T.R | Title | User | Personal Name | Date | Lines |
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741.2 | my opinion +2 cents! | VIDEO::BUSENBARK | | Mon Jul 25 1988 13:26 | 14 |
| db,
It's better to be a "working" musician than an unemployed snob
waiting to be discovered for the sake of art. ;^)
I've had no problems with the necks on any of my guitars,but maybe
I'm not as sensitive to these changes since I play them daily. I also found
that opening the case and letting the instrument be exposed to the enviroment
before I tune it makes a big difference otherwise you end up retuning.I try to
keep them stored in a room where it would be comfortable for people to be.
Two and half turns of a truss rod seems like an awful lot of adjust-
ment especially all at once.
Rick
|
741.3 | dry out a damp cellar !!! | ANT::JACQUES | | Mon Jul 25 1988 13:47 | 15 |
| I just purchased a dehumidifier a couple weeks ago for my cellar.
Before that it was so damp down there that my tools would start
to get mold growing on them. I don't keep my guitars in the cellar
even with the dehumidifier, but I do keep the rest of my equipment
setup down there. I can't afford to have my amps, and PA equipment
start rusting out on me. The dehumidifier has been running about
12 hrs/day since I plugged it in, but the cellar is nice and dry
now. The rugs I have on the floor have dried out, and the musty
smell is gone. This is a good time of year to find these units on
sale, since all the stores are clearing out seasonal summer items
like dehumidifiers and air-conditioners.
Mark
|
741.4 | Yes, it happens. | POLAR::PENNY | For the Benefit of Mr. Kite | Mon Jul 25 1988 16:26 | 14 |
| Dave, guitar necks will move whenever they undergo a large enough
change in humidity and/or temperature. Leaving an axe in an attic
or basement for storage will definitly cause the neck to change.
This is one of the reasons the strings should be loosened when the
axe will not be played for a period of time. (This is more important
on acoustic instruments, as the neck/body joint and the lower bout
area of the soundboard are most susceptable(sp?) to distortion).
You can expect the necks to try to return to "normal" (wood has
a memory) if you've brought them "out into the air again". Just
keep an eye on them and adjust as necessary. (Whenever tightening
the trussrod, be sure to have the strings *slack*. Tighten, tune,
check. Repeat as many times as needed. Time consuming, but better
than a broken rod or adjustment nut). dep
|
741.5 | Maybe I can MIDI the dehumidifier? | DREGS::BLICKSTEIN | Yo! | Mon Jul 25 1988 16:54 | 39 |
| > Whenever tightening the trussrod, be sure to have the strings *slack*.
I don't even have the option of doing this wrong. My guitar has
a Kahler with a behind-the-nut lock that when in place, makes the
nut of the truss rod inaccessible.
To adjust the truss rod, I loosen the strings, slide the nutlock
out of the way (with the strings still going thru it), and then
turn the rod.
It took me about 4 iterations to get the rod to the correct place
because I was afraid to turn the nut much more than a 1/3-1/2
turn each time based on a warning in a guitar repair book I read.
I wouldn't have even wrote the note if I didn't think this was
highly unusual.
The truth is that my basement (where I keep my guitar) has been
EXTREMELY HUMID. It is normally quite dry (it's a finished basement
with carpeting!!!), but it has been so humid that there were
fairly deep puddles of water on the areas that aren't carpetted and god
knows how what was in or underneath the carpeting.
I noticed in Sundays paper that Lechmere's is having a sale on
dehumidifers so that's where I'm headed after work tonite. I've
been meaning to get it for some time now.
I can always take the guitars upstairs, but I also have other
electronic equipment down there that I'm equally concerned about in the
future (it's pretty dry again right now). I can't be moving the
electronic stuff up and down the stairs at my age.
Thanks to the people who replied.
db
p.s. BTW, In the absence of a dehumidifier, I found that an ordinary
fan blowing air out to other parts of the house (or outside)
seemed to keep the humidity to livable levels.
|
741.7 | this works, too | STAR::KMCDONOUGH | | Mon Jul 25 1988 17:27 | 11 |
| My dehumidifier has an attachment for a drain hose. I put the
dehumidifer up on blocks to make sure that the water ran down and
out and then connected the drain hose to my sump pump. Now I don't
have to worry about emptying the full container. My basement is
also much drier because the dehumidifier doesn't shut itself off
when the container is full.
