T.R | Title | User | Personal Name | Date | Lines |
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3263.1 | A small amount of help... | GANTRY::ALLBERY | Jim | Tue Mar 18 1997 09:29 | 12 |
| I've never heard of a Ramirez Conceptio. I'd guess if the maestro was
willing to sign it, it must have been an upper-end instrument.
Ramirez 1As from the seventies seem to go for $4000 to $5000 (with
Brazilian rosewood)-- don't know if this guitar is comparable.
Heck, I'll give him two D2-Rs for it!
Bozo is most notably a maker of 12 strings. Don't know much else
about him. I think Leo Kottke used to play a 12 string built by him.
Jim
|
3263.2 | A little more on Ramirez | GANTRY::ALLBERY | Jim | Wed Mar 19 1997 07:51 | 16 |
| Ramirez currently has 3 lines of guitars: the conservatory, estudio,
and prefessional concert series.
Current Ramirez list prices range from $1,199 for the R1
(mahogany sides and back, solid cedar top, conservatory line) to
$18,999 for the Centenario (the top of the line 1a class profession
concert guitar in Brazilian rosewood). More "run of the mill" 1As
list at a little over $6K. Don't know what a typical discount is.
If this is an upper-end instrument, your friend may want to contact
a major dealer to sell it. Get an issue of Acoustic Guitar magazine
and look for specialty shops like the Guitar Salon or HandPicked
Guitars (www.handpickedguitars.com, I think), and/or the big vintage
and acoustic dealers (e.g., Elderly Instruments, Mandolin Bros.)
Jim
|
3263.3 | | YIELD::GRIFFIS | | Thu Mar 20 1997 09:17 | 16 |
| This is what someone from Guitar Salon wrote:
Dear Greg,
As for the 1st guitar, I would like some
clarification regarding the signature of Segovia. Do you mean that it
has a gold label which says: "Segovia Model" and the signature of
Ramirez? That is the normal status of the 1a Ramirez guitar from this
period. Also, are you sure it's spruce top and not cedar? Please let
me know and I'll try to give you more info.
==============================================================================
Unfortunately... this does not totally match the description
given to me. I was told Concepcio with Segovia's signature. There-
fore... there is no telling what it is or what its worth. I think I'll
take a chance, make the trade for the D2R, and learn the Malanguena.
( I have 2 boxes of Classical music at home )
|
3263.4 | Interesting... | GLDX02::ALLBERY | Jim | Thu Mar 20 1997 10:29 | 8 |
| The question of Spruce vs Cedar arises since most Ramirez guitars of
this vintage have cedar tops, not spruce. Probably less than 1 out of
10 will be spruce. What is interesting, though, is that it may be
even less likely that anything but a professional series Ramirez would
have a spruce top-- all of the current Conservatory/Estudio instruments
have cedar tops.
Jim
|
3263.5 | | YIELD::GRIFFIS | | Mon Mar 24 1997 06:58 | 21 |
| Hi Jim,
I contacted Guitar Emporium, and got some
confirming info / opinions. What I was told was that the
Ramirez Concepcion is a mid-range line slightly under the 1a.
Best case value would be around 3k. Worst case value would
be nothing, based upon the wisdom of Andres Segovia who said
that a guitar has a useful lifetime, - once its over, it should
be just thrown away. So, its really based upon condition, with
gain for material, i.e., Brazillian rosewood preferred over
Indian, and spruce being the preferred soundboard over cedar.
Value appreciates on material, depreciates for bad condition,
i.e., its dinged up, warped, cracked, etc. So, to offer it
for a D2R is not a bad idea, ( particularly if the D2R is less
than a year old and in new condition; and the Concepcion is
moderately worn/dinged ). And, so far, most of your opinions
and advice on the matter were for the most part right on,
and quite appreciated.
Thankyou.
Greg
|
3263.6 | | GLDX02::ALLBERY | Jim | Mon Mar 24 1997 08:46 | 16 |
| re: Ramirez
If it has solid sides and back (if its just under the 1a, it should be),
then you'd likely be getting the (much) better end of the deal. The
downside is that if you just want to sell the guitar, the market for
quality classical guitars is much smaller than the dreadnaught market
(it may be worth more, but only if you can find a buyer).
As far as guitars having a useful lifetime... For classical guitars,
this is somewhat true-- particularly (at least according to some
folks) with cedar tops. With reasonable care (no extremes of
temperature or humidity) we are talking about 20-30 years of heavy use
(4-6 hours per day), though.
Good luck!
Jim
|
3263.7 | | YIELD::GRIFFIS | | Mon Mar 24 1997 11:06 | 2 |
|
gee.. I wonder if he'd take the Hohner...
|
3263.8 | | STAR::EVANS | | Mon Mar 24 1997 12:08 | 7 |
|
5 hours per day for 20-30 years would be enough playing time for any
guitar I intend to own. What that? 50,000 hours.
Jim
|
3263.9 | | YIELD::PRODUMP | | Thu Mar 27 1997 07:17 | 4 |
|
Did you hear about the guitarist who got taken to the cleaners?
He was De-martin-ized.
|
3263.10 | ouch | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Thu Mar 27 1997 07:25 | 2 |
| That would surely be something to dread, not?
|
3263.11 | bad pun alert | GLDX02::ALLBERY | Jim | Thu Mar 27 1997 07:35 | 3 |
| > That would surely be something to dread, not?
Perhaps. It could also be a big "no OOO, Oh no!"
|
3263.12 | Bo knows Bozo. | YIELD::GRIFFIS | | Thu Mar 27 1997 15:08 | 3 |
|
I'd like to take credit for the De-martinized joke.
I have a very dry humor.
|
3263.13 | | YIELD::GRIFFIS | | Thu Mar 27 1997 15:52 | 1 |
| but its clean.
|
3263.12 | | YIELD::GRIFFIS | | Fri Mar 28 1997 14:18 | 1 |
| Yes. Please beware of bad puns like Jim says.
|
3263.12 | The Bozo moment. | YIELD::GRIFFIS | | Thu Apr 03 1997 16:53 | 9 |
|
Well.... the Bozo and Ramirez were exellent sounding,
but went through too many repairs. The Ramirez had
cracked varnish, two repaired cracks on the back, an
artfully spliced piece of brazillian rosewood. The
Bozo had a couple cracks repaired. Both needed work.
They were fun to play, - but I didn't take them home.
Particularly since, an 0016C can usually be had for
somewhere around 5 bills.
|