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Conference napalm::guitar

Title:GUITARnotes - Where Every Note has Emotion
Notice:Discussion of the finer stringed instruments
Moderator:KDX200::COOPER
Created:Thu Aug 14 1986
Last Modified:Fri Jun 06 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:3280
Total number of notes:61432

2749.0. "Snooks Eaglin" by POWDML::DAGG () Wed Jun 09 1993 16:30

                         
    
    Here's a note on my favorite guitarist for this week, 
    Snooks Eaglin.  I'd never heard him before, but
    a record store person (Lousiana Music Factory) in
    New Orleans recommended his show while I was there
    last week, and I was fortunate to follow the advice. 
    
    He's a blind player, and has developed his own 
    technique, just finger style, with no pick.  Also
    his chord voicings are just figured out, and not 
    like you'd learn from a book. 
    
    The tunes weren't jazz standards, and not what
    I think of as Chicago style electric blues.  I suppose
    the reportoire was the New Orleans book.  
    
    Anyways, he's a real stylist. His self accompaniment, 
    interspersing chords with single note melody lines was 
    great.  He was playing a non-cut Gibson thin-line, if that's
    the right term, with a very large pickguard on the body.  
    He had a small Marshall stack, and did some nice things with
    feed back from the low strings.   
    
    The playing was a little different from a CD of his I got, on which 
    he plays a Strat, in a more produced setting.  I'm going to 
    look for some older stuff of his.   
    
    I think the bassist was George Porter, who also works 
    with Earl King.  Anyways, highly recommended, even at
    Mid-City Bowling Lanes ("Rock & Bowl"), for those
    going to N.O.
    
    Dave 
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2749.1TECRUS::ROSTI need air freshener under the drumsThu Jun 10 1993 09:2517
    Snooks Eaglin has been recording recently for the Black Top label.  He
    has at least three titles out on that label.  He's one of those guys
    like Doc Watson who can't really be pegged; as you said, he isn't
    "pure" blues at all.  Highly recommended to anyone who likes
    blues-based guitar but wants to hear something out of the ordinary.
    
    George Porter is also bassist for the Meters (who recently reformed and
    started touring again).  He has a solo album out on Rounder which
    features Eaglin and Earl King on a few tracks.  He is less well known
    than comtemporaries like Chuck Rainey and Jerry Jemmott, but still an
    awesome fingerstyle funk player who is *extremely* understated.
    
    Both Eaglin and Porter are in the backing band for the Bo Dollis and
    the Wild Magnolias (a N.O. Mardi Gras Indian tribe) album on Rounder.
    
    							Brian
    
2749.2BSS::D_PELTONENThu Jun 10 1993 10:4513
    
    I'd said this in AFTER_HOURS, but it bears repeating: one
    of the best CDs I've bought in the last year was Black
    Top Records "Blues-A-Rama". They call it a bargain sampler;
    some 70 minutes of blues by various artists on Black Top
    and its priced around $8. Such a deal. It includes a couple
    of cuts by Snooks as well as Ronnie Earl, James "Thunderbird"
    Davis, Mike Morgan and the Crawl, etc.
    
    Great listening!! Cheap Price!! What'cha waitin' for??!! :-)
    
    DAP
    
2749.3CHEFS::IMMSAadrift on the sea of heartbreakMon Jun 14 1993 07:4817
    Snooks Eaglin was first recorded by folklorist Harry Oster in New
    Orleans.
    
    I used to have two albums by him, the first made at least as far back
    as 1964, recorded on his back porch by the sound of it (birds singing,
    traffic going by) and the second called New Orleans Street Singer.
    
    Both were acoustic, six and twelve string guitar and show him to be one
    of the great new generation bluesmen.
    
    Much of these two albums is now available on cd. 
    
    Forget what he is doing now.... listen to his early stuff. You will be
    very impressed.
    
    
    andy 
2749.4TECRUS::ROSTI need air freshener under the drumsMon Jun 14 1993 07:494
    Re: .3
    
    I *was* impressed by his current stuff...should I lie down before I
    listen to those old Prestige sides?  8^)  8^)  8^)
2749.5as good a 12 string player as you will hearCHEFS::IMMSAadrift on the sea of heartbreakWed Jun 16 1993 08:1417
    
    
    Re - .1
    
    If you have never heard his early stuff, yes I think you should.
    
    He is a great 12 player - listen to Maleguena (sp?) and his 6 string
    version of "When Shadows Fall".
    
    I was learning acoustic blues guitar in 1964 by listening to records
    and discovering Snooks was the best thing I did.
    
    Improved my playing no end :-)
    
    
    andy
    
2749.6SPECXN::LEITZBorger King: Your Way is IrrelevantFri Jun 25 1993 13:1918
Ditto .0, I was in NO in 1990 & went (fortuneatly got dragged by blues hound
tom collentine) to tippitina's for some black-top anniversary party. snooks was 
there (along with a host of other cookin' bands & musicians) & i was
knocked out by how cool this old goat was.   he was wailin.
the song that impressed me the most (believe it or not) was
his rendition of (i dunno the title, but milli-vanilli had it on their ill-fated
album) "it's your thing, do whatcha wanna do"...(whatever).

he got to rockin' back and forth so hard in this straight back chair he
was sitting in that the bass player came over & stodd behind him
ready to catch him!

anyway...next day i bought remastered snooks album on cd which wasn't as
good as live, but what the hey?

(that same night at tips i shared drinks with Mac Rebbenack, also known as
Dr. John...  if you call standing at the bar and having him burp in your
face sharing a drink...) :-)
2749.7What is that tune, anyways? POWDML::DAGGFri Jun 25 1993 16:137
    Yeah I heard him do that tune ("Its your Thing") and I 
    wondered if its the same tune that the Rebirth Brass Band
    plays called "Do Whatcha Wanna"? 
    
    It was definately rockin. 
    
    Dave