If you can work it out, it's the best way to go.
Kevin
|
741.8 | mold and mildew | RICKS::CALCAGNI | | Mon Jul 25 1988 18:09 | 13 |
| Wow, a lot of this is going around. I just purchased a dehumidifier
to keep my amps from rusting out in the basement. However, I have
encountered one problem; I practice down there, and the darned
dehumidifier so noisy I have to turn it off while I'm playing.
It really interferes with my being able to hear myself. This one
was a Want-Ads special, but it looks like its in excellent shape.
Are all dehumidifiers noisy?
btw, my Strat has only needed a quarter turn so far this summer;
good thing too, since its the kind where you have to pull the neck
to adjust the truss rod. I don't keep it in the basement though.
/rick
|
741.9 | Appearing now at Lechmere's | DREGS::BLICKSTEIN | Yo! | Tue Jul 26 1988 10:34 | 20 |
| Well, I went out and bought "Lechmere's finest" which was on sale.
It's a Norge, it extracts 40 pints per day (most do 25 pints), has
a big storage tank and has an attachment for draining via a garden
hose (most do). $229, but I'm willing to spend that kind of money
to protect my equipment.
BTW, the Nashua Lechmere's is out-of-stock of this item so if you've
been considering getting one of these, you might wanna swing by
and get a raincheck for one.
Doing this gives you 30 days to decide on whether you really want
one without requiring any kind of committment to actually buy it,
and yet retaining your option to get one at the sale price.
Gee, if you ask me, this turned out to be an interesting topic after
all. An important piece of equipment for maintaining your musical
instruments.
db
|
741.10 | Mass buying power | ANT::JACQUES | | Tue Jul 26 1988 15:14 | 9 |
| I bought mine (Emerson Quiet Cool 40 pint rating) at Percy's
in Worcester for $167. This was the sale price 2 weeks ago, but
it is still available at this price using Mass Buying Power.
With the tax it came to $175. My wife was mad cause I didn't
shop around first, but it turns out I got the best price
anyways.
Mark
|
741.11 | Emerson "Loud Warm"? | RICKS::CALCAGNI | | Tue Jul 26 1988 22:22 | 4 |
| So, I'll repeat my question. Do you find these units annoyingly
noisy or not?
/rick
|
741.13 | dehumidifier vs ac?? | ANT::JACQUES | | Wed Jul 27 1988 09:18 | 17 |
|
I agree, they are noisy, but not as loud as an air conditioner.
They basically are like an air conditioner, in that they draw
the air across some cooling coils, and the humidity condenses
on the coils, then the unit changes cycles, and the coils
warm up so the condensation will drip off into the basin.
I wonder if running an air conditioner in a cellar would
also keep it dry. It seems to me that you could purchase
and operate an air conditioner for a little more than a
de-humidifier, and the celler wouldn't be as hot and
stuffy. It's a thought for later.
Mark
|
741.14 | What's wrong with this picture? | CASPER::EXCHANGE_1 | | Wed Jul 27 1988 09:31 | 15 |
|
Do you think your neck problems could be rooted in the type
of wood used? Because I have my guitars in a room that is subjected
to all sorts of heat + cold, because I have a fan in both windows,
one blowing air in, one taking air out(daytime=HOT, evening=Cool). So
far, I have had no neck problems, the only thing I've detected is the
strings on my acoustic have rusted out a little quicker than usual.
But my electric (maple neck) is fine. Is there something wrong
with my guitar?
BTW, Thinking about it, the fan that blows air in, passes that air
continuously by the necks...Almost aimed at them.
/craig
|
741.15 | My Dehumidifier is Pre-CBS | AQUA::ROST | Life is serious, but art is fun | Wed Jul 27 1988 09:50 | 16 |
|
Well, I don't have an Emerson myself, just a Sears and I noticed
it was a little noisy so I took it down to Stig at Union Music and
had him install a set of EMGs which cleaned up the noise problem
OK.
I'm thinking of having a Floyd installed and then painting it puke
green and adding a grab handle to it.
8^) 8^) 8^) 8^) 8^) 8^) 8^)
|
741.17 | Basement/de-H is the way to go | VOLKS::RYEN | Rick Ryen 285-6248 | Thu Jul 28 1988 13:12 | 23 |
| According to the previous notes, I must be doin the right things.
