T.R | Title | User | Personal Name | Date | Lines |
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996.1 | | BUSY::SLABOUNTY | Tearin' it up in the daytime ... | Tue Jan 02 1996 10:54 | 5 |
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I rented this about 5 years ago or so and LOVED it. Not sure
how it compares to reality, but as a movie I thought it was
excellent.
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996.2 | | SUFRNG::WSA038::SATTERFIELD | Close enough for jazz. | Tue Jan 02 1996 13:58 | 7 |
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Directed by one of my favorite modern directors, Lawrence Kasdan. He has
frequently used Kevin Kline in his films, including his latest, _French Kiss_.
Randy
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996.3 | My Take | TNPUBS::MILGROM | | Tue Jan 02 1996 17:19 | 45 |
| This movie touched me very deeply. It is about the only movie in the past
five or so years that I have seen twice. I am surprised that the TV guide
said it was shallow! I think there is a lot of symbolism in the movie and
probably the TV Guide critic missed it. It's been a while since I last
saw the movie and, though my memory is good, it is very short - so I can't
pull out all the neat metaphors and symbolism that I enjoyed back at those
sittings. But a few:
The movie plot interweaves several characters and families from different
races and classes in Los Angeles. The contrasts and differences are
striking, and as deep as the Grand Canyon. Yet some of those
differences are as beautiful as the grand canyon. It's something carved
into the earth threw many thousands of years. Not something to undo. Just
something to admire and respect.
As for the difference between classes, that is not beautiful. This
kind of difference, the huge chasm that it defines, cannot be overlooked
either. The rich and affluent cannot hide or
look away from the shameful injustices and faults that permeate this society.
Los Angeles is a perfect setting and example for this. The San Andreas fault
waits underneath to shake everyone up, rich and poor alike. But most of all,
the greatest devastation is what is happening above the ground, in a country
that idolizes tinsel stars and movies that sell on the violence
that grows out of these injustices. The threat of violence, and the
fulfillment of that threat, happens every day, much more often and with much
more ugliness than the earthquakes. The violence creates more separation
and more violence. Earthquakes, at least, bring people together, and
often they bring out the best of people. Generally, a major earthquake is
followed by reconstruction...
At the movie's end, the main characters and their families, blacks and
whites, travel from Los Angeles to the Grand Canyon. They stand
arm in arm, in awe and wonder before the power and beauty of nature
and time. And that power has no rival. Before the Grand Canyon,
they can leave Los Angeles and the hell humans have created
there behind them -- at least for a while. Before the wonders of nature,
all differences diminish in importance. The Grand Canyon will be there
possibly for eons to come...
... A little bit on the idealistic side, but we can use some of that kind of
idealism today!
- Phil<
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996.4 | | KERNEL::PLANTC | To tell you the truth, Not so much! | Wed Jan 03 1996 04:39 | 10 |
|
I really liked this film!
I think it really does reflect what society is like in ghetto areas. A bit
scary but a reality.
The film was very well done! I give it a thumbs up!
Chris
:)
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996.5 | Mary McDonnell | REFDV1::MURPHY | Symbolic stack dump follows... | Wed Jan 03 1996 11:52 | 16 |
| I also loved this film. Very invoking. It stuck with me for weeks
after. The entire cast was wonderful, exspoecially Mary McDonnel's
character. I liked seeing her act as someone besides stands-with-a-fist,
I wish she never decided to do a TV sitcom the likes of "High Society".
She's paired up with Jean Smart, who plays a neurotic. All the other
characters are also highly fabricated and unconvincing. And they are
attempting to deliver thoughtful humorous episodes, but falling
terribly short.
She should stick with feature films of a dramatic nature. She's a
dramatic actress.
I think this "High Society" thing might be ruining her image.
Steve
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996.6 | | WRKSYS::LASKY | | Thu Jan 04 1996 08:39 | 7 |
| Cast another vote positive vote from me. I seen this flick when it
first came out and I remember now just how much I enjoyed it. It also
reminded me just how much I like Danny Glover.
Very good movie,
Bart
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996.7 | | TECWT2::BOUDREAU | | Thu Jan 04 1996 10:06 | 16 |
|
Aother aye. I saw it in the theater and loved it. I thought that was only about
three years ago, though.
> I am left with the impression that many folks in the US own side arms,
I'd say a small, but getting bigger all the time, fraction of Americans own
firearms. Though it is a Constitional right for us to get a Firearms
Identification (FID) Card, getting a license to carry, which is needed for a
for a handgun, is a fairly bureaucratic process. And getting a license to
conceal a handgun - carry it around with you - is very difficult. But
these bureaucratic standards only apply to the law-abiding. Many of those who
don't bother filling out applications and paying fees would just as soon
shoot you as to say hello.
-SB
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996.8 | Could have been called "A Trip To Fantasyland" | TNPUBS::NAZZARO | Syracuse fan for a week | Thu Jan 04 1996 13:29 | 6 |
| Here's an opposite opinion. I'm not a big fan of Kasdan, and I thought
this was his worst movie. To me, the plot was contrived, most of the
characters were caricatures (especially Steve Martin), and the end of
the movie was so sappy it made me gag.
NAZZ
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