T.R | Title | User | Personal Name | Date | Lines |
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1334.1 | a few ideas | STAR::TPROULX | | Thu Jun 08 1989 11:00 | 28 |
| Good topic! I too have noticed that music stores tend to
slam brands that they don't carry. Whenever a salesman
does that, he/she loses credibility with me. Now, an objective
comparision of two brands is different...
I don't really think that I would like to be
in the music store business, but I've often thought of how
I would do it if I was. One concept that I would like to
see is a "Amp Room", soundproofed and set off from the
main part of the store. Lots of HiFi stores do this. That
way you can really compare the merits of an amp without
bothering people on the phone or feeling self-conscious.
Similarly a "Drum Room" would be a plus. Drummers seem to
get treated like second class musicians. I don't play drums
but it seems like most stores don't have much variety/stock
for drummers.
The biggest pain is when you are ready to buy something, and
you go to the nearest dealer for that product with cash in
hand, and they are out of stock. "Well we can order it for you
but that will take X weeks." Why do all music stores wait until
they run out before ordering more of something? If I had a store,
I would try to keep a decent stock. Unfortunately, it's cheaper
to run lean and mean.
As far as brands, I would definitely have Fender, Gibson, and
Ibanez guitars. The rest Mark mentioned are all good.
|
1334.3 | | PNO::HEISER | Cold Rock The Groove | Thu Jun 08 1989 14:04 | 15 |
| This is also something I thought about, especially if DEC offers
the "buyout program".
All the previous ideas are great. Some others that I'd do are:
1. Stock a few lines of keyboard gear too to attempt to level off
some of the peaks and valleys of small businesses.
2. Sell current state of the art MIDI computers also like Apple
and Atari ST. Same reasons as #1.
3. Excellent staff (as mentioned before) that can teach as well
for evening classes.
4. Small music library for various documentation, media, etc.
5. What would a full-service music store be without a repair center?!
Mike
|
1334.4 | Just an idea... | ELESYS::JASNIEWSKI | I can feel your heartbeat faster | Thu Jun 08 1989 14:39 | 18 |
|
I'd run it like a hoc shop. There's so many used "musical
instruments" for sale in this location of the country that I figure
this must be what happens to one out of every three that are purchased
"new"...
Ever add up all the prices for every ad placed under "instruments"
or "accessories" in the WantAd? It's quite an inventory, in terms
of dollars...
Perhaps, it'd be nice to have a single location to go and buy
used instruments and equipment, instead of having to traipse around
half the state going to people's houses or whatever.
Alas, I digress. I keep forgetting that people dont want anything
"used". "Eeeeeeeewww! It's *used* - somebody else touched it" Sheesh...
Joe Jas
|
1334.5 | | STAR::KMCDONOUGH | set kids/nosick | Thu Jun 08 1989 15:25 | 26 |
|
I would have to limit my music store to guitars, guitar amps, and
related equipment. I don't have the expertise in other instruments
(keyboards, drums, etc) to do it right.
I also tend toward mostly used instruments and equipment. No
over-priced collector's items. Just good, solid gear in the $200-$1000
or so range. (I might have to work on those ranges 8-) )
I like the idea of a sound room to test the gear. A first-rate,
in-house repair facility would be a necessity. If I sold something,
I'd want to be able to stand behind it when it went out the door.
To me, the atmosphere of the store would be real important. You know
the kind of place - kind of like a funky bookstore except with guitars.
A place where guitar players come the day before Christmas to hang out,
tells some lies, and jam. The kind of place where even if the chains
have a lower price on an item, you buy it there because the people are
OK and you know you'll never get screwed.
My store would never make a lot of money. But it would be a lot of
fun.
Kevin
|
1334.6 | | AQUA::ROST | It's the beat, the beat, the beat | Thu Jun 08 1989 15:27 | 11 |
| Re: .4
There was a store down in CT that used to be run like that. I bought
a few things from them when I was a young sprout and couldn't afford
anything new. The trouble with a store like that is that the stock
is pot luck. One day you may walk in and find some great stuff
and another there might be nothing but garbage. The dealer has
to have a good idea what will actually walk off the floor.
I like those kinds of stores, used gear has more, eh, "character"
to it. 8^) 8^) 8^)
|
1334.7 | de competition !! | ANT::JACQUES | | Thu Jun 08 1989 16:33 | 65 |
| There is definately a market for used gear, and I for one have no
objection to buying used if the price is right. The stores that
come to my mind are McDuff's, Billy Lees, and Daddy's as far as places
to find used gear in the central Mass area.
