T.R | Title | User | Personal Name | Date | Lines |
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3266.1 | Sophisticated electronics | PCBUOA::ANDERSON_R | | Wed Mar 26 1997 08:19 | 7 |
| I would think a "future" axe would incorporate an onboard processor
et al which would allow you to dial in or program the tone your after;
something on the idea of the Roland VG8. Perhaps with something along
those lines, wood could be chosen for looks as opposed to strict tone.
Also, the number and type of pickups may be rendered moot.
Rich
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3266.2 | | GLDX02::ALLBERY | Jim | Wed Mar 26 1997 08:26 | 24 |
| Who wants an "all-rounder"? You need different guitars for different
sounds...
You're obviously talking about an electric, so I'll be contrary... ;^)
Jim's future guitar:
Materials: Indian Rosewood sides and back (solid)
Sitka spruce top (solid)
Ebony fretboard and bridge
General design: OM sized, but a bit more rounded, and slightly deeper,
with cutaway. Neck: 1 13/16" width at nut.
Electronics: Under saddle transducer and internal condenser mike
Separate outputs for both
If I were playing in a GB band covering a variety of music, I'd go
with an electric with a slightly downsized strat-styled
body, set in neck (glued, not screwed), humbucker, single coil,
humbucker pickups (coil taps on the humbuckers).
Jim
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3266.3 | cool idea.. | ASABET::pelkey.ogo.dec.com::pelkey | Professional Hombre | Wed Mar 26 1997 11:15 | 38 |
| Hmmm,, As long as I've played, and as many guitars that
I've used, I honestly don't think I could find a
single axe that would take care of all the sounds/styles
that I'd need, (well I should say, precieve I need)
I think the Strat pu. config comes about as close as I
can think of for versatile,,, so you're probably on the
right track by thinking humbuckers with coil/phase
switches. I'd probably go with Seymore Duncans...
Tuning heads, I like the Spertzels, and think they're
about as close to the best as you can get, they are
pretty expensive though, but damn, I think they're
great machine heads.. Quick to replace a string,
minimal wrapping for stretching, good solid locking
thumbwhell.... about 60 bucks a set,,, chrome, gold,
black sating and gloss available...
Neck, considering your mission, I'd guess you'd probably be
buying one so my guess is it would be bolt on, and I would
prefer rosewood or ebony..
Body style, double cutaway strat-knock, prs knock-off...
Finish, I'd probably go with a natural gloss finish (don't
like satin, not crazy about solid colors either, all of my
guitars are stained or sunburst of some sort..)
Bridge,, well, to go along with the spertzels, probably a
Wilkonson or some thing close to it..
Now,, if you could get really creative, wouldn't a chromatic
tuner be the bawls ?? I had one on my Midi guitar, and
it was a real time/hassle saver.. Also be great if a guitar
had a built-in fx processors as perviously mentioned..
I think a nice 200->300 ms., slightly programmable dealy
would be pissa, maybe something nice too...
/pelksta...
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3266.4 | Parker Fly-isms? | SMURF::SCHOFIELD | Rick Schofield, DTN 381-0116 | Wed Mar 26 1997 11:27 | 8 |
| To complete the all-aroundness, I'd include a piezo bridge, ala Fishman
Powerbridge with a blend control and separate output jack. It's not
a substitute for a real acoustic, but for stage use, through an
acoustic amp, with the right processing, it can pass. And it can
really fatten up the sound when used in a dual amp configuration - the
acoustic-y tone beneath the main guitar amp in the mix.
Rick
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3266.5 | the future is... now | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Wed Mar 26 1997 12:28 | 48 |
| Awhile back I bought this fancy coffee-table magazine (and paid big $$$
for it too) because it had an article on a future axe designed by a
consulting firm in Great Britain. The neatest thing about it was it's
ergonomic neck design; instead of a flat plane, the neck gradually
rotated away from you as you moved towards the nut. This was supposed
to follow a more natural contour for your hand/wrist as it grabbed the
neck at different positions. Looked interesting, and players who
tried it said it worked quite well. I'd love to try one out.
Tuning systems are still in the dark ages. I'd want an auto-load and
tune mechanism, so that installing a string would be like putting film
in your camera. The tuning machine would automatically grab the free
end, no need to wind or cut. An onboard tuner and servo motors would
bring the string to proper pitch. Somewhere on the guitar would be a
convenienently located "retune" button; just hit it whenever you thing
something may have slipped, or after every song just to be safe. This
system could also easily support multiple alternate tunings and allow
you to change them on-the-fly. Systems like this already exist, but
they're still expensive and clunky.
I'd like to see some sort of adjustable "feel" mechanism that would
allow you to fine-tune things like apparent string tension and touch
response. Some guitars feel right to me, others don't. Someone else
will make totally different choices. We should be able to control
these parameters and set them to our own liking.
Along the same lines, I'd like to custom select neck width, profile,
etc. Choosing a neck should be like getting fit for ski boots.
Tremelos would be programmable for various combinations of strings and
shift rates. Tune already markets a bass trem like this, and the
Hip-Shot system is along similar lines. I like the Parsons-White
B-bender concept, where applying downward pressure to the neck
activates the pitch change; this feels more natural than a whammy.
But I'd still probably want one of those too.
I like the Roland sound modeling idea, where the virtual pickup can
be placed anywhere, even in the neck. You should be able to do
multi-pickup configurations as well, with phasing effects between the
pickups. Even better might be some sort of physical pickup that
actually did this; something like a magnetic strip that ran the entire
length of the scale, with controls for where along the scale to sense,
aperture size, etc.
And of course, I'd want it in Seafoam Green.
/rick
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3266.6 | | ASABET::pelkey.ogo.dec.com::pelkey | Professional Hombre | Wed Mar 26 1997 13:26 | 14 |
| <And of course, I'd want it in Seafoam Green.
ahhh,, figures you would, this would cause major refits, and
manufacturing issues...
8^)
Your tuning idea sounds great Rick...
|
3266.7 | | EVER::GOODWIN | | Wed Mar 26 1997 13:40 | 7 |
|
I just have one requirement...
It has to be able to play what I'm thinking!!
;-)
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3266.8 | | ASABET::pelkey.ogo.dec.com::pelkey | Professional Hombre | Wed Mar 26 1997 14:36 | 9 |
| < It has to be able to play what I'm thinking!!
so you don't have to practice right steve!
This is slacker material!!
8^)
|
3266.9 | | EVER::GOODWIN | | Wed Mar 26 1997 14:59 | 12 |
| -1
No... it's just as arthritis sets in and gradually prevents the ol'
fingers from doing what I want them to do, I need a guitar that will
automatically correct and play the notes I really intended! ;-)
... but I did get a chuckle from the slacker reference... made me
think of that bald guy in Back to the Future when he was telling
Marty that no McFly had ever amounted to anything in the history
of Mill Valley or whereever it was....
/Steve
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3266.10 | | ASABET::pelkey.ogo.dec.com::pelkey | Professional Hombre | Thu Mar 27 1997 06:29 | 5 |
| Well I was only kiddin...
and I thought those were color notes,,,
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3266.11 | One guitar??!!! | PHHSS1::SOBEL | Nothing But the Blues | Fri Apr 11 1997 13:21 | 6 |
| Gee, I always kind of thought a good strat would fit the bill...
Now let's see...I also need an archtop, a Martin 000-28, a Gibson or
PRS solid...and, oh yeah, a Dobro, a couple duplicates for open tuning
(hey, somebody stop this guy...:-|
Barry
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