T.R | Title | User | Personal Name | Date | Lines |
---|
450.1 | | INK::BUCKLEY | Street Lethal | Wed Dec 30 1987 10:01 | 9 |
|
I'd recommend either the Music Man 112RD amp (you can get one from
$200 used to 350 new - has channel switching and reverb + good sound
and balls) or one of the newer Marshall combos, like the hybrid 30,
which has channel switching and reverb, but and real different sound
than the Music Man. I'm sure Peavey has some small combos too, but
I don't know about em.
good luck
|
450.2 | Peaveys | AQUA::ROST | December boys got it bad | Wed Dec 30 1987 16:24 | 6 |
|
Some Peavey models to look at are the Bandit and the Special 130.
They are 65 watts and 130 respectively.
|
450.3 | Can it make me sound like Jeff Beck? | CNTROL::MANION | | Wed Dec 30 1987 17:21 | 8 |
| I can also recommend the Peavey Bandit 65. It has Channel switching
via footswitch, reverb, and is pretty good on noise for the price.
The price? About $250 new. If you but one at Daddy's you can get
an additional 6 Months on the warranty. If you buy one at Union
Music, you can get a loaner while yours is in the shop. I've owned
mine for about 2 years and have'nt had any problems. Good Luck.
Tom
|
450.4 | Other notes to check | STAR::KMCDONOUGH | | Wed Dec 30 1987 17:50 | 4 |
| If you haven't already read it, check note #20.
Kevin
|
450.5 | Peavy 130 - LOUD & HEAVY | UHURU::LAMBERT | Skating away... | Tue Jan 05 1988 15:42 | 10 |
| i picked up a used "130 Special" for $175.00 it's LOUD!, it's HEAVY!
it has real good sounds. there are pre-gain, saturation, and post-gain
controls for distortion, and lots of other stuff for variations
in clean sound. plus it has an effects in/out circuit that you
can hook your effects boxes up to in the back. (but, unfortunatly,
the effects footswitch is really a channel switch and doesn't effect
the "effects circuit"). It's a great little amp only about 1.5 x 2
feet. I don't see many used ones for sale though
-max-
|
450.6 | general advice | ODIXIE::BAILEYJI | | Wed Jun 12 1991 11:19 | 29 |
|
Folks,
I've been going through all the dir/tit=amps but am having a
problem, being a novice to this, understanding all the model
numbers, effects, and general jargon that all you experts use.
I'm looking for what I'd guess most of you consider a practice
amp. I'm very much a beginner but like to do things right when
I can and try not to compromise any more than necessary. I'd
like to be able to at least experiment with some of the
effects you all talk about so i can understand them better.
Someone suggested a Fender Sidekick to me but I haven't seen one
around town as yet. I did run into a small Peavy with distortion
and reverb for about $125. He also had a Fender bassman(?) for
about $650 but thats a bit more than I can afford right now.
Maybe someone here has something appropriate for a new guy
that they want to sell.
If this helps, I really love SRV's music, so I'm sure, as time
goes on, I'll be wanting to upgrade to something that can provide
me with those types of sounds.
- ADVICE ? -
--Jim
|
450.7 | More info please... | KERNEL::FLOWERS | Totally rad fretboard demon wannabe... | Wed Jun 12 1991 11:34 | 10 |
|
Hi,
Just a couple of quick questions.
1. What are your price parameters?
2. Does the amp have to be new or would you buy second-hand?
J.
|
450.8 | I'm really not sure | ODIXIE::BAILEYJI | | Wed Jun 12 1991 11:41 | 14 |
|
J.
1. I guess I'm open on price depending on what I get but feel like
I ought to be able to stay under $250 for the kind of amp I'm
talking about here. Is that unrealistic ??
2. Used would be fine ... (Assuming it works properly, of course.)
Please understand how new to this I am. Ask me the right questions
and pin me down. Good learning experience !
--Jim
|
450.9 | Some more ideas.. | KERNEL::FLOWERS | Totally rad fretboard demon wannabe... | Wed Jun 12 1991 12:17 | 28 |
|
OK I don't really know what is available over there, but I would say
that for that sort of money you are talking a solid state amp, a friend
had a Peavey Bandit that sounded quite good, I have a Fender Deluxe 85
that sounded ok...the others I heard recently were a couple of Crate
amp that were really quite nice and a Gorilla pratice amp that for its
size was quite amazing.
However, what I would suggest is, take your guitar to the local music
stores and plug it in to any of the amps they have that are in your
price range....don't worry that you may not be able to play anything,
just have a fiddle and check out what each of the amps do.