McDuffs could be improved 100% simply by doing a housecleaning, and
re-arranging the store to better display what he's got. Some of the
old pieces that may never sell should be marked down to next to
nothing just to get rid of it. His selection of acoustics is nice,
but almost none of the ones he handles come from the factory with a
pickup. I would order 90% of acoustics with pickups, 10% without
since most people eventually want/need to amplify their guitar.
His selection of effects, mics, amps, etc. is like patchwork, even
in new stuff. I would settle on one major franchise and try to carry
the *FULL* line, rather than having a mixed bag, with no one brand
being well displayed or represented.
I can't understand for the life of me how Billy Lee stays in business.
His selection of quality stuff is almost nill. If it weren't for
the fact that he also deals in guns and coins, he probably would have
gone under a long time ago. His sign boasts Gibson, and Crown, but I
have never seen more than one Gibson locked up inside a glass case
where no one can touch it, and a bunch of Crown catalouges, no inventory.
Daddys deals in used gear, but usually does not have enough Fender,
Gibson, etc, and too much no-name junk. Their prices for used gear
are top dollar, also. The Shrewsbury store is really lacking in
rack-mount gear, which the public clearly wants.
Of course, speaking as someone with no experience in the business,
I see things from purely an idealist point of view.
If I had to pick one store in the area that I would want to emulate
it would be Mr C's in Marlboro. Granted under the present management,
some people have complaints, but the things I admire about the store
is the size is just right to be manageable by a small staff, it is
generally well kept, and he prides himself in keeping an impressive
stock of Gibsons, and other highly desirable guitars in stock. He
also has a nice location, although parking can be a problem, especially
where some custmers walk out the door with Marshall stacks and other
large items. Unlike most small stores, he has a nice selection of
rackmount gear, but should definately get more into PA gear. He also
should change or augment the franchises he carrys of effects (ie Boss,
Roland, Alesis, etc). He also should pick up either Tascam, or Fostex for
recording gear.
The store that impresses me the most is Wurlitzers. Say what you
will about them, they have the best selection, period. They are
also very competitive on most things, especially if you know the
prices and haggle with them a little. A store like Wurly's takes
a lot of capital to support, especially at start-up. It takes a
major chain like EUW to secure the franchises they sell.
One thing that puzzles me is that you almost NEVER see music stores
located in shopping malls. I would think that there are enough people
interested in music to allow a music store to stay afloat in a prime
location, provided it was well managed. Years ago, I went into a
music store in Woodbridge, New Jersey, called "The Harmony House".
This store would blow most musicain away by todays standards. For
instance they had a guitar wall about 200' long chock full of Strats,
Gibsons, etc. and carried nearly every major brand that was popular
at the time (this goes back to about 1970 timeframe).
More later, got to get back to work...............
|
1334.8 | It *would* be fun... | CSC32::G_HOUSE | No, you're not there... | Thu Jun 08 1989 17:41 | 50 |
| >One thing that puzzles me is that you almost NEVER see music stores
>located in shopping malls. I would think that there are enough people
>interested in music to allow a music store to stay afloat in a prime
>location, provided it was well managed.
I think you don't see that very often because the rent on space in
malls are generally VERY high, and therefore the stores that choose to
be there need to be high volume and high profit.
There is a music store in one of the malls here in Colorado Springs. I
go in there and look around sometimes, but I'll never buy anything from
them, not even a magazine. Their prices are the highest in town and
the salespeople are neither knowledgeable or helpful. I considered
looking there, until a salesman offered to "demo a guitar for me". If
I don't touch it, I don't buy it. They tend to stock merchandise that
will appeal to the younger set, like brightly colored BC Rich and
Ibanez guitars (nothing else in electrics) and only stomp box effects,
no rack mount gear.
I can kind of see where they're coming from... A mall, IMO is not a
very conducive place to shop for musical equipment. There's not way
they could let you crank an amp up. When I demo stuff, I demo the
stuff, I'm not interested in having people hanging around hearing me
play. At the mall, EVERYONE hears. Most of the people I've ever seen
in there were under 18 and just wanted to screw around with the stuff,
not buy it. I just can't handle getting treated second class. I can
go elsewhere and be treated like I mean something to them!