I keep all my electronics and
Guitars in the basement. I also have a large capacity de-humidifier that
drains into my plumbing so I don't have to think about it, even when I go
on vacation. My electric bills are a bit higher, but my stuff is safe.
I try and keep everything off of the floor, just in case of a
spring flood, but haven't had any problems this year.
Because it's underground, my basement is a very stable environment.
My basement seems to stay at about 70 degrees, and the de-humidifier
keeps it very dry. (I think it also helps to cool it)
Besides keeping my equipment in good shape, I have a good excuse
to go downstairs on hot muggy days and jam. Also, don't have
to worry about waking up the neighborhood when things get loud.
I think this set-up is the best possible, since I have never had to
do any neck adjustments on my maple neck strat (ever), or on my
acoustics. I always keep the acoustic in the case, which helps
it avoid any quick changes in environment, but I get lazy and leave
the strat on a stand. Still no problems.
When I record acoustic with a mic, I shut off the dehumidifier.
|
741.18 | Nightmare on Cox Street | CASPER::EXCHANGE_1 | | Thu Jul 28 1988 13:17 | 19 |
|
Re. -1
Especially in Spring. One of buddies came home one
day to find his equipment under about 2 inches of water (in the
cellar). Think about what this does if you have any of the old mxr
stompboxes; they're completely submerged. he had things plugged in,
I seem to recall a guitar was lying around on the floor, etc...
Real Disaster.
He recovered it all, but needless to say, everything's on platforms
now.
Horror_Stories_From_The_Studio
/craig
ps. Ok, *fine*! Perhaps it's not the type of wood in the neck!!
;^)
|
741.19 | high and portable | SRFSUP::MORRIS | maybe we'll leave come springtime... | Thu Jul 28 1988 20:08 | 8 |
| One neat trick I've found is putting everything I can on wheels.
Either a cart, for mixers and some keys, or one of those $15
thingamajigs that you put on the bottom of a file cabinet to make
it portable. I got a couple of these at K-mart, and now I have
2 advantages: if everything floods, I'm ok, and I can move stuff
around real easy without scarfing the carpet/floor.
Ashley
|
741.20 | Adjustment nut replacement? | ZYMRGY::sam | Up on Cripple Creek | Mon Oct 12 1992 15:29 | 15 |
| Prompted by a problem I had this weekend, and the truss rod discussion
going on in "General Discussion", I thought I'd enter a note here. :-)
I have a Hohner fretless bass which I haven't played for a while in
deferrence to my new Ibanez 5 string. I pulled it out this weekend to
relive fretless memories and found the neck was pretty badly bowed (at
least for one of my guitars). I broke out the allen wrench to adjust
the neck and found, much to my dismay, that the adjustment bolt is
stripped where you "plug the wrench in"! Ie, you can't get a "bite"
with the allen wrench.
Anyone know of a fix for this, short of replacing the truss rod (or neck)?
-- Sam
|
741.21 | | RICKS::CALCAGNI | Buckethead for president | Mon Oct 12 1992 15:38 | 3 |
| Well, you typically don't have to replace the whole truss rod when this
happens, just the adjuster nut. Have a good repairman look at it, my
guess is that it won't be an expensive job.
|
741.22 | You might be buying a new neck... | BSS::STPALY::MOLLER | Fix it before it breaks | Mon Oct 12 1992 17:54 | 11 |
| If the threads are missing from the truss rod, you are not in very good
shape - start calling machine shops about how they might re-tap it while
on the guitar. Taking the fret-board off is not something that you want
to without the right tools (it will take carefully applied heat, unless
it's been epoxied together & then you may have to toss the neck).
It is possible to get a self tapping bolt (machine shops can help find
these and do the work) and fit a new smaller diameter bolt on a truss
rod, but this may not work well if the rod is not real thick to begin with.
Jens
|
741.23 | question.... | XCALBR::BUSENBARK | | Tue Oct 13 1992 07:57 | 8 |
| Jens,
If someone was to replace a fingerboard on an instrument of no
vintage value would you recommend ebony or rosewood and why? What kind of
glue would you use to attach the fingerboard?
