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Conference napalm::guitar

Title:GUITARnotes - Where Every Note has Emotion
Notice:Discussion of the finer stringed instruments
Moderator:KDX200::COOPER
Created:Thu Aug 14 1986
Last Modified:Fri Jun 06 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:3280
Total number of notes:61432

3278.0. "Pink Oz" by USDEV1::CLEMENT (Smells like Nirvana) Fri May 30 1997 13:23

    Has anyone tried this yet?  I have to pickup a copy of "Dark Side
    of the Moon" asap.  Got rid of my album version many years ago.
    
    Follow the Yellow Rock Road Floydian analysis of 'The Wizard of Oz'
             By HELEN KENNEDY
             Daily News Staff Writer
          
    Call it Dark Side of the Rainbow. Classic rockers are buzzing about the
    amazingly weird connections that leap off the screen when  you play
    Pink Floyd's "Dark Side of the Moon" as the soundtrack to
     
          "The Wizard of Oz."
          
    It sounds wacky, but there really is a bizarre synchronization there.
    The lyrics and music join in cosmic synch with the action,  forming
    dozens upon dozens of startling coincidences the kind that
    make you go "Oh wow, man" even if you haven't been near a bong in 20 
    years.
          
             Consider these examples:
          
    Floyd sings "the lunatic is on the grass" just as the Scarecrow begins
    his floppy jig near a green lawn.  The line "got to keep the  loonies
    on the path" comes just before Dorothy and the Scarecrow start 
    traipsing down the Yellow Brick Road.
                 
    When deejay George Taylor Morris at WZLX-FM in Boston first mentioned
    the phenom on the air six weeks ago, he touched off a  frenzy.
          
    "The phones just blew off the wall. It started on a Friday, and that
    first weekend you couldn't get a copy of 'The Wizard of Oz'  anywhere
    in Boston," he said. "People were staying home to check it  out."  It's
    fun, he said, because everyone knows the movie,and the     
    album which spent a record-busting 591 straight weeks on the Billboard 
    charts can be found in practically every record collection.
          
    Dave Herman at WNEW-FM in New York mentioned the buzz a few weeks ago.
    The response more than 2,000 letters was the biggest ever in the 
    deejay's 25-year on-air career.
          
    "It has been just unbelievable," said WNEW program director   
    Mark Chernoff. "I've never seen anything like this. "
          
    The station plans to show the movie using the album as soundtrack at a
    small private screening tomorrow.
          
    Rock fans always have loved to speculate about hidden messages in their
    favorite albums. But seeking connections between the beloved
     
    1939 classic kid flick and the legendary 1973 acid-rock album pushes 
    he envelope of the music conspiracy genre.
          
    Nobody from the publicity-shy band would comment, but Morris asked
    keyboardist Richard Wright about it on the air last month. He looked 
    flummoxed and said he'd never heard of any intentional connections 
    between the movie and the album.
          
    But the fans aren't convinced it's just a cosmic coincidence. "I'm a
    musician myself and I know how hard it is just to write music, let 
    alone music choreographed to action," said drummer Alex Harm, of 
    Lowell, Mass.,who put up one of the two Internet web pages devoted to 
    the synchroneities. "To make it match up so well, you'd have to plan 
    it."
          
    Morris is convinced that ex-frontman Roger Waters planned the whole
    thing without letting his fellow band members in on the secret.
          
    "It's too close. It's just too close. Look at the song titles. Look at
    the cover. There's something going on there," Morris said.
          
    Here's how it works. You start the album at the exact moment when the
    MGM lion finishes its third and last roar. It might take a few  times
    to get everything lined up just right.  Then, just sit back and  watch.
    It'll blow your mind, man.
          
    During "Breathe," Dorothy teeters along a fence to the lyric: "balanced
    on the biggest wave."  The Wicked Witch, in human form,  first appears
    on her bike at the same moment a burst of alarm bells  sounds on the
    album.
          