*Then* come back here and tell the guys what you personally prefered
(and remember it is ALL personal preference) don't be put off it you
get some replies along the lines of 'you liked the PEAVEY...aw no they
suck!!' they are like that in here....but it is all in good fun.
That way you get to have a think about what you tried out (you don't
make the mistake I did and buy an amp on the spot coz I wanted to go
home and make some noise!) and I'm sure that if any you mention in here
really are bad deals or have reliability problems the guys will tell
you.
Hope it helps.
J. (who sez you really out to play un-amplified till you can afford a
*valve* amp ;-)
|
450.10 | Marshall 5005? | GOES11::G_HOUSE | Nice on ice | Wed Jun 12 1991 12:36 | 24 |
| Jim,
As Jason said, don't shy away from the less expensive amps because many
of us slam them in here. If it sounds good to you and meets your needs
and budget then it's a good buy.
I have a Fender Sidekick 15 and honestly wouldn't recommend it for an
all around practice amp. It's got a decent clean sound, but the tone
controls don't really have a lot of effect and it has very little
overdrive (no heavy distortion). I don't think you'd be happy trying
to get a SRV sound from it. I bought it because you can run it on 12v
from a car.
My favorite small amp is the Marshall 12wt one (5005 I think...). This
is the same amp as the Microstack uses, except in a 1x10 combo version.
I've known many people who owned these and they were all universally
happy with the sound they made. They can be had for around $200 new
and $100-$125 used. The clean sound is really nice, and the partially
distorted and fully distorted sounds are great!
I think you'd find a Stevie Ray kind of sound in there somewhere, with
the right guitar.
Greg
|
450.11 | How bout a used Princeton? | GANTRY::ALLBERY | Jim | Wed Jun 12 1991 12:51 | 11 |
| If you like the SRV-type tone, I would seriously look for a smaller
used Fender tube amp. If I were you, I'd consider a used Princeton
reverb. Princetons are relatively easy to find, and a silver-faced
(mid sixties or early seventies) model can be had for $200 or less.
On the other hand, there are alot of newer solid state amps that can
offer you more "sounds" for the same type of money, but if your mainly
interested in a blues-influenced tone, and don't need alot of volume,
a small Fender tube amp may serve you very well.
Jim
|
450.12 | A word about Fender Sidekicks | LEDS::BURATI | Spanish Castle Magic | Wed Jun 12 1991 13:20 | 19 |
| > Someone suggested a Fender Sidekick to me but I haven't seen one
I bought a Sidekick 25R (25Watt, 10" spkr, reverb) as a practice amp.
Overall, it's not bad but I'm really not too crazy about the sound of
its backend, i.e. amp and speaker. It sounds like a small amp, which of
course, it is. So I can't really complain.
I point out the backend because I very much DO like its preamp. I've
been using its preamp between my gutiar and the input(s) to my main amp
which is an old 50 watt Marshall. I recommend that you check out the
slightly larger Sidekicks if any. The ones with 12" spkrs.
The Sidekick 25R has one channel, headphone out, preamp out, power amp
input and the following controls:
Volume / Gain / Master Vol / Treble / Middle / Bass / Presence / Reverb
I also must say that I've been quite impressed by the sound and
versatility of Peavey's smaller amps.
|
450.13 | | KEBLER::WSC100::COLLUM | What?...What? | Wed Jun 12 1991 14:22 | 11 |
| If you want to push your $250 limit, the best thing I've ever seen for under
$300 is a used Carvin X60. And it's a lot more than just a practice amp. You
could easily gig small clubs with it, play with a band with a drummer, even
a loud one, etc. There have been a couple in here for sale for around $250.
Check out the for sale/wanted note. You might can find one in here.
Otherwise, there are several used Fender all tube amps that can be found in
pawn shops, etc. if you don't need it immediately, and can look around a bit.
Will
|
450.14 | another opinion | EZ2GET::STEWART | No, I mean Real Music. | Wed Jun 12 1991 15:04 | 8 |
|
For $250, you can get a beat-up Twin Reverb - it may need tubes, but
it'll probably play OK. Later on you can fix up the case and replace
the drivers if needed. This is the kind of thing you can invest in and
keep, as opposed to the little practice amps that end up lining the
bottoms of closets.
|
450.15 | Don't Forget Small Used Amps | RGB::ROST | Let me in to do the Popcorn! | Wed Jun 12 1991 15:20 | 24 |
| On this "buy a used <amp name here> for $200" thing vs. buying new...
