T.R | Title | User | Personal Name | Date | Lines |
---|
1692.1 | | DECWIN::KMCDONOUGH | Set Kids/Nosick | Fri Feb 23 1990 10:27 | 9 |
|
Well, one thing I do (and my band is about to do) is to create sets
out of the songs and the rehearse the sets. We will then rehearse the
sets until we are comfortable with them.
It's easier than pulling random songs from the list and it makes things
go much smoother at the gig.
Kevin
|
1692.2 | No short cuts! | BAHTAT::BELL | SWAS Leeds 845 2214 | Fri Feb 23 1990 11:41 | 12 |
| You just keep playing the songs. I've never found a short cut to
learning chords, just practice. As for lyrics I try to get a copy of
the song onto a cassette and play it over and over in the car when
driving to and from work. Sing along with the tape as you drive.
I would second Ken's note about working out a set before you go out.
There is nothing worse than everybody saying 'OK What's next then.?'
I keep my set lists in All-In-1 so I can use DECpage to print out nice
big letters which are easily read and give everybody a copy.
Individuals can then make their own notes about settings, effects etc.
Richard
|
1692.3 | yeah.. | ACESMK::RUDNICK | | Fri Feb 23 1990 11:43 | 5 |
|
yeah... yer right... never is a short cut. i've tried the put the
lyric sheet under the pillow thing but so far nothing...
ben.
|
1692.4 | Belt it out! | CSC32::MOLLER | Nightmare on Sesame Street | Fri Feb 23 1990 15:35 | 15 |
| It gets better. I try to work in a new song every 2 weeks.
By the time you hit 200 songs, you start forgetting some of the
lesser played songs. Once you start playing out, you'll feel
better about what you are doing & some of the stage fright
(one excuse for forgetting a part) will pass. Don't hesitate
to jot down the chord progressions & have them handy for when
you are playing.
In my case, I often forget the words to what I'm singing &
then I improvise, or sing the previous verse/chorus. We all
screw up some time. Don't let it get you down & don't go around
counting other peoples mistakes unless you want to pi$$ of your
other band members.
Jens
|
1692.6 | 2nd attempt stupid computer | KIDVAX::ALECLAIRE | | Fri Feb 23 1990 21:23 | 0 |
1692.7 | | KIDVAX::ALECLAIRE | | Fri Feb 23 1990 21:25 | 1 |
| dont play out until you are ready
|
1692.8 | | LARVAE::BRIGGS | They use computers don't they? | Tue Feb 27 1990 12:53 | 17 |
|
Interesting point this. I too have trouble getting the last 10%
together. I'll work like a slave on some instrumental and then just
never get round to rounding it off nicely.
My theory is it says something about your character! Could it be that
if you don't learn it quickly then you get BORED with learning it and
you yearn to move onto something new? I know I do. And its not just the
guitar either that I notice this. I will never be an expert in any one
thing in my life I'm sure. I'm always convinced that there's something
more interesting to be learnt.
Advice? When picking up a new piece hammer it to death non-stop NOW
until you know it. Don't let it drag on. Thats what I do.
Richard
ps I'm serious!
|
1692.9 | Anarchy in the learnng process! | CMBOOT::EVANS | if you don't C# you'll Bb | Wed Feb 28 1990 03:55 | 22 |
|
A tip that was passed onto me by a pro was in the form of a
question. He said why learn a piece in the order its written?
If he has a longish piece to learn he picks out the nasty bits &
works them till they're not a problem. Then he works on the ending &
gets that as sweet as possible, his theory being that the end is the
last bit the audience hears & if it's really good it leaves a generally
good impression even if the piece flags a bit elswhere. Actually
putting the whole piece together is the final task & by this method
it's just a case of getting continuity between sections.
Problem with learning a piece start to finish is that the beginning
is practised most so that comes out good, the middle drop & the end is
not learned (as this topic shows). So section up the piece into small
chunks & have the will power to leave the beginning till later. This
way you'll never be able to start a piece till you can end it so the
incentive for that extra bit of effort is greater....I think:-).
Cheers
Pete.
|
1692.10 | Good idea! | BSS::COLLUM | Just do the move! | Wed Feb 28 1990 12:49 | 4 |
| One of the best ideas I've heard yet.
Thanks,
Will
|
1692.11 | thanks. | ACESMK::RUDNICK | | Fri Mar 02 1990 11:14 | 5 |
|
Thanks for the ideas guys. I'll use em' all and see what works best
for me.
Ben.
|
1692.12 | Help me too! | RAVEN1::BLAIR | I toad you once, I toad you twice | Fri Mar 02 1990 13:48 | 11 |
|
The reply about learning in chunks (not from the beginning) is real
good advice for me too. As a beginner, I often get frustrated learning
a new song. It seems like I get sick of my favorite song before I
learn it because of all the repetition. Learning it in chunks would
make for some excitement when you put it all together. I'm gonna try
it on "Baby Blue" which Steve D. deciphered for us.
Thanks,
-pat
|
1692.13 | I cheat... | LAUSAN::SIMMONS | Boris, this is not Godunov | Thu Mar 08 1990 08:35 | 7 |
| I use cards with the chord progressions stuck on the upper side of my
acoustic guitar with blue tack and usually find that after a while I
just dont look at them any more - certainly makes you feel more
comfortable on new pieces. Doesnt work with my Charvel since I aint got
enough room to stick the cards on !
Rich.
|
1692.14 | Play out | MAMIE::LIVELY | | Mon Mar 12 1990 16:23 | 30 |
|
First; you will need about 15 tunes to fill a set. Fourty tunes
is just enough for a one night stand if you repeat. If you are going
to play a second night, you will need some different tunes, say
ten you didn't play the night before. That means you need 50 tunes,
most working duo's will have twice that many.
If you can't remeber a tune after going over it a few times, DO
NOT include it in your first outing; if you must, use it in the
later sets and follow it with something you know well.
Make a tape of the tunes you want to learn/polish and listen to
it as much as possible. Go over the hard parts as many times as
necessry with your partner, have him/her give you ques or lead in
notes if it helps.
Fake the lyrics if you can't remember them when you've already
started a tune.
Never make excuses on stage unless you hurt someone.
Work in a new song everytime you play out, it will help you focus
on what you don't know, and let you see if the tune is worth the
trouble.
I don't like to learn tunes that I don't think I will play it ten
years, I've been playing some of the same tunes now for twenty years,
I still might get them right someday.
Hang_in: Keith
a tune.
|
1692.15 | | GOOROO::CLARK | say goodbye to Madame George | Tue Mar 13 1990 08:57 | 7 |
| learn easy songs i.e. When I Paint My Masterpiece is preferable
to Weather Report Suite (to phrase things in Dead terms)
There's no law that says that hard songs are any 'better' than
easy ones. In fact, I find just the opposite to be true.
But then again, maybe I'm not a 'serious' musician :-)
|