    During "Time," Dorothy breaks into a trot to the line: "no one told you
    when to run."  When Dorothy leaves the fortuneteller to go back to  her
    farm, the album is playing: "home, home again."
          
    Glinda, the cloyingly saccharine Good Witch of the North, appears in
    her bubble just as the band sings: "Don't give me that do goody  goody
    bull ---t."
          
    A few minutes later, the Good Witch confronts the Wicked Witch as the
    band sings, "And who knows which is which" (or is that "witch is 
    witch"?).
          
    The song "Brain Damage" starts about the same time as the Scarecrow
    launches into "If I Only Had a Brain."
          
    But it's not just the weird lyrical coincidences. Songs end when scenes
    switch, and even the Munchkins' dancing is perfectly  choreographed to
    the song "Us and Them."
          
    The phenomenon is at its most startling during the tornado scene, when
    the wordless singing in "The Great Gig in the Sky" swells and  recedes
    in strikingly perfect time with the movie.
          
    When Dorothy opens the door into Oz, the movie switches to rich color
    and and that exact moment the album starts in with the tinkling  cash
    register sound effects from "Money."
          
    Anyone who has ever nursed a hangover watchin MTV with the sound off
    and the radio on can tell you how quick the brain is to turn music 
    into a soundtrack for pictures. But this is uncanny.
          
    The real fanatics will point out that side one of the vinyl album is
    the exact length of the black-and-white portion of the movie. And  then
    there's that iconic album cover, with its prism and rainbow  echoing
    the movie's famous black-and-white-into-color switch not to  mention
    Judy Garland's classic first song.
          
    The real clincher, though, the moment where eventhe most skeptical of
    cynics has to utter a small "whoa!," comes at the end of  the album,
    which tails off with the insistent sound of a beating  heart. What's
    happening on screen? Yep, you guessed it: Dorothy's got  her ear to the
    Tin Man's chest, listening for a heartbeat.
          
    Maybe it's just a string of coincidences. Maybe the mind is just
    playing some really cool tricks. Maybe some people just have waaaay 
    too much time on their hands.  Or maybe, as Pink Floyd sings to close 
    out the album, everything under the sun really is in tune.
    
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3278.1BUSY::SLABAudiophiles do it 'til it hertz!Fri May 30 1997 13:434
    
    	I've seen the movie way too many times already, but I might have
    	to watch it again and try this.
    
3278.2STAR::KMCDONOUGHSET KIDS/NOSICKFri May 30 1997 14:105
    
    Ditto.  I heard about in on the radio and meant to check it out!
    
    Kevin
    
3278.3EVER::GOODWINSat May 31 1997 00:2814
    Well now...  I happen to have the Pink Floyd CD, and my daughter has
    the movie,  so after the family went to bed on Friday night, I popped
    'em into their respective players to check out all the psycho-satanic
    subliminal messages..., and...,
    
    My impression:  you gotta have quite the vivid imagination to believe
    that there was any intended synchronization.  Some things matched up
    well but others didn't...it all seemed pretty random and coincidental
    from my perspective,  but then, I never believed Paul was dead either.
    
    It was fun while it lasted tho...  highly recommended to anyone in
    need of an hour of mindless brain-rot.
    
    /Steve
3278.4worked for meUSDEV1::CLEMENTSmells like NirvanaMon Jun 02 1997 08:0519
    I bought the CD and borrowed the tape.  There are a lot of
    coincidences!  Some of the best for me was;
    
    Alarms ring when the wicked witch first appears in human form.
    Heartbeat when Dorothy is listening to Tin Mans chest for a heart.
    The song "Brain Damage" starts when Scarecrow first appears in the
    movie.
    Side one of the album is the same length as the black and white part
    of the movie, then side two starts with "Money" and the movie is in 
    color.
    
    And there were lots of lyrics that could be considered in sync with 
    what was happening in the movie.
    
    Finally, songs start and end, or change often with different scenes 
    in the movie.
    
    It was a fun thing to share with the family!  Mark
    
3278.5Dat some real spooky shtuff.YIELD::GRIFFISWed Jun 04 1997 08:271