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Title: | All about Scandinavia |
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Moderator: | TLE::SAVAGE |
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Created: | Wed Dec 11 1985 |
Last Modified: | Tue Jun 03 1997 |
Last Successful Update: | Fri Jun 06 1997 |
Number of topics: | 603 |
Total number of notes: | 4325 |
478.0. "G�teborg Univ. plans Musicology conference" by TLE::SAVAGE () Tue Sep 12 1995 12:37
To: "International Swedish Interest discussion list"
From: [email protected] (Gary Berkson)
Subj: Conference on Music and Gender, Gothenburg
---------- Forwarded message ----------
From: Margaret.Myers <[email protected]>
CONFERENCE ON MUSIC, GENDER AND PEDAGOGICS,
GOTEBORG, SWEDEN, 26-28/4 1996
Goteborg University Department of Musicology plans a three-day
international conference on music, gender, and pedagogics, to be held
26-28/4 1996 in Goteborg (Gothenburg), Sweden. 15 speakers will present
papers. An important part of the conference will consist of discussions
based upon these papers which will be sent in the form of a working
compendium to all participants before the conference. Discussions will
be led by a chair and the author of each paper. The language of the
conference will be English. The 3 conference themes are interpreted
with reference to a pedagogical framework:
1. Women musicians and gender politics
2. Masculine and feminine in music activities and institutions
3. Gender, music theory and analysis
The speakers are: Marcia J Citron (USA), Beverley Diamond (CAN),
Marjorie Glynne-Jones (UK), David Hargreaves (UK), Marcia Herndon
(USA), Regina Himmelbauer (A), Jarna Knuuttila (FIN), Ellen Koskoff
(USA), Roberta Lamb (CAN), Richard Leppert (USA), Pirkko Moisala (FIN),
Eva Ohrstrom (S), Bengt Olsson (S), Karin Pendle (USA), Eva Rieger (D),
Margaret Lucy Wilkins (UK).
There is space in the programme 26-28/4 1996 for other speakers to
present 20-minute papers. There are also places for those who would
like to participate without giving a paper. For both categories, the
conference fee is US $60 or 450 Skr. You are invited to contact Dr
Margaret Myers in order to reserve your conference place and also to
book accommodation. Those who would like to present a paper should send
an abstract and a brief CV by 1 December 1995.
Dr Margaret Myers, Conference Organiser,
Goteborg University Department of Music,
Box 5439, S-402 29 Goteborg, Sweden
Tel: +46-31-773 40 82 or -773 40 83
=46ax: +46-31-773 40 89
e-mail: [email protected]
On Monday 29/4 1996, a meeting of the ICTM Music and Gender Group will
be held, hosted by the University of Goteborg Department of Music.
Please contact the joint chairs for information :
1) Dr Marcia Herndon, Music Dept/Tawes,
University of Maryland, College Park, MD 20742, USA.
e-mail: [email protected],
2) Dr Pirkko Moisala, University of Turku, Musicology,
SF-20500 Turku, FINLAND.
tel: +358-21-876 673, fax: +538-21-633 65 60,
e-mail: [email protected].
SPEAKERS AT THE GOTEBORG CONFERENCE
Dr Marcia J Citron
Professor of Musicology, Rice University, Houston Texas, USA
GENDER AND ANALYSIS: CECILE CHAMINADE'S PIANO SONATA OP. 21
Dr Beverley Diamond
Professor of Ethnomusicology & Musicology, York University, Toronto, CAN.
FEMINISM IN THE MUSIC SCHOOL: STRATEGIES FOR CONFRONTING OUR CRITICS
Ms Marjorie Glynne-Jones
Registered Inspector, Freelance Inspector and Consultant, Essex, UK
PROMISE FULFILLED? MUSIC IN SECONDARY SCHOOLS
Dr David Hargreaves
Reader in Psychology, University of Leicester, UK, Visiting Professor
of Research in Music Education, G=96teborg University, Sweden
GENDER & COMPUTERS IN MUSIC EDUCATION: AN ANGLO-SWEDISH STUDY
Dr Marcia Herndon
Professor of Ethnomusicology, University of Maryland, USA
BASIC ASSUMPTIONS: CANON OR CAULDRON?
Mag. Regina Himmelbauer
Lecturer at the Eisenstadt Music Conservatory, Vienna, Austria
EDUCATION AS A MEANS OF GENDER POLITICS
Mag. Jarna Knuuttila
Research assistant, Dept. of Psychology, University of Joensuu, Finland
REPRODUCTION OF GENDER HIERARCHY IN THE CASE OF AMATEUR ALL-GIRL
ROCKBANDS IN FINLAND
Dr Ellen Koskoff
Associate Professor of Ethnomusicology, Department of Musicology, The
Eastman School of Music of the University of Rochester, New York, USA
IS FEMALE TO MALE AS POSTMODERN IS TO MODERN? IMPLICATIONS FOR THE
TEACHING OF ETHNOMUSICOLOGY
Dr Roberta Lamb
Ed. D., Assistant Professor, Queen's University, Kingston, Ontario,
CAN.
'TO BE THE WOMAN I AM'/'YOU ARE NOT YOUR OWN SELF': WOMEN'S
CONTRADICTORY EXPERIENCES OF MENTOR/APPRENTICE PEDAGOGY IN MUSIC
Dr Richard Leppert
Professor and Chair, Department of Cultural Studies and Comparative
Literature, University of Minnesota, Minneapolis, USA
THE SONORIC BODY: SOCIO-SEXUAL HARMONY -- ACTS OF VENGEANCE
Dr Pirkko Moisala
Associate Professor of Ethnomusicology, Department of Musicology,
University of Turku, Finland
GENDER, MUSIC EDUCATION, AND MUSICAL EXPERIENCE
Dr Karin Pendle
Professor of Musicology, College-Conservatory of Music, Cincinnati, USA
OTHER OTHERS: AN APPROACH TO THE MUSIC OF MODERN AFRICAN-AMERICAN WOMEN
Dr Eva Rieger
Professor of Musicology, University of Bremen, Germany
MUSIC AND GENDER IN HOLLYWOOD FILM
Margaret Lucy Wilkins
Composer, Senior Lecturer in Music, University of Huddersfield, UK
'THERE ARE NO WOMEN COMPOSERS, THERE NEVER HAVE BEEN ANY AND POSSIBLY
THERE NEVER WILL BE'. SIR THOMAS BEECHAM
Dr Eva �hrstr�m, Senior Lecturer, Department of Musicology,
University of Uppsala
GENDER STRUCTURE IN HIGHER EDUCATION IN SWEDEN 1860-1990. TRENDS AND
TENDENCIES.
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