T.R | Title | User | Personal Name | Date | Lines |
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2004.1 | I recommend... | ZYDECO::MCABEE | Learning the First Noble Truth | Mon Oct 22 1990 14:47 | 18 |
| The "galloping sound" is the sound of notes not evenly spaced - a result of
bad practice. Like nearly everything else, you should start off slowly,
keeping the notes evenly spaced. Do this even if it means playing at what
sounds like an absurdly slow tempo. Increase the tempo regularly, but never
play it faster than you can do it "perfectly".
This slow practice has the added benefit of lettng you really pay attention to
the tone quality of the individual notes. Use this time to work out the
subtle details of the attack with i, m and a.
Spend as much time tremming on the 2nd and 3rd strings as on the 1st.
Laurindo Almeida does his tremolo with only three fingers (pim). I don't think
this flows very well. Most people use pima.
Hope this helps.
Bob
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2004.2 | | ICS::CONROY | | Wed Oct 24 1990 13:44 | 25 |
|
I agree that you need to start slow and practice with a metronome,
but it may take a long time before you can do this very fast and
accurately with notes evenly spaced. Not to be discouraging, but
do you want to spend all that time on a technique that is used
in just a few places? There's lot's of great guitar music that
doesn't require tremelo and very little that does.
(My answer though is, yes, it is worth the time to do right. Just
be vewy, vewy patient)
One other point, all the methods, articles, teachers, I've seen or
talked to etc. say to use p-a-m-i as the fingering.
That's thumb, ring, middle, and index.
I would also recommend using sections of a piece of music to practice
from, "Recuerdos..." is the best known one.
There was a recent guitar player article on tremelo. I'll look it
up and see if there's any other suggestions there. Hope this helps.
Cheers,
Bob
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2004.3 | | LARVAE::BRIGGS | They use computers don't they? | Thu Oct 25 1990 12:26 | 14 |
|
What IS tremelo on a classical guitar?
Are we talking about the tremelo effect obtained by playing the same
note repeatedly very fast (as in Recuerdos de la whatever..) or the
type of tremelo (or vibrato?) obtained by bending or tensioning
(varying finger pressure)?
Does tremelo in the classical world mean something different to that in
the rock world (where I believe what is generally referred to as
tremelo is in fact vibrato?).
Confused of Basingstoke, UK
Richard
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2004.4 | | ICS::CONROY | | Thu Oct 25 1990 13:35 | 8 |
|
That's it. It's playing the same note very fast. Vibrato is
as you said, moving the fretting finger to alter the note
slightly.
Technically the classical guitar doesn't really have a tremelo
if you want to be nit-picky about it. It's supposed to be like
the fast brushing of the bow on a violin, etc.
|
2004.5 | | ZYDECO::MCABEE | Learning the First Noble Truth | Mon Oct 29 1990 10:36 | 4 |
| I think it's really a bit of flamenco technique that migrated to the classical
world.
Some people pick it up pretty quickly, others never catch on.
|
2004.6 | TRY A BOOK BY SEGOVIA | BALMER::BEYZAVI | | Wed Oct 31 1990 14:29 | 4 |
| Segovia (god rest his sole) wrote a book on tremolo. The book is
about five pages, it expalin the art of playing tremolo on a step
by step method. I followed through the book, it gave me a good
foundation to play tremolo on classical or flamenco guitar.
|
2004.7 | | BSS::COLLUM | Oscar's only ostrich oiled an orange owl today | Thu Nov 01 1990 10:21 | 6 |
| I'm rolling!!! "Sole" is the bottom of your shoe. Don't you mean
soul?
Hilariously, but understandingly yours,
Will
|