the
Lexicon for low-$$, I can't hook up with a DP/4 for under $K buckage
:-)
Besides, as we discussed last week, my spousal unit would have me
NEUTERED if I showed up with a $1K+ toy when she wants a HUTCH !!!
(inside joke...)
"Peavy, Mesa/Boogie, they think thats where it's at..."
jc
|
542.685 | Why are we talking about this in Heavy_Metal?? | GOES11::G_HOUSE | Son of Spam | Wed Jun 30 1993 00:04 | 35 |
| re: Coop
It's really not fair to compare the used price of one unit against the
new price of another. From what I've read, the DP/4 is *at least* on a
par with those low end Lexicon units in terms of sound quality, and at
the new price, costs about what 2.5 of the LXP 1/5s cost.
As far as whether I'd rather have dedicated effects/processors or all
in one units, I really don't care, as long as they're of good sonic
quality and can be configured the way I want without a lot of hassle.
Would I rather have a multieffects unit like a TC 2290 or a Lex PCM-70
over a batch of Digitech dedicated delays? In a heartbeat... Over 4
LXP-1s, yeah probably. To compare apples to apples, would I rather
have a 2290 then a pair of those Sony dedicated delays? Yes. Hey, at
some level you almost always get what you pay for (in terms of
relative cost).
It would seem, in my mind, that if you're trying to compare something
like an ART SGE to the DP/4, then db's right, you don't understand what
the DP/4 will do.
It would seem that the DP/4 excels in this area (configuration ease).
It has 4 inputs and 4 outputs which can be configured or mixed in a lot
of different ways (2 stereo outs, 4 mono outs, 1 stereo out-2 mono
outs), the routing seems really good. I could imagine a unit like this
saving a bunch of patchbay slots in the studio.
Have you actually heard a DP/4 in a decent environment for comparison?
Sitting in a noisy music store playing through a cheezy board, monitors
you're not familiar with, or (brrrrr) through a guitar rig, is not a
decent way to determine the quality of pro level audio gear. I'm
wondering what your assertion that the LXP-1 blows it away is based on.
Greg
|
542.686 | Marshall is a "fine cabinet maker" | DREGS::BLICKSTEIN | DOS Boot | Wed Jun 30 1993 12:31 | 15 |
| > Thats cool - I just don't think that the DP/4 is as cool sounding
> as my Lexicon (not even close, IMHO),
Well, as surprising as I find that, to each his own.
> I'm wondering what your assertion that the LXP-1 blows it away is based on.
Me too.
> if I showed up with a $1K+ toy when she wants a HUTCH !!!
Is she a "MIDI Hutch Puke"? ;-)
Good thing she didn't say "I want a cabinet". If she did, she might
find a stack of 4x10's in the dining room one day. ;-)
|
542.687 | | KDX200::COOPER | Let The Light Surround You!! | Wed Jun 30 1993 13:31 | 24 |
| No 4x10's for me, thanks. :-)
>> I'm wondering what your assertion that the LXP-1 blows it away is based on.
> Me too.
Simple. I paid very little money for my Lxp-1 with a matching MRC-1
and even got a cool windows based MIDI controller for it. Granted, it
may not be fair to compare used prices to new prices, but what do I
care? It's money I count, not how many gadgets can be jammed into
a box. :-) Also, I compared the DP/4 to the SGE strictly because
the both have a lot of gadgets in the box. I was blown away by all
the functionality the SGE had (on paper), but was embarassed to own
it after I got it. I'm much more cautious nowadays. :-)
Also, I just didn't care for the reverbs in the DP/4 - I didn't think
they sounded as good as the Lex. The lex may be a low-cost alternative
to a PCM70, but it's still a Lexicon (big bang, low buck). Oh, and I
played around with the Ensoniq with a synth-piano at ProSound.
FWIW - I'd love to have one, as I would a PCM70, PCM42, TC2290,
H3500SE, anna rack full of tube-compressors. :-)
|
542.688 | ????? | MCIS3::DBEVERIDGE | | Wed Jun 30 1993 14:04 | 1 |
| I thought this was the Dream Theater note?
|
542.689 | Happy? ;-) | DREGS::BLICKSTEIN | DOS Boot | Wed Jun 30 1993 15:42 | 3 |
| > I thought this was the Dream Theater note?
If Dream Theatre was smart, they'd used DP/4s.
|
542.690 | Gear is more interesting then people that just use it | GOES11::G_HOUSE | Son of Spam | Wed Jun 30 1993 17:11 | 27 |
| > Simple. I paid very little money for my Lxp-1 with a matching MRC-1
> and even got a cool windows based MIDI controller for it. Granted, it
> may not be fair to compare used prices to new prices, but what do I
> care? It's money I count, not how many gadgets can be jammed into
> a box.
Wait until the used DP/4s start getting out there, then make a fair
comparison.
> Also, I just didn't care for the reverbs in the DP/4 - I didn't think
> they sounded as good as the Lex. The lex may be a low-cost alternative
> to a PCM70, but it's still a Lexicon (big bang, low buck). Oh, and I
> played around with the Ensoniq with a synth-piano at ProSound.
I'd hardly call ProSound a decent listening environment. They probably
had it running through cheezy speakers too. I'd be really hard pressed
to compare a unit that I heard in a quiet studio over decent monitors
to something I heard in a music store with a half dozen employees
running around chatting and probably somebody demoing a Marshall stack
somewhere... Especially for something like reverb. In that
environment a Midiverb II would probably sound close to as good as a
PCM70 simply 'cause you can't hear the nuances.
Dream Theater? Who wants to talk about THEM??
gh
|
542.691 | | KDX200::COOPER | Let The Light Surround You!! | Wed Jun 30 1993 19:07 | 5 |
| Actually, John Petrucci uses a TriAxis, a Eventide H3500, and
a TC2290. Why would he want a DP/4 when he has those goodies??
jc (Who still want impressed, even if it wasn't an optimal env!)
|
542.692 | | GOES11::G_HOUSE | Son of Spam | Wed Jun 30 1993 19:49 | 8 |
| > jc (Who still want impressed, even if it wasn't an optimal env!)
I just don't understand how you could pass judgement on it after one
listen in ProSound, especially to be so vehemently down on it. It
seems like a good unit to me. If it sounds half as good as people have
told me, I'd be interested (were I shopping for that sort of thing).
Greg (who'll wait until they start showing up used anyway)
|
542.693 | | IMTDEV::COOP | Love will conquer all | Thu Jul 01 1993 03:35 | 6 |
| Please take this boring discussion somewhere else.. like Mutterings.
:-)
Yawn.
cj, who doesn't want a hutch, but her house payment to be made
|
542.694 | | FREEBE::REAUME | Do I hear a chainlift? | Tue Jul 06 1993 21:23 | 16 |
|
Late but here nonetheless --
I thought I posted my DT review over in GTR. Maybe.. maybe not!
I thought they did a tremendous job of covering all their material.
I had serious doubts that they could "pull it off" live, I was wrong!
Patrucci made licks that would be painfull (if not impossible) for me,
look effortless. And his tone was roolin' - C'mon $4K worth of gear
should cut it? right!
I was right up front and totally into it the whole show.
-B{}{}M-
|
542.695 | | KDX200::COOPER | Let The Light Surround You!! | Wed Jul 07 1993 16:29 | 6 |
| A convert...
:-)
So BooM, when you gettin' a TriAxis??
jc
|
542.696 | 7/18 @ Hampton | ASIC::BARTOO | Cannot Believe We're Comin' A-part | Thu Jul 15 1993 11:31 | 14 |
| Does anyone have information on DT at Hampton this Sunday?
Or does anyone know where I can get that info?
WAAF Hotline is clueless.
I'm looking for ticket-purchase locations and show-time.
ADVthanksANCE,
nick
|
542.697 | | PATE::SCHIAVONE | Don't ever try to put me down! | Thu Jul 15 1993 12:56 | 6 |
|
RE-1
Call the Hampton Beach Casino. 1-603-555-1212
/Cap'n Quad
|
542.698 | | KDX200::ROBR | Maybe you'll figure it out someday | Thu Jul 15 1993 14:13 | 4 |
| i got my tickets at the casino itself for $15. i'm not sure of the
showtime, but i *THINK* it's around 8ish or so with galactic cowboys
opening.
|
542.699 | info | ASIC::BARTOO | Cannot Believe We're Comin' A-part | Thu Jul 15 1993 14:59 | 15 |
|
Hampton Beach Casino Tick Office: 603.929.4100
Price: $13.00 Pre-sale, $16.00 Day-of, $1.50 surcharge on phone
VISA/MC/Disc
Time: Doors open 6:00P, Concert 8:00P
Admission: 18+ w/positive ID
Casual dress (no tanks or ripped jeans)
Directions from Metro-West:
Rt I-95 N
Rt 51 E to end
Turn right
.25 miles on left
|
542.700 | 700 replies!! | BUSY::SLABOUNTY | SomeoneLeftTheCakeOutInTheRain | Thu Jul 15 1993 15:02 | 8 |
|
Bartoo!! I'm impressed ... I figured you were another one of
those software deadheads.
8^)
GTI
|
542.701 | GTI couldn't pull a ball to save his life :) | ASIC::BARTOO | Cannot Believe We're Comin' A-part | Thu Jul 15 1993 15:06 | 9 |
|
I figured you'd be impressed because my softball team gave you
Gazoonheits a solid thrashing yesterday, Slab.
Even though the umps made only slightly better calls than you do!
:-) ;-)
|
542.702 | | BUSY::SLABOUNTY | SomeoneLeftTheCakeOutInTheRain | Thu Jul 15 1993 15:09 | 16 |
|
Ouch!! I've been hurt!!
And you only won by 5 runs ... wasn't our worst loss of the
season. IE, it was better than the last time we played you.
8^)
[And that 3rd strike that Mike blazed by me was BEAUTIFUL ...
I maintain that it was his fastest pitch of the game, and it
looked like it was going to be about a foot inside until it
got to the plate, and by then it was way too late to swing,
even for me.]
GTI
|
542.703 | | METALX::SWANSON | No more new notes | Tue Jul 20 1993 23:44 | 31 |
| So who else went to this show?
Review in a nutshell:
Galactic Cowboys were OK. I wasn't too impressed; wasn't anything
that really moved me. They're no Metallica! Something was wrong with
the sound too. Or maybe it was just where I was sitting...
Dream Theater were great! Sound was a little muffled at first, but
sounded better after a couple songs. It was their last show with the
Galactic Cowboys and they came out during one of the GC's songs and
sprayed (Silly String?) all over the band and goofed around on stage.
The GC's then got Dream Theater back during "Take The Time" and came
out dressed in goofy costumes and completely horsed around with Dream
Theater... climbing on their backs, and bumping into them etc. This
went on during the whole song yet they played it perfectly. It was the
only time I've seen them live that they included that "wait a minute,
hold on..." part at the beginning of that song, I noticed.
This joking between bands happend on and off the whole show, mostly
during DT's set. It was hilarious as well as musically entertaining.
They had some cool rotating lights that projected patterns behind the
band that I hadn't seen before in a DT show.
This was definately a show worth seeing. Great place to see a band at
too except for the dress code. (No cutoffs or tank tops.... at a beach
no less!)
|KS|
|
542.704 | | TOOK::LEVINE | will code for food | Wed Jul 21 1993 15:14 | 17 |
| I wuz there...first DT show for me.
Moore and Petrucci were especially impressive! Flawless performances from
both, in all aspects -- playing the notes right, of course, but they also got
great tones all night and were always in perfect balance with the rest of the
ensemble.
Portnoy is a monster! They had his bass drums cranked much too fackin' loud
though, my ears felt seriously abused the next day. Myung looked like he was
playing great stuff, but I couldn't hear him much over the double bass (except
for his pedals, which were even louder!).
LaBrea sounded great, both belting it out and on the quiet stuff. It was
kinda weird the way he would stick his tongue out on the high notes, though
:-) Hmmm, maybe I oughta try it!
-Lance-
|
542.705 | | KDX200::ROBR | Maybe you'll figure it out someday | Thu Jul 22 1993 11:20 | 9 |
|
LaBrea??? those are tar pits... that belongs in the iron maiden note.
:')
you were there lance? i was there!! fyi, they said that was their 2nd
to last show in the US, then they were going back to europe and japan,
then back into the studio, so no more appearances in the US until their
next album.
|
542.706 | | TOOK::LEVINE | will code for food | Thu Jul 22 1993 12:27 | 4 |
| LaBrea ain't his name? Guess I should add the DT liner notes to my spell
checker dictionary :-)
-Lance-
|
542.707 | Dino's rage on while Arnie fossilizes in tar pits | POWDML::BUCKLEY | Don't ask, Don't tell, Don't give a .... | Thu Jul 22 1993 14:15 | 3 |
|
Anyone see the new Arnie movie where they plop him into the LaBrea Tar
Pits?? If THAT wasn't hindsight in action?! ;')
|
542.708 | | KDX200::ROBR | Maybe you'll figure it out someday | Thu Jul 22 1993 16:00 | 5 |
|
yeah i saw it. stupid movie. oh well.
lance, his name is Labrie. you were close :').
|
542.709 | GC are no Metalica????? THANK GOD! ;) | DECAGE::HOWES | Cruisin' through this fairytale... | Mon Jul 26 1993 11:03 | 17 |
|
I saw DT and GC at Riverside, and Hampton while I was out...
Both were great shows, I didn't get to pay much attention
to the bands at Riverside, kept getting swept up in the
mosh pit during DT and GC. ;^)
The Hampton show was cool, I hate the 'YOU MUST SIT DOWN!"
law that is really lame. Both bands played great, they were
a lot of fun! GC has really changed DT for the better, made
them a lot looser. I talk to Pertucci for a bit, he is a
cool guy.
-Seth
|
542.710 | | ASIC::BARTOO | Come Undone | Mon Jul 26 1993 11:52 | 6 |
| I was there too...I thought the joking between bands got old after
what, 4 songs of it! The bands did a great job of getting the crowd
going despite the rules of the club which made it seem like
Kindergarten all over again! Where those whiteshirt bouncer meatheads
on a power trip or what?
|
542.711 | It wasn't entertainment for us it was for them.. Nice! ;) | DECAGE::HOWES | Cruisin' through this fairytale... | Mon Jul 26 1993 12:26 | 13 |
|
The bouncers were out of control! Badly!
See you have to understand the joking though, the two bands
had become very close and friendly, and that was there last
show they were really sad it was ending.. The joking around
wasn't for you, and it wasn't for the rest of the audience as
entertainment, it was for THEM... I have seen DT 7 times in
concert, GC have done a lot of good things for them... Ya know?
-Seth
|
542.712 | Light to dark, Dark to light,... | DREGS::BLICKSTEIN | DOS Boot | Wed Aug 11 1993 16:53 | 16 |
| I'm not sure, but the live album may be being released in the USA
on Tuesday. It's on the Usenet distribution list.
"That'd be cool"
"Yeah, cool. Heh... heheh... heheh..."
"Dreams are shaking set sirens waking up tired eyes"
"What was that"
"I dunno - I think it was the Canadian national anthem or something".
"That was cool"
db
|
542.713 | | POWDML::BUCKLEY | Live at the Marquee | Thu Sep 23 1993 12:37 | 7 |
| -1
A live DT ep, containg 7 songs, was released Internationally ONLY.
It's called LIVE AT THE MARQUEE.
There is a full-length live DT video slated to be released here in the
states on November 16th. The footage was shot in Japan.
|
542.714 | | KDX200::COOPER | Testing my new personal name | Fri Sep 24 1993 19:57 | 1 |
| Slobber!
|
542.715 | heh - heh - heh | DABEAN::REAUME | Hey Beavis - Autumn sucks! | Sun Sep 26 1993 13:37 | 10 |
|
I noticed that John Patrucci has joined the Ibanez endorsee ads on
the inside of the front cover of the this months Guitar Player. There's
mention of DT not being a band to follow trends, etc.
Also shown is Patrucci's custom graphic RGwhatever guitar. Hmmm -
Will a Patrucci model be the newest Ibanez? Did anyone ever buy a
Reb Beach model besides Reb (Oooops, he didn't pay for it!).
=B{}{}Mhead=
|
542.716 | | KDX200::COOPER | Testing my new personal name | Mon Sep 27 1993 13:23 | 3 |
| Petrucci has played a USA Custom Ibanez... It's the same one that
any of us can buy for $1300ish.
jc
|
542.717 | Where do I buy my "Petrucci for Guitar God" button? | DREGS::BLICKSTEIN | DOS Boot | Mon Sep 27 1993 17:33 | 14 |
| Petrucci deserves it.
The more I listen to I&W the more convinced I am that he is the most
underrated player around.
Sure, everybody and his brother has chops these days. Actually, these
days, everybody and their sister has chops. The reason I vaunt
Petrucci is because he doesn't sound like "yet another Varney guy".
He is NOT using the guitar like a zillion other guitarists. I could
easily imagine a lot of what he plays being done on some other
instrument.
So I give him credit mainly for his originality.
|
542.718 | | BUSY::SLABOUNTY | Whose Line Is It Anyway? | Mon Sep 27 1993 18:23 | 7 |
|
Some of those "Varney guys" are great, IMO.
Todd Duane, Joy Basu, etc.
GTI
|
542.719 | Guess this finally explains it | GOES11::HOUSE | and he put the load right on me | Tue Sep 28 1993 15:52 | 6 |
| > Sure, everybody and his brother has chops these days. Actually, these
> days, everybody and their sister has chops.
Just my luck...I'm an only child.
gh
|
542.720 | | KDX200::COOPER | Testing my new personal name | Wed Sep 29 1993 15:08 | 3 |
| Dream Theater RULEZ!
|
542.721 | | SUBURB::COOKS | These Colours Don`t Run | Thu Sep 30 1993 09:03 | 4 |
| I`ve only heard one song,(a ballad from the live at the Marquee album)
on a compilation cd i`ve got and i thought it was utter crud.
|
542.722 | another Portnoy interview | POWDML::BUCKLEY | Live at the Marquee | Tue Oct 05 1993 10:44 | 234 |
| The following is an interview with DT Drummer Mike Portnoy, which ran
in an issue of Modern Drummer (re-copied w/o permission)...
-----------------------------------------------------------------------
Dream Theater may be one of the best kept secrets in rock, but there's no
fooling drummers. They've been talking about Mike Portnoy for months.
After all, it's not often someone comes along who embraces odd time signatures
and polyrhythms with the grace of Neil Peart and the zest of Terry Bozzio.
And when it comes to drum fills - and there are plenty on the band's
astounding epic 'Images and Words' - Portnoy's are a vacuum for attention.
For the uninitiated, Images and Words is the most compositionally challenging
yet captivating and surprisingly accessible progressive rock album since
Queensryche's Operation: Mindcrime. Strictly on a performance level, you'd
have to back to early Rush to find as technically demanding and well-executed
a piece of art rock.
And that couldn't be better news to purists who thought this style of music
died with vintage Yes, Dixie Dregs, Rush, and other groups born two decades
ago. "We're not afraid to come to the people, because we do have mainstream
influences in us," says the twenty-five-year-old Portnoy. "But being fans of
early Rush and Yes and progressive groups like that, we feel there's a void
right now in that older, real exploratory kind of music. And we want to kind
of pick up the torch."
Mike Portnoy, John Petrucci, and John Myung - all from Long Island, New York -
didn't meet until coincidentally enrolling at the Berklee College of Music.
In Boston, they hooked up with fellow hometowner Kevin Moore to form the
nucleus of Dream Theater. It didn't take long to realize they had more in
common than their stomping grounds. They left school after only a year to
concentrate on their new project.
"Our influences had a lot to do with our direction, but then we started
incorporating jazz and other elements," says Portnoy. "We really encouraged
each other to stretch our musically. We also want to create music that's
pleasing to listen to, but we've always tried to incorporate strong individual
performances, too. I think we've improved a lot at bringing the two
together."
Portnoy cites his stint at Berklee for giving him the mental agility to handle
the band's challenging compositions while side-stepping the toes of his
bandmates. "Berklee was great for my drumming because the competition is so
fierce there. You have to be on top of it all the time. But the biggest
thing I got out of Berklee was the overall musical environment - the ear
training, theory, arranging, and harmony - which I really use every day in
this band. Because of all that, I'm able to have full input on our
songwriting. The drums have as much responsibility for the direction of the
song as any other instrument.
Portnoy adds that the technical training allows him to play more of a creative
role. "I know all the keys and time signatures of all our songs at all times,
which is really an advantage, because I can then help direct the changes
within a song. Each member has license to suggest something that may not
particularly deal with his instrument; we can all stray into each other's
territory. My input, obviously, is mostly rhythmic. But I'll also
participate when we spend a couple of hours in rehearsal working on the
orchestration of just four bars of music. All of us are even free to come up
with the lyrics."
Such democracy, however, did little to help the band through a self-indulgent
debut record and over five years of creative indecision. "We all have high
standards - individually and for the band - and we couldn't find the right
type of singer to handle the kind of music we were determined to play,"
Portnoy explains. "We even thought about giving up on finding a singer and
just becoming an all-instrumental group. But our hearts weren't in that. We
already had a singer ready for the new record, but then this other singer
(James LaBrie) sent us a tape. We couldn't believe it when we heard it, but
we auditioned him and found out he was for real. The other four of us had
been together for a long time, so all the songs for the record were already
written. James just had to put his voice on it."
Portnoy was introduced to music on a piano bench, but gravitated to the drums
in his early teens. "Even before I started playing, I was constantly
surrounded by music," he says. "My dad was a radio DJ, and he was always
getting me into different kinds of music. He used to take me down to the
station with him at 5:00 in the morning when I was just five years old, and
I'd spin the records while he slept. I was the only fourth-grader with a
collection of three hundred records! But I wanted more out of music; I
wanted to play. The piano wasn't rhythmic enough for me, and that's what
lured me to the drums."
Portnoy went on to play in a series of cover bands and original outfits, but
none that presented a fraction of the challenge he's found in Dream Theater.
"I'd never been in a progressive band before this one," Mike says. "I didn't
even know that's what I wanted to do until it happened. I was doing thrash
metal and covers in previous bands - and could still do that and be happy -
but this one is the most rewarding thing for me, and it was a surprise.
"We had all grown up with the same metal influences. But we had also just
come out of jazz school, really listening to Chick Corea, Mahavishnu
Orchestra, and groups like that - and that all melted together in the musical
environment we first formed under. Nothing was planned."
Portnoy attributes his physical dexterity and ability to hold up to Dream
Theater's extreme performance demands to his formative years, when he cut his
teeth on the legendary progressive outfits of the 70's. "Like a lot of
drummers, Neil Peart was my first drumming god, and music from Rush and groups
like that was always the most satisfying for me to play. Zappa's music had
the biggest influence on me as far as polyrhythms and odd times go. Still, it
took years of developing as a musician and channeling my energies to bring
these concepts into my own playing and to be able to use them in a band
context. Lessons helped me gain some of my independence, and I'm sure they're
valuable to a lot of players, but I used my own ears to pretty much get to
where I am now. Books and lessons are great, but they're just not the path I
took. Most of my practice nowadays is mental. I get the most out of just
listening to a piece of music, like Pantera or Yes, and then drumming along
and thinking of how I can phrase it differently."
Portnoy says that even though odd time signatures have never posed a problem
for him, he never would have fully digested them without opening himself to
players outside of progressive rock. "I've always been into odd times because
of the bands I grew up on. But I guess I used to play pretty typically until
I say Vinnie Colaiuta at a PASTE clinic. He blew my mind because he went
completely out and came back in. He opened the doors for me. My drumming was
never the same."
Portnoy says that Dream Theater's complex compositions begin with group jams,
but quickly move to paper for detailed breakdown of individual parts. "We'll
be jamming together and hit on a progression that really moves us, and then
we'll take off with it for an hour or so. We record everything and then
reorchestrate or arrange the parts later. We have a big chalkboard at our
studio so we can keep track of everything - because there's usually a lot to
keep track of. We write out the individual arrangements within each song and
give each a name.
"Then we'll get more in-depth, and that's where it gets fun. For instance, on
'Take the Time,' where it's in five, the keyboards are playing in two's. the
snare beats are on 1 and the '&' of 3 in a bar of five. The keys are
accenting along with the snare for eight bars, then the drums change around to
match up with the keys. Weird stuff like that - the odd times and polyrhythms
- are all arithmetic. There are also times when I'll play one measure of 7/4
to every two bars the other guys are playing in 7/8. I always try to approach
parts differently in that way, like in 'Metropolis,' where they play four bars
of 3/4 and I'm playing three bars of 4/4 underneath it. We're intrigued with
odd times and orchestrating them, or maybe repeating a part later in the song,
but in a different time signature."
The players in Dream Theater go to great lengths to challenge themselves
musically, says Portnoy, who cited the six-minute instrumental section of
'Metropolis' as an example of that. He added that one of the band's greatest
assets, though, is the ability to turn such intricate arrangements into
ear-friendly material. "We've always been song-oriented, but much more so on
this record. And that's because a lot of the time signatures and grooves that
go with them come naturally to us. The grooves don't have to be in 4/4. If
you look at the great groups of the '70s, they all had incredible
performances, but the songs were good, too. It's hard to bridge the two
concepts, but we've reached the point in our musical relationship together
where we can do that rather easily. It's become our style. Even without a
singer in the band, we always wrote our songs with lyrics in mind. And I
think we've learned that it's important to establish the rhythm or hook in a
song."
Even though Dream Theater is have success, Mike mentions that he has had some
disappointments along the way. For Portnoy it's not hard to find his sore
spot with the recent album - the sampled drum sounds. "That's something I'm
not real proud of," he says with a chuckle. "Unfortunately, for this record,
I wasn't able to be hands-on with my sounds, and it was a very frustrating
experience. It's a triggered snare, and I'm not a real fan of that. It's
okay in the big, open spaces, but a lot of the intricate things and ghost
notes got lost.
"It's tough, because the five of us are so meticulous with what we do and
spend great amounts of time creating parts for songs. It's tough having a
sixth person (producer David Prater) come in and just wipe away some of the
ideas it took months to develop. We had to make a lot of compromises,
artistically and sonically. But it's not like we don't feel the album is a
true representation of us. We're not consciously trying to be as out-there as
possible, but a lot of the changes he made turned out for the better because
they made our overall compositions more digestible."
Portnoy says that his own demands for perfection don't extend far beyond the
recording studio. "I have two theories on click tracks," he explains. "At
first I was against it, because music comes from a feel and it should have that
mental push. But when it came time to make the album, I used clicks for a lot
of parts, and actually felt more comfortable because it made me concentrate
more on my playing and it pushed me along a little. But I don't need that
kind of push live. Maintaining tempo is important, but the music can breathe
a little more and have a life of its own on stage. I think a click can kind
of limit the spontaneity."
Portnoy says that even though he and the rest of his bandmates receive a heavy
dose of compliments from other musicians while on tour, he doesn't see himself
as an exceptional drumming talent. "Kids will come up to me and tell me how
great I am, and just when I start believing it, I'll put on a video of Vinnie
or Dave Weckl and put myself back in my place," he says with a laugh. "I
mean, don't there kids know who the great ones really are? It's hard for me
to think I'll ever reach that level. But then again, I don't think I'll ever
be at a level where I'm satisfied with my playing."
That doesn't mean he doesn't try. Portnoy says that he constantly reviews
audio and video tapes of his live performances. "I bring my DAT player on the
road, and it picks up a lot of things I don't really notice when I'm playing,"
he explains. "Everything happens so unconsciously when I play live - I don't
even know here the licks come from. But I'll go back and find something on
the tape that surprises me. Still, some of the best stuff is spontaneous,
and it's never the same when you try to reproduce it."
A facet of Portnoy's playing that only the most observant fans might notice is
what he call an "untraditional matched grip." "The stick in my left hand is
backwards, where I hold it at the tip and hit with the butt end. I find that
I get a lot more power on my snare hits that way and I don't really notice the
imbalance. I've been doing it for so long that I'm just used to it."
With Images & Words selling consistently, propelled by the single 'Pull Me
Under', Portnoy figures to be on the road through 1993. Thanks to a large
family, he says he always feels at home. "Divorces and death have given me an
enormous family," he says. "The crew always makes fun of me because
everywhere we go, it seems like I have relatives there."
Meanwhile, in times when many progressive rock and metal bands are curbing
their music to appeal to a large audience, Portnoy envisions slowly pulling
people into Dream Theater's element. A recent two-hour headlining show in NYC
incorporated the nuances of a theatrical performance, including a program,
ushers, and an intermission. And if people think that Dream Theater's current
repertoire is on the lengthy side, Portnoy says their next recording project
will include a twenty-minute piece call 'A Change of Seasons', featuring the
drummer's first full lyrical contribution to the band. "For us, the quality
of the audience is more important than the quantity. I don't see us toning
down or shortening our songs just to attract more people to us. It's more
important with a band like ours that our fans appreciate our music for what it
is and not just like us for a hit single or video. So far, they seem to like
us for exactly what we are, which is real rewarding to us.
"Our shows have been packed for the most part, which tells us we were right
all along. Through all the rough times and the struggles, we've come through
with people still wanting to hear this kind of music. And we have high hopes
it will just grow from here, because we've always seen this band as a
long-term project. We know we can't be an overnight band, because it will
take long-term commitment to fulfill our goals."
------------------------------
|
542.723 | | POWDML::BUCKLEY | lead us still, as thou hast lead.. | Tue Nov 02 1993 07:33 | 43 |
| FYI -- The DREAM THEATER juggernaut has landed in Europe:
GERMANY
11/1 Hamburg, Ger Docks
11/2 Hamburg, Ger Docks (optional date)
11/3 eu Isenburg, Ger Hugenottenhalle
11/5 Don, Ger Bikuithalle
11/6 Nurnberg, Ger Resi
11/7 Stuttgart, Ger onghorn
11/8 Bielefeld, Ger PC69
11/9 Berlin, Ger uxley's Neue Welt
11/11 Munich, Ger Zeppelinhalle
11/12 Saarburg, Ger Stadthalle
ITALY
11/15 Milan, Ita Palaseto
FRANCE
11/17 Paris, Fra Elysee Montmarire
BELGIUM
11/18 einze, Bel Brielpoort
ENGLAND
11/20 ardiff, Eng St. Davids Hall
11/21 London, Eng Astoria
11/22 Wolverhamptn Wulfrun Hall
11/24 Nottingham, Eng Rock City
11/25 Bradford, Eng St. Georges Hall
11/26 Manchester, Eng University
SCOTLAND
11/28 Edinburgh, Sco Queens Hall
Would love to see some concert reviews posted by our European
bretheren.
|
542.724 | | KDX200::COOPER | There's a moon in the sky! | Tue Nov 02 1993 07:33 | 1 |
| I need a fix - when are they coming back to the states!?!?!?
|
542.725 | | POWDML::BUCKLEY | lead us still, as thou hast lead.. | Tue Nov 02 1993 07:44 | 5 |
| >I need a fix - when are they coming back to the states!?!?!?
Not for a long while!! ;'( The band is slated to start recording
their 3rd album in January of 94, with a release date of Summer,
so don't look for the tour til sometime late next year.
|
542.726 | Sad, really sad... | GOES11::HOUSE | Did it. Done it. *WHAP* owwww! | Tue Nov 02 1993 08:23 | 4 |
| > I need a fix - when are they coming back to the states!?!?!?
You mean they've resorted to SELLING DRUGS now 'cause they can't make
any money with their emotionless music???
|
542.727 | birds of a feather | FRETZ::HEISER | visualize whirled peas | Tue Nov 02 1993 09:02 | 1 |
| I hear Steve Morse is gonna open for them from now on.
|
542.729 | Dream Theater FAN CLUB info | POWDML::BUCKLEY | talk amongst yourselves... | Fri Nov 12 1993 11:29 | 16 |
| A new DT fan club has been formed. Includes DT biography, personal
profiles of the members, one year (4 issues) of the quarterly IMAGES
AND WORDS newsletter (original title, eh?), autographed band photo,
laminated membership card (for charter members only), and access to DT
merch and events exclusively for club members. Membership is $16 in the
States, US$22 for overseas. Checks payable to YTSE JAMS. "If you are
in need of a personal reply, please include [an SASE]. I can't promise
a band member will write you back, but I'll be happy to answer any
questions the best I can."
The address is:
Dream Theater Fan Club
Dept. A
11 Penn Plaza, Suite 910
New York, NY 10001-2006
|
542.730 | misc DT tidbits | POWDML::BUCKLEY | talk amongst yourselves... | Fri Nov 12 1993 11:29 | 14 |
| Here is some misc DT info:
A new studio album will be recorded during 1994, but "To Live Forever",
"Eve" and "Change of Seasons" may or may not be on it. "American fans
should have no problems finding [LatM] at an import shop."
Although there is no sheet music available for DT as yet, but John will
soon have a regular column in GUITAR WORLD.
Limited quantities of merchandise are available; there's an order form
on the back of the letter she sends out. T-shirts, a baseball cap, and
a button. No stickers or bumperstickers, darnit, which should be the
FIRST thing they print up....
|
542.731 | | GOES11::HOUSE | You sick little monkey! | Fri Nov 12 1993 12:40 | 3 |
| > A new DT fan club has been formed.
Didja join more then once, Buck?
|
542.732 | Win a lesson with Petrucci | POWDML::BUCKLEY | talk amongst yourselves... | Mon Nov 15 1993 07:15 | 19 |
| Hey Rockers --
Run, don't walk, to your nearest Ibanez dealer and register in the new
"Dream Lesson" sweepstakes!!
I was recently at my favorite Ibanez dealer, and they had bunches of
little contest entry forms for an Ibanez "Dream Lesson" contest. The
winner gets a lesson from Petrucci, as well as one of his USA custom
"face graphics" Ibanezes. There are 20 or 30 second prizes, which are
Ibanez shaped tables (?!?) all signed by him also. The third prize is
Ibanez pocket guitar stands.
Anyway, just thought I would tell everyone so you can go to your local
Ibanez dealer and lessen my chances of winning. BTW, you have to get a
salesperson to sign each entry, so it is hard to snag a bunch to enter
multiple times.
Dream on...
|
542.733 | | POWDML::BUCKLEY | talk amongst yourselves... | Mon Nov 15 1993 07:16 | 4 |
| Just a reminder -- Dream Theater's "Live in Tokyo" Video tape is
released this Tuesday, November 16th!!! The 90 minute tape will
feature live concert footage, as well as the band's 4 video releases
(Pull Me Under, Take the Time, Another Day, Surrounded).
|
542.734 | Bought it, seen it, loved it | DREGS::BLICKSTEIN | Down on that shreddin' flo' | Fri Nov 19 1993 08:12 | 8 |
| Bought the DT video tape.
Definitely worth the $12.95!
The concert footage is HQ and the performances are top-notch. I also
like the home videos of them in the studio recording I&W.
db
|
542.735 | Dream Theater Discography | POWDML::BUCKLEY | violent new breed | Fri Dec 03 1993 16:14 | 340 |
|
------------------------------------------------------------------------------
___ _ _ ___ _ ___ _ _
| \| >|_ /\ |\/| | |_||_ /\ | |_ | >
_|_/| \|_/ \| | | | ||_/ \ | |_ | \
------------------------------------------------------------------------------
Discography: Dream Theater (Current to 12/10/93)
Compiled by: Mike Bahr ([email protected]) (garion#hack)
LEGEND:
LP - Record; CT - Cassette; CD - 5" Compact Disc; MD - 2.5" Mini Disc
C3 - 3" Compact Disc - CS - Cassette Single; 2CD - Double CD set; V - Video
Full discography to
OFFICIAL RELEASES:
Majesty demos, 1987-89, Not produced.
When Dream And Day Unite, 1989, MCA/Mechanix (France, Germany Only)
LP, CT, CD
Images & Words, 1992, Atlantic/ATCO (USA) CT, CD, MD
Images & Words, 1993, Sony Music Entertainment (Japan) LP, CT, CD
Images & Words, 1993, Vertigo/Biem/Stemra (Germany, Holland, UK) LP, CD
Another Day/Status Seeker, 1993, WEA International (UK Only?) CS
Another Day/Under A Glass Moon, 1993, Atlantic/ATCO (USA) CS
Pull Me Under, 1993, ATCO Promotional (USA) CD
Pull Me Under, 1993, AVision ATCO (USA) V
Take The Time, 1993, ATCO Promotional (USA) CD
Another Day, 1993, ATCO Promotional (USA) CD
Under A Glass Moon, 1993, ATCO Promotional (USA) CD
Surrounded, 1993, ATCO Promotional (USA) CD
Live At The Marquee, 1993, WEA International (Germany, Holland, UK) CD
Live At The Marquee, 1993, MMG Inc. (Japan) CD
Images & Words Live In Tokyo, 1993, AVision ATCO (USA) V
CONFIRMED BOOTLEGS:
A Fortune Pulled Under, 1992, LP (USA)
Live cuts from early promotional touring after the release
of Images & Words.
Images & Tour!, 1993, CD (USA)
A full length live bootleg from the Images & Tour Tour.
Runes, 1993, CD (USA)
A passable recording of a portion of the second leg of the
Images & Tour Tour.
Skyway of Nightmares, 1993, CD (Italy)
A mid-quality recording of a full-length DT show, recorded
during the bands first sweep of Europe on the Images and
Tour Tour.
The Dance Of Eternity, 1993, 2CD (USA)
An excellent-quality audience recording from about the same
time as Images & Tour! was done. Near-soundboard clarity.
Great disc pictures and liner, professionally done.
Consciously Unreal, 1993, 2CD (Italy)
The only bootleg with the original DT lineup live. Includes
a boot from the Images tour and a few tracks from the first,
When Dream and Day Unite, tour. Liner notes say it's USA but
James LaBrie makes statements during the performance that
indicate they are in Italy.
RELEASE INFO
----------------------------------------
the Majesty demos, 1987-89 (Not produced.)
Before they were Dream Theater, they were Majesty. Included on their
demo tapes are the following:
1986: Another Won
Your Majesty
A Vision
Two Far
Vital Star
March of the Tyrant
A Late Summer Rain/Schizophrenia
1987: Afterlife
The Death of Spock
Ytse Jam
Killing Hand
Cry For Freedom
Ressurection of Ernie
1988: Mission Impossible Theme
Golden Slumbers
O Holy Night
Don't Look Past Me
To Live Forever
1989: Metropolis part I: The Miracle and the Sleeper
Light Fuse and Get Away
When Dream And Day Unite, 1989, MCA/Mechanix, France, Germany only
MCD42259/MCAD42259/D:QM-F:BM720
Members of the band:
Vocals: Charlie Dominici
Drums: Michael Portnoy
Guitars: John Petrucci
Keyboards: Kevin Moore
Bass: John Myung
Side 1 - 1. A Fortune In Lies 5:10
2. Status Seeker 4:15
3. The Ytse Jam 5:43
4. The Killing Hand 8:40
I. The Observance
II. Ancient Renewal
III. The Stray Seed
IV. Thorus
V. Exodus
Side 2 - 5. Light Fuse and Get Away 7:23
6. Afterlife 5:27
7. The Ones Who Help to Set the Sun 8:04
8. Only a Matter of Time 6:35
Images & Words, 1992, Atlantic/ATCO, USA
7567-92148-2
Members of the band:
Vocals: James LaBrie
Otherwise same
Side 1 - 1. Pull Me Under 8:11
2. Another Day 4:22
3. Take The Time 8:21
4. Surrounded 5:28
Side 2 - 5. Metropolis Part I
(The Miracle and the Sleeper) 9:30
6. Under a Glass Moon 7:02
7. Wait For Sleep 2:31
8. Learning to Live 11:30
Images & Words, 1993, Sony Music Entertainment (Japan)
Need a catalog # (mine is a copy)
Images & Words, 1993, Vertigo/Biem/Stemra (Germany, Holland, UK)
Need a catalog # (mine is a copy)
Identical to USA version except extra track on Vertigo release:
5. The Ytse Jam (Live) 6:36
Tracks #5-8 on USA version renumbered to #6-9 here.
Another Day, 1993, WEA International, UK Only? Confirmation anyone?
Need a catalog # (submitted as entry, I don't own it)
Cassette Single
Side 1 - Another Day (LP Version) 4:22
Side 2 - Status Seeker (Live) 4:28
Another Day, 1991, Atlantic/ATCO, USA
Need a catalog # (submitted as entry, I don't own it)
Cassette Single
Side 1 - Another Day (LP Version) 4:22
Side 2 - Under A Glass Moon (LP Version) 7:02
Pull Me Under, 1993, ATCO Promotional (USA) PRCD 5067
CD Single
Pull Me Under (LP Version) 8:11
Pull Me Under, 1993, AVision ATCO (USA)
Need a catalog # (submitted as entry, I don't own it)
Video
Pull Me Under (Edit) 4:39
Pull Me Under (MTV Edit) 4:48
Pull Me Under (LP Version) 8:11
Take The Time, 1993, ATCO Promotional (USA) PRCD 5069
CD Single
Take The Time (MTV Edit) 5:31
Take The Time (LP Version) 8:21
Another Day, 1993, ATCO Promotional (USA) PRCD 5077
CD Single
Another Day (LP Version) 4:21
Under A Glass Moon, 1993, ATCO Promotional (USA) PRCD 5080
CD Single
Under A Glass Moon (LP Version) 7:02
Surrounded, 1993, ATCO Promotional (USA) PRCD 5104
CD Single
Surrounded (LP Version) 5:29
Live At The Marquee, 1993, WEA International (Germany, Holland, UK)
7567-92286-2/CA 835
CD EP
Recorded in London, England, UK, April 1993
Metropolis 9:36
A Fortune In Lies 5:10
Bombay Vindaloo (Previously Unreleased) 6:48
Surrounded 6:00
Another Hand/The Killing Hand 10:30
Pull Me Under 8:42
Live At The Marquee, 1993, MMG Inc. (Japan)
ACM4-574
CD EP
Identical to Germany/Holland/UK version Except:
Substitute track:
4. Another Day 4:37
Images & Words Live In Tokyo, 1993, AVision ATCO (USA)
50537-3
Full-length video release (need times)
1. Arrival 0:31
2. Under A Glass Moon (live) 7:13
3. The making of Pull Me Under 3:03
4. Pull Me Under (video) 4:48
5. The making of Take The Time 2:15
6. Take The Time (video) 5:31
7. Kimonos and tapes that are too big 3:01
8. The condoms of Dream Theater 1:02
9. The interview 0:27
10. Wait For Sleep (live) --> 2:45
11. Surrounded (live) 5:54
12. The Ytse Jam/Drum Solo (live) 10:28
13. Chunk and balls (MTV sucks) 0:51
14. Another Day (video) 4:29
15. To Live Forever/A Change of Seasons (live) 12:05
16. A Fortune In Lies (live) 5:00
17. Mike crosses the Abbey Road 1:11
18. Eve/Take The Time (live) 10:32
19. Take The Time by Galactic Cowboys 0:29
20. Take The Time by Sebastian Bach 0:25
21. Breast signing 0:50
22. Pull Me Under (live) 8:29
BOOTLEG INFO
--------------------------------------
A Fortune Pulled Under (USA) 1992, LP
Need a mfr. and catalog # (it was submitted)
1 LP
Recorded in Paris, France, October 1992
Side 1 - Take The Time
Afterlife
The Ytse Jam/Drum Solo
Only a Matter of Time
Side 2 - Guitar Solo/A Fortune In Lies
Under a Glass Moon
Surrounded
Pull Me Under
*** I Need to know who is currently vending this. I have had requests for
copies which I intend to provide, and a copy of a copy of an LP
that was a bootleg to begin with turns out as pretty sorry quality.
Images & Tour! (USA) 1993, CD (Big Red Records #48733-DT)
1 CD
Recorded in Tempe, AZ, USA, March 1993
Dance of Eternity 9:46 (Metropolis mislabeled)
A Fortune In Lies 5:02
Under a Glass Moon 7:15
The Approach/Bombay Vindaloo (mislabeled?) 7:08
Waits For Sleep (mislabeled the "s" in Wait) 2:44
Surrounded 6:10
Instrumental/Drum Solo 10:53 (Ytse Jam mislabeled)
To Live Forever 4:50
A Change of Seasons 7:20
Eve/Take The Time (mislabeled?) 10:31
Pull Me Under 8:35
*** Corrected: A Fortune In Lies is track #2, not Afterlife as previously
noted. I finally got an original of this one and confirmed this.
The vendor is Tracks In Wax, N. Central Ave, Phoenix, AZ.
A whole show is not included; absent is Learning to Live and
Another Hand/The Killing Hand.
Runes (USA) 1993, CD (The Camera's Ear Productions, #9103)
1 CD
Recorded in Sacramento, CA, USA, no date given.
Can be distinguished by lack of good bass in the first three tracks.
(cuts right to song, no fade-in)
Metropolis
Under A Glass Moon
To Live Forever
Wait For Sleep
Surrounded
A Fortune In Lies
Take The Time
Pull Me Under
Learning To Live
(cuts off after last chord)
*** I need to know who is vending this.
The Dance of Eternity (USA) 1993, 2CD (Why Not? Records WOT2014/15)
2 CD's - further notes above in description section
Recorded at the Limelight, New York, March 4 1993
Disc 1
Metropolis, part 1 9.21
A Fortune In Lies 5.20
Under A Glass Moon 7.31
Surrounded 6.16
The Ytse Jam 9.46
To Live Forever 5.57*
Take The Time 10.42
Disc 2
Eve/Pull Me Under 13.59
Another Day 6.39
Another Hand/The Killing Hand 8.20
A Change Of Seasons 20.04
Wait For Sleep 2.52
Learning To Live 13.14
* Mislabeled on liner as "Forever", which is what it was called back when
Dream Theater was 'Majesty'.
*** Every importer/specialty shop I inquired at indicated they could obtain
copies of this, so you should have no trouble.
Consciously Unreal (Italy) 1993, 2CD
Need mfr. and catalog # (it was submitted)
Tracks 1-11 recorded in Italy during the Images & Tour tour. LaBrie on
vocals. Tracks 12-16 recorded during the Dream & Day tour, Dominici vocals.
Disc 1
Metropolis part I
A Fortune In Lies
Under A Glass Moon
Surrounded
The Ytse Jam/Drum Solo
Another Day
The Killing Hand
Pull Me Under
Take The Time
Disc 2
Wait For Sleep
Learning To Live
-----------------
Metropolis part I
Afterlife
Forever
The Ytse Jam
The Killing Hand
|
542.736 | The Dream Theater FAQ | POWDML::BUCKLEY | Scandalized my name! | Tue Dec 14 1993 14:30 | 991 |
| ------------------------------------------------------------------------------
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_|_/| \|_/ \| | | | ||_/ \ | |_ | \
------------------------------------------------------------------------------
FAQ/Discography: Dream Theater (Current to 12/14/93)
Compiled by: Jason Hough & Mike Bahr
([email protected]) and ([email protected])
Beta-tested or whatever by Michael Burstin and Randall Haskin (address below)
Welcome to the first edition of the Dream Theater FAQ, presented by us
and the members of the Ytsejam mailing list!
