| Title: | GUITARnotes - Where Every Note has Emotion |
| Notice: | Discussion of the finer stringed instruments |
| Moderator: | KDX200::COOPER |
| Created: | Thu Aug 14 1986 |
| Last Modified: | Fri Jun 06 1997 |
| Last Successful Update: | Fri Jun 06 1997 |
| Number of topics: | 3280 |
| Total number of notes: | 61432 |
Has anyone tried/seen/heard 1 of these? I've only seen them advertised in Guitar Player. *DC
| T.R | Title | User | Personal Name | Date | Lines |
|---|---|---|---|---|---|
| 1991.1 | SALEM::TAYLOR_J | Fri Oct 26 1990 12:24 | 4 | ||
I called Daddys in Nashua and they told me they have some on
order for 179.oo, and that they are pitch transposers. They
are red and look like the old Morley pedals
Jon
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| 1991.2 | Whammy Pedals | HPSRAD::JWILLIAMS | Mon Nov 19 1990 14:40 | 23 | |
I've got the equivelent with my Roland GP16. I don't use it and I don't recommend it. Pitch transpositiion is very complex and I have yet to hear one that sounds good on it's own. Problems I see with it: 1) Unwanted delay: There is a noticable delay between when you hit the string and sound comes out. 2) Stepped sweep: There is a noticable granularity when you sweep frequencies. It doesn't sound smooth, rather like a series of sharp steps. 3) Unwanted harmonics: You can get some really shrill harmonics out of it. If you distortion cranked, it's less noticable. In summary: Clean sounds, forget it. Crunch sounds, maybe, but only for slow songs. Practice, perhaps: The only advantage I can see to it is for fine tuning a guitar to match what ever is playing on the radio. Nowadays, with CD's, very few songs are out of standard A-440 tuning. Those that are are recorded that way. John. | |||||
| 1991.3 | Digitech Whammy Info Wanted | HPSCAD::GATULIS | Frank Gatulis 297-6770 | Thu Dec 20 1990 12:10 | 9 |
Has anyone seen, tried, have and opinion of the Digitech Whammy Pedal?
My son (plays heavy metal stuff) is interrested.
Thanks
Frank
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| 1991.4 | Digitech Whammy Pedal | GOES11::G_HOUSE | Walking the path of ToneQuest | Thu Jan 10 1991 11:52 | 10 |
There is a short review of this unit in the Feb. issue of Guitar Player
magazine (p.134) and they gave it glowing reviews. The reviewer said
tracking delays were "almost imperceptable".
He also used phrases like "not a toy" and "sonically insidious enough
to captivate high-end gearheads".
I want to try one, it sounds pretty interesting!
Greg
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| 1991.5 | ICS::BUCKLEY | not a trace of us left... | Thu Jan 10 1991 13:18 | 1 | |
SO WHAT DOES IT DO?!?!?!? | |||||
| 1991.6 | Yazzzz I like it! | DNEAST::GREVE_STEVE | Greee Veee King | Thu Jan 10 1991 14:47 | 13 |
You're gonna love it.. Daddy's in Portland wanted 179 for one.. it
actually whammy's with a pedal... it harmonizes (it that something like
simonizing? Will it keep my axe cleaner? I lover playing clean..) 3rds
4ths 5ths whatever you pick.. anf it does this variable pitch shift..
it's kind of like a variable chorus.. sounded kind of sick to me and I
probably wouldn't have any use for it.. but the whammy and harmonizing
is serious stuff I liked it alot and I'm fighting the temptation to
blow this month's house payment on one.. but then I'd be three months
behind instead of two and I'd probably be living alone..
Greee Veee King!
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| 1991.7 | For your reading enjoyment | GOES11::G_HOUSE | Walking the path of ToneQuest | Thu Jan 10 1991 15:26 | 46 |
re: What does it do?
Here's the article:
COOL IDEA - DIGITECH HAS CAPTURED A FEW OF the IPS-33B Super Harmony
Machine's most useful functions in a relatively low-priced ($249.95)
floor unit. While the Whammy Pedal offers only a fraction of the
IPS-33B's sonic power, it's no toy-this box can wreak some serious
audio havoc.
The unit does three things, and does 'em damn well. In "whammy" mode,
it works as a digital whang[sp] bar, providing pitch bends of up to two
octaves, up or down. In "detune" mode, the pedal controls the amount
of detuning (up to 100 cents) , a sort of groovy manual chorusing
effect. And in "harmony" mode, it combines your dry signal with its
pitch-shifted cousin, the harmonization sliding between two pitches as
you pedal. For example, select the "fourth down/third down: setting;
play a D on the third fret of the second string and (get a day job,
Keith) it's the opening lick of "Honky Tonk Woman." Pedal-steel
wanna-bes will really go ape over this gizmo.
Each performance mode offers several variations. When whammying,
you can set the pedal to ben an octave, two octaves, or a major second
down, or one or two octaves up. (The whammy function works best with
single notes.) You can also choose from two detuning depths and nine
harmony variations. The wet/dru mixes are predetermined - 100% effect
in whammy mode, 50/50 in the others - but seperate wet and dry outputs
let you adjust the balance with two amps or a mixer.
The pedal sounds just great (the 20Hz-12kHz frequency response is
plenty wide for guitar applications), and the tracking delays are
almost imperceivable. displacing an note by, say two octaves doesn't
exactly ksound natural, but the extreme digital transpositions have an
eerie, edgy quality that I, for one, dig.
The only features on the pedal's tough, appealingly low-tech housing
are the function-select knbo, a bypass swithc and LED, four jacks (for
input, wet and dry output, and the detachable power supply), and the
pedal itself.
The Whammy Pedal is a welcome droplet of trickle-down technology,
priced for the 6-string proletariat, yet sonically insidioius enough to
captivate high-end gearheads.
- Joe Gore
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| 1991.8 | ex | HPSCAD::GATULIS | Frank Gatulis 297-6770 | Thu Jan 10 1991 20:58 | 14 |
My son got one for christmas and absolutely loves it. It does a nice
job of tracking solo stuff. I particularly like the octave stuff and
the detune which gives a chorusing effect.
I was disappointed in one area. I thought it would be a neat way to
easily tune the guitar when playing along with those many tapes which
always seem to be slightly # or b. It's fine for melody be can't cut
tracking chords in most modes. Seems like a neat toy and he's learned
how to get some nice effects.
Frank
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