T.R | Title | User | Personal Name | Date | Lines |
---|
2387.1 | description,.. please | STAR::SALKEWICZ | It missed... therefore, I am | Tue Nov 26 1991 16:43 | 7 |
| drone notes eh?
What the heck are they?
/Bill_feeling_particularly_musically
_illiterate_lately
|
2387.2 | Feeble attempt to explain | GOES11::G_HOUSE | Tommy The Cat | Tue Nov 26 1991 17:03 | 22 |
| I've been using a lot of drone notes and open strings lately. It
really fattens up the lines you play! I only play standard tuning
(figured I was confused enough with the notes on the guitar in the
standard way without making it worse for myself by changing the
tuning!).
re: Bill
A drone note as Alan's talking about is a note that rings through along
with whatever else you're playing. Like playing an open A string along
with a G-A-E notes on the D string.
He gave a couple of examples, here's a couple more. One is the chord
pattern Randy Rhodes played on Ozzy's "You Can't Kill Rock and Roll".
He plays the lower 4 strings of major chords (starting on B, I think)
and leaves the B and high E strings open.
Another example is the "solo" line of "Just Like Heaven" by The Cure.
Robert Smith plays an Amaj scale on the B string (mostly) while letting
the high E string sound open on each note.
Greg
|
2387.3 | Bagpipes! | GOES11::G_HOUSE | Tommy The Cat | Tue Nov 26 1991 17:05 | 6 |
| The name may come from the bagpipes, as the three pipes that sound a
constant tone (one each) are called "drones". In any case, if you
think of how bagpipes work and sound it may help with understanding
drone notes...
Greg
|
2387.4 | Oh,.. those drone notes | STAR::SALKEWICZ | It missed... therefore, I am | Tue Nov 26 1991 17:06 | 6 |
| Thanks Greg,.. I know what you're talking about now.
I guess I even play drone notes,. just didn't know it :-)
/Bill
|
2387.5 | one sustaining note | QRYCHE::STARR | Nice guys sleep alone. | Tue Nov 26 1991 17:06 | 12 |
| > drone notes eh?
> What the heck are they?
Well, its a single sustained note that is repeated over and over - sort of
like if you were playing both the B and high-E string on the guitar, and
fretting up and down the neck just on the E string while the B string is
constantly being played open. The B sort of "drones" on in the background.
Edge says he got that style from emulating Irish music, which uses a lot
of drone notes.
alan
|
2387.6 | ... | STAR::SALKEWICZ | It missed... therefore, I am | Tue Nov 26 1991 17:07 | 8 |
| re .5
notes collision!
Anyway... I read ya now
/Bill
|
2387.7 | he's also a fan of the Edge | BTOVT::BEST_G | the dream goes on forever | Tue Nov 26 1991 17:08 | 5 |
|
Alex Lifeson of Rush used to use them some. Like on "Spirit of Radio"
and in part of "Xanadu".
guy
|
2387.8 | Not to pick nits, but... | GOES11::G_HOUSE | Tommy The Cat | Tue Nov 26 1991 17:18 | 7 |
| re: .7
I thought "Spirit Of The Radio" used a pedal tone, not a drone note?
(ie one note alternates with a set of moving notes rather then sounding
with them)
Greg
|
2387.9 | | KDX200::COOPER | Step UP to the RACK ! | Tue Nov 26 1991 17:56 | 5 |
| No, he uses drones on Spirit Of The Radio...
That E-B-C/B(?) part... That what your referring to ??
jc
|
2387.10 | | CAVLRY::BUCK | Buck in Bronco | Tue Nov 26 1991 22:27 | 5 |
| RE: Spirit of Radio...
No he means the Emaj - Bmaj - E/G#maj - Amaj chord progression that
drones the high e and b strings on the top of each chord...this is
played in the verse section.
|
2387.11 | yes of course | HAMER::KRON | You,Me,Obscenity! | Wed Nov 27 1991 08:54 | 9 |
| sheeeeet yeah!!!
being the evil Kron I have a reputation to uphold so I got a lot
of space to fill.....especially since the rules of being evil
require it. But seriously,Tom Petersen and Doug Pinnick are 2
of my biggest influences so yes I use them quite a bit. It's
definitely a lot easier to use this technique if you play in
e,a,d,or g.Not really a problem in the rock and roll world!
-the evil Kron
|
2387.12 | | BTOVT::BEST_G | the dream goes on forever | Wed Nov 27 1991 09:12 | 7 |
|
re: .9, .10
Yes, I think you both got what I meant. In part of Xanadu not
only the E and B strings drone, but also the low E string....
guy
|
2387.13 | Alan, drag out "Tommy" | STAR::TPROULX | | Wed Nov 27 1991 09:46 | 12 |
| Pete Townshend uses this technique alot. "I Can See For Miles"
and "Sparks" are two examples. He often moves the "D" form open
chord up the neck, and lets the open D note ring out. Obviously
it doesn't sound good in all positions.
In fact moving open form chords up the neck is kind of a neat
technique in and of itself. You can get some neat chords by
moving an open E up the neck. The A form works in a couple
places. Of course I have no idea what the names of these chords
become...
