Title: | GUITARnotes - Where Every Note has Emotion |
Notice: | Discussion of the finer stringed instruments |
Moderator: | KDX200::COOPER |
Created: | Thu Aug 14 1986 |
Last Modified: | Fri Jun 06 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 3280 |
Total number of notes: | 61432 |
I have a double bass with a stick-on type Aria microphone which I record directly into a Fostex 260 multitrack tape deck. I was thinking about improving the quality of the results of this setup by adding a compressor/sustainer. What do you suggest as gadget in the mid-low budget range (< 100 $)? Are the BOSS compressor/limiter pedals any good and usable in this kind of application or are they good only for electric guitars (the models I am talking about are CE-2 and CE-3 ...or cs-2 and cs-3)? Can they be used as well with normal dyn-microphone for recording with compression for instance a soprano sax? thanks a lot, E.
T.R | Title | User | Personal Name | Date | Lines |
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1603.1 | Look At dBx and Alesis | AQUA::ROST | Everyone loves those dead presidents | Wed Dec 20 1989 08:21 | 22 |
Pedal compressors are looking for a guitar signal, about 250-1000 mV, while a microphone puts out only 50-100 mV. While it can work with a microphone , it may be rather noisy. Of course, a 260 has an insert loop on each input channel, so you could always patch the effect in there. The Boss CS-2/3 in particular are optimized for adding sustain to guitars. For a pedal, they are relatively quiet, but Boss now also makes a CS-2B which is optimized for bass applications. dBx makes a nice low-priced compressor (here in the U.S. about $150) that has a microphone input on the front panel. Model number is 163X. It's easy to use and will sound better than the Boss pedal. I prefer to use a limiter myself for recording bass rather than a compressor, since I try to retain most of the dynamics, but want to tame the peaks. Alesis makes a stereo limiter that sells in the U.S. for $119 that is worth a look and listen. Brian |