A word of thanks goes here to the dozen-odd folks who wrote to us with needed
changes. Since I lost my old account ([email protected]) I need you to write me
back at [email protected] and tell me who you were, I want to give name
credit in this discography.
I've shortened the credits section because of all the people who have been
a part of it, but I wish to slight nobody; you ALL have helped a hell of a
lot and a lot of kudos go to the people listed below.
Many thanks to the following for their additions and corrections:
> * Randall Haskin ([email protected])
> * Brent Nuttall ([email protected])
> * Dave ([email protected])
> * Michael Burstin ([email protected])
> * Todd Henson ([email protected])
> * Bill Buckley ([email protected])
> * Jennifer Albert (cc [email protected])
> * Lars "ORION" Karlsson ()
> * Tim ([email protected])
Abbreviations you should know:
------------------------------
DT - Dream Theater
WDADU - When Dream And Day Unite
IAW - Images And Words
LATM - Live At The Marquee
LIT - Live in Tokyo (video)
ACOS - A Change of Seasons
YML - Ytsejam mailing list
CONTENTS
--------
0. New Questions/Frequently Changing Recent Information
1. Questions about the members of DT/DT History
2. Questions about DT performances/appearances/miscellany
3. Questions about the songs themselves
4. Brief discography
5. Extended discography
New Stuff
---------
0.1 What do we know about Dream Theater's new (third studio) album?
We know a few things. Here's what we've been able to glean from
the band members:
* It's not yet titled. (soon as you hear info on this mail us FAST!)
* It started recording in early December 1993.
* (To Live) Forever and A Change of Seasons are slated for inclusion.
* Their producer will be Terry Brown.
* It's still on the Atlantic label, with a five-month budget.
* No other pre-LaBrie songs will be re-done or re-recorded.
* Bombay Vindaloo is not slated for inclusion.
* It will not be the concept album that Moore and Portnoy keep putting
off, that they really want to do "one of these days"
* LaBrie will be the first DT vocalist with a hand in the songwriting.
1. Questions about the members of DT
------------------------------------
1.1 Who are the current members of Dream Theater?
They are Kevin James LaBrie (vocals), John Petrucci (guitar), Michael
Portnoy (drums), Kevin Moore (keyboards), and John Myung (bass). Petrucci,
Moore, and Myung grew up together in New York. Portnoy joined them later
when they caught him playing at a club. LaBrie joined them in late 1990.
1.2 Has anyone been a member of Dream Theater that is not in it now?
Yes. Charlie Dominici was their vocalist from 1988 to 1989,
approximately. He did the vocals on "When Dream And Day Unite" and on part
of the bootleg "Consciously Unreal". Chris Collins was their vocalist
before 1988 on the Majesty demos.
1.3 What are the Majesty demos?
Before they were Dream Theater, they were Majesty. However, there
was already a band called Majesty, so they could not release the demos.
They wound up on bootlegs and evaluation tapes, and a list of known songs
is in the extended discography in this file.
1.4 Who inspired the band members the most?
In an interview, Mike Portnoy cited Neil Peart of Rush as his
greatest influence and favourite drummer. His other influences include
Terry Bozzio and Vinnie Calauta, but Portnoy says Peart was his drum "God"
for years when Rush was all he listened to.
Petrucci has two groups of influences, he said in an interview.
The Steves and the Als. The Steves are Steve Morse, Steve Howe, Steve Vai,
and Stevie Ray Vaughan. The Als are Alex Lifeson, Al Dimeola, and Alan
Holdsworth.
John Myung's bass idols are Steve Harris and Geddy Lee. Kevin
Moore's ivory inspiration comes from Rick Wakeman, Jens Johansen, and
Michelle Camillo, among others.
As a band, they are influenced most (according to Portnoy) by
Rush, Queensryche, Yes, Marillion, Genesis, and Kansas. Those groups make
a few appearances here in this FAQ forasmuch as they relate to DT.
1.5 Andrea Held Leone and Ralph R. Dominici Sr. are mentioned in the liner
notes to WDADU as the dedicants. What relation to the band are they?
Anyone?
1.6 Marillion is thanked in the liners in IAW, whats the relation?
Dream Theater opened for Marillion in New York (anyone have the
exact date?). Mike Portnoy also said to me, "We're all really big fans. I
really dig 'Misplaced Childhood'."
1.7 What is DT's address?
Their mail address is PO BOX 166, Long Beach, NY, 11561.
1.8 What musical instrument sponsorships does DT have?
Ibanez sponsors John Petrucci, and Tama Drums sponsors Mike
Portnoy. His current drum kit was designed by Neil Peart in 1984 (see the
Rush/Grace Under Pressure tourbook for more on this).
1.9 Is there a Dream Theater fan club?
Yes. Write to the address below:
Dream Theater Fan Club
Dept. A
11 Penn Plaza, Suite 910
New York, NY 10001-2006
1.10 Why did Charlie Dominici leave DT?
According to Mike Portnoy and John Petrucci, he was released
because of several things, but most importantly because he didn't fit in
with the band in a few important ways. He was far older than the rest of
them, had a different idea of what DT should be, and lacked ability as a
frontman when performing live. There were apparently a few personality
conflicts at work. The band and Dominici are not currently in contact with
each other.
1.11 Why did Chris Collins leave Majesty/DT?
Anyone?
1.12 What was James LaBrie doing before he joined the band?
Kevin James LaBrie (they drop the Kevin because they would
otherwise confuse him with Kevin Moore, and two Johns are already hard
enough to deal with, says Petrucci) sang for a Canadian band by the name
of Winter Rose. He was selected from among 20 auditions and over 200 tapes
by DT during the making of IAW.
1.13 What does the "symbol" DT uses mean?
The "symbol" can be seen on the IAW disc, on the IAW cover on top
of the bed, on the WDADU cover, etc. It is the letter "M" of "MAJESTY" in
a stylized font, says Portnoy.
1.14 What does the burning heart symbolize?
According to Portnoy, it was Moore's idea and essentially a copy
of the Sacred Heart of Jesus. The barbed wire represented obstacles and
difficulties, the heart endurance and strength, and the fire their energy
and passion.
1.15 Who thought up the name for the band?
Mike Portnoy's father Howard thought they should name it after the
moviehouse near where they grew up. It was called The Dream Theater.
Initially, they recorded a demo by that name, then named the band after it.
2. Questions about DT performances/appearances/miscellany
---------------------------------------------------------
2.1 Who has toured with Dream Theater?
Psychotic Waltz, the Galactic Cowboys, and others among a slew of
local acts the band likes to use for openers.
2.2 What producers has Dream Theater worked with?
Terry Date produced WDADU. Terry Brown (Broon), the producer who
took Rush through their first eleven albums, produced the promotional
discs from WDADU. David Prater produced IAW. Prater was the
ex-drummer/producer of Santana. Doug Oeberkircher produced and mixed Live
At The Marquee.
2.3 What songs has Dream Theater made videos for?
Pull Me Under, Take The Time, and Another Day. Another Day did not
make MTV's playlist, even though DT felt it had the most MTV potential.
Pull Me Under was shot live and has received the most airplay. Take The
Time was shot as a video production, however the song had to be shortened
a lot and many unexpected jumps in the song throw the video off pace.
2.4 What songs has Dream Theater played live?
A better question would probably be which ones have they NOT
played live, since they play just about all of them. First of all,
anything from the Majesty demos from 1986 or 1987 has either not been
played live, or has been played live rarely enough never to be recorded on
any known release or bootleg. Beyond that, here are the songs that either
don't get played live, or have never been recorded live at any known show.
Light Fuse and Get Away
The Ones Who Help to Set The Sun
(this will be added to when they release another album no doubt)
Here are a few songs that have ONLY been performed live, and never
recorded in any studio (yet):
A Change of Seasons
Eve
Bombay Vindaloo (which is actually an improv based off ACOS)
Moon Bubbles
Barfbag
2.5 Who plays the saxophone on "Another Day"?
Jay Beckenstein of Spiro Gyra, who owned the studio where IAW was put
to tape (Bear Trax).
2.6 Will DT ever release production versions of the old Majesty demos?
In some cases, they did just that (see the discog further on).
Portnoy was asked about this, and said that while they might be fun to
play live, it really wouldn't get the band anywhere to release new
recordings of them. Since DT is concerned with moving forward, he said, it
will likely not happen any more than it already has. Half the first album
was production from the demos, but the remaining demos are "just too old."
3. Questions about the songs themselves
---------------------------------------
3.1 What is the header for "A Fortune In Lies?"
As written by Petrucci, it is:
"For the first time in a long time... everything was right in my
world...and then I woke up.
3.2 What does "The Ytse' Jam" mean?
YTSEJAM is MAJESTY written backwards, and it probably refers to
their original band name in that ambiguous way instrumentals refer to things.
3.3 What is "The Killing Hand" about?
John does not comment on it often, but Mike Portnoy opened up in
an interview about why it was written and what he "thinks" it's about. In
the interview Portnoy is very careful to remind the reader that he Could
be all wrong, but that it's not likely. Petrucci wrote it as a sort of
"Twilight Zone" story about war, in which he witnesses all these
atrocities, and sees the names of the dead on a wall, and then realizes
it's been him this whole time causing all the atrocities... then he sees
his name on the wall, very Rod Serling-type of stuff.
3.4 Is "Afterlife" a Christian song? Is "Eve"?
While the band admits Afterlife has Christian overtones, it is not a
religious tune in the same spirit as the music of King's X or Parallax.
Eve, the piano/guitar intro sequence used live for both Pull Me Under and
Learning To Live at different times, includes a lot of voice samples
including "Guide us on to our Lord Jesus, guide us home." Kevin Moore and John
Myung are the more religious members of the band (compared to the secular
Portnoy) and Moore wrote it, so while it is certainly not a Stryper-style
preach jam, it can be classified as a Christian song. Mike indicated in an
interview that Kevin Moore was aiming at that, but that (like in the
Killing Hand case) he didn't write it himself so he couldn't guarantee the
meaning was exactly right.
3.5 What is "Pull Me Under" about?
The current explanation goes that it was inspired by Shakespeare's
"Hamlet". Prince Hamlet swore vengeance on King Claudius for murdering his
father, the former King, and then marrying his mother, still Queen. Hamlet's
famous Soliloquy was the passage in which the conflict in Hamlet's mind is
detailed, and the second verse of "Pull Me Under" coincides pretty thoroughly
with it. The very end of the song James can be heard singing this line from
Hamlet:
"Oh that this too, too solid flesh would melt."
Furthermore, after seeing the video, in an interview, Portnoy said
"Who the hell was that wolfman guy in the video anyway? We had written it
based on something else entirely." Portnoy noted that while Moore did not
write PMU about Hamlet specifically, he DID write PMU about what Hamlet was
ABOUT. Same themes, ideas, etc.
Here's the no-brainer explanation:
> Here's a post from YTSEJAM #42 that shows the Pull Me Under/Hamlet connection.
> Date: Tue, 6 Apr 1993 05:47:59 -0400 (EDT)
> From: [email protected] (Pete "Ender" Walsh)
> Subject: Pull Me Under / Hamlet
>
> PULL ME UNDER
> Images: Dream Theater
> Words: Moore
>
> Lost in the sky
> Clouds roll by and I roll with them
>
> KING CLAUDIUS [to Hamlet] How is it that the clouds still hang on you?
>
> Arrows fly
> Seas increase and then fall again
>
> HAMLET To be, or not to be: that is the question:
> Whether 'tis nobler in the mind to suffer
> The slings and arrows of outrageous fortune,
> Or to take arms against a sea of troubles,
> And by opposing end them? To die: to sleep;
> [and so on...]
>
> This world is spinning around me
> This world is spinning without me
> Every day sends future to past
> Every breath leaves one less to my last
>
> Watch the sparrow falling
> Gives new meaning to it all
> If not today nor yet tomorrow then some other day
>
> HAMLET Not a whit, we defy augury: there's a special
> providence in the fall of a sparrow. If it be now,
> 'tis not to come; if it be not to come, it will be
> now; if it be not now, yet it will come: the
> readiness is all: since no man has aught of what he
> leaves, what is't to leave betimes?
>
> I'll take seven lives for one
>
> There are seven deaths in Hamlet.
>
> And then my only father's son
> As sure as I did ever love him
> I am not afraid
>
> Ghost I am thy father's spirit,
> Doom'd for a certain term to walk the night,
> And for the day confined to fast in fires,
> Till the foul crimes done in my days of nature
> Are burnt and purged away. But that I am forbid
[etc...]
> But this eternal blazon must not be
> To ears of flesh and blood. List, list, O, list!
> If thou didst ever thy dear father love--
>
> HAMLET O God!
>
> Ghost Revenge his foul and most unnatural murder.
>
> HAMLET Murder!
>
> Ghost Murder most foul, as in the best it is;
> But this most foul, strange and unnatural.
>
> HAMLET Haste me to know't, that I, with wings as swift
> As meditation or the thoughts of love,
> May sweep to my revenge.
> - AND -
> HAMLET Ay, so, God be wi' ye;
> [Exeunt ROSENCRANTZ and GUILDENSTERN]
> Now I am alone.
> [...etc, etc...]
> O, vengeance!
> Why, what an ass am I! This is most brave,
> That I, the son of a dear father murder'd,
> [...etc, etc...]
>
> This world is spinning around me
> The whole world keeps spinning around me
> All life is future to past
> Every breath leaves me one less to my last
>
> Pull me under Pull me under
> Pull me under I'm not afraid
> All that I feel in honor and spite
> All I can do is set it right
>
> HAMLET Rest, rest, perturbed spirit!
>
> [They swear]
>
> So, gentlemen,
> With all my love I do commend me to you:
[etc.]
> The time is out of joint: O cursed spite,
> That ever I was born to set it right!
>
> - AND -
> HAMLET [...]
> When honour's at the stake. How stand I then,
> That have a father kill'd, a mother stain'd,
> Excitements of my reason and my blood,
[etc.]
>
> Dust fills my eyes
> Clouds roll by and I roll with them
> Centuries cry
> Orders fly and I fall again
>
> This world is spinning inside me
> The whole world is spinning inside of me
> Every day sends future to past
> Every step brings me closer to my last
>
> Pull me under Pull me under
> Pull me under I'm not afraid
> Living my life too much in in the sun
> Only until your will is done
>
> HAMLET Not so, my lord; I am too much i' the sun.
> [in response to Claudius's comment on clouds, above.]
>
> Oh that this too
> Too solid flesh
> Would melt
>
> [Direct quote]
>
> HAMLET O, that this too too solid flesh would melt
> Thaw and resolve itself into a dew!
3.6 What is "Another Day" about?
We get help from the video here: it is about autism or some other
form of psychological communicative disorder. There are a few theories
being bounced around YML (and any that can be backed up will be included
here) but they generally connect on the psychological meaning.
3.7 What is "Surrounded" about?
During the IAW tour they dedicated the song to Arthur Ashe, the
tennis player who died of AIDS. However, the song seems more about
enlightenment (in several forms) than death. The fact that Ashe was the
first African-American tennis player to succeed in the sport supports this
hypothesis.
3.8 What story is "Metropolis part I: The Miracle and the Sleeper" based on?
It is based on the story of two twins from the Iliad (? or is it
the Odyssey?) who are telepathically linked. It has no relation to the
movie "Metropolis". Petrucci wrote it as a sort of fantasy epic, inspired
by the likes of, you guessed it, Yes and Rush. The story itself is
original (the twins are named Miracle and Sleeper and do not appear in
literature) but the story type was Homeric.
3.9 What is "Wait For Sleep" about? Who is the girl/woman in "Wait For Sleep"?
Kevin Moore has said she was a friend of his who had a spiritual
void and a hard time filling it, reaching for something to believe in. It
dealt with her fears about belief and her grief over a loved one's death.
His explanation is longer, but that about says it.
3.10 What is "Learning to Live" about?
This has been the bigger topic of discussion on the YML because
Myung has commented briefly on it and Portnoy has, while not wanting to
confirm it, indicated that the premise is correct in an interview.
Learning to Live was inspired by the AIDS epidemic. Patricularly, the
"From a common fear ... reach for life" passage, but the rest fits very
snugly with the AIDS theme.
3.11 What is a "Vindaloo"?
It's not in the Webster's Collegiate Dictionary, so it might be
something DT made up. Anyone know more about this? Is there a Vindaloo
street, region, or building somewhere in Bombay? Is there an alcoholic
drink called a Bombay Vindaloo? Anyone? Bueller?
3.12 What was the original title of "Surrounded"?
Promotional cassettes for Images And Words had Surrounded labeled
as "The Longest Night" on the sleeve.
3.13 What is Take The Time about?
The band wrote this as a joint effort just before LaBrie joined
them, so the meanings are many and esoteric. However, in an interview,
Portnoy has said it is just what it implies. You'll find all you need in
your mind if you take the time.
One of the YML subscribers had a very good correlation going on
with part of TTT and J.R.R. Tolkien's Lord of the Rings. Since those parts
of the song are heavy in the relation and the rest are not, it is safe to
assume that only one of the four used a Tolkien influence in penning their
part of the lyrics. The middle passage (Unbroken spirit, obscured in
disquiet... must turn to hope) was the clincher. Mike Portnoy indicated that
TTT is definitely NOT a concept song in the way that Pull Me Under is about
what Hamlet is about (which is obvious) or Learning to Live is about AIDS
(also rather clear), but that it has a spectrum of influence and that since
Petrucci wrote the section in question, the influence could very well have
been conceptual. Nobody has asked Mike if LotR is in there, though.
3.14 Where is the sampled voice in "A Fortune In Lies" from?
Mike Portnoy recorded it off a television documentary about the
prison system.
3.15 What are the sampled passages at the beginning of "Take The Time"?
They are samples of Beastie Boys and Public Enemy and read as follows:
"Hold it now (medium)" "Wait a minute (low)" "Come on (high pitch)"
3.16 What is being said in Italian in "Take the Time" and where is it from?
It's Italian for "Now that I'm blind, I can see much clearer." It
was from the film "Cinema Paradisio" as the following:
"Adesso che ho
perso la vista,
ci vedo meglio
e di piu"
It's Not a coincidence that LaBrie sings "I can see much clearer
now I'm blind" right before the sample.
3.17 What are the lyrics to "Eve" and where are they from?
They are from "Portrait of an Artist as a Young Man" by James Joyce.
The "moo cow" part is from somewhere else, the "ivory tower" part from
somewhere else still, and the "Our Father" part from the Lord's Prayer. The
transcription is as follows.
[soft piano]
Chapter One. Once upon a time, and a very good time it was,
There was a moo cow coming along down the road.
[instrumental]
So He came Himself in weakness, not in power,
And He sent thee, the creature, in His stead.
With the creature's comeliness, and luster,
Suited to our state.
[brief break]
And now, thy very face and form dear mother
Speak to us of the eternal.
Not like earthly beauty, dangerous to look upon;
But like the morning star, which is thy heirloom,
Bright, and musical, breathing purity,
Telling of Heaven and its easing peace.
[brief break]
O harbinger of day! O light of the pilgrim!
Lead us still, as thou hast led,
In the dark night, across the bleak wilderness;
Guide us on to our Lord Jesus; guide us home.
[instrumental]
"Tower of Ivory?" they used to say, "House of Gold?"
"How could a woman be a tower of ivory or a house of gold?"
[instrumental]
Our Father, who art in Heaven, hallowed be thy name,
Lead us not into temptation, and deliver us from evil.
[fadeout]
This has been used live as an intro to both Pull Me Under (on the
Dance of Eternity bootleg, which is also the most complete version) and
Learning to Live (at any number of shows, including both Phoenix shows of
March and May 1993, among others, and skips the Tower of Ivory part) The
above is the composite transcription.
3.18 What is unique about the song "A Change of Seasons"?
Several things.
First of all, it's the only lyric work Mike Portnoy has ever done.
(of course, it is not the only vocal work Mike has done... Mike had the
dubious priviledge of singing the end of "Surrounded" after James walked
off the stage at one of the England shows)
Second of all, it's the longest DT song at 20:42. It barely misses
matching the longest Rush song on CD (2112, which is 20:47) and the
longest Rush song on LP (2112, which was 21:12). This is a distinction
because it's very rare to find bands comfortable with lengthy formats.
Third of all, it's the only song that had LaBrie singing in it
that has ONLY been recorded live, as in, not for any album. The other four
songs that hold the live distinction are instrumentals.
3.19 Has anybody noticed the re-usable riff phenomenon?
Yes. Pull Me Under and Take The Time share a main riff, and Wait
For Sleep and Learning to Live also share a main riff. Thematically, none
of the songs interconnect. Mike Portnoy has said that the music is written
out before the lyrics are written and set to melody. It is possible (any
interviews mention this?) that they were intended to be counterparts and
that the relation was either scrapped or made more subtle.
3.20 Has anybody noticed the Another Song phenomenon?
Yes. DT has a knack, it would seem, for Another Song titles.
Another Won (from the Majesty demos), Another Day (from Images And Words)
and Another Hand (prologue to The Killing Hand live and on LATM) are the
factors of this phenomenon. At this rate, the leadoff track from DT's next
album will be called "Another Try" or something like that. Another Hand is
mainly just a bridge intro to "The Killing Hand" but it's a titled segment
just the same.
3.21 Who wrote "(To Live) Forever"?
John Petrucci.
3.22 What is "A Fortune In Lies" about?
According to Mike, it was about a friend of theirs who was busted
for stealing, and the experience he gleaned from it.
-------
LEGEND:
LP - Record; CT - Cassette; CD - 5" Compact Disc; MD - 2.5" Mini Disc
C3 - 3" Compact Disc - CS - Cassette Single; 2CD - Double CD set; V - Video
4. Brief discography
------------------
4.1 OFFICIAL RELEASES:
Majesty demos, 1986-89, Not produced.
When Dream And Day Unite, 1989, MCA/Mechanix (All) LP, CT, CD
Status Seeker, 1989, MCA/Mechanix (USA) CD
Afterlife, 1989, MCA/Mechanix (USA) CD
Images & Words, 1992, Atlantic/ATCO (USA) CT, CD, MD
Images & Words, 1993, Sony Music Entertainment (Japan) LP, CT, CD
Another Day/Status Seeker, 1993, WEA International (UK Only?) CS
Another Day/Under A Glass Moon, 1993, Atlantic/ATCO (USA) CS
Pull Me Under, 1993, ATCO Promotional (USA) CD
Pull Me Under, 1993, AVision ATCO (USA) V
Take The Time, 1993, ATCO Promotional (USA) CD
Take The Time #2, 1993, ATCO Promotional (USA) CD
Another Day, 1993, ATCO Promotional (USA) CD
Under A Glass Moon, 1993, ATCO Promotional (USA) CD
Surrounded, 1993, ATCO Promotional (USA) CD
Live At The Marquee, 1993, WEA International (Germany, Holland, UK) CD
Live At The Marquee, 1993, MMG Inc. (Japan) CD
Live, 1993, ATCO Promotional (USA) CD
Images & Words Live In Tokyo, 1993, AVision ATCO (USA) V
4.2 CONFIRMED BOOTLEGS
A Fortune Pulled Under, 1992, LP (USA)
Images & Tour!, 1993, CD (USA)
Runes, 1993, CD (USA)
The Dance Of Eternity, 1993, 2CD (USA)
Consciously Unreal, 1993, 2CD (Italy)
Skyway of Nightmares, 1993, CD (Germany)
Live in Long Island ptII, 1993, CD (USA)
(not detailed in section 5): various venue recordings including
Washington, D.C.; Buffalo, NY; Sacramento, CA; Ogden, UT;
Talahassee, FL; Terre Haute, IN; Tempe, AZ; El Paso, TX;
5. Extended discography
----------------------------------------
5.1 The Majesty demos, 1986-89 (Not produced.)
Members of the Band:
John Petrucci (guitars)
Mike Portnoy (drums)
John Myung (bass)
Kevin Moore (keys)
Chris Collins (vocals)
Before they were Dream Theater, they were Majesty. Included on their
demo tapes are the following:
-1986- -1987-
Another Won 5:23 Afterlife
Your Majesty 3:41 "Death of Spock"
A Vision 11:13 The Ytse Jam (Majesty backwards)
Two Far 5:15 The Killing Hand
Vital Star 5:34 Cry for Freedom
March of the Tyrant 5:21 -1988-
A Late Summer Rain --> Mission Impossible Theme
Schizophrenia Golden Slumbers
And the demos without a home:
Heuristica
Dream Theater (yes, it was a song before it was a band!)
Metropolis part I: The Miracle and the Sleeper
Don't Look Past Me
(To Live) Forever
O Holy Night
Anyone with a reliable source for these recordings, please contact
me at the address above... I want to get them...
5.2 When Dream And Day Unite, 1989, MCA/Mechanix, Worldwide
MCD42259/MCAD42259/D:QM-F:BM720
Members of the band:
Vocals: Charlie Dominici
Otherwise same
Side 1 - 1. A Fortune In Lies 5:10
2. Status Seeker 4:15
3. The Ytse Jam 5:43
4. The Killing Hand 8:40
I. The Observance
II. Ancient Renewal
III. The Stray Seed
IV. Thorus
V. Exodus
Side 2 - 5. Light Fuse and Get Away 7:23
6. Afterlife 5:27
7. The Ones Who Help to Set the Sun 8:04
8. Only a Matter of Time 6:35
5.3 Status Seeker, 1989, MCA/Mechanix, USA
Promo CD single, mixed by Terry Brown (Rush)
1. Status Seeker (LP version) 4:15
5.4 Afterlife, 1989, MCA/Mechanix, USA
Promo CD single, mixed by Terry Brown (Rush)
1. Afterlife (LP version) 5:27
5.5 Images & Words, 1992, Atlantic/ATCO, USA
7567-92148-2
A known variant exists on cassette with a promotional cover.
Members of the band:
Vocals: James LaBrie
Otherwise same
Side 1 - 1. Pull Me Under 8:11
2. Another Day 4:22
3. Take The Time 8:21
4. Surrounded 5:28
Side 2 - 5. Metropolis Part I
(The Miracle and the Sleeper) 9:30
6. Under a Glass Moon 7:02
7. Wait For Sleep 2:31
8. Learning to Live 11:30
5.6 Images & Words, 1993, Sony Music Entertainment (Japan)
Need a catalog # (mine is a copy)
5.7 Another Day, 1993, WEA International, UK Only? Confirmation anyone?
Need a catalog # (submitted as entry, I don't own it)
Cassette Single
Side 1 - Another Day (LP Version) 4:22
Side 2 - Status Seeker (Live) 4:28
5.8 Another Day, 1991, Atlantic/ATCO, USA
ATCO 4-98415
Cassette Single
Side 1 - Another Day (LP Version) 4:22
Side 2 - Under A Glass Moon (LP Version) 7:02
5.9 Pull Me Under, 1993, ATCO Promotional (USA) PRCD 5067
CD Single
Two known variants exist missing one of the three tracks.
Pull Me Under (Edit) 4:39
Pull Me Under (MTV Edit) 4:48
Pull Me Under (LP Version) 8:11
5.10 Pull Me Under, 1993, AVision ATCO (USA)
Need a catalog # (submitted as entry, I don't own it)
Video
Pull Me Under (MTV Edit) 4:48
Pull Me Under (LP Version) 8:11
5.11 Take The Time, 1993, ATCO Promotional (USA) PRCD 5069, 4949
CD Single
Three known variants exist containing the same tracks, but
in different packaging.
Take The Time (MTV Edit) 5:31
Take The Time (LP Version) 8:21
5.12 Another Day, 1993, ATCO Promotional (USA) PRCD 5077
CD Single
Another Day (LP Version) 4:21
5.13 Under A Glass Moon, 1993, ATCO Promotional (USA) PRCD 5080
CD Single
Under A Glass Moon (LP Version) 7:02
5.14 Surrounded, 1993, ATCO Promotional (USA) PRCD 5104
CD Single
Surrounded (LP Version) 5:29
5.15 Live At The Marquee, 1993, WEA International (Germany, Holland, UK)
7567-92286-2/CA 835
CD EP
Recorded in London, England, UK, April 1993
Metropolis 9:36
A Fortune In Lies 5:10
Bombay Vindaloo 6:48
Surrounded 6:00
Another Hand/The Killing Hand 10:30
Pull Me Under 8:42
5.16 Live At The Marquee, 1993, MMG Inc. (Japan)
ACM4-574
CD EP
Identical to Germany/Holland/UK version Except:
Substitute track:
4. Another Day 4:37
5.17 Live, 1993, ATCO Promotional (USA)
PRCD 5340-2
CD Single
1. Pull Me Under (live) 8:42
2. Surrounded (live) 6:00
Both tracks taken from the EP "Live at the Marquee"
5.18 Images & Words Live In Tokyo, 1993, AVision ATCO (USA)
50537-3
Full-length video release (need times)
1. Arrival 0:31
2. Under A Glass Moon (live) 7:13
3. The making of Pull Me Under 3:03
4. Pull Me Under (video) 4:48
5. The making of Take The Time 2:15
6. Take The Time (video) 5:31
7. Kimonos and tapes that are too big 3:01
8. The condoms of Dream Theater 1:02
9. The interview 0:27
10. Wait For Sleep (live) --> 2:45
11. Surrounded (live) 5:54
12. The Ytse Jam/Drum Solo (live) 10:28
13. Balls and chunk are where it's at 0:51
14. Another Day (video) 4:29
15. (To Live) Forever/Free form instrumental (live) 12:05
16. A Fortune In Lies (live) 5:00
17. Mike crosses the Abbey Road 1:11
18. ?/Take The Time (live) 10:32
19. Take The Time by Galactic Cowboys 0:29
20. Take The Time by Sebastian Bach 0:25
21. Breast signing 0:50
22. Pull Me Under (live) 8:29
BOOTLEGS
--------------------------------------
5.19 A Fortune Pulled Under (USA) 1992, LP
Need a mfr. and catalog # (it was submitted)
1 LP
Recorded in Paris, France, October 1992
Side 1 - Take The Time
Afterlife
The Ytse Jam/Drum Solo
Only a Matter of Time
Side 2 - Guitar Solo/A Fortune In Lies
Under a Glass Moon
Surrounded
Pull Me Under
*** I Need to know who is currently vending this. I have had requests for
copies which I intend to provide, and a copy of a copy of an LP
that was a bootleg to begin with turns out as pretty sorry quality.
5.20 Images & Tour! (USA) 1993, CD (Big Red Records #48733-DT)
1 CD
Recorded from soundboard evaluation tapes (unknowingly?) provided
by the band itself. Sound quality excellent.
Dance of Eternity 9:46 (Metropolis mislabeled)
A Fortune In Lies 5:02
-London
Under a Glass Moon 7:15
-Tempe
?/Bombay Vindaloo (mislabeled?) 7:08
-Salt Lake City
Waits For Sleep (mislabeled the "s" in Wait) 2:44
Surrounded 6:10
-Philadelphia
Instrumental/Drum Solo 10:53 (Ytse Jam mislabeled)
-Bonn
(To Live) Forever 4:50
Guitar Solo 7:20
-Portland
?/Take The Time (mislabeled?) 10:31
-Tokyo
Pull Me Under 8:35
-London
*** Corrected: A Fortune In Lies is track #2, not Afterlife as previously
noted. I finally got an original of this one and confirmed this.
The vendor is Tracks In Wax, N. Central Ave, Phoenix, AZ.
A whole show is not included; absent is Learning to Live and
Another Hand/The Killing Hand.
5.21 Runes (USA) 1993, CD (The Camera's Ear Productions, #9103)
1 CD
Recorded in Sacramento, CA, USA, no date given.
Can be distinguished by lack of good bass in the first three tracks.
(cuts right to song, no fade-in)
Metropolis
Under A Glass Moon
(To Live) Forever
Wait For Sleep
Surrounded
A Fortune In Lies
Take The Time
Pull Me Under
Learning To Live
(cuts off after last chord)
*** I need to know who is vending this.
5.22 The Dance of Eternity (Italy) 1993, 2CD (Why Not? Records WOT2014/15)
2 CD's - further notes above in description section
Recorded at the Limelight, New York, March 4 1993
Disc 1
Metropolis, part 1 9.21
A Fortune In Lies 5.20
Under A Glass Moon 7.31
Surrounded 6.16
The Ytse Jam 9.46
(To Live) Forever 5.57
Take The Time 10.42
Disc 2
Eve/Pull Me Under 13.59
Another Day 6.39
Another Hand/The Killing Hand 8.20
A Change Of Seasons 20.04
Wait For Sleep 2.52
Learning To Live 13.14
*** Every importer/specialty shop I inquired at indicated they could obtain
copies of this, so you should have no trouble.
5.23 Consciously Unreal (Italy) 1993, 2CD
Classical Shots on CD
Worldwide distribution by Robespierre, Srl, Italy
CD #1 - CSCD009; CD #2 - CSCD010
Tracks 1-11 recorded in Milan, Italy on 5 April 1993. LaBrie on
vocals. Tracks 12-16 recorded during the Dream & Day tour, Dominici vocals.
Disc 1
Metropolis part I
A Fortune In Lies
Under A Glass Moon
Surrounded
The Ytse Jam/Drum Solo
Another Day
The Killing Hand
Pull Me Under
Take The Time
Disc 2
Wait For Sleep
Learning To Live
-----------------
Metropolis part I
Afterlife
(To Live) Forever
The Ytse Jam
The Killing Hand
5.24 Skyway of Nightmares (UK) 1993, CD
Recorded at Augsbug Rockfabrik, 7 April 1993, Germany
Metropolis part I
A Fortune In Lies
Under a Glass Moon
Surrounded
The Ytse Jam
Another Day
Pull Me Under
Take The Time
Wait For Sleep
Learning To Live
5.25 Live In Long Island part II (what happened to part I?)
Recorded at the Sparks Club, 10 April 1992
Take The Time
Wait For Sleep
Learning To Live
A Change of Seasons
(and from the demos)
Another Won 5:23
Your Majesty 3:41
Two Far 5:15
March of the Tyrant 5:21
[END]
|
542.737 | | CADSYS::FENNELL | Repulsively Titanic | Tue Dec 14 1993 15:25 | 1 |
| So, Buck, looks like you got prime billing...
|
542.738 | unplugged on WHJY | QRYCHE::STARR | Remember your mission! | Wed Dec 15 1993 08:20 | 17 |
| Anyone else see/hear Dream Theater last night doing their unplugged set
at the WHJY R'n'R auction? I heard it on 'HJY, and I believe it was also
shown on the Fox TV outlet in Rhode Island (Channel 64? WNAS, or something
like that).
Unfortunately it was very short, just two songs - that was all they said
they had prepared for an unplugged format, and it was just the singer and
guitarist. They did a ballad off the latest album (not sure of the title,
I don't have the album), which sounded real nice. And then they did an
unbelievable version of "Oh Holy Night", just incredible! I'm sure you'll
hear this re-broadcast on 'HJY over the next few weeks, 'cause it was
just amazing..... also sure to be a popular bootleg with the DT fanatics
out there....
Anyone videotape it? I'd be interested in seeing it....
alan
|
542.739 | | AD::FLATTERY | | Wed Dec 15 1993 09:30 | 5 |
| alan...we heard them do 'o holy night' last year at Axis......and it
was unbelievable......i wasn't looking at the stage at the time and i
thought it was a tape for a minute.....i believe it was an encore that
they came back to do and i didn't realize they'd taken the stage
again................a real chill giver.............../k
|
542.740 | what's so amazing about their version? | FRETZ::HEISER | no I'm really very, very shy | Wed Dec 15 1993 09:40 | 1 |
|
|
542.741 | | QRYCHE::STARR | Remember your mission! | Wed Dec 15 1993 09:42 | 7 |
| > alan...we heard them do 'o holy night' last year at Axis......
Yeah, I remember we got there in time for the encores, and that was the
last one. This time it was acoustic, but still just as impressive. I tell
ya, that dude can *sing*!
alan
|
542.742 | | GOES11::HOUSE | You sick little monkey! | Wed Dec 15 1993 10:55 | 5 |
| > -< what's so amazing about their version? >-
It's amazing that they could do that song so completely void of
emotion...
|
542.743 | that's what I thought | FRETZ::HEISER | no I'm really very, very shy | Wed Dec 15 1993 12:39 | 1 |
|
|
542.744 | | KDX200::COOPER | There's a moon in the sky! | Wed Dec 22 1993 10:51 | 13 |
| RE: /K and Alan
I remember that...Sorta. :-)
I would mucho indebt to anyone who could send me an audio or
video copy of that special! We don't get anything like that out
here in the Rockies... :-(
Alan - was it 'Surrounded' that they did for a ballad??
jc (Who hopes that Santa leaves their live vid in my stocking along
with my obligatory lump of coal) :-)
|
542.745 | | QRYCHE::STARR | Remember your mission! | Wed Dec 22 1993 13:06 | 7 |
| > Alan - was it 'Surrounded' that they did for a ballad??
Dunno! If someone has the lyrics to the album, send 'em to me and I'm sure
I can remember which song it was. How does "Surrounded" go? I've only heard
the album a couple times total....
alan
|
542.746 | | KDX200::ROBR | The road to the south... Impassible! | Wed Dec 22 1993 21:52 | 4 |
|
id offer to send one coop, but you know how good i am at sending
tapes!!! :')
|
542.747 | how pathetic | FRETZ::HEISER | Matthew 5:18 | Fri Jan 21 1994 09:40 | 3 |
| I like to petition the moderators to change the title of this topic to
DREAM CHEATER!
|
542.748 | | POWDML::BUCKLEY | Raptor -- Rules the Skies! | Fri Jan 21 1994 09:41 | 3 |
| -1
you forgot the (tm)!
|
542.749 | thanks for the reminder, have to protect my royalties | FRETZ::HEISER | Matthew 5:18 | Fri Jan 21 1994 09:44 | 1 |
| oh yeah. Fascist mods, make a note of that.
|
542.750 | during the beginning of one of the events... | SALEM::STIG | Big Sister HILLARY is Watching You!! | Mon Apr 04 1994 05:59 | 4 |
| did anyone happen to hear the beginning of one of there songs on wide
world of sports this past saturday?? i forget which one...
stig
|
542.751 | New album date | DREGS::BLICKSTEIN | db | Mon Apr 18 1994 08:40 | 3 |
| According to the "new releases" list on the usenet, a new Dream Theater
album is scheduled to be released in August. No other information
was provided other than that.
|
542.752 | | POWDML::BUCKLEY | Raptor -- Rules the Skies! | Mon Apr 18 1994 14:47 | 3 |
| RE: STig
Wide World of Sports has been playing Another Day from the I&W album.
|
542.753 | mark those calendars! | POWDML::BUCKLEY | | Tue Jun 14 1994 14:47 | 3 |
|
DT's as_yet_untitled 3rd album will be released on Tuesday, September
20th!!!
|
542.754 | I think I'm getting a manicure that day | FRETZ::HEISER | ugadanodawonumadja | Tue Jun 14 1994 16:26 | 1 |
|
|
542.755 | Get a clue instead - the manicure can wait | DREGS::BLICKSTEIN | Light to dark, dark to light | Tue Jun 14 1994 16:37 | 1 |
| I hope the new album has lots of "squealies".
|
542.756 | | KDX200::ROBR | Dust fills my eyes... | Tue Jun 14 1994 17:00 | 4 |
|
hey buck, ill have a copy long before that :'). i'll let you know when
i get it.... got the last one about 6 weeks in advance.
|
542.757 | maybe I'll pick some up in Boston | FRETZ::HEISER | ugadanodawonumadja | Tue Jun 14 1994 17:47 | 1 |
| the local stores are all out of clues.
|
542.758 | "Their direction kept me hooked..." | HOTLNE::LUCHT | | Wed Jun 15 1994 11:12 | 4 |
| An INSANE band !! I can't wait.
Kev --
|
542.759 | A tape in my hand, or the TD-7 gets it | DREGS::BLICKSTEIN | Light to dark, dark to light | Wed Jun 15 1994 14:40 | 16 |
| Rob, I want a tape IN MY HAND within 24 hours after you get it.
These guys are the only band to come along in years who I'd put in
a league with my very favorites. I&W is the best album to come
along since the mid 80's!
BTW, I've turned about 10 people on CompuServe onto them and the
reactions are incredible!
What's funny is that nearly EVERY one who gets into the band ends up
making almost this EXACT STATEMENT:
"The [CD | tape] hasn't left my player since I
first put it in."
|
542.760 | look at me, I now own over a dozen DT CD's!! | POWDML::BUCKLEY | | Wed Jun 15 1994 15:00 | 21 |
| >BTW, I've turned about 10 people on CompuServe onto them and the
>reactions are incredible!
Robpose...bless his heart...he tried on-line to get me to listen to
I&W for about 20K blocks worth. Only after I go to see them live
(mainly because LA already_hasbeen_posuers WILD SIDE were opening the
show, and their tape, at the time, had not left my deck in weeks)
did they drop my jaw for 90 minutes. I tuned into their Prog rock/
Berklee vibe instantly!! Dawn finally breaks on Marblehead scenario..
;')
>What's funny is that nearly EVERY one who gets into the band ends up
>making almost this EXACT STATEMENT:
>
> "The [CD | tape] hasn't left my player since I
> first put it in."
I'm sure I said that somewhere circa 542.80 ;')
/b
|
542.761 | you can still get cool info in notes! | POWDML::BUCKLEY | | Thu Jun 16 1994 08:00 | 23 |
|
FYI -- The new Dream Theater album will be titled "Awake". The track
listing will be as follows:
Lifting Shadows Off A Dream
Innocence Faded
Space Dye Vest
Caught In A Web
Lie
6:00
The Mirror
A Mind Beside Itself
Erotomania
Voices
The Silent Man
Scarred
---
Editors note: Looks cool, but sad to see ideas of recording 'To Live
Forever' and 'A Change of Seasons' were nuked?!
B.
|
542.762 | | KDX200::ROBR | Dust fills my eyes... | Thu Jun 16 1994 10:24 | 5 |
|
im not sad at all about those getting nuked :'). actually to live
forever started to grow on me. EVE just plain sucked.... glad to see
that's not on there.
|
542.763 | once upon a time, there was a moo cow coming down the road | POWDML::BUCKLEY | | Thu Jun 16 1994 11:23 | 2 |
| dude, no way -- eve is like one of their all time best tunes. I
love the james joyce overlay!!
|
542.764 | | KDX200::ROBR | Dust fills my eyes... | Thu Jun 16 1994 13:39 | 7 |
|
I could never get into it....
On the other hand.... DT's new album release has been delayed until
October 2nd per Jack who just got the date from the Atlantic rep he
spoke with today.
|
542.765 | babyhead show was the worst! | POWDML::BUCKLEY | | Thu Jun 16 1994 14:35 | 6 |
| >On the other hand.... DT's new album release has been delayed until
>October 2nd per Jack who just got the date from the Atlantic rep he
>spoke with today.
Oh great, another wintertime world tour!! I really loved tooling out
to those DT shows in the show...not!
|
542.766 | | KDX200::ROBR | Dust fills my eyes... | Thu Jun 16 1994 19:58 | 4 |
|
yeah, but their last world tour lasted thru the summer :'). of course
we have to be there no matter how many times they play in the area :')
|
542.767 | Must see shows | DREGS::BLICKSTEIN | Light to dark, dark to light | Fri Jun 17 1994 09:29 | 11 |
| Speaking of "Having to be there", Rob you might as well plan on going
to the next Dregs concert. I've been to a Rush concert so now you
have to come to a Dregs show.
I'll let you know when that is, and I'm not buying the "have to sort
the sock drawer excuse" this time! ;-)
db
p.s. I'll kill anyone who tells Rob who opened for Rush at the concert
I went to. ;-)
|
542.768 | | STAR::BENSON | Musical Weapons Research | Fri Jun 17 1994 11:40 | 14 |
| > p.s. I'll kill anyone who tells Rob who opened for Rush at the concert
> I went to. ;-)
Hint: The guys sitting behind us (I was there with db) had this
conversation:
guy 1: "Who's this opening act"
guy 2: "I dunno - some friggin jazz guitarist..."
motto
PS, I know db won't kill me - he'd *really* never get to do a Dregs cover
then!
|
542.769 | man, db sure makes cruel demands | FRETZ::HEISER | ugadanodawonumadja | Fri Jun 17 1994 12:14 | 1 |
|
|
542.770 | Barfin' with the Alien | DREGS::BLICKSTEIN | Light to dark, dark to light | Fri Jun 17 1994 14:36 | 12 |
| > man, db sure makes cruel demands
Making Tom go to a Rush concert just to see Steve Morse is kinda
cruel, but Tom and I remained friends up until the time that I
played him "Surfin with the Alien" on the way home from lunch.
He's never forgiven me for that, and I'm still kinda miffed that
he couldn't control his stomach a second or too longer until I
could pull over.
We're now "cordial" but it'll never be the same.
|
542.771 | | FRETZ::HEISER | ugadanodawonumadja | Fri Jun 17 1994 16:18 | 1 |
| Well db, the next time you guys have lunch, wear a bag over your head.
|
542.772 | If you don't already... | DREGS::BLICKSTEIN | Light to dark, dark to light | Mon Jun 20 1994 08:45 | 3 |
| > Well db, the next time you guys have lunch, wear a bag over your head.
Next time you listen to Satch put a pillow over ears.
|
542.773 | ;'( | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Mon Jun 20 1994 12:12 | 3 |
| IHIW I have to unsubscribe from the DT mailing list, cuz there is just
too much BS in there. They should call it the Rush/Queensryche/King's
X/Magellan/Marillion/Genesis/Sometimes Dream Theater mailing list!
|
542.774 | pretty cool too | FRETZ::HEISER | ugadanodawonumadja | Mon Jun 20 1994 12:53 | 1 |
| King's X already has their own mailing list.
|
542.775 | | KDX200::ROBR | Dust fills my eyes... | Tue Jun 21 1994 10:27 | 7 |
|
re: .773
no kidding. i did that 3 months ago. the best thing to ever happen to
my mail account. wonder if my goodbye scathing note ever showed up....
at least the QR newsletter is still pretty orgranized.
|
542.776 | | BUSY::SLABOUNTY | Is this p_n great or what? | Tue Jun 21 1994 10:59 | 5 |
|
Quiet Riot has their own newsletter?