Rick
|
741.24 | | RICKS::CALCAGNI | Buckethead for president | Tue Oct 13 1992 09:25 | 11 |
| re a few back
I understood that the hole where the wrench goes in was stripped,
not the threads.
Also note that if you do strip threads, it's much more common to strip
the threads in the nut than on the rod itself. I believe they usually
use a softer metal in the nut just for this reason; it's fairly trivial
to replace an adjuster nut.
/rick
|
741.25 | | GOES11::G_HOUSE | Arms raised in a V | Tue Oct 13 1992 11:21 | 18 |
| re: Rick B. (.23)
JMO, but I think the choice of fretboard wood would be one of personal
preference. If you like the feel of ebony or rosewood better, go with
what you like. Jens may have a different opinion.
The glues usually used for attaching fretboards are either aliphatic
resin, such as Franklin's Titebond or Elmers "Carpender's Wood Glue",
or hot melt hide glue. You'd want to use something like these so that
it can be taken apart again later, something like epoxy would mean that
your neck would be firewood the next time it needed a new fretboard.
If I were doing something like a fretboard, I'd use the aliphatic resin
myself, 'cause the hot melt hide glue is a royal pain in the butt to
work with, even though I already have some hide glue and have used it
successfully for other repairs.
Greg
|
741.26 | thoughts | BSS::STPALY::MOLLER | Fix it before it breaks | Tue Oct 13 1992 11:42 | 22 |
| > If someone was to replace a fingerboard on an instrument of no
>vintage value would you recommend ebony or rosewood and why? What kind of
>glue would you use to attach the fingerboard?
This is a hard question to answer. Who is doing the work? what is the scale
length? How valuable is the instrument?
If this is a first time effort, you can buy preslotted fretboards from
Stewart McDonalds for both Gibson (24 3/4 inch scale) and Fender (25 1/2
inch scale). They even sell some that are pre-fretted. I think that these
are all rosewood.
If you are planning to do this yourself, I would use Rosewood (it's easier
to work than Ebony, and many Ebony boards are shipped not completely seasoned,
Ie. you may need to wait a year before you can use them).
There are glues that are reccomended for this purpose sold by luthier
shops - in particular, look into what is available from Luthiers Mercantile
or Stewart McDonalds. I wouldn't use Elmers or Carpenters Glue, and never
use Epoxy - unless you never think you'll ever work on this neck again.
Jens
|
741.27 | | GOES11::G_HOUSE | Arms raised in a V | Tue Oct 13 1992 12:05 | 20 |
| >I wouldn't use Elmers or Carpenters Glue
According to the luthiery publications I get (from GAL and ASIA), a lot
of modern luthiers are using aliphatic resin glues exclusively, for all
building and repair tasks.
I would agree about not using Elmers White glue (for any guitar repair
job) since it's not very strong, has a lot of thermoplastic creep, and
is susceptible to moisture, but their "Carpenter's" glue (aliphatic
resin) should be ok. The brand of choice seems to be Franklin Titebond
though.
Remember that these glues have a limited shelf life and, while they may
still behave acceptably for other carpentry work, will not retain the
behaviors needed for luthiery work after a certain period of time. I
believe I remember reading 1 year, but I'm not sure on the time. So,
don't use that old bottle of wood glue you've had sitting in the garage
for some indetermined number of years...
Greg
|
741.28 | | ZYMRGY::sam | Up on Cripple Creek | Tue Oct 13 1992 12:46 | 5 |
| re: Stripped threads vs. stripped adjustment nuts - yes, it's just the
allen head corners in the adjustment nut that are stripped, not the truss
rod threads themselves. Thanks for the advice.
-- Sam
|
741.29 | | GOES11::G_HOUSE | Arms raised in a V | Tue Oct 13 1992 14:09 | 9 |
| re: Sam
Depending on the shape and style, you might be able to get in there
with something like a little cutting disc on a Dremel tool to cut a
slot across the head of the adjusting nut so you can turn it with a
screwdriver. Either that or get an "E-z-out" tool to thread into the
hex part of it to let you get it off and replace it.
Greg
|
741.30 | more info.... | XCALBR::BUSENBARK | | Tue Oct 13 1992 15:32 | 18 |
| As far as fingerboard preferences... I've owned both,even though mostly
rosewood..If preferences were based on instruments I'd like to own which
were out of my price range and tones of people I listen to .... Ebony
would be a clear choice....
