T.R | Title | User | Personal Name | Date | Lines |
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1328.1 | octavers, harmonizers, pitch shifters | ANT::JACQUES | | Fri Jun 02 1989 10:04 | 28 |
| The older units were all based on Analog technology.
Digital pitch shifter/delays basically do the same thing,
with much better sound quality. I tried a Boss Pitch shifter/
delay stomp box a few weeks ago, but decided not to get one
like it. The reason I didn't like it was because the shift
is controled by a pot and the slightest touch sends the
unit out of tune with the instrument. Rack mount units
with programmable shift are much more stable. No pots to
turn, and less chance of knocking them out of synch.
Pitch shifters are basically the same as "harmonizers". The
ultamate harmonizors are made by Eventide and cost thousands.
The Digitech smart shifter (IPS33) is an inexpensive alternative
to an Eventide. Some of the multi-effects units from A.R.T. etc.
are including pitch shift (limited, but useable). I tried an
A.R.T. multiverb and was quite impressed with the pitch shift.
It is easy to get the interval you want, and it tracks well
with your instrument.
There are quite a few notes in this conf. already about pitch
shifters, harmonizers, etc. I will post the note numbers if
I have time to look for them later. In the mean time, you might
try dir/title="living in perfect harmony", or dir/title="Digitech
IPS33"
Later,
Mark
|
1328.2 | HOW ABOUT COMPRESSION | DUB02::KCAHILL | | Fri Jun 02 1989 11:53 | 5 |
| One way to tidy up the output from an octave box is to stick a
compressor (eg.BOSS CS3 Compressor Sustainer)in series with it.
Compression is pretty essential when using octave boxes with
any sort of distortion,and they also add class to the distortion
effect on its own
|
1328.3 | Analog Beast from 40,000 fathoms.... | CSC32::MOLLER | Nightmare on Sesame Street | Fri Jun 02 1989 15:54 | 18 |
| I have a BOSS Octive box & I can tell you that if your waveform is too
complex, the signal becomes a total mess. It does work (in a manner) for
vocals, it does work (as the design intent) for single notes played at
a time on a six string guitar (not very well on a Bass, but then, why do
you want an octave or 2 lower on a Bass), and very poorly on most patches
from my synth gear.
It doesn't work on complex waveforms, so more than 1 voice, 1 guitar
string or anything too complicated is out of the question.
I use mine to simulate an 8 string Bass guitar, using my 6 string as
input, and for an occasional guitar solo, just to make things sound a
bit different.
I'd love to have a pitch transposer, I think that's what you might be
interested in also.
Jens
|
1328.4 | Built one that works reasonably well . . . | PUMA::BEFUMO | I chase the winds of a prism ship | Mon Jun 05 1989 15:13 | 9 |
| I built the "roctave divider" circuit designed by Craig Anderton
and published in "Guitar Player" magazine. It's strictly an analog
approach, but it has a built in compressor that seems to make it
track *reasonably* well. The trick seems to be adjusting your playing
style to its requirements. WIth guitar, I find that I get decent
results by turning the tone controls all the way down, and picking
with my thumb (to avoid the abrupt attack that a pick produces).
joe
|
1328.5 | | SIGVAX::KARRFALT | I'm a junky for you | Wed Jun 07 1989 09:08 | 10 |
| re: .4
Joe,
What issue of guitar player was this in? How much of your time
and money was involved in the construction?
Brad
|
1328.6 | A PITCH (SHIFT,I SAY SHIFT THAT IS!) FOR BOSS | HAMER::KRON | | Mon Jun 12 1989 10:59 | 8 |
| my 2 cents-buy the boss pitch shift delay-in january mine cost $98.00
and tracks well enough even on bass and you can set any interval
between -1 octave to +1 octave and hook up a tuner to a special
input
it works best w/the bridge p/u on the bass.
talk to ya later!
-bill
|
1328.7 | | NRPUR::DEATON | | Mon Jun 12 1989 11:20 | 15 |
| Thanks all for the advice. I ended up picking up one of the octave
pedals for a decent price. While it seems to have trouble on a couple of notes
on my guitar, overall it does what I want it to. It seems to work better when
you adjust your playing style accordingly. For instance, you can't let notes
ring out while another plays - this confuses the tracking detection circuitry
and just produces garbage. It definately does well when doing quicker runs
(though I don't know how fast it could track - I don't play at lightening
speeds). I used it last weekend in a blue-grass trio I used to perform bass
with and it held the bottom together just fine. I'm going to keep my eyes open
for a used pitch-shifter, though. I could use it for both the bass shifting and
for its delay (which I don't currently have). BTW, how many 'ms' does the delay
function on it support?
Dan
|
1328.8 | What it takes to build one . . . | ROLL::BEFUMO | Technical competence is the servant of creativity | Wed Jun 14 1989 17:12 | 10 |
| re [.5]
I'll take a look & see if I can locate it - it was quite old
though, maybe '86 or so. I'd have to guess that it cose me about
fifteen bucks or so, but I had a lot of resisters, capacitors, etc
laying around in my parts box. It uses an NE370 (I think) compander,
which was the only part that was a bit difficult to find - I tracked
one down in Somerville for under $4.00. I built the unit on a PC
board, and I'd estimate that it took maybe 3 - 4 hours all told.
joe
|