T.R | Title | User | Personal Name | Date | Lines |
---|
2086.1 | | COMICS::IMBIERSKI | Three views of a secret | Mon Jan 28 1991 11:03 | 9 |
| I have used a Laney 100 Linebacker bass amp for jazz gigs for the past
year and a half. I bought it for its compact size, and have been very
pleased with it. I play 5 and 6-string basses through it and it
reproduces the low B quite well (it has a 15" driver). It does however
run out of puff when playing with a loud drummer(!). A sales assistant
once put me off Laney saying they are unreliable, but mine has never
let me down and has taken quite a bit of punishment.
Tony
|
2086.2 | | AYOV11::SROBERTSON | | Tue Jan 29 1991 20:42 | 5 |
| It's funny you should say "it runs out of puff with a loud drummer"
because our band had a practice in a hall today - we normally play
in a front room - and I was getting a lot of distortion with very
little gain on and have to keep putting the 70hz band down to 0.
Other than that it sounds good.
|
2086.3 | | COMICS::IMBIERSKI | Three views of a secret | Thu Jan 31 1991 09:46 | 16 |
| Sounds like you have a different model to me as mine doesn't have a
graphic. It has bass, treble and sweepable mid, plus presence.
BTW last week I bought a Trace Elliot GP12 pre-amp and now use this to
feed the Laney's power stage through the effects return jack. This has
vastly improved matters - the amp is a LOT louder and there's no
apparent distortion (at least I've not yet had to turn it up far enough
to get any!)
Using the pre-amp in this way bypasses the Laney input stage, tone
controls etc (ie none of the Laney's controls, not even master volume
affect the sound) and the amp simply boosts the signal from the TE
pre-amp to speaker level. It works well and is a great compromise if
(like me) you can't afford a whole Trace Elliot rig.
Tony
|
2086.4 | | AYOV11::SROBERTSON | | Tue Feb 05 1991 05:53 | 6 |
| Thanks for the tip I will try this in the near future.I have a new bass
coming in the next few weeks,Hohner Jack,and hopefully this will
improve the sound as my old Ibanez Blazer had dodgy pickups.
Does this mean,refering to you using the pre-amp,that the laney amp is
under powered compared to the speaker as the speaker can obviously
handle more power than the amp can handle?
|
2086.5 | | COMICS::IMBIERSKI | Three views of a secret | Tue Feb 05 1991 13:18 | 15 |
| I wouldn't say the amp is under-powered for the speaker. It's normal
for the speaker to be rated well above the amp so as to minimise the
risk of blowing it.
Since entering my earlier note I actually tried turning the preamp up
as far as it would go to see when distortion occurred. It DID begin to
distort after a certain volume, but it was bl**dy loud by then!!
The Trace preamp definitely drives the Laney power amp harder than the
Laney's own pre-amp. This gives the combo a useful volume boost.
However the main thing is it gives a much *clearer* sound at high
volume than you get using the combo on its own. The two are not
perfectly matched, but they do work well together.
Tony
|
2086.6 | don't ask - don't learn | AYOV16::SROBERTSON | | Tue Feb 05 1991 14:18 | 17 |
| Sorry for keeping picking your brain but as you should have realised by
now I don't know too much about amps so one more question.
I asked this when I bought the amp but I honestly don't think the guy
knew the answer.
On the front of the amp is a DI socket and there is also one on the
back of the amp.[there is also the effects loop],DI is for running an
extra amp and speaker e.g. for stereo,so don't you just use a line out
from the front to run this other [slave] amp to get the same sound
out of the slave amp as you get out of your original amp.And what is
the DI at the back for then? I don't have an other amp to try this
and haven't managed to get any answers from friends.
thanks for you help!
stuart.
|
2086.7 | | COMICS::IMBIERSKI | Three views of a secret | Wed Feb 06 1991 09:30 | 32 |
| No problem Stuart!
Firstly - the bit I'm sure about! The duplicate DI sockets on the front
and back of the amp are almost certainly wired together - they just
give you 2 alternative options where to plug the jack in. The reason
for this is that the head may also be available as a separate item,
possibly rack mounted, and the rear DI socket would normally be more
convenient for a permanent set-up keeping all the cables round the back
out of the way. The front socket would be more useful for a quick,
temporary set up, ie when di'ing live into the pa desk.
Now the bit I don't know that much about - what is the difference
between DI and line out?
Well, as far as I guess, line out is just tapping into the signal as it
enters the amp, and would be the normal thing to use to connect up a
second amp on stage. Both amps should then sound more or less the same.
DI (direct inject) is a term I've heard used in the studio regarding
plugging a guitar or bass direct into the mixing desk rather than using
an amp. I'm not sure why but putting the guitar output straight into
the desk doesn't work too well. Instead you use a 'DI box' which
normally has a standard jack input and XLR output. The DI box somehow
balances the guitar signal to be what the mixing desk requires. Thus
the DI on the amp I assume gives you the same sort of output as a DI
box - ie it can go straight into the desk in the studio or PA desk when
playing live.
Hope this is correct!
Tony
|
2086.8 | bzzz!!! wrong answer! | HAMER::KRON | IS_THAT_A_SEARS_PONCHO? | Tue Mar 26 1991 09:17 | 4 |
| geez ....when all else fails ;blame ibanez!!!!
I thought those pickups on the blazers were dimarzios!
-Bill
|