You can get more value for your $$$ by buying used but you do need to
either know what to check for to make sure the map is worth the $$ or
bring someone who *does* know with you. New stuff you can expect to
work OK or be fixed under warranty if it doesn't.
The real cheap way to go is to buy a small used *tube* amp, something
like 5-20 watts, maybe an 8" or 10" speaker, but an off-brand, *not* a
Fender which has collector's value. I have picked up a couple of old
tube amps for $20 or less that I still use for practicing. Plus,
cranked up, they'll get some of that SRV tone you want, since they use
tubes. These are the sort of amps you find at tag sales or buried in a
pile in the back room of your local music store or pawn shop. Look for
names like Magnatone, Premier, Gibson, Epiphone, Danelectro,
Silvertone, Gretsch, Ampeg, Supro, Traynor...most of these have not
attracted collectors yet, so you can get them cheap.
If you do choose to buy a larger used amp, try to find one with a
master volume control so that you can practice at reasonable volumes.
I certainly agree that buying a larger amp is a good idea since you can
play jams and gigs with it when you're ready, but since the prime focus
early on is *practice*, it's gotta be usable at low volumes and be easy
enough to move around, if you can't leave it set up all the time.
|
450.16 | | PIPPER::KELLYJ | Tone droid | Wed Jun 12 1991 16:03 | 2 |
| Another vote for Princeton Reverbs. 18 *cranking* watts, 10in spkr,
one channel...basic is the word.
|
450.17 | Check the tubes in it... | GANTRY::ALLBERY | Jim | Wed Jun 12 1991 19:18 | 39 |
| RE: off-brand tube amps
Off-brand tube amps can be a real bargain, but check what kind of
tubes are required. Alot of them use tubes that are hard to find, and
expensive when you do find them.
For example, a while back I was looking for a small bass amp, suitable
for practice use. I found this Alamo "Fury" at a store for $50. It
had decent sound, and seemed to meet my needs, so it looked liked a
bargain. Since then, the power amp tubes have started to go. They
are not typical (guitar amp) tubes, and the only supplier I've found
thus far wants $30.00 a piece for replacements (I need two). In
contrast, I recently ordered replacement 6V6 power tubes for my
Fender Deluxe Reverb from Stewart MacDonald for under $20 for a
matched pair.
I've also heard that many of the old Ampegs use other hard-to-find /
expensive tubes.
What are commonly used guitar amp tubes?
Pre-amp:
12AX7 (also called a 7025)
12AT7
Power amp:
6L6
EL-34
6550
6V6
EL-84
I wouldn't necessarily rule out a cool-sounding off-brand amp, just
because it used unusual tubes. I just wanted to offer a word of
caution about the potential longer-term cost of ownership.
Jim
|
450.18 | check out a Super Champ | RICKS::CALCAGNI | The rhythm is implied | Thu Jun 13 1991 11:59 | 14 |
| I agree with the advice re cheap, off brand tube amps. You can
find some amazing bargains.
On the other hand, keep your eyes open for a used Fender Super Champ
(note, NOT a Champ 12). These were made in the early eighties; small
combo (about the size of the a Champ), about 20 watts through a 1x10"
with reverb and channel switching. This amp has a terrific classic
Fender tube clean sound, and three very usable distorted sounds.
Sometimes you find them with a Celestion replacement speaker; even
better! Perfect as a practice and recording amp, and I know people
who actually gig with them too (miked, of course). They sell used
for around $200, but worth every penny imo.
/rick
|
450.19 | Topic #2 | HAMER::KRON | ELECTRIFIED | Thu Jun 13 1991 12:16 | 5 |
| Look for a used bassman.....try topic 2.99999 and then go back a few
when you find out how many replies there were....I seem to recall one
for sale cheap.
-Bill
|
450.20 | best combo next to jcm 900 | CAVLRY::BUCK | sun beats down on the cold steel rails | Thu Jun 13 1991 12:27 | 6 |
| My suggestion?!?
Look for a Fender London Reverb. It was a small combo amp...w/1x12
speaker, 100wt amp, channel switching, two reverbs, switchable 5 band
graphic eq. A lil boogie clone that holds up on it's own!! hard to
find, but run for around $300. If I find one, I'd buy it in a sec!
|
450.21 | | LEDS::ORSI | Cuz I felt like it.....OK!?!! | Thu Jun 13 1991 13:14 | 6 |
|
Buck, there's a Fender London Reverb in the WantADvertizer
this week, although I forget the price.