GTI
|
542.777 | no clowns! | KDX200::ROBR | Dust fills my eyes... | Tue Jun 21 1994 17:16 | 4 |
|
go away... i knew some clown would say that...
|
542.778 | Old CW: Morse is god, new CW: Morse and Petrucci are gods | DREGS::BLICKSTEIN | Light to dark, dark to light | Tue Jul 05 1994 15:02 | 30 |
| Well, I've now listened to WDADU almost as much as I listened to I&W
before I started to like it and...
I still think that I&W is an infinitely superior work.
One knock against WDADU is that it's got so many sections that just
remind too much of other bands, whereas I&W has a totally original
sound throughout - even the section of a song that they refer to
as "the Dregs section" doesn't really sound like the Dregs to these
educated ears.
I mean the album starts off with something that anyone in this
notesfile would hear and immediately say "Yngwie". And, unlike
I&W, there's just a lot of "generic metal" both musically and
lyrically. I think a miracle would have to happen for me to
change my opinion of this album's lyrics ("sucks").
I also think James would be a better singer even immediately after
a tonsilectomy!
Ytse Jam is the only song that really gets to me.
Now having ragged on WDADU, I'm now going to shock the world and say
that I like "Images and Words" as much as any Dregs album, and I think
Petrucci is the only other player in the world whom I'd put in Morse's
league in terms of "overall" playing (technique, expression, tone,
etc.).
At least based on that one album. We'll have to see if he can have a 15
year career full of nothing but superlative albums like Morse.
|
542.779 | | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Tue Jul 05 1994 15:09 | 8 |
| I still think that the material on I&W (and that which was written just
before it -- tunes like Don't Look Past Me, To Live Forever, Eve, etc.)
are FAR superior to the I&W material!! I just like it tonsmore. ALSO
-- very controversial, I like Charlie D's voice better than I like
James. James is too much of a metal screamer imvho. Charlie SINGS (or
whines, depending on your point of view) the melodies more.
Call me weird, but those are my opinins..
|
542.780 | | KDX200::ROBR | Dust fills my eyes... | Tue Jul 05 1994 15:12 | 5 |
|
i also like charlie much more, especially in things like the killing
hand. that whole song absolutely rules and is probably my fav tune of
anything they've done.
|
542.781 | | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Tue Jul 05 1994 15:42 | 5 |
| My all-time fave tune is Don't Look Past Me -- just rips me apart!
But as far as DT CDs go, definitely A Matter of Time (which James
ALWAYS screws up the syncopated vocal part on!!).
|
542.782 | | GOES11::HOUSE | How could I have been so blind? | Tue Jul 05 1994 16:30 | 5 |
| > I still think that the material on I&W (and that which was written just
> before it -- tunes like Don't Look Past Me, To Live Forever, Eve, etc.)
> are FAR superior to the I&W material!!
Class, can anyone spot the problem in this sentence? Anyone?
|
542.783 | | BUSY::SLABOUNTY | Is this p_n great or what? | Tue Jul 05 1994 18:50 | 7 |
|
Yeah, I chalked it up to "Holiday Syndrome" and blew it off.
I knew what he meant.
GTI
|
542.784 | | KDX200::COOPER | Revolution calling! | Wed Jul 06 1994 21:58 | 6 |
| I'll be suscinct here.
ALL Dream Theater RULZ THE FACKIN WORLD!
End of discussion.
:-)
|
542.785 | COOOOLLLLL!!!! New DT available on WWW | DREGS::BLICKSTEIN | db | Wed Aug 10 1994 10:07 | 16 |
|
In article <[email protected]>, [email protected] (Lanny Potts) writes:
As of today (8/8), portions of "Lie" from Dream Theater's upcoming album,
_Awake_, can be heard on the Dream Theater page at:
http://www.music.net
(Note: the music.net site is still under construction so don't expect too
much--in a few weeks, expect too much 'cause that's what it's gonna be)
The full-length version is available via ftp (ftp.music.net/pub/music.....)
A new song from Dream Theater's AWAKE will be uploaded to the web site every
two weeks (WAIT till you hear "Erotomania").
|
542.786 | | GOES11::HOUSE | How could I have been so blind? | Wed Aug 10 1994 12:27 | 1 |
| Cure for insomnia found on WorldWide Web! Film at 11!
|
542.787 | ZZZZZZZZZZZZZzzzzzzzzzzzzz! | FRETZ::HEISER | Maranatha! | Wed Aug 10 1994 13:13 | 1 |
|
|
542.788 | | KDX200::ROBR | Dust fills my eyes... | Wed Aug 10 1994 13:48 | 3 |
|
way cool
|
542.789 | | KDX200::ROBR | Dust fills my eyes... | Thu Aug 11 1994 12:15 | 24 |
| from the www.music.net home page:
DREAM THEATER will debut LIE, a track off of their upcoming album AWAKE
right here on Monday, August 8th, 1994. We will then debut a new track
off of AWAKE every two weeks there after. Look for us to be doing
debuts with several other bands as well.
Dream Theater fans - Kevin Moore Keyboardist for Dream Theater may be
leaving the Band (Not yet confirmed information).
Sources close to Dream Theater report that Kevin Moore "has decided to
leave the band to pursue a new musical direction which would not be
possible for him to explore within the confines of Dream Theater. The
split is friendly, and we wish Kevin the best of luck in his future
endeavors. In the meantime, please rest assured that Kevin's
replacement is of world class caliber and we will ABSOLUTELY NOT lose
any momentum in our drive to make Dream Theater the success that they
so rightly deserve to be."
Yet another resource reports:
He's out... Jens Johanssen (Yngwie) is the replacement.
|
542.790 | | KDX200::ROBR | Dust fills my eyes... | Thu Aug 11 1994 12:18 | 12 |
|
I will be making LIE.WAV available soon. This version is 8bit mono
sampled at 8kHz, so isn't the greatest sounding thing in the world.
Somewhere down the road I may make a 44kHz stereo 16bit MPEG version
available. I'll let you know where to grab it when it's available.
If you have FTP, anonymous FTP to ftp.music.net
DT files are available there as well as pictures, interviews, lyrics,
etc. (plus crap from a bunch of other bands... STP, Pantera, etc).
|
542.791 | oops! lyrics2.htm | KDX200::ROBR | Dust fills my eyes... | Thu Aug 11 1994 12:23 | 9 |
|
Lyrics to the new album are available in hypertext format (still ascii
readable) at
kdx200::u2:[rob.dt]lyrics2.htf
These were released on the internet with the permission of the record
label.
|
542.792 | | KDX200::COOPER | Revolution calling! | Thu Aug 11 1994 12:32 | 5 |
| Cool!!
This must be why I've gotta fix that LYNX problem for ya, eh??
:-)
|
542.793 | he blows | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Thu Aug 11 1994 12:43 | 7 |
| Jens Johanssen of Yngwie fame IN???
_ /|
\'o.O'
=(___)= Aack!!!
U
|
542.794 | i like him, but hardly a kevin moore... | KDX200::ROBR | Dust fills my eyes... | Thu Aug 11 1994 12:49 | 4 |
|
unfortunately you cant get to it with Lynx - YET!!! its coming though.
yeah, the Yngwie guy (world class) IN!
|
542.795 | | DREGS::BLICKSTEIN | db | Thu Aug 11 1994 13:14 | 4 |
| I think the Yngwie guy is no Kevin Moore.
I'm bummed to hear about that, but let's hope that he's actually a
better and more versatile player than Yngwie allowed him to be.
|
542.796 | | BABAGI::COOK | The Cookster...237-2638 | Thu Aug 11 1994 13:15 | 2 |
|
Jens facking roolz the wasteland.
|
542.797 | Rising Farce | DREGS::BLICKSTEIN | db | Thu Aug 11 1994 14:42 | 3 |
| > Jens facking roolz the wasteland.
Dream Theater deserves someone who can rule over more than wasteland.
|
542.798 | | BABAGI::COOK | The Cookster...237-2638 | Thu Aug 11 1994 14:45 | 2 |
|
His father is great, and so is he. Give him a chance.
|
542.799 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Tue Aug 23 1994 09:00 | 4 |
|
two more new dt songs being released on the internet on the 31st. the
only one out so far is Lie.
|
542.800 | release in uk
| AYOV25::JFOSTER | | Tue Aug 23 1994 10:59 | 4 |
| any info on UK release would be appreciated....first cd in ages that i'm
looking forward to.
jim 8^)
|
542.801 | bootleg dream theater
| AYOV25::JFOSTER | | Mon Sep 12 1994 10:26 | 11 |
| got a live double cd at the weekend called "lords of sounds" by dream theater
from milwalkee (sp?) june 93. The quality is great, guitar sounds good,
keyboards, drums, even bass (for a live cd)
anyone else have any bootlegs. the reason for asking is that the singing is
very poor. mr le brie murders many an otherwise good track. he cant hit the
high notes at all.
i'd hate others to waste their hard earned cash. anyone at this show.
jim
|
542.802 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Mon Sep 12 1994 12:08 | 5 |
|
i think between buck and i we have a dozen and a half bootlegs! :')
i like the tokyo one the best (came right off the sound board)
|
542.804 | | HOTLNE::LUCHT | Cool weather, stronger beer | Mon Sep 12 1994 12:41 | 3 |
|
Keep on teasing, Buck...
|
542.805 | | DREGS::BLICKSTEIN | db | Mon Sep 12 1994 13:36 | 3 |
| Do you have the NON-Bootleg video?
I think Lechmere has it on sale this week - sale price is like $10.
|
542.806 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Mon Sep 12 1994 14:29 | 5 |
|
non bootleg?!?!? gasp!! :')
well, buck is far ahead of me. i stopped about 9 months ago :').
|
542.807 | DT bootleg | AYOV25::JFOSTER | | Tue Sep 13 1994 04:37 | 16 |
| re: buck,
what do you think of the "lords of sound" cd. it was a toss up between it
and a single cd with the same tracks. the name escapes me for now, i think it
was "dream out loud" but on a single cd?, maybe not.
i paid �14 for it, the guy made a mistake on the labelling, should have been
�25. what kind of prices do these things retail for in the US and last question,
why do these "live" cd's all come from Italy, is this kind of thing legal there?
is the new cd still out october?
i also picked up "tropical prison" cd, AC/DC at hammersmith odeon sept 79 with
bon scott ,superb!! 8^).
jim
|
542.803 | Modified list -- I forgot one!! | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Tue Sep 13 1994 08:17 | 28 |
| Yeah, Rob and I have all but cornered the DT bootleg market!! ;')
I have the following:
- Majesty -- 6 song demo (CD)
- InstruMental (CD)
- Live at the Marquee (CD)
- Skyway of Nightmares (CD)
- Home Sweet Home -- Part 1 (CD)
- Dream Theater Live! (CD, 2 song live promo)
- Consciously Unreal (2 CD set)
- The Dance of Eternity (2 CD set)
- Dream Out Loud (2 CD set)
- Lords Of Sound (2 CD set)
- Lost In The Sky (2 CD set)
- Lost Berklee Demos/pre-WDADU (audio cassette)
- Live in Tokyo (audio cassette)
- Live in Washington (audio cassette)
- Live in Baltimore (audio cassette)
- Live in Buffalo (audio cassette)
- Live at Sparks (Video Cassette)
- Live in Tokyo (Video Cassette)
- Live at the Limelight (Video Cassette)
- Live in San Francisco (Video Cassette)
This collection, BTW, if ever growing as stuff becomes available!
|
542.808 | | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Tue Sep 13 1994 08:21 | 31 |
| Jim,
>what do you think of the "lords of sound" cd. it was a toss up between
>it and a single cd with the same tracks. the name escapes me for now, i
>think it was "dream out loud" but on a single cd?, maybe not.
The quality of these things really vary. Some of them sound good,
others barley passable. Between Dream Out Loud and Lords of Sound, I
prefer the sound on LOS.
>i paid �14 for it, the guy made a mistake on the labelling, should have
>been �25. what kind of prices do these things retail for in the US
Typically, I've been paying $25.00 for the single CDs and $45.00 for
the double sets.
>last question, why do these "live" cd's all come from Italy, is this
>kind of thing legal there?
Apparently so. Also, a lot of bootlegs come from Germany, where the
first album and Majesty demo tapes were originally bootlegged onto CD.
>is the new cd still out october?
Yup.
Buck
|
542.809 | | BUSSTP::DREES | | Tue Sep 13 1994 08:29 | 12 |
|
re : a couple back
Jim,
I was at the same fair. Picked up a few goodies myself. I heard one of
the stall guys being asked about the amount of disks coming out of
Italy and seemingly there are quite a few "factories" there that
manufacture only bootleg disks. It is illegal but is not clamped down
on.
Del.
|
542.810 | | KDX200::COOPER | Revolution calling! | Tue Sep 13 1994 13:51 | 3 |
| When is the REAL album supposed to release??
|
542.811 | | BUSY::BUSY::SLABOUNTY | I smell T-R-O-U-B-L-E | Tue Sep 13 1994 14:27 | 7 |
|
Just wait a couple years and buy it at 2x the price as a rare
bootleg.
8^)
GTI
|
542.812 | hey, this is a family conference! | FRETZ::HEISER | Maranatha! | Tue Sep 13 1994 15:37 | 1 |
| > Keep on teasing, Buck...
|
542.813 | a little wound up? | POWDML::BUCKLEY | why do we have to fall from grace? | Tue Sep 13 1994 15:52 | 3 |
|
Mike reminds me of Beevis on that sugar high in the Don Cornholio
episode today!
|
542.814 | I don't do sugar | FRETZ::HEISER | Maranatha! | Tue Sep 13 1994 15:59 | 1 |
|
|
542.815 | whats the point?
| AYOV25::JFOSTER | | Wed Sep 14 1994 02:33 | 7 |
| re del,
i agree, what is the point in outlawing bootlegs, you wouldn't buy the bootleg
if you didn't like the band and have most if not all of their recordings already.
two really good ones are atlanta jamming/pearl jam, and 21 sumners tracks/sting.
and i already have their cd's etc....
|
542.816 | | DREGS::BLICKSTEIN | db | Wed Sep 14 1994 08:51 | 25 |
| >i agree, what is the point in outlawing bootlegs, you wouldn't buy the
>bootleg if you didn't like the band and have most if not all of their
>recordings already
Two points:
1) Yes the band does not "lose money they would've earned" but they
do "lose money that they are entitled to, legally and morally".
It may well be that the band would be open to licensing those
recordings and thus they need a law to require such licensing.
2) The band wants to have control over what is presented under their
name.
The reason for this is best demonstrated by an analogy: Suppose
someone is selling a picture of you that is VERY unflattering.
Wouldn't you want to stop them?
Artists in general are very particular about what they release.
They don't like stuff floating out there that is less than their
best effort (stuff that they feel is "unflattering").
I'm not trying to tell anyone here "don't buy bootlegs". I'm just
saying that I can understand the rationale behind them being illegal.
|
542.817 | | UPROAR::THOMASM | Mark Thomas (CONTRACTOR) | Wed Sep 14 1994 10:26 | 26 |
| Some more thoughts on bootlegs -
The unflattering picture analogy is a bit dodgy. The only reasons a bootleg
would be "unflattering" are; 1) The sound quality is bad, or 2) the performance
is bad. Nobody with more than half a brain buys a bootleg where the sound
quality is THAT bad, so the only reason for a bootleg being unflattering would
be that the bands performance wasn't up to scratch. If they've taken money from
the punters for a substandard concert, they can't complain too much if a
recording highlighting the fact gets out.
The demand for bootlegs will never go away until bands start to record more (and
more HONEST) live albums. I'm hacked off with hearing "retouched" and "redubbed"
live albums that bear no resemblance to what a concert is really like, and/or
have no noticeable aptmosphere. I want live albums that SOUND LIVE, not like a
studio jam with some cheering dubbed on.
Take Rush - they are awesome live, I have two great bootlegs, yet their 3 (only
3 in 20 years !!) live albums convey none of this. Blandsville Arizona.
A final thought. I have just bought the "Radio 1 Live in Concert" CD by the
Michael Schenker Group, which was recorded at the Reading Festival in 1983. It
is completely untouched or undubbed - the most honest live album I've got, yet
it was recorded by BBC Radio and lay in a vault for 10 years before being
shipped out as part of a cheap "Collectors" series. A few more live albums like
this (preferably in the same decade as the gigs !), and then perhaps the desire
for bootlegs can start to be met.
|
542.818 | | DREGS::BLICKSTEIN | db | Wed Sep 14 1994 10:52 | 27 |
| >The unflattering picture analogy is a bit dodgy. The only reasons a bootleg
>would be "unflattering" are; 1) The sound quality is bad, or 2) the performance
>is bad. Nobody with more than half a brain buys a bootleg where the sound
>quality is THAT bad, so the only reason for a bootleg being unflattering would
>be that the bands performance wasn't up to scratch.
I find this line of reasoning more than a bit dodgy.
First, people buy bootlegs with awful sound quality quite regularly.
So much so that most bootlegging catalogs give a RATING of how decent
the sound quality is.
I suppose you could argue that many people do not have "more than half
a brain" but perhaps the artist still want's THOSE people to have only
product that represents their work in a way that is up to their
standards.
> If they've taken money from the punters for a substandard concert,
> they can't complain too much if a recording highlighting the fact gets
> out.
I fail to see the logic in this. No artist can be expected to be
perfect every night. The mere fact of being human and flawed does
not obligate them to live with someone distributing a less than
flattering bootleg.
|
542.819 | | POWDML::BUCKLEY | why do we have to fall from grace? | Wed Sep 14 1994 11:21 | 2 |
| How come some bands like the Dead don't mind bootlegging? They
even encourage it!
|
542.820 | | DREGS::BLICKSTEIN | db | Wed Sep 14 1994 12:06 | 6 |
| > How come some bands like the Dead don't mind bootlegging? They
> even encourage it!
It's just a different attitude about bootlegging. Not a "better" or
"worse" attitude.
|
542.821 | Interesting discussion! | GOES11::HOUSE | How could I have been so blind? | Wed Sep 14 1994 12:34 | 42 |
| > How come some bands like the Dead don't mind bootlegging? They
> even encourage it!
Probably because they make the majority of their income from doing live
shows instead of record sales. They haven't put out an album since the
late 80s, and there was a long time between even that one and the one
prior to it.
Also, the GD aren't hung up about perfection and precision. They play
a show as they want to play it and every one's supposed to be
different, so why not let people distribute tapes?
Could also be because the Dead have gotten to the point where they
don't need any more money...
My personal take on bootleg concert recordings is that they're
interesting, but wouldn't really take the place of a studio recording
for anyone that buys them. As someone said a few notes back, there'd
be about zero demand for them if the artists themselves would release
enough material to satisfy the fans. The sound quality on bootlegs
I've heard has been universally poor. Unfortunately, recording studio
albums has turned into a huge time sink, what with the level of
perfection that seems to be expected these days, so they really can't
afford to release that. And record companies expect a pretty high rate
of return (spell: margin of profit) on release of pretty much any
album, so releasing a bunch of comparitively primative live albums
doesn't really fit the economics either, since only the true FANS of
the group would buy all of them, the rest of the market might buy one
or so along the way. Therefore, I see the current concert boots
filling a small nitch market that artists on big labels can't afford to
fill (even if they wanted to).
Bootleg copies of actually released studio recordings are a different
story. I consider that completely bogus, total robbery directly from
the pocket of the artist. I would never even consider (knowingly)
buying that sort of rubbish.
As to the issue of selling boots of performances the artists weren't
happy with, well...if it's that bad, nobody's going to want to buy it
anyway, especially not at the higher prices most boots come at.
Greg
|
542.822 | what do I win? | FRETZ::HEISER | Maranatha! | Wed Sep 14 1994 12:36 | 5 |
| > How come some bands like the Dead don't mind bootlegging? They
> even encourage it!
because deadheads spend all their $$ on drugs and can't afford to buy
the albums in stores.
|
542.823 | | DREGS::BLICKSTEIN | db | Wed Sep 14 1994 14:55 | 9 |
| Actually, another reason why the Dead don't mind bootlegging is because
they have no intention of releasing a live album, and thus they're
not concerned (as other artists might be) that bootlegs rob from
the sale of "official" live albums.
I.E. they're not worried that someone with a bootleg is going to say
"eh... I don't need another live album, I've already got one".
db
|
542.824 | Zep | BUSSTP::DREES | | Thu Sep 15 1994 05:13 | 17 |
|
I follow the same logic as the noter who wrote about the lack of
quality live material by Rush. I love Zep, but The Song Remains The
Same is probably one of the worst live albums around. There are certain
Zep boots that show the band at their best. This is the kind of live
material I want to hear. Because I'm buying boots, it doesn't mean I
don't buy the official releases already available. There will always be
a market for boots but if bands would release quality live albums that
haven't been overly inhanced in the studio, there demand might be less.
In the case of Zeppelin there are many quality boots (like the Earls
Court shows) that knock spots off there official release. Jimmy Page
wants to get his act together and officially release some of these
shows.
Del.
|
542.825 | Dream Theater on-line interview transcript | DREGS::BLICKSTEIN | db | Thu Sep 15 1994 09:36 | 1071 |
|
For those who are interested, here's a "transcript" of the Dream
Theater "on-line interview" on CompuServe.
It's rather pathetic, with people speaking out of turn, and getting
into little cat fights, and stupid questions and what not and to make
matters worse, the order of comments in the transcript is all jumbled
(as it happened live) but... there's some interesting stuff here and
there.
Coop, if this is too long feel free to delete it.
db
---------------------------------------------
Dream Theater's Mike Portnoy, John Myung and John Petrucci were in CO on
Thursday (September 8) night. The following is a transcript:
(1-18,DREAM THEATER/MIKE ) hi EVERYOHe, it's Mike a& John
(1-3,Brian Powell) Do we have a singer? Let's start a band! <G>
(1-14,Dave Sloan) hey guys!!
(1-6,Brian M. Polka) LOL :-)
(1-17,Sadie) Hey Dream Theater! (waving)
(1-18,DREAM THEATER/MIKE ) it's great being here
(1-1,Slash) Hey!
(1-22,mmo) good evenin' all
(1-8,Steve Cohen) hey
(1-5,john&dave) hey guys!
(1-14,Dave Sloan) hah
(1-12,Deblette) Hi all
(1-18,DREAM THEATER/MIKE ) werer
(1-23,Jimi Hendrix (DSD)) Hello All
(1-18,DREAM THEATER/MIKE ) looking forward to dealing with you
all one on one
(1-22,mmo) werer?
(1-6,Brian M. Polka) Hey Guys... what's up? :-)
(1-17,Sadie) Sure is, DT/M - welcome to CO!
(1-5,john&dave) amazing!!!!!!
(1-22,mmo) one on one or one on 15?
(1-3,Brian Powell) Hi DT!
(1-17,Sadie) DT/M - would you like a structured or freeform CO?
(1-2,Strings) more like 20
(1-10,Gravy Train) How do we know which one is talking?
(1-22,mmo) yeah, welcome!
(1-18,DREAM THEATER/MIKE ) both of us are
(1-5,john&dave) DT is the band of the 90's
(1-4,C.P.I.) who came up with the cover design for images and
(1-4,C.P.I.) words quite a trippy little thing it is
(1-18,DREAM THEATER/MIKE ) were playing guitar as were doing
this interview
(1-1,Slash) THere's 2 L.T's
(1-8,Steve Cohen) sure is
(1-17,Sadie) Mebbe you guys in the audience should pipe down
slightly, to let the
(1-16,Nicolas van Dyk) Will Change of Seasons be on Awake?
(1-17,Sadie) celebs get their bearings...
(1-18,DREAM THEATER/MIKE ) basically we all sat saround and came
up wth the concept as the band
(1-4,C.P.I.) can we get some fuckin order please
(1-10,Gravy Train) van Dyk, you made it! Welcome!
(1-18,DREAM THEATER/MIKE ) we pulled elements from different
song lyrics
(1-18,DREAM THEATER/MIKE ) we did the same with the cover AWAKE
(1-4,C.P.I.) what are some of your inspirations and aspirations
(1-18,DREAM THEATER/MIKE ) Nicolas, no it is not
(1-1,Slash) I can't wait for it to come out!
(1-18,DREAM THEATER/MIKE ) we would like to record it inthe
future
(1-18,DREAM THEATER/MIKE ) but we had so many good and new ideas
come on
(1-23,Jimi Hendrix (DSD)) Hello All.
(1-5,john&dave) guys are you touring with Queensryche????
Fates?
(1-8,Steve Cohen) do you have final word on a keyboardist?
(1-17,Sadie) Hello, DSD. Say hi to our guests, ok?
(1-23,Jimi Hendrix (DSD)) hi guest.
(1-4,C.P.I.) i heard john and steve morse did a litlle
something together
(1-23,Jimi Hendrix (DSD)) how are you tonite sadie?
(1-6,Brian M. Polka) How do you guys feel about the resurgence
of
(1-6,Brian M. Polka) progressive metal as of late compared to
the past
(1-6,Brian M. Polka) poularity of grunge?
(1-18,DREAM THEATER/MIKE ) CPI... inspirations are... the people
around me that I interact with and
(1-18,DREAM THEATER/MIKE ) thenatural events in life
(1-17,Sadie) Shall we take numbers of questions?
(1-14,Dave Sloan) john, here's a song idea--ever think about
getting out
(1-14,Dave Sloan) the old violin and playing sort of a haunting
song with
(1-14,Dave Sloan) accompaning keyboards?
(1-18,DREAM THEATER/MIKE ) aspirations.. become musically more
expressive and literate
(1-5,john&dave) numbers is a good idea!
(1-1,Slash) yeah
(1-5,john&dave) numer 1 <-----
(1-6,Brian M. Polka) NUmbers will work :-)
(1-1,Slash) 2
(1-22,mmo) wow, this is really chaotic
(1-14,Dave Sloan) 3
(1-6,Brian M. Polka) 5
(1-27,WD <Witless Dave>) 4
(1-23,Jimi Hendrix (DSD)) hey mmo remember me?
(1-17,Sadie) OK - J&D, shoot, and I'm taking the rest of your
numbers.
(1-4,C.P.I.) your songs have a lot of drama and theatrics and
imagery your not held down by industry conformities
(1-7,Not Mike) .bak....er...evening all (mighty crowded tonight)
(1-3,Brian Powell) 6
(1-23,Jimi Hendrix (DSD)) hey nm.
(1-18,DREAM THEATER/MIKE ) no, were not touring with
Queensrhyce.
(1-5,john&dave) are you guys tourning with queensryche?? Fates??
who????
(1-2,Strings) 7
(1-5,john&dave) who?
(1-23,Jimi Hendrix (DSD)) sadie please slide the jd down here.
(1-17,Sadie) OK, Slash is next.
(1-18,DREAM THEATER/MIKE ) were in LA right now
(1-18,DREAM THEATER/MIKE ) were going to premiere the album
(1-18,DREAM THEATER/MIKE ) at the foundations forum convention
(1-4,C.P.I.) how did the band get formed
(1-18,DREAM THEATER/MIKE ) we play tomorrow night, live with new
material
(1-17,Sadie) CPI! WAit your turn.
(1-4,C.P.I.) thats an important question
(1-18,DREAM THEATER/MIKE ) the US tour will begin around OCtober
20th and will
(1-1,Slash) I'll take #8, my question got answered
(1-18,DREAM THEATER/MIKE ) go until about mid december then
(1-18,DREAM THEATER/MIKE ) Japan in January and Europe in
Feb/March
(1-18,DREAM THEATER/MIKE ) will be a headliner tour
(1-17,Sadie) OK, Dave Sloan is next.
(1-28,Mike G) you guys comin to boston?
(1-18,DREAM THEATER/MIKE ) "I'm Mother Earth" will be headlining
tour
(1-18,DREAM THEATER/MIKE ) in USA
(1-4,C.P.I.) SADIE WHO THE HELL ARE YOU TO GIVE FUCKIN ORDERS
(1-18,DREAM THEATER/MIKE ) Mike.. yes
(1-18,DREAM THEATER/MIKE ) no confirmed Itinerary yet
(1-28,Mike G) thanx
(1-5,john&dave) so you r opening for them???
(1-17,Sadie) I'm your mother, CPI. Equal time for all fans.
(1-23,Jimi Hendrix (DSD)) watch it cpi!!!!!!!
(1-8,Steve Cohen) who's opening again?
(1-18,DREAM THEATER/MIKE ) CPI... the band was formed in 1985
when John and john grew up
(1-4,C.P.I.) actually your closer to my toilet bowl
(1-18,DREAM THEATER/MIKE ) togetther and went to Berkeley
(1-17,Sadie) OK, WD is next.
(1-18,DREAM THEATER/MIKE ) and met Mike Portnoy there
(1-14,Dave Sloan) you guys are all my idols seriously, you've
totally
(1-14,Dave Sloan) changed my musical views, which is great but
enough
(1-14,Dave Sloan) of the mush. myung, would you ever
considered
(1-14,Dave Sloan) getting out the violin and doing a haunting
little piece
(1-14,Dave Sloan) with background
(1-18,DREAM THEATER/MIKE ) and we just .. stuck together
(1-5,john&dave) let me take #9
(1-18,DREAM THEATER/MIKE ) for the whole year.. constantly
playing
(1-14,Dave Sloan) i know you guys wouldn't be afraid to do it
(1-17,Sadie) Gotcha, J&D.
(1-27,WD <Witless Dave>) Hey.... who would you consider to be
your influences?
(1-4,C.P.I.) thanx L.T
(1-4,C.P.I.) WHAT kind of axe does john use
(1-8,Steve Cohen) ibanez
(1-18,DREAM THEATER/MIKE ) Dave.. no, I wouldnt at this
point...violin for me was chosen for me
(1-18,DREAM THEATER/MIKE ) by my mother when I was very young
(1-8,Steve Cohen) ernie ball?
(1-18,DREAM THEATER/MIKE ) I don't feel a passion for playing
wise
(1-19,Timothy Cox) CPI - slooowww down man
(1-18,DREAM THEATER/MIKE ) I just kept it until I asked
myself... why do
(1-18,DREAM THEATER/MIKE ) I keep this
(1-17,Sadie) CPI, wait your turn. If you want to ask a
question, you're after J&D.
(1-4,C.P.I.) what bands do you guys listen to and who do you
think is doing something important in any creative feel
(1-4,C.P.I.) or style
(1-18,DREAM THEATER/MIKE ) then I realized I didn't want to
pursue it any further..
(1-18,DREAM THEATER/MIKE ) that was around 16 years of age
(1-14,Dave Sloan) i see, thanx
(1-28,Mike G) I'm glad a band like Dream Theater had enough
balls
(1-18,DREAM THEATER/MIKE ) Our influences were..... Rush.. Gheyy
Lee... Steve Harris of Iron Maiden.
(1-18,DREAM THEATER/MIKE ) Chris Squire of Yes..
(1-28,Mike G) to put out a musically smar album
(1-17,Sadie) Briank Polka is next.
(1-6,Brian M. Polka) Hey guys, thanks for coming by to meet the
fans. My question: Lately, we are seeing
(1-6,Brian M. Polka) more bands straying away from grunge type
work and going to more progressive type
(1-6,Brian M. Polka) influences. Do you feel you popularity has
attributed to that in any?
(1-18,DREAM THEATER/MIKE ) Early influences for Mike.. Beatles..
Led Zepplin,, The Who and Kiss
(1-18,DREAM THEATER/MIKE ) all of the drummers from those bands
(1-18,DREAM THEATER/MIKE ) once I got more serious about
playing.. I got heavily
(1-4,C.P.I.) how did you guys get signed
(1-18,DREAM THEATER/MIKE ) into Neil of Rush as well as Frank
(1-18,DREAM THEATER/MIKE ) Zappas music
(1-18,DREAM THEATER/MIKE ) currently I listen to .. heavy stuff
(1-4,C.P.I.) mothers
(1-17,Sadie) CPI.
(1-29,MARK NAHAS) were you at all influenced by marillion?
(1-18,DREAM THEATER/MIKE ) there's great double bass work in the
music..
(1-18,DREAM THEATER/MIKE ) Pantera.. Sepultura
(1-28,Mike G) Zappa's new work is good
(1-17,Sadie) Mark, you're up after J&D.
(1-4,C.P.I.) zappa's checked out g
(1-17,Sadie) We're taking numbers for questions.
(1-15,Michael Pomerleau) Can you fill us in on Why Moore left
the band, and who you are hoping to replace him with
(1-4,C.P.I.) ok 1 2 3 take all the damn numbers you want
(1-27,WD <Witless Dave>) Thanks for answering. :)
(1-18,DREAM THEATER/MIKE ) Helmet.... heavy aggressive
stuff...Brian...it se...
(1-17,Sadie) Wait your turn, MP.
(1-17,Sadie) PLEASE! Let these guys handle one question at a
time.
(1-18,DREAM THEATER/MIKE ) Hopefully the success wer'v had has
given people the courage to stray away
(1-4,C.P.I.) you guys don't listen to any non-metal shit
(1-18,DREAM THEATER/MIKE ) from the trends
(1-14,Dave Sloan) cpi----shut up, please
(1-18,DREAM THEATER/MIKE ) I think the type of music has always
been there
(1-17,Sadie) If you want to ask a question, type ??? and I'll
take your name down
(1-17,Sadie) in order.
(1-28,Mike G) when the hell did Moore leave??????????????????/
(1-5,john&dave) ???
(1-8,Steve Cohen) ???
(1-4,C.P.I.) suck it sloan
(1-32,sweet girl) ??????
(1-18,DREAM THEATER/MIKE ) Michael... THE HOT TOPIC....
(1-19,Timothy Cox) but out CPI
(1-15,Michael Pomerleau) ???
(1-6,Brian M. Polka) THanks for answering guys :-)
(1-13,Amer Khan) ????
(1-18,DREAM THEATER/MIKE ) Kevin left because he felt very
strongly about
(1-4,C.P.I.) fuck off cox
(1-18,DREAM THEATER/MIKE ) it wasn't something that just came up
out of no where
(1-18,DREAM THEATER/MIKE ) he was contenplating this for a while
(1-19,Timothy Cox) emsymf - CPI
(1-18,DREAM THEATER/MIKE ) at closing sessions of AWAKE... he
didn't have a choice anymore within
(1-18,DREAM THEATER/MIKE ) himself.. musically
(1-4,C.P.I.) your a damn pussy cox
(1-18,DREAM THEATER/MIKE ) I know it's hard for other people
(1-18,DREAM THEATER/MIKE ) but it's very difficult untless you
knew him personally....so
(1-28,Mike G) he was very talented as all of you are
(1-6,Brian M. Polka) CPI.. just calm down and let these guys
talk. Everyone wants to talk to them as
(1-6,Brian M. Polka) much as you.
(1-18,DREAM THEATER/MIKE ) he left due to musically reasons.. no
angry parting
(1-28,Mike G) thats good
(1-18,DREAM THEATER/MIKE ) He in fact is very enthusiastically
for the band to grow
(1-17,Sadie) I believe Brian Powell has the next question...
(1-18,DREAM THEATER/MIKE ) We all still have our personal
friendship
(1-18,DREAM THEATER/MIKE ) In fact we talked to him last week..
(1-18,DREAM THEATER/MIKE ) REPLACEMENT... has not been made..
yet
(1-18,DREAM THEATER/MIKE ) not known yet
(1-3,Brian Powell) Mike, you're the best (well...close race with
Peart), but what size venues can we expect to see you guys in?
I'd rather it be a small
(1-28,Mike G) is he going solo
(1-18,DREAM THEATER/MIKE ) promoting the record and touring is
important right now
(1-3,Brian Powell) one but will it be?
(1-18,DREAM THEATER/MIKE ) and to lose the momentim in that and
to begin to look for a replacement
(1-28,Mike G) when is the record due?
(1-17,Sadie) MIke G, please wait your turn.
(1-8,Steve Cohen) october 4
(1-18,DREAM THEATER/MIKE ) ... the show we are doing tomorrow
night...we will be using a keyboard play
(1-28,Mike G) sorry
(1-8,Steve Cohen) ok
(1-18,DREAM THEATER/MIKE ) er named Jordan Rudess... who is a
complete MONSTER..
(1-10,Gravy Train) ???
(1-2,Strings) Jordan rudes!!! I know him!! He's Incredible!
(1-18,DREAM THEATER/MIKE ) If Jordan willl remain with the band
will remain to be seen.. Brian...
(1-2,Strings) Jordan Rudes from KORG?
(1-18,DREAM THEATER/MIKE ) I think we will start first leg of
tour in
(1-18,DREAM THEATER/MIKE ) medium sized clubs (800 to 1200
people)
(1-18,DREAM THEATER/MIKE ) the sized we were playing towards the
middle of the last tour...
(1-14,Dave Sloan) ??
(1-17,Sadie) Gotcha, Dave
(1-18,DREAM THEATER/MIKE ) any more questions?
(1-6,Brian M. Polka) Sadie-- I have another question, please put
me on the list.
(1-17,Sadie) Yup, Strings is next.
(1-17,Sadie) Ok, Brian.
(1-18,DREAM THEATER/MIKE ) yes,please begin
(1-32,sweet girl) hey....me
(1-8,Steve Cohen) sadie, am i on the list?
(1-17,Sadie) Dream Theatre - type DONE when you're done with a
question, ok?
(1-2,Strings) You mentioned Jordan Rudes. Is this Jordan Rudes
from
(1-2,Strings) KORG, the "Keyboard Wizard?"
(1-17,Sadie) Yes, Steve.
(1-17,Sadie) Ok, Sweeters
(1-18,DREAM THEATER/MIKE ) Struings... Yes he is
(1-2,Strings) He's AWESOME!
(1-18,DREAM THEATER/MIKE ) he is currently playing with the
Ddrags...
(1-32,sweet girl) i heard you used to be under a different band
name and then
(1-17,Sadie) J&D next
(1-2,Strings) I know him, I've talked with him a few times
(1-5,john&dave) Guys- I heard you were intrested in hearing
about up and
(1-5,john&dave) coming bands...I am a manager of a local
(chicago) progressive
(1-5,john&dave) band that is amaazing live, and is working on a
demo. ANy way
(1-5,john&dave) you guys could take a listen to it?
(1-32,sweet girl) you had to change it. what was the name and
why did you
(1-32,sweet girl) have to change it?
(1-18,DREAM THEATER/MIKE ) he won keyboard player magazine
readers polls last yearSweet Girl....
(1-17,Sadie) J&D first - sweeters, darling, you're on for later,
ok?
(1-18,DREAM THEATER/MIKE ) we were called MAGESTY
(1-18,DREAM THEATER/MIKE ) between 1985 when we formed and
1988...
(1-18,DREAM THEATER/MIKE ) when we signed our first record deal.
(1-18,DREAM THEATER/MIKE ) we found out the trade mark was held
by somebody else
(1-18,DREAM THEATER/MIKE ) we then changed the name....which was
a blessing in disguise..
(1-18,DREAM THEATER/MIKE ) then we came up with the Dream
Theatre..
(1-17,Sadie) Steve Cohen I believe had his hand up next...
(1-36,Sig) What's Up!
(1-5,john&dave) what about my question?
(1-17,Sadie) Yikes! That wasn't answering your question, J&D?
SOrry!
(1-8,Steve Cohen) guys, are you going to re release the first
album, and are you coming to columbus?
(1-18,DREAM THEATER/MIKE ) John & Dave... when we come through
Chicago...
(1-17,Sadie) Maybe you should repeat it after steve, J&D - I'm
sorry!
(1-18,DREAM THEATER/MIKE ) hook us up with a tape..
(1-5,john&dave) how do I get it to you?
(1-18,DREAM THEATER/MIKE ) Steve.... they plan on reissuing the
album but I have no specific plans
how u?(1-17,Sadie) Dream Theater, can you be reached at this CIS
ID?
(1-18,DREAM THEATER/MIKE ) for it to be reissued... howevery..
(1-18,DREAM THEATER/MIKE ) it is easily obtainable through most
stores
(1-18,DREAM THEATER/MIKE ) that carry import cd's
(1-17,Sadie) MIke G is next.
(1-18,DREAM THEATER/MIKE ) Yes... we will be going through
Columbus but when is the question..
(1-8,Steve Cohen) ???
(1-10,Gravy Train) DT can be reached at [email protected]
(1-17,Sadie) Gotcha, Steve.
(1-32,sweet girl) ???????
(1-17,Sadie) Sweeters, you're down already!
(1-18,DREAM THEATER/MIKE ) John... give it to a manager at the
club..
(1-1,Slash) could I ask my question next sadie? I need to
disconnect soon
(1-34,Turtle) hey!
(1-18,DREAM THEATER/MIKE ) fortunatly were pretty accessable
people
(1-5,john&dave) ???
(1-18,DREAM THEATER/MIKE ) next Slash...
(1-1,Slash) thanx
(1-17,Sadie) Go, Slash!
(1-1,Slash) Two things: #1, I wrote a letter to you guys asking
if you are planning a tour stop in
(1-1,Slash) Puerto Rico and I got a generic letter which didn't
answer the question. could you
(1-1,Slash) answer? and #2, Is anyone planning on transcribing
the music for any of your songs?
(1-17,Sadie) Gotcha, J&D
(1-5,john&dave) Dream Theater <-------fuckin amazing!
(1-29,MARK NAHAS) I thought i was after J & D?
(1-28,Mike G) when is the new album due out.
(1-2,Strings) transcribing? Now there's a job and a half! <g>
(1-18,DREAM THEATER/MIKE ) Slash.. we do plan on releasing it.
but not in
(1-17,Sadie) I'm sorry, Mark - I was dealing with CPI. Gotcha.
(1-18,DREAM THEATER/MIKE ) immediate future..
(1-17,Sadie) Let's have Mark, then.
(1-29,MARK NAHAS) what kind of radio play do you expect?
(1-18,DREAM THEATER/MIKE ) one is transcribed in an upcoming
issue..
(1-18,DREAM THEATER/MIKE ) As far as Puerto Rico.. no plans
right now
(1-21,slaught-bear) ussssssssssssssssssssss.
(1-18,DREAM THEATER/MIKE ) but our bookin agent is pretty much a
slave drive.
(1-18,DREAM THEATER/MIKE ) r
(1-18,DREAM THEATER/MIKE ) if he wants up to play, then we will.
(1-18,DREAM THEATER/MIKE ) Mark.... well....
(1-1,Slash) cool, thanx!
(1-18,DREAM THEATER/MIKE ) were not the type that expects any
radio
(1-18,DREAM THEATER/MIKE ) play at all
(1-17,Sadie) Brian Polka next..
(1-18,DREAM THEATER/MIKE ) infact the last took us by complete
surprise
(1-1,Slash) Too bad about PR though :-(
(1-5,john&dave) tell john we love him !!!!!!!!
(1-18,DREAM THEATER/MIKE ) however, we have been surprised with
the success with the first single
(1-3,Brian Powell) ?
(1-28,Mike G) you get it in boston...sometimes
(1-6,Brian M. Polka) Why do you guys think your popularity has
been soo much higher outside the US?
(1-19,Chaos) you guys rule
(1-17,Sadie) Gotcha, Brian Powell.
(1-18,DREAM THEATER/MIKE ) live .. it seems to be doing
well...which was released to radeio last
(1-18,DREAM THEATER/MIKE ) week
(1-4,mi luil) I'm baack!
(1-1,Slash) WEll, Bye Dream Theater!!!!! Please say hi to John
Petrucci for me!
(1-18,DREAM THEATER/MIKE ) it has been one of the top five
requested songs
(1-18,DREAM THEATER/MIKE ) across the country...KEEP ON CALLING
(1-17,Sadie) Sweeters next...
(1-15,Michael Pomerleau) What is the name of the first single
(1-18,DREAM THEATER/MIKE ) Brian...that's not particularly true
(1-2,Strings) What's it called? I haven't listened to much
radio recently
(1-10,Gravy Train) ??? number?
(1-18,DREAM THEATER/MIKE ) in sales figures... the US is doing
better...
(1-17,Sadie) HEY!
(1-17,Sadie) OUt of order!
(1-18,DREAM THEATER/MIKE ) it seems that the European and
Japanese tend to like music
(1-2,Strings) sorry, sadie
(1-19,Chaos) I play drums for a band and where having alot of
(1-19,Chaos) problems? how do you guys work things out
(1-19,Chaos) when you dissagree or have a dilemma?
(1-18,DREAM THEATER/MIKE ) like ours and don't really care about
ttrends like the US does...
(1-17,Sadie) Chaos, your turn will come.
(1-18,DREAM THEATER/MIKE ) Michael "LIE"
(1-19,Chaos) ok
(1-17,Sadie) Steve Cohen is next.
(1-6,Brian M. Polka) Cool, thanks guys :-)
(1-32,sweet girl) want to play the Alrosa in Columbus? I'll
book you there. or will you
(1-32,sweet girl) play the Newport instead (boo hissss).
(1-5,john&dave) Sadie the way you use your authoritty turns us
on!!!!
(1-8,Steve Cohen) Mike P, did you really write a letter to
Prodigy a week or so ago?
(1-8,Steve Cohen) ???
(1-32,sweet girl) get the whips out sadie
(1-18,DREAM THEATER/MIKE ) Chaos... we stick together by making
sure we communicate with each other
(1-11,Christopher T. Leme) Hey Chaos --- Just let everthing
slide and keep the band working, keep your mouth shut and work
hard !
(1-18,DREAM THEATER/MIKE ) and if something is in our minds.. we
don't hold it in
(1-18,DREAM THEATER/MIKE ) we discuss things... so that there
won't be a situation of
(1-19,Chaos) cool, thats what we lack in
(1-7,Not Mike) BRB
(1-17,Sadie) J&D are on again.
(1-19,Chaos) mike, where did you study in college?
(1-11,Christopher T. Leme) no no hold it in, its usually so
petty it doesnt matter Chaos
(1-18,DREAM THEATER/MIKE ) anyone blowing up ...so that it would
lead to arguements..being is prett
(1-17,Sadie) Chaos, your turn will come.
(1-18,DREAM THEATER/MIKE ) y much like a marriage..
(1-18,DREAM THEATER/MIKE ) you have to be open to compromises..
(1-5,john&dave) mike in the Video, you say.."Balls and Chuck is
Where its at" Is
(1-5,john&dave) that the music path you guys are taking?
(1-18,DREAM THEATER/MIKE ) but at the end of the day. you
realize your common goals
(1-18,DREAM THEATER/MIKE ) that overcomes everything
(1-18,DREAM THEATER/MIKE ) We've been to Alrosa twice already
(1-5,john&dave) aslo, merritt gant of overkill says you guys are
fucking
(1-5,john&dave) amazing...don't you love band love! :)
(1-18,DREAM THEATER/MIKE ) it was cool but were looking for
someplace bigger
(1-32,sweet girl) well, the newport is an old theater but under
different mgnt.
