Title: | GUITARnotes - Where Every Note has Emotion |
Notice: | Discussion of the finer stringed instruments |
Moderator: | KDX200::COOPER |
Created: | Thu Aug 14 1986 |
Last Modified: | Fri Jun 06 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 3280 |
Total number of notes: | 61432 |
I had a cheap little Fender Squire Strat that I enjoyed playing my BTO and Raisins/Bears covers on, and then, because of too much wang-bar, my plastic nut goes to nut heaven. A friend of mine has an old Carvin with a Brass nut, and it sustains for eons, but he has no whammy-bar. People told me, and it made sense, that a brass nut will cause your strings to catch if you have a tremolo. So I went to Performance Guitars (the guys who make Steve Vai and Dweezil Zappa's guitars) and had them put in a graphite nut and re-set-up the whole thing. It plays like a dream, the action is low (still not a Hamer, but low), and no more fret buzz (unless you bend the high E). The Vibrato assembly now no longer throws the guitar out of tune, (especially the G going sharp) and I boil my strings to give added non-stretchability. Who needs locking tremolos? Who can bear to tune locking-nut-vibrolo-assemblies? How many other names can I call that little arm that causes the strings to go flat? Basically I'm saying graphite nuts and boiling strings help keep me in tune. Amen.
T.R | Title | User | Personal Name | Date | Lines |
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451.1 | What did they do? | CSC32::G_HOUSE | Greg House - CSC/CS | Tue Jan 05 1988 11:46 | 10 |
> So I went to Performance Guitars (the guys who make Steve Vai and > Dweezil Zappa's guitars) and had them put in a graphite nut and > re-set-up the whole thing. Any idea what they did, other than putting in and adjusting the string height with the new nut? Specifically, I'm curious about the tremelo not making the G string sharp. Is this just from the lack of nut friction? Greg - I thot the G string was SUPPOSED to be sharp... | |||||
451.2 | they didn't paint it chartruse | SRFSUP::MORRIS | Curves and a screwball | Tue Jan 05 1988 19:50 | 8 |
Apparently the nut took care of everything. They also shimmed the neck, cleaned out the pickups and all electronics, and messed around with the trussrod and intonated. | |||||
451.3 | Sustain | FPTVX1::SYSTEM | Dave Kinney, Upstate NY | Wed Jan 06 1988 10:35 | 6 |
Did the graphite produce better/as good sustain as the brass, or was this not a consideration. Are there disadvantages to the brass or graphite nut? Dave. | |||||
451.4 | just buy more compressors | SRFSUP::MORRIS | Curves and a screwball | Wed Jan 06 1988 18:43 | 15 |
It seems to me that the brass was better, but for a tremolo, a brass would both catch and hack up my strings. I believe that for a fixed tailpiece (I have done this with my bass) I would use brass, and for a twang-bar I would go with graphite. You sacrifice some sustain with the graphite, but since it is "slippery", it keeps the strings in tune. Aside: Carvin now puts graphite nuts on all of their guitars, whether fixed or tremolo bridges. The graphite nut also had to be hand-ground for each string retainer. Better them than me. Ash in smogland. |