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I went to the theatre to see a movie I saw in a listing. It turned out
it wasn't playing but FC was playing at the same time.
I liked "Wanda," it was a charming little low-key film which had it's
moments. I particularly enjoyed the bits comparing Americans to Brits
and several other classic Cleese-wit moments.
FC had none of the charm, none of the wit, and none of the understated
humour that "Wanda" had. This was one lame film - through and through.
Not much thought at all went into it. A poor performance from all
involved I thought, even Kline who had the more 'difficult' role.
This film has nothing in common with "Wanda" and probably was made in
a quarter the time and effort of "Wanda."
I wouldn't even recommend it as a rental, any made-for-TV movie on that
night would beat it. Anything on PBS definitely will...
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| [Got this off of Boxoffice Online (http://www.boxoff.com). - NE]
[Review]
Boxoffice Movie Review Search
FIERCE CREATURES
***
Starring John Cleese, Jamie Lee Curtis, Kevin Kline and Michael
Palin. Directed by Robert Young and Fred Schepisi. Written by John
Cleese and Iain Johnstone. Produced by Michael Shamberg and John
Cleese. A Universal release. Comedy. Rated PG-13 for sexual innuendo
and language. Running time 93 min.
Funny. Not quite as perfectly formed funny as the starring cast's
previous collaboration, "A Fish Called Wanda," but nevertheless
"Fierce Creatures" is laugh, giggle and chuckle provoking. The film
contains all that should be hoped for in a farce: men in
compromising positions with their pants down around their ankles;
good-looking, smart women; and enough pointed satire about issues
that matter to give true bite to the jokes.
The struggles of a little zoo to stay true to its animals in the
face of a powerbroker takeover works as an apt example of corporate
downsizing and its ugly consequences. The stars all fit naturally
into their roles, especially Kevin Kline doing double duty as a
vulgar Australian tycoon and his inane but equally greedy son. John
Cleese, as a rigid chap who is essentially a good egg, and Michael
Palin, as a verbally dexterous know-it-all, do variations on the
types that made them famous; Jamie Lee Curtis, as a glamorous
executive whose ambitions wilt amid the mammals, manages to be foil,
decoration, catalyst and emotional core with consummate ease.
The real animals, particularly a lemur (played by four of the
charming creatures), are totally appealing and could probably have
merited more screen time, though it is a shame that animatronics
were needed here and there. A crucial, emotion-altering instance
with Curtis and a gorilla is undercut by this technology, despite
the best efforts of both the actress and the artificial animal. This
use of special effects in making the movie, though probably
unavoidable, also undercuts a good joke in the script about their
use in the restructuring of the zoo into a theme park.
The script is more a collection of slaphappy scenes than a
seamless whole, and the work of two directors probably didn't help
in this area. (Fred Schepisi came in after some negative preview
testing to reshoot sequences for which Robert Young wasn't
available.) But, despite the various bumps, jerks and missteps in
the whole, the point really is that Cleese in bed with one unusual
animal is always worth a laugh, and this time he's on the wrong side
of the blanket with five. -Bridget Byrne
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