(1-18,DREAM THEATER/MIKE ) Chaos.. Berkeley....where we all
attended..
(1-32,sweet girl) they could steel you away i guess but you
should stay with
(1-17,Sadie) Has everyone who asked a question thus far been
answered?
(1-8,Steve Cohen) sadie, did you put me back in?
(1-17,Sadie) Damned if I can tell...
(1-32,sweet girl) the alrosa...tradition, you know.
(1-17,Sadie) Yup, Steve.
(1-18,DREAM THEATER/MIKE ) We all took courses in ear training.
sight singing .. arranging... harnony
(1-2,Strings) My band's lead singer studied at Berkley
(1-8,Steve Cohen) thanks
(1-19,Chaos) really, what did you major & minor IN
(1-18,DREAM THEATER/MIKE ) as well as individual instructions
(1-2,Strings) berkeley, sorry
(1-18,DREAM THEATER/MIKE ) on our instruments.
(1-17,Sadie) CHAOS!
(1-18,DREAM THEATER/MIKE ) JAM
(1-18,DREAM THEATER/MIKE ) JAMES SAID HIIIII
(1-19,Chaos) you guys are from long island
(1-31,Paula) everybody but Mike & the person who Sadie calls on
please be quiet!
(1-4,Sky Brower) Hey, you guys are great, D.T.!!!
(1-32,sweet girl) pk to the rscue
(1-2,Strings) HI, PK
(1-29,MARK NAHAS) have you heard about RUSH's 20th anniv. tour?
maybe
(1-29,MARK NAHAS) open for them?
(1-2,Strings) That would be awesome!
(1-31,Paula) MARK! Wait for Sadie to call on you...!
(1-17,Sadie) Mark, wait your turn. PLEASE
(1-3,Brian Powell) Too much to ask.
(1-18,DREAM THEATER/MIKE ) Mark..actually it sounds like an
incredibal tour
(1-17,Sadie) Brian Powell is next.
(1-18,DREAM THEATER/MIKE ) they are doing two sets with an
inttermission and
(1-18,DREAM THEATER/MIKE ) no opening act..
(1-18,DREAM THEATER/MIKE ) therefore no opening for us..
(1-32,sweet girl) that's the way it should be
(1-5,john&dave) my question?
(1-18,DREAM THEATER/MIKE ) next question..
(1-17,Sadie [moderator]) Mike P.
(1-5,john&dave) what about me????
(1-18,DREAM THEATER/MIKE ) were all married.. 3/4 by the way..
(1-3,Brian Powell) Mike, is it possible to get transcriptions to
your percusion parts?
(1-15,Michael Pomerleau) My question about Kevin leaving the
band was answered earlier sadie
(1-17,Sadie [moderator]) Sorry, J&D - you never did get
answered. You're next, again.
(1-5,john&dave) can they scroll up and read it?
(1-16,Jimmy V.) ta da!
(1-17,Sadie [moderator]) Thanks, Mike P. Noted.
(1-6,Brian M. Polka) SAdie-- Got another question to ask :-)
(1-10,Gravy Train) I've heard some samples of new songs on the
net (Lie, 6:00)--there seems to be a very heavy John Lord/almost
NIN keyboard
(1-10,Gravy Train) influence; without Kevin will the keyboards
maintain that trend?
(1-17,Sadie [moderator]) Please ask it again, J&D.
(1-17,Sadie [moderator]) You're in line again, Brian.
(1-18,DREAM THEATER/MIKE ) Brian.. as of this moment .. no
(1-18,DREAM THEATER/MIKE ) it is something that I would ohave
liked to have done
(1-3,Brian Powell) damn, oh well.
(1-17,Sadie [moderator]) GT....
(1-5,john&dave) mike in the video, you said "balls and chuck is
where its at" is
(1-5,john&dave) that the musical direction you guys are
following?
(1-18,DREAM THEATER/MIKE ) write to Modern drummer magazine...
(1-3,Brian Powell) I have a subscription
(1-18,DREAM THEATER/MIKE ) Gravy.. absolutely. were spending
alot of time with our
(1-1,Steve Cohen) sadie, i got knocked out because of a power
outage, can you put me back on the
(1-1,Steve Cohen) list?
(1-17,Sadie [moderator]) You're on the list, Steve. I did that
already.
(1-18,DREAM THEATER/MIKE ) new keyboardist.. (temp. replacement)
in maki8ng sure that what we recr
(1-5,john&dave) also..I saw merritt gant of Overkill last week
and he said you
(1-5,john&dave) guys kick ass...I agree!
(1-18,DREAM THEATER/MIKE ) eate live will be recorded..
(1-19,Chaos) are you guys going to get another keyboardist?
(1-19,Chaos) are you originally from long island, ny. i isten to
(1-19,Chaos) guys for inspiration, what do you listen to for
(1-19,Chaos) yours?
(1-17,Sadie [moderator]) Strings is up next.
(1-17,Sadie [moderator]) Chaos, wait your turn.
(1-18,DREAM THEATER/MIKE ) it is definitly contains some tof the
heaviest stuff
(1-18,DREAM THEATER/MIKE ) we've done by far.. however, the
record as a whole
(1-18,DREAM THEATER/MIKE ) is very balanced and diverse...
(1-2,Strings) Around when will you be coming to Detroit? If you
know off hand.
(1-2,Strings) Is there any telling whether or not Jordan Rudes
will be with you?
(1-18,DREAM THEATER/MIKE ) Chaos.. yes, were from Long ISland..
except James.. Mike is from Long
(1-5,john&dave) BUY GUYS!!!!!!!! YOU ARE SIMPLY THE BEST BAND
OUT
(1-5,john&dave) THERE!
(1-18,DREAM THEATER/MIKE ) beach and the rest is from..Kings
Park.. James is from Toronto Canada
(1-19,Chaos) cool, im from syosset
(1-5,john&dave) sadie-we love you to :)
(1-17,Sadie [moderator]) Thanks, J&D! Heh...
(1-13,Amer Khan) Am I still in line???
(1-18,DREAM THEATER/MIKE ) Strings.. we can guess.. early to mid
November..... check it our.
(1-18,DREAM THEATER/MIKE ) yes Amer.... you are ...
(1-2,Strings) I've got Jordan's autograph from one of the few
shows I've seen him
(1-2,Strings) at demoing for KORG
(1-17,Sadie [moderator]) I didn't get you earlier, Amer, sorry.
You're on.
(1-2,Strings) He's a real cool guy
(1-13,Amer Khan) First I would like to say that I think its
great that
(1-13,Amer Khan) Progressive metal is finally getting some
publicity.
(1-13,Amer Khan) Band like yourself, and Fates are long over
due. My
(1-13,Amer Khan) question is how do you guys come up with the
material?
(1-13,Amer Khan) And most the important thing (the rhythm
section :-)),
(1-13,Amer Khan) with the tight rhythms that you play, do you
(John) come
(1-13,Amer Khan) up with the Bass lines first, or do Mike's
drums dictate a
(1-13,Amer Khan) lot of what you do?
(1-18,DREAM THEATER/MIKE ) any more questions..
(1-17,Sadie [moderator]) I guess Amer has one, Mike.
(1-5,john&dave) BYE all DT forever Ryche on!
(1-17,Sadie [moderator]) Steve Cohen is up next.
(1-18,DREAM THEATER/MIKE ) Amer... it's a little of both.. the
bass parts
(1-18,DREAM THEATER/MIKE ) tend to come first but they get
switched around alot by Mikes
(1-1,Steve Cohen) John M, I work at a guitar company in
Cleveland,called Hill Guitars, and would
(1-1,Steve Cohen) consider it an honor to make you a bass if you
would play it. I'd like to know if
(1-1,Steve Cohen) you would take my offer, or are you locked
into endorsing someone?
(1-28,Mike G) well i gotta get going soon, you guys are
amaizing...I hope
(1-28,Mike G) your album does awsome. I just wanna say you guys
are great.
(1-28,Mike G) my main influences, and i'm glad to see other than
a
(1-28,Mike G) grunge band doing
well....thanx!!!!!!!!!!!!!!!!!!!!!!!!!!!
(1-18,DREAM THEATER/MIKE ) interpertation of it arhythymitcally
(1-18,DREAM THEATER/MIKE ) so it's a balance between the two...
(1-16,icky joey) oh my god are we full tonight
(1-17,Sadie [moderator]) Thanks, Mike G - later!
(1-16,icky joey) kisses to all
(1-2,Strings) carefull, icky, Sadie is ruling with an Iron fist!
<g>
(1-19,Chaos) where do you guys get your inspiration and i
(1-19,Chaos) definitley get mine from you guys!!!!
(1-18,DREAM THEATER/MIKE ) Steve.. I'm locked into endorsing
some new... "Tong" is the name of it
(1-17,Sadie [moderator]) Mark N is up next.
(1-18,DREAM THEATER/MIKE ) it's a new lind of 6 strings...coming
out of CA..
(1-17,Sadie [moderator]) Chaos, wait your turn.
(1-15,Michael Pomerleau) ???
(1-18,DREAM THEATER/MIKE ) I'm flattered by the offer but I'd
have to find out exactly what
(1-18,DREAM THEATER/MIKE ) my limitations are with the
company...
(1-17,Sadie [moderator]) Gotcha Michael P
(1-18,DREAM THEATER/MIKE ) next question..
(1-2,Strings) ??/
(1-17,Sadie [moderator]) Brian Polka is up after Mark N.
(1-17,Sadie [moderator]) Gotcha, Strings.
(1-18,DREAM THEATER/MIKE ) Mark.
(1-14,Dave Sloan) ??? (a while ago) You guys have GOT TO BE on a
movie soundtrack sometime--any action
(1-14,Dave Sloan) sequences would absolutely ROCK with your
music. My hypothesis for your Japanese
(1-14,Dave Sloan) popularity is the "video game" music that you
sort of sound like--which is NOT BEING
(1-14,Dave Sloan) DEROGATORY in any way, seriously. My ?--what
were the top few highlights of the
(1-14,Dave Sloan) international touring?
(1-23,Jimi Hendrix (DSD)) bak. all
(1-17,Sadie [moderator]) Thank you, Dave Sloan.
(1-18,DREAM THEATER/MIKE ) Dave... a couple that come to mind.
(1-19,Chaos) GOTTA GO, YOU GUYS RULE!!!!!! BEST OF
(1-19,Chaos) LUCK AND DON'T GIVE UP!!!!!!1
(1-18,DREAM THEATER/MIKE ) both tours of Japan.. Italy, which is
one of the loving and devoted
(1-17,Sadie [moderator]) Thanks, Chaos.
(1-20,Mayhem) wow....its crowded in here!! whats the occasion?
(1-1,Steve Cohen) ???
(1-18,DREAM THEATER/MIKE ) county of(country) of fans we've ever
encountered.
(1-18,DREAM THEATER/MIKE ) Germany.. Holland.. every night was
an experience in itselfl.
(1-17,Sadie [moderator]) Brian Polka is next...
(1-6,Brian M. Polka) In Guitar for the Practicing Muscian a few
months back John Petrucci recieved the
(1-6,Brian M. Polka) Breakthrough Guitarist award and the Band
as a whole got A LOT of recognition for
(1-6,Brian M. Polka) the I&W album. Why do you think this last
album was soo well recieved?
(1-18,DREAM THEATER/MIKE ) Brian
(1-10,Gravy Train) Mayhem---DREAM THEATER IS HERE
(1-13,Amer Khan) ???
(1-17,Sadie [moderator]) Gotcha, Amer.
(1-18,DREAM THEATER/MIKE ) Brian.. well received in the music
magazines because there's a
(1-2,Strings) 'cause they're awesome, Bri!
(1-17,Sadie [moderator]) Michael P is next...
(1-18,DREAM THEATER/MIKE ) stong (strong) element of
musicianshilp
(1-15,Michael Pomerleau) What bands & what type of music do you
guys listen to, in your spare time??? What albums are your
(1-15,Michael Pomerleau) favorites.
(1-18,DREAM THEATER/MIKE ) I think also that alot of it had to
do with the timing with when our al
(1-21,Gilbert Hoffman) Hey everyone.
(1-18,DREAM THEATER/MIKE ) bum came our versus what was
happening in the pop climate
(1-17,Sadie [moderator]) Hey Gilbert. Take a number!
(1-18,DREAM THEATER/MIKE ) and knowing that there's always an
audience for
(1-16,icky joey) <-----sneaking off slowly, may be back later,
when things
(1-6,Brian M. Polka) What ever the reason where, I'm glad it
happened.. thanks again :-)
(1-16,icky joey) calm down, buy everyone
(1-18,DREAM THEATER/MIKE ) every style of music...
(1-17,Sadie [moderator]) Thanks, Brian, later, ick...
(1-17,Sadie [moderator]) Good answer, Mike! Strings is next.
(1-14,Dave Sloan) ??
(1-17,Sadie [moderator]) Gotcha, Dave.
(1-18,DREAM THEATER/MIKE ) okay Michael... U2, Mos Davis.
Pantera.. Seal.. Jelly FIsh
(1-18,DREAM THEATER/MIKE ) .... Sound Garden...Rush..Premise
(1-18,DREAM THEATER/MIKE ) Pink Floyd .. Peter Gabriel
(1-18,DREAM THEATER/MIKE ) QueensRhyche..
(1-2,Strings) I heard someone mention an interest in local,
unsigned bands
(1-2,Strings) earlier, and would consider it the highest honor
if you guys would
(1-2,Strings) give my band a listen
(1-18,DREAM THEATER/MIKE ) Police... Public Enemy..Kings
X...James Addication
(1-18,DREAM THEATER/MIKE ) CHILI Peppers..
(1-18,DREAM THEATER/MIKE ) Journey
(1-18,DREAM THEATER/MIKE ) Joe Satriani
(1-18,DREAM THEATER/MIKE ) FranK Zappa..
(1-2,Strings) I would love input from such a talented bunch of
musicians like you
(1-2,Strings) guys
(1-18,DREAM THEATER/MIKE ) Favorite Albumm...(list goes on
forever actually)....albumm....
(1-17,Sadie [moderator]) Dream Theater, can people reach you in
the future under this CIS ID?
(1-17,Sadie [moderator]) (per STrings' question)
(1-18,DREAM THEATER/MIKE ) of all time......Mike...: Seargent
Pepper by the Beatles.. the Wall (PInk
(1-18,DREAM THEATER/MIKE ) Flyod)
(1-2,Strings) thanx, Sadie
(1-18,DREAM THEATER/MIKE ) Master of Puppets (Metallica)
(1-18,DREAM THEATER/MIKE ) Misplaced Childhood (merillion)
(1-31,Paula) ??
(1-18,DREAM THEATER/MIKE ) Fea4r of the Black Planet (Public
Enemy)
(1-17,Sadie [moderator]) Paula, you're on the list...
(1-2,Strings) Did you guys get my question?
(1-18,DREAM THEATER/MIKE ) John...: Janes Addicaiton :"( Nothing
shocking)
(1-18,DREAM THEATER/MIKE ) Pink Flyod (Dark side Of the moon)
(1-17,Sadie [moderator]) Dream Theater, can people contact you
at this CIS ID?
(1-17,Sadie [moderator]) (sheesh)
(1-18,DREAM THEATER/MIKE ) King Crysom (beat)
(1-4,Lance Boyle) Beat???
(1-18,DREAM THEATER/MIKE ) what was the Strings..
(1-18,DREAM THEATER/MIKE ) ?
(1-17,Sadie [moderator]) STrings would like to know if you would
listen to his bands' demo.
(1-18,DREAM THEATER/MIKE ) next question..
(1-2,Strings) I heard someone mention an interest in local,
unsigned bands, and
(1-2,Strings) would consider it the highest honor if you guys
could give us a
(1-2,Strings) listen
(1-18,DREAM THEATER/MIKE ) demoss...
(1-17,Sadie [moderator]) And I think everyone would like to know
if they can contact you through
(1-17,Sadie [moderator]) this CIS ID in the future.
(1-18,DREAM THEATER/MIKE ) we have a new fan club address that
will be on the inside
(1-18,DREAM THEATER/MIKE ) of the new album that you can send
all mail to
(1-18,DREAM THEATER/MIKE ) we don't rememaber it off hand..
(1-17,Sadie [moderator]) Chris Leme is up next.
(1-2,Strings) maybe even just to get some constructive feedback
from my favorite
(1-2,Strings) musicians
(1-31,Paula) related to that, if I can jump in...
(1-17,Sadie [moderator]) Sure, PK!
(1-31,Paula) can folks contact you through Walter O'Brien?
(1-31,Paula) he *does* have a CIS account...
(1-18,DREAM THEATER/MIKE ) Paula..no, but you can contact
Pantera through him..
(1-18,DREAM THEATER/MIKE ) hahha
(1-18,DREAM THEATER/MIKE ) next question..
(1-31,Paula) oh, okay.
(1-17,Sadie [moderator]) OK.... Is Chris Leme here?
(1-11,Christopher T. Leme) Mike, you mention Pantera, I like
them but I really don't care for that type of singing, what do
you think about that kind of vocal
(1-18,DREAM THEATER/MIKE ) that's Pantera's manager.
(1-31,Paula) i'd thought it was yours too, oops <G> on to
Chris's question...
(1-18,DREAM THEATER/MIKE ) Chris...the vocals are myu least
favorite part
(1-18,DREAM THEATER/MIKE ) of that type of music
(1-18,DREAM THEATER/MIKE ) it doesn't bother me that much
(1-17,Sadie [moderator]) Amer Khan is next.
(1-18,DREAM THEATER/MIKE ) because aggressive music should have
agresssive vocals
(1-11,Christopher T. Leme) Do you like Ice T ???
(1-2,Strings) Did I miss the answer to my question?
(1-18,DREAM THEATER/MIKE ) I 'm a fan for the power, drumming
and speed. and rhymithical Chris... Y
(1-18,DREAM THEATER/MIKE ) Yes, I'm a very big rap fan.. his
band Body count is
(1-18,DREAM THEATER/MIKE ) going on right before us tomorrow
night
(1-18,DREAM THEATER/MIKE ) I'm looking forward to seeing him.
(1-17,Sadie [moderator]) Dave Sloan follows...
(1-18,DREAM THEATER/MIKE ) next question...
(1-14,Dave Sloan) would you guys ever do a band\rap combo song
with Public Enemy, ICE T, etc. like the
(1-14,Dave Sloan) stuff on the Judgement Night soundtrack? I'm
sure it would expose your music to a different
(1-14,Dave Sloan) audience.
(1-13,Amer Khan) This is another question for John M. I am
(1-13,Amer Khan) a bass player also...When you were in Dallas
(1-13,Amer Khan) last year, I was blown away by your playing.
(1-13,Amer Khan) Seeing you play it live is a completely
different
(1-13,Amer Khan) experience. I was wondering how you developed
the
(1-13,Amer Khan) hand strength, and dexterity that you have?
(1-11,Christopher T. Leme) Thanks Mike
(1-18,DREAM THEATER/MIKE ) Dave... I personally would enjoy it
but I don't think that is the coll
(1-18,DREAM THEATER/MIKE ) ective directive of Dream Theater as
a band.
(1-17,Sadie [moderator]) OK, assembled masses - any more
questions?
(1-6,Brian M. Polka) ????
(1-18,DREAM THEATER/MIKE ) Amer... alot of that comes from
playing and practicing my parts until
(1-18,DREAM THEATER/MIKE ) I'm blue inthe face..
(1-1,Steve Cohen) yes
(1-18,DREAM THEATER/MIKE ) what helps me before going out on
tour..
(1-17,Sadie [moderator]) Hokay, Steve.
(1-18,DREAM THEATER/MIKE ) is the recording process of lthe
album
(1-18,DREAM THEATER/MIKE ) that's when I spend the biggest
(1-20,Mayhem) ??
(1-1,Steve Cohen) What kind of stage show are you planning with
the new tour?
(1-18,DREAM THEATER/MIKE ) chunk of time
(1-2,Strings) ???
(1-17,Sadie [moderator]) Mayhem is next...
(1-18,DREAM THEATER/MIKE ) concentrating my parts....
(1-17,Sadie [moderator]) Gotcha, Strings.
(1-18,DREAM THEATER/MIKE ) Steve....
(1-18,DREAM THEATER/MIKE ) we will continue to try to present
the music in both the visual
(1-5,Steve Crowell) This is Steve from Texas, when is DT coming
to big D???????
(1-8,denny) helloo
(1-17,Sadie [moderator]) Steve, you're on the list to ask
questions.
(1-1,Steve Cohen) hey one steve at a time!!!!
(1-5,Steve Crowell) no prob!
(1-18,DREAM THEATER/MIKE ) and audio .. .. make everything sound
is clear and light show in intersting
(1-18,DREAM THEATER/MIKE ) while also getting creative with the
song selection..
(1-17,Sadie [moderator]) Shoot em, Mayhem!
(1-20,Mayhem) Any words/advice for the struggling guitarist
workin' hard
(1-20,Mayhem) for 9 years and not yet playin' up to where he
hopes?
(1-13,Amer Khan) ???
(1-18,DREAM THEATER/MIKE ) Steve, we arestarting onthe East
Coast.. working towards the west coast
(1-18,DREAM THEATER/MIKE ) Around November I would think...
(1-17,Sadie [moderator]) Gotcha, Amer
(1-1,Steve Cohen) ???
(1-24,Geoff) evevin' all
(1-24,Geoff) :>
(1-17,Sadie [moderator]) Yup, you're in line, Steve.
(1-4,Lance Boyle) ???!
(1-17,Sadie [moderator]) Gotcha, Lance.
(1-8,denny) any dead fans hear
(1-17,Sadie [moderator]) Didja have any words of wisdom for
Mayhem, Dream Theater?
(1-17,Sadie [moderator]) Denny, you're on the list.
(1-5,Steve Crowell) are there any other albums otherthan the 3?
(1-18,DREAM THEATER/MIKE ) Mayhem...to be....to have an open
mind in music.. and to understand musi
(1-18,DREAM THEATER/MIKE ) c is something that will teach you as
much
(1-18,DREAM THEATER/MIKE ) as you want to know
(1-8,denny) what list
(1-17,Sadie [moderator]) STrings is next.
(1-18,DREAM THEATER/MIKE ) but it's some6hing that requires
(1-18,DREAM THEATER/MIKE ) patience and discipleine
(1-18,DREAM THEATER/MIKE ) and to be open minded into different
(1-2,Strings) Any chance I can get really good tickets for a
Detroit show? <Just
(1-2,Strings) kidding> Being a studio engineer, I was just
curious as to want
(1-2,Strings) kind of equipment or techniques you use when you
record.
(1-18,DREAM THEATER/MIKE ) styles of music and to always have
(1-17,Sadie [moderator]) The list of people in line to ask
questions, denny.
(1-18,DREAM THEATER/MIKE ) somthhing on the side that you're
doing
(1-22,MAJESTY) only to have your record label blow that theroy
out of the water
(1-18,DREAM THEATER/MIKE ) never just dwell in one particular
piece of music..
(1-17,Sadie [moderator]) Steve Cohen is next
(1-1,Steve Cohen) how long is the new album?
(1-20,Mayhem) great answer....thanks...
(1-18,DREAM THEATER/MIKE ) St5rings....hmmmm.
(1-18,DREAM THEATER/MIKE ) 75 minutes... 3 seconds...
(1-1,Steve Cohen) ???
(1-18,DREAM THEATER/MIKE ) HOWEVER!!! the cassette will only be
about 65 minutes in length
(1-17,Sadie [moderator]) Gotcha, Steve.
(1-18,DREAM THEATER/MIKE ) because of manufacturing
restrictions.. get the CD for the fulll album
(1-18,DREAM THEATER/MIKE ) next question
(1-17,Sadie [moderator]) Did STrings get answered?
(1-2,Strings) no.
(1-17,Sadie [moderator]) I didn't think so - ask again, Strings.
(1-18,DREAM THEATER/MIKE ) Stin(Strings...)
(1-18,DREAM THEATER/MIKE ) Strings.. you have a question?
(1-2,Strings) What kind of equipment or techniques do you use
when you record
(1-2,Strings) I'm an engineer myself
(1-5,Steve Crowell) YOU HAVE HUGE FANS IN DALLAS, COME
SOON...............
(1-18,DREAM THEATER/MIKE ) Strings... we try to put alot of time
intot he different textures ..
(1-18,DREAM THEATER/MIKE ) the drums are recorded first witht he
drest of the band
(1-18,DREAM THEATER/MIKE ) playing alive with me
(1-18,DREAM THEATER/MIKE ) we then do the guitar next followed
by the bass.. and then alternate
(1-18,DREAM THEATER/MIKE ) between keyboard , vocals and leads..
(1-18,DREAM THEATER/MIKE ) on the new album we all tried to
texture the music as much as possible
(1-18,DREAM THEATER/MIKE ) with different sounds
(1-18,DREAM THEATER/MIKE ) Since I'm using different percussion
with the album
(1-17,Sadie [moderator]) Amer Khan is next, then Denny last.
(1-18,DREAM THEATER/MIKE ) John Used alot of . etc.. we
constantly try to make the sounds change..
==Th(1-18,DREAM THEATER/MIKE ) LAST QUESITON>..
anks, Mike!==(1-13,Amer Khan) Is there any way to correspond
with you electronically in the future, or
(1-13,Amer Khan) does all correspondence need to go through the
fan club
(1-13,Amer Khan) address?
(1-18,DREAM THEATER/MIKE ) (Question)
(1-2,Strings) Thanks a lot, any chance I can meet you guys while
in Detroit?
(1-18,DREAM THEATER/MIKE ) this is not the direct address
(1-18,DREAM THEATER/MIKE ) however there is an official one for
the latest happenings
(1-18,DREAM THEATER/MIKE ) of the bands... Dream Theater
(1-18,DREAM THEATER/MIKE ) Images & Words
(1-18,DREAM THEATER/MIKE ) 8 Ryelends Close
(1-18,DREAM THEATER/MIKE ) Caterhan Surrey
(1-18,DREAM THEATER/MIKE ) CR35HY (ENGLAND)
(1-17,Sadie [moderator]) I guess you have to leave now, Dream
Theater?
(1-17,Sadie [moderator]) Hope you all had your pencils handy!
(1-18,DREAM THEATER/MIKE ) It was alot of FUNNNNN...
(1-31,Paula) it'll be in the transcript, though, right LT?
(1-31,Paula) <the address?>
(1-17,Sadie [moderator]) Do you have time for any more questions
or random acts of adulation, guys?
(1-3,Brian Powell) Thanks DT! See ya soon!
(1-1,Steve Cohen) thanks, you rule!!!!!!
(1-2,Strings) Thanks guys, See you in Detroit!
(1-13,Amer Khan) Thanks...DT see you in Dallas.
(1-17,Sadie [moderator]) Hopefully by the weekend, Amer.
(1-9,MetalMan Dan) See you in Columbus, OHIO!
(1-6,Brian M. Polka) Thanks Guys... catch you on tour :-)
(1-14,Dave Sloan) i'll always remember your guys' sincerity!!
THANKS!!!
(1-1,Steve Cohen) See ya in Columbus also!!!!!!
(1-3,Brian Powell) Or...Houston! <G>
(1-17,Sadie [moderator]) Hopefully someone will post tour dates
here? Les?
(1-31,Paula) so... shall I start putting chairs on the table?
(1-31,Paula) yeah, tour dates would be nice...
(1-17,Sadie [normal]) *whew*
(1-2,Strings) Are they gone?
(1-31,Paula) good job Sadie! & D.T!
(1-20,Mayhem) last call??? one more beer please....
(1-31,Paula) <applause! applause!>
(1-6,Brian M. Polka) That was quite interesting :-)
(1-9,MetalMan Dan) <clap, clap, clap>
(1-17,Sadie [normal]) Right - I'm getting a BIG glass of wine -
any virtual bar orders?
(1-20,Mayhem) < > <----the sound of one hand clapping
(1-31,Paula) yeah, a white russian please!
|
542.826 | | GOES11::HOUSE | How could I have been so blind? | Thu Sep 15 1994 10:34 | 8 |
| What a nightmare, I bet they'll never attempt that again. The DT guys
seemed pretty cool (but could improve their typing...), but their fans
appeared to be mostly jerks and idiots!
I did notice that they listed Joe Satriani as an influence and referred
to that Morse band as "the Ddrags". Haha!
gh
|
542.827 | | BABAGI::COOK | The Cookster...237-2638 | Thu Sep 15 1994 10:43 | 2 |
|
HA! There it is! Influenced by Steve Harris of Iron Maiden!
|
542.828 | | DREGS::BLICKSTEIN | db | Thu Sep 15 1994 10:46 | 9 |
| Yes, but in any magazine interview you care to read you'll see that
they cite the Dregs as their #1 influence. Particularly John Petrucci.
In fact, there's a section of "Take the Time" (the killer unison part)
that they refer to as "the Dregs section".
Petrucci and Morse are collaborating on some songwriting.
db
|
542.829 | | BABAGI::COOK | The Cookster...237-2638 | Thu Sep 15 1994 10:48 | 3 |
|
Sounds cool. Man, I'm glad I don't use Compuserve. What a bunch of
morons!
|
542.830 | | GOES11::HOUSE | How could I have been so blind? | Thu Sep 15 1994 14:14 | 1 |
| I don't care to read magazine interviews...
|
542.831 | The problem ain't C-serve, it's "online interviews" | DREGS::BLICKSTEIN | db | Thu Sep 15 1994 15:47 | 19 |
| > Man, I'm glad I don't use Compuserve.
CompuServe is perhaps one of the best things about my PC.
I have pulled so much neat software off it, gotten so many questions
answered, got turned onto some great deals for PC and music stuff,
etc. I'm 100% sure that the COST of Compuserve for me has been
FAR exceeded by the benefit - which is NOT generally true of most
of the stuff I do on my PC.
However, IMHO the idea of an "on-line interview" is just a bad idea.
Perhaps they might eventually be able to improve it somewhat by having
special protocols (and software to implement/enforce them) such that
people need to be "recognized" by the moderator before what they type
shows up (much like how many meetings are run) but what they have now
really sucks.
db
|
542.832 | as you say... | GOES11::HOUSE | How could I have been so blind? | Thu Sep 15 1994 16:29 | 10 |
| > However, IMHO the idea of an "on-line interview" is just a bad idea.
I don't have a problem with the concept, it's the implementation.
Everyone should be able to READ the discussion, but the only people who
should be able to WRITE into it are the moderator and the interviewees.
Everyone else sends their questions directly to the interview
moderator, who then puts them to the artists one at a time in an
orderly manner.
gh
|
542.833 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Mon Sep 19 1994 16:55 | 17 |
|
well, im sitting here listening to the new album. at first pass i
thought it was rather lacking (1st pass consisted of hitting next song
every few seconds :')).
but im listening to the whole thing thru (last song to first) and space
dye vest is way cool. pretty simple and straightforward, 6:00 into it
and nothing progressive, lots of dialog and recordings in the
background...
im going to shoot my sound card though. i did a direct digital copy of
the cd and the thing wont play back the .wav files...
ah, onto song 10... scarred... beginning reminds me of 'i dont want
to face the day' a little bit...
|
542.834 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Mon Sep 19 1994 17:16 | 12 |
|
song 9.... lifting shadows off a dream... destined for radio airplay
(after some trimming of the 6:00 length). great singing by james, but
very commercial. nothing progressive about this song....
song 8.... lie.... i love this tune....
song 7.... the mirror.... ive seen them do this tune live but forget
what they called it then (it wasnt the mirror)... its the one that
starts out kind of like a metallica tune.... i think it was an
instrumental back then... it has words now....
|
542.835 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Mon Sep 19 1994 17:39 | 25 |
|
song 6... the silent man... BORING.... damned boring acoustic guitar
song.... song 5... voices... MAJOR COOL beginning... very QR: Empire
like, then mellows out. man, james voice is SO much better on this
album... 10 minutes of coolness... a very epic song....
song 4.... erotomania... an instrumental.... not as good as ytsejam
by any means... pretty cool, but not super technical... also moves at
a fairly slow pace... ah, now its picking up about 4:45 into it...
key patch and chords remind me of ELP....
song 3... oh man... innocence faded... listened to this whole thing
this morning... all i can say is Winger. complete with ahhh..
ahhh... harmonies. another destined for the radio.... still not too
bad i guess....
2... caught in a web... this sounds familiar... big vocal harmonies
during the chorus... wonder if theyre gonna try that live... sort of
seattle sounding i guess.. maybe along the lines of alice in chains.
song 1 - 6:00 - hmmm... keys and bass remind me of rush... lots of
background dialong... overall a pretty cool tune...
im going home... night...
|
542.836 | | MILKWY::LABOUNTY | Guess who?? | Tue Sep 20 1994 06:09 | 9 |
|
I just figured out what "Ytsejam" is ...
... it's "Majesty" spelled backwards.
Is anyone proud of me, besides me?
GTI
|
542.837 | | POWDML::BUCKLEY | why do we have to fall from grace? | Tue Sep 20 1994 07:12 | 13 |
| > I just figured out what "Ytsejam" is ...
>
> ... it's "Majesty" spelled backwards.
>
> Is anyone proud of me, besides me?
No, and, it took you long enough!!
RE: Rob and mini-album review.
Hmmm, sounds like the progressiveness went out the window, eh?? Hmmm,
wonder if I'll even like this thing? What do you think, Rob?
|
542.838 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Tue Sep 20 1994 08:35 | 9 |
|
well, i think it will grow on me, but there are quite a few songs that
are just straight 4/4 made somewhat 'progressive' by syncopation, etc.
there are DEFINATELY a few cool tunes on this though, but nothing stood
out like most of the tunes on I&W did.
there were no 'dregs' parts that i could find.
|
542.839 | | DREGS::BLICKSTEIN | db | Tue Sep 20 1994 08:40 | 6 |
| Massive bummer.
Well, I guess that all that's left to be determined is whether DT was a
"one hit wonder" or a "two hit wonder". ;-0)
db - who still finds WDADU totally boring except for "The Ytse Jam"
|
542.840 | | BABAGI::COOK | The Cookster...237-2638 | Tue Sep 20 1994 08:43 | 2 |
|
One could say it was "horrible", huh Dave?
|
542.841 | | POWDML::BUCKLEY | why do we have to fall from grace? | Tue Sep 20 1994 08:45 | 3 |
| Dave,
had a chance to check out the 86-87 stuff yet?? thoughts???
|
542.842 | | POWDML::BUCKLEY | why do we have to fall from grace? | Tue Sep 20 1994 08:45 | 6 |
| > db - who still finds WDADU totally boring except for "The Ytse Jam"
(in my best Bugs Bunny voice)
"You...are a mental case!"
|
542.843 | | HOTLNE::LUCHT | Cool weather, stronger beer | Tue Sep 20 1994 09:31 | 7 |
|
I'd LOVE to check out some old, rare, precious, vintage
Dream Theater but I can't quite seem to get a hold
of anything...
|
542.844 | | DREGS::BLICKSTEIN | db | Tue Sep 20 1994 12:59 | 18 |
| Buck,
I've been listening to that in my car pretty often since you gave it
to me. I guess my reaction is that there's a lot of good stuff there
but it's definite rough (as you'd expect).
Maybe part of what impresses me so much about I&W is the incredible
production (save for snare). I hope you agree that the production
on I&W is much better than WDADU?
I'll keep listening to it - probably make a copy and give your copy
back.
As I've said many times before, the stuff I end up liking best is most
often the stuff I don't like immediately (on the first listen or two
or three).
db
|
542.845 | | POWDML::BUCKLEY | why do we have to fall from grace? | Tue Sep 20 1994 18:26 | 5 |
| Rob,
PS -- WHARZ MY TAPE?!?!?
;')
|
542.846 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Wed Sep 21 1994 09:21 | 6 |
|
i dont even have one yet! had to give it back to jack, but ill get the
cd from him again this weekend. tried to do a direct digital dump off
the cd to my pc, but the damned dumps wouldnt play back! i think it
may be my soundcard rather than the dump though....
|
542.847 | | GOES11::HOUSE | How could I have been so blind? | Wed Sep 21 1994 11:34 | 1 |
| Yawn Theater
|
542.848 | | HOTLNE::LUCHT | Cool weather, stronger beer | Wed Sep 21 1994 12:10 | 5 |
|
> Yawn Theater
Wow! That bad?!?
|
542.849 | | GOES11::HOUSE | How could I have been so blind? | Wed Sep 21 1994 13:11 | 4 |
| I was just jokin. I haven't heard the new stuff, but everything I've
heard from them in the past has basically fit that category for me.
gh
|
542.850 | sounds like a closet DT fan to me!!! | POWDML::BUCKLEY | why do we have to fall from grace? | Wed Sep 21 1994 14:32 | 18 |
| RE: Yawn Theater
>I was just jokin. I haven't heard the new stuff, but everything I've
>heard from them in the past has basically fit that category for me.
That's funny Greg, becuase at one point, you wrote the following:
================================================================================
Note 542.7 Dream Theater 7 of 849
GOES11::G_HOUSE "WhereWereYouInMyDarkestHour" 5 lines 25-JUN-1992 19:31
-< Yeah, good stuff >-
--------------------------------------------------------------------------------
I heard a song off this one a week or so ago and I thought it rooled!
Could be an excellent album. I liked their first effort as well, even
though it was a little keyboard heavy.
gh
|
542.851 | selective memory loss.... | KDX200::ROBR | Daybreak at the bottom of a lake... | Wed Sep 21 1994 14:57 | 5 |
|
ahahahaha!!!!
|
542.852 | | BUSY::FISED::SLABOUNTY | I smell T-R-O-U-B-L-E | Wed Sep 21 1994 15:07 | 7 |
|
Alot can happen in 2 years.
People change, opinions change, I change my underwear.
GTI
|
542.853 | | GOES11::HOUSE | How could I have been so blind? | Wed Sep 21 1994 15:29 | 17 |
| > I change my underwear.
There's a first for everything...
re: Buck
I wrote that after I'd heard the song one time (maybe not even all of
it). I was sick of it by about the third time, and it was the only
song that I heard off I&W that caught my ear at all.
Times do change, that was 2 years ago. I have never been someone who
listened to the same thing forever. I actually listened to stuff like
Motley Slime (the horror...the horror) back in the mid 80s. Seems like
every time I dig out one of those relics that I liked back then now, I
go "What did I ever hear in this??? This SUCKS!!"
Greg
|
542.854 | | FRETZ::HEISER | Grace changes everything | Wed Sep 21 1994 16:09 | 8 |
| > I change my underwear.
...he forgot to tell you that the original pair had to be surgically
removed.
Guess what gang? I'm listening to I&W right now!
Mike
|
542.855 | | GOES11::HOUSE | How could I have been so blind? | Wed Sep 21 1994 16:32 | 3 |
| > Guess what gang? I'm listening to I&W right now!
Bummer! We can have that surgically removed too.
|
542.856 | | FRETZ::HEISER | Grace changes everything | Wed Sep 21 1994 16:35 | 7 |
| Well I'm on my 2nd pass and only a few songs really appeal to me. I
probably won't keep it. Back to the used bin for something else.
Pull Me Under, Surrounded, Metropolis, and Wait for Sleep were the only
ones I liked.
Mike
|
542.857 | 8^) | POWDML::BUCKLEY | why do we have to fall from grace? | Wed Sep 21 1994 17:38 | 4 |
| >Pull Me Under, Surrounded, Metropolis, and Wait for Sleep were the only
>ones I liked.
No accounting for taste!
|
542.858 | | DREGS::BLICKSTEIN | db | Thu Sep 22 1994 08:47 | 6 |
| You like 4 tunes out of the whole album and aren't going to keep it?
That's a much higher "yield" than I'm used to with albums these days.
If I required albums to have more than 4 good tunes I certainly
wouldn't have kept any of my Satriani albums.
|
542.859 | guitar notes maybe? | AYOV25::JFOSTER | | Thu Sep 22 1994 08:50 | 5 |
| does anyone know if there's a transcription to 'another day' solo.
thanks,
jim
|
542.860 | | DREGS::BLICKSTEIN | db | Thu Sep 22 1994 09:40 | 10 |
| "Guitar for the Practicing Musician" had a transcription of "Take the
Time" but I've never seen anything for any other song.
Pretty soon I'll be able to provide keyboard (and possibly guitar)
transcriptions for all the songs I do (currently just "Surrounded"
but I'm learning "Wait for Sleep" and probably "Take the Time").
I.E. I bought some notation software for the PC.
db
|
542.861 | | POWDML::BUCKLEY | why do we have to fall from grace? | Thu Sep 22 1994 09:44 | 2 |
| There was a transcription floating around one of the mags for Pull
Me Under, but it looked pretty bogus when I saw it in the store.
|
542.862 | | FRETZ::HEISER | Grace changes everything | Thu Sep 22 1994 11:17 | 9 |
| I *like* them as opposed to *love* them. I was expected the earth to
move from all the reviews in here and nothing happened. I'll probably
swap it for "Hearts in Motion." ;-)
Greg is so correct on changing tastes. Back in my Vessell days I
would've loved this album. Now that stuff just do anything for me.
However, there's no doubt that these guys are a talented band.
Mike
|
542.863 | | POWDML::BUCKLEY | why do we have to fall from grace? | Sat Sep 24 1994 11:04 | 10 |
| So, where did everyone get seats for the 10/21 DT show at the BPC?
I was first in line at the BCP box office when the tickets went on
sale at 10am. My seats? Row *E* -- talk about a scam ... nothing
like reserving the first 5 rows for _someone_, eh?? 8^( Hey Pete,
add this crap to my list of TicketMaster owned-venue hates!!!
BTW -- Dream Theater will also be playing in RI the night before ...
Thursday, Oct 20th at the Strand (this is a G/A show).
|
542.864 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Sun Sep 25 1994 17:55 | 6 |
|
crap... still no good... sigh... thu and fri... hey buck, make a tape
:'). oh well, alan wanted to be back for the pretenders, but we miss
that one too... hahaha!!! oh the bands you have to miss just to go
someplace else to drink for a week... :')
|
542.865 | Berklee | HOTLNE::LUCHT | Cool weather, stronger beer | Mon Sep 26 1994 06:37 | 14 |
|
Still excellent seats considering all that's going
on in the scammin department. I saw yes, Joe Satriani,
in the third row there on his Surfing Across America
tour back in like '88. I don't know if this still holds
true Buck, but back then you were allowed to bring in
cameras. Nice, I got some killer shots of him that night.
THE TAPE, man,
Kev --
|
542.866 | | BABAGI::COOK | Blue Steel | Mon Sep 26 1994 06:44 | 6 |
|
If I go I'm going to wait until the night of the show. Sometimes they
release all the first couple of rows the night of the show when
they're not used by media, etc...
-prc
|
542.867 | This ain't Foxboro dude | DREGS::BLICKSTEIN | db | Mon Sep 26 1994 09:23 | 4 |
| The first couple of rows are probably going to people in the "friends
of Berkeley" program Pete.
If you want tickets, I'd get them now.
|
542.868 | | FRETZ::HEISER | Grace changes everything | Mon Sep 26 1994 11:25 | 7 |
| > Thursday, Oct 20th at the Strand (this is a G/A show).
this is the Clinton show right? Could you post direction on how to get
to Clinton from Clinton?
THANKS,
Mike
|
542.869 | | KDX200::COOPER | Revolution calling! | Mon Sep 26 1994 11:36 | 3 |
| Does anyone have a tour sched? When are they gonna be in Colo??
jc
|
542.870 | A strand of a differnt kind... | HOTLNE::LUCHT | Cool weather, stronger beer | Mon Sep 26 1994 11:40 | 11 |
|
RE: .868 "The Strand" (of sorts)
I wish! Hey, they're going to be opening this
joint again. This time with a liquor licence. How
Clinton could that be!!
Kev --
|
542.871 | | GOES11::HOUSE | How could I have been so blind? | Mon Sep 26 1994 11:44 | 4 |
| > How Clinton could that be!!
I donno, does it inhale?
|
542.872 | | FRETZ::HEISER | Grace changes everything | Mon Sep 26 1994 15:40 | 4 |
| Clinton alone probably has more liquor licenses than the rest of the
state combined.
Mike (an ex-Clintonian)
|
542.873 | Dream Theater -- Home Sweet Home | POWDML::BUCKLEY | why do we have to fall from grace? | Thu Sep 29 1994 21:27 | 14 |
| Heads up, Dreamers!!
The incredible DREAM THEATER will be performing at the Mahattan
Ballroom in beautiful NYC on Friday, Oct. 28th.
Also, DT is slated to "slay" them on Lawn Guyland at the ROXY (in
Huntington Village, Rt. 110 ... this is just down the street from
the bands old stomping grounds, STARZ ... which was torched last
year 8^( Some say Mafia doings...). No date yet for the ROXY gig,
but this will be their record release party ... Siagon Kick and Blue
Murder are also on the bill, and the crew from The Howard Stern Show
will also be on hand. Call 516.424.7703 for info, or 516.888.9000
for tickets (Ticket Shafter in NY).
|
542.874 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Fri Sep 30 1994 10:10 | 3 |
|
figures... im still away.... you going down to ny for that/those buck?
|
542.875 | | POWDML::BUCKLEY | why do we have to fall from grace? | Fri Sep 30 1994 10:34 | 7 |
|
>figures... im still away.... you going down to ny for that/those buck?
Of course -- esp. the Long Isl. show -- should be roolin.
Buck, on the 1995 mission to catch every and all DT shows feasible!!
|
542.876 | ;') | ICS::WHITMAN | You ain't seen nothin yet.. | Fri Sep 30 1994 10:51 | 5 |
|
ACKK!
|
542.877 | Or...will it be Unmasked? | GOES11::HOUSE | How could I have been so blind? | Fri Sep 30 1994 15:19 | 5 |
| Yo Buck, will they be wearing their makeup at this show? Will Meyong
have the cat or the star? Will they have their giant platform boots?
Will they have hair poofed more then 6 inches?
gh
|
542.878 | Do you have "it" | DREGS::BLICKSTEIN | db | Tue Oct 04 1994 09:25 | 8 |
| So... does anyone have "it" yet.
I'm going out at lunch to get it (and a plentiful helping of sushi).
db
p.s. And yes, I know I'm leaving myself open here. I'm relying on the
good taste of my fellow noters to bypass the opportunity.
|
542.879 | | GOOEY::JUDY | Thegenepoolcouldusealittlechlorine | Tue Oct 04 1994 10:05 | 4 |
|
db....dontcha think that's asking a bit much? ;)
|
542.880 | db's life lessons, lesson #1 | DREGS::BLICKSTEIN | db | Tue Oct 04 1994 10:11 | 15 |
| > db....dontcha think that's asking a bit much? ;)
Judy honey... if there's one lesson in life I've learned it's
this:
If you don't ask for the world...
you won't get it.
|
542.881 | had to give my copy back :') | KDX200::ROBR | Daybreak at the bottom of a lake... | Tue Oct 04 1994 11:13 | 3 |
|
im on my way out to buy it myself....
|
542.882 | | POWDML::BUCKLEY | why do we have to fall from grace? | Tue Oct 04 1994 12:29 | 7 |
| Just got the tape and CD -- hmmm, would have liked to have heard the
bass louder in the mix, but...I didn't mix it. Whar are the keyboards?
i can see why Moore bailed -- this is a very guitar-heavy album!!