Neal
|
450.22 | more requirements ? | ODIXIE::BAILEYJI | | Thu Jun 13 1991 13:33 | 33 |
|
WOW ! Thanks for all the input !! As I shop I'll try to consider
the points that have been brought out here.
I've been shopping a bit more (before I read all these replys) and
maybe can address a couple of replies I've seen here.
Today I looked at (all used) :
Randall Stereo Chorus - Chorus, Reverb, Distortion, Channel
Switching and 4 band equalizer. 2 - 10" speakers $250
Peavy Bandit 65 - Same features as Randall minus chorus
1 - 12" speaker $225
Fender Princeton Reverb - Can't remember all the features but I
expect everyone here knows them anyway
$225
Peavy Stereo Chorus 400 - Cant remember all the features - approx
6000-7000 knobs. Footswitch(s)(4 in one
pedal assembly ) for channels, chorus
reverb, ? ..... 2 - 12" speakers $275
I wish now I'd paid more attention to the Princeton per .11 and
.16 but hadn't read these replys yet.
This is getting tougher as I go along but at least I'm learning
some of the terminology. I also know, as a beginner I don't need
all these features, but the sure are fun to experiment with !
I'll keep you posted as shopping continues. Thanks again.
--Jim
|
450.23 | Used Showman at Daddy's $299 | MILKWY::JACQUES | Vintage taste, reissue budget | Fri Jun 14 1991 13:39 | 8 |
| I was in Daddy Junky Music in Shrewsbury yesterday. They have a
Fender Showman amp with 2 10" speakers in mint condition for
$299.00. These amps were made in the early 80's, and feature
channel switching, reverb, and (I think) 100 watts of tube
power. Someone was demo-ing it, and it seemed to have a really
good distortion sound.
Mark
|
450.24 | Super-60 | SMURF::BENNETT | The Flying Gimp | Fri Jun 14 1991 20:55 | 15 |
|
Used Fender Super-60s are turning up around here for ~300.
They're very compact little amps with channel switching and
reverb and a 12" speaker. All tubes.
I second Rick C.'s recommendation for the Super-Champ.
Other amps that are decent bargains in the current market are
the Lab Series L5 - I've seen one for 189. recently - and the
Yamaha G50 and G100 amps with parametric midrange - I've seen
prices under 150.
There was a 100wt Mitchell combo "in mint cond." in the want
advertiser for $100 last week. That's 4 x 6L6 and a damn good
price.
|
450.25 | 100-watt combos...the best? | BUSY::JMINVILLE | | Fri Nov 20 1992 10:26 | 31 |
| O.K. folks, what is the 'best' 100 watt 1x12" tube combo for
under $600?
Must haves:
o Full range of sounds from perfectly clean to mega-hot-rod
death-grundge and everything in between
o Selectable output power (to get cranked sound at low volumes)
o Output impedance selector for matching to various cabs
o Buffered effects loop
o Footswitchable effects loop and ch. switching
Nice to haves:
o 5-band eq
o On-board reverb
o Dir. out
o Not too heavy
What's hot, what's not? Opinions, testimonials, etc....
joe.
|
450.26 | Carvin | TECRUS::TECRUS::ROST | Limo driver for Ringo Starr | Fri Nov 20 1992 10:37 | 6 |
| Carvin X-100 hits most of your bullets, particularly the selectable output
power and graphic EQ stuff.
Not too heavy is relative with tube amps, they are *all* heavy.
Kareem O'Weet
|
450.27 | | RICKS::CALCAGNI | Buckethead for president | Fri Nov 20 1992 11:22 | 2 |
| Hey Joe, latest GP has just what yer lookin fer... a 100wt combo
shootout!
|
450.28 | shootout comments | BUSY::JMINVILLE | | Fri Nov 20 1992 12:11 | 22 |
|
>> Hey Joe, latest GP has just what yer lookin fer... a 100wt combo
>> shootout!
Yeah, I saw the article, but did you see the prices!!! I can't
afford more than 600 clams...
I am very tempted with the Carvin XV112. For $588, I get it
all including footswitch and shipping, but I've never tried
one...
I just need something lighter than my Marshall 4x12 w/2205 head.
It's getting to be a drag lugging it back and forth to rehearsal.
