T.R | Title | User | Personal Name | Date | Lines |
---|
162.1 | Not likley | DREGS::BLICKSTEIN | Dave | Mon Feb 09 1987 10:45 | 7 |
| I believe that all Dumbles are custom made and you're not likely
to be able to buy them in a store but I can't say that for sure.
There was an article on them in Guitar Player awhile back that
gave me that impression. Perhaps things have changed since the
article.
db
|
162.2 | hard to find | INK::BUCKLEY | | Mon Feb 09 1987 12:39 | 6 |
| db's right...dumbles are hand-made by the aforementioned. There
is a LONG waiting list/back order period for them, and they're
MEGABUCKS!!! A head is like $1750.00
Good luck,
Bj
|
162.3 | What's a Dumble? | FLOWER::JASNIEWSKI | | Tue Feb 10 1987 07:38 | 17 |
|
What the H is a "Dumble" anyway? What makes them so good,
that they can charge nearly 2K for one? Is "overdrive" all it
can do? That's easy - OH, I get it, instead
of a "Clean / Lead" footswitch, it has
Overdrive1 / Overdrive2, Overdrive3 / Overdrive4 ... Overdrive(n-1)
ect.
I notice even MESA Boogie cant get away without having 3 sounds
available. Someday you'll just type "Clapton" into the remote ascii
keyboard, and your amp will auto configure to have the exact signal
transfer function of Eric's Fender super reverb that he used when
he recorded "Blind Faith"...Hmmmm, that would be a piece of research,
all those performers...all those paramaters...Digital signal processing
Joe Jas
|
162.4 | | BIGALO::BOTTOM_DAVID | | Tue Feb 10 1987 13:33 | 8 |
| When I responded to Semour Duncan's questionaire about amps and
what features I thought were nice to have need to have etc. I toldf
then them three channel (footswitchable) with gain/master volume
for each was necessary, each channel also required it's own three
band eq (bass, mid, treble) and that four band eq (hi mid, lo mid)
was preferable.......obviously they didn't listen....nobody has.
dave
|
162.5 | Not this year! | RAINBO::BUSENBARK | | Tue Feb 10 1987 16:36 | 9 |
| Almost 2k? you got to be kidding! Back in 1978 Mesa Boogies
were around $800 with all the options when I looked at getting a newer
model. I bought a car instead? I've heard several people use them and
had hoped I might try one. Doesn't seem so!
Thanks,
Rick
|
162.6 | One more time! | VIKING::BUSENBARK | | Wed Feb 19 1986 16:02 | 9 |
| Does anyone have the September 1985 Guitar Player magazine with an
article on Howard Dumble who can make me a copy and send it to me? If so send
me some mail or I will order it as a back issue from GPM. The feature player
was John Mclaughlin for that month I think.
Thank's
Rick
|
162.7 | Got it | INK::BUCKLEY | Gertrude Stein Method of Improvisation | Thu Feb 20 1986 09:25 | 6 |
| Hi Rick,
Yes, I have that issue somewhere, if you'd like I could look for
it and MAIL you a copy...ok?
Bj
|
162.8 | thanks!!!!!!! | MOSAIC::BUSENBARK | | Thu Feb 20 1986 10:12 | 5 |
| Thanks goes to all of you who sent me mail and I will let you
know what I find out.
Rick
|
162.9 | Got it! | RAINBO::BUSENBARK | | Tue Feb 25 1986 13:41 | 5 |
| Thanks Tim! For the article on Howard Dumble which is very
impressive and informative! The prices are 2 to 5k as someone mentioned
and involves several preamps to get the sound. They are handbuilt.
Rick
|
162.10 | | HAVASU::HEISER | melodius volumeus maximus | Mon May 13 1991 14:36 | 4 |
| Sounds like it's more than just a modified Twin ;-) I think I'll stick
to Marshalls.
Mike
|
162.11 | They all started somewhere | GOES11::G_HOUSE | Certified Marshall-slut | Mon May 13 1991 18:47 | 8 |
| Well, it's certainly a lot more *expensive* then a Twin (modified or
not).
I suppose one could claim that a Marshall is just a "modified Bassman"
but it's gone through almost 30 years worth of evolution since starting
with a similar design...
Greg
|
162.12 | | KEBLER::WSC100::COLLUM | Oscar's only ostrich oiled an orange owl today | Mon May 13 1991 19:42 | 9 |
| As a comparison, check out the AUDIO conference and you'll see people in there
talking about Krell, single channel (i.e. you need two), power amps, all tube,
for up to $9000. No preamp, no nothing. Just a power amp.
$2000 may not be so bad for custom, hand built, tube technology.
The question is: How bad do you want it?