-Tom
|
2387.14 | | CAVLRY::BUCK | Rockin iz my business--business is good! | Wed Nov 27 1991 09:55 | 3 |
| Or Tom Petty's _Don't come around here no more_. That tune is the king
of drone tones!
|
2387.15 | Ravi does tapping ? | RAVEN1::JERRYWHITE | Hey you're pretty good - NOT ! | Wed Nov 27 1991 10:07 | 3 |
| `drone tones' :== sitar
Scary
|
2387.16 | Dive-bomb ragas from hell! | CAVLRY::BUCK | Rockin iz my business--business is good! | Wed Nov 27 1991 10:11 | 3 |
| >Ravi does tapping?
No, but FLoyd Rose just installed a whammy on his sitar!
|
2387.17 | Drone notes common in bluegrass! ;) | LUDWIG::PHILLIPS | Music of the spheres. | Wed Nov 27 1991 10:33 | 7 |
| The fifth (high G) string on a five-string banjo is commonly used as
a "drone string".
--Eric--
P.S. Doing drone notes is a *bit* tougher with a pedal steel, but they
do sound good!
|
2387.18 | | KDX200::COOPER | Step UP to the RACK ! | Wed Nov 27 1991 10:38 | 7 |
| That Ozzy song into that goes:
"Cuz Rock-n-roll is my religion and my soul"
It's real pretty.
:)
|
2387.19 | Damaged! | GOES11::G_HOUSE | Tommy The Cat | Wed Nov 27 1991 11:21 | 12 |
| re: Spirit Of The Radio
Ok, I'm brain dead, I was thinking of the signature lick, used in the
intro...
>That Ozzy song into that goes:
>
>"Cuz Rock-n-roll is my religion and my soul"
See .1 where I mentioned that one.
gh
|
2387.20 | It's not just for sitars any more | LENO::GRIER | mjg's holistic computing agency | Wed Nov 27 1991 12:58 | 11 |
| Re: droning:
There are also chamber-type instruments just called a "drone" or
"bass drone" which I've seen (from the audience) and heard. They have
the same sort of shape as a guitar but the body is a big enclosed box,
and there's a crank on the end which you turn to generate the drone.
Evidently you can also change the drone pitch via the next. I would
love to find one. (The band _Dead Can Dance_ use one regularly.)
-mjg
|
2387.21 | Hurdy Gurdy, Man | RGB::ROST | Boozoo Chavis underwear endorsee | Wed Nov 27 1991 15:53 | 12 |
| Re: .20
You have described a hurdy-gurdy. It has a fingerboard (which you play
with one hand) and sympathetic strings *below* the fingerboard. Both
sets are vibrated by a wheel (covered with leather I believe) which is
controlled by a crank. Awesome instrument! Still common in parts of
France.
The Appalachian "mountain" dulcimer is another folk instrument that
makes use of droning strings.
Brian
|
2387.22 | nah... ?? | LENO::GRIER | mjg's holistic computing agency | Mon Dec 02 1991 11:15 | 12 |
| Re: .21:
Really? I always had a much simpler vision of a hurdy-gurdy, not to
mention that on their albums they list the instrument as a "bass
drone," but then they write fairly serious music and I guess
"hurdy-gurdy" wouldn't fit with the tone.
I would definitely like to get my hands on one. But then again,
I want to start saving for that Mark IV someday... ;-)
-mjg
|
2387.23 | | KOBAL::BASLIN::RYAN | Think spring! | Tue Dec 03 1991 07:44 | 26 |
| re .2:
> Another example is the "solo" line of "Just Like Heaven" by The Cure.
> Robert Smith plays an Amaj scale on the B string (mostly) while letting
> the high E string sound open on each note.
Is that what he's really doing? Oh well, I never worry too
much about precise accuracy:-). I play full chords for that
descending down the neck (and ascending, of course, on the
third rep), using the open A and E strings as a "drone".
An even better example is another Cure song I'm working on
now - "Pictures of You". The recording has, oh, at least
three guitars play single note rhythm lines in a layered
fashion. The chords are just A and D (until it gets near
the end, anyway) - what I'm doing is playing just the
"lead" rhythm line over the appropriate open string, which
is a really nice effect. Gets a little trickier towards the
end, where I've actually got to fret that bass note:-), but
I'm working on it.
In addition, I've got one partially written song based on
a Cmaj7/F#7/Bm progression with the high E string left open
and ringing (hey Buck, what mode is that?:-).
Mike
|
2387.24 | Yes? | STAR::SALKEWICZ | It missed... therefore, I am | Tue Dec 03 1991 13:04 | 10 |
| One classic example of drone notes is the use of the high E string
open during the "fast" part of Maleguana (sp?)
One slightly more modern example is the use of the open G and D
strings in Blackbird.
Actually,.. I'm just making sure I know for sure what a drone note
is by citing these examples to see if anyone disagress.
/Bill
|
2387.25 | yep, you got it | GOES11::G_HOUSE | Tommy The Cat | Tue Dec 03 1991 14:15 | 4 |
| I'm not familiar with Maleguana, but Blackbird is a great example of
this!
gh
|