>This is a hard question to answer. Who is doing the work? what is the scale
>length? How valuable is the instrument?
I have a local luthier who is doing it,the scale length is 24 3/4,as to the
value of the instrument,I have a very slanted opinion. In my opinion the
instrument is un-replaceable. I guess the reason I'm asking questions
is my lack of knowledge of common repair techniques. Due to grooves in the
fingerboard it needs to be replaced. My main concern is anything that will
change the acoustical properties/response of the instrument from the repair.
The local luthier recommended ebony even though the original wood is rose
wood... The cost difference is minimal....
Thanks Greg,Jens....
|
741.31 | Some other thoughts | BSS::STPALY::MOLLER | Fix it before it breaks | Tue Oct 13 1992 18:10 | 35 |
| >The local luthier recommended ebony even though the original wood is rose
>wood... The cost difference is minimal....
If he has Ebony and it is dry (properly aged), and he can cut the fret
slots (Gibsons are common enough that he should have the right templates)
acurately, I'd go with the Ebony. You should get a slightly brighter
sound from this change. Ebony has not come from suppliers fully dried for
the last 15 years. People buy it and set it aside (I have a few Ebony
Fret boards that I've kept for the last 18 years - I know that they are dry)
and then use it when they are ready. There is a high enough demand and a low
enough quanity on the market that this can happen. There are also various
sources of Ebony and some has to be dyed to keep the color consistant
(depending on the source), some 'Ebony' is much less stable than others -
German (which is next to impossible to get - you'll be getting some ones
old stock if you find it) is very stable; the stuff from the far east
(which is what you will probably end up with - it has white streaks in
it unless dyed) is fairly unstable until it is completely dry - this is
why I keep coming back to how well seasoned the wood is. If you trust
your Luthier, then I'd say fine - If you just met him, you may not
like what the outcome is 5 years down the road).
Brazilian Rosewood is probably the least stable 'common' fret board material
you could get, but, I doubt that you could get it even if you wanted it.
Regular Rosewood (Most likely from India) is grown in large plantations that
have grown this wood for the last 200 years - the source is better
managed than many other fret-board materials. It's not necessarily better
sounding, but it's often much more consistant in quality.
I say to avoid Carpenters Glue only because you don't know anything about
it's history and how long it's been sitting on a shelf. I'd stay away
from the heated up Hyde Glue on a fretboard (it would be a challenge to
get this heated up evenly and then attached without messing up the alignment).
Jens
|
741.32 | Don't do it...bodge it! | TRUCKS::LITTEN | | Thu Oct 22 1992 07:16 | 21 |
| that the adjustment bolt is
> stripped where you "plug the wrench in"! Ie, you can't get a "bite"
> with the allen wrench.
Sam,
If you want a "bodge", try fitting a slither of thin sheet steel,
or even the point of a scriber in along with the Allen wrench. If you have
an old set of "feeler gauges" you could try a piece of say up to 5 thou'
about the same width (not thickness) as the Allen side dimension.
In other words, for a worn Allen nut try jamming the wrench in before turning
Also try holding the wrench at an angle as you turn, this has the effect of
jamming one/two of the edges against the nut.
Good luck,
Dave
|
741.33 | Halfway there... | SSDEVO::LAMBERT | Up on Cripple Creek | Thu Oct 22 1992 08:41 | 13 |
| Re: Dave (and others who responded to this)
Thanks for the comment(s). I've managed to remove the old adjustment
nut by using a slightly larger allen wrench ("next size up" in METRIC
as opposed to the SAE size it was originally) and am now looking for
a replacement nut. The only problem is finding one; StewMac sells
Fender and Gibson style adjuster nuts, but they don't appear to be the
same size (length) of the Hohner one. This one looks like a Gibson
"bullet" nut, but it's about 1-�" long. I'll keep looking.
Thanks for the tips!
-- Sam
|
741.34 | Another way of unsticking rounded nuts ... | RUTILE::COX | Man, we're going ballistic ... | Tue Oct 27 1992 08:37 | 10 |
|
use a v small guage drill bit & drill two small holes in the bolt head.
Next take a pair of pointed nose pliers ( like the ones you undo circlips
with ) stick 'em in the holes and twist....
Click click click ... _CRACK_ - oops :)
Cheers,
Nik.
|