On the other hand, for $588 I could buy:
o A 4-track, or
o A cheap used amp plus SM57 plus new case plus a wah pedal
plus a bunch of other stuff I need...
joe.
|
450.29 | | DECWIN::KMCDONOUGH | Set Kids/Nosick | Fri Nov 20 1992 12:31 | 6 |
|
Why not find a used 4501 or 4101 JCM900 Marshall 1-12 combo?
Kevin
|
450.30 | | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Nov 20 1992 13:10 | 10 |
| I'd say go used, Joe.
Or just getcha a 1x12 (or 2x12) cab and use it with your 2205 head, if
you like the sound. What I used to do was leave a cab where I
practiced and one where I lived and just moved my head back and forth.
Yeah, it's not one piece, but I guess you could getcha some rope...
;^)
Greg
|
450.31 | Experience w/Carvin so far | BUSY::JMINVILLE | | Fri Dec 18 1992 11:43 | 53 |
| I ended up splurging on a Carvin XV112 100 watt 1x12" combo
to use for rehearsal, carrying around to jam sessions, etc.
The amp arrived on 12/04 via UPS. First thing I noticed
was a big hole in the side of the box. Opened it up,
no visible damage to the amp. As a side note, Carvin
does not use the famous 'double-box' method, simply wraps
the amp in plastic and uses eight styrofoam corner blocks.
So, I read the manual (nice manual!), plug it in, power it
up, plug in my guitar and start to play around with it.
Superb clean tone with a nice reverb, bright switch provides
a treble boost (most effective at a volume level of about 3).
Active tone controls are 'radical'. 5-band graphic Eq sup-
plements the bass, mid, treble tone pots and is selectable
for either rhythm or lead channel.
Switch to gain channel. Lots of variety here. However, with
the gain set above 5 or so, I get this weird breaking up sound
from the speaker (reminded me of when there were some bad
capacitors in my Twin once). The master control has a pull for
a 'hot rodded' 20db gain circuit. With this puppy kicked in, the
breaking up gets even worse.
So, I consult the trouble-shooting guide in the back of the
manual. Sounds like a preamp tube. Put in a new one. No
effect. Call Carvin. They say could be power tubes. They
send me four new EL-34's at N/C. They arrived yesterday.
Plugged 'em in, no effect. Call Carvin, they say send the
amp back at N/C and they'll send me a new one right away.
And keep the four new power tubes for your trouble. This
whole thing sounds like UPS dropped the box a time or two.
They were very professional and nice about the whole thing.
I was able to talk to the same person each time I called
from order placement through sending the amp back. So,
back it goes.
Question:
The original power amp tubes were Groove Tubes rated S3 which
I believe means 'soft' with a 'distortion' factor of 3 out of
10 (10 being the cleanest, 1 being the warmest). The replace-
ment tubes are Groove Tubes S7. Since I can use these for
my Marshall 2205 50 watt head also, which ones would you keep,
the S3's or the S7's??? I would guess that the tubes that
came with the amp have some burn-in hours on them as the manual
states, "All X-Amps are fully tested with a 10 hour break-in
period before they leave the factory." Thus, the S3's should
be past their infancy failure rate, but would that stress them?
joe.
|
450.32 | Keep us posted on the sound | GOES11::G_HOUSE | Big cheese, MAKE me! | Fri Dec 18 1992 11:52 | 5 |
| Sounds like a pleasant place to deal with. That's encouraging.
When do you receive your replacement?
Greg
|
450.33 | | GANTRY::ALLBERY | Jim | Fri Dec 18 1992 12:23 | 6 |
| >>> So, I read the manual (nice manual!), plug it in, power it
>>> up, plug in my guitar and start to play around with it.
Amazing self control!!!
Jim (who would have read the manual last)
|
450.34 | ship back the s3's | ROYALT::BUSENBARK | | Fri Dec 18 1992 12:33 | 8 |
| Joe,I would keep the S7's after you throw them in your marshall
to make sure they don't have a problem. I used a set of these in my
50 watt plexie Marshall for a year,and pulled them and gave them to a
friend (when I got rid of the amp).
Rick
|
450.35 | | BUSY::JMINVILLE | | Fri Dec 18 1992 13:11 | 8 |
| Rick,
Thanks for the advice. I'll keep the S7's.
Greg,
The replacement has not arrived yet and won't until I send
back this one.
|
450.36 | One good turn...? | MANTHN::EDD | Jiggle the handle... | Fri Dec 18 1992 15:39 | 5 |
| Since the company was more than happy to ship you a new set of tubes
to replace the ultimately non-faulty originals, may I suggest you
send *both* sets back?
Edd
|