As far as a store of my own, like some of the others mentioned, I'd
probably keep mostly used equipment. There was a store in Phoenix that
I really liked that had almost all used guitars, and lots of them. I
loved going in there (bought my first electric there). There seems to
be too much pressure and rigidity presented by the vendors for my
tastes. "You have to sell X amount of our stuff or you don't get any",
"You have to stock X number of this item to get Y amount of this
popular item", or "You can't sell Y other vendors competing product if
you sell ours", or "You can't sell our product because X store that
already sells this is too close to you", or "You can't discount our
product...". I just don't think I'd want to deal with that!
What I WOULD want would be a small courteous, knowledgeable staff. If
you treat customers right, they will generally come back. If you
don't, not only do they NOT come back, but they tell their friends not
to come down!
All in all, I think that having a music store would be an enjoyable
business to be in. I don't think it would be extremely profitable
monitarily, though.
Greg
|
1334.9 | One man's road to success !! | ANT::JACQUES | | Fri Jun 09 1989 10:05 | 48 |
|
Anyone that grew up in the Fitchburg/Leominster Mass. area is
most likely familiar with Jerry Martel's "Fitchburg Music Store".
Jerry had very little competition during the 60's and 70's music
explosion period, mainly because he had the lock on virtually
all the major franchises. The only other store in the area "Metro
Music" (presently the "Music Box") had only one claim to fame and
that was drums, since it was owned and managed by two brothers
(both drummers).
Jerry Martel had a reputation for driving around town in a differant
car every day (usually a Rolls Royce, Bentley, Jaguar, etc) and
flaunted his fancy clothes and jewelry. His home was worth millions
even at 60's prices, and when he eventually sold it, the Boston
Bruins bought it to house players when they practiced at the George
Wallace civic center. Make no mistake about it, there is definately
money to be made in this business, even in todays vicious climate.
One reason for his success was that he diversified, investing in
other businesses including an Antique/classic car restoration business/
dealership. His music store also sold stereo equipment, as well as
pianos and organs. He sold and serviced organs for most of the area
churches. He dealt in classical instruments for the school bands,
as well as the local drum and bugle corps.
Much of Jerry's windfall profits were made at the expense of parents
buying their children instruments they knew nothing about, or musicians
that did not have the patients to sell their used instruments outright
and traded them for next to nothing. Sound familiar ? My opinion is
that there are various ways a person could make a killing in this
business, either by cut-throat tactics, or by offering the public
consistantly fair treatment. The former being the fast hit and run
approach, and the latter being the slow but steady road to long
term success.
I know several people that have their own business (Unrelated to
music). In nearly all cases, they virtually starved for the first
couple of years, then either made it or went out of business. Some
of the ones that went under did so for good reasons. In most cases
they had no practical mind for business, did not keep adequate records,
issued credit they never recovered, or got involved in self-destructive
habits (ie. drinking, or spending money like water on frivolties).
As I mentioned in the base note, success in business takes a great
deal of discipline.
More later,
Mark
|
1334.10 | My $.02 | COMET::MESSAGE | Harder'n Chinese Algebra | Fri Jun 09 1989 11:25 | 54 |
|
WEll, for three years I managed and ran the daily operations
of a musical instrument store. While I had a great deal of fun,
there were some things that weren't much fun at all. In any job
where you deal with "the public", you run into your fair share of,
how shall I say this, unreasonable individuals, sometimes even the
owner (I know, I'd be the owner in this topic, and I'm VERY easy
to get along with 8^)). Things that I wouldn't do;
Hire "professional musicians" as salespeople. The best way to sell
a musical instrument is to put it in the hands of the prospective
buyer. Also, working musicians tend to cherry pick the best stuff
that comes into the store, and many of them have the personality
of a clam (remember our Ego topic?).
Extend credit from my receivables to "working musicians". This
situation jeapordized my commisions a couple of times, because much
of the "income" for the month was on paper only, with no cash (sort
of like the US government).
Open before Noon. I'd stay open late, like 10:00 p.m., but let's
face it, not too many "working musicians" get up before noon.
I'd stay off the manufacturer's floor plans. For those of you that
don't know how this works, you as the store owner don't buy the
products, but you "lease" them from the company (Gibson, JBL, etc.)
until Joe Public buys them from you. Sounds good, until you find
out that you have to carry lots of items that can't be sold as part
of the floor plan package. We carried some of the inventory until
we had literally paid as much as the RETAIL customers would pay
to purchase it! And, we STILL paid until it sold!
Many times, floor plans are part of the deal for getting a franchise.
I alone would deal with the manufacturer's reps. These guys are
frowned upon by used car salesmen, they're so sleazy! If you think
the store's salesmen are pushy about what you need to succeed as
a musician, multiply this by a factor of ten, and you get an idea
of what the reps. are like!