Overall, pretty decent -- more Rush sounding than classic DT (imho).
Even the cover artwork reeks of Rush!! Oh well, should make the
hard-core Rush fans happy...
|
542.883 | | DREGS::BLICKSTEIN | db | Tue Oct 04 1994 13:52 | 4 |
| I've only heard the first song, but I *LIKE* that.
Much better than "Lie" at least. Probably won't get to hear the rest
of it until tonite.
|
542.884 | | KDX200::COOPER | Revolution calling! | Wed Oct 05 1994 10:58 | 28 |
| Thought I'd post this here also...
<<< KDX200::DISK$KDX200_USER2:[NOTES$LIBRARY]GUITAR.NOTE;1 >>>
-< Guitar Notes >-
================================================================================
Note 2640.171 Dream Theater--Base Note 171 of 171
KDX200::COOPER "Revolution calling!" 19 lines 5-OCT-1994 09:55
-< Awake roolz!~ >-
--------------------------------------------------------------------------------
Okay, Dream Theaters latest effort "Awake" was released yesterday.
Naturally, I was first in line to pick up the new CD. It roolz.
This is definately a different approach for the Dream Team, but I like
it a LOT. Sort've has a "Dream Theater meets Pearl Jam" - it's a lot
grungier than WDADU or I&W. So far, a favorite cut on the album is the
5th track called "Voices". It's a 9 minute opus-sorta-power-ballad thing
that moved me the second I heard it.
Petrucci's tone just fackin' roolz.
Another thing that caught my ear is the production of the album... Much
better than I&W - No sampled snare, and I can actually hear the bass
guitar. Also seems like Moore held back some on the keys - perhaps
to pave the way for the new guy??
I recommend this CD for all progressive metal-units!!
jc
|
542.885 | | KDX200::COOPER | Revolution calling! | Wed Oct 05 1994 11:02 | 11 |
| Buck,
I still the the low-end of this mix is *much* better than I&W!
I can *hear* the chops better, and the kicks don't saturate my
stereo like I&W did...
Overall, I'm in total agreement... Rush with a grungy taste, and/but
totally Dream Theater. I've waited patiently for some NEW DT, and this
one isn't a let down to me in the least.
jc
|
542.886 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Wed Oct 05 1994 12:21 | 9 |
|
i bought the tape and album also (along with new slayer and testament
:')).... havent listed to either of the latter yet....
i already gave my first impression review... my 2nd impression is that
there are several songs i find pretty boring, but the ones i like im
beginning to like even more. far more 'balls & chunk' in this album
and less prog stuff. labrie's voice is WAY improved though.
|
542.887 | | POWDML::BUCKLEY | why do we have to fall from grace? | Wed Oct 05 1994 12:28 | 13 |
| >i already gave my first impression review... my 2nd impression is that
>there are several songs i find pretty boring, but the ones i like im
>beginning to like even more. far more 'balls & chunk' in this album
>and less prog stuff.
...and as Mike Portnoy says ... "Balls n chunk are where it's at!"
(at least in his mind it's where it's at)
>labrie's voice is WAY improved though.
agreed, but he's still no Harnell!
|
542.888 | | BUSY::FISED::SLABOUNTY | I smell T-R-O-U-B-L-E | Wed Oct 05 1994 12:50 | 6 |
|
Harnell's a girly man.
8^)
GTI
|
542.889 | | POWDML::BUCKLEY | why do we have to fall from grace? | Wed Oct 05 1994 12:53 | 12 |
|
BBBBBB OOOOOO LL LL OOOOOO CCCCCC KK KK SSSSSS
BB BB OO OO LL LL OO OO CC CC KK KK SS SS
BB BB OO OO LL LL OO OO CC KK KK SS
BB BB OO OO LL LL OO OO CC KK KK SS
BB BB OO OO LL LL OO OO CC KK KK SS
BBBBBB OO OO LL LL OO OO CC KKKK SSSSSS
BB BB OO OO LL LL OO OO CC KK KK SS
BB BB OO OO LL LL OO OO CC KK KK SS
BB BB OO OO LL LL OO OO CC KK KK SS
BB BB OO OO LL LL OO OO CC CC KK KK SS SS
BBBBBB OOOOOO LLLLLL LLLLLL OOOOOO CCCCCC KK KK SSSSSS
|
542.890 | emotion! | FRETZ::HEISER | Grace changes everything | Wed Oct 05 1994 14:42 | 1 |
| Maybe DT was reading replies from Greg and I.
|
542.891 | | TPLAB::VLASIU | Sorin Vlasiu - Brussels, Belgium | Thu Oct 06 1994 03:57 | 9 |
| >KDX200::ROBR "Daybreak at the bottom of a lake..." 9 lines 5-OCT-1994 11:21
>
> i bought the tape and album also (along with new slayer and testament
> :')).... havent listed to either of the latter yet....
Please don't forget to tell your impressions about the new Slayer album.
Thanks,
Sorin
|
542.892 | Jon Finn added to Oct. 21 show | USOPS::CLELAND | Centerline violation... | Thu Oct 06 1994 08:53 | 14 |
| I just noticed in the latest Boston Phoenix, that the Jon Finn
group has been added to the bill at Berklee Performance Center.
I saw Jon two years ago when he warmed up for the Dixie Dregs at
the Paradise on Commonwealth Ave in Boston.
The interesting part was, the bass player (Dave LaRue) played with
both bands that night. I guess Dave is a Berklee grad? I wonder
who will be playing bass for Jon Finn on the 21st?
This is going to be a great show, Jon's group is made up partly of
Berklee staff from what I've been told.
I hope tickets are still available...
|
542.893 | | BUSY::FISED::SLABOUNTY | I smell T-R-O-U-B-L-E | Sat Oct 08 1994 13:14 | 14 |
|
I picked up "Awake" last night ... and 1st thing I have to say,
after hearing most of it, is that it's a very good album. But
the next thing I have to say is that it's nowhere near as good
[IMO] as "Images and Words".
The teamwork thing was much better on the I&W album, compared
to what seems to be almost a musician's showcase on "Awake".
Not that there's anything wrong with that, of course, and it's
still an impressive album, but the way everything was meshed
together on I&W is what made that the album that it is.
GTI
|
542.894 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Sun Oct 09 1994 13:18 | 10 |
|
gotta agree, but its sort of apples and oranges. like comparing a
farewell to kings and moving pictures. both great albums, but one is
much more straightforward and rocking, the other muck more laid back
and complex.
i love the new DT, but in a different sort of way than I&W. If you
FORCED me to pick ONE album, I&W would win hands down between the two,
but I'm not unhappy.
|
542.895 | A liner "thanks" to FW... | HOTLNE::LUCHT | Triple Bock is here! | Mon Oct 10 1994 06:53 | 24 |
|
Got out and picked up the new Dream Theater CD over
the weekend. Just finished with the second listening.
First off, this band is amazing - very capable, imaginative
musicians, all of them. Secondly, "Awake" isn't bad, but
it's not upper caliber stuff either. At times I found
it terribly difficult to hear the lyrics through the
cascade of instrumental barrage going on constantly.
This one lacks the "flair" (and finesse!) of I&W. I
remember being blown away on the first listen of I&W as
there were things going on in the music there (and then)
that were so fresh to my ears. "Awake" seems a tad bit
redundant at times - all around the instrumental spectrum.
VERY cool to see the 7-string surface here. Sounded like
it was a bit tough to get that low B to tweek! However,
it still made for some interesting riffs in sync with the
6-string bass. Nice.
Good stuff!
Kev --
|
542.896 | see rob's review for my views | POWDML::BUCKLEY | why do we have to fall from grace? | Mon Oct 10 1994 08:07 | 4 |
| I'm about at the point where Rob is with Awake -- I love the album,
but for what it is. It took several listenings to appreciate it for
it's own sake...pretty much what happened when I got WDADU after
listening to I&W for quite a while.
|
542.897 | Sold out Boston show | USOPS::CLELAND | Centerline violation... | Wed Oct 19 1994 10:26 | 4 |
| It's official, The Berklee Performance Center - Oct. 29th, is
completely sold out. It sold out last week...
The only tickets available might be via ticket agency.
|
542.898 | | JUGHED::FLATTERY | | Wed Oct 19 1994 12:18 | 2 |
| they're playing october 29th too??....i know we're going to the show on
the 21st............./k
|
542.899 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Wed Oct 19 1994 12:27 | 4 |
|
i think he got the date wrong... im back on the 29th, so it had BETTER
be wrong :')
|
542.900 | 900 | ICS::WHITMAN | You ain't seen nothin yet.. | Wed Oct 19 1994 12:35 | 3 |
|
900 dreamy replies!
|
542.901 | | POWDML::BUCKLEY | I know all about the honor of God... | Wed Oct 19 1994 12:43 | 2 |
| I think they got the date wrong -- DT plays NYC on 10/28, so I doubt
they're back in Boston for the 29th!
|
542.902 | Another convert | AIMHI::KERR | Caught in the Crossfire | Wed Oct 19 1994 12:45 | 16 |
|
I'm normally read only in this file, but all this talk about the new album
compared to the old albums, has caused me to enter a note. First off,
before reading about them in here and other notesfiles, I had never
heard of Dream Theatre (or listened to any of their music for that
matter, I lead a sheltered life, OK). So, I went out last week and
bought both Awake and Images and Words. To my taste, I much prefer
Images and Words. I've always liked Kansas, Styx, Yes, and early Genesis,
and this album has segments that remind me of all of them. I've listened
to both albums now several times, and I don't dislike Awake, I just don't
like it as much as Images and Words.
So, thanks to this notesfile, I am now a Dream Theatre advocate.
Al
|
542.903 | led zepplin! | KDX200::ROBR | Daybreak at the bottom of a lake... | Wed Oct 19 1994 14:28 | 3 |
|
being the advocate that you are now, it's dream theatER :') :')
|
542.904 | Who needs ya, I don't! | AIMHI::KERR | Caught in the Crossfire | Wed Oct 19 1994 14:41 | 4 |
| .-1
FINE, I'll remember it the next time I don't note in this freakin
file.
|
542.905 | so, don't take it personally | POWDML::BUCKLEY | I know all about the honor of God... | Wed Oct 19 1994 14:47 | 7 |
| Woah al...how bout a pill, dude?
I think rob was noting the fact that band, specifically guitarist John
Petrucci, is extremely adamant about the fact that their band name is
Dream TheatER ... obviously, it's a common mistake, one which obviously
irks the band to no end...
|
542.906 | | FRETZ::HEISER | Grace changes everything | Wed Oct 19 1994 15:48 | 3 |
| Theatre, Theater, Theeter, Theeder all spell 1 thing:
PASS THE JOLT COLA, MAN!
|
542.907 | | DREGS::BLICKSTEIN | db | Wed Oct 19 1994 16:05 | 3 |
| And Rob added enough funny faces...
You MUST chill! ;-)
|
542.908 | | KDX200::ROBR | Daybreak at the bottom of a lake... | Wed Oct 19 1994 16:49 | 5 |
|
yes, i made sure i put a funny face there, it wasnt a criticism...
we need more DT advocates in this conference :')
|
542.909 | Ps -- show is 9pm at The Strand; Providence, RI | POWDML::BUCKLEY | I know all about the honor of God... | Thu Oct 20 1994 09:42 | 4 |
| Well kids, tonight is my first DT show on their AWAKE world tour and
I'm physed(tm)!!!
Full report in the am
|
542.910 | | DREGS::BLICKSTEIN | db | Thu Oct 20 1994 10:22 | 6 |
| I want details about WHO is playing keys with them, anything they say
about the new keyboard player or the old one, and how well they fit
in.
I'm pretty sure at this point that it's T Lavitz from the Dregs.
Offhand he seems like a bad fit, but maybe not.
|
542.911 | | HOTLNE::LUCHT | The moon is just the sun at night | Thu Oct 20 1994 11:08 | 5 |
|
RE: Buck
Boot it dude!!!
|
542.912 | sweet dreams.... | KDX200::ROBR | Daybreak at the bottom of a lake... | Thu Oct 20 1994 11:58 | 3 |
|
enjoy!! (...you bastard....) :')
|
542.913 | PASS THE JOLT COLA!!! | FRETZ::HEISER | Grace changes everything | Thu Oct 20 1994 12:10 | 1 |
|
|
542.914 | | POWDML::BUCKLEY | I know all about the honor of God... | Thu Oct 20 1994 12:23 | 12 |
| Kev,
A friend of mine is supposed to boot the show tomorrow night in Boston.
He's wary hisbeloved tape player will be confiscated, but I'm edging
him on...time will tell
I'd boot both shows in a second, if I had a suitable tape recorder.
I don't think my CD boom box would hide very well under my jacket or
pants. 8^)
ttfn
B
|
542.915 | | GOES11::HOUSE | How could I have been so blind? | Thu Oct 20 1994 13:03 | 2 |
| Your friend is going to boot at the show tomorrow? I suppose I might
too, were I forced to listen to a whole show of that stuff.
|
542.916 | ;') | POWDML::BUCKLEY | I know all about the honor of God... | Thu Oct 20 1994 13:08 | 5 |
| >Your friend is going to boot at the show tomorrow? I suppose I might
>too, were I forced to listen to a whole show of that stuff.
Such intolerance...but i'm not surprised, after all you do live in
Colorado...
|
542.917 | | FRETZ::HEISER | Grace changes everything | Thu Oct 20 1994 14:40 | 1 |
| I'd throw the boot at them to try and stay AWAKE!
|
542.918 | I know it's early but... | HOTLNE::LUCHT | The moon is just the sun at night | Fri Oct 21 1994 07:19 | 3 |
|
Well?????????
|
542.919 | AMAZING! | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 08:29 | 3 |
|
A more detailed review to follow, but for now I'll say one thing about
last night's show...
|
542.920 | Dream Theater Tour Dates -- 1994 | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 09:02 | 35 |
| Below are the tour dates for the first leg of the 1994-1995 WAKING UP
THE WORLD tour:
20 OCT Providence, RI
21 OCT Boston, MA
22 OCT New Haven, CT
24 OCT Buffalo, NY
25 OCT Toronto, Ontario, Canada
27 OCT Baltimore, MD
28 OCT New York, NY
29 OCT Pittsburgh, PA
31 OCT Columbus, OH
01 NOV Grand Rapids, MI
04 NOV Milwaukee, WI
05 NOV Chicago, IL
06 NOV Detroit, MI
08 NOV Minneapolis, MN
10 NOV St. Louis, MO
11 NOV Kansas City, MO
12 NOV Oklahoma City, OK
14 NOV San Antonio, TX
16 NOV Dallas, TX
17 NOV Austin TX
18 NOV Houton, TX
20 NOV El Paso, TX
22 NOV Denver, CO
25 NOV Salt Lake City, UT
28 NOV Seattle, WA
29 NOV Portland, OR
01 DEC San Francisco, CA
04 DEC Tucson, AZ
05 DEC Tempe, AZ
09 DEC Los Angeles, CA
|
542.921 | Dream Theater Set List -- 1994 tour | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 09:16 | 36 |
|
***** SPOILER WARNING *****
Below is the apparent set list for this leg of the tour (if they
perform this tour like they did the first leg of the I&W tour in
1992-1993, the set remained the same, and changed only slightly for
the 2nd leg):
- Pull Me Under
- 6:00
- Innocence Faded
- Take the Time
- Caught in a Web
- Lifting Shadows off a Dream
- The Ones Who Help to Set the Sun (I almost died!!)
- The Mirror
- Lie
- Another Day
- A Mind Beside Itself:
I Erotomania
II Voices
III The Silent Man
Encore:
- Metropolis: Part 1
(band left the stage)
- Eve (instrumental version, sans James' "Portrait of a Young Man"
voice overaly -- this was played as background music while
people exited and the roadies did their thing)
|
542.922 | Dream Theater's New Keyboardist | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 09:39 | 76 |
|
When DT took the stage last night, I did not need to wait until James
LaBrie announced him after the 4th song -- I recognized him instantly.
His name is Derek G. Sherinan. I knew him from my years at Berklee
College of Music. This guy was Al Pitrelli's (Michael Bolton, Alice
Cooper, Widowmaker) roommate, and has done tours with Cooper and other
name acts since graduating Berklee in 1984.
In fact, it was while hanging out with Derek one day in his room that I
found out how AMAZING a guitar player Al Pitrelli _really_ is. Derek
and I were chatting and trading licks in his room, and he had this
background music was playing ... I wasn't paying too much attention to
it, but every once in a while I'd stop and listen. One part would be
this burning Fusion/Bop style guitar playing ... "Is that Holdsworth?"
I asked... "No, that's my roommate" Derek replies. Back to noodling.
Then there is this killer classical guitar going on. "Is that
Christopher Parkening?" I asked ... "No, that's just my roommate" Derek
replies again. Then there is this burning metal guitar -- I should
have know, but I'm not one to assume ... "Is that Yngwie Malmsteen?" --
"No, that's my roommate." It didn't take long after that before I was
insisting I meet his roommate! 8^) Derek, Al and I were very close
friends in college, but at least in Pitrelli's case, fame and a career
has all gone to his head. Last time a bunch of us 'old Berks' hung out
with him, he had a major 'tude going on. 'Sorry Al, it was nice
knowing you when you were socialble' is my basic attitude. Hopefully,
Derek is not that much of a dickhead now either.
ANYWAYS -- enough 'glory days' $#!+ ... How did Derek do as a player?
Well, he has burning chops, so he was copping most of Moore's killer
keyboard licks. However, Whereas Moore's style of playing is very
fluid and smooth...almost lyrical in his phrasing, Derek's technique
is so perfect and clean, it came across in spots as almost "sequenced".
His playing often sounded very stiff and precise. Possibly, having to
come up to speed on 13 tunes in just a few weeks made him play this way?
Once can only hope that by the 2nd leg of the tour, he will have worked
into the band and found his own groove with the material.
BTW, James said that "Derek would be helping out FOR THE TOUR", so I
suspect that DT's plan of attack since the completion of the album must
have been "lets find a permanent replacement for Kevin Moore"...when
that turned out to be tougher than expected, due to all the killer
players having other committments, I bet they called Berklee and said
"we need a killer rock/fusion keyboardist...who do you recommend?"
Derek is just that, a great "rock" keyboardist, but I think he lacks a
bit on the musical maturity that comes from a serious jazzer (which I
think Moore had been dabbling in for a few years now).
Hopefully, Kevin Moore will return to write/record the next album, or
they'll get someone killer to work with, like Jordan Rudess (sp?).
Nits of the night:
- Everyone in DT sports the 'long flowing hair' rock star trip. Derek
has very short hair, so his image didn't really fit in overall.
- Keyboards were, for the most part, kept back in the mix. This may
have been intentional, either becuase Derek is new to the material,
or because the new album is primarily guitar-oriented?!?
- Derek copped most of Moore's sound patches, but not all of them. I
found this irritating (when you're used to hearing Moore's "fat
strings" solo patch, and you get this Digital sounding "chorus piano"
patch from Derek).
- Derek didn't cop Moore's lead lines note for note. He was doing a
lot of improvisation on his own. Sometimes, he would play signature
Moore licks, but as interprted by himself (i.e., in a slightly
different time). Other signature lines/solos, like the outro
keyboard (sax) solo on Another Day, Derek chose to play his own thing
entirely. Since that is such a key solo to that song, it caught my
ears WAY off guard.
Well, that's about the long and short of DT's new keyboardist...
|
542.923 | Basic First Show Review | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 10:00 | 59 |
| Here is a basic, overall review of last nights show...
First impression as they took the stage was their light show --
amazing! It's clear what a little money will do for presentation!
They've come a long way in two years in terms of the visuals of the
band. It's sort of nice now that they have a great stage and show,
as well as being excellent players.
Musical pacing is good, overall. It was hard to tell in spots, as
there was a vicious mosh pit happening, and often, I was more concerned
with NOT trying to have someone thrown on me or into me, rather than
listening to the music. Tonight's "sit down" show at the BPC will be a
much welcomed change of pace...I want to LISTEN to them this time around!
Petrucci used his Ibanex custom "Faces" guitar most of the night (the
grey/magenta one, not the yellow/red/blue one), as well as a new
7-string version of the same guitar (this is noticably different in
design from the Vai 'Universe' guitars!!). He's still using his
tri-axis based Boogie rack setup, complete with two stack of speakers
(which are BOTH on, I know, I stook in front of them last night...ouch!)
John also sports a new Ibanez acoustic guitar for the new show (the
Silent Man ... sounded nice!).
James LaBrie's voice was the best live I have EVER heard it!! Either
this guy took some serious lessons on HOW to sing, or it's just early
in the tour (well, it was the first show of the tour). He never scream
or got grungy ... his voice was clear the whole night and he hit every
note (also rare towards the end of the I&W tour). That was very nice.
The vocals are also more out front on this tour, than they were on I&W.
John Petrucci is providing backing vocals on a couple of tunes now as
well.
Mike Portnoy has a new drum set ... most noticable change is the color.
Gone is the black drums featuring the colored "Dream Theater logo as
derrived from the letters in 'Majesty'" logo. The new drums are chrome
colored, and really catch the bands amazing new light show. Mike has
added a bunch of percussion items, as well as some triggering digital
drums, which evoked voice, guitar, and random sound samples upon
request.
John Myung is still using his Tung 6-string basses, Mesa amplification
and Roland bass pedals.
Derek's keyboard setup looked suspiciously like Kevin Moore's -- hmm,
I wonder if they rented his gear for their tour?!?!?
-----
Openers I Mother Earth put on an "ok" show. I've never heard them
before, but my first impression was "these guys are STP wanna-bees,
but with the addition of a killer percussionist". Indeed, it's sad
when the percussion player is a better "drummer" than the drummer,
but between the two of them, they worked some serious grooves. They
singer also joined in on Bongos for one tune.
Their music is ok, but the guitarist is just a tad too grungy for
my tastes. Take this outfit and put a "Lee Rit" clone in there, and
I think it wouldbe a very happening ensemble ... but then they
wouldn't be getting airplay on MTV, now would they?!?
|
542.924 | | FRETZ::HEISER | Grace changes everything | Fri Oct 21 1994 11:44 | 1 |
| glad I have until Dec. 5th to stock up on the JOLT!
|
542.925 | | DAGWUD::FLATTERY | | Fri Oct 21 1994 12:01 | 1 |
| Buck....did John Finn play?..../k
|
542.926 | | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 12:16 | 7 |
| >Buck....did John Finn play?..../k
No.
The tour, as it stands, is Dream Theater with I Mother Earth opening.
The John Finn Group was added to the Berklee show ONLY (cuz DT's from
Berklee and so is John, so it'll be that type of audience).
|
542.927 | | DAGWUD::FLATTERY | | Fri Oct 21 1994 12:20 | 2 |
| ...so...they'll probably put him on first.....then the 'bone' band and
then DT....see you after the show.........../kkkkkkk
|
542.928 | | DAGWUD::FLATTERY | | Fri Oct 21 1994 12:21 | 2 |
| ...ahahhahahhahahaahha...i have NO idea where i got the 'bone' band
thing from....of ccourse i meant that 'earth' band....;"))
|
542.929 | | HOTLNE::LUCHT | The moon is just the sun at night | Fri Oct 21 1994 12:55 | 5 |
| Buck, "Erotomania" is my favorite thing on the new
CD. How'd they perform it live? Was it right on the
money?!? Any solos worth noting?!?
Kev --
|
542.930 | | POWDML::BUCKLEY | I know all about the honor of God... | Fri Oct 21 1994 13:04 | 19 |
|
>Buck, "Erotomania" is my favorite thing on the new CD.
>How'd they perform it live?
Very well. There were some "first night" jitters on everyones behalf,
I think. John Petrucci wasn't to clean in his footpedal changes (you
could note a 'pop' when he changes programs, due to him not changing
them in between beats), but he only really blew one lick the whole night.
James LeBrie's major flaw of the evening was in TOWHTSTS ... James
seems to have a problem with singing the syncopated vocal lines of
Charlie Dominici ... he always screws up songs like Only a Matter of
Time, and TOWHTSTS was no exception in the verse after the solo
section.
Of course, all this was probably only noted by die-hard fans like
myself, who have just analyzed DTs music far too much for probably
anyone's good! ;')
|
542.931 | ...;').. | DAGWUD::FLATTERY | | Fri Oct 21 1994 13:07 | 2 |
| ...naw..buck..not YOU...!...i dont' get that you analyze the music too
much!..not at all..........!~..........;"))..................../k
|
542.932 | I Mother Earth | TRACTR::SCHROEDER | from the Moon we're comedy | Fri Oct 21 1994 14:35 | 6 |
|
just an aside from DT...I Mother Earth will be on this afternoon with
Mark Pimento on 'BCN. They played a song earlier...pretty good on
first listen...
steve s.
|
542.933 | | BUSY::FISED::SLABOUNTY | Thailboat!! | Fri Oct 21 1994 14:42 | 6 |
|
> Mark Pimento on 'BCN.
Are olive you planning on listening?
|
542.934 | | FREEBE::REAUME | my 2 vices - GTS and coasters | Sat Oct 22 1994 18:56 | 18 |
|
RE: .922
BUCK - what's wrong with a short haired dude playing with DT.
Are you trying to tell us that if you were joining a band like DT
you'd:
1) grow your hair back (you must've been a hairbag at one time
but it must've been before I met you).
2) wear a wig
Actually FWIW- everyone in my band has mid-length hair except for
the new keyboard player. He's the NIN fan in the band and is about
fifteen years younger than the other three thirty-somethings.
Keeps us on our toes.
As far as AWAKE goes:
I've listened mostly to: LIE , VOICES, and Caught in the Web. Still
getting heavy play in the CD though.
|
542.935 | | POWDML::BUCKLEY | I know all about the honor of God... | Mon Oct 24 1994 07:26 | 17 |
| Well, caughttwo more DT shows over the weekend
1) 21 OCT Berklee Performance Center; Boston, MA
2) 22 OCT The Palace; New Haven, CT
The band played the same set list as listed a few back...seems to be
their set "set", as predicted in a previous reply.
They played GREAT at Berklee -- they were really psyched to be there.
The band also had a great mix at Berklee...the BPC is a great sounding
hall...but the downside was they used the house lights...leaving their
new AWESOME light show in the semi out back (I suspect there was no
room). The lights and backdrop show returned to the stage for the
Palace show the following night.
Out of the 3 nights, I'd say the Berklee show sounded the best, but
that the Palace show had the best visual impact.
|
542.936 | | BUSY::BUSY::SLABOUNTY | Thailboat!! | Mon Oct 24 1994 08:01 | 3 |
|
Get a life!! 8^)
|
542.937 | | POWDML::BUCKLEY | I know all about the honor of God... | Mon Oct 24 1994 08:04 | 3 |
| > Get a life!! 8^)
Do you recommend I get one similar to yours?
|
542.938 | ;') | ICS::WHITMAN | You ain't seen nothin yet.. | Mon Oct 24 1994 08:58 | 5 |
|
Now that would be scary..
|
542.939 | | BUSY::FISED::SLABOUNTY | Thailboat!! | Mon Oct 24 1994 09:19 | 6 |
|
Well, don't overdo it. Start slowly, and maybe after awhile
you can work up to it.
GTI
|
542.940 | GET A ROOM! | FRETZ::HEISER | LHS Blew Devils #1 | Mon Oct 24 1994 11:19 | 1 |
| long hair is for poseurs!
|
542.941 | ;') | ICS::WHITMAN | You ain't seen nothin yet.. | Mon Oct 24 1994 11:27 | 4 |
|
Who'ya callin a poseur, ya big nancy blouse..
|
542.942 | | SUBPAC::GOLDIE | It's a winged potato | Mon Oct 24 1994 14:28 | 25 |
| well after hearing about how wonderful Dream Theater was,I bought Karen
and I tickets to see them and to be honest,I was quite
disappointed.They are not shite but just not my cup of tea.At one
point,towards the end,I sat down.They were in the middle of a 15
minute instrumental and I got bored.The guy who impressed me most was
the bass player.The support acts were...
I Mother earth..who think its cool to insult the audience(they were
shite apart from one song)
John Fin..this guy is a teacher at Berkley and blew all other guitar
players off the stage...incredible is too tame a word.Sometimes he
sounded like Vai then Satch and with ease/skill did some of the best
guitar work I've ever witnessed.He plays some of the clubs in Worcester
so maybe I'll get to see him again.
re-1
there's only one big girls blouse in this notesfile laddie...and it's
you! ;^)
btw...I got to meet Buck(at last!) 8)
|
542.943 | TRY IT AGAIN NEXT TIME | FRETZ::HEISER | Grace changes everything | Mon Oct 24 1994 14:36 | 1 |
| IAN, THEY'RE MUCH BETTER WHEN YOU'RE DRINKING JOLT!!!!!!!
|
542.944 | | SUBPAC::GOLDIE | It's a winged potato | Mon Oct 24 1994 14:38 | 7 |
| RE-1
I'M SURE THEY ARE BUT WHY ARE YOU SHOUTING?
Ian
|
542.945 | | WMOIS::MAZURKA | Son_Of_Yanni. | Mon Oct 24 1994 14:45 | 1 |
| I THINK HE JUST DOWNED A LITER JUG OF JOLT!!!!!
|
542.946 | the Scots would just love his poseur antics... | POWDML::BUCKLEY | I know all about the honor of God... | Mon Oct 24 1994 14:45 | 4 |
| Ian,
I think Whitforbrains should join a Pretty Boy Floyd cover band and
tour Scotland, don't you think??
|
542.947 | | FRETZ::HEISER | LHS Blew Devils #1 | Mon Oct 24 1994 14:52 | 2 |
| IAN, YOU HAVE TO SHOUT IN HERE TO KEEP FROM FALLING ASLEEP!!! DOWNING
A QUART OF JOLT AND LISTENING TO Z-ROCK HELPS TOO!!!
|
542.948 | | SUBPAC::GOLDIE | It's a winged potato | Mon Oct 24 1994 14:55 | 7 |
| OH OK....THATS INTERESTING TO KNOW.I'VE BEEN PRACTICING SHOUTING AT THE
DOG SO I'VE BEEN GETTING SOME PRACTICE IN.
IAN
|
542.949 | PASS THE COFFEE! | GOES11::HOUSE | How could I have been so blind? | Mon Oct 24 1994 15:04 | 3 |
| WHAT'S ALL THE SHOUTING ABOUT, THIS IS THE DREAM THEATER NOTE!!!
GREG
|
542.950 | NEED THIS COFFEE STRAIGHT | FRETZ::HEISER | Grace changes everything | Mon Oct 24 1994 15:35 | 1 |
| EASY ON THE CREAM AND SUGAR.
|
542.951 | Unconditional lawsuit | DREGS::BLICKSTEIN | db | Mon Oct 24 1994 15:40 | 4 |
| > WHAT'S ALL THE SHOUTING ABOUT, THIS IS THE DREAM THEATER NOTE!!!
I don't know, but if I end up with a hearing loss, I'm suing all of
you.
|
542.952 | | ICS::WHITMAN | You ain't seen nothin yet.. | Tue Oct 25 1994 11:23 | 9 |
|
RE: Ian, Buck
'DEMS FIGHTIN WORDS!!
I'll square off with you guys once I'm back from my Scottland tour...
|
542.953 | | GOES11::HOUSE | How could I have been so blind? | Tue Oct 25 1994 11:28 | 1 |
| Only Nancy boy's tour Scotland...
|
542.954 | | FRETZ::HEISER | Grace changes everything | Tue Oct 25 1994 11:45 | 1 |
| AND WEAR KILTS!
|
542.955 | | SUBPAC::GOLDIE | It's a winged potato | Tue Oct 25 1994 13:37 | 6 |
| Mike,
you don't have what it takes to wear a kilt. ;^)
ian
|
542.956 | ;-) | FRETZ::HEISER | Grace changes everything | Tue Oct 25 1994 13:53 | 1 |
| I KNOW!!! I'M A MAN!!!
|
542.957 | | GOES11::HOUSE | How could I have been so blind? | Tue Oct 25 1994 13:58 | 2 |
| Come now, Mike, Ian looks very nice in his little dress!
|
542.958 | | FRETZ::HEISER | Grace changes everything | Tue Oct 25 1994 14:04 | 1 |
| DOES IT ZIP IN THE BACK OR THE FRONT?
|
542.959 | ;') | POWDML::BUCKLEY | I know all about the honor of God... | Tue Oct 25 1994 14:12 | 1 |
| DOES ONE WEAR PUMPS OR FLATS WITH THAT ENSEMBLE?
|
542.960 | demonic reference | DREGS::BLICKSTEIN | db | Tue Oct 25 1994 14:33 | 1 |
| "Whatever happened to Fay Wray..."
|
542.961 | | POWDML::BUCKLEY | I know all about the honor of God... | Tue Oct 25 1994 14:37 | 3 |
| "Whatever happened to Fay Wray..."
that frail, satin-draped frame
|
542.962 | | DREGS::BLICKSTEIN | db | Tue Oct 25 1994 14:40 | 1 |
| As it clung to her thighs...
|
542.963 | | POWDML::BUCKLEY | I know all about the honor of God... | Tue Oct 25 1994 14:43 | 1 |
| How I started to cry-hi-hi.....
|
542.964 | | DREGS::BLICKSTEIN | db | Tue Oct 25 1994 14:44 | 1 |
| cause I wanted...
|
542.965 | to be dressed... | POWDML::BUCKLEY | I know all about the honor of God... | Tue Oct 25 1994 14:46 | 1 |
|
|
542.966 | | DREGS::BLICKSTEIN | db | Tue Oct 25 1994 15:13 | 1 |
| Just the same!
|
542.967 | | SUBPAC::GOLDIE | It's a winged potato | Tue Oct 25 1994 16:01 | 7 |
| well the Kilt is part of my culture and thats something that America
will never have....in fact,I've eaten yogurt with more culture than
America! ;^)
ian
|
542.968 | | GOES11::HOUSE | How could I have been so blind? | Tue Oct 25 1994 18:12 | 1 |
| You mean greasy hamburgers aren't culture?
|
542.969 | culture attache to the US! 8) | SUBPAC::GOLDIE | It's a winged potato | Tue Oct 25 1994 20:10 | 5 |
| nope...neither is "wearing your baseball cap at a jaunty angle".
ian
|
542.970 | And I just got a new cap too! | GOES11::HOUSE | How could I have been so blind? | Wed Oct 26 1994 08:12 | 3 |
| Dang! And I thought I was all there!
gh
|
542.971 | | GOOEY::JUDY | That's Ms. Bitch to you! | Wed Oct 26 1994 08:21 | 8 |
|
re: .969
Now wait a minute Ian....I seem to recall a certain
day by the pool where you did just that....and your
wife even took a picture! =)
|
542.972 | | GOES11::HOUSE | How could I have been so blind? | Wed Oct 26 1994 10:28 | 6 |
| BUSTED!!!!
After all that backward-baseball-cap-flaming, the truth finally comes
out!!! What do you have to say for yourself now, Mr. I-hate-it-but-I
do-it?
|
542.973 | | DAGWUD::FLATTERY | | Wed Oct 26 1994 11:05 | 8 |
| ...now wait a minute..not that i usually run to his rescue but he's not
here to defend himself......he wore my friends 5 year old's tazmanian
devil baseball cap (read: tiny hat)...at a jaunty angle ...for a laugh..
...that's not the same as wearing it all the time....and he only did it
cuz he knows how stupid he looks in hats.....in fact when we're really
bored we just go down to a hat store and i make ian try on all kinds of
hats...and then i just fall all about the place laughing hysterically....
.i know..but what do you want for cheap entertainment ;')....../k
|
542.974 | | GOOEY::JUDY | That's Ms. Bitch to you! | Wed Oct 26 1994 11:35 | 5 |
|
Ok, ok....that's true. and he did looked darned
hysterical in it too. =)
|
542.975 | | SUBPAC::GOLDIE | It's a winged potato | Wed Oct 26 1994 12:11 | 9 |
|
ok I'm busted..in our spare time.Karen makes me wear the most arsehole
hats she can find for her own amusement!The Pith(sp) helmet on our
honeymoon was a memorable time for her!The people in the shop were
getting upset at us laughing at their stock!
ian
|
542.976 | such domination, ian! | POWDML::BUCKLEY | I know all about the honor of God... | Wed Oct 26 1994 12:26 | 4 |
| >ok I'm busted..in our spare time.Karen makes me wear the most arsehole
>hats she can find for her own amusement!
...and then? ;')
|
542.977 | never would've suspected it from Ian | FRETZ::HEISER | Grace changes everything | Wed Oct 26 1994 12:45 | 1 |
| ...makes you wish they'd sell tickets to we could all enjoy the sight!
|
542.978 | Nuff said | GOES11::HOUSE | How could I have been so blind? | Wed Oct 26 1994 13:25 | 1 |
| Four words. America's Funniest Home Videos.
|
542.979 | | SUBPAC::GOLDIE | It's a winged potato | Wed Oct 26 1994 13:52 | 12 |
|
two words...the second on is "off"
..can we guess the first? ;^)
ian
|
542.980 | SAME GREAT FUN, HALF THE VULGARITY! | FRETZ::HEISER | Grace changes everything | Wed Oct 26 1994 14:27 | 3 |
| HOW ABOUT...
DO ME!
|
542.981 | | SUBPAC::GOLDIE | It's a winged potato | Wed Oct 26 1994 14:34 | 5 |
| Mike,
that would be two words.One is less than two! ;^)
ian
|
542.982 | | GOES11::HOUSE | How could I have been so blind? | Wed Oct 26 1994 14:42 | 4 |
| > -< SAME GREAT FUN, HALF THE VULGARITY! >-
Same rude connotation...
|
542.983 | | POWDML::BUCKLEY | I know all about the honor of God... | Wed Oct 26 1994 14:45 | 3 |
| > that would be two words.One is less than two! ;^)
Five is right out!
|
542.984 | Brother Maynard, bring out the Book of Armaments! | GOES11::HOUSE | How could I have been so blind? | Wed Oct 26 1994 14:55 | 7 |
| First shalt thou pull out thine holy pin. Then shalt thou count to
three. Thou shalt count to three, no more, no less, and the number of
the counting shalt be three. Thou shalt NOT count to four. Neither
shalt thou count to two, unless thou then proceed to three. Five it
RIGHT OUT!
Um...skip a bit, brother...
|
542.985 | | FRETZ::HEISER | Grace changes everything | Wed Oct 26 1994 14:59 | 9 |
| > First shalt thou pull out thine holy pin. Then shalt thou count to
> three. Thou shalt count to three, no more, no less, and the number of
> the counting shalt be three. Thou shalt NOT count to four. Neither
> shalt thou count to two, unless thou then proceed to three. Five it
> RIGHT OUT!...
...Six and thou
BOOOOOOOOOOOM!!!
|
542.986 | Dr. Freud, what does it all mean?!? | POWDML::BUCKLEY | I know all about the honor of God... | Thu Oct 27 1994 11:52 | 10 |
| IIWW (isn't it weird when) you have a dream last night that John
Petrucci doesn't show up for DT practice, and you happen to be there
and fill in for him. Yes, jamming with Mike and the guys was indeed
awesome...we did some killer old tunes, too.
Then you run into John P. and find out why he missed practice -- he was
over at a friends, who was throwing this wicked party. Best part was
this HUGE wooden roller coaster the guy had in his back yard. It was a
great ride, too -- I took several spins.
|
542.987 | | DREGS::BLICKSTEIN | db | Thu Oct 27 1994 12:00 | 10 |
| > Dr. Freud, what does it all mean?!?
I don't think we need the genius of Freud to interpret this one Buck.
;-)
db
p.s. I've had a similar Dream of becoming the guitar player for the
Dregs
|
542.988 | don't do that to yourself, Buck | FRETZ::HEISER | Grace changes everything | Thu Oct 27 1994 12:11 | 1 |
| Freud was a pervert.
|
542.989 | | GOES11::HOUSE | How could I have been so blind? | Thu Oct 27 1994 14:15 | 10 |
| Dr. Fraud, what does it all mean?
Well Bill, it goes like this. In the deepest backward part of your
mind, you're really a primative primate which is completely
disconnected with modern things like stale progressive rock music and
roller coasters. You need to get back to your real roots and go bash
some animals with a club. This dream is a call away from things
esoteric and back to the truly important things in life, like air,
food, water, and marshmellow pies.
|
542.990 | | FRETZ::HEISER | Grace changes everything | Thu Oct 27 1994 16:45 | 2 |
| ...AND MAKE SURE THOSE SMALL ANIMALS ARE LITTLE FLUFFY PUPPIES AND
KITTENS.
|
542.991 | | KDX200::COOPER | Revolution calling! | Tue Dec 06 1994 10:44 | 3 |
| Ohh! Coming up on .1000 dreamy repliez!
Hey - I'm starting to really like this new CD...
|
542.992 | | DREGS::BLICKSTEIN | db | Tue Dec 06 1994 11:54 | 8 |
| > Hey - I'm starting to really like this new CD...
Me too.
Still hard to imagine I'll ever like it as much as I&W but... a few
weeks ago, it was hard to imagine I'd ever like it at all.
db
|
542.993 | | KDX200::COOPER | Revolution calling! | Tue Dec 06 1994 12:24 | 4 |
| Ditto - But learning a couple of the tunes made me INTO it!!
jc (Who wishes he had it here now...)
|
542.994 | Hey JC, JC won't you play for me...Sanna Ho.. Sanna Hey | DREGS::BLICKSTEIN | db | Tue Dec 06 1994 12:26 | 6 |
| Cool!
Which ones are you learning? Are you doing this with the band or just
for your own amusement?
db
|
542.995 | | KDX200::COOPER | Revolution calling! | Tue Dec 06 1994 12:41 | 5 |
| Just my amusement... I'm outta the live-band thing; sick of it.
Which ones? Guess (hint: The easy ones.)
|
542.996 | caught in a world wide web | AYOV25::JFOSTER | | Wed Dec 07 1994 03:07 | 11 |
| has anyone tried ftp'ing the promo for awake (interactive software with the
lobster pointer!!) from DT page on WWW.
it seems to be corrupted in some way, all the music is there but the visuals
are distorted. has anyone copied it successfully and if so, what http did you
use.
jim
ps, fwiw, you should copy it anyway, the music/some visuals are excellent....
|
542.997 | | KDX200::ROBR | Drinks for all my friends... | Wed Dec 07 1994 09:44 | 3 |
|
i have the same problem with the dt thing (running under nt)
|
542.998 | i'll send an e-mail | AYOV25::JFOSTER | | Thu Dec 08 1994 01:44 | 2 |
| i think i'll send an e-mail to the home page owner, see if he can re-load
for windows....
|
542.999 | Newbie wants to find other DT fans in Digital | PCBUOA::UTZ | | Tue Jan 03 1995 12:41 | 11 |
|
Hi,
I'm a new employee. I collect Dream Theater stuff and was
wondering if there are any other enthusiasts out there?
James Utz
PCBUOA::UTZ
PS - If you reply quickly, you'll be #1000!!!!
|
542.1000 | | GOOEY::JUDY | That's Ms. Bitch to you! | Tue Jan 03 1995 12:49 | 4 |
|
You'll find at least three DT nuts in here.... =)
|
542.1001 | yes ... another one | POWDML::BUCKLEY | Welcome to Paradise! | Tue Jan 03 1995 13:20 | 1 |
| DREAM THEATER FANS (when dream and day) UNITE!
|
542.1002 | | ICS::WHITMAN | You ain't seen nothin yet.. | Tue Jan 03 1995 13:33 | 6 |
|
oh boy.. now we're in for it..
;')
|
542.1003 | | DABEAN::REAUME | my 2 vices - GTS and coasters | Tue Jan 03 1995 13:59 | 7 |
|
...didn't take BUCK long to chime in.
(I listen to Awake fairly often , but still like I&W better)
-John R-
|
542.1004 | | GOES11::HOUSE | How could I have been so blind? | Tue Jan 03 1995 14:04 | 1 |
| All this Dream Theater discussion is making me tired...
|
542.1005 | | KDX200::ROBR | Drinks for all my friends... | Tue Jan 03 1995 14:50 | 4 |
|
DT r00lz!!!!!!!!!!!!!!!!
|
542.1006 | | POWDML::BUCKLEY | Welcome to Paradise! | Thu Jan 05 1995 07:03 | 11 |
| This is my favorite Greg House note of all time:
<<< Note 542.7 by GOES11::G_HOUSE "WhereWereYouInMyDarkestHour" >>>
-< Yeah, good stuff >-
I heard a song off this one a week or so ago and I thought it rooled!
Could be an excellent album. I liked their first effort as well, even
though it was a little keyboard heavy.
gh
|
542.1007 | | KDX200::ROBR | Drinks for all my friends... | Thu Jan 05 1995 08:16 | 5 |
|
:')
|
542.1008 | | KDX200::COOPER | Revolution calling! | Thu Jan 05 1995 09:54 | 13 |
| Nyar, nyar.
RE: .999
Man, I think Ion ANY particular day, you will find in my CD pouch,
you could find all three (released) Dream Theater CD's. I don't
have more than that, 'cept for the video, and some wacko tape
that Rob gave me...
There be plenty of Dreamers in here...
:-)
|
542.1009 | Mike Portnoy Interview in DRUM! | POWDML::BUCKLEY | | Mon May 15 1995 15:28 | 423 |
| Mike Portnoy Interview
DRUM! magazine
April/May '95
Paragraph under the table of contents section, describing the interview:
"By combining brainy progressive rock with hard-driving metal, Dream Theater
has made its name by defying stereotypes. Double-bass pumping Portnoy, who
is often compared to Rush legend Neil Peart, steers the band with dizzying
chops and complex syncopations. For this in-depth interview, we sat down
with Portnoy behind his kit, and had him explain how and why he plays the way
he does. Complete with transcriptions and equipment diagrams."
Article title: Indescribable Mike Portnoy of Dream Theater Goes His Own Way
Author: Greg Rule
From the grating grind of Nine Inch Nails to the infectious pop-punk
grooves of Green Day, today's multi-platinum megastars are a far cry from
yesterday's paid-by-the-note shredders. If it's bloody, muddy, aggressive,
or angry, chances are, it has an audience.
And then there's Dream Theater.
