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Title: | GUITARnotes - Where Every Note has Emotion |
Notice: | Discussion of the finer stringed instruments |
Moderator: | KDX200::COOPER |
|
Created: | Thu Aug 14 1986 |
Last Modified: | Fri Jun 06 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 3280 |
Total number of notes: | 61432 |
3278.0. "Pink Oz" by USDEV1::CLEMENT (Smells like Nirvana) Fri May 30 1997 13:23
Has anyone tried this yet? I have to pickup a copy of "Dark Side
of the Moon" asap. Got rid of my album version many years ago.
Follow the Yellow Rock Road Floydian analysis of 'The Wizard of Oz'
By HELEN KENNEDY
Daily News Staff Writer
Call it Dark Side of the Rainbow. Classic rockers are buzzing about the
amazingly weird connections that leap off the screen when you play
Pink Floyd's "Dark Side of the Moon" as the soundtrack to
"The Wizard of Oz."
It sounds wacky, but there really is a bizarre synchronization there.
The lyrics and music join in cosmic synch with the action, forming
dozens upon dozens of startling coincidences the kind that
make you go "Oh wow, man" even if you haven't been near a bong in 20
years.
Consider these examples:
Floyd sings "the lunatic is on the grass" just as the Scarecrow begins
his floppy jig near a green lawn. The line "got to keep the loonies
on the path" comes just before Dorothy and the Scarecrow start
traipsing down the Yellow Brick Road.
When deejay George Taylor Morris at WZLX-FM in Boston first mentioned
the phenom on the air six weeks ago, he touched off a frenzy.
"The phones just blew off the wall. It started on a Friday, and that
first weekend you couldn't get a copy of 'The Wizard of Oz' anywhere
in Boston," he said. "People were staying home to check it out." It's
fun, he said, because everyone knows the movie,and the
album which spent a record-busting 591 straight weeks on the Billboard
charts can be found in practically every record collection.
Dave Herman at WNEW-FM in New York mentioned the buzz a few weeks ago.
The response more than 2,000 letters was the biggest ever in the
deejay's 25-year on-air career.
"It has been just unbelievable," said WNEW program director
Mark Chernoff. "I've never seen anything like this. "
The station plans to show the movie using the album as soundtrack at a
small private screening tomorrow.
Rock fans always have loved to speculate about hidden messages in their
favorite albums. But seeking connections between the beloved
1939 classic kid flick and the legendary 1973 acid-rock album pushes
he envelope of the music conspiracy genre.
Nobody from the publicity-shy band would comment, but Morris asked
keyboardist Richard Wright about it on the air last month. He looked
flummoxed and said he'd never heard of any intentional connections
between the movie and the album.
But the fans aren't convinced it's just a cosmic coincidence. "I'm a
musician myself and I know how hard it is just to write music, let
alone music choreographed to action," said drummer Alex Harm, of
Lowell, Mass.,who put up one of the two Internet web pages devoted to
the synchroneities. "To make it match up so well, you'd have to plan
it."
Morris is convinced that ex-frontman Roger Waters planned the whole
thing without letting his fellow band members in on the secret.
"It's too close. It's just too close. Look at the song titles. Look at
the cover. There's something going on there," Morris said.
Here's how it works. You start the album at the exact moment when the
MGM lion finishes its third and last roar. It might take a few times
to get everything lined up just right. Then, just sit back and watch.
It'll blow your mind, man.
During "Breathe," Dorothy teeters along a fence to the lyric: "balanced
on the biggest wave." The Wicked Witch, in human form, first appears
on her bike at the same moment a burst of alarm bells sounds on the
album.
During "Time," Dorothy breaks into a trot to the line: "no one told you
when to run." When Dorothy leaves the fortuneteller to go back to her
farm, the album is playing: "home, home again."
Glinda, the cloyingly saccharine Good Witch of the North, appears in
her bubble just as the band sings: "Don't give me that do goody goody
bull ---t."
A few minutes later, the Good Witch confronts the Wicked Witch as the
band sings, "And who knows which is which" (or is that "witch is
witch"?).
The song "Brain Damage" starts about the same time as the Scarecrow
launches into "If I Only Had a Brain."
But it's not just the weird lyrical coincidences. Songs end when scenes
switch, and even the Munchkins' dancing is perfectly choreographed to
the song "Us and Them."
The phenomenon is at its most startling during the tornado scene, when
the wordless singing in "The Great Gig in the Sky" swells and recedes
in strikingly perfect time with the movie.
When Dorothy opens the door into Oz, the movie switches to rich color
and and that exact moment the album starts in with the tinkling cash
register sound effects from "Money."
Anyone who has ever nursed a hangover watchin MTV with the sound off
and the radio on can tell you how quick the brain is to turn music
into a soundtrack for pictures. But this is uncanny.
The real fanatics will point out that side one of the vinyl album is
the exact length of the black-and-white portion of the movie. And then
there's that iconic album cover, with its prism and rainbow echoing
the movie's famous black-and-white-into-color switch not to mention
Judy Garland's classic first song.
The real clincher, though, the moment where eventhe most skeptical of
cynics has to utter a small "whoa!," comes at the end of the album,
which tails off with the insistent sound of a beating heart. What's
happening on screen? Yep, you guessed it: Dorothy's got her ear to the
Tin Man's chest, listening for a heartbeat.
Maybe it's just a string of coincidences. Maybe the mind is just
playing some really cool tricks. Maybe some people just have waaaay
too much time on their hands. Or maybe, as Pink Floyd sings to close
out the album, everything under the sun really is in tune.
T.R | Title | User | Personal Name | Date | Lines |
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3278.1 | | BUSY::SLAB | Audiophiles do it 'til it hertz! | Fri May 30 1997 13:43 | 4 |
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I've seen the movie way too many times already, but I might have
to watch it again and try this.
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3278.2 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Fri May 30 1997 14:10 | 5 |
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Ditto. I heard about in on the radio and meant to check it out!
Kevin
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3278.3 | | EVER::GOODWIN | | Sat May 31 1997 00:28 | 14 |
| Well now... I happen to have the Pink Floyd CD, and my daughter has
the movie, so after the family went to bed on Friday night, I popped
'em into their respective players to check out all the psycho-satanic
subliminal messages..., and...,
My impression: you gotta have quite the vivid imagination to believe
that there was any intended synchronization. Some things matched up
well but others didn't...it all seemed pretty random and coincidental
from my perspective, but then, I never believed Paul was dead either.
It was fun while it lasted tho... highly recommended to anyone in
need of an hour of mindless brain-rot.
/Steve
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3278.4 | worked for me | USDEV1::CLEMENT | Smells like Nirvana | Mon Jun 02 1997 08:05 | 19 |
| I bought the CD and borrowed the tape. There are a lot of
coincidences! Some of the best for me was;
Alarms ring when the wicked witch first appears in human form.
Heartbeat when Dorothy is listening to Tin Mans chest for a heart.
The song "Brain Damage" starts when Scarecrow first appears in the
movie.
Side one of the album is the same length as the black and white part
of the movie, then side two starts with "Money" and the movie is in
color.
And there were lots of lyrics that could be considered in sync with
what was happening in the movie.
Finally, songs start and end, or change often with different scenes
in the movie.
It was a fun thing to share with the family! Mark
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3278.5 | Dat some real spooky shtuff. | YIELD::GRIFFIS | | Wed Jun 04 1997 08:27 | 1 |
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