I'd show some compassion for people. I made some deals that were excellent
for the store, but, in all honesty, really screwed the unsuspecting
person. I know that they thought they got what they wanted, but
I'm not QUITE as cynical as P.T. Barnum. ALso, you need to remember
that the huge majority of the people that walk into the store believe
that they are going to be the next Elvis, Beatles, Bon Jovi, or
whatever. They walk in, with a sign over their head, flashing,
"Take advantage of me!" As the salesperson, it was like taking
candy from a baby.
Oh, well, enough for now. So, when do you guys want to open a store?
8^)
Bill
|
1334.11 | nit | BTOVT::BEST_G | Nostradamus: Fault's Prophet | Fri Jun 09 1989 12:45 | 15 |
|
re:.7
I think Mr. C.'s does carry Tascam. I bought a Porta 05 there about
four months ago. (I'm such a nit picker).
Concerning music stores in malls:
Here in good ol' Burlington, VT we have a music store in a mall
downtown. The guitars are mostly cheap copies. I looked at some
keyboards once and nearly gagged. They were literally twice as
much as the store across the street. And a month later the store
across the street marked theirs down $50!
Guy
|
1334.12 | buzzzzzz... | HAVOC::DESROCHERS | SAVVY Good Band * Music * Time | Fri Jun 09 1989 13:00 | 16 |
|
Well, I don't buy alot of stuff and will certainly never open up
my own store but, as a guitar player, this has always dumbfounded
me.
The guitars are never set up right. They seem to take them out
of the box and put them on the wall. I know a guitar's action is
personal but they seem to always be buzzing all over the neck and
are seldom close to being in tune. To me, keep 'em all playing
like butter and you'll sell them!! Sure, buy it and they'll set
it up for you. I'd at least like it to be somewhere near decent
already.
Kinda like buying a car that's in need of a tune up and having to
imagine what it runs like.
|
1334.13 | | PNO::HEISER | Cold Rock The Groove | Fri Jun 09 1989 13:50 | 9 |
| >< Note 1334.8 by CSC32::G_HOUSE "No, you're not there..." >
> probably keep mostly used equipment. There was a store in Phoenix that
> I really liked that had almost all used guitars, and lots of them. I
> loved going in there (bought my first electric there). There seems to
Greg, do you remember the name? Was it M.E.E. (Musicians Electronic
Exchange)?
Mike
|
1334.14 | this mall's got everything | BACALL::CALCAGNI | | Fri Jun 09 1989 17:15 | 14 |
| re a few back:
I don't mind Mesa Boogie's no-discount policy. In fact, I wish
more manufacturers sold their product this way. Have you ever
gotten a "good deal" on something, only to find out later someone
else bought the same item for $50 or $100 less? Aren't the music
stores always crying about being undercut by shoddy mail order houses?
Consistent pricing seems beneficial to both the store owner and the
consumer. Just think, dealers would be forced to compete on the
basis of selection and service. Ahh, to dream...
re music stores in malls:
anyone remember the Blues Brothers?
|
1334.15 | | AQUA::ROST | It's the beat, the beat, the beat | Fri Jun 09 1989 17:31 | 15 |
|
I agree with Rick about Mesa's pricing. If you like you can order
direct from Mesa for the same price as what the store charges.
What the dealer offers is a chance to hear the thing, possibly a
savings over the shipping (though you might have to pay some tax
instead) and possibly service if it breaks.
What the factory offers is they will let you order anything they
make as opposed to what the dealer may have on the floor. So you
can take your choice.
Not to mention that despite no discounts, Mesa prices are competitive
with most gear of like quality (as we discussed in the recent
"Boogie-is-too-d**n-expensive" note).
|
1334.16 | Bizarre Guitar | CSC32::G_HOUSE | No, you're not there... | Fri Jun 09 1989 18:21 | 10 |
| re: .13 Mike
The place was (is) called Bizarre Guitar. I believe it's on 7th Ave
(yes, I remember the distinction between Sts and Aves), south of
Camelback (but before you get to Indian School). I was there when I
visited last year and they were bigger than ever! If you've never been
there, you should check it out. They have an amazing selection and the
prices were excellent back then.
Greg
|
1334.17 | nice store indeed | PNO::HEISER | LA can have 3Peat, Celts have 8Peat! | Fri Jun 09 1989 19:08 | 17 |
| Yeah Greg, I was just at Bizarre Guitar 2 weeks ago. I took off
a Friday afternoon and visited all the big guitar shops in the valley.