When all current musical trends point toward the above, this
Berklee-trained quartet is running full speed in the opposite direction.
With _Awake_, their latest on East West Records, they've given the slumbering
progressive rock giant a swift and serious kick in the pants. As Bass Player
magazine so aptly summarized: "Whew -- these guys are licensed to chop!"
And we couldn't agree more.
But Dream Theater's music is more than a mere note-fest. Much more.
Just when they've established a theme in, say, seven, along comes a 16-bar
bridge of lethal, Pantera-esque metal that leads into a spacious, half-time
synth breakdown. A series of surgically-played drum and guitar flurries ring
out like machine gun blasts and, just when you least expect it, the whole
band yanks an eighth-note off the end of a bar and launches into a section of
nine. "Where's the frigging 1?!?"
The man responsible for holding it all together is drummer Mike Portnoy.
At times reminiscent of Neil Peart, Terry Bozzio, and even the mighty Vinnie
Paul, he's a twin kick master who's capable of displacing time and uncorking
brain-busting polyrhythms with the greatest of ease.
One look is all it takes to realize that this drummer is his own unique
beast, though. He sits high. Very high. His drums and cymbals are
clustered unusually close to his body. And his calculated, almost
stiff-looking motions are not what you'd expect to see from such a
fluid-sounding technician. Intrigued? So were we.
When Dream Theater rolled through San Francisco on their most recent worl
d tour, DRUM! was there with notebook, tape recorder, and camcorder in tow,
and, much to our enjoyment and enlightenment, our meeting turned out to be
anything but ordinary. Backstage, sprawled across his dressing room sofa,
Portnoy told us stories of his musical past, took us behind the Dream Theater
scenes, and talked about his signing with Mapex drums. But it wasn't until
he led us up to the stage that the sparks really started to fly. With our
camcorder rolling, we watched bug-eyed as the drummer picked up his sticks
and proceeded to unload.
Here's what we discovered.
DRUM!: There's seldom a dull moment listening to Dream Theater. Rush. Yes.
Kansas. Malmsteen. At times the band even sounds like Pantera with
keyboards. Are they an influence?
Portnoy: Oh yeah. That's mainly my department, the heavy stuff. We all
listen to a lot of different things. As a band, we have a lot of common
influences. Those are probably the ones that come out the most in the music.
Stuff like the progressive rock bands of the '70s: Rush, Yes, Kansas,
Zappa, the Dregs. And we combine that with a lot of today's heavier music --
Metallica, for example -- and a lot of the heavies from the past: Maiden,
Sabbath, Judas Priest. Those are the band's common influences, but
individually, we go off on our own tangents. I'm really into the heavy side,
like Pantera, Sepultura, and Machine Head. But I also listen to a lot of
other music, like rap: Public Enemy, Beastie Boys. That music has just as
much influence on my drumming as anything else. I mean, Public Enemy is just
programmed drums, but all the different grooves and all the rhythms that they
layer on top of each other is just as inspirational to me as listening to
Terry Bozzio. The thing is, we're all very open-minded listeners, and when
it comes to writing music, we try to be just as open-minded. One day we'll
be in the mood to write something heavy, and another day we'll feel like
going off into a Peter Gabriel vibe.
DRUM!: What type of regiment did you put yourself through in the early days
to reach this level of musicianship?
Portnoy: I had a little bit of training, but I think I'm generally a
self-taught drummer. My dad was a rock and roll disc jockey, so immediately
I was turned onto the Beatles, the Who, the Doors and Hendrix. I was surround
ed by rock and roll. Growing up, I had this enormous record collection. So
once I started playing drums, I jammed along with the records. I was a huge
Kiss freak at the time. Keith Moon and John Bonham were my first two drum
gods. I took a few initial lessons just to learn how to hold the sticks and
stuff like that, but that was the extent of it. Basically, I learned by
listening to records. But I think the period when I developed the most was
when I started getting into music that was more intricate -- when I
discovered Rush. Neil Peart turned my world upside down. I became a Rush
fanatic. I learned all of their songs backward and forward. That was my
first introduction to odd time signatures and the like. Then I discovered
Frank Zappa, probably my biggest influence of all time. Terry Bozzio, Vinnie
Colaiuta, all those guys introduced me to the world of diversity and polyrhyth
ms. Basically, I think I've always listened to a lot of different kinds of
music and always tried to learn. I tried to get inside the heads of all
those drummers. Another thing is, when I first started to play, my longing
to learn went beyond just the drums. When I was in high school, I was taking
a lot of music theory classes, and I became obsessed with learning all that
stuff. Harmony, theory -- I wanted to become a
complete musician, not just a drummer. That training is something that's
really helped with the songwriting in this band because I'm always involved
in it now.
DRUM!: You eventually wound up at the Berklee School of Music, right?
Portnoy: Right. I went to Berklee after I graduated high school and just
surrounded myself with music theory. I took arranging classes, sight
singing, ear training, and all that kind of stuff. That's where I met John
and John (bassist John Myung and guitarist John Petrucci), and that's when we
put the band together.
DRUM!: In addition to drums, were you studying piano or other instruments at
Berklee?
Portnoy: No, I pretty much taught myself how to play those; I taught myself
how to pick up a bass or a guitar or piano, learn the notes, and that's when
all my music theory training came in. Music is mathematics, really. You've
got to learn some of the golden rules, and from there you can take it
wherever you want. When I was taking all the theory classes, I would go out
and pick up transcription books of Yes and all these bands who used odd time
signatures and I would look at the notes, figure out the counting, the time
signatures and the math.
DRUM!: It's one thing to understand it, but another thing to manifest it
physically.
Portnoy: Yeah, analyzing it is half the battle. For me, getting myself to
learn it physically was just a matter of putting on the record and playing
along with it.
DRUM!: In other words, you're one of the naturally-gifted types who most
musicians despise?
Portnoy: [Laughs.] The rest of the guys in the band hate me 'cause they're
constantly practicing, but I'm not as disciplined. In fact, I'm downright
lackadaisical about it, at least these days anyway. Years ago, when I was
really taking it all in, I used to practice a lot. But these days, I have
more things in my life. I'm onstage two hours a night playing drums, and
when we're off tour, the last thing I want to see is my drum set. I want to
spend time with my wife, or do other things. But those guys are always on
their instrument.
DRUM!: Let's analyze a few songs from _Awake_, starting with "6:00." The
chorus is in six, and about halfway through, you displace the time.
Portnoy: The keyboard part is doing the same thing throughout, he's holding
down the downbeats, but I'm turning it around. If I remember correctly, I'm
moving the downbeat for myself, the guitar, and the bass one 16th-note later
than where it was.
DRUM!: Do you usually incorporate those types of tricks on purpose, or do
they occur unintentionally sometimes?
Portnoy: In this case it was my doing. They were playing the riff, and I
heard it differently than they were hearing it. So we said, "Okay, let's do
it like this the first time around, and like that the second time." A lot of
times when we're writing stuff, that's how it is. Someone will have a lick in
nine, and one guy will be phrasing it in five and four, and I might be
phrasing it in three, three, and three. So a lot of times we'll try it every
possible way. Or, if we're playing something in four, rather than phrasing
it as "one-two-three-four, one-two-three-four," I might phrase it as
"one-two-three, one-two-three, one-two.
DRUM!: What drums are featured on the opening fill of "6:00"?
Portnoy: Those are pseudo-Octabans that Mapex built for me.
DRUM!: The intro groove is in four followed by a Bozzio-esque double bass
pattern. What's your approach to fast double bass footwork?
Portnoy: Single strokes, and I play heel up because I sit so high. I don't
even think my heels would reach the floor. I like my toms to be flat, so I
have to sit high in order to reach them without twisting my arms off. That's
one of the reasons I had Mapex make me small toms so I could sit them flat
and low to the bass drums. Anyway, that particular section was a bitch to
record. It's weird, because when you're writing this stuff or playing it
live, there are always those types of monster sections, and it's like, "Okay,
here it comes, here it comes." And you work it out, and that's it. You
don't have to deal with it until the next night. But when you're in the
studio and you're doing three or four takes of each song, after a while it
gets kind of crazy. I remember that one particular part with those double
bass things -- it was a bitch to nail 'cause it had to be right on the money.
After playing it over and over and over in the studio, it starts to wear you
down.
DRUM!: Speaking of fast double bass patterns, Vinnie Paul told us he
duct-tapes quarters to his bass drum heads so each note will come across
cleanly on tape. Do you incorporate any type of special tuning, or similar
techniques, to make sure those fast notes won't end up sounding like a blur?
Portnoy: No, I'm not a sound-monger like Vinnie is. That's his thing. I
don't really know that much about the recording process. I'm not an engineer
type guy. So basically, I go over the sounds with the engineer and producer
and make sure everyone is happy. That's something we didn't have with
_Images and Words_. I hated the drum sounds on that album because the
producer shoved the triggering thing down my throat, which is something I
was not a fan of. He was a very head-strong producer who did things his way,
and
that was it. But this time around I wanted to make sure that everything was
there, that everything was audible, and that everything was real -- all
acoustic.
DRUM!: The song "Caught In A Web" has some nice time changes.
Portnoy: It starts off in three or six, depending on how you count it, and
the verse grooves are in four. The thing that pops up occasionally before
the chorus has a measure of seven in there. But that whole song was cool
because I don't think I've ever done a song where the whole thing was double
bass throughout the whole song. The only time the double bass stops is for
the choruses and part of the third verse. It was kind of the opposite,
because a lot of people will kick into double bass for the choruses for
effect, but I did the opposite.
DRUM!: On songs that have long, repetitive figures like that, do you ever
catch yourself playing psychological mind games: "It's only the second
verse. Keep it steady. Will I make it?"
Portnoy: When we record, yes. In those situations, everything is under a
microscope, so yeah, you become real self-conscious about it. Live, though,
I try not to think about it. A big part of us playing live is the natural
adrenaline onstage. If the tempo fluctuates, or whatever, that's okay. I
don't usually get stressed-out over my parts.
DRUM!: "Erotomania" starts with an organ riff in five.
Portnoy: It's in five, but it ends in 9/8. I bet some people think it's a
mistake, that we're rushing the beat on the last measure. But it's actually
in 9/8.
DRUM!: How did you phrase that section of nine?
Portnoy: That's a good example of what I was saying earlier, because most of
the time, I'm phrasing it as four and five, but toward the end of the song, I'
m phrasing it as three sets of three. It's all arithmetic. There are so
many times when we're dealing with odd time signatures or polyrhythms and we
actually sit there with a pen and paper and figure out where the beats are
landing. It's all a matter of counting and arithmetic, adding things up and
making them equal out.
DRUM!: In "The Mirror" you apply a couple of different drum grooves to a
steady figure played by the guitar, giving the illusion that the whole riff
has changed when, in fact, it hasn't.
Portnoy: That intro was something I came up with, just changing the beats
around under that one rhythm. Without those guys ever changing, I change
from a triplet pattern to a 16th-note thing and then I yank one of the
eighth-notes off of it and turn it around. That's just me having fun with
numbers.
DRUM!: What drums did you record with?
Portnoy: The Mapex kit.
DRUM!: You used to play Tama. Why the switch?
Portnoy: The Tama kit I played on the last album was my first real kit. I
worked three jobs one summer when I was 16 years old, saved up, and bought
that kit. So basically, at the end of the last tour, it was like, "Okay,
it's definitely time for something new." Not because I didn't like the drums
-- they held up great -- but because I wanted to expand my setup. Different
sizes, and stuff like that. Mapex was pursuing me strongly at the time, so I
went down to their factory in Nashville when we played there and they showed
me their drums. My options were open at that point because Tama wasn't
really doing anything for me. So I discussed with Mapex some things I
wanted, and they custom-built a kit for me. Once they delivered it and I
played it, it was like, "Wow, this sounds great. Let's do it."
DRUM!: Do you play the same setup live?
Portnoy: Same one.
DRUM!: On tour, do you find yourself generally sticking to the same grooves
and fills each night, or do you mix it up?
Portnoy: I like to change some of my parts live. Obviously I can't stray too
far away from the structure of the song, everything is so nailed down, but
within that structure I like to change the fills and the licks and sometimes
the phrasings every once in a while. A lot of that stuff happens spontaneousl
y, and if I wasn't recording the shows, a lot of it would be lost forever. I
might pull out some crazy thing that may or may not work, but at least I'll
have it on tape and if I like it, I might end up using it for the rest of the
tour.
DRUM!: So you don't feel too inhibited live, improvisationally?
Portnoy: It's tough, because this music is so thought-out and interlocked
and orchestrated, it's hard to stray too far from that, but we always have at
least one part of the live show that's a total improvisation. We've always
tried to put that in the set somewhere.
DRUM!: When you do improvise, do you attempt to detach yourself from your
tried-and-true vocabulary of chops, or do you strive to completely break free
of that at times?
Portnoy: Every drummer has his or her vocabulary. You learn stuff
throughout the years and that becomes part of your arsenal. So you usually
find yourself picking and choosing from what you know. But hopefully you
have enough to where you can throw it into different contexts. Being able to
break free. . .so many of our songs are written like that, where we'll get
together at rehearsal, somebody will come up with a progression, and we'll go
off on it for an hour, taking it into a dozen different places.
DRUM!: So Dream Theater writes as a band.
Portnoy: Generally speaking, everything in this band is collaborative. The
method was a little different in the past, because on the the first two
albums we had all the time in the world to write. This time around it was a
little different. We had a clock hanging over our heads. It was like, "Go.
Get in there and do it." We spent eight hours a night writing. We really
had to put our heads together and bang it out. In some cases, we actually
wrote a whole song in one eight-hour rehearsal, whereas in the past we'd go
for months on end writing one song. We'd spend months dissecting everyone's
parts, making sure every note was perfectly locked-in and orchestrated
correctly. There were points where we'd spend six hours of rehearsal on four
measures of music. One thing that helped us this time were tapes from old
soundchecks. I have my DAT machine out on tour with us and it's set up at
the board at all times. The main groove in "Lie," for example, was something
from a soundcheck in Germany that we listened to and said, "Yeah, let's use
this." The intro to "Voices" was from a soundcheck in Baltimore. And
"Erotomania," because it was an instrumental, incorporated bits and pieces
from a bunch of different soundchecks. "Throw 'em all in there!"
DRUM!: How comfortable are odd time signatures to you now?
Portnoy: Depends on the situation. If we're writing something in an odd
time signature, I usually have to count it at first. Some of the stuff gets
pretty intricate, so we keep a chalkboard at rehearsals and we write it out.
But after playing the song a hundred times in rehearsal and then recording
it, it usually becomes second nature. It's like, live -- now that I'm saying
this I'll probably screw up the whole show tonight [laughs] -- but by the
time we get on tour, I'm so comfortable with the songs, I can pretty much put
myself on automatic-pilot.
DRUM!: Do you focus mentally on any one instrument more than the others when
you're playing?
Portnoy: I'm one of these drummers who plays mostly off of the guitar,
whereas most traditional drummers play with the bass. A lot of our music is
very intricate rhythmically, and the guitar is usually locked right in there
with me. I'll usually only listen to the guitar in my monitor. I won't even
put bass or vocals in there. Usually, I'm keying in on that, and [bassist]
John Myung will key into me or the guitar.
DRUM!: Your physical technique is somewhat unusual -- not the most relaxed
or fluid-looking.
Portnoy: If you listen to the record, it might sound like I'm relaxed, but
I'm usually pretty stiff and aggressive. Especially live. It's all
aggression.
DRUM!: Do you ever catch yourself tensing up too much?
Portnoy: Sometimes, but I try to glide from section to section. There are
parts that call for full-out thrash drumming. But there are other parts
where you have to back off in order to nail the syncopations.
DRUM!: If you weren't playing in Dream Theater, what style of music do you
think you'd pursue?
Portnoy: My tastes are so different that I could be happy playing with the
Red Hot Chili Peppers, I could be happy playing with Pantera, or I could be
happy playing with a band like Jellyfish. But the great thing about this
band is the fact that I can incorporate all of those influences. As much as
I love the heavy stuff, if I was in Pantera, I would only be doing that, and
I would probably feel restricted because most of those bands don't go off
into all these different territories like Dream Theater does. For diversity,
this gig is hard to beat.
Portnoy's Setup
Drums: Mapex
1.24" bass drum
2.14" x 5-1/2" snare drum
3.6" Octabons
4.8" x 8" mounted tom
5.10" x 8" mounted tom
6.12" x 8" mounted tom
7.14" x 10" mounted tom
8.16" x 16" floor tom
9.18" x 16" floor tom
Percussion: LP
10.Bongos
11.Junior congas
12.Tambourine
13.Percussion table: Single-row chimes, bell tree, five wood blocks,
tri-bell set, agogo bell set, triangle, Vibra-Slap 2
14.10" timbalitos
15.Ridge Rider cowbell
Cymbals: Sabian
16.10" B8 Pro splash
17.18" AA Chinese
18.14" AAX hi-hats
19.12" AAX splash
20.16" AA medium crash
21.18" AA medium crash
22.8" AAX splash
23.6" CD disc
24.10" AAX splash
25.18" AA medium crash
26.17" HH medium thin crash
27.13" AA Rock hi-hats
28.12" AA Mini Hats
29.22" HH Rock ride
30.12" AA Mini Chinese
31.20" HH thin Chinese
Mike Portnoy also uses DW 5000 Accelerator pedals, Hot sticks, Remo drumheads
and DW hi-hat pedals.
|
542.1010 | | KDX200::ROBR | Who wants to live forever? | Tue May 16 1995 09:59 | 3 |
|
cool!!
|
542.1011 | first CD available (on CD)? | SUBSYS::MSOUCY | | Tue May 16 1995 10:03 | 8 |
|
Is that CD still available? I have I&W and Awake, the latter seems a
tad heavier than the former, the former I noticed had hard, then
mellow, then hard, then mellow almost through the entire CD to keep you
wondering what would be coming next....not too bad of an arrangement. I
wonder if they did it that way on purpose to see who noticed?? Nah!
|
542.1012 | | KDX200::ROBR | Who wants to live forever? | Tue May 16 1995 11:24 | 4 |
|
the first cd is not in print in the US but is available by mail order.
i think the places are mentioned in prior notes.
|
542.1013 | CD Sources for WDADU | POWDML::BUCKLEY | | Tue May 16 1995 12:23 | 104 |
| re: -2
Check these sources for "When Dream and Day Unite" on CD -- this was at
one time a comprehensive listing of avaliable sources, but it has not
been kept up to date, so... ?!?
*****************************************************************************
" W H E N D R E A M A N D D A Y U N I T E " S O U R C E S
*****************************************************************************
As always, Columbia House is carrying WDADU on cassette through their ordering
club. This is their print of the U.S. version. The order number is 382842.
Order normally, or call 1-800-487-0500. (Note: You have to be a member or join
Columbia House to go this route. Also, the wait can be long--but it's
definitely worth it...)
---
Ranjit Padmanabhan, a distributor, is selling the German CD for $18.95 (plus
first class p+h). Contact information:
Ranjit Padmanabhan
566 Crystalberry Terrace
San Jose, CA 95129
---
I have heard some people in Goldmine, a rare-records magazine, are selling
WDADU. You may try this route, especially if you also collect bootlegs and
such. The phone number for subscription is 715.445.2214. It is also
available in some collectibles stores for $2.95.
---
Record-Rama is selling the German (?) version of WDADU. I was unable to get a
complete address or price, but the phone number is 412.367.7330.
The partial address is at the corner of McNight St. and Siebert Rd. in
Pittsburgh, PA.
---
Life By Design is now carrying the German WDADU (they were carrying the
Japanese version) on CD for $21.17 ($22.45 on CO). (Note: credit card orders
not accepted--check or Money Order only) The address is:
Life By Design
129 N. Wahsatch
Colorado Springs, CO 80903
ph. #: 719.475.0937
Fax #: 719.471.1408
---
CDs We Bee is carrying the Japanese version on CD for $23.99. Their address
is:
CDs We Bee
S. 3420 Whipple St.
Spokane, WA 99206
ph. #: 509.922.7378 (ask for Spike)
---
Sound City 2000 has the Japanese CD for $25.99 (plus $3.75 p&h). The order
number (which must be included in the order) is N02-D042687-J. The address
is:
Sound City 2000
P.O. Box 22149
Portland, OR 97269-2149
ph. #: 503.654.2196
---
Metal Disc is selling WDADU (no price or country info given). The address is:
Metal Disc
P.O. Box 4649
Thousand Oaks, CA 91359
ph. #: 805.492.METL
---
The Exclusive Co. is selling the German CD for $15.99 (they may be out at the
time of this writing...I don't know). Try them at:
The Exclusive Co.
508 State Street
Madison, WI 53703
ph. #: 608.255.2433
---
Worldwide CD is selling the German CD for $18.00...call or write at:
Worldwide CD
P.O. Box 543
Villa Park, IL 60181
ph. #: 708.941.7619
Fax #: 708.941.7923
*****************************************************************************
|
542.1014 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Tue May 16 1995 12:38 | 3 |
|
I checked the BMG catalog and they don't list it on CD either.
|
542.1015 | | KDX200::ROBR | Who wants to live forever? | Tue May 16 1995 13:16 | 10 |
|
fwiw i bought my copy from worldwide cd... plus they send you a cool
quarterly catalog with lots of cool stuff listed...
damn it, dahlia just found leatherwolfs *FIRST* album on cd!!!
(not the self titled one, the one before that! ive never even been
able to find it on tape or anything). apparently newbury comics is
emptying out their warehouses and is dumping tons of old stuff thats
been gathering dust for like $6 a piece...
|
542.1016 | not to mention she scooped you on the MOSH plate! | POWDML::BUCKLEY | | Tue May 16 1995 15:08 | 1 |
| Damn -- Dahlia def. scores some prime CDs
|
542.1017 | | FABSIX::I_GOLDIE | resident alien | Tue May 16 1995 15:15 | 5 |
| Leatherwolf...!hells bells...I haven't heard of them in years(thank
goodness) 8)
ian
|
542.1018 | | KDX200::ROBR | Who wants to live forever? | Tue May 16 1995 15:16 | 4 |
|
what r u, nuts ian??? leatherwolf is the gnads! definately in my top
10 bands of all time probably....
|
542.1019 | | FABSIX::I_GOLDIE | resident alien | Tue May 16 1995 15:19 | 14 |
| re-1
really?!?!?!I thought they were just barely ok...typical American stuff
that came out about that time...except for the 3 guitar players!At the
time they first came out they got a ton o' hype in the UK but never
really did anything!
ian
ps...at least they weren't as shite as Pretty Boy Floyd..worst rock
band of all time!
|
542.1020 | leatherwolf - something like tnt with lots of harmonies | KDX200::ROBR | Who wants to live forever? | Tue May 16 1995 15:47 | 4 |
|
pb floyd? ugh! leatherwolf isnt glam at all! its some mildly
progressive stuff with killer vocals and guitar work.
|
542.1021 | | FABSIX::I_GOLDIE | resident alien | Tue May 16 1995 16:33 | 6 |
| I wasn't saying they were glam but just the crappest band of all time!
I'd need to hear more of Leatherwolf other than the 3 songs I've
already heard!
ian
|
542.1022 | | STRATA::LUCHT | Is it a passion or just a profession? | Tue May 16 1995 19:57 | 11 |
|
Cool article. Interesting how he generates odd times with
the rest of the band.
"Erotomania" is SO insane in that area (definitely one of my
favorites.) Kicking myself 'cause I missed 'em live.
Thanks for posting it Buck.
Kev --
|
542.1023 | Hanging with Dream Theater on Long Island | POWDML::BUCKLEY | | Sun Jun 04 1995 19:47 | 44 |
| I found my way Saturday evening into a private soiree featuring 3/5 of
the band dream theater in attendance!! John P was supposed to be there
as well, but his dad got sick and he couldn't make it. Besides
chatting old Berzerklee war stories and getting some of my *rare*
stuff autographed, here is the significant news right from the mouth
of Mike Portnoy:
- Dream Theater is doin TWO *rare* shows before they head off to tour
Europe and Japan -- They are:
Friday, June 9 at Birchhill Nightclub in Old Bridge, NJ (908) 536-
0650. Tickets are $12.50 in advance and $15.00 at the door.
Tuesday, June 13 at The Malibu on Long Island (forget exact town
location).
Mike promises a very eccentric set list for these two shows, and says
they're *not* to be missed!! The band will be debuting the new
version of "A Change of Seasons" at these two shows.
- Their EP should be released in September. It features a newly
revamped studio version of A Change of Seasons (which now clocks in
at an amazing 23 minutes!). Mike brought a tape along from the
rough mixdown, and the tune sounds fackin awesome! It was produced
by David Prater, who did I&W, so it has that sort of sound (sans the
triggered drum sounds -- all drum sounds were real this time around)
- The rest of the EP will feature outtakes from the band's now
legendary Ronnie Scotts gig in London, where they did ALL cover
tunes! Take note members of Metropolis, among these songs are
Funeral For A Friend/Love Lies Bleeding, Bohemian Rhapsody, Carry
on Wayward Sun, Perfect Strangers, and generally the same type of
tunes y'll play. Mike played tapes of this stuff, and it was killer
as well.
- There will be two versions of the EP released -- the US one will
have only the RS songs with all DT playing. The Japanese vcersion
will have the songs that featured guests (like Jayms Hetfield, etc)
Mike also had the skinny on Fates Warning, but lets pop over to that
note for info...
|
542.1024 | | POWDML::BUCKLEY | | Sun Jun 04 1995 21:40 | 4 |
| PS -- just checked -- the DT show on LI 6/13 at the Malibu in
Lido Beach, Long Island (next to mike's home town of Long Beach).
|
542.1025 | | POWDML::BUCKLEY | | Mon Jun 05 1995 08:07 | 2 |
| For those people who don't SET SEEN back to the weekend notes, check
out -2
|
542.1026 | why an EP???!!!! | SUBSYS::MSOUCY | | Mon Jun 05 1995 10:27 | 13 |
|
How come they are taking so long to produce a new album? I'd rather see
a new one than an EP put out and delay a full release for however
long.....just my opinion! ;-) Also, I picked up the CD "When Dream and
Day Unite" for $25 at Newbury comics a week ago (along with the new
Fight CD and an EP from Cathedral (I want FULL dream theatre though!))
and it is different....I haven't given a verdict if I am going to keep
it or dump it....I don't like their old singer.....at least from what I
have heard of this one......if I decide to sell it, I'll put it in here
if someone is interested.
Mike
|
542.1027 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Mon Jun 05 1995 10:31 | 5 |
|
Did I tell you I got WDADU used for $7?
[OK, I know I did ... I just like reminding people. 8^)]
|
542.1028 | | POWDML::BUCKLEY | | Mon Jun 05 1995 10:52 | 33 |
|
>How come they are taking so long to produce a new album? I'd rather see
>a new one than an EP put out and delay a full release for however
>long.....just my opinion! ;-)
Because they tour for over 2 years for each album (per their record
company). They're huge in Europe and Japan, so they go their often,
and do the states twice over while trying to build a more solid
following.
The EP was done because:
a) fans were screaming for ACOS and the record co didn't want to waste
most of an album with a 23 minute song!
b) fans were screaming for release of the ronnie scotts uncovered gig.
c) fans petitioned the record company to foot the bucks for the
project!
d) the band had time to record it between the 1st and 2nd leg of the
Awake world tour.
>Also, I picked up the CD "When Dream and Day Unite"
ROOOLIN! My personal fav DT album!!
>it or dump it....I don't like their old singer.....at least from what I
>have heard of this one......if I decide to sell it, I'll put it in here
>if someone is interested.
I'll buy it if you don't like it. Charlie is his own singer, you gotta
get into it -- just think "old rush"
|
542.1029 | | POWDML::BUCKLEY | | Mon Jun 05 1995 11:12 | 3 |
| PS -- they have already written a ton of new stuff for the next album,
but it will be Only A Matter of Time before they're finally off tour
and able to record it.
|
542.1030 | hmm, ok | SUBSYS::MSOUCY | | Mon Jun 05 1995 12:48 | 8 |
|
Where can I hear "A change of seasons" I know someone had mentioned
this "awesome" tune to me before and that is was fairly long.....I
don't want to spend $$ for an EP! :-}
Or is this one on Awake/I&W? Have to look at these song names again!
|
542.1031 | | POWDML::BUCKLEY | | Mon Jun 05 1995 12:52 | 16 |
| >Where can I hear "A change of seasons" I know someone had mentioned
>this "awesome" tune to me before and that is was fairly long.....I
>don't want to spend $$ for an EP! :-}
>
>Or is this one on Awake/I&W? Have to look at these song names again!
It is not on ANY of their albums!!
They have played it at select shows live, and it is floating around on
a couple of rare bootleg discs.
But I don't see what you're bitching about, Mike -- ACOS will be part
of a 8-10 song disc (they're calling it an EP, but should have more
music on it than, say, I&W!). Don't let the name fool you, this will
be a great addition. The cover tunes are WORTH hearing.
|
542.1032 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Mon Jun 05 1995 13:47 | 5 |
|
So this EP is 8-10 songs and 1 of the songs is 23 minutes long.
What kind of a moron decided to call this an EP?
|
542.1033 | | POWDML::BUCKLEY | | Mon Jun 05 1995 14:48 | 9 |
| > So this EP is 8-10 songs and 1 of the songs is 23 minutes long.
Yeah, and the other cover tunes (like Bohemian Rhapsody and Funeral
For A Friend) are like 7-8 minutes a piece?!
> What kind of a moron decided to call this an EP?
The record co
|
542.1034 | ZZZZzzzzzz | OUTSRC::HEISER | Maranatha! | Mon Jun 05 1995 20:49 | 1 |
542.1035 | | POWDML::BUCKLEY | GFY | Mon Jun 12 1995 10:12 | 1 |
| DT was roolin last Friday in Jersey!!
|
542.1036 | ;') | ICS::WHITMAN | | Mon Jun 12 1995 14:54 | 4 |
|
I wouldn't have expected anything different from you buck...
|
542.1037 | | STRATA::LUCHT | Is it a passion or just a profession? | Tue Jun 13 1995 19:20 | 8 |
| RE: .1035
Post a review Buck...Is the TriAxis still in his rack? I was
reading somewhere that he runs two (!) TriAxis' and a Duel
Recto head as well as a couple 2:90's. How'd he sound?!?!
Kev --
|
542.1038 | Dream Theater EP info? | FAILTE::YOUNGM | MARK YOUNG | Thu Jun 15 1995 07:04 | 9 |
| Can you give me anymore info on this ep?
When is it due for release?
As a total DT head I need to know!
As I am from Scotland I may find it difficult to pick up so is there an
address I can write away too?
Thanx for any info you may have,
Mark.
|
542.1039 | Big Sounds... | FAILTE::YOUNGM | MARK YOUNG | Thu Jun 15 1995 07:07 | 7 |
| I saw Dream Theater in Edinburgh not so long ago, and he has a huge
rack containing two TriAxis AND two 2:90's. Needless to say his sound
was IMMENSE!
Cool...
Mark.
|
542.1040 | | POWDML::BUCKLEY | You ain't seen nuthin yet | Thu Jun 15 1995 11:54 | 16 |
| RE: Whitforbrains
smart man!
RE: Kev
Loud!
RE: Mark
The EP is due for a September release stateside. You'll be sorry to
note that DT will NOT be touring the UK in July as planned. Not sure
what the deal is, as they are touring Europe and Japan. Many German
dates already announced.
|
542.1041 | yet another DT show... | POWDML::BUCKLEY | You ain't seen nuthin yet | Fri Jul 07 1995 16:13 | 9 |
|
D R E A M T H E A T E R A L E R T
DT will be playing Friday, 28 July, at the Canoe Place Inn (C.P.I.),
Montauk Highway, Hampton Bays, L.I.
Be there ... or don't!
8^)
|
542.1042 | | OUTSRC::HEISER | will pray for food | Fri Jul 07 1995 19:00 | 3 |
542.1043 | | KDX200::COOPER | Pffffftttt! | Sat Jul 08 1995 14:02 | 2 |
| Hmm... I wanna go. I'll be in Boston then too.
Hm....
|
542.1044 | | SCUBA::SLABOUNTY | Trouble with a capital 'T' | Mon Jul 10 1995 08:50 | 6 |
|
If you're gonna be in Boston, you'll miss them since they'll be
in New York.
[Glad to help. 8^)]
|
542.1045 | ...don't know what I'd do without you... :) | KDX200::COOPER | Pffffftttt! | Tue Jul 11 1995 22:57 | 5 |
| Thank you SHAWN! :-)
My point is, the drive to L.I. is a might shorter from Boston than
it is from Colo. Spgs.
|
542.1046 | show alert | POWDML::BUCKLEY | You ain't seen nuthin yet | Mon Jul 17 1995 10:35 | 4 |
| Dream Theater at the Stand Theater
Thursday, August 3rd
Providence, RI
|
542.1047 | what's a missing 'r' amongst friends? :^) | POOKY::OROURKE | heaven help the heart | Mon Jul 17 1995 11:37 | 5 |
|
Buck...is this right near the SIT Theater? :^)
/jen
|
542.1048 | | KDX200::COOPER | Animal Instinct... | Mon Jul 17 1995 19:02 | 1 |
| I'm there...
|
542.1049 | | OUTSRC::HEISER | watchman on the wall | Mon Jul 17 1995 23:34 | 1 |
542.1050 | | KDX200::COOPER | Animal Instinct... | Wed Jul 19 1995 08:21 | 5 |
| Cindi is picking up my tix as we speak. Hey Jen - thanks for the heads
up!! I'da bummed if I'd missed it!!
Can anyone say ROAD TRIP!
|
542.1051 | | BUSY::SLABOUNTY | Trouble with a capital 'T' | Wed Jul 19 1995 08:51 | 8 |
|
Let me try ...
ROAD TRIP!
How'd I do?
|
542.1052 | JJ? db? GTI? /k? ian? | POWDML::BUCKLEY | You ain't seen nuthin yet | Wed Jul 19 1995 14:22 | 12 |
| So far from H_M (past n present), we have:
Coop
CJ
/jen
Buck
Rob
Kristy
Seth-E-Pooh
Going to the 03 AUG Dream Theater show in Providence at the Strand.
Any other takers?!?
|
542.1053 | | OUTSRC::HEISER | watchman on the wall | Wed Jul 19 1995 15:03 | 4 |
542.1054 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Wed Jul 19 1995 15:10 | 9 |
|
Providence??
Isn't that all the way in RI?
Forget it!! 8^)
[Kidding, but I probably won't go.]
|
542.1055 | | ABACUS::JENNISON | Guess I Was Born To Be Bad | Wed Jul 19 1995 15:13 | 2 |
|
THEN! Im definately not going if your not going ! 8(
|
542.1056 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Wed Jul 19 1995 15:16 | 9 |
|
Oh, you're not going?
OK, then I will go.
8^)
|
542.1057 | | FABSIX::I_GOLDIE | resident alien | Wed Jul 19 1995 16:50 | 6 |
|
not this time,Buck!I have to work that night and have no vacation time
to spare!
ian
|
542.1058 | ! | STRATA::LUCHT | Is it a passion or just a profession? | Thu Jul 20 1995 05:13 | 7 |
|
WHY couldn't this show happen on the weekend?!?!?!?!?!?!?
FABbed again,
Kev --
|
542.1059 | | KDX200::COOPER | Animal Instinct... | Thu Jul 20 1995 16:36 | 11 |
| C-mon!!
I'm flying in from Colorado to hit the show!!
:-)
Count me in Buck - check out the note I'm about to leave in
99.lately...
Guys like Kevin need to get in touch with me!
jc
|
542.1060 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Fri Jul 21 1995 09:37 | 6 |
|
Does anyone have directions to The Strand? And the show is
August 3rd?
How much is this going to cost?
|
542.1061 | | POWDML::BUCKLEY | You ain't seen nuthin yet | Fri Jul 21 1995 10:41 | 15 |
| > Does anyone have directions to The Strand?
This one is for /jen -- I know HOW to drive there -- it's only like 2
blocks from the Civic Center...but negotiating those twisty Providence
streets can be tough!
> And the show is August 3rd?
Yes.
> How much is this going to cost?
Tickets are $9.00, and available through TicketShafter.
|
542.1062 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Fri Jul 21 1995 10:44 | 3 |
|
OK, thanks!!
|
542.1063 | | OUTSRC::HEISER | watchman on the wall | Fri Jul 21 1995 11:11 | 1 |
542.1064 | direx to the Strand | AKOMI2::OROURKE | heaven help the heart | Sun Jul 23 1995 18:28 | 20 |
|
RE: .1061 Did I see my name mentioned in relation to directions? Just
cuz I went to school down there doesn't mean I can find it! And if you
can handle the twists of Boston...Providence is CAKE!
RE: .1060 Seriously, Shawn....Take 95 South to exit 22. Take a right
off the ramp. Go thru the first set of lights (once their green of
course). The road will end with a parking garage in front of you.
Take a right onto Washington Street. The Strand is up on your right
(#81). Washington Street is a one-way heading out.
On a THursday night you should be able to find parking on the street
around Kennedy Plaza. If you do pick a garage be sure to check their
hours...some close at 11:00 or midnight (Providence isn't exactly
hopping!). The one at the Biltmore Hotel is a 24 hour one with
security.
OK Mikey...you go to Clinton and we'll be sure to see you there :^)
/jen
|
542.1065 | H_M party in Providence! :) | POOKY::OROURKE | heaven help the heart | Thu Jul 27 1995 08:40 | 8 |
|
RE: .1052
After talking to James Utz (RON) last week, I saw him again yesterday.
Said I 'talked him into the DT' show so that is Jim + 1 more co-worker
to add to the list.
/jen
|
542.1066 | PARTY IN PROVIDENCE | POWDML::BUCKLEY | You ain't seen nuthin yet | Thu Jul 27 1995 11:24 | 16 |
| So far from H_M (past n present), we have the following folks going to
the 03 AUG Dream Theater show in Providence at the Strand:
1) Coop
2) CJ
3) /jen
4) Buck
5) Rob
6) Kristy
7) Seth-E-Pooh
8) GTI
9) James Utz
10) Mysterious co-worker
Any other takers?!?
|
542.1067 | | DREGS::BLICKSTEIN | My other piano is a Steinway | Thu Jul 27 1995 15:31 | 1 |
| I'm now planning on going.
|
542.1068 | | POWDML::BUCKLEY | You ain't seen nuthin yet | Thu Jul 27 1995 15:59 | 5 |
| -1
Kewl -- you'll like their new keyboardist, Derek Sherinian ... his
major influences are Keith Emerson, Rick Wakeman and Kansas -- he's
a real banger!
|
542.1069 | | FABSIX::I_GOLDIE | resident alien | Thu Jul 27 1995 16:07 | 10 |
|
re-1
a banger?Thats British slang for a sausage!
have the rest of the band got nicknames that are food related? 8)
tattie goldie
|
542.1070 | FYI -- if you wanna see DT... | POWDML::BUCKLEY | You ain't seen nuthin yet | Mon Jul 31 1995 15:32 | 8 |
| For those who care --
The Long Island show last Friday eve and the Providence show this
coming Thursday are the ONLY TWO REMAINING U.S. dates for THIS YEAR!
After this Thursday's show, they're off to Japan for a couple of dates,
and then it's into the studio to record album #3 while EastWest records
readies the Sept. release of their "A Change of Seasons" mega-EP.
|
542.1071 | Bummed | DREGS::BLICKSTEIN | My other piano is a Steinway | Tue Aug 01 1995 08:38 | 2 |
| FWIW (don't know if anyone is reserving tickets or what not) but
I can't make it. I have about 30,000 obligations for Thursday.
|
542.1072 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Tue Aug 01 1995 09:17 | 5 |
|
Oh good, maybe I will go to the show after all.
8^)
|
542.1073 | | POWDML::BUCKLEY | You ain't seen nuthin yet | Tue Aug 01 1995 10:48 | 9 |
| 2nd courtesy FYI to those who care...
If you're planning on going to the show on Thursday, and have NOT got
tickets yet, you may want to start thinking about doing just that. The
word is out on the Internet that this is their last U.S. date for
probably almost a years time -- fans have said they're road tripping
to this show from cities such as New York, Philly, Wash DC, etc.
|
542.1074 | Providence is a bit FAR from NH,too. :( | POOKY::OROURKE | heaven help the heart | Tue Aug 01 1995 11:03 | 11 |
|
RE: 1071
** I have about 30,000 obligations for Thursday.
db! And I thought Pamela Anderson and I had busy calendars! Does this
mean your harem is back in town? You busy guy! :^)
/jen
|
542.1075 | Echolyn is opening the 03 AUG DT show... | POWDML::BUCKLEY | You ain't seen nuthin yet | Tue Aug 01 1995 16:07 | 6 |
| db:
Sorry you won't be able to make the show. Prog-rock masters Echolyn
will be opening the show for DT on Thursday. They are an EXCELLENT
band, if you've never caught them!! You may wish to FYI the Echolyn
info to the members of CITADEL...
|
542.1076 | How can you go to the Theater without a programme? | POWDML::BUCKLEY | give em the boot! | Wed Aug 02 1995 12:10 | 3 |
|
BTW -- I've made a special programme for tomorrow evenings performance.
Be sure to get yours before the show in the lobby!
|
542.1077 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Thu Aug 03 1995 11:13 | 5 |
|
What time do you suggest getting there tonight?
Show starts at 8, or doors open at 8?
|
542.1078 | here's an idea! | POOKY::OROURKE | heaven help the heart | Thu Aug 03 1995 11:31 | 7 |
|
Shawn....
Why don't you get there around 6:00 and save spots for the rest of us?
:^)
/j
|
542.1079 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Thu Aug 03 1995 11:37 | 7 |
|
Well, yes, that IS an idea.
Not a good one, mind you, but an idea nonetheless.
8^)
|
542.1080 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Fri Aug 04 1995 09:18 | 8 |
|
Excellent show!! First time I've seen them, but I was blown
away. It's one thing to hear "Images and Words" 20 or 30 times,
but to see them play that stuff really makes you appreciate the
work they put into those songs.
I'd have to say they're one of the most talented bands ever.
|
542.1081 | great show | POWDML::BUCKLEY | give em the boot! | Fri Aug 04 1995 09:27 | 40 |
| I concur with GTI -- DT isn't a band that is *always* on ... lord knows
Rob and I have seen our fair share of mediocre shows ... but last night
was an exception!
The crowd was pumped, and the band rocked! Singer James LaBrie was in
excellent vocal form, and drummer MIke P. pushed the tempos to "brisk"
level, forcing the fingers of guitarists John Myung and John Petrucci
to _really_ fly!
Their cover of Deep Purple's Perfect Strangers really rocked -- I hope
they release this as a single off the upcoming "EP" album (you know,
the 80+ minute EP...).
The set list:
6:00
Under a Glass Moon
The Mirror
Lie
Lifting Shadows off a Dream
A Change of Seasons
Surrounded
A Mind Beside Itself:
Erotomania
Voices
The Silent Man
Pull Me Under
Encore #1:
---------
Perfect Strangers
Encore #2:
---------
Wait for Sleep
Learning to Live
From HM ... GTI, Coop, RobR, /jen, James Utz and myself were spotted,
the others -- MIA?!
|
542.1082 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Fri Aug 04 1995 09:32 | 5 |
|
I loved that keyboard solo ... sounded almost like a guitar solo
at breakneck speed. I wouldn't have been surprised if he played
"Eruption" after that!!
|
542.1083 | | STRATA::LUCHT | Is it a passion or just a profession? | Fri Aug 04 1995 20:25 | 9 |
|
Glad to hear the show rocked!!! "Perfect Strangers" is one
wild tune!! I wish I could have checked it out.
Next time I guess (whenever that might be).
Kev --
|
542.1084 | | KDX200::COOPER | Animal Instinct... | Sun Aug 06 1995 11:31 | 7 |
| You had your chance to come up with an eye problem there, Kev...
...You know, like when you just can't see coming to work??
:-)
I loved the show - and I loved the opening act too; def. a together
ensemble. Dream Theater RULZ!
|
542.1085 | can't wait to hear the covers! | AKOMI1::OROURKE | heaven help the heart | Mon Aug 07 1995 16:10 | 30 |
|
Well..just back from Florida....have slept about 1 hour since Thursday
night's DT show so excuse typos!
This was my first DT concert. I had pretty much only been listening to
I&W and had heard Awake a few times after its release. I got the first
album just before the show and do wish they'd play some of the older
stuff!
I was EXPECTING the band to be precise per the earlier replies in this
Note. However, I will admit that I had a little concern that they
might be a bit mechanical. You know, science over soul kinda thing.
(I hate to use the comparison but I saw Whitney Houston once and she
was like that....beautiful voice but no heart...just hit notes for
the h*ll of it...if she had been filing her nails at the time it would
have been perfect).
Anyway....what I got instead was a great show WITH impressive playing.
They did some really nice interpretations (and some acoustics) of things
so NO it was not like just sitting at home and listening to the CD.
My live favorites included : "Lifting Shadows...", "Surrounded",
"Silent Man" and OH MY...."Pull me Under". I mentioned that night that
I've heard that song a zillion times and even thought I admit to being a
musical midget, I never appreciated the bass work till I saw it live!
Hey Mikey...I might have been DREAMING at the show but I certainly
wasn't SLEEPING! :^)
/jen
|
542.1086 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Mon Aug 07 1995 16:31 | 9 |
|
>(I hate to use the comparison but I saw Whitney Houston once and she
>was like that....beautiful voice but no heart...just hit notes for
>the h*ll of it...if she had been filing her nails at the time it would
>have been perfect).
The same with Mariah Carey ... but even moreso. I'd rather listen
to Whitney any day.
|
542.1087 | | POWDML::BUCKLEY | give em the boot! | Tue Aug 08 1995 08:09 | 7 |
| > The same with Mariah Carey ... but even moreso. I'd rather listen
> to Whitney any day.
I saw Mariah Carey the other night at Rye Playland, but that's a
different story for a different note...
|
542.1088 | | KDX200::COOPER | Animal Instinct... | Thu Aug 24 1995 09:28 | 7 |
| Hey!
Where is DT's new DT !? Is there a release date yet?? I want it,
I want it!!
jc
|
542.1089 | take a nap! | POOKY::OROURKE | heaven help the heart | Thu Aug 24 1995 09:54 | 6 |
|
Coop-
Ya gotta wait another MONTH!
/jen
|
542.1090 | | KDX200::COOPER | Animal Instinct... | Thu Aug 24 1995 09:58 | 9 |
| WHAT?!?!?!?!?
I thought it was the end of AUGUST?!
