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Conference hips::uk_audioo

Title:You get surface noise in real life too
Notice:Let's be conformist
Moderator:GOVT02::BARKER
Created:Thu Jul 28 1988
Last Modified:Mon Jun 02 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:550
Total number of notes:3847

69.0. "HFN/RR Headcase" by KERNEL::BROOKER () Fri Jan 27 1989 08:06







Dave,

	I own a Naim 62/90 amplifier and therefore do not have the facility to 
use headphones.  I see from note 19.2 that you use one of the Hifi news and 
record review accessories called "The Headcase".  I would be grateful if you 
(or anyone else come to that) could give me some details on it, ie size, how 
you plumb it in, if using it in the tape loop do you need to power on the 
pre-amp, does it upset the preamp if placed in close proximity, does it get 
very hot (I understand that it's class A)- and anything else interesting you 
can think to say about it.

					Clive.
T.RTitleUserPersonal
Name
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69.1You found me....BAHTAT::SALLITTDave - @RKG & ICI, 0642432193Fri Jan 27 1989 11:0959
    re .0...
    
    Size....
     About 2" square by around 14" deep; an odd shape, but means it
    fits neatly on a bookshelf near your chair, or alongside other
    components.
    
    Connections....
    It has two sets of phono sockets on the back, in and out, but they're
    in parallel so it doesn't matter. The idea is that the amp's record-out
    line is connected to the Headcase then on to the tapedeck's record-in.
    The tapedeck's playback-out goes direct to the playback-in of the
    amp, as normal.
    
    This, as you may realise, causes problems with Naim preamps, since
    all socketry, other than the BNC phono(is that a contradiction in
    terms?) input, are all DIN. I got around this by getting the Chord
    Co. (a Naim subsidiary, BTW) to make me up a 5-pin DIN/2 phono lead
    like you'd use with a tuner, etc., but using the other two pins
    inside the DIN plug, so that they connect to the preamp's record-out.
    I *could* have made up my own, but I wanted the same quality lead
    as my other Naim interconnects; or used a 5-pin DIN/4 phono, but
    my tapedeck's leads are terminated in a DIN plug and are captive,
    ie soldered, at the tapedeck end - this would have meant two lines
    unused, bad news for picking up noise. It depends on your tapedeck,
    if you have one, which way you do it; if I want use the Headcase
    or tapedeck, I just have to remember to check if I need to swap
    over the cables in the tape socket on the preamp, that's all.
    
    Positioning....
    Mine lives several shelves down on a Sound Organisation Staktable.
    The case is wood, so there would be no screening of hum fields,
    etc., so putting it on the same shelf as the preamp is a no-no.
    
    Use....
    I only switch it on when I want to use it. It's a 500milliwatt class-A
    amplifier, so it gets hot if left on; the output transistors don't have
    heat sinks, but I've been assured that the heat emitted during normal
    use isn't a problem.
    
    Sound quality is very good; a little bit of class-A
    smoothness/sweetness, but that's no bad thing when listening through
    headphones. I use Sennheiser HD430's. I find the bass a little heavy,
    overblown, with most 'phones, in absolute terms; I have a
    hunch that putting it in a bigger case will allow me to use a more
    hefty transformer (the standard one seems a very flimsy item), which
    should tighten the bass a little. Don't get that out of proportion,
    though, I've had the beast a while now and haven't felt the need
    to rush off and change the transformer yet.

    The preamp needs to be powered on. If listening to a CD player,
    you can leave out the preamp altogether, though; use the output
    *not* controlled by the CD player's volume control - assuming you
    have a choice - as these are usually a bit cheap'n'nasty; the volume 
    pot in the Headcase is a hi-grade ALPS item.

    Basically, I'd recommend it.
    
    Dave