Their sister store, Bizarre Drum is next door.
They seemed to have the best selection and the best prices of anyone
that I've visited in this area. They even had some VOX amps in there
and a Fender Strat 12 string, not mention the Les Pauls, Kramers,
Ibanez, Gibson Hollow-Bodies, Fenders, Martins, Sigmas, etc.
My wife wants me to get a 12 string so I tried out an Ibanez (all
they had in stock were the ones with the blonde wood finish). Played
almost as well as a Takamine, but it was only $245! They also had
Fender Strats for $210.
Ibanez is making a big push in the acoustic market too!
Mike
|
1334.18 | Favorite Mall Music store story | DREGS::BLICKSTEIN | Conliberative | Sat Jun 10 1989 15:22 | 48 |
| I once went into a "mall music store".
I met the most incredible salesman I ever met. This guy would make
Joey Isuzu look like a saint.
They were peddling these tiny little "Birdie" amps that were made
to look like Boogie's - they had cane grills and such and the Birdie
logo plate was pattern after the Boogie plate.
I could barely contain my astonishment when this guy started telling
me that these Birdie amps where actually "just as good as Boogie" and
that Boogie made by Boogie but were priced lower and renamed so as not
to affect the market for Boogies.
Now, let me make this clear - these things were el cheapo sleazy
solid state practice amps (like 6 watts) that had nothing in common
with Boogies - other than that they were "overpriced" ;-).
Now the reason why I was in the store was to pick up a synth I they
had been "repairing" for SIX MONTHS. When I complained that this
was ridiculously long for a repair, he started saying "well, we cater
to professional musicians and THEY know that these things take time
blah blah blah, and started indirectly stating that my attitude was
that of an amateur."
Sure, tell a pro that his bread and butter (his axe) is gonna be
gone for 6 months and see what kind of reaction you get. Also
the notion that this was a store that catered to professional
musicians was really incredible considering what they sold which
was mostly:
o Home organs
o "Easy Piano" songbooks
o Cheap guitars and amps
I mean this guy was INCREDIBLE!!! Lying, and rather obviously so,
through his teeth in almost everything he said. Almost non-stop
bullshit.
Another salesman was listening in, could see my incredulous look,
and later when the lying salesman walked away, I turned to this
other guy who sorta had this apologetic look on his face and I
said "your colleague there is pretty incredible".
He just shook his head and said, "well... what can I say.... he
just... does stuff like that and none of us know why."
db
|
1334.19 | A model music store in Indiana | NATASH::RUSSO | | Mon Jun 12 1989 13:56 | 32 |
|
My favorite music store was (and still is) Mcguire Music in Lafayette,
IN. It was also the ONLY store in the area, so it wasn't too difficult
for me to become a regular there. In the couple of years since I've
moved to this area, I haven't found a store that I have as a first
choice, and generally go to the store that best fits my specific needs
on a given occasion.
They had *LOTS* of *NICE* guitars, and you could try out any of them
without being bothered by a salesman. Off of the main floor were 2
rooms: one room was small and had a stool in the middle. From your
sitting position, you could turn in the chair and reach any of 2 dozen
of the best acoustic guitars they had in stock. I spent a LOT of time
in there when I would pick up strings, music, etc....and was able to play
this one 12 string long enough to realize beyond any reasonable doubt
that I wanted to buy it....so I did!! When I did need any help from a
salesman, I got it, but without any pressure or hassles. The other room
was sound proof, where you could plug into an amp and crank it up without
bothering anyone, or without being bothered by anyone. The place was
great. Another great thing about this place was that I was always treated
very well and with respect, even though I don't look like a professional
musician (and I'm not, either).
But this is also in Indiana, where a music store can get away with being
so cool without getting abused by customers......
Well, that's what I like in a store. If I ran a store, I would do it
that way. But I wouldn't own a store anyway, in a week I'd be sick of 17
year old metal-heads abusing the Gibsons and Marshalls.....
Dave
|
1334.20 | Stock lefty axes | AQUA::OCONNOR | fifty thousand notes and a blaze of unrelated chords | Tue Jun 13 1989 16:43 | 7 |
| I get real tired of being handed a line that they will either get
me the catalog or that I should be able to determine how the guitar
will play by playing a rightie upside down. Stores which give me
the catalog line drive me to MO. If you can't play it there why
pay for the increase and tax.
Joe
|
1334.21 | who do we call | FRETZ::HEISER | evidence that demands a verdict | Mon Oct 19 1992 22:12 | 6 |
| So has any of our dearly departed started their own business? We
could support them with our volume (literally and figuratively).