I *need* it BAD
jc - Who's not talking to you since you called me a manilow-wuss
:-)
|
542.1091 | how does it feel to need? :^) | POOKY::OROURKE | heaven help the heart | Thu Aug 24 1995 10:00 | 8 |
|
RE: -1
Well since you're not talking to me, I'll just say to anyone else that
might be reading that the date is Sept 26th according to Buck. :^)
/jen
|
542.1092 | | POWDML::BUCKLEY | give em the boot! | Thu Aug 24 1995 15:27 | 6 |
| The 08+ minute EP, "A Change of Seasons", is currently available as a
in promo copy ONLY -- but some DT enthusiasts have touted that they
have walked into specialty record shops and purchased the disc as a
promo copy...check it out if you can't wait.
Otherwise, the release is scheduled for late sept.
|
542.1093 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Thu Aug 24 1995 15:31 | 5 |
|
Wow, 8+ minutes??
How many songs? 1/2? 8^)
|
542.1094 | | KDX200::COOPER | Animal Instinct... | Thu Aug 24 1995 15:58 | 5 |
| Hey Buck,
What else is supposed to be on the EP besides COS??
jc
|
542.1095 | | POWDML::BUCKLEY | give em the boot! | Mon Aug 28 1995 13:37 | 9 |
| I forget the exact track listing, but it's cut into "5" songs (-1
should have read 80+ minutes!):
1) A Change of Seasons (studio)
2) Perfect Strangers (live)
3) Funeral For a Friend/Love Lies Bleeding (live)
4) Medley (of a whole bunch of stuff, inc. Bohemian rhapsody, a dregs
tune, etc etc) (live)
5) a Led Zep medley (live)
|
542.1096 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Mon Aug 28 1995 14:06 | 7 |
|
A Dregs tune??
Eesh!! Could they stoop any lower?
8^)
|
542.1097 | No matter how low they stoop, they will still not be worthy | DREGS::BLICKSTEIN | My other piano is a Steinway | Mon Aug 28 1995 14:50 | 6 |
| > A Dregs tune??
> Eesh!! Could they stoop any lower?
Only "stooping" involved there is the bowing in worship to the gods
that the Dregs are.
|
542.1098 | | POWDML::BUCKLEY | I'm full just looking at it! | Tue Sep 05 1995 12:27 | 24 |
| Here is a track listing of Dream Theater's forthcoming "A Change of
Seasons" EP:
1. A Change of Seasons
I. The Crimson Sunrise
II. Innocence
III. Carpe Diem
IV. The Darkest of Winters'
V. Another World
VI. The Inevitable Summer
VII. The Crimson Sunset
2. Funeral for a Friend - Love Lies Bleeding (Elton John)
3. Perfect Strangers (Deep Purple)
4. The Rover - Achilles Last Stand - The Song Remains the Same
(Led Zeppelin Medley)
5. The Big Medley
I. In the Flesh (Pink Floyd)
II. Carry on Wayward Son (Kansas)
III. Bohemian Rhapsody (Queen)
VI. Lovin', Touchin', Squeezin' (Journey)
V. Cruise Control (Dregs)
VI. Turn It on Again (Genesis)
|
542.1099 | | STRATA::LUCHT | Is it a passion or just a profession? | Tue Sep 05 1995 19:21 | 4 |
|
Cool, when's it due out?
|
542.1100 | Dreamy snarf! | POWDML::BUCKLEY | I'm full just looking at it! | Thu Sep 07 1995 16:00 | 1 |
| September 26th.
|
542.1101 | | KDX200::COOPER | RuffRuff - BowWow! | Fri Sep 08 1995 12:14 | 4 |
| Gotta,gotta, gotta HAVE IT!!
Anyone poke around in the When Web And Day Unite WWW page?
|
542.1102 | | POWDML::BUCKLEY | I'm full just looking at it! | Fri Sep 08 1995 14:25 | 1 |
| When Web and Day Unite is a *great* WWW page!
|
542.1103 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Fri Sep 08 1995 14:29 | 5 |
|
What's the URL for the WWW page?
Thanks!!
|
542.1104 | Dream Theater Web Pages | KDX200::COOPER | RuffRuff - BowWow! | Fri Sep 08 1995 14:41 | 8 |
| Here are some that I know of:
http://cs.muohio.edu/~mjones/music/dt/dt.html
http://www.cs.brandeis.edu/~mikeb/dt.html
These two are hyper-linked to a few more...
jc
|
542.1105 | Mike on ACoS EP! | POWDML::BUCKLEY | as if?! | Fri Sep 15 1995 12:14 | 89 |
| This is the message included in the Japanese version of ACoS from Mike Portnoy
to all the Japanese Dream Theater fans:
GREETINGS ONCE AGAIN TO OUR LOYAL AND BELOVED JAPANESE FANS!!
It is with great pleasure that we present to you this collection of odds and
ends from the Dream Theater vault. The new and improved recorded version of
"ACOS" is something that we've been longing to do for many years now and are
very excited to have finally released.
We were able to make many changes (musically, lyrically, and melodically) from
the original 1989 version, which can give you a sense of where we were, where
we are, and where we are going. It also marks the first recorded performance
of our new keyboardist, Derek Sherinian, whose talents shall prove to be a very
valuble asset to both the writing and enthusiasm of the band. Welcome aboard
Derek!! The "Uncovered" show at Ronnie Scott's was a one-of-a-kind, unique
experience for all of us involved. During our tour of Japan in January of 1995,
while you fans were gearing up to attend our shows, we were onstage at
soundchecks learning endless amounts of cover songs. (In fact, we even threw
Pink Floyd's "In The Flesh" into a couple of our shows on that tour to test
it out on stage!) Here's a brief walk-through of the tracks we selected for
inclusion on this release:
1. "Funeral for a friend / Love lies Bleeding"
The often overlooked Elton John masterpiece that really seemed right up our
alley to cover. (The long and mysterious instrumental overture combined with a
great melodic rock & roll song.) When citing our influences, everybody is very
quick to point out our Progressive Rock or Heavy Metal favorites. However, we
are also big fans of classic, mainstream stuff like Elton, Billy Joel, U2,
Journey, Peter Gabriel, The Beatles, etc.
2. "Perfect Strangers"
Deep Purple were an obvious choice as a band for us to cover. They were one of
the first bands to combine progressive elements with metallic overtones. They
also use keyboards as a predominant and lead instrument in the same way that we
do. We originally chose and rehearsed "Child In Time", but on the day before
the "Uncovered" show, we recorded a version of "Perfect Strangers" with Bruce
Dickinson on vocals for his BBC1 radio show in England. It felt so powerful
and alive that we decided to go with this track instead.
3. "The Rover/Achilles Last Stand/The Song Remains The Same"
Led Zeppelin were THE band of the '70's to any teenager growing up in America
at the time. Their influence on modern music is practically unparalleled by
any other band. Their extensive, improvised jams in their live shows set the
precedent for bands (including Dream Theater!) who occasionally dabble in a
bit of self-indulgence. Choosing a Zeppelin song to cover was a tough one
because there are so many classics and a lot of them have already been done.
We decided to choose three of the less-likely choces and combine them for a
mini-medley. We were fortunate enough to have the privilege of playing several
shows with the reunited Page/Plant this past summer in Germany, and those shows
only confirmed their status as legitimate living legends!
4. The Big Medley
In June of 1990, while still searching for that "right" vocalist we did an
instrumental show on Long Island, New York, under the moniker of "Ytse Jam".
The encore of that show was a medley made up of old favorites of ours, and we
used that medley as a blueprint for this medley.
A) "In The Flesh?" - The opening track to possibly the greatest album of all
time. (Pink Floyd's "The Wall") Pink Floyd have always been a huge
influence to us and this seemed to be a great start to the big medley.
B) "Carry On Wayward Son" - The old classic Kansas AOR radio hit. They were an
incredibly talented band, and maybe one of the most overlooked of the
progressive rock movement of the '70's.
C) "Bohemian Rhapsody" - Our original medley from 1990 included this piece,
and that was before "Wayne's World" made this song a household name. Queen
are another huge influence for us and they made some of the most innovative
music of the '70's.
D) "Lovin' Touchin' Squeezin'" - A bit of nostalgia here: This was the very
first song we played with James when he auditioned for the band in January of
1991. Steve Perry is one of James' biggest vocal influences and, judging by
the way he sings this song, you'll see why he got the gig with us!!
E) "Cruise Control" - The Dixie Dregs were the original, instrumental,
progressive band. Their virtuosity was untouchable and their influence on
us is immeasurable. They never got the appreciation that they deserved.
(Except, of course, from John Petrucci, who still to this day cites Steve
Morse as his biggest guitar hero!)
F) "Turn It On Again" - It probably would have been more appropriate for us to
have covered an older, more progressive song by Genesis, but this one really
seemed to wrap up the big medley quite nicely. Maybe at the next "Uncovered"
show we can do "Firth of Fifth"......or "In The Cage"......or "Supper's
Ready"......or........
Enjoy and we'll c-ya on tour again real soon.
Kanpai!!
Mike Portnoy / Dream Theater
|
542.1106 | | POWDML::BUCKLEY | as if?! | Fri Sep 15 1995 12:18 | 4 |
|
BTW -- while the release date of ACoS remains 26 SEP for Canada,
apparently it's been bumped up a week to 19 SEP for the U.S. This
has been confirmed by MANY music stores and chains across the country.
|
542.1107 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Fri Sep 15 1995 12:19 | 4 |
|
Bruce Dickinson doing "Perfect Strangers" ... yes, I think that
would sound very good.
|
542.1108 | | STRATA::LUCHT | Is it a passion or just a profession? | Fri Sep 15 1995 19:32 | 3 |
|
Yeah, I want to hear that.
|
542.1109 | Dream Threater WWW pages | POWDML::BUCKLEY | as if?! | Sun Sep 17 1995 17:55 | 31 |
| WWW Sites:
1) Skadz's Dream Theater Site
http://www.dreamt.org
2) CSS's Official Dream Theater Home Page
http://www.music.net/music/dt/dt.html
3) Caught In A World Wide Web: Dream Theater Page
http://www.cs.brandeis.edu/~mikeb/dt.html
4) When Dream and Web Unite
http://cs.muohio.edu/~mgjones/music/dt/dt.html
5) Dream Theater Info
http://www.geom.umn.edu:8000/~bmeloon/music/bandinfo/dt.html
6) Ed Polzin's DT Page</a>
http://isr0939.urh.uiuc.edu/dt/dt.htm
7) Images and Web
http://www.usmcs.maine.edu/~laferrie/music/dt/dt.html
8) Bill's Dream Theater Page
http://b62772.student.cwru.edu/~bill/music/dt/dt.html
9) Scott Bell's NEW Dream Theater Page
http://silver.ucs.indiana.edu:80/~scebell/spot/dream.html
10) The Dream Theater Song Book
http://www.indirect.com/www/mkizer/index.htm
|
542.1110 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Mon Sep 18 1995 08:13 | 5 |
|
Any recommendations as to the better page[s]?
Thanks.
|
542.1111 | | KDX200::COOPER | RuffRuff - BowWow! | Tue Sep 19 1995 14:39 | 7 |
|
It roolz. Nuff said.
Since I'd heard COS live, I went right to the covers - Too cool!
Dream Theater would've been a great cover band making 350/night at
The Gardens. :-)
|
542.1112 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Wed Sep 20 1995 09:28 | 9 |
|
"The Song Remains the Same" appears on the insert, but not on the
CD. Strange.
However, right before popping ACOS into the CD player, I had been
listening to Led Zeppelin's "Remasters" box set and had mentioned
to myself that that song was perhaps the worst Led Zeppelin song
that I had ever heard, so it sure doesn't matter to me.
|
542.1113 | Prosecution rests | HOZHED::FENNELL | A cowboy's life is not for me | Wed Sep 20 1995 09:40 | 1 |
| This from a guy who likes Donna Summer and Abba...
|
542.1114 | | KDX200::COOPER | RuffRuff - BowWow! | Wed Sep 20 1995 10:52 | 1 |
| Hey Shawn - It IS on the CD, listen to it, BUB!
|
542.1115 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Wed Sep 20 1995 11:02 | 7 |
|
The whole song?
Maybe I wasn't paying attention and thought it was a continuation
of the Pink Floyd song or something, but I don't remember hearing
it.
|
542.1116 | | POOKY::OROURKE | heaven help the heart | Wed Sep 20 1995 11:04 | 7 |
|
Coop-
Don't give Shawn too many assignments. I've already told him to go
home and NOTICE the CD art!
/jen
|
542.1117 | | KDX200::COOPER | RuffRuff - BowWow! | Wed Sep 20 1995 11:11 | 5 |
| Ya... Shawn dood - it's a three song medley The Rover, Achilles Last
Stand and The Song Remains The Same. It's like prego sauce - It's
IN THERE.
:-)
|
542.1118 | | DREGS::BLICKSTEIN | General MIDI | Wed Sep 20 1995 12:10 | 24 |
| I think I will (eventually) like the new song, COS, but the covers
leave me kinda cold.
I was amused to see that the new keyboard player plays the piano solo
in "Love Lies Bleeding" about as cluelessly as I do.
It's not like it's hard, but it's hard to remember exactly what Elton
did and yet almost nothing else seems to fit very well. I certainly
think that's the weak point of that DT cover.
The medley of tunes contained a lot of favorites, but I didn't find the
arrangement to be overly artful or clever.
You wanna hear a great/clever/artful arrangement of covers, listen to
the Medley on the Dixie Dregs "Bring 'Em Back Alive" CD. Those songs
are spliced together "like buttah".
I also don't care all that much for any of those particular Zep tunes.
It's rather amazing though that I even started to like COS on first
listen. It usually takes quite a number of listens for me to
appreciate a DT tune.
db
|
542.1119 | | POWDML::BUCKLEY | as if?! | Wed Sep 20 1995 12:23 | 18 |
| ACoS rooolz! i have various incarnations of this song on tape --
the original 1989 instrumental version sans vocals, the 03/04/94
NYC version w/vocals, etc. While some of my favorite parts are
now gone in the new version, I really love the new beginning and
think as a "whole", the song now flows a lot more evenly.
The covers are "ok" -- I know they whipped these together in a
flash, so I wasn't expecting greatness ... but I didn't think
DT played FFAF/LLB or Carry on Wayward Sun much better than
Metropolis (db, Rob, Buck band) did, to be honest. I'm glad
that the Ronnie Scott gig is on disc, however -- that is one
of the more rare tapes floating around the world!
All in all, I'm really happy with the EP and it's currently
dominating my home and car stereos.
/Buck
|
542.1120 | | POWDML::BUCKLEY | as if?! | Wed Sep 20 1995 13:14 | 8 |
| P.S. --
Coop ... what are you talking about -- "I skipped to the covers
having already heard COS..."
I'm curious, WHERE have you heard it? Did you buy that Subconscious
CD off the Internet?? If not, then I have no idea where you would
have previously heard ACOS.
|
542.1121 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Wed Sep 20 1995 13:21 | 5 |
|
Buck, he was probably standing right behind you at The Strand.
8^)
|
542.1122 | | KDX200::COOPER | RuffRuff - BowWow! | Wed Sep 20 1995 13:22 | 2 |
| I heard 'em do it live....I could wait another minute or two...
|
542.1123 | | KDX200::COOPER | RuffRuff - BowWow! | Wed Sep 20 1995 13:23 | 4 |
|
Yeah, that...
;-)
|
542.1124 | | DABEAN::REAUME | vintage racker | Wed Sep 20 1995 15:46 | 9 |
|
I'm currently playing aCoS on our office Celebris 590FP system. I
picked it up over lunch and plugged it into the CD-ROM drive. I agree
that aCoS goes over the first listen (I'm trying to remember, but I'm
pretty sure they played it when I saw them live in '93).
I think the covers are OK at first listen. I'll be checking it out
more this week.
|
542.1125 | the cassette is around $6.00 | POWDML::BUCKLEY | as if?! | Thu Sep 21 1995 08:03 | 3 |
|
FYI -- DT's new ACOS CD is on sale at Strawberries this week for under
$10.00!!! Not a bad price for an "EP" with 80 minutes worth of music!
|
542.1126 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Thu Sep 21 1995 08:20 | 15 |
|
When I added the track times from the cover I got less than 60
minutes total.
And I now know how I missed "The Song Remains the Same" on 1st
listen. I'm not familiar with "The Rover", and thought "Achilles
Last Stand" was the Pink Floyd song from "The Wall", so naturally
I thought they skipped "The Song Remains the Same" and went right
into "Carry On My Wayward Son". Of course, then my next problem
was that they skipped "In the Flesh", but now I know.
And Jen ... the artwork on the CD doesn't do much for me. Sorry.
8^)
|
542.1127 | | BUSY::SLABOUNTY | Act like you own the company | Tue Sep 26 1995 14:52 | 6 |
|
Am I the only one that thinks that the title track is just a bit
too long?
Probably.
|
542.1128 | | STRATA::LUCHT | Is it a passion or just a profession? | Wed Sep 27 1995 21:25 | 8 |
|
I picked up their new CD over the weekend, listened, and liked it
alot. They certainly got their chops down on those covers and I
liked ACOS just as much.
Kev --
|
542.1129 | makes driving to work "fun" | POWDML::BUCKLEY | as if?! | Thu Sep 28 1995 14:11 | 20 |
| > Am I the only one that thinks that the title track is just a bit
> too long?
>
> Probably.
Probably is right.
I think with the new arrangement, ACOS is "perfect". I think it flows
really well from section to section, and is pretty darn cohesive as a
work as a whole.
The "old" version (bootleg circa 1989 - 1992), I felt, was much more
rough in the transitions, and just seemed to be one long compilation
of relatively unrelated musical pieces strung together. I don't feel
that way about the new ACOS arrangement at all?!
Maybe it's just me?!
Besides, the song is exactly the amount of time it takes me to drive
from my drive to work -- works out REAL nice that way!! 8^)
|
542.1130 | | POWDML::BUCKLEY | as if?! | Fri Sep 29 1995 14:57 | 2 |
| Dream Theater's "A Change of Seasons" debuted at #23 on the Boston
Hot 25 selling albums!
|
542.1131 | so far it sounds pretty good! | SUBSYS::MSOUCY | | Mon Oct 02 1995 06:52 | 16 |
|
I like the song, moves/works well. The covers are also done pretty good
too! I haven't listened to it all yet, have to listen to track 5 in its
entirety. And I thought this thing was supposed to be like 83 minutes?
Mine is only showing 57 and change.....anything hidden on it? And what
was the big deal with the artwork? Kid on a beach of snow with pale and
rose growing, and then old man sitting in chair with parka on and
calendar date sheets blowing around and rose dead (appears that way),
and yes, I can see the title worked into that, just put there
differently than normal changes! My interpretation anyways! Did I miss
something there?
I also saw they worked with Hogarth and one other Marillion person!
Mike
|
542.1132 | | BUSY::SLABOUNTY | A swift kick in the butt - $1 | Mon Oct 02 1995 08:34 | 6 |
|
Jen was referring to the artwork on the CD itself, not the pack-
aging.
And she's wrong, because it's pretty boring. 8^)
|
542.1133 | | POWDML::BUCKLEY | as if?! | Mon Oct 02 1995 08:37 | 3 |
| of course, the artwork describes what ACOS is all about -- the essence
of life, and one man's journey from childhood through death (as realted
to the changing seasons of nature).
|
542.1134 | | BUSY::SLABOUNTY | A swift kick in the butt - $1 | Mon Oct 02 1995 08:55 | 9 |
|
If I buy a CD, I don't want to have to think about these things.
I just want to hear the music.
If I want a f****** mystery to solve I'll buy an Alfred Hitch-
cock book.
8^)
|
542.1135 | | POWDML::BUCKLEY | as if?! | Mon Oct 02 1995 15:54 | 5 |
| There are other sublteies in the DT album cover.
One, for instance, is the rose blooming in the bed of snow. Singer
James LaBrie's last band was named Winter Rose... The Majesty symbol
on the bucket, etc.
|
542.1136 | any of his stuff out? | SUBSYS::MSOUCY | | Tue Oct 03 1995 07:28 | 7 |
|
Is any of LaBrie's old band stuff available on CD, and if so, is it any
good? How did they come up with that "Majesty" symbol? I was wondering
what it was/related to/meant.......
Mike
|
542.1137 | | POWDML::BUCKLEY | as if?! | Tue Oct 03 1995 10:59 | 12 |
| >Is any of LaBrie's old band stuff available on CD, and if so, is it any
>good?
The Winter Rose demos aren't out on CD to my knowledge (yet), but with
the Majesty Demos, Kevin Moore demos and every other bootleg is, so,
I'm sure it's only a metter of time.
>How did they come up with that "Majesty" symbol? I was wondering
>what it was/related to/meant.......
It's a comination of the letters which spell Majesty.
|
542.1138 | Europ tour??? | HERON::KHAN | | Mon Oct 09 1995 10:21 | 10 |
| Hi everyone,
I'm dfinitely one of the greatest fan of DREAM THEATER and I have
all their albums. However, I'm very desapointed not to have see them
live : I live in France (Nice) and as I know they never decide to
perform live near. So, I'd like to know if they intend to come near...
Thank you for any answer...
RV
|
542.1139 | | KDX200::COOPER | RuffRuff - BowWow! | Mon Oct 09 1995 11:52 | 6 |
| Well, I dunno about any european dates, but to satiate yourself,
perhaps a copy of their live video would be in order??
Unless of course, you already have it...
:-)
|
542.1141 | I want MOORE back! | KDX200::COOPER | RuffRuff - BowWow! | Mon Oct 09 1995 18:34 | 13 |
| Someone (db, Buck?) wanna tell me who had the brilliant idea of
leaving the newbie keyboard player ALONE in the control room at
approx. 18 minutes into the final mix ACOS?? There is a patch
change in there that just DOESN'T fit!! Makes me think of my
first day on a new Casio CT670. :-) Beats the HELL outta me
what rocket scientist producer let that electronic FART go un-noticed.
Another note - who the HELL writes this guys patches (in general)?
They SUCK! Funeral For A Friend for instance: A Caliope? A Chorused
Piano?? Is this supposed to be a Hammond patch?? Gimme a BREAK!
Okay - I feel better...
|
542.1142 | rectification | HERON::BAILE | | Wed Oct 11 1995 05:46 | 5 |
| What you must know is that this keybord isn't an inexperienced one : he
was the keybord of Alice Cooper and a Kiss member (I read this on a DT
FAQ)
RV
|
542.1143 | | POWDML::BUCKLEY | as if?! | Wed Oct 11 1995 08:21 | 9 |
| Coop
Stop ragging on Derek -- he lived across the hall from me at Berklee
and is an excellent player. I stole many a lick from him! 8^)
I think I know which patch you're talking about and I LOVE that
sound change!!
/B
|
542.1145 | 2 unknown songs | HERON::SIRENE::STEELE | Hello Betsy! | Wed Oct 11 1995 09:22 | 7 |
| As I surfed through the Web 8*(), I read something about 2 songs :
Eve & ... that were mentionned at the same time that Change
Of seasons. All i want to know is Where I can find those 2 songs...
Thank you all in advance
RV
|
542.1147 | | POWDML::BUCKLEY | as if?! | Wed Oct 11 1995 09:51 | 11 |
| RV writes:
>As I surfed through the Web 8*(), I read something about 2 songs : Eve
>& ... that were mentionned at the same time that Change Of seasons.
>All i want to know is Where I can find those 2 songs...
Probably EVE and TO LIVE FOREVER.
They are available via bootlegs (try the Subconscious CD) or on
the LIE CD single (released)
|
542.1148 | Update on DT Holiday Shows | POWDML::BUCKLEY | as if?! | Wed Oct 11 1995 10:29 | 8 |
| Dream Theater are doing some area shows around the Holidays. Here are
three dates confirmed so far through TicketShafter:
12/27 El-N-Gee New London, CT (860) 437-3800
12/28 Malibu Lido Beach, NY (long Island)
12/29 Birch Hill Old Bridge, NJ (908) 536-0650
|
542.1149 | | STRATA::LUCHT | Is it a passion or just a profession? | Wed Oct 11 1995 21:52 | 9 |
|
Their version of "Perfect Stangers" is great. I was playing the
CD for a DP-fan-buddy of mine and together we nearly ripped his living
room apart at concert-level volume!!!
I've GOT to see the CT show in December.
Kev --
|
542.1150 | | POWDML::BUCKLEY | as if?! | Thu Oct 12 1995 15:41 | 10 |
| Kev --
Will see you there -- I'm hitting all three shows (surprised?!?).
The NY and NJ shows are being sold through Ticket Master, but the CT
show is not to my knowledge -- best bet is to call the club directly.
...and soon! With DT not playing many shows, the ones they DO play
attract hard-core fans from as far away as Florida and Wisconsin
(seriously).
|
542.1151 | | FABSIX::I_GOLDIE | resident alien | Thu Oct 12 1995 15:57 | 6 |
|
whats the problem with Florida and Wisconsin?
ian
|
542.1152 | | POWDML::BUCKLEY | A Change of Seasons | Thu Oct 19 1995 14:53 | 10 |
| >whats the problem with Florida and Wisconsin?
er...they're naff and DT doesn't wanna play there?!?
8^)
The band is only doing 6 more dates until the next album comes out in
late 96 -- three in Japan at the end of October, and the three Holiday
dates in CT, NY and NJ.
Catch em if you can
|
542.1154 | | POWDML::BUCKLEY | A Change of Seasons | Thu Oct 19 1995 15:35 | 18 |
| Dream Theater are doing some area shows around the Holidays. These are
the last three shows until LATE 1996 and their next U.S. tour:
12/27 El-N-Gee New London, CT (860) 437-3800
Tickets through
the Club or from
Strawberries.
$10 adv, $15 DOS
12/28 Malibu Lido Beach, NY (516) 888-9000
Ref. #: ELB1228
TicketShafter NY
$12.50 adv, $15 DOS
12/29 Birch Hill Old Bridge, NJ (908) 536-0650
Tickets through
TicketShafter
$12.50 adv, $15 DOS
|
542.1155 | | KDX200::COOPER | RuffRuff - BowWow! | Thu Oct 19 1995 17:29 | 2 |
| Denver please.... :-)
|
542.1156 | DT and CO Coasters would be cool! | POOKY::OROURKE | MyOtherVehicleIsABroom | Thu Oct 19 1995 18:09 | 4 |
|
Only if we can all fly out and the parks are open too! :)
/jen
|
542.1157 | Last Update (I promise!) on those DT shows! | POWDML::BUCKLEY | A Change of Seasons | Fri Oct 20 1995 15:11 | 122 |
| Regarding those ever-important DT Holiday shows...
Below I've tried to supply a compiled list of general information to
aid all those people on the jam looking for assistance in getting to
see one of these shows. I've tried to cover all the bases below -- my
apologies up front if I've alleviated any pertinent information!
P.S. -- I'll be doing my infamous 'Programmes' for these shows, which
are fast becoming little collectors items in themselves. I print up
100 copies per show, so be sure to grab one if you you can.
----------------------------------------------------------------------------
CLUB SHOW DATE
---- ---------
El N Gee 27 DEC 95
P.O. Box 2210
New London, CT 06320
(860) 437-3800
How to get Tickets:
1) Available from Strawberries Record Stores in the general CT area (possibly
MA and RI, but don't quote me on it).
2) Send a MONEY ORDER for $10.00 PER TICKET, along with a _SASE_, to the club
at the address listed above. Mark CLEARLY on the envelope "ATTN: DREAM
THEATER TICKETS" -- the club will process the money order and mail your
tickets back to you via U.S. Snail Mail.
Directions to the Club:
From the North -- Follow I-95 south to Exit 84 S. You'll cross the Gold Star
Bridge. At the other end of the bridge is a "double exit" of sorts ... you
want to follow the road marked "84 S / Downtown". This road will obviously
bring you into downtown New London. Note -- if you're traveling from the
south and are headed north on I-95, these directions may vary slightly -- don't
know, never come this way, but regardless you want to follow any and all signs
leading you towards Downtown New London!
You'll go through 3 sets of traffic lights. After the 3rd set of lights,
there is a LARGE parking lot (free/public) on your left. Park in there. The
club is directly across the street.
----------------------------------------------------------------------------
CLUB SHOW DATE
---- ---------
Malibu Night Club 28 DEC 95
Lido Beach, NY
(516) 432-1600
How to get Tickets:
1) They are being sold through TicketShafter in NY. Call (516) 888-9000,
use Ref. #: ELB1228 for the show. Tickets are $12.50 each, PLUS a $2.75
service charge and a $2.05 special handling charge, for a whopping ticket
total of $17.30 per ticket!! Tickets are ordered through a major credit
card, and will be mailed to the address listed on your card.
Directions to the Club:
Get to either the Long Island Expressway (aka, the LIE) or 495, and go to the
"Meadowbrook Parkway South" exit (towards Jones Beach). (If you'd like, you
can also take the Grand Central Parkway, which becomes the Northern State
Parkway, to exit 31 [I think], which is also the Meadowbrook...).
Once you're on Meadowbrook Parkway South, for this for a while until you come
to the last exit before Jones Beach (there should be signs for the toll booths
beforehand). There's an exit for the Loop Parkway, which takes you to Lido
Beach/Long Beach/Point Lookout -- TAKE THIS EXIT!!
You will be heading west. Cross the bridge, and at the first light you get
to, make a RIGHT. About a 1/4 mile down, there will be another light, and if
you look to your left, you will see a sign that says "Malibu - Dec. 28 -
Dream Theater." Make a LEFT at this second light and park ... there is PLENTY
of free parking!
----------------------------------------------------------------------------
CLUB SHOW DATE
---- ---------
Birch Hill Night Club 29 DEC 95
Route 9 South
Old Bridge, NJ
(908) 536-0650
How to get Tickets:
1) They are being sold through TicketShafter in NJ. Call (609) 520-8383 to
order tickets for the show. NOTE -- I tried 4 different TM phone numbers
for NJ -- ALL said they couldn't sell me tickets to this event!! Please
note if you get this line of BS from them, the above number DOES have the
Birch Hill show on their system -- just push them to look the damn thing
up and sell you tickets!!!
Tickets are $12.50 each, PLUS a $2.75 service charge and a $2.05 special
handling charge, for a whopping ticket total of $17.30 per ticket!!
Tickets are ordered through a major credit card, and will be mailed to the
address listed on your card.
Directions to the Club:
From North or South, take your favorite roads leading to the NJTP (that's
the New Jersey Turnpike for you NJ virgins!) or the GSP (Garden State Parkway).
If you're coming in from the NJTP, Exit 11 will take you to the GSP. Once on
the GSP (which you can take directly from certain locations), take Exit 123
to get to Route 9, heading south. Birch Hill is down a couple of miles in
Old Bridge on the right hand side. The place has a big sign, you can't miss it!
Happy rails, ....
Buck .++++++++.\
-- .+++. .+++++++++++++++.\
... .+++++++. .+++++++++++++++++++++.\
.+++++. .+++++++++++. .+++++++++++++++++++++++++++.
.+++++++++. .++++++ William J. Buckley, Jr. +++++++++++++++++++.
.+++++++++++++...++++++++ [email protected] ++++++++++++++++++++++.
----------------------------- [email protected] ---------------------------
----- Support an American Tradition ... RIDE MORE ROLLER COASTERS !!!!! -----
|
542.1158 | | POWDML::BUCKLEY | A Change of Seasons | Tue Oct 24 1995 07:34 | 29 |
| The following review of "A Change Of Seasons" appears in the new issue
(November 1995) of Metal Hammer, a UK-based publication:
---------------------------------------------------------------
So the Internet finds a new use: Recorded in response to requests from
computer techno-crazy fans, this mini-album's title track twists and
turns through 23 minutes of complex musical imagery. A melting pot of
time-changes and varying moods, 'Seasons' is by turns gentle, dramatic
and even fearsome; an epic adventure that will delight devotees of the
band.
And those live tracks? As someone who missed the show, hearing a
remarkably faithful rendition of Deep Purple's 'Perfect Strangers' in
its entirety, followed by brief morsels of various classic songs, is
quite odd. And although each cover holds a trace of the original
artists (particularly Pink Floyd's 'In The Flesh'), the Dreamer's
precise musical personalities are so strong that every new composition
is impregnated with a level of performance perfection that all but
eradicates any hint of a live atmosphere.
No sweat, no fire - a definate case of 'Ya shoulda been there'.
'Seasons is a must for Dream Theater fans, but that is really the
extent of its commercial appeal.
Lyn Guy
Rating: ***1/2
|
542.1159 | DEMOS WANTED | HERON::BAILE | | Mon Oct 30 1995 07:17 | 4 |
| Hi
Does anybody know where (or how) I can find DT demos???
I check at my favorite Music import store but I get no good answers...
|
542.1160 | | POWDML::BUCKLEY | A Change of Seasons | Mon Oct 30 1995 10:34 | 4 |
| -1
Do you know specifically what you're looking for?? I know a few
sources I can direct you to...
|
542.1161 | | ICS::snobrd.pko.dec.com::whitman | | Tue Oct 31 1995 08:06 | 8 |
|
more like "a few hundred" sources probably...
;')
Whit-
|
542.1162 | | POWDML::BUCKLEY | A Change of Seasons | Tue Oct 31 1995 08:29 | 3 |
| Well, I didn't wanna scare him away, whit...
8^)
|
542.1163 | | ICS::snobrd.pko.dec.com::whitman | | Tue Oct 31 1995 10:37 | 4 |
|
hahahaha!!
|
542.1164 | what a difference a state makes :^) | AKOMI2::OROURKE | MyOtherVehicleIsABroom | Sun Nov 05 1995 19:23 | 8 |
|
RE: .1157
The Strawberries in Acton did not have the New London show on their
sell list but the Strawberries in Rhode Island did. Ticket price of
$10 plus a $1.50 service charge.
/jen
|
542.1165 | Eve | POWDML::BUCKLEY | bullet with butterfly wings | Fri Nov 10 1995 09:36 | 34 |
| Song: EVE
Music by Dream Theater
Lyrics taken from "Portrait of an Artist as a Young Man", by James Joyce.
Chapter One. Once upon a time, and a very good time it was,
there was a moo cow coming down along the road.
[instrumental break]
So He came Himself in weakness, not in power,
and He sent thee, the creature, in His stead.
With the creature's comeliness, and luster,
suited to our state.
And now, thy very face and form, dear mother,
speak to us of the eternal. Not like earthly beauty,
dangerous to look upon, but like the morning star,
which is thy heirloom -- bright, and musical -- breathing
purity, telling of Heaven and its easing peace.
O harbinger of day! O light of the pilgrim!
Lead us still, as thou hast led. In the dark night,
across the bleak wilderness; Guide us on to our Lord Jesus;
guide us home.
[instrumental]
"Tower of Ivory?" they used to say, "House of Gold?"
"How could a woman be a tower of ivory or a house of gold?"
Our Father, who art in Heaven, hallowed be thy name,
Lead us not into temptation, and deliver us from evil. Amen.
|
542.1166 | | POWDML::BUCKLEY | bullet with butterfly wings | Fri Dec 01 1995 08:31 | 12 |
|
The John Petrucci REH instruction video is now available!!!
The guy I spoke to at Warner said it was about 2 hours long, with some
of the band in the video! Cost is around $50.00.
You can call for more info or to order at:
Warner Bros. (or REH)
Note Music Service
1-800-628-1528 (ext. 215)
|
542.1167 | | FABSIX::I_GOLDIE | resident alien | Fri Dec 01 1995 09:47 | 7 |
|
watch it while it's in "fast foward" mode and then it'll look like he's
really shredding~ 8)
ian
|
542.1168 | | KDX200::COOPER | You're Aunty ...Aunty social! | Fri Dec 01 1995 10:37 | 3 |
| Bah!
Watch it in half-speed and he's still too quick for me!
|
542.1169 | party with Dream Theater | POWDML::BUCKLEY | Reason for the Season | Wed Dec 06 1995 13:08 | 8 |
| Not that ANY of you care -- but ...
There is a special party being arranged before the Dec. 28th DT show
on Long Island WITH the band, themselves!! Meet n greet the members
of Dream Theater! Hang out, chat with em, get autographs, tell em
they're shite, whatever.
In the slim chance anyone is interested, send me mail...
|
542.1170 | | SCASS1::BARBER_A | Mumbojumbo Translatorus | Wed Dec 06 1995 13:18 | 3 |
| I'm not interested, but I have a question (speaking of Dream Theater)
Has anyone heard from Rob lately?????????????....ab ('pril)
|
542.1171 | | POWDML::BUCKLEY | Reason for the Season | Wed Dec 06 1995 13:46 | 6 |
| Pril!!!
I dedicate that 11-69 I got -2 back to you! 8^)
Re: Rob -- yeah, chatting with him in mail as we speak -- he is going
to DT in Connecticut. I'll send you his internet address...
|
542.1172 | | POWDML::BUCKLEY | Reason for the Season | Fri Dec 08 1995 11:11 | 61 |
| The new Petrucci REH instructional guitar video is awesome. Here is
the description as found on the back:
* * * * * * * * *
ROCK DISCIPLINE is an awesome two-hour epic on the art of modern rock
guitar. As the cornerstone for the innovative band Dream Theater, John
Petrucci has quickly become one of the most respected and talked-about
guitarists of the 90's. He has been featured in virtually every major
guitar publication worldwide and was voted 'Best Guitarist' in Guitar
Magazine and 'Break Through Guitarist of the Year' in Guitar for the
Practicing Musician.
John begins the video with a valuable segment on stretching and warming
up the muscles in your shoulders, arms and hands. Then it's time to
grab your guitar for some unique right and left hand warm-up exercises.
John follows up with a detailed lesson on speed and accuracy as you
learn subdivisions of the beat, chromatic exercises, and playing with
dynamics. John emphasizes practicing with a metronome to track your
progress as you build stamina and speed. Then John shows how to connect
'scale fragments' to form long solo lines. Other sections in the video
include techniques like picking through arpeggios, string skipping,
sweep picking and legato playing. John also demonstrates how to expand
power chords by adding more color and texture. John unleashes dozens
of inspiring demonstrations throughout the program and includes many
exercises and special etudes ranging from easy-to-master to very
challenging.
The video also takes you behind the scenes of a Dream Theater sound
check where John gives you a tour of his guitars and live stage set-up.
He also talks about his influences, the band and his views on composing
and practicing. ROCK DISCIPLINE is one of the most complete courses on
rock guitar and should be placed at the 'top of the list' for every
serious player.
(booklet included with examples in standard music notation and
tablature)
* * * * * * * * *
Overall, this video is awesome. Two hours of instruction!! If I had to
be _real_ picky, I wish he would have covered some specific licks from
his songs and that they would have given close up shots of his gear
(all shots from a distance). But that is being picky.
The quality of the video is another plus. Most guitar vids I have are
very simple. This video gives split screens, and mixes color shots
with black and white shots (very 'image'y and 'words' feel). So not
only are you watching quality instruction, but you're watching it
presented very artistically.
The very reason why we like DT and Petrucci is their commitment to
quality. It should be no surprise that a video that Petrucci puts out
would be anything less than top-notch quality!
You can order this video for about $50 from Warner Bros. 1-800-628-1528
(ext.215).
Cheers,
Buck
|
542.1173 | | FABSIX::I_GOLDIE | resident alien | Fri Dec 08 1995 11:20 | 6 |
|
it actually sounds like a good tape but I'm not willing to spend $50
on it!
ian
|
542.1174 | | STRATA::LUCHT | Is it a passion or just a profession? | Fri Dec 08 1995 17:53 | 4 |
|
...that's why Buck's gonna make us a copy. 8^)
|
542.1175 | next time BUY EARLY! | AKOMI2::OROURKE | confectionary_celebrity | Sat Dec 09 1995 16:02 | 9 |
|
tsk tsk Kev--
If'n ya can't even support the band by driving to little ole New
London, why would anyone do that for ya!! :^)
/jen
|
542.1176 | puss puss | HERON::SIRENE::KHAN | | Wed Dec 20 1995 02:13 | 1 |
| Your Puss
|
542.1177 | | BRAT::JENNISON | Little Voices Tellin Me What To Do | Wed Dec 20 1995 06:51 | 2 |
|
LAST ONE: I suggest that you KHAN state who you are insulting....
|
542.1178 | another chance to rock with Dream Theater | POWDML::BUCKLEY | Reason for the Season | Wed Dec 20 1995 10:02 | 60 |
| NEW DREAM THEATER HOLIDAY SHOW ADDED!!!!!
====================================
CLUB SHOW DATE
---- ---------
El N Gee 27 DEC 95 -- SOLD OUT
P.O. Box 2210 &
New London, CT 06320 30 DEC 95 -- Now on sale!
(860) 437-3800
Directions to the Club:
======================
**FROM THE NORTH (Providence/Boston):
- Take I95-S to Exit 84S to Downtown New London.
- This puts you on Eugene O'Neill Drive.
- Go through 3 traffic lights.
- Park in the LARGE parking lot (free/public) on your left.
- El N Gee is the club is on Golden St., directly across the street
which you came down, NOT the club across the side street which
abuts the parking lot.
**FROM THE NORTH (Hartford/Western MA)
- Take 395-S to Exit 78 (a left exit) - for Rt. 32.
- Take Rt. 32-S until it ends.
- Veer left for Downtown New London.
- This puts you on Eugene O'Neill Drive.
- Go through 3 traffic lights.
- Park in the LARGE parking lot (free/public) on your left.
- El N Gee is the club is on Golden St., directly across the street
which you came down, NOT the club across the side street which
abuts the parking lot.
**FROM THE SOUTH (New Haven/New York):
- Take I95-N to Exit 83.
- Go straight through traffic light at end of ramp.
- After about 1/2 mile, there is a traffic light and a restaurant,
"The Gondolier" is on your right. Go through this intersection to the next.
- At the next light (almost immediately following), turn LEFT onto State St.
- Follow State St. about 1/4 mile to intersection w/ Eugene O'Neill Drive.
- At this traffic light, turn RIGHT onto E.O'Neill Drive.
- Park in the LARGE parking lot (free/public) on your left.
- El N Gee is the club is on Golden St., directly across the street
which you came down, NOT the club across the side street which
abuts the parking lot.
CLUB SHOW DATE
---- ---------
Malibu Night Club 28 DEC 95
Lido Beach, NY
(516) 432-1600
CLUB SHOW DATE
---- ---------
Birch Hill Night Club 29 DEC 95
Route 9 South
Old Bridge, NJ
(908) 536-0650
|
542.1179 | | LUDWIG::LUCHT | Is it a passion or just a profession? | Thu Dec 21 1995 17:51 | 4 |
|
Thanks Buck.
|
542.1180 | on the road again | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Wed Dec 27 1995 08:38 | 7 |
| Tonight ...
Jen O'rourke
Rob Rothberg
Bill Buckley
New Longdon-bound to rock out with DT!!!
|
542.1181 | | DECWIN::JUDY | That's *Ms. Bitch* to you! | Wed Dec 27 1995 08:51 | 5 |
|
Tell Rob I said hi..... I sent mail to him at portkar but
I guess that's the wrong enet address......
|
542.1182 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Wed Dec 27 1995 08:57 | 4 |
| No, that's right --
"[email protected]" is his home address.
|
542.1183 | | DECWIN::JUDY | That's *Ms. Bitch* to you! | Wed Dec 27 1995 11:27 | 4 |
|
hmmm..... well it didn't make it for whatever reason...
|
542.1184 | how was the show???? | SUBSYS::MSOUCY | | Thu Dec 28 1995 05:56 | 4 |
|
So, HOW WAS THE SHOW??????????????????????????
|
542.1185 | 1185 replies and I have no clue who they are...INTRIGUED! | POLAR::RENAUDP | Who killed Nice Guy Eddie???? | Thu Dec 28 1995 06:28 | 9 |
| Alright, I'm gonna do the Shane thing and admit something here.....
WHO THE HELL ARE DREAM THEATRE??
I've never heard of these guys and you all rave about them.
Who are they, what do they sing, and why are they so popular???
Paully
|
542.1186 | heres a little info, others have more | SUBSYS::MSOUCY | | Thu Dec 28 1995 06:32 | 19 |
|
Dream Theater are a group of 5 individuals that play progressive style
music. Excellent band all around. They have 4 official cd's out that I
can think of, oh, one live I think also, titles;
When dream and day unite (with original singer)
Images and Words (new singer, I like him better!)
Awake
A change of seasons (title track is 23+ minutes long! great tune!)
A live one, can't recall the name of it right now.
The main song that was on the radio a while back was "Pull me under".
Very good band all around, excellent guitar work/drummming/keys/bass.
Get Images and Words or Awake first then go for A change of Seasons.
Mike
|
542.1187 | | HOZHED::FENNELL | Porcelina of the oceans blue | Thu Dec 28 1995 07:55 | 1 |
| I think they're all Berklee alumni - for what it's worth.
|
542.1188 | one review! | AKOMI2::OROURKE | confectionary_celebrity | Thu Dec 28 1995 08:25 | 29 |
|
RE:1184
The show was good, but logistically kinda strange. The doors at the
club were supposed to open at 8, but did not open till after 10:00 so
we went bar hopping to keep busy/warm. Rob kept Buck and I amused..
now I have a better understanding of him winning H_M's party animal
award! :^)
Due to the late start, the show had to be cut short by two songs
because the men in blue were there not so quietly talkinging about
curfew.
The club is very small and the sound was kinda messed up...a bit loud
(and getting lounder) and distorted....but we were very close...(I
think Rob was shaking hands with them! :^) )
Buck jotted down the song list so I'm sure he can post it after seeing
them in NY & NJ.....and hopefully give us a comparison.
They are still very cool to see live....precise without being boring.
I usually like the fact that they do some 'interpretations' and don't
sound just like the CD, but they did kinda massacre "Quiet Man" last
night IMO....kinda gave it this blusey/electric twist!
/jen
|
542.1189 | now I gotta figure out which song it is! | SUBSYS::MSOUCY | | Thu Dec 28 1995 08:28 | 8 |
|
/jen
Quiet Man? Now I hafta go look at the song listings of Awake and I&W to
figure out which one that is, then think of it bluesy! ;-)
Mike
|
542.1190 | | BUSY::SLABOUNTY | Heavy duty rock'n'roll!! | Thu Dec 28 1995 08:33 | 3 |
|
Definitely not on "I&W".
|
542.1191 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Thu Dec 28 1995 08:44 | 3 |
| Jen is referring to "The Silent Man", which is no longer being done
acoustically, but done electrically as a band, with a faster tempo.
it didn't work very well.
|
542.1192 | which is obviously something I'm not! :^) | AKOMI2::OROURKE | confectionary_celebrity | Thu Dec 28 1995 08:46 | 7 |
|
oh my gawd...you can tell it is early...I'm confusing 'john wayne'
movie titles with DT song titles.
The correct name is "The Silent Man" and it is off of AWAKE!
/jen
|
542.1193 | | KDX200::COOPER | Heh heh - Not likely pal | Fri Dec 29 1995 15:41 | 2 |
| ....and one of my favorite toons....
|
542.1195 | Dream Theater -- Home for the Holidays | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 07:43 | 111 |
| Well, the pilgrimage is over -- I successfully attended all FOUR Dream
Theater holiday shows. Basically took a week and drove from Boston ->
CT -> NY -> NJ -> CT -> Boston.
Great shows with diversified set lists! Saw Jamez Utz at show #4 -- Hi
James. All four shows SOLD OUT. Every club was packed to the hilt,
and even oversold in terms of tickets (Malibu holds 2,000 people --
3,000 tickets were sold! Birch Hill holds 700 people -- 2,000 tickets
were sold!)
EL N GEE -- SHOW #1
-------------------
Under a Glass Moon
The Mirror
Lie
Lifting Shadows off a Dream
Cover Medley:
The Rover (Led Zeppelin)
Killers (Iron Maiden)
Damage, Inc. (Metallica)
In The Flesh? (Pink Floyd)
Heart of the Sunrise (Yes)
A Change of Seasons
Surrounded
A Mind Beside Itself
Voices
The Silent Man
Pull Me Under
Encore:
------
None (Police pulled the plug at 1am!)
THE MALIBU -- SHOW #2
---------------------
The Mirror
Lie
Take The Time
Lifting Shadows off a Dream
Scarred
A Change of Seasons
Another Day
Cover Medley:
The Rover (Led Zeppelin)
Killers (Iron Maiden)
Damage, Inc. (Metallica)
In The Flesh? (Pink Floyd)
Heart of the Sunrise (Yes)
A Mind Beside Itself
Voices
The Silent Man
Pull Me Under
Encore:
------
Wait for Sleep
Perfect Strangers (Deep Purple)
BIRCH HILL -- SHOW #3
---------------------
The Mirror (Intro Only!)
Take The Time
Lie
Lifting Shadows off a Dream
Cover Medley:
The Rover (Led Zeppelin)
Killers (Iron Maiden)
Damage, Inc. (Metallica)
In The Flesh? (Pink Floyd)
Heart of the Sunrise (Yes)
Voices
A Change of Seasons
Another Day
Scarred
The Silent Man
Pull Me Under
Encore:
------
Bad (U2)
Learning To Live
EL N GEE -- SHOW #2
-------------------
6:00
Under a Glass Moon
Caught In a Web
Lie
Lifting Shadows off a Dream
Scarred
Surrounded
A Mind Beside Itself
Erotomania
Voices
The Silent Man
Pull Me Under
Encore:
------
Perfect Strangers (Deep Purple)
All in all, a killer set of shows. All four shows were bootlegged,
so live tapes will be circulating soon.
Cheers,
Buck
|
542.1196 | | POOKY::OROURKE | confectionary_celebrity | Tue Jan 02 1996 11:25 | 9 |
|
<sigh>...DT doing U2 live.
Buck,
Pretty please let me know if you get your hands on a bootleg of that!
/jen
|
542.1197 | | BUSY::SLABOUNTY | Hemorrhoid from Hell | Tue Jan 02 1996 11:38 | 6 |
|
[sigh] is right ... why don't they stick to covering songs
by GOOD bands?
8^)
|
542.1198 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 11:38 | 8 |
| >> <sigh>...DT doing U2 live.
>>
>> Buck,
>>
>> Pretty please let me know if you get your hands on a bootleg of that!
Ha -- already have it (as does GTI!).
|
542.1199 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 11:47 | 1 |
| Gotta go for...
|
542.1200 | 1200 Dreamy repliez! | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 11:48 | 1 |
|
|
542.1201 | I wanna copy too! | SUBSYS::MSOUCY | | Tue Jan 02 1996 12:47 | 7 |
|
I wanna copy of this too! Pleaz, pretty Pleaz!
I would have liked to hear them do Damage, Inc.! Dump the U2 stuff
though!
|
542.1202 | | KDX200::COOPER | Heh heh - Not likely pal | Tue Jan 02 1996 15:11 | 3 |
| Me-me!! Buck - I gotta have it!!
jc
|
542.1203 | couldn't resist! :^) | POOKY::OROURKE | confectionary_celebrity | Tue Jan 02 1996 15:40 | 7 |
|
RE: -1
Really Coop- do you really think you should be discussing your s*x life
in here? :^)
/jen
|
542.1204 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 15:51 | 5 |
| Jen, Coop is always discussing sex ... this is news?
Coop and others ... what, have I suddenly been elected King of all
Dream Theater dups?
|
542.1205 | | KDX200::COOPER | Heh heh - Not likely pal | Tue Jan 02 1996 20:42 | 5 |
| RE: Buck
Yes.
:-)
|
542.1206 | not! | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 21:57 | 1 |
| Thanks for the honours...
|
542.1207 | | KDX200::COOPER | Heh heh - Not likely pal | Thu Jan 04 1996 12:19 | 1 |
| :-(
|
542.1208 | BTW, TriAxis presets???!! 8^) | LUDWIG::LUCHT | Is it a passion or just a profession? | Thu Jan 04 1996 17:40 | 8 |
|
Buck, you were at that NJ show right? Someone on the 'net was
saying something about the door being oversold by like 1500+ tix!!!
That must have been mayhem to the friggin' 15th power!!
Kev --
|
542.1209 | a new listener | POLAR::LYLE | valley of giants | Tue Jan 16 1996 08:33 | 11 |
|
Well I ordered A Change of Seasons and it arrived yesterday.
I listened to it twice.
I think this band is very good. It reminds me of alot of bands. Rush,
Queensryche and Deep Purple mainly.
The band seems very tight with the live stuff. By reading some past
notes, I get the impression that they are excellant live. And now after
hearing them live, I have to agree. The next step is actually seeing
them live.
Dave
|
542.1210 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 16 1996 08:37 | 8 |
| Welcome aboard, Dave.
Sadly, the new DT album isn't slated for release until September, 96.
The tour probably won't kick off until October, since that is when they
usually start their tours. They usually begin in the New York/New
England area, then swing up through Toronto/Ontario early on in the
tour, so plan to look for concert dates in the mid-late October time
frame.
|
542.1211 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 16 1996 08:37 | 4 |
| P.S. --
If you liked ACOS, pick up the bands second album, "Images & Words" --
a CLASSIC album!!!
|
542.1212 | La Villa... | LUDWIG::LUCHT | Is it a passion or just a profession? | Sat Feb 03 1996 04:40 | 6 |
|
Anyone hear something about Mike Portney and some various other
artists doing a RUSH tribute CD?
Kev --
|
542.1213 | | KDX200::COOPER | Heh heh - Not likely pal | Sat Feb 03 1996 11:31 | 1 |
| Hmmm.... That'd be cool...
|
542.1214 | | DREGS::BLICKSTEIN | General MIDI | Mon Feb 05 1996 07:38 | 12 |
| Although I'm in what is essentially a "tribute band", I kinda wish
these guys would stop doing all these weird things and just put
out another "Images and Words" type album.
Leave tributes to tribute bands I guess. It's not the kind output
I prefer from these guys.
They already did a tribute album - time to create some material for
some other band to pay tribute to down the road (like a Metropolis,
Dream Theater tribute night).
;-)
|
542.1215 | Rumormill | STRATA::LUCHT | Is it a passion or just a profession? | Fri Feb 09 1996 20:01 | 5 |
|
Mike Portney and Billy Sheehan will be doing "La Villa".
COOL.
|
542.1216 | Tribute albums CAN work I guess | DREGS::BLICKSTEIN | General MIDI | Mon Feb 12 1996 12:33 | 8 |
| I just checked out a VERY COOL Yes tribute album. It's on Magna
Carta records and is mostly by band's you haven't heard of that
are signed on that record or other fairly obscure bands but each
track roolz
Some of the bands: Magellan, Steve Morse (does "The Clap" and "Mood for
a Day"), Robert Berry, Annie Haslam & Steve Howe duet, Shadow Gallery,
Patrick Moraz,...
|
542.1217 | Oh...Steve Howe & Shadow Gallery tracks??? | POOKY::OROURKE | I'm going to a land downunder | Mon Feb 12 1996 12:39 | 6 |
|
Hey Db,
That sounds cool. Did you find it in a major chain store or what?
/jen
|
542.1218 | Rockit | DREGS::BLICKSTEIN | General MIDI | Mon Feb 12 1996 13:55 | 16 |
| Nope, the Magna Carta label stuff is usually not easy to find.
I borrowed it from a friend - he bought it from Rockit Records in
Nashua who are really good about stocking obscure stuff.
They're out of stock right now, but they're ordering more and I'm
going to snarf a copy as soon as its in. There's a KILLER version
of "South Side of the Sky" there. Some absolutely wild piano
playing during the interlude section.
And not just "Steve Howe", "Steve Howe with Annie Haslam". Annie was
the lead singer from Renaissance (and my former fianc�). She was like
Mariah (another former fianc�) during the 70's - killer 5-octave range
voice.
db - Shania Twain's fianc�
|
542.1219 | sad news | POWDML::BUCKLEY | Mantis -- Rules the Shrubs! | Tue Feb 13 1996 06:22 | 55 |
| > LATEST FROM THE ECHOLYN CAMP... (Feb. 5,1996)
>
> Though we are all saddened by the dissolution of echolyn, do not fear. A
> new echolyn CD is in the works. No, they didn't get back together, but a
> new album called, "When the Sweet Turns Sour" will be released in late
> March or early April. The band is now shopping the disc around to
> different labels in order to get funded for the production. One
> possibility is to get a Japanese label for support and then have it
> released in the United States. Don't worry though, the Japanese won't get
> any bonus tracks, so you won't need to buy the import. echolyn very much
> appreciates the support of its fans and will in no way leave anyone in the
> dust.
>
> "When the Sweet Turns Sour" will be like REM's "Dead Letter Office" in a
> way. It's a collection of b-sides in some respects while also being a new
> album. The new album will have...
>
> 2 songs that didn't fit on "as the world"
> 3 brand spankin' new songs (recorded in the fall of 1995)
> An acoustic version of "Meaning of the Moment"
> A cover of Genesis' "When the Sour Turns to Sweet"
> (was to be on Magna Carta's Genesis Tribute album)
> A live track from ProgDay '95 (either "Suite Thing" or "A Little Nonsense")
> (BTW, "Suite Thing" is a 12-minute abridged version of "A Suite for the
> Everyman")
>
> The total time will be approximately 45 minutes.
>
> echolyn is now offically free of Sony Music. According to Greg, the band
> was dropped about 7 months ago, but the documentation arrived about 10 days
> ago. To date, "as the world" has only sold about 15,000 copies. Sony
> wanted 50,000. Then again, Sony showed no support through promotion. So
> those of you that haven't bought it yet, shame on you. GO BUY IT and
> support some of the best and most unique progressive rock in existence.
>
> Ray, Paul, and Brett are assisting a fellow band at the moment, but will
> soon return to their own project for which they already have 5 songs
> written. Chris is writing his own material at the moment and says that his
> music will remain in the progressive/classical end of things. Tom hasn't
> been heard from since about Christmas time. Best of luck to all!!
>
> For those of you looking to get any of the albums prior to "as the world,"
> you are out of luck. "echolyn" (2000 copies), "Suffocating the Bloom"
> (3000 copies), and "...And Every Blossom" (1000 copies) are all completely
> sold out. Bridge Management does NOT have anymore. There are about 9
> cassettes of the first album remaining. Sony has bought the rights to the
> first three albums, but, unfortunately, don't expect them to ever be
> released. T-shirts (black with a red, gold, or green apple on the front)
> and videos are still available in limited quantities. Contact Bridge
> Management for availability.
>
> Well, that's the up to date news on echolyn. I hope you all will continue
> to listen to echolyn and support their music. Remember to look for "When
> the Sweet Turns Sour" in early April. I will send out updates as they
> become available.
|
542.1220 | | PCBUOA::WHITMANJ | | Tue Feb 13 1996 11:28 | 7 |
|
Wow! 15k?! thats it?! Pete's band sold 10k!! and that was in
Europe alone!!!!
;')
|
542.1221 | seriously | POWDML::BUCKLEY | Mantis -- Rules the Shrubs! | Tue Feb 13 1996 11:37 | 1 |
| Correction -- 10k copies in Europe at .07 a piece!!
|
542.1222 | | DREGS::BLICKSTEIN | General MIDI | Tue Feb 13 1996 12:32 | 4 |
| > Correction -- 10k copies in Europe at .07 a piece!!
Although I knew there was an "untold story" behind that 10k number,
I'd still say that's impressive. No funny faces either.
|
542.1223 | | PCBUOA::WHITMANJ | | Wed Feb 14 1996 07:14 | 6 |
|
.07? What a bargain.. I wouldn't go over .05 though..
;')
|
542.1224 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Tue Feb 20 1996 15:55 | 7 |
|
I don't think I've ever heard a song by these guys. Did they have
a hit I would have caught on the radio? They seem pretty popular
in here (judging by the amount of notes I'm not going to read :^))...
don't wanna be missing out on anything, though...
- Sean
|
542.1225 | just go buy Images & Words! | POOKY::OROURKE | I'm going to a land downunder | Tue Feb 20 1996 15:59 | 8 |
|
- Sean,
"Pull me Under" certainly got airplay. Others depending on what
stations you listen too.
/jen
|
542.1226 | Ducking for cover... | HOZHED::FENNELL | A cowboy's life is the life for me | Tue Feb 20 1996 16:06 | 1 |
| They're alright.
|
542.1227 | | BUSY::SLABOUNTY | Don't like my p_n? 1-800-328-7448 | Tue Feb 20 1996 16:10 | 12 |
|
Sean, buy "Images and Words".
In a nutshell, they're progressive hard rock. Picture what ELP
would be doing now if they had some heavy influence. Maybe a
Robert Fripp on guitar instead of whichever ELP guy did/does it.
Next time you plan to be in my neighborhood [MRO or Uxbridge, I
don't care ... I live within a mile of Mary Lou's coffee shop],
let me know and I'll let you borrow it. But I want it back in
a week or so. 8^)
|
542.1228 | mmmmmmmm..... Mary Lou's Donuts unlimited...... | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Tue Feb 20 1996 16:16 | 5 |
|
Shawn, only because it's you, I'll let that comparison of ELP
to Fripp in the same sentence just slip by.... :^)
- Sean
|
542.1229 | | HOZHED::FENNELL | A cowboy's life is the life for me | Tue Feb 20 1996 16:21 | 3 |
| ELP guitarist was Greg Lake
I never understood what the big deal was about Carl Palmer.
|
542.1230 | | MKOTS3::GRENIER | | Tue Feb 20 1996 18:59 | 6 |
| I thought Greg Lake was a bass player? I don't remember ELP having
much guitar.
...and Robert Fripp sounds like John Petrucci? I see no resemblance
whatsoever! Not that one is better than the other; I think they're
both phenomenal.
|
542.1231 | | HOZHED::FENNELL | A cowboy's life is the life for me | Wed Feb 21 1996 08:07 | 3 |
| When I saw ELP Greg Lake played bass but he also played guitar if I remember
right. Think of the song C'est la Vie. There is acoustic guitar in the intro.
|
542.1232 | Greg is a fine (if not "flashy") guitarist | DREGS::BLICKSTEIN | General MIDI | Wed Feb 21 1996 09:45 | 13 |
| Greg Lake plays mostly bass, but also plays guitar.
ELP's biggest hits, "From the Beginning" and "Lucky Man" were both
tunes that Greg played (mostly) guitar on.
I think one of his finest efforts on guitar is "The Sage" from
"Pictures at an Exhibition". It's a fine example of neo-classical
guitar. I like it better than most of the classical guitar stuff
that Steve Howe has done.
db
p.s. I created tablature for that if anyone is interested in it.
|
542.1233 | Not quite Dream Theater related, but... | MKOTS3::GRENIER | | Wed Feb 21 1996 10:48 | 10 |
| Thanks guys, I forgot those songs had guitar. I'm just so used to
hearing most ELP having keys/bass, that I forgot that they have
guitar occasionally.
So could Greg Lake have been an accomplished guitarist (like Fripp,
Howe, Hackett, Latimer, etc) if he hadn't played with ELP? I know
he played bass with Crimson prior to ELP, but don't know if he
played guitar as a band member prior to that. Was it Emerson's
choice that guitar be kept to a minimum with ELP?
|
542.1234 | | FABSIX::I_GOLDIE | resident alien | Wed Feb 21 1996 11:21 | 8 |
|
ELP...Fanfair for the Common Man.
Great tune that was used for Scottish evening news for a few years!
Ian
|
542.1235 | | DREGS::BLICKSTEIN | General MIDI | Wed Feb 21 1996 12:21 | 26 |
| I don't think Greg Lake would've been known as a guitar player.
But I think he has one of the best voices around. In fact, his voice
sounds better today than it ever did. I also think he's a great
song and lyric writer. "The Only Way" is one of my favorite lyrics,
its posted on my office wall).
So, I wouldn't have been surprised if he had made it on his own
as a singer/songwriter. Remember that ELP's biggest hits were
tunes he wrote.
> Was it Emerson's choice that guitar be kept to a minimum with ELP?
I gather from interviews that it was, but over the course of the years
there were at least two guitar players that had talks with ELP and
were pretty close to joining:
One was Steve Howe!
The other... even more surprisingly... was... JIMI HENDRIX!!!!
ELP played with Hendrix at the Isle of Wright and apparently KE was
blown away by JH and JH was blown away by KE. Apparently they had
some very serious talks about him joining ELP (to form "HELP" ;-)).
db
|
542.1236 | | WMOIS::MAZURKA | Son_Of_A_Gun | Wed Feb 21 1996 12:41 | 1 |
| Did Greg Lake Sing fer ASIA???That Guys Voice was Flat!!!!
|
542.1237 | Lake and Asia | DREGS::BLICKSTEIN | General MIDI | Wed Feb 21 1996 13:54 | 8 |
| I think the answer is "Yes and no".
If I recall correctly, Greg did a tour leg with Asia but never recorded
with them. I don't remember who the original singer was. Asia was
a big dissappointment for me, although various other members of
Metropolis seem to like them.
db
|
542.1238 | | FABSIX::I_GOLDIE | resident alien | Wed Feb 21 1996 14:44 | 9 |
|
didn't John Wetton sing for Asia on record?
btw..the 2nd Asia album is good!
ian
|
542.1239 | | MKOTS3::GRENIER | | Wed Feb 21 1996 19:32 | 23 |
| Original Asia lineup was:
John Wetton: Vocals, bass (King Crimson, UK)
Geoff Downes: Keys (Buggles, Yes)
Steve Howe: Guitar (Yes, later GTR, ABWH)
Carl Palmer: Drums ELP
Talk about a supergroup! But like most supergroups, the hype
didn't match the material. I thought they wrote some pretty
decent pop songs, but their material should have been _much_
better with that lineup.
RE: DB
I never knew that Howe and Hendrix were being considered for
ELP! Who knows what that would have turned out to be. I can't
even imagine Hendrix and Emerson writing songs together. Gives
me the chills thinking about it. 8^)
Another audition that never worked out: Robert Fripp was under
consideration when Peter Banks left Yes. Of course, Howe ended
up getting the job. Did Fripp and Wakeman ever play together?
That's another combo I'd like to hear!
|
542.1240 | Those progressive rockers were and incestuous lot... :^) | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Thu Feb 22 1996 08:04 | 11 |
|
> Another audition that never worked out: Robert Fripp was under
> consideration when Peter Banks left Yes. Of course, Howe ended
> up getting the job. Did Fripp and Wakeman ever play together?
> That's another combo I'd like to hear!
I don't know. But Jon Anderson sang for Fripp on the "Lizards" King
Crimson LP.
- Sean
|
542.1241 | | MKOTS3::GRENIER | | Thu Feb 22 1996 11:48 | 12 |
| > Those progressive rockers were and incestuous lot... :^) >-
They sure were! Just look at the Canterbury scene:
Soft Machine
Gong
Matching Mole
Hatfield & the North
National Health
Caravan
Camel
...and a bunch of others. The fusion scene was the same thing.
Bill Bruford probably holds the record, though. 8^)
|
542.1242 | | DREGS::BLICKSTEIN | General MIDI | Thu Feb 22 1996 15:49 | 22 |
| > I never knew that Howe and Hendrix were being considered for
> ELP! Who knows what that would have turned out to be. I can't
> even imagine Hendrix and Emerson writing songs together. Gives
> me the chills thinking about it. 8^)
I gotta tell you truthfully... I'm AWFULLY glad it did NOT happen.
I am a big fan of Emerson - he really is WHY I play today.
And I am also a pretty big Hendrix fan, but it just seems like
a very pointless combination.
Emerson's thing was complicated neo-classical composition. Hendrix's
thing was... for lack of a better word... this incredible "power"
in his playing.
I don't think I would've like what they'd have done.
Things happened the way that was best. Actually, I'm kinda glad that
ELP nevr had a real full-time guitar player.
db
|
542.1243 | | POLAR::LYLE | fuzzy-wuzzy wasn't fuzzy.... was he??? | Thu Mar 21 1996 04:25 | 8 |
|
I saw the video to Pull Me Under yesterday on MuchMusic.
Cool vid. What's the deal with the heart in chains thing?
BTW would someone tell me which album Pull Me Under is on please.
Thanks
Dave
|
542.1244 | I&W | SUBSYS::MSOUCY | | Thu Mar 21 1996 05:32 | 8 |
|
re: -1
It is on Images & Words disc. Good disc, but I think I like Awake
better due to it being a bit heavier (IMO). I also like A Change of
Seasons cuzz that tune is AWESOME!
|
542.1245 | I want more..... | POLAR::RENAUDP | HAKUNA MA-TATA!! | Thu Mar 21 1996 05:36 | 6 |
| I saw it too Davey. Now that someone put a name to the tune for me, I
guess I have heard them before. Not bad, but i'd like to hear more
before I go buying the collection!
Paully
|
542.1246 | | POWDML::BUCKLEY | | Thu Mar 21 1996 08:42 | 12 |
| When Dream and Day Unite is my all-time fave DT album!!!
DT Discography
==============
1) When Dream and Day Unite (1989)
2) Images & Words (1992)
3) Live at the Marquee (1993)
4) Awake (1994)
5) A Change of Seasons (1995)
6) ??? (1996)
|
542.1247 | MUST BE BIGGER IN THE STATES... | KDCA01::CDCUP_TORREN | Gotta B Willin 2 Crash-n-burn | Fri Mar 22 1996 12:32 | 7 |
| I don't think Dream Theatre is very big in Canada. I've heard
little about them as well. You'd think by the amount of notes ect
in this topic that they were a house hold name. I'm not dissin'
them, but the few songs I have heard sound a lot like Queensryche
(did I spell that right?)
Bobby T
|
542.1248 | | BUSY::SLABOUNTY | She never told me she was a mime | Fri Mar 22 1996 13:05 | 3 |
|
These guys make Queensryche sound like a garage band.
|
542.1249 | | SCASS1::BARBER_A | breath in, breath out | Fri Mar 22 1996 13:11 | 3 |
| You know, somehow I've managed to not buy any of their albums or listen
to them in depth. If they're really better than Queensryche, I must
check them out pronto.
|
542.1250 | | MKOTS3::GRENIER | | Fri Mar 22 1996 14:11 | 9 |
| > <<< Note 542.1248 by BUSY::SLABOUNTY "She never told me she was a
>
>These guys make Queensryche sound like a garage band.
I wouldn't go quite that far, but Dream Theater _are_ pretty
incredible.
Steve
|
542.1251 | | BUSY::SLABOUNTY | She never told me she was a mime | Fri Mar 22 1996 14:36 | 5 |
|
OK, a good garage band then.
8^)
|
542.1252 | NEW ALBUM? | POLAR::DASILVA | | Tue Apr 02 1996 21:14 | 5 |
| Does anybody know if they're working on the new album yet?
Just curious!!
Frank
|
542.1253 | | STRATA::LUCHT | Is it a passion or just a profession? | Tue Apr 02 1996 22:02 | 8 |
|
There's been alot of chat in regards to that Rush Tribute thing
and the DT connection.
Don't know what's up with any new studio stuff..
Kev --
|
542.1254 | later this year | SUBSYS::MSOUCY | | Wed Apr 03 1996 06:38 | 5 |
|
Last I saw/heard/read was it was due out late summer, i.e. Sept.
timeframe...
|
542.1255 | | POWDML::BUCKLEY | | Wed Apr 03 1996 07:09 | 10 |
| The new DT album is in progress and slated for a Sept. release, with
a worldwide tour kicking off in Oct.
RE: DT not very big in Canada..
As if! Singer James LaBrie is from Toronto, and formerlly with
Winter Rose (a big Canadian band) -- indeed, they have a rather
large and faithful Canadian following. Lord knows they tour
rather extensively up there.
|
542.1256 | Right on | POLAR::LYLE | never play leapfrog with a unicorn | Wed Apr 03 1996 22:25 | 6 |
|
re: -1
Good!!! Can't wait to see them live.....
Dave
|
542.1257 | allllrighty then!! | POLAR::DASILVA | | Sat Apr 06 1996 01:10 | 8 |
|
DITTO!!!!!!!!!!!!!!
Frank.
|
542.1258 | | THEMAX::SMITH_S | | Thu May 23 1996 23:33 | 2 |
| They are all very talented, but not hevy enuf for me.
-ss
|
542.1259 | | THEMAX::VASQUEZ | | Thu May 23 1996 23:35 | 4 |
| That's fair. I'm sure for some people it's just a little too hard.
Really it doesn't matter that much.
-BG
|
542.1260 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Wed Jun 19 1996 07:05 | 28 |
|
After hearing bits and pieces of them when being with friends,
I decided to give them a sincere listen and I bought "Images and
Words" to satisfy my curiosity.
This might be the biggest piece of dreck I ever bought. I'm not
saying that to offend fans - I'm actually amazed at the depth of my
dislike because so many noters whose tastes I generally agree with
(and for whom I have respect) like this band.
The entire CD is like a collage of musical clich�s. The lyrics are
painful - "Find all you need in your mind if you'll take the time"...
Reeetttttch. The voice is okay, similar to Geddy Lee or Linda Perry,
but both of them have a harder edge and subsequently more enjoyable.
The keyboards are utterly characterless, reminding me of the sad time
when synths started taking over B3's and pianos in the 70's.
Progressive? Art Rock? I guess if consider Asia or Foreigner Art
Rock. More like Bad Arena Rock. They make late-model Journey and
Styx actually seem sincere. Who was that on Another Day - Kenny G?
They remind me of Toto - a bunch of probably accomplished session men
who put together a CD with about as much passion as an architect who
designs 7-11 stores.
I tried, I really did...
- Sean
|
542.1261 | | HOOPLE::FENNELL | Yuri! quit smooshing packages | Wed Jun 19 1996 11:25 | 8 |
| It's funny, I was listening to this the other day and heard the same thing. Too
many cliches - bad 70's arena rock lyrics. I even wondered about Kenny G in
Another Day.
I keep trying to like this and can't get into it. It's not bad but I don't get
the raves about it. Everybody's different I guess.
Tim
|
542.1262 | | METALX::SWANSON | LOAD | Wed Jun 19 1996 12:12 | 8 |
| "Find all you need in your mind, if you take the time" is painful??
Why??
I actually thought those were pretty good lyrics myself!
Ken
|
542.1263 | | SCASS1::BARBER_A | I guess I'm not that hungry | Wed Jun 19 1996 12:20 | 1 |
| Ouch, that's GOT to hurt!!
|
542.1264 | Well, thats what *I* did when I did the solos on Metropolis... :-) | KDX200::COOPER | He who laughs last, thinks slowest | Wed Jun 19 1996 12:23 | 4 |
| The sax solo was performed by Jay Beckenstein (Spyra Gyra).
I understand he came in, clippped on a mike and just popped it
off...Then went home...
|
542.1265 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Wed Jun 19 1996 14:27 | 31 |
|
> "Find all you need in your mind, if you take the time" is painful??
>
> Why??
>
> I actually thought those were pretty good lyrics myself!
Well, painfully funny, I should have said. :^)
Maybe there's just too many bands who've covered this territory
and done a better job (Moody Blues, King Crimson), maybe
I'm just turning into a crusty old fart, or maybe I've just
listened to too much of another band, but after the following,
how can you take stuff like that seriously...
"Life is just a dream, an unconscious stream,
A picture worth five hundred words.
Rise! for you are cream.
And you can have the strength of ten.
...Just begin again."
- Spinal Tap "Just Begin Again"
"And it feels so real you can feel the feeling!"
- Spinal Tap "Majesty Of Rock"
"You were younger than a virgin, older than the sea.
You were angel, you were devil, and I was all of me."
- Spinal Tap "The Sun Never Sweats"
- Sean
|
542.1266 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Wed Jun 19 1996 14:28 | 4 |
|
Ahhhhhhh! Spyro Gyra - my wife plays that all the time....
I knew something about that part annoyed me :^)
|
542.1267 | | METALX::SWANSON | LOAD | Wed Jun 19 1996 14:52 | 7 |
| Sean,
You're quoting Spinal Tap.... How can you even talk about taking stuff
seriously, and then quote Spinal Tap lyrics! :')
Ken
|
542.1268 | SG = good stuff | SUBSYS::MSOUCY | | Thu Jun 20 1996 06:41 | 9 |
|
re: .1266
There's NOTHING wrong with Spyro Gyra! Tell your wife she has good
taste in that kind of music!!
Now if it was country, I'd have to say otherwise! ;-)
|
542.1269 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Thu Jun 20 1996 09:12 | 6 |
|
> You're quoting Spinal Tap.... How can you even talk about taking stuff
> seriously, and then quote Spinal Tap lyrics! :')
That was my point! How can you take stuff that sounds like Spinal Tap
seriously?
|
542.1270 | | DREGS::BLICKSTEIN | The moment is a masterpiece | Fri Jun 21 1996 12:25 | 11 |
| Interesting thing is that as big a DT fan as I am now (I consider I&W
to be the best album of the last 10-15 years), I had EXACTLY the
same reaction when I first listened to it.
What's really strange is that these days, I can't possibly imagine how
I ever could have NOT liked this album. Without a doubt, this album
set my personal record for "most consecutive listens".
"Let the light surround you"
db
|
542.1271 | | KDX200::COOPER | He who laughs last, thinks slowest | Fri Jun 21 1996 12:38 | 9 |
| Gotta agree with Dave - I couldn't figure out what all the hub-bub
was abuot when I first heard I&W's...Now, there is hardly a time when
a DT CD is NOT in my player...
'Cept this morning when I just had this urge to listen to Bostons
first recording... What a fine example of production techniques
of the late 70's. Twas a masterpiece...
But I digress...
|
542.1272 | don't think I could honestly put this even in the top 500. | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Fri Jun 21 1996 14:08 | 10 |
|
So you guys figure I got a revelation coming to me if I just give it
enough spins? :^) Maybe they use subliminal messages!
Anyway, I don't think that's gonna happen, but "best album of the last
10-15 years"???? Shoosh!! Would have figured a band would have to
have Steve Morse in it for that honor...
- Sean
|
542.1273 | you surround light the let | HOOPLE::FENNELL | Yuri! quit smooshing packages | Fri Jun 21 1996 14:15 | 1 |
| Play it backwords man...
|
542.1274 | Parlet voius? | KDX200::COOPER | He who laughs last, thinks slowest | Fri Jun 21 1996 14:55 | 2 |
| Oh! Sounds french!
|
542.1275 | Dark to Light | DREGS::BLICKSTEIN | The moment is a masterpiece | Fri Jun 21 1996 15:04 | 23 |
| > So you guys figure I got a revelation coming to me if I just give it
> enough spins? :^)
Not really. Different strokes for different folks.
Just relating my experience.
> Anyway, I don't think that's gonna happen, but "best album of the last
> 10-15 years"???? Shoosh!! Would have figured a band would have to
> have Steve Morse in it for that honor...
Yeah... and that oughta tell you just how much I like "Images and
Words".
I'm not as enamored of the other DT albums as the die-hard DT fans in
here. Many of them will tell you that WDADU is the best DT album,
and that "Awake" is as good as I&W (or some variation).
But to me, I&W shines above the rest of the albums.
I actually wore out my CD of I&W!
db
|
542.1276 | | SUBPAC::GOLDIE | Resident Alien | Fri Jun 21 1996 15:21 | 11 |
|
I think they're bollocks!
;^)
heh,heh,heh! stirring up the sh!te
ian
|
542.1277 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Sat Jun 22 1996 09:58 | 6 |
|
How was their "Big Medley" on their next album? Looked like a pretty
interesting melange of 70's arena behemoths... almost bought that over
I&W for that song.
- Sean
|
542.1278 | | DREGS::BLICKSTEIN | The moment is a masterpiece | Sat Jun 22 1996 18:21 | 26 |
| Y'know... to be honest, while I was impressed with the "selection", I
really didn't find the performance/recording to have much inspiriation
in it.
I heard that they threw those tunes together very quickly and to these
ears, it showed. I'm surprised they released that.
However, I was really amazed to see how many of the tunes they picked
were tunes that my band Metropolis had done.
What really amazed me was the inclusion of "Funeral for a Friend/Love
Lies Bleeding" by Elton John. Although I don't consider Elton to be a
progressive rock artist, I do consider that tune to 100% "progressive
rock".
I've had a lot of fun with Metropolis, but none more than finding out
that everyone else in the band was hot to do that tune. I had always
wantedt to do that tune with a band.
Although that experience may be surplanted - we seem to be heading
towards doing "Icarus" by Kansas which is #1 on my "Most wanted to do
with a band tune". We've been foooling around with that tune for
years and in the process, we seem to have ended up essentially learning
it by osmosis.
db
|
542.1279 | | BUSY::SLABOUNTY | Dogbert's New Ruling Class: 100K | Mon Jun 24 1996 11:26 | 8 |
|
Truthfully, I never really paid attention to the lyrics on I&W.
I can probably rattle off most of them, but I never thought a-
bout them too much.
The lyrics are definitely 2nd-fiddle to the instrumentation on
this album. IMO, this album is a musical masterpiece.
|
542.1280 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Mon Jun 24 1996 11:33 | 5 |
|
All right all right... I need details if you guys are gonna keep
building this band up. What am I not recognizing as musical greatness?
- Sean
|
542.1281 | | BUSY::SLABOUNTY | Dogbert's New Ruling Class: 100K | Mon Jun 24 1996 11:41 | 9 |
|
I mentioned the "complicated" aspect of the music, but of course
you had to throw a monkey wrench into the discussion and ask if
they were "more technologically complicated than Yes-Fragile or
Yes-90210". 8^) Unfortunately, I couldn't answer that question
[and still can't] because I am not extremely familiar with the
old Yes stuff [I have "YesYears" but would have to give it an-
other listen or 4 to even hope to form an opinion].
|
542.1282 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Mon Jun 24 1996 11:47 | 10 |
|
I think I said something more like "was it complicated *like*
Yes-Fragile *or* Yes-90210!" meaning I think they are two different
things :^) I'll give DT a similarity to the latter, as it was a more
pop-oriented work.
DT riffs just seem overdone and overproduced to me - nothing I
haven't heard a billion times before.
- Sean
|
542.1283 | | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Jun 24 1996 12:43 | 25 |
| I would state un-equivocably the DT tends to do more "complicated"
music than Yes, but... who cares.
What I really like about DT is that unlike a lot of modern-day prog
rock bands, I get the overwhelming sense that the complication came
from "inspiration" and not "perspiration".
That is, with a lot of bands I get the sense that they write something
simple, and then add the complexity. At the risk of having a bunch
of people flame at me, that's often the sense I get from Rush. Their
time-signature changes seem contrived, deliberate and to these ears
the gaps between the different time-signatures are often like ugly
seams/gaps in the flow of the music.
The sense I get with DT is that the music they write just happens to be
complicated. The complexity was a by-product, not a "goal". I rarely
notice the time-signature changes even though there's hardly a piece
where they don't fly from one time-sig to another.
Just my opinion.
db
p.s. I like Rush (now), didn't used to. But not everything they do
"works" for me.
|
542.1284 | | KDX200::COOPER | He who laughs last, thinks slowest | Mon Jun 24 1996 15:06 | 20 |
| Well said db.
I'll add that while Ithink all the musicians in DT are awesome,
it's the way they play TOGETHER, that makes me chub_up :-)
They are an ensemble from the git-go.
Just a simple fact:
I'd read about them in here WAY back... And even a couple folk sent
me mail and said "You'll love these guys".. But I didn't listen.
Then they showed up at Rack-N-Roll here in Colo.Spgs for $.94
admission, so I went with CJ and some friends...
...So here I was sitting there drinkin' and yackin' with my cohorts
(barely listening) when after about 3/4's of the first song it hit me:
"Man, these guys are SMOKIN'!! What did you say the name was again??"
Whew!
|
542.1285 | | WONDER::REILLY | Sean / Alpha Servers DTN:223-4375 | Mon Jun 24 1996 20:11 | 19 |
|
Well, I don't really hold Yes up as any example, but they my opinion
is that the music seems more elaborate. I'd still place King Crimson,
Brian Eno, Mahavishnu Orchestra, Moody Blues up at the top in terms of
musical prowess in an art-rock endeavor.
But that's besides the point for me, because I am just hearing a
different tune. It is like I hear REO Speedwagon and everyone else
is talking genius progressive rockers. I hear arena pop, period, so
I guess I'm just gonna chalk this up to being DT-impaired. Maybe
I'll have that revelation after some future spins (it's happened
before), but right now, er, I just don't even get how the topic of
prog rock even fits here...
To me, the Big Medley surveys the type of music this band plays more
than progressive rock.
- Sean
|
542.1286 | | KDX200::COOPER | He who laughs last, thinks slowest | Tue Jul 30 1996 14:34 | 5 |
| Any news on the new release??
I'm dyin' for it!!
"Must to be having a large helping of DT, please"
|
542.1287 | MEET DREAM THEATER -- YtseCon III | POWDML::BUCKLEY | Valkyrie: The Joy of Six | Wed Jul 31 1996 14:01 | 41 |
| Dear jammers,
Hey there! Here's an update for the YtseCon III! First of all, it
will take place at the La Guardia Marriot (Queens, NY), on Saturday,
October 12th from 1pm to 5pm. We have spoken to Dream Theater and
management, and they say that they should be there.
The cost for pre-paid tickets is $20 per person. The cost at the door
will be $25 per person. This will cover the cost of the conference
room and other miscellaneous stuff (name tags, programs, etc.). If you
would like to pay in advance, please send a check to:
YtseCon III
c/o Jeff Chew
350 Broadway
Suite 703
New York, NY 10013
When you send a check, please include a note or letter that says your
name, return address, e-mail address, and phone number. This makes
things a lot easier for us when we send the tickets back to you, plus
if we ever need to get in contact with you.
Due to the lack of reservations, we have decided to return the block of
75 rooms to the Marriot. Now, we will be reserving rooms on an as-need
basis. I will be getting the number so you can reserve rooms from the
Marriot directly, but I can still take checks for reservations. I
should still be $100 per room per night. If you need someone to split
a room with, we are still doing taht, so e-mail me at
[email protected]. or give me a call at (516) 674-4828.
If you plan on flying to the YtseCon III, we have arranged something
with Rich Worldwide Travel so you can reserve airline tickets through
them by calling their 800 number. Please call 1-800-431-1130, and tell
them that you are going to the 'Dream Theater Convention'.
If you can provide a ride to the YtseCon III, or if you are in need of
a ride, please contact me by either e-mailing me or calling me and I
will see what I can do.
Well, that is all there is for now! I hope to see you at the YtseCon!
|
542.1288 | One and all...let me know! | POLAR::TYSICK | Can someone here stop it? EMPIRE! | Tue Sep 17 1996 13:12 | 10 |
542.1289 | | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Sep 17 1996 13:24 | 11 |
542.1290 | Keep'em comin' anyway... | POLAR::TYSICK | Can someone here stop it? EMPIRE! | Tue Sep 17 1996 13:38 | 11 |
542.1291 | | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Sep 17 1996 13:46 | 14 |
542.1292 | | BUSY::SLAB | As you wish | Tue Sep 17 1996 13:49 | 6 |
542.1293 | ???100 kph = 60 mph??? | POLAR::TYSICK | Can someone here stop it? EMPIRE! | Tue Sep 17 1996 14:00 | 9 |
542.1294 | | BUSY::SLAB | Audiophiles do it 'til it hertz! | Tue Sep 17 1996 14:04 | 5 |
542.1295 | | BUSY::SLAB | Basket Case | Tue Sep 17 1996 17:03 | 6 |
542.1296 | Or I'll check previous catalogs? | POLAR::TYSICK | Can someone here stop it? EMPIRE! | Wed Sep 18 1996 07:41 | 6 |
542.1297 | WHEN DREAM AND DAY UNITE!!! | POWDML::BUCKLEY | Autumn | Wed Sep 18 1996 11:02 | 1 |
542.1298 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Thu Sep 19 1996 14:52 | 2 |
542.1299 | | POWDML::BUCKLEY | | Fri Oct 11 1996 09:58 | 2 |
542.1300 | Meet DT! | POWDML::BUCKLEY | | Fri Oct 11 1996 10:00 | 10 |
542.1301 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Mon Oct 14 1996 09:13 | 5 |
542.1302 | Song titles from the new album | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Oct 14 1996 15:33 | 5 |
542.1303 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Tue Oct 15 1996 10:36 | 1 |
542.1304 | ;-) | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Oct 15 1996 10:54 | 3 |
542.1305 | yeah, I'd say so... | POWDML::BUCKLEY | | Tue Oct 15 1996 11:59 | 7 |
542.1306 | Thats what I thought. ;-) | KDX200::COOPER | There is no TRY - DO or DO NOT! | Sun Oct 20 1996 18:03 | 3 |
542.1308 | ticket date? | SUBSYS::MSOUCY | | Thu Oct 31 1996 08:37 | 6 |
542.1309 | | BRAT::JENNISON | Angels Guide Me From The Clouds | Thu Oct 31 1996 10:12 | 6 |
542.1310 | Home for the Holidays | POWDML::BUCKLEY | | Thu Oct 31 1996 12:49 | 75 |
542.1311 | | SUBPAC::GOLDIE | Resident Alien | Thu Oct 31 1996 12:52 | 13 |
542.1312 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Thu Oct 31 1996 15:49 | 11 |
542.1313 | "The Candle that burns twice as bright burns � as long" | DREGS::BLICKSTEIN | The moment is a masterpiece | Thu Oct 31 1996 16:10 | 6 |
542.1314 | | BUSY::SLAB | Subtract LAB, add TUD, invert nothing | Thu Oct 31 1996 16:49 | 3 |
542.1315 | | POWDML::BUCKLEY | | Fri Nov 01 1996 07:16 | 5 |
542.1316 | Dream Theater oughta take a hint from their IDOLS! ;-) | DREGS::BLICKSTEIN | The moment is a masterpiece | Fri Nov 01 1996 07:45 | 4 |
542.1317 | yeah, where ARE they now?!?!? | POWDML::BUCKLEY | | Fri Nov 01 1996 08:10 | 3 |
542.1318 | | MKOTS3::ELMAKISS | | Sat Nov 02 1996 09:20 | 5 |
542.1319 | Where Rod Morgenstein is now | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Nov 04 1996 08:28 | 20 |
542.1320 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Mon Nov 04 1996 11:28 | 3 |
542.1321 | | MKOTS3::ELMAKISS | | Tue Nov 05 1996 01:19 | 8 |
542.1322 | | POWDML::BUCKLEY | | Tue Nov 05 1996 07:11 | 3 |
542.1323 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Tue Nov 05 1996 20:13 | 8 |
542.1324 | portnoy clinic and new album | MKOTS3::ELMAKISS | | Mon Nov 18 1996 22:57 | 69 |
542.1325 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Tue Nov 19 1996 06:32 | 4 |
542.1326 | Update on DT Strand show | POOKY::OROURKE | Moonlighting as a Witch! | Fri Dec 06 1996 13:48 | 8 |
542.1327 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Fri Dec 06 1996 14:31 | 3 |
542.1328 | | MKOTS3::ELMAKISS | | Tue Dec 10 1996 20:41 | 9 |
542.1329 | | BUSY::SLAB | Cracker | Wed Dec 11 1996 09:20 | 5 |
542.1330 | | MKOTS3::ELMAKISS | | Wed Dec 11 1996 20:41 | 6 |
542.1331 | | BUSY::SLAB | A Parting Shot in the Dark | Thu Dec 12 1996 08:52 | 5 |
542.1332 | | MKOTS3::ELMAKISS | | Sat Dec 14 1996 09:19 | 5 |
542.1333 | | BUSY::SLAB | Come On'N'On | Mon Dec 16 1996 09:06 | 9 |
542.1334 | | BUSY::SLAB | Come On'N'On | Mon Dec 16 1996 09:06 | 3 |
542.1335 | | MKOTS3::ELMAKISS | | Wed Dec 18 1996 20:21 | 8 |
542.1336 | | BUSY::SLAB | Afterbirth of a Nation | Thu Dec 19 1996 09:18 | 3 |
542.1337 | Some inside news on DT's interim keyboard player Jordan Rudess | DREGS::BLICKSTEIN | The moment is a masterpiece | Thu Dec 19 1996 16:18 | 38 |
542.1338 | | STRATA::LUCHT | Breathe deep the darkness inside you | Thu Dec 19 1996 18:21 | 3 |
542.1339 | | MKOTS3::ELMAKISS | | Fri Dec 20 1996 00:49 | 3 |
542.1340 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Fri Feb 28 1997 14:02 | 3 |
| WHERE THE HELL IS THE NEW ALBUM!!!?!?!?!?
Gotta have it!
|
542.1341 | just had to ! | POOKY::OROURKE | California Dreamin' April 2, 1997 | Fri Feb 28 1997 14:39 | 8 |
|
RE: -1 **Gotta have it!
Coop-
enuff about your sex life. This is the H_M file!
/j
|
542.1342 | | BUSY::SLAB | Form feed = <ctrl>v <ctrl>l | Fri Feb 28 1997 15:22 | 4 |
|
But Coop wasn't amused by the introduction of the CD since the
hole in the center is bigger than that of the 33 1/3 LP.
|
542.1343 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Sat Mar 01 1997 08:06 | 3 |
| Hardy-har-har...
:-)
|
542.1344 | "Listen" by Jordan Rudess | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Mar 03 1997 14:15 | 5 |
| Coop, while you're waiting you might wanna check out Jordan Rudess's
"Listen" album. I'm pretty blown away. Kinda like Kevin Moore's
writing with Keith Emerson's chops.
db
|