Will
|
162.13 | great when they work? | LEDS::BURATI | wireless cable? | Tue May 14 1991 20:13 | 5 |
|
The question is will it get you through a gig reliably. see my reply
to "Eric Johnson and Playing Clean" topic. For $2K++ it oughta first
work.
|
162.14 | Lifestyles of the rich and famous | MILKWY::JACQUES | Vintage taste, reissue budget | Thu May 16 1991 13:05 | 52 |
| Regarding Dumbles,
I have read interviews with Howard Dumble and with several artists
that use his amps.
From memory, the late great Lowell George was one of the earliest
endorsors of Dumbles. David Lindley of Jackson Browne fame uses them
exclusively, and Larry Carlton is also a Dumble covertee. The two most
popular models of Dumble amps are the "Steel String Singer", and the
"Overdrive". I think these are only available as heads, but for this much
money, Howard would probably do ya a combo if you wanted. He also makes
matching cabs with your choice of speakers. He recommends EVM's.
His biggest claim to fame on the original "Steel String Singer" model
was that they were "Fenders done right"....basically a bullet-proof Fender
clone, with reliability being one of the major concerns. At one time, Howard
worked for the old Moserite company, and was inventing revolutionary musical
instrument concepts when most of us were still wettin' our diapers. He claims
He put a great deal of effort into designing the amp in such a way that it
was difficult, if not impossible, for someone to reverse engineer and/or
copy the design. His amps have much greater band-width than the Fenders their
based around. He eliminated a lot of the connectors and other vulnerable
electro-mechanical components that Fender uses to increase the reliability
of the amp. I'm surprised to hear that SRV or anyone else for that matter
had so many problems using them. His Overdrive model gets it's sound from
unique feedback circuit that Dumble uses. He claims that his amps get their
tone mainly from the preamp circuitry, not the power amp or speakers. His
power amps are basically hi-fi style amps. He recommends JBL or EVM speakers
but prefers the EV's, and will also install Celestions if the customers
requests. Howard is very picky about who he makes amps for, and probably
turns down a lot of orders from people that are unknown. At any rate, the
lead time for a Dumble amp is well over 6 months. I think the prices being
bandied about in this note are conservative. I believe the average head/cab
combination will set you back close to $5K.
A few years ago when GP interviewed him, he was preparing to introduce
a new series of rackmount components which he called the "Pheonix Series".
The line included rack-mount preamps, amps, and switching gear.
As someone pointed out in a previous reply, Dumbles definately fall
into the category of being "esoteric", meaning they're intented for a small
limited group of people for whom money is no object. Are they really worth
3-4 times as much as say...a Mesa Boogie, or Marshall ?? If people are willing
to pay it, then I guess they're worth it. Bare in mind that every one is hand
made, not mass-produced. Cost reduction is not within Howard Dumble's vocab-
bular.
I sort of see the Dumbles as being more like Mesa Boogies than Marshalls
Mike Soldano's custom amps are more like Marshall than Mesa's. Whatever floats
thy boat !!
Mark
|
162.15 | $$$$$=sound.... | ROYALT::BUSENBARK | | Thu May 16 1991 13:51 | 23 |
| Actually I doubt many people really know what's in a Dumble,but
I'd be hardpressed to even consider calling them a modified twin. I believe
in most models he uses EL34 power tubes.
I read somewhere that a barebones basic Overdrive started at around 2.5k,
effects loop and other items are extra,likewise with the Steel Stringer which
starts around 5k. These prices did not include speakers etc.....and were what
I heard a while ago. So I'm sure they are not real valid,and have probably
gone up. I also heard about his new line,but I've never seen any more on it.
The Ratio control found on Dumbles are part of what gives them
there unique quality of sound. Somewhere it was mentioned he used a 6v6
in the preamp stage,and transformer coupled the preamp to the Power amp
section. His layout and quality of components are also part of his design,
but this is all from memory...
I've heard Dumbles live and they are really pretty incredible
sounding,but then again so was the guitarist using them,Robben Ford :^)
He used 2 Overdrive Specials.....
An interesting note was his footswitch for changing sounds
had 2 buttons with a red and green led,which he alternated between pushing
one or the other and both. The footswitch case was carved out of mahogony.
Rick
|
162.16 | Dumble Bumble | RICKS::CALCAGNI | The rhythm is implied | Thu May 16 1991 18:30 | 8 |
| More stuff you probably didn't really want to know anyway -
Stevie Ray used the Dumble "Steel String Singer" model, and claimed
he liked it because he could turn way up loud and NOT have it break up.
The Singer is, in fact, intended to deliver a clean Fender sound.
For $5K.
/rick
|