I'd love to start my own to satisfy GTS.
Mike
|
1334.22 | starting a business? | FRETZ::HEISER | debt free | Thu Apr 29 1993 11:47 | 5 |
| How does one go about starting their own business? Not necessarily a
store, but maybe a "music broker" type arrangement.
thanks,
Mike
|
1334.23 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Thu Apr 29 1993 13:59 | 31 |
|
Yipes. Kinda of a big question to ask.
First I'd look at the marketing research end. Decide if
you can get into it before you go off and really get in to it.
- Who is your competition? How many stores are there in New Engalnd?
What caliber are they? Contact the state(s) and see how many have
gone out of business over the past _x_ years? Tie that information
to the economy? Where are all the stores in regards to populace
centers? Drive all the above into some analysis.
- What do they do/sell?
- Who do they sell to?
Once you become the worlds foremost person on the subject
matter, fine tune your idea to compete.
**************************************
Sorry, the above is disjointed. Got called
away and I can't stay right now either.
There's plenty more to do while looking at
a start up. We'll talk sometime latyer off-line
if you want.
Rick.
|
1334.24 | official roadmap | FRETZ::HEISER | debt free | Thu Apr 29 1993 14:11 | 4 |
| No, I meant in terms of the legalities (i.e., paperwork, licensing,
etc.). I don't know anything about it.
Mike (who's not in New England or Old England)
|
1334.25 | | LEDS::BURATI | What's that...Hawaiian noises... | Thu Apr 29 1993 15:16 | 6 |
| Own my own store? I would take out a huge bank loan. Travel the country
going from guitar show to guitar show. Buy tons (literally) of vintage
guitars and amps. Put them in the store and NEVER UNLOCK THE FRONT DOOR
to let in customers that might actually buy one of these precious pieces
and pry it from my hands. Then the bank would come and seize my assests
and I would hang myself.
|
1334.26 | Okay, how bout this way. | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Apr 30 1993 07:53 | 31 |
|
I used New England only as an example. I guess you're in Colorado
land - I guess? If so, good, Colorado is one of the best states to
incorporate in. Alot of small business incorporate there because you
do not need a CFO and Treasurer.
You want an easy way to do this? Contact the Small Business Admin.
They will give you a mountain-o-paperwork to read through which will
get you started. Another source, call the State house switch board,
or info-line. Tell them what you want to do and they will direct you
to an office that will be more than happy to help you out. [Admin's,
both fed and state, *LOVE* to pretend they help small business. Then
they drive them outta business with regs, taxes and such. But they'll
be there when you want to start up the *NEXT* business. Sigh.]
Rick.
PS: The small business admin can also get you a "SCORE" business
consultant. FREE!!! (Was that SCORE, or something else?)
Be wary of what they say though. There are good and bad.
More bad than good I should say. Just take every thing you
hear with a grain of salt. You'll know good advise when you
hear it.
PSS: When running your own start-up, or small business - you will
probably be your WORSE enemy.
|
1334.27 | | EARRTH::KELLYJ | submit to Barney | Fri Apr 30 1993 11:01 | 1 |
| Rick, SCORE's Service Corps or Retired Executives.
|
1334.28 | I'm from the Government, I'm here to hellllllp you | GOES11::G_HOUSE | Son of Spam | Fri Apr 30 1993 11:21 | 8 |
| Mikey's in Arizona, FWIW.
I would agree about contacting the government, they have people set up
to help ya with this kind of thing. My wife was thinking about
starting a cottage business a couple of years ago and got a bunch of
literature and forms from the Small Business Admin.
Greg
|
1334.29 | | GOOROO::DCLARK | never compromise with mediocrity | Mon May 03 1993 09:09 | 7 |
| re .25
>> going from guitar show to guitar show. Buy tons (literally) of vintage
>> guitars and amps. Put them in the store and NEVER UNLOCK THE FRONT DOOR
10 Les Paul's and 10 Twin's would be all it would take to get to the
"tons" category.
|
1334.30 | | LEDS::BURATI | What's that...Hawaiian noises... | Mon May 03 1993 11:24 | 5 |
| > 10 Les Paul's and 10 Twin's would be all it would take to get to the
> "tons" category.
HA! Or just 2 Marshall Majors. Or 1 SVT.
|
1334.31 | | NWACES::HICKERNELL | But really, what could go wrong? | Mon May 03 1993 12:23 | 3 |
| Or half a B-3.
Dave
|