T.R | Title | User | Personal Name | Date | Lines |
---|
2041.1 | Submit it to Tom ! | GSRC::COOPER | MIDI Rack Puke | Mon Nov 26 1990 12:31 | 7 |
| Mike, why don't you send a copy of your tape to Tom Gallo as
a submission to the GUITAR NOTES tape ??
That way you'll be imortalized a a DECcie/Guitar Noter, and we can all
hear this song ?
jc
|
2041.2 | ditto! | HAMER::KRON | | Mon Nov 26 1990 13:55 | 1 |
|
|
2041.3 | addresss | DNEAST::PUSHARD_MIKE | | Mon Nov 26 1990 14:30 | 5 |
|
A good idea...An address please. Thanks.
Mike
|
2041.4 | song structure | XOANAN::HEISER | my son is student of the month | Mon Apr 08 1991 15:00 | 9 |
| Sorry mods, but I didn't know where else to put this...
Can someone recommend some reading material on song construction? I
haven't been writing long, but usually just write what I feel. I don't
know anything about song structure, but would like to.
What are some "standard" techniques that you use?
Mike
|
2041.5 | verse, chorus, bridg | LEDS::BURATI | Infidel THIS! | Mon Apr 08 1991 15:31 | 47 |
|
RE .4
I'm not sure if you mean song development or structure. If it's
structure that you want, my favorite pop arrangements are usually
something like these:
intro
verse
chorus
verse
chorus
bridge
verse
chorus
chorus
out
or
intro
verse
verse
chorus
verse
chorus
bridge
verse
chorus
chorus
out
The Beatles' EIGHT DAYS A WEEK was different, probably because they
didn't have more lyrics. It went something like this:
intro
verse
chorus
bridge
verse
chorus
bridge
verse
chorus
out
Remember, the bridge is very important.
|
2041.6 | clarification | XOANAN::HEISER | my son is student of the month | Mon Apr 08 1991 17:00 | 3 |
| I guess I meant development.
Mike
|
2041.7 | humm a few bars | LEDS::BURATI | Infidel THIS! | Mon Apr 08 1991 17:24 | 4 |
| AAAHHHH. Well that's much different. I haven't quite figured that
one out yet.
Ron
|
2041.8 | Off the track? | BEEZER::FLOWERS | I have a burning ambition... | Tue Apr 09 1991 04:05 | 33 |
|
All I could suggest (I have only just started writing stuff) is that
you tape everything you play when you sit down to fiddle, that you make
notes somewhere of every line you think up or every line you hear
someone say....you know when the old lady on the train sat next to
comes out with a comment and you think 'Wow great lyrics'....write
it all down.
Then wait a while.
Then start to write, if you get to a point where you think 'What the
hell am I going to do next', make sure you have what you've got down
already written/taped and then.....
Wait a while.
If you do this for a while you will end up with loads of stuff that
will hopefully help you finish things up, or spark off new stuff.
The only thing I would say to avoid is the old 'I'm gonna sit down and
write a song' mainly coz I can't do it that way (I've tried) and it
gets you down.
Just my HO
J. (Who just this weekend wrote what he thinks is a killer hook! but
then again he would!!!!)
PS. Even better than carrying around a notepad is one of those tiny
cassette players, coz you can hum into them, so you have a record
of every tune, lyric, whatever.
|
2041.9 | BTW Its my B/Day!! | BEEZER::FLOWERS | I have a burning ambition... | Tue Apr 09 1991 04:11 | 14 |
|
I think maybe my last reply was not what you asked (although it might
help).
A little thing I use (beware! everybody probably does this) So
you have strung some chords together and you have some verses and
you are stuck with what to play for the chorus or the bridge.
Work out what key you are playing in and for the bridge/chorus start
fiddling around with chords in the relative major/minor it might give
you a few ideas.....and it will fit. (Mostly) Or take the whole riff
up a tone and see how that goes.
J
|
2041.10 | what about lyrics-music relationships | XOANAN::HEISER | my son is student of the month | Tue Apr 09 1991 15:04 | 12 |
| Re: -1
Happy Birthday! That's more in line with what I was wondering as far
as the music goes. I've been experimenting with this and I'm getting
more confident in it.
How about for writing? Do you just use what sounds okay? Or do you
apply, for example, beats per measure to each sentence? Does beats per
measure dictate if you should rhyme every other line or every third
line?
Mike
|
2041.11 | | WHELIN::OMALLEY | Homey Cheese Whiz Kid | Tue Apr 09 1991 17:03 | 3 |
| Step #1: Have something to say.
Surpising how many people omit this step...
|
2041.12 | | PIPPER::KELLYJ | Tone droid | Tue Apr 09 1991 17:25 | 12 |
| Actually, having something to say is the hard part. I feel like the
lyrics I write are incredibly trite and stupid sounding.
The only time the lyrics sound better occurs when I write a song
completely and quickly. When I have to struggle of the lyrics, they
wind up sounding too forced.
Any other noters with hints for writing witty, cool, insightful,
catchy lyrics ;^) ?
Regards,
Johnny Jupiter
|
2041.13 | Hahaha! | GOES11::G_HOUSE | Stereotype, monotype, blood type... | Tue Apr 09 1991 17:30 | 8 |
| Just make 'em as cryptic as possible and even if they don't mean squat
to you someone will read something into them and think you're
profound...
;^)
Greg (who's written a lot of really cryptic poetry in his time, but not
a lot of songs)
|
2041.14 | No? | WHELIN::OMALLEY | Do not taunt Happy Fun Ball | Tue Apr 09 1991 17:47 | 1 |
| re: .13